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570:"There is nothing connected with the staging of a motion picture that a woman cannot do as easily as a man, and there is no reason she cannot master every technicality of the art...In the arts of acting, painting, music, and literature women have long held their place among the most successful workers, and when it is considered how vitally these arts enter into the production of motion pictures one wonders why the names of scores of women are not found among the most successful creators of photodrama offerings."—Alice Guy-Blaché in
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Simone, in
September 1908. Two years later, Guy-Blaché became the first woman to run her own studio when she created Solax in Gaumont's Flushing studio. In 1912, when she was pregnant with her second child, she built a studio in Fort Lee, New Jersey, and continued to complete one to three films a week. On 27 June 1912, Reginald, her son, was born. To focus on writing and directing, Guy-Blaché took her husband into Solax in 1913 "for feature production and executive direction".
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586:. Guy-Blaché was concerned with her unexplained absence from the historical record of the film industry. She regularly communicated with colleagues and film historians, correcting previously made and supposedly factual statements about her life. She crafted lengthy lists of her films as she remembered them, with the hope of being able to assume creative ownership and receive legitimate credit for them.
375:, which consisted of a simple scene of workmen leaving the Lumière plant in Lyon. Bored with the idea of captured film only being used for the scientific and/or promotional purpose of selling cameras in the form of "demonstration films," Guy was confident that she could incorporate fictional story-telling elements into film. She asked Gaumont for permission to make her own film, and he granted it.
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428:. A 30 July 1896 newspaper describes a "chaste fiction of children born under the cabbages in a wonderfully framed chromo landscape," and provides other details that confirm Alice Guy's description of her first film. "Before very long," Alice Guy reported in 1912, "every moving picture house in the country was turning out stories instead of spectacles and plots instead of panoramas."
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In 2004, the Fort Lee Film
Commission unveiled a historical marker dedicated to Alice Guy-Blaché at the location of Solax Studio. In 2012, for the centennial of the founding and building of the studio, the Commission raised funds to replace her grave marker in Maryrest Cemetery in Mahwah, New Jersey.
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Shortly after taking the position, Herbert Blaché started a film company named Blaché Features, Inc. The couple maintained a personal and business partnership for the next few years, working together on many projects. In 1918, Herbert Blaché left his wife and children to pursue a career in
Hollywood.
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epidemic in Chile in 1872 and 1873. Émile and Marie Guy brought all four of their children to Paris, where Alice was born. In her autobiography, Alice refers to this as her mother's attempt to make sure "her fifth child should be truly French". Her father returned to Chile soon after her birth, and
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which has been found in film archives. By comparing Alice's descriptions of her debut effort with the two films that are available for us to view, we discover differences that indicate there was a third film that came first. The 1896 film seems to be lost. However, multiple points of confirmation
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From 1896 to 1906, Alice Guy was
Gaumont's head of production and is generally considered the first filmmaker to systematically develop narrative filmmaking. She was probably the only female director from 1896 to 1906. Her earlier films share many characteristics and themes with her contemporary
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Alice Guy-Blaché's marriage meant that she had to resign from her position working with
Gaumont. The couple was sent by the Gaumont company to Cleveland to facilitate the franchise of Gaumont equipment. Early in 1908, the couple went to New York City where Guy-Blaché gave birth to her daughter,
546:. Many early film studios were based in Fort Lee at the beginning of the 20th century. This made her the first woman to own her own studio and studio plant. It was mentioned in publications of the era that Guy-Blaché placed a large sign in her studio that read: 'Be Natural'.
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New
Testament as reference material for the film, which featured 25 episodes and was her largest production at Gaumont to date. In addition to this, she was one of the pioneers in the use of audio recordings in conjunction with the images on screen in Gaumont's
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In 1894, Alice Guy was hired by Félix-Max
Richard to work as a secretary for a camera manufacturing and photography supply company. The company changed hands in 1895 due to a court decision against Félix-Max Richard, who sold the company to four men:
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Guy's father died on 5 January 1891 of unknown causes. Following his death, Guy's mother got a job with
Mutualité maternelle which was founded on 20 May 1891. Her mother was unable to keep that job and thereafter Guy trained as a typist and
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Although she initially began working for Léon
Gaumont as his secretary, Guy became familiar with his clients, relevant marketing strategies, and the company's stock of cameras. She also met a handful of pioneering film engineers such as
609:. Guy-Blaché is considered by some to have been the first female filmmaker, and from 1896 to 1920, she directed over 1,000 films, some 150 of which survive, and 22 of which are feature-length. She was one of the first women, along with
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In the late 1940s, Alice Guy-Blaché wrote an autobiography. It was published, in French, in 1976 and was translated into
English a decade later with the help of her daughter Simone, daughter-in-law Roberta Blaché, and the film writer
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346:. Alice continued to work at Gaumont et C, a decision that led to a pioneering career in filmmaking that spanned more than 25 years and involved her directing, producing, writing and/or overseeing more than 700 films.
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to accept Alice Guy-Blaché as a member. She was subsequently awarded a posthumous "Special Directorial Award for Lifetime Achievement" at the 2011 DGA Honors. In 2013, Guy-Blaché was inducted into the
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and directed many of its releases. Within two years, they had become so successful that they invested more than $ 100,000 into new and technologically advanced production facilities in
338:. Gustave Eiffel was president of the company, and Léon Gaumont, thirty years Eiffel's junior, was the manager. The company was named after Gaumont because Eiffel was the subject of a
2733:"Séquence émotion en direct du Carré d'Encre avec Thierry Peeters, arrière-petit-fils d'Alice Guy, Françoise et Dominique Allignet et Véronique Le Bris fondatrice du Prix Alice Guy"
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Guy-Blaché and her husband divorced several years later, and with the rise of the more hospitable and cost-effective climate in Hollywood, their film partnership also ended.
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2711:"Le 3 juillet 2023, La Poste émet un timbre à l'effigie d'Alice GUY, 1ère femme réalisatrice et productrice au monde, à l'occasion du 150e anniversaire de sa naissance"
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In his Memoirs, Eisenstein described an unnamed film he had seen as a child that continued to be very important to him. This film was identified as Alice Guy-Blaché's
703:. Hitchcock remarked, "I'd be over the moon with the Frenchman George Méliès. I was thrilled by the movies of D.W. Griffith and the early French director Alice Guy."
805:, with her older child, her daughter, Simone. On 24 March 1968, at 94, Alice Guy-Blaché died in a nursing home in New Jersey. She is interred at Maryrest Cemetery.
782:. Following her illness, she joined Herbert in Hollywood in 1919 but they lived separately. She worked as Herbert's directing assistant on his two films starring
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Les premieres annees de la societe L. Gaumont et Cie, Correspondance commercialed de Leon Gaumont 1895–1899. Corcy, Malthete, Mannoni, Laurent, Meusy, 1998
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On the occasion of the 150th anniversary of her birth, around July 1, 2023, several French institutions celebrated Alice Guy and her legacy:
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Since 2018, film journalist Véronique Le Bris founded the Alice Guy Prize, granted yearly to highlight the woman film-maker of the year.
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New York Times, South America, Terrible Ravages of Small-Pox on the West Coast, 26 September 1872. British Medical Journal, vol. 1, 1875
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Madame a des envies (Madam has her cravings): A critical analysis of the short films of Alice Guy Blaché, the first woman filmmaker
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495:" system, which used a vertical-cut disc synchronized to the film. She employed some of the first special effects, including using
2097:"Kino Lorber's Pioneers: First Women Filmmakers Box Set is a Treasure Trove of Silent Film History | TV/Streaming | Roger Ebert"
613:, to manage and own her own studio: The Solax Company. Few of her films survive in an easily viewable format. In December 2018,
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Alice Guy-Blaché directed her last film in 1919. In 1921, she was forced to auction her film studio and other possessions in
2217:"Filmmaking Pioneer Alice Guy-Blaché, The First Ever Female Movie Director, Subject Of New Biopic From 'The Great Hack' Duo"
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event on March 22, 1895. It was the first demonstration of film projection, an obstacle that Gaumont, the Lumières, and
205: ; 1 July 1873 – 24 March 1968) was a French pioneer film director. She was one of the first filmmakers to make a
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premiered at the Connelly Theatre, featuring a fictionalized portrayal of Guy-Blaché as a 1913 documentary filmmaker.
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With production facilities for their new company in Flushing, New York, her husband served as production manager and
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factory. In March 1894, she began working at the 'Comptoir général de la photographie' owned by Félix-Max Richard.
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793:. Alice and Herbert were officially divorced in 1922. She returned to France in 1922 and never made another film.
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New York Times (6 September 2019). "Overlooked No More: Alice Guy Blaché, the World's First Female Filmmaker".
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launched a special edition stamp at her effigy which was presented by her great-grandson Thierry Peeters at
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2122:"'Pioneers: First Women Filmmakers' Brings Forth a Time When, Unlike Today, Women Made Lots of Movies"
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and translated by Simone Blaché and Roberta Blaché. This memoir contains a new introduction by Slide.
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3129:. New Haven, CT; New York: Yale University Press; Whitney Museum of American Art. pp. 124–131.
2071:"Alice Guy-Blaché, the World's First Female Filmmaker, Wrote, Directed, and Produced Over 700 Films"
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1005:(1912), to illustrate the experience of immigrants to the United States (like Alice Guy herself).
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opened its new state-of-the-art screening room, named the Alice Cinema, after Alice Guy-Blaché.
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Alice & Eiffel, A New History of Early Cinema and the Love Story Kept Secret for a Century
2934:. Translated by Blache, Roberta; Blache, Simone. Lanham: Rowman & Littlefield Publishers.
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These films were produced by Gaumont (1896–1907), Solax (1910–1913), or others (1914–1920).
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Alice Guy-Blaché never remarried, and in 1964 she returned to the United States to live in
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469:(1905). Many of Guy's early dance films were popular in music-hall attractions such as the
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1751:"INTERVIEW - Pamela Green, director of "Be Natural: The Untold Story of Alice Guy-Blaché""
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2018:
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her mother followed a few months later. Alice was left in the care of her grandmother in
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McMahan, Alison (2009). "Key Events and Dates: Alice Guy Blaché". In Simon, Joan (ed.).
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The new marker includes the Solax logo and notes Guy-Blaché's role as a cinema pioneer.
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shares within its new permanent exhibition several of Alice Guy's films, amongst which
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2275:. The Eisenstein Center. Russia: Garage Museum of Contemporary Art. pp. 283, 443.
1964:"Be Natural: The Untold Story of Alice Guy-Blaché review – a paean to a movie pioneer"
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979:(Alice Guy shoots a phonoscene - , 1907, by anonym) on its online film portal, Henri.
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held a special day of hommage with the showing of 8 of her films. It also uploaded a
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In 1865, Guy's father, Émile Guy, an owner of a bookstore and publishing company in
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Archives de Paris, Marriages, 18 Juilliet 1865, Clichy Hauts de Seine, 4 E/CLI_66.
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This contains many passages and words not translated into the English editions.
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2174:"'Be Natural: The Untold Story of Alice Guy-Blache': Film Review | Cannes 2018"
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Her sisters were already there; her older brother died on 16 May 1880 at age 13
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2898:. Translated by Blache, Roberta; Blache, Simone. Lanham, Md: Scarecrow Press.
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2309:(11). New York: Moving Picture Exhibitors' Association: 1145. 14 June 1913.
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At the age of six, Guy was taken back to France by her father to attend the
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Actes d'état civil, Archives de Paris, 1880 Décès, 18eme, V4E5022, page 20
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1406:"Overlooked No More: Alice Guy Blaché, the World's First Female Filmmaker"
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system, and with color-tinting, interracial casting, and special effects.
2756:"Au Palais de la Porte-Dorée, à Paris, un nouveau récit de l'immigration"
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457:. She explored dance and travel films, often combining the two, such as
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Alice Guy made her first film in 1896. Its original title may have been
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Excerpt from Ephemeral Podcast about three different La Fée aux Choux
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In 2019, The re-edited and expanded version of Eisenstein's memoirs,
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for Best Documentary. In 2002, film scholar Alison McMahan published
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were all racing to solve. They screened one of their early films
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2353:(21). New York: Wid's Films and Film Folk Inc. 27 October 1918.
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2245:. New York, London, Toronto, Sydney: Pocket Books. p. 39.
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In 2011, the Fort Lee Film Commission successfully lobbied the
2667:"HOMMAGE À ALICE GUY LE 1 JUILLET 2023 - JOURNÉE ANNIVERSAIRE"
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The famous Boarding School at Veyrier, Janelle Dietrick, 2021.
920:, directed by Valérie Urréa and Nathalie Masduraud, voiced by
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in Ferney a few years later and then brought back to Paris.
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Reel Women: Pioneers of the Cinema, The First Hundred Years
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3279:"The Lost Garden: The Life and Cinema of Alice Guy-Blaché"
3251:"The Lost Garden: The Life and Cinema of Alice Guy-Blaché"
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2019:"The Lost Garden: The Life and Cinema of Alice Guy-Blaché"
1681:"The Lost Garden: The Life and Cinema of Alice Guy-Blaché"
1492:"A Century Late, a Giant of Early Cinema Gets Her Closeup"
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Autobiographie d'une pionnière du cinéma : 1873-1968
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Illuminating Moments : the Films of Alice Guy Blache
2689:"The work of film-making - Alice Guy shoots a phonoscene"
2608:"Humanities Quadrangle: A cherished Yale icon reimagined"
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2414:. Pacific Performance Project East. 2012. Archived from
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It's Only a Movie Alfred Hitchcock: A Personal Biography
1935:
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The Lost Garden: The Life and Cinema of Alice Guy-Blaché
342:. L. Gaumont et C became a major force in the fledgling
231:. In 1912, Solax invested $ 100,000 for a new studio in
3298:"Key Events in the Life and Legacy of Alice Guy Blaché"
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Reel Women: Pioneers of the Cinema, 1896 to the Present
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Archives de Paris, Décès 6e arr. 5 Janvier 1891 V4E5962
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Newly re-opened Paris museum of history of immigration
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The Incredible Story of the First Woman Film Director
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The Great Adventure: Alice Guy Blaché, Cinema Pioneer
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Nicolas Aubert, her grandfather, died 11 October 1872
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La Fée Aux Choux : Alice Guy's Garden of Dreams
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1791:(24115). Tribune Association: 6. 24 November 1912.
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Le Temps, 25 February 1892, La mutualité maternelle
635:(1913), which was selected for preservation in the
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1939:Fort Lee Birthplace of the Motion Picture Industry
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3233:"Books by Allison McMahan on Guy-Blaché and DVDs"
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813:On December 12, 1958, Guy-Blaché was awarded the
715:Be Natural: The Untold Story of Alice Guy-Blaché.
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3729:Be Natural: The Untold Story of Alice Guy-Blaché
2794:"Silent Era : Progressive Silent Film List"
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2045:"Alice Guy Blaché: Lost Visionary of the Cinema"
1997:. Whitney Museum of American Art. pp. 1–5.
1819:"Alice Guy Blaché – Women Film Pioneers Project"
742:(1917), written and directed by Alice Guy-Blaché
662:Be Natural: The Untold Story of Alice Guy-Blaché
646:Be Natural: The Untold Story of Alice Guy-Blaché
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253:for its historical and aesthetic significance.
247:National Center for Film and Video Preservation
3207:Alice Guy Blaché, Lost Visionary of the Cinema
3096:Alice Guy Blaché: Lost Visionary of the Cinema
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1961:
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671:In September 2019, Guy-Blaché was included in
607:Alice Guy Blaché: Lost Visionary of the Cinema
361:Alice Guy and Gaumont attended the "surprise"
223:She was artistic director and a co-founder of
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1781:"How a Woman Makes a Fortune out of "Movies""
1445:. A&E Television Networks. Archived from
999:Cité nationale de l'histoire de l'immigration
778:in October 1918 while filming her final film
3195:https://www.ephemeral.show/episode/alice-guy
2882:Contains one chapter about Alice Guy Blaché.
2854:Contains one chapter about Alice Guy Blaché.
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292:. Guy and her sister Louise were moved to a
3491:The Birth, the Life and the Death of Christ
3253:. Montreal: National Film Board of Canada.
3189:https://www.youtube.com/watch?v=UnYopp6VuzQ
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1913:. Fort Lee Film Commission. Archived from
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918:Alice Guy, the unknown lady of the 7th art
695:Guy-Blaché was an early influence on both
473:films – also a staple of the Lumières and
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2148:"Complete National Film Registry Listing"
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840:. In 2011, an off-Broadway production of
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424:indicate that there were three different
3071:(PhD). Cincinnati, OH: Union Institute.
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2560:"Récompenser la réalisatrice de l'année"
2489:"2011 DGA Honors Recipients Announced -"
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245:cast. The film is now preserved at the
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3021:. Las Vegas, NV: Paradis Perdu Press.
2558:Le Bris, Véronique (8 February 2019).
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453:competitors, such as the Lumières and
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2582:"Pl. Alice Guy · 75014 Paris, France"
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1490:Weitzman, Elizabeth (26 April 2019).
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2215:Wiseman, Andreas (11 January 2021).
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241:, probably the first to have an all-
3040:. Oxford University Press: London.
2586:Pl. Alice Guy · 75014 Paris, France
1036:(The fisherman in the stream; 1897)
950:gives an award named in her honor.
643:in 2003. The 2018 documentary film
372:Workers Leaving the Lumière Factory
24:
3296:McMahan, Alison (September 2019).
3156:
2862:. New York, NY: Reel Women Media.
2633:"Alice Guy - L'inconnue du 7e art"
2259:
1983:, pp. 8, 11; composite quote.
1962:Peter Bradshaw (15 January 2020).
912:In 2021, French-German TV channel
25:
3808:
3181:
1936:Fort Lee Film Commission (2006),
1730:
830:Laura Comstock's Bag-punching Dog
684:As reported by Deadline in 2021,
666:Academy Museum of Motion Pictures
538:. Alice Guy-Blaché worked as the
344:motion-picture industry in France
3127:Alice Guy Blaché: Cinema Pioneer
2754:Dagen, Philippe (17 June 2023).
2606:Gonzalez, Susan (1 April 2021).
1749:Rudy Cecera (27 February 2021).
893:Yo. Memoirs by Sergei Eisenstein
749:
728:
719:
619:Pioneers: First Women Filmmakers
589:Guy-Blaché was the subject of a
507:Later works at The Solax Company
164:
27:French film director (1873–1968)
2930:The Memoirs of Alice Guy Blache
2894:The Memoirs of Alice Guy Blache
2747:
2725:
2703:
2681:
2659:
2625:
2599:
2574:
2551:
2481:
2455:
2430:
2404:
2234:
2208:
2193:
2172:Leslie Felperin (13 May 2018).
2165:
2140:
2114:
2088:
2062:
2037:
2025:. National Film Board of Canada
2011:
1986:
1974:
1955:
1929:
1903:
1877:
1811:
1706:The Memoirs of Alice Guy Blaché
1661:
1633:Alice Guy Blaché Cinema Pioneer
1612:
1603:
1594:
1585:
1358:
1349:
1340:
937:The Memoirs of Alice Guy Blaché
899:and its influence on Eisenstein
411:(The Fairy of the Cabbages) or
185:Alice Ida Antoinette Guy-Blaché
160:
3244:Literature on Alice Guy-Blaché
3193:Ephemeral Podcast - Alice Guy
3167:(in French). Denoël-Gonthier.
3038:Hollywood directors, 1914-1940
2069:Justin Morrow (9 March 2017).
1544:
1535:
1509:
1453:
1398:
1378:
419:or the 1902 version, retitled
13:
1:
3330:The films of Alice Guy-Blaché
2916:– via Internet Archive.
2852:– via Internet Archive.
2317:– via Internet Archive.
1783:. Part V: Drama and Fashion.
1395:from the city of Saint-Mandé.
1371:
591:National Film Board of Canada
549:In 1913, Guy-Blaché directed
421:Sage-femme de première classe
3787:French silent film directors
2299:"Herbert Blaché joins Solax"
2241:Chandler, Charlotte (2006).
1702:Alice Guy (1 January 1996).
897:The Consequences of Feminism
875:14th arrondissement of Paris
709:The Consequences of Feminism
286:Faithful Companions of Jesus
7:
3777:French women film producers
3772:French women film directors
3631:Shadows of the Moulin Rouge
3428:(The Fairy of the Cabbages)
3036:Koszarski, Richard (1976).
2269:Eisenstein, Sergei (2019).
1884:Koszarski, Richard (2004),
1465:Women Film Pioneers Project
1321:
1243:Shadows of the Moulin Rouge
1083:The Hunchback of Notre-Dame
935:published a new edition of
523:In 1907, Alice Guy married
10:
3813:
3579:Making an American Citizen
3515:Les Résultats du féminisme
3435:Les Fredaines de Pierrette
3163:Guy-Blaché, Alice (1976).
3063:McMahan, Alison J (1997).
3017:Dietrick, Janelle (2022).
2990:Dietrick, Janelle (2017).
2963:. Portland, OR: BookBaby.
2959:Dietrick, Janelle (2016).
2922:Guy-Blaché, Alice (2022).
2886:Guy-Blaché, Alice (1996).
2816:
1911:"Fort Lee Film Commission"
1259:The Shooting of Dan McGrew
1203:Making an American Citizen
1113:Les Résultats du féminisme
1076:(1905) (based on the 1831
1057:Les Fredaines de Pierrette
1033:Le pêcheur dans le torrent
972:in the history of cinéma,
861:Directors Guild of America
857:The Girl in the Arm-Chair.
621:, in cooperation with the
601:, which received Quebec's
3705:
3415:
3249:Lepage, Marquise (1995).
2508:"New Jersey Hall of Fame"
1733:Entretiens avec Alice Guy
1635:. Yale University Press.
1026:The Fairy of the Cabbages
948:Golden Door Film Festival
617:released a six-disc box,
563:
356:Auguste and Louis Lumière
321:Secretary to Léon Gaumont
315:
174:
142:
134:
114:
102:
83:
53:
41:
34:
3607:The Pit and the Pendulum
3587:The Girl in the Armchair
3547:Greater Love Hath No Man
3094:McMahan, Alison (2002).
1333:
1219:The Pit and the Pendulum
1211:The Girl in the Armchair
1171:Greater Love Hath No Man
968:of the very first known
933:Rowman & Littlefield
828:in Los Angeles produced
796:
692:about Alice Guy-Blaché.
688:is developing a feature
573:The Moving Picture World
272:There was a devastating
257:Early life and education
58:Alice Ida Antoinette Guy
48:Alice Guy-Blaché in 1913
3782:People from Saint-Mandé
3615:Matrimony's Speed Limit
3372:Filming of a phonoscene
3351:New Jersey Hall of Fame
3098:. New York: Continuum.
2834:. New York: Continuum.
2537:New Jersey Hall of Fame
1887:Fort Lee: The Film Town
1391:March 31, 2014, at the
1227:Matrimony's Speed Limit
1158:The Sergeant's Daughter
865:New Jersey Hall of Fame
632:Matrimony's Speed Limit
555:William Moulton Marston
448:performed by Bob Walter
251:American Film Institute
3762:French cinema pioneers
3334:Hell Is For Hyphenates
3285:. 2005. Archived from
2506:Svetlana Shkolnikova.
2462:Svetlana Shkolnikova.
2179:The Hollywood Reporter
1942:, Arcadia Publishing,
1823:wfpp.cdrs.columbia.edu
982:French postal service
959:Cinémathèque Française
819:Cinémathèque française
809:Accolades and tributes
637:National Film Registry
627:British Film Institute
578:
520:
449:
402:
334:, Alfred Besnier, and
207:narrative fiction film
3695:Tarnished Reputations
3663:What Will People Say?
3499:The Game-Keeper's Son
3475:Une histoire roulante
3368:- a video on her life
3200:12 April 2022 at the
1313:Tarnished Reputations
1281:What Will People Say?
1121:The Game-Keeper's Son
1097:Une histoire roulante
974:Alice Guy tourne une
780:Tarnished Reputations
759:Tarnished Reputations
568:
514:
443:
413:The Birth of Children
395:
202:[alisgiblɑʃe]
198:French pronunciation:
3723:Selected filmography
3571:A Fool and His Money
3340:Alice Guy; at kinotv
2858:Acker, Ally (2012).
2783:, pp. 1, 3–326.
2442:Academy Film Archive
2438:"Preserved Projects"
2303:Moving Picture World
1993:Simon, Joan (2009).
1683:. Nfb.ca. 2 May 2012
1631:Simon, Joan (2009).
1412:. 6 September 2019.
1195:A Fool and His Money
1010:Selected filmography
853:Academy Film Archive
776:Spanish flu pandemic
544:Fort Lee, New Jersey
279:Carouge, Switzerland
238:A Fool and His Money
233:Fort Lee, New Jersey
163: 1907;
3792:Women film pioneers
3687:The Great Adventure
3507:Madame a des envies
2418:on 28 December 2013
2374:, pp. 128–129.
2152:Library of Congress
1710:. Scarecrow Press.
1305:The Great Adventure
1152:One Touch of Nature
1129:Madame a des envies
641:Library of Congress
623:Library of Congress
290:Veyrier-sous-Salève
106:Maryrest Cemetery,
3443:Les chiens savants
3347:"Alice Guy Blaché"
3336:, January 31, 2014
3289:on 3 October 2018.
3237:aliceguyblache.com
2994:. Cork: BookBaby.
2464:"North.Jersey.com"
2101:www.rogerebert.com
2095:Castillo, Monica.
1867:"ALICE GUY BLACHÉ"
1523:on 23 October 2019
1496:The New York Times
1461:"Alice Guy-Blaché"
1439:"Alice Guy-Blaché"
1410:The New York Times
1065:Les chiens savants
836:, Alice Dodd, and
679:Overlooked No More
674:The New York Times
521:
517:Two Little Rangers
501:masking techniques
483:The Life of Christ
480:In 1906, Guy made
450:
403:
229:Flushing, New York
108:Mahwah, New Jersey
3739:
3738:
3283:Women Make Movies
2941:978-1-5381-6551-5
2341:"Mme. Blache Ill"
2128:. 25 January 2019
2004:978-0-300-15250-0
1949:978-0-7385-4501-1
1897:978-0-86196-653-0
1770:, pp. 43–50.
1717:978-0-8108-3104-9
1642:978-0-300-15250-0
1449:on 23 March 2018.
1386:birth certificate
834:Jillian Armenante
803:Wayne, New Jersey
736:Catherine Calvert
701:Sergei Eisenstein
576:, July 11, 1914.
540:artistic director
529:The Solax Company
441:
393:
182:
181:
135:Years active
95:Wayne, New Jersey
16:(Redirected from
3804:
3797:French feminists
3601:
3539:Fanfan la Tulipe
3533:
3485:
3453:
3426:La Fée aux Choux
3409:Alice Guy-Blaché
3402:
3395:
3388:
3379:
3378:
3362:
3360:
3358:
3326:
3316:Alice Guy-Blaché
3312:
3310:
3308:
3302:Alice Guy Blaché
3290:
3274:
3272:
3270:
3261:. Archived from
3240:
3227:Internet Archive
3212:Alice Guy-Blaché
3176:
3148:
3121:
3090:
3070:
3059:
3032:
3013:
2986:
2953:
2933:
2917:
2897:
2881:
2853:
2833:
2810:
2809:
2807:
2805:
2800:. 1 January 2021
2790:
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2567:
2555:
2549:
2548:
2546:
2544:
2533:"2013 Inductees"
2529:
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2049:Bloomsbury Press
2041:
2035:
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2015:
2009:
2008:
1990:
1984:
1978:
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1959:
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1952:
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1907:
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1881:
1875:
1874:
1873:. November 2009.
1863:
1854:
1848:
1839:
1838:
1836:
1834:
1825:. Archived from
1815:
1809:
1808:
1785:New York Tribune
1777:
1771:
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1533:
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1530:
1528:
1519:. Archived from
1513:
1507:
1506:
1504:
1502:
1487:
1481:
1480:
1478:
1476:
1467:. Archived from
1457:
1451:
1450:
1435:
1429:
1428:
1426:
1424:
1402:
1396:
1382:
1365:
1362:
1356:
1353:
1347:
1344:
1145:Fanfan la Tulipe
1049:Danse serpentine
1021:La Fée aux Choux
994:on July 3, 2023.
895:mention Alice's
887:
873:A square in the
826:Circle X Theatre
815:Légion d'honneur
753:
732:
697:Alfred Hitchcock
653:and narrated by
471:serpentine dance
446:serpentine dance
442:
426:La Fée aux choux
417:La Fée aux choux
408:La Fée aux Choux
398:La Fée aux Choux
394:
243:African-American
204:
199:
192:
168:
166:
162:
90:
67:
65:
46:
32:
31:
21:
3812:
3811:
3807:
3806:
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3803:
3802:
3801:
3742:
3741:
3740:
3735:
3701:
3623:A House Divided
3591:
3555:Algie the Miner
3527:
3479:
3459:The Bricklayers
3447:
3417:
3411:
3406:
3356:
3354:
3353:. 14 April 2014
3345:
3306:
3304:
3277:
3268:
3266:
3265:on 8 March 2021
3231:
3202:Wayback Machine
3184:
3162:
3159:
3157:Further reading
3137:
3106:
3079:
3048:
3029:
3002:
2971:
2942:
2906:
2870:
2857:
2842:
2822:
2819:
2814:
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2803:
2801:
2792:
2791:
2787:
2779:
2775:
2765:
2763:
2752:
2748:
2738:
2736:
2731:
2730:
2726:
2716:
2714:
2709:
2708:
2704:
2694:
2692:
2687:
2686:
2682:
2672:
2670:
2665:
2664:
2660:
2654:Guy-Blaché 2022
2652:
2648:
2638:
2636:
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2616:
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2590:
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2530:
2526:
2516:
2514:
2512:NorthJersey.com
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2500:
2487:
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2468:NorthJersey.com
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2017:
2016:
2012:
2005:
1991:
1987:
1979:
1975:
1960:
1956:
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1917:on 5 April 2011
1909:
1908:
1904:
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1830:
1829:on 1 April 2019
1817:
1816:
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1779:
1778:
1774:
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1747:
1740:
1731:Bachy, Victor.
1729:
1725:
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1576:Guy-Blaché 1996
1574:
1570:
1560:Guy-Blaché 1996
1558:
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1526:
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1500:
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1471:on 23 June 2019
1459:
1458:
1454:
1437:
1436:
1432:
1422:
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1404:
1403:
1399:
1393:Wayback Machine
1383:
1379:
1374:
1369:
1368:
1363:
1359:
1354:
1350:
1345:
1341:
1336:
1324:
1319:
1235:A House Divided
1179:Algie the Miner
1012:
907:Yale University
881:
879:Place Alice-Guy
811:
799:
767:
766:
765:
764:
763:
754:
745:
744:
743:
733:
722:
686:Pamela B. Green
651:Pamela B. Green
599:Marquise Lepage
579:
566:
536:cinematographer
509:
497:double exposure
477:film catalogs.
431:
383:
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3715:
3713:Herbert Blaché
3709:
3707:
3703:
3702:
3700:
3699:
3691:
3683:
3675:
3671:The Adventurer
3667:
3659:
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3583:
3575:
3567:
3563:Falling Leaves
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3222:Falling Leaves
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3182:External links
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2888:Slide, Anthony
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2539:. 9 April 2014
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2403:
2388:
2386:, p. 129.
2376:
2364:
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2075:No Film School
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1041:Le chiffonnier
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888:in her honor.
838:Chris Jeffries
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740:House of Cards
734:
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649:, directed by
567:
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525:Herbert Blaché
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328:Gustave Eiffel
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91:(aged 94)
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39:
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26:
9:
6:
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3718:Solax Studios
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3136:9780300152500
3132:
3128:
3123:
3119:
3115:
3111:
3107:
3105:9781501302695
3101:
3097:
3092:
3088:
3084:
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3078:9781501340239
3074:
3069:
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3049:
3047:9780195020861
3043:
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3034:
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3028:9798986175300
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3015:
3011:
3007:
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3001:9781543911015
2997:
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2970:9781682227664
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2905:9780810872745
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2869:9781440489617
2865:
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2841:9780826405791
2837:
2832:
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2799:
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2789:
2782:
2781:Dietrick 2017
2777:
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2065:
2050:
2046:
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2020:
2014:
2006:
2000:
1996:
1989:
1982:
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1969:
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1951:
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1798:
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1790:
1786:
1782:
1776:
1769:
1768:Dietrick 2022
1764:
1756:
1752:
1745:
1743:
1735:. p. 41.
1734:
1727:
1719:
1713:
1708:
1707:
1698:
1682:
1676:
1674:
1664:
1657:
1656:Dietrick 2016
1652:
1644:
1638:
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1627:
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1615:
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1448:
1444:
1443:Biography.com
1440:
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1042:
1038:
1035:
1034:
1030:
1027:
1023:
1022:
1018:
1017:
1015:
1004:
1003:L'Américanisé
1000:
996:
993:
992:Carré d'Encre
989:
985:
981:
978:
977:
971:
967:
964:
963:2K resolution
960:
956:
955:
954:
951:
949:
944:
942:
941:Anthony Slide
938:
934:
929:
927:
923:
919:
915:
910:
908:
903:
902:
898:
894:
889:
885:
880:
877:is named the
876:
871:
868:
866:
862:
858:
854:
851:In 2010, the
849:
845:
843:
839:
835:
831:
827:
822:
820:
816:
806:
804:
794:
792:
787:
785:
784:Alla Nazimova
781:
777:
771:
761:
760:
752:
741:
737:
731:
720:Personal life
717:
716:
712:
710:
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702:
698:
693:
691:
687:
682:
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648:
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633:
628:
624:
620:
616:
612:
608:
604:
603:Gémeaux Award
600:
596:
592:
587:
585:
584:Anthony Slide
577:
575:
574:
561:
558:
556:
552:
547:
545:
541:
537:
532:
530:
526:
518:
513:
504:
502:
498:
494:
489:
485:
484:
478:
476:
475:Thomas Edison
472:
468:
464:
461:performed by
460:
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447:
429:
427:
422:
418:
414:
410:
409:
400:
399:
376:
374:
373:
368:
364:
359:
357:
353:
347:
345:
341:
337:
333:
332:Joseph Vallot
329:
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307:
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297:
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287:
282:
280:
275:
270:
268:
264:
254:
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244:
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239:
234:
230:
226:
225:Solax Studios
221:
219:
216:
212:
208:
203:
195:
191:
186:
177:
173:
150:
145:
141:
137:
133:
126:
123:
121:Film director
120:
119:
117:
113:
109:
105:
103:Resting place
101:
96:
87:24 March 1968
86:
82:
77:
73:
56:
52:
45:
40:
33:
30:
19:
3727:
3693:
3685:
3677:
3669:
3661:
3653:
3645:
3637:
3629:
3621:
3613:
3605:
3585:
3577:
3569:
3561:
3553:
3545:
3537:
3523:La barricade
3521:
3513:
3505:
3497:
3489:
3473:
3467:La Esméralda
3465:
3457:
3441:
3433:
3424:
3408:
3355:. Retrieved
3350:
3333:
3320:Find a Grave
3305:. Retrieved
3301:
3287:the original
3282:
3267:. Retrieved
3263:the original
3236:
3220:
3164:
3151:McMahan 2019
3126:
3095:
3066:
3037:
3018:
2991:
2960:
2929:
2918:Updated as:
2893:
2859:
2829:
2802:. Retrieved
2797:
2788:
2776:
2764:. Retrieved
2759:
2749:
2737:. Retrieved
2727:
2715:. Retrieved
2705:
2693:. Retrieved
2683:
2671:. Retrieved
2661:
2649:
2637:. Retrieved
2627:
2615:. Retrieved
2611:
2601:
2589:. Retrieved
2585:
2576:
2564:. Retrieved
2553:
2541:. Retrieved
2536:
2527:
2515:. Retrieved
2511:
2501:
2492:
2483:
2471:. Retrieved
2467:
2457:
2445:. Retrieved
2441:
2432:
2420:. Retrieved
2416:the original
2406:
2399:McMahan 1997
2384:McMahan 2009
2379:
2372:McMahan 2009
2367:
2350:
2344:
2335:
2328:McMahan 2009
2323:
2306:
2302:
2293:
2286:McMahan 2009
2281:
2271:
2242:
2236:
2224:. Retrieved
2220:
2210:
2201:
2195:
2183:. Retrieved
2177:
2167:
2155:. Retrieved
2151:
2142:
2130:. Retrieved
2125:
2116:
2104:. Retrieved
2100:
2090:
2078:. Retrieved
2074:
2064:
2052:. Retrieved
2048:
2039:
2027:. Retrieved
2022:
2013:
1994:
1988:
1976:
1967:
1957:
1938:
1931:
1919:. Retrieved
1915:the original
1905:
1886:
1879:
1870:
1851:McMahan 2002
1831:. Retrieved
1827:the original
1822:
1813:
1788:
1784:
1775:
1763:
1754:
1732:
1726:
1705:
1697:
1685:. Retrieved
1663:
1651:
1632:
1614:
1605:
1596:
1587:
1571:
1555:
1546:
1537:
1525:. Retrieved
1521:the original
1511:
1499:. Retrieved
1495:
1485:
1473:. Retrieved
1469:the original
1464:
1455:
1447:the original
1442:
1433:
1421:. Retrieved
1409:
1400:
1380:
1360:
1351:
1342:
1311:
1303:
1295:
1287:
1279:
1273:
1265:
1257:
1249:
1241:
1233:
1225:
1217:
1209:
1201:
1193:
1185:
1177:
1169:
1164:The Pawnshop
1163:
1157:
1151:
1143:
1137:La barricade
1135:
1127:
1119:
1111:
1103:
1095:
1089:
1081:
1071:
1063:
1055:
1047:
1039:
1031:
1025:
1019:
1013:
1002:
991:
973:
966:digitization
952:
945:
939:, edited by
936:
930:
917:
911:
904:
900:
896:
892:
890:
872:
869:
856:
850:
846:
841:
829:
823:
812:
800:
788:
779:
772:
768:
757:
739:
714:
708:
705:
694:
683:
672:
670:
661:
659:
655:Jodie Foster
644:
630:
618:
606:
597:by director
594:
593:documentary
588:
580:
571:
569:
559:
550:
548:
533:
522:
516:
488:James Tissot
481:
479:
466:
458:
451:
425:
420:
416:
412:
406:
404:
396:
370:
360:
348:
336:Léon Gaumont
324:
310:Léon Gaumont
302:stenographer
298:
285:
283:
271:
265:, Chile and
260:
236:
222:
193:
184:
183:
124:screenwriter
89:(1968-03-24)
76:Val-de-Marne
29:
3757:1968 deaths
3752:1873 births
3679:The Empress
3647:The Vampire
3592: [
3528: [
3480: [
3448: [
2824:Acker, Ally
2762:(in French)
2760:Le Monde.fr
2735:(in French)
2713:(in French)
2691:(in French)
2669:(in French)
2635:(in French)
2562:(in French)
2517:11 November
2493:www.dga.org
2473:11 November
2447:19 December
2346:Wid's Daily
2272:Yo. Memoirs
1921:19 December
1853:, p. .
1658:, p. .
1527:25 February
1475:25 February
1297:The Empress
1267:The Vampire
1078:Victor Hugo
922:Agnès Jaoui
882: [
756:Still from
660:Because of
615:Kino Lorber
515:Still from
493:Chronophone
465:(1905) and
215:Chronophone
115:Occupations
72:Saint-Mandé
68:1 July 1873
3746:Categories
3655:My Madonna
3173:1033084385
3149:See also:
3114:1201427000
3010:1006407794
2950:1294292954
2878:1037267982
2798:Silent Era
2591:20 January
2359:1045399826
2252:0743492293
2126:PopMatters
2023:Collection
1578:, p.
1562:, p.
1517:"AFI FEST"
1372:References
976:phonoscène
926:Maud Wyler
791:bankruptcy
611:Lois Weber
288:school in
267:Valparaíso
218:sync-sound
64:1873-07-01
3259:904762045
3145:317471816
3118:884280169
3087:781770689
3056:863369819
2983:946975989
2979:941877015
2914:891930835
2850:644078883
2315:894174294
1805:730033564
1797:1941-0646
1418:0362-4331
1090:La Statue
1073:Esméralda
988:philately
970:making-of
931:In 2022,
905:In 2021,
824:In 2002,
551:The Thief
459:Le Boléro
138:1894–1922
36:Alice Guy
18:Alice Guy
3639:The Lure
3418:directed
3342:(kinotv)
3198:Archived
2826:(1991).
2804:28 March
2612:YaleNews
2543:25 April
2412:"Flight"
2221:Deadline
2029:6 August
1968:Guardian
1871:Artforum
1833:31 March
1501:29 April
1389:Archived
1322:See also
1251:The Lure
984:La Poste
677:series "
274:smallpox
263:Santiago
175:Children
127:producer
78:, France
3706:Related
3589:
3525:
3477:
3445:
3307:3 April
2926:(ed.).
2890:(ed.).
2817:Sources
2422:23 June
1687:24 June
1028:; 1896)
990:center
639:of the
463:Saharet
363:Lumière
306:varnish
294:convent
249:at the
211:Gaumont
169:
157:
153:
3732:(2018)
3698:(1920)
3690:(1918)
3682:(1917)
3674:(1917)
3666:(1916)
3658:(1915)
3650:(1915)
3642:(1914)
3634:(1913)
3626:(1913)
3618:(1913)
3610:(1913)
3602:(1912)
3582:(1912)
3574:(1912)
3566:(1912)
3558:(1912)
3550:(1911)
3542:(1907)
3534:(1907)
3518:(1906)
3510:(1906)
3502:(1906)
3494:(1906)
3486:(1906)
3470:(1905)
3462:(1905)
3454:(1902)
3438:(1900)
3430:(1896)
3357:2 June
3269:20 May
3257:
3171:
3143:
3133:
3112:
3102:
3085:
3075:
3054:
3044:
3025:
3008:
2998:
2977:
2967:
2948:
2938:
2912:
2902:
2876:
2866:
2848:
2838:
2766:7 July
2739:7 July
2717:7 July
2695:7 July
2673:7 July
2639:7 July
2617:19 May
2566:7 July
2357:
2313:
2249:
2226:19 May
2185:25 May
2080:25 May
2054:25 May
2001:
1946:
1894:
1803:
1795:
1714:
1639:
1423:19 May
1416:
1316:(1920)
1308:(1918)
1300:(1917)
1292:(1917)
1284:(1916)
1276:(1916)
1270:(1915)
1262:(1915)
1254:(1914)
1246:(1913)
1238:(1913)
1230:(1913)
1222:(1913)
1214:(1912)
1206:(1912)
1198:(1912)
1190:(1912)
1182:(1912)
1174:(1911)
1166:(1910)
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