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Alice Brown Chittenden

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413: 194: 213: 397: 246: 325: 31: 428: 265: 341: 1265: 170:(October 14, 1859 – October 13, 1944) was an American painter based in San Francisco, California who specialized in flowers, portraits, and landscapes. Her life's work was a collection of botanicals depicting California wildflowers, for which she is renowned and received gold and silver medals at expositions. She taught at the Mark Hopkins Institute of Art (now the 306:
newspaper in March 1895. She gathered many specimens herself locally in the San Francisco Bay Area but also during long trips via horseback and stagecoach to the Sierra Nevada Mountains or the deserts of Southern California. These studies were painted using oils on paper. She received assistance from
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In 1965, 261 oil paintings of wildflowers were exhibited at the California Historical Society. The studies had been in storage at the California Academy of Sciences. A limited publication of 1,000 copies of four of her wildflower paintings was printed and issued in 1968 by Lawton and Alfred Kennedy.
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in Chicago, Illinois. In 1885 the San Francisco Art Association held an all-women's exhibition, thought to be the first major exhibition of that type in the United States, that included Chittenden's works. She exhibited at the all-male Bohemian Club Winter Picture Show in 1895, although not a member
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She painted throughout her life. Although she did travel to the East Coast of the United States, Italy and France to study and exhibit during her life, her career was rooted in San Francisco where she was considered the "Grand Dame" of Nineteenth Century San Francisco women artists, who was said to
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As educational opportunities were made more available in the 19th century, women artists became part of professional enterprises, including founding their own art associations. Artwork made by women was considered to be inferior, and to help overcome that stereotype women became "increasingly vocal
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She married Charles Parshall Overton in 1886 but left him and returned to her parents home in 1887, a few months before her daughter Miriam Overton was born in 1887. Overton became vice president and manager of the Union Fish Company in San Francisco. Alice was divorced by 1900 when she and her
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She created many paintings of flowers, especially roses, chrysanthemums, and peonies. Her life's work was a series of more than 256 botanical paintings of 350 varieties of California wildflowers executed over a period of 50 years. Chittenden was named the leading flower painter of America in
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Her father worked in wood mills in San Francisco. She attended Denman Grammar School and won a silver medal for being at the top of her class when she graduated in 1876. She studied with Virgil Williams at the School of Design (later known as the California School of Fine Arts and, today,
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From the love of wildflowers, she undertook to paint the native wild flowers of the State, and so good was her success that she went in for more ambitious work and has painted some wonderful roses, peonies, pelargoniums and other flowers that have been awarded highest prizes whenever
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on October 14, 1859 to Joseph Gladding Chittenden and Ann Miriam Green Chittenden. Her parents had settled in San Francisco in 1858 from New York, but her mother returned to New York to await her birth. She had a sister, Carrie, who was two years younger than herself.
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Alice B. Chittenden, sheet 11 A, 1940 San Francisco, CA census. United States of America, Bureau of the Census. Sixteenth Census of the United States, 1940. Washington, D.C.: National Archives and Records Administration, 1940. T627, 4,643
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daughter, Miriam, lived with her mother on Octavia Street in San Francisco. Her sister, Carrie, and her family also lived with Ann M. Chittenden. Carrie's husband was William Taylor, a sea captain. Chitterden never remarried.
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Alice B. Chittenden, 1900 census, San Francisco, CA. United States of America, Bureau of the Census. Twelfth Census of the United States, 1900. Washington, D.C.: National Archives and Records Administration, 1900. T623, 1854
455:) at California University and in 1902 lectured at the Brooklyn Institute on "Wild Flowers of California". In 1907 through at least 1918 Chittenden was an assistant professor of drawing at the California School of Design. 683:
1880 census, San Francisco, California. Tenth Census of the United States, 1880. (NARA microfilm publication T9, 1,454 rolls). Records of the Bureau of the Census, Record Group 29. National Archives, Washington,
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Compiled from the original thirty-four volumes of American Art Annual: Who's Who in Art, Biographies of American Artists Active from 1898 to 1947. Edited by Peter Hastings Falk. Madison, CT: Sound View Press,
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In 1855 they lived in Rochester, New York and had a 10-year-old boy, Alexander B. Crittenden, living with them. Ann M. Chittenden gave birth to five children, only 2 of which reached adulthood.
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Overton was listed as her husband on Chittenden's funeral records, but she identified herself as divorced in the 1940 federal census. At that time her widowed sister, Carrie, lived with her.
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In 1941 she retired from her teaching position at the California School of Fine Arts and was made a lifetime member of the San Francisco Art Association for her distinguished career.
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Alice Brown Chittenden, died October 13, 1944. San Francisco Area Funeral Home Records, 1895–1985. Microfilm publication, 1129 rolls. Researchity. San Francisco, California.
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Joseph G. Chittenden, Rochester City, Ward 02, New York, page 3 of 28. Census of the state of New York, for 1855. Microfilm. New York State Archives, Albany, New York.
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Chittenden was the first woman to be a juror of the San Francisco Art Association exhibitions. In 1906, she helped organize the Women's Sketch Club. She exhibited at
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who donated funds to build the first Boalt Hall which houses the University of California School of Law at UC Berkeley. She also painted many landscapes.
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Alice Brown Chittenden died on October 13, 1944 in San Francisco and funeral services were held in the city at the N. Gray and Company funeral home.
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and confident" in promoting women's work, and thus became part of the emerging image of the educated, modern and freer "
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Alice Brown Chittenden: Reconsidering the Role of San Francisco Women Artists in the Late 19th and Early 20th Centuries
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Alice Brown Chittenden: Reconsidering the Role of San Francisco Women Artists in the late 19th and early 20th Centuries
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two paintings (one of chrysanthemums and another of roses) at the California State Building at the 1893
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Embracing Scenes about Lakes Tahoe & Donner: Painters, Illustrators & Sketch Artists 1855–1915
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Embracing Scenes about Lakes Tahoe & Donner: Painters, Illustrators & Sketch Artists 1855–1915
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Embracing Scenes about Lakes Tahoe & Donner: Painters, Illustrators & Sketch Artists 1855–1915
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An exhibit entitled "California Native Trees" was held in 1992 at the Helen Crocker Russell Library,
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by Elizabeth Baldwin in 1974, which was transferred to microfilm and a copy of which is held at the
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Her works were so precise that they added not only to art, but also to the field of science.
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Gold medal for Flower Painting: San Francisco Exposition of Arts and Industries, 1891
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Phelan Building, San Francisco, where Chittenden had a studio in the 1880s.
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She also painted many portraits, often with pastels. She made portraits of
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University of California (1868–1952); University of California, Berkeley.
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At Home in the Studio: The Professionalization of Women Artists in America
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At Home in the Studio: The Professionalization of Women Artists in America
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In the 1880s she had a studio in San Francisco on the fourth floor of the
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San Francisco Art Association. June, 1902, Volume 1, Number 5. Online at
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She taught art beginning in 1897 at the Hopkins Art School (later the
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have "evinces a powerful genius" through the "magic of her brush."
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The Mark Hopkins Institute Review of Art: An Illustrated Magazine.
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Silver Medal: California Mid Winter International Exposition, 1894
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1894 California Midwinter Fair Women Artists: An Appreciation
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of the club she was uncommonly invited to attend the show.
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John D. Olmsted; Alice Brown Chittenden; Lawton Kennedy.
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John Sutter: Sutter's Fort and the California Gold Rush
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Silver Medal: San Francisco Industrial Exposition, 1893
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Alice Eastwood; Edward Hohfeld; May Treat Morrison.
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1894 Midwinter Fair: Women Artists, an appreciation
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Co. p.  462:in New York and in 1908 at the Salon of 426: 161:Gold and silver medals from 1891 to 1905 1192: 1086: 896: 887:. New York Times Company; 1917. p. 457. 638: 311:, who was the curator of botany at the 1776: 911: 754: 605: 1285: 555:Lewis and Clark Centennial Exposition 363:What Our Artists will sent to Chicago 1824:20th-century American women painters 1814:19th-century American women painters 1183:University of California, Berkeley. 1174:. The University Press; 1913. p. 20. 1153:University of California, Berkeley. 1075:. The Rosen Publishing Group; 2004. 671:Larribeau. Retrieved March 21, 2014. 1186:Register – University of California 1092: 1060:Found SF. Retrieved March 21, 2014. 13: 1794:San Francisco Art Institute alumni 1313:New Woman of the late 19th century 1230: 865:. Harvard University Press; 2001. 842:. Harvard University Press; 2001. 478:University of California, Berkeley 14: 1835: 1258: 1263: 1171:Register ...: With announcements 645:. Great West Books. p. 45. 610:Artists in California, 1786-1940 411: 395: 339: 323: 263: 258:pastels, 22 3/4” x 32 3/4”, 1893 244: 211: 192: 177: 1277:Alice Brown Chittenden web site 1222:Thimbleberry, Rubus Parviflorus 1214: 1204: 1162: 1147: 1129: 1063: 1048: 1030: 964: 905: 890: 876: 853: 830: 812: 577: 548:Alaska-Yukon-Pacific Exposition 509:Smithsonian American Art Museum 507:Her papers were donated to the 1819:20th-century American painters 1809:19th-century American painters 820:"Contesting Her Father's Will" 687: 659: 632: 568: 498:San Francisco Botanical Garden 313:California Academy of Sciences 1: 1560:(Mary Chavelita Dunne Bright) 590: 464:SociĂ©tĂ© des Artistes Français 1699:The Case of Rebellious Susan 1251:Who Was Who in American Art. 606:Hughes, Dean Milton (1986). 445:World's Columbian Exposition 279: 225:pastels, 23 ½” x 19 ½” 1893 7: 1784:Painters from San Francisco 1665:The Story of a Modern Woman 1143:http://sunsite.berkeley.edu 453:California School of Design 233:San Francisco Art Institute 202:Ann Miriam Green Chittenden 172:San Francisco Art Institute 10: 1840: 1522:Elizabeth Barrett Browning 1391:Jennie Augusta Brownscombe 1019:. Great West Books; 2003. 972:"Alice Chittenden Honored" 953:. Great West Books; 2003. 801:. Great West Books; 2003. 541:World Columbian Exposition 460:National Academy of Design 221:Joseph Gladding Chittenden 82:Cypress Lawn Memorial Park 1601: 1583: 1514: 1366:Sophie Gengembre Anderson 1343: 1320: 1245:Alice Eastwood Collection 897:Deville, Rebecca (2007). 639:Lekisch, Barbara (2003). 518: 490:Fairy Lantern, Globe Lily 480:, the paintings included 292: 272:Garden on Octavia Street, 157: 149: 141: 130: 122: 77: 58: 37: 28: 21: 1737:Mrs. Warren's Profession 1436:Wilhelmina Weber Furlong 1119:"Mrs. Chittenden's Work" 884:The New York Times Index 561: 494:Common Evening Primrose. 418:Alice Brown Chittenden, 402:Alice Brown Chittenden, 346:Alice Brown Chittenden, 330:Alice Brown Chittenden, 270:Alice Brown Chittenden, 1441:Elizabeth Shippen Green 1431:Susan Stuart Frackelton 734:"Biographical Sketches" 304:Kate Field's Washington 251:Alice Brown Chittenden, 218:Alice Brown Chittenden, 199:Alice Brown Chittenden, 182:Chittenden was born in 134:Virgil Williams at the 107:37.67000°N 122.458000°W 1617:The Portrait of a Lady 1416:Alice Brown Chittenden 1396:Julia Margaret Cameron 1270:Alice Brown Chittenden 824:San Francisco Examiner 779:Alice Brown Chitterden 432: 380:California State Parks 368: 206:oil, 32 ½” x 38”, 1900 168:Alice Brown Chittenden 23:Alice Brown Chittenden 1725:The Romance of a Shop 1476:Elizabeth Okie Paxton 1325:19th-century feminism 1272:at Wikimedia Commons 1224:. J.D. Olmsted; 1968. 430: 420:La Seine at Bougival, 354: 174:) from 1897 to 1941. 112:37.67000; -122.458000 1620:(serialized 1880–81) 1593:Alice Freeman Palmer 1491:Jessie Willcox Smith 1125:. December 12, 1892. 912:Silver, Mae (1994). 384:Robert Gordon Sproul 1744:George Bernard Shaw 1732:George Bernard Shaw 1660:Ella Hepworth Dixon 1547:Ella Hepworth Dixon 1486:Pamela Colman Smith 1426:Emma Lampert Cooper 1330:First-wave feminism 826:. January 30, 1917. 184:Brockport, New York 103: /  52:Brockport, New York 1695:Henry Arthur Jones 1406:Minerva J. Chapman 1315:(born before 1880) 1123:San Francisco Call 543:, Chicago, 1902–03 482:Chamomile, Mayweed 433: 315:in San Francisco. 153:Charles P. Overton 1771: 1770: 1716:(serialized 1878) 1624:Elizabeth Barrett 1610:Isabel Archer in 1537:Annie Sophie Cory 1268:Media related to 1236:Rebecca Deville. 1081:978-0-8239-6630-1 1025:978-0-944220-14-6 1013:Barbara Lekisch. 959:978-0-944220-14-6 947:Barbara Lekisch. 871:978-0-674-00486-3 859:Laura R. Prieto. 848:978-0-674-00486-3 836:Laura R. Prieto. 807:978-0-944220-14-6 795:Barbara Lekisch. 557:of Portland, 1905 372:James W. Marshall 254:Miriam Chittenden 165: 164: 86:Colma, California 1831: 1671:Gustave Flaubert 1602:Literature about 1561: 1496:Annie Swynnerton 1461:Elizabeth Nourse 1456:Anna Lea Merritt 1421:Elizabeth Coffin 1361:Nina E. 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Unpublished. 1029: 991: 963: 921: 904: 889: 875: 852: 850:. pp. 145–146. 829: 811: 785: 753: 708: 695: 686: 673: 658: 651: 631: 624: 594: 592: 589: 586: 585: 576: 566: 565: 563: 560: 559: 558: 553:Silver Medal: 551: 546:Silver Medal: 544: 539:Silver Medal: 537: 534: 531: 528: 520: 517: 425: 424: 417: 410: 408: 401: 394: 359: 353: 352: 345: 338: 336: 332:Crysanthemums, 329: 322: 309:Alice Eastwood 294: 291: 281: 278: 277: 276: 269: 262: 260: 250: 243: 228: 227: 217: 210: 208: 198: 191: 179: 176: 163: 162: 159: 155: 154: 151: 147: 146: 143: 142:Known for 139: 138: 132: 128: 127: 124: 120: 119: 79: 75: 74: 68: 66:(aged 84) 60: 56: 55: 50: 39: 35: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 1836: 1825: 1822: 1820: 1817: 1815: 1812: 1810: 1807: 1805: 1802: 1800: 1797: 1795: 1792: 1790: 1787: 1785: 1782: 1781: 1779: 1763: 1762: 1757: 1754: 1751: 1750: 1745: 1742: 1739: 1738: 1733: 1730: 1727: 1726: 1721: 1718: 1715: 1714: 1710: 1706: 1703: 1700: 1696: 1693: 1690: 1689: 1684: 1681: 1678: 1677: 1676:Madame Bovary 1672: 1669: 1667: 1666: 1661: 1658: 1655: 1654: 1649: 1646: 1643: 1642: 1641:The Awakening 1637: 1634: 1631: 1630: 1625: 1622: 1619: 1618: 1613: 1609: 1608: 1606: 1604:the New Woman 1600: 1594: 1591: 1590: 1588: 1586: 1582: 1576: 1573: 1571: 1568: 1566: 1563: 1559: 1555: 1553: 1550: 1548: 1545: 1543: 1540: 1538: 1535: 1533: 1530: 1528: 1525: 1523: 1520: 1519: 1517: 1513: 1507: 1504: 1502: 1499: 1497: 1494: 1492: 1489: 1487: 1484: 1482: 1481:Emily Sartain 1479: 1477: 1474: 1472: 1469: 1467: 1466:Violet Oakley 1464: 1462: 1459: 1457: 1454: 1452: 1449: 1447: 1444: 1442: 1439: 1437: 1434: 1432: 1429: 1427: 1424: 1422: 1419: 1417: 1414: 1412: 1411:Émilie Charmy 1409: 1407: 1404: 1402: 1399: 1397: 1394: 1392: 1389: 1387: 1384: 1382: 1379: 1377: 1376:Cecilia Beaux 1374: 1372: 1369: 1367: 1364: 1362: 1359: 1357: 1354: 1352: 1351:Louise AbbĂ©ma 1349: 1348: 1346: 1342: 1336: 1333: 1331: 1328: 1326: 1323: 1322: 1319: 1314: 1307: 1302: 1300: 1295: 1293: 1288: 1287: 1284: 1278: 1275: 1274: 1273: 1271: 1266: 1252: 1249: 1246: 1242: 1239: 1235: 1234: 1223: 1217: 1207: 1198: 1196: 1188: 1187: 1180: 1173: 1172: 1165: 1158: 1157: 1150: 1144: 1140: 1137: 1132: 1124: 1120: 1114: 1112: 1096: 1089: 1082: 1078: 1074: 1073: 1066: 1059: 1057: 1051: 1043: 1039: 1033: 1026: 1022: 1018: 1017: 1010: 1008: 1006: 1004: 1002: 1000: 998: 996: 980: 973: 967: 960: 956: 952: 951: 944: 942: 940: 938: 936: 934: 932: 930: 928: 926: 917: 916: 908: 900: 893: 886: 885: 879: 873:. p. 160–161. 872: 868: 864: 863: 856: 849: 845: 841: 840: 833: 825: 821: 815: 808: 804: 800: 799: 792: 790: 782: 780: 774: 772: 770: 768: 766: 764: 762: 760: 758: 742: 735: 729: 727: 725: 723: 721: 719: 717: 715: 713: 702: 700: 690: 680: 678: 670: 668: 662: 654: 652:0-944220-14-2 648: 644: 643: 635: 627: 621: 617: 612: 611: 602: 600: 595: 580: 571: 567: 556: 552: 549: 545: 542: 538: 535: 532: 529: 526: 525: 524: 516: 514: 510: 505: 503: 499: 495: 491: 487: 483: 479: 473: 470: 467: 465: 461: 456: 454: 449: 446: 442: 439:. Chittenden 438: 429: 421: 414: 409: 405: 398: 393: 392: 391: 389: 388:John H. Boalt 385: 381: 377: 376:Sutter's Mill 373: 364: 358: 349: 342: 337: 333: 326: 321: 320: 319: 316: 314: 310: 305: 299: 290: 288: 273: 266: 261: 255: 247: 242: 241: 240: 236: 234: 222: 214: 209: 203: 195: 190: 189: 188: 185: 178:Personal life 175: 173: 169: 160: 156: 152: 148: 144: 140: 137: 133: 129: 125: 121: 116: 98:122°27′28.8″W 87: 83: 80: 78:Resting place 76: 71: 70:San Francisco 61: 57: 53: 40: 36: 32: 27: 20: 1761:Ann Veronica 1759: 1747: 1735: 1723: 1713:Daisy Miller 1711: 1698: 1686: 1683:Henrik Ibsen 1674: 1663: 1653:Anna Lombard 1651: 1639: 1629:Aurora Leigh 1627: 1615: 1506:Anne Whitney 1471:Rose O'Neill 1451:Laura Knight 1415: 1401:Mary Cassatt 1386:Rosa Bonheur 1262: 1250: 1244: 1237: 1221: 1216: 1206: 1184: 1179: 1169: 1164: 1154: 1149: 1138: 1131: 1122: 1098:. Retrieved 1088: 1070: 1065: 1055: 1050: 1041: 1032: 1014: 983:. 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Wells 1705:Henry James 1636:Kate Chopin 1612:Henry James 1565:Sarah Grand 1542:Ella D'Arcy 1532:Kate Chopin 307:her friend 123:Nationality 110: / 1778:Categories 1527:Mona Caird 1100:28 January 985:2015-12-19 747:2015-12-19 625:0961611200 591:References 466:in Paris. 357:exhibited. 95:37°40′12″N 44:1859-10-14 1585:Educators 1083:. p. 104. 667:Portraits 441:exhibited 287:New Woman 280:New Woman 131:Education 1720:Amy Levy 1570:Amy Levy 1156:Register 1027:. p. 46. 979:Bulletin 961:. p. 45. 809:. p. 47. 741:Bulletin 360:—  145:Painting 126:American 1749:Candida 1709:novella 1515:Writers 1344:Artists 1247:. 1942. 1042:Article 365:article 1764:(1909) 1752:(1898) 1740:(1893) 1728:(1888) 1701:(1894) 1691:(1879) 1679:(1856) 1656:(1901) 1644:(1899) 1632:(1856) 1211:rolls. 1079:  1023:  957:  869:  846:  805:  706:rolls. 649:  622:  519:Awards 492:; and 348:Roses, 293:Career 158:Awards 150:Spouse 1254:1985. 975:(PDF) 737:(PDF) 562:Notes 1102:2019 1077:ISBN 1021:ISBN 955:ISBN 867:ISBN 844:ISBN 803:ISBN 684:D.C. 647:ISBN 620:ISBN 350:1898 334:1888 274:1900 59:Died 38:Born 1746:'s 1734:'s 1722:'s 1697:'s 1685:'s 1673:'s 1662:'s 1638:'s 1626:'s 1614:'s 374:at 1780:: 1758:' 1707:' 1650:' 1194:^ 1121:. 1110:^ 1040:. 994:^ 977:. 924:^ 822:. 788:^ 756:^ 739:. 711:^ 698:^ 676:^ 618:. 616:89 598:^ 500:, 488:; 484:; 382:; 84:, 1305:e 1298:t 1291:v 1104:. 1058:. 988:. 781:. 750:. 669:. 655:. 628:. 46:) 42:(

Index


Brockport, New York
San Francisco
Cypress Lawn Memorial Park
Colma, California
37°40′12″N 122°27′28.8″W / 37.67000°N 122.458000°W / 37.67000; -122.458000
School of Design
San Francisco Art Institute
Brockport, New York
Alice Brown Chittenden, Ann Miriam Green Chittenden (1826-1901), oil, 32 ½” x 38”, 1900
Alice Brown Chittenden, Joseph Gladding Chittenden (1826-1897), pastels, 23 ½” x 19 ½” 1893
San Francisco Art Institute
Alice Brown Chittenden, Miriam Chittenden (1887-1969), pastels, 22 3/4” x 32 3/4”, 1893
Alice Brown Chittenden, Garden on Octavia Street, 1900
New Woman
Alice Eastwood
California Academy of Sciences
Alice Brown Chittenden, Crysanthemums, 1888
Alice Brown Chittenden, Roses, 1898
James W. Marshall
Sutter's Mill
California State Parks
Robert Gordon Sproul
John H. Boalt
Alice Brown Chittenden, Wiscasset Farm, circa 1902-1904
Alice Brown Chittenden, La Seine at Bougival, Shown at Paris, American Exhibit, May 27, 1907

Phelan Building
exhibited
World's Columbian Exposition

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