646:. As the orchestra's music gradually changed in style from jazz to simpler forms and took up more of Farmer's time, he found that it was getting in the way of his musical ambitions, so he left after three or four years. Pursuing these ambitions meant that Farmer traveled extensively worldwide. He said in 1976: "I'm traveling 90 percent of the time. I can live anywhere. It's just a matter of getting to the airport". A 1982 revival of the Jazztet, with Golson, led him to play more frequently in the United States than he had over the previous decade. In the 1980s Farmer also created a quintet, featuring saxophonist
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Mechtilde
Lawugger, and their son, Georg, was born in the early 1970s. They lived together in a house that they had built in Vienna, and Farmer reported contentment with his lifestyle; notably, in contrast with his homeland, he did not experience racism in Europe. Farmer described himself in 1985 as "an introvert, and kind of reclusive"; a soundproof room in his Austrian house allowed him to practice alone for the four or five hours a day that he desired. His personality was often described by others as mirroring his playing:
216:. Continuing to develop his own sound, Farmer switched from trumpet to the warmer flugelhorn in the early 1960s, and he helped to establish the flugelhorn as a soloist's instrument in jazz. He settled in Europe in 1968 and continued to tour internationally until his death. Farmer recorded more than 50 albums under his own name, a dozen with the Jazztet, and dozens more with other leaders. His playing is known for its individuality – most noticeably, its lyricism, warmth of tone and sensitivity.
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323:, but this job lasted for only four months, as Farmer's lip gave out. Performing for long periods seven days a week for this job put great pressure on his technique, which was insufficiently developed to cope with such physical demands. His lip eventually became lacerated, and he could no longer play. He then received technique training in New York, where he worked for a time as a janitor and played as a freelance musician during 1947 and 1948. An audition for
275:. Around this time in Los Angeles, there were abundant opportunities for musical development, according to Farmer: "During the day you would go to somebody's house and play. At night there were after-hours clubs anybody who wanted to play was free to come up and play". Farmer left high school early but persuaded the principal to give him a diploma, which he did not collect until a visit to the school in 1958.
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442:, while Farmer was signed to Prestige. Feuds between the label bosses ruled out extensive cross-label collaboration. The transition from Silver's piano-led quintet to Mulligan's piano-less quartet was not straightforward: "to suddenly find yourself in a pianoless group was like walking down the street naked", commented Farmer. As a member of Mulligan's band, Farmer appeared on film twice – in
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656:, he reported losing 30 pounds in weight a couple of years earlier, and stopping smoking and drinking a couple of years before that; Farmer "used to think he couldn't play without drinking; now he couldn't play and drink", was the interviewer's summary of Farmer's habits, which appear to have avoided the drug-related problems of many of his contemporaries.
232:, when he was still four. He started to play the piano while in elementary school, then moved on to bass tuba and violin before settling on cornet and then trumpet at the age of 13. His family was musical: most of them played as a hobby, and one was a professional trombonist. Art's grandfather was a minister in the
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Farmer was affected by the sudden death of his twin brother in 1963: more than 20 years later, he said that he still dreamed of his sibling, and admitted that, "It seems there's a part of him I haven't fully gotten over". Farmer's third wife died from cancer in 1992; speaking three years later, he
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Farmer's determination to keep exploring forms of expression continued throughout his life. One comment on a concert given when Farmer was 67 was that "his style was continuing to evolve"; he "delivered several solos in which his characteristically flowing lines were interrupted by sudden, wide
228:, reportedly at 2201 Fourth Avenue. Their parents, James Arthur Farmer and Hazel Stewart Farmer, divorced when the boys were four years old, and their steelworker father was killed in a work accident not long after this. Art moved with his grandfather, grandmother, mother, brother and sister to
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Farmer first married in the mid-1950s, to a woman from South
America. They divorced after about a year, but the marriage produced one son, Arthur Jr, who died in 1994. Farmer's second wife was a distant cousin; this marriage also ended in divorce. He married again, to a Viennese banker named
366:. Farmer recorded further singles with Roy Porter and then, on January 21, 1952, as a member of Wardell Gray's sextet. The latter session produced six tracks that were released as singles. These included "Farmer's Market", a piece that was written by Farmer and brought him greater attention.
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Farmer moved from trumpet to playing mostly flugelhorn from the early 1960s, utilising the latter instrument's more mellow sound and Farmer's ability to get what he wanted from it without having to use a mute. In 1989, he played a major part in creating a trumpet–flugelhorn hybrid, the
177:, started playing professionally while at high school in Los Angeles. Art gained greater attention after the release of a recording of his composition "Farmer's Market" in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as
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in 1957. Varèse used approximate notation and wanted the musicians to improvise within its structure; at least some of the seasoned jazz musicians present regarded this process of creation as similar to their own familiar creations of spontaneously produced
758:. This instrument allowed him to play with more expression in a range of settings, from small groups to big bands. In 1997, Monette presented him with a personalized flumpet, with decorations symbolising important people and places in Farmer's life.
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in New York. Farmer also recorded extensively as a leader throughout his later career, including some pieces of classical music with US and
European orchestras. Farmer's level of playing even towards the end of his career was noted in a review by
236:. This influenced Farmer's first choice of instrument, as his mother played piano for the church choir. The bass tuba was for use in a marching band and was Farmer's instrument for a year, until a cornet became available. Phoenix schools were
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remarked that "I guess I never will really recover from that because we had been together for over 20 years when she died". After his own death, he was described as being survived by his companion and manager, Lynne
Mueller, and son.
510:: "Farmer has become one of the few genuinely individual modern trumpeters. (Nine out of ten modern trumpeters are true copies of Dizzy Gillespie or Miles Davis.)" Farmer was one of 57 jazz musicians to appear in the 1958 photograph "
485:, being in demand because of his reputation for being able to play anything. The wide range of styles these arrangers represented was extended when Farmer took part in a series of experimental sessions with composer
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obituary writers noted that his playing had "a sweetly lyrical tone and a melodic approach to phrasing, neither of which minimized his capacity to produce rhythmically swinging phrases". The equivalent comments in
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460:, who told him to "tighten up and tell a 'story' in each solo". At this time, Farmer also rented his trumpet on a nightly basis to Miles Davis, who had pawned his own due to his drug dependency.
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both attracted Farmer's attention. Decades later, he stated that, at that time, "I knew I had to be in jazz. Two things decided me – the sound of a trumpet section in a big band and hearing a
271:, and Floyd Ray, among others. These opportunities came about through a combination of his ability and the absence of numerous older musicians, who were still in the armed forces following
263:. The brothers earned money by working in a cold-storage warehouse and by playing professionally. Art started playing trumpet professionally at the age of 16, performing in the bands of
592:. His stylistic development continued during this period of his career, in part because he "absorbed, understood, and had the technical and artistic gifts to put to personal use the
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and joined the
Austrian Radio Orchestra. The latter job initially required only ten days a month of his time, so he was able to play with other well-known expatriates such as
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Farmer relocated to New York and, on July 2, 1953, had his first recording session as leader. This was combined with another recorded 11 months later to form the eight-track
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331:'s band. Club and studio work was hard to get in Los Angeles from the late 1940s and into the 1950s, as it was dominated by white musicians. Farmer played and toured with
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362:. They recorded "Radar Blues", and at some point in the same or the following year they added a further seven sides; the eight tracks were released as four singles by
529:, after each man independently came to the conclusion that the other should be a member of his new sextet. The Jazztet lasted until 1962, recorded several albums for
688:, from 1996: "the warm-toned and swinging Farmer is consistently the main star, and at age 68 he proves to still be in his prime". In 1999 Farmer was selected as a
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were that "Farmer avoided the bright, penetrating sound of orthodox trumpet playing and was influenced by the more reserved articulation of Miles Davis and
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From the early 1990s, Farmer had a second house in New York and divided his time between Vienna and there. He had regular gigs with
Clifford Jordan at the
675:, both in New York. Farmer was awarded the Austrian Gold Medal of Merit in 1994. In the same year, a concert in honor of his achievements was held at the
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394:' New Directions band – the compositions he encountered in this band allowed him to consider a broader range of expression during improvisation.
351:, to get to another Roy Porter-led gig, the car that Farmer was in overturned at high speed, leaving him concussed and Porter with broken ribs.
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Mattis, Olivia (2006), "From Bebop to Poo-Wip: Jazz
Influences in Varèse's Poème électronique". In Meyer, Felix, & Heidy Zimmermann (eds),
600:' period of the early 1960s". Work opportunities, however, were diminishing as rock became more popular in the mid-1960s, so Farmer joined the
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378:'s orchestra in 1952. He toured Europe with the orchestra from September to December 1953, and shared the organization's trumpet chairs with
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in 1951–52. The hazards of the touring jazz musician's lifestyle were also present: while travelling overnight by car between
Phoenix and
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melodic leaps and disjunct rhythmic accents". A few months before his death, although faster numbers had become perhaps too challenging,
742:, "Farmer was in his way a true original. His phrasing was always distinctive, letting the beat run ahead of him rather in the manner of
650:, that toured internationally. In the early 1980s, Farmer had also made some changes to his lifestyle. Interviewed for a 1985 article in
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411:. Farmer became "one of the most sought-after trumpeters of the fifties": he continued to work with Gryce (1954–56), and also with
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Farmer's first studio recording appears to have been on June 28 or July 2, 1948, in Los
Angeles, under the leadership of vocalist
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programme, which were later released on DVD. Hall left the second tour while the quartet, which included
Swallow and drummer
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As Farmer's reputation grew, he expanded from bebop into more experimental forms through working with composers such as
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From the middle of the 1950s, Farmer featured in recordings by leading arrangers of the day, including
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Descriptions of Farmer's playing style typically stress his lyricism and the warmth of his sound. The
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Farmer worked in Los Angeles for a time as a hotel janitor and a hospital file clerk, before joining
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327:'s big band was unsuccessful, and Farmer returned to the West Coast in 1948 as a member of
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Sheridan, Chris (2001), "Brilliant Corners: A Bio-Discography of Thelonious Monk", p. 54.
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tour, helping him to develop an international reputation. In New York, Farmer worked with
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observed, Farmer's playing on slower tunes achieved a new level of emotional expression.
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The visits to Europe continued. Farmer moved there in 1968 and ultimately settled in
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Fraser, Gerald C. (August 26, 1976), "Art Farmer Finds Jazz in Europe Challenging",
975:(June 29–30, 1995). Smithsonian Jazz Oral History Program NEA Jazz Master interview.
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Farmer toured Europe in 1965–66, then returned to the US and led a small group with
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Farmer and his brother moved to Los Angeles in 1945, attending the music-oriented
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709:, for instance, observed in 1990 that Farmer was "mellow, relaxed and gentle".
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Farmer recorded only twice with Horace Silver's group, as Silver recorded for
247:, where they got music instruction and met other developing musicians such as
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1571:"Specialized Instrument: Jazzman's 'Flumpet' Decorated with Personal Symbols"
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692:. A few months later, on October 4, Farmer died of a heart attack at home in
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Steven L. Isoardi's 1991 interviews of Farmer, about his time in Los Angeles
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Art Farmer was born an hour before his twin brother, on August 21, 1928, in
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label. These bands played laid back, melodious music during a period when
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1149:"The European Tour of Lionel Hampton and His Orchestra, 1953 Band Routes"
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Cookin': Hard Bop and Soul Jazz 1954–65: Hard Bop and Soul Jazz 1954–65
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Balliett, Whitney (September 23, 1985), "Profiles: Here and Abroad"
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738:", and that, although he could seem more restrained than Davis or
1330:. NEA Jazz Masters Art Farmer biography. Retrieved April 2, 2013.
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Let's Get to the Nitty Gritty: The Autobiography of Horace Silver
926:"Art Farmer: Eloquent Jazz Master of the Trumpet and Fluegelhorn"
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170:
119:
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The Essential Jazz Records: Volume 2: Modernism to Postmodernism
1222:
Jazz Matters: Reflections on the Music & Some of Its Makers
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Robinson, Greg (October 1994), "Art Farmer: Playing It Right",
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1061:"Art Farmer, 71, Be-Bop Master of the Trumpet and Fluegelhorn"
545:. In the early 1960s Farmer established a trio with guitarist
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498:. Farmer's playing around this time is summarized by critic
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David Monette's video of Farmer's 1997 personalized flumpet
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All Music Guide to Jazz: The Definitive Guide to Jazz Music
1241:; Woodstra, Chris; Erlewine, Stephen Thomas (eds.) (2002),
314:
162:
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1363:, pp. 309–317. Paul Sacher Foundation / The Boydell Press.
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1387:"Behind 'A Great Day in Harlem': Jean Bach on Piano Jazz"
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144:
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Harrison, Max; Thacker, Eric; Nicholson, Stuart (2000),
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1119:. wardellgray.org discography. Retrieved April 2, 2013.
419:(1958–59), among others. One of the others was pianist
369:
1344:"American Trumpeter Art Farmer's Cool Notes in Vienna"
884:
Ramsey, William E., & Betty Dineen Shrier (2002),
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494:, but their efforts influenced Varèse's composition,
1417:"Art Farmer – Live in 1964 – (Jazz Icons IV Series)"
948:
American Musicians II: Seventy-One Portraits in Jazz
754:, which was constructed for him by instrument maker
161:(August 21, 1928 – October 4, 1999) was an American
1964:
Something to Live For: The Music of Billy Strayhorn
1444:"The Art Farmer Quartet Featuring Jim Hall: Part 2"
1045:
Thinking in Jazz: The Infinite Art of Improvisation
924:Heckman, Don, & Jon Thurber (October 7, 1999),
797:"Jazz Review: Art Farmer's Fluegelhorn of Plenty"
525:in 1959, with the composer and tenor saxophonist
290:". Farmer's trumpet influences in the 1940s were
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1844:The Art Farmer Quintet Plays the Great Jazz Hits
2601:Clarke Boland Big Band en Concert avec Europe 1
1521:"Jazz Review; Players Play to Honor Art Farmer"
1453:. Jazz History Online. Retrieved April 2, 2013.
1361:Edgar Varèse: Composer Sound Sculptor Visionary
1151:. Jazzdocumentation.ch. Retrieved June 5, 2018.
886:Silent Hills Speak: A History of Council Bluffs
571:. In 1964, this new quartet recorded the album
537:, and assisted in the early careers of pianist
452:(1960) – and again toured Europe, as part of a
319:Farmer left school to tour with a group led by
278:At this time, as an adolescent in Los Angeles,
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1288:, pp. 91, 96. University of California Press.
407:, featuring arrangements by Quincy Jones and
1374:Collected Works: A Journal of Jazz 1954–2000
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2825:Kenny Clarke/Francy Boland Big Band members
1133:Associated Musicians of Greater New York's
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690:National Endowment for the Arts Jazz Master
2820:Jefferson High School (Los Angeles) alumni
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1194:. All About Jazz. Retrieved April 2, 2013.
995:Central Avenue Sounds: Jazz in Los Angeles
821:Feather, Leonard, & Ira Gitler(2007),
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1029:Hard Bop: Jazz and Black Music, 1955–1965
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514:" and was later interviewed for the 1994
2023:The Time and the Place: The Lost Concert
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1117:"Wardell Gray – A Discography 1944–1955"
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888:Barnhart Press. Cited in: Longden, Tom,
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315:Early career in Los Angeles and New York
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2715:20th-century African-American musicians
1684:Art Farmer Quintet featuring Gigi Gryce
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1080:, pp. 167–168. Continuum International.
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960:
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302:, but, in his own words, "then I heard
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1780:Listen to Art Farmer and the Orchestra
1554:"Art Farmer Reaps His Musical Harvest"
1552:Feather, Leonard (November 12, 1987),
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1147:Schneeberger, Mario (April 30, 2014),
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1385:Jackson, Grant (September 10, 2010),
1269:"Elvin Jones: The Company of Thunder"
1234:
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1031:, pp. 85–94. Oxford University Press.
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823:The Biographical Encyclopedia of Jazz
786:
622:Career after permanent move to Europe
2720:20th-century American male musicians
1206:. AllMusic. Retrieved April 2, 2013.
1089:Jepson, Jorgen Grumet (ed.) (1965),
973:"Art Farmer: NEA Jazz Master (1999)"
953:
370:Career after second move to New York
2261:Kenny Clarke/Francy Boland Big Band
1828:New York Jazz Sextet: Group Therapy
1333:
1307:
1091:Jazz Records 1942–1962 Vol. 8: Te–Z
1050:
795:Feather, Leonard (March 30, 1990),
632:Kenny Clarke/Francy Boland Big Band
502:, commenting on his performance on
16:American jazz trumpeter (1928–1999)
13:
1433:
1400:"Reliving 'A Great Day in Harlem'"
1320:"1999 NEA Jazz Master: Art Farmer"
1227:
1154:
1000:
950:. University Press of Mississippi.
935:
903:
825:, p. 219. Oxford University Press.
234:African Methodist Episcopal Church
189:and became known principally as a
14:
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1583:
1519:Watrous, Peter (August 8, 1994),
1167:Fordham, John (October 7, 1999),
997:. University of California Press.
2682:
2670:
2658:
1569:Reich, Howard (August 5, 1997),
1318:National Endowment for the Arts
1059:Ratliff, Ben (October 6, 1999),
716:
2740:American expatriates in Austria
2735:African-American jazz musicians
2725:20th-century American musicians
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1398:McNally, Owen (June 25, 2006),
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1342:Duncan, Amy (January 6, 1983),
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1248:
1224:. University of Arkansas Press.
1204:"The Art Farmer Septet: Review"
1197:
1178:
1141:
1109:
1096:
1083:
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684:of one of his last recordings,
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1462:"Art Farmer" (February 1975),
1415:Krow, Jeff (October 30, 2009)
1267:Kahn, Ashley (November 2004),
1047:. University of Chicago Press.
878:
630:, where he performed with The
1:
2031:Art Farmer Quintet at Boomers
1724:Last Night When We Were Young
1348:The Christian Science Monitor
780:
516:documentary of the same title
219:
2785:Contemporary Records artists
2755:American male jazz musicians
2745:American jazz flugelhornists
1812:The Many Faces of Art Farmer
1093:, p. 110. Karl Emil Knudson.
431:sextet's performance at the
7:
1820:Sing Me Softly of the Blues
1508:Jazz Masters of the Forties
1131:"Requiem" (November 1999),
770:Discography and filmography
700:Personality and family life
574:Sing Me Softly of the Blues
10:
2876:
2830:Mainstream jazz trumpeters
2636:Americans in Europe Vol. 1
2151:The Jazztet and John Lewis
1372:Balliett, Whitney (2000),
1245:(4th ed.). Backbeat Books.
1220:Ramsey, Douglas K. (1989)
1043:Berliner, Paul F. (2009),
946:Balliett, Whitney (2006),
773:
585:was becoming more common.
2765:Arabesque Records artists
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2006:
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1613:October 17, 2020, at the
1493:Mathieson, Kenny (2012),
1326:October 20, 2012, at the
1190:January 15, 2012, at the
1185:"Art Farmer: Discography"
1027:Rosenthal, David (1993),
139:
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39:
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2850:Prestige Records artists
2775:Atlantic Records artists
2760:American male trumpeters
2750:American jazz trumpeters
2204:The Jazztet at Birdhouse
1510:, p. 272. Collins Books.
454:Jazz at the Philharmonic
2835:Mercury Records artists
2805:Fantasy Records artists
2730:20th-century trumpeters
1449:August 4, 2014, at the
1304:, pp. 96–99. Continuum.
900:. DesMoinesRegister.com
169:player. He also played
2502:17 Men and Their Music
2293:Muvaffak "Maffy" Falay
2039:Central Avenue Reunion
1996:The Time and the Place
1732:Portrait of Art Farmer
1541:The Denver Post Online
1422:July 14, 2014, at the
1376:, p. 37. Granta Books.
1284:Silver, Horace (2007)
1137:. Volume XCIX, No. 10.
993:Bryant, Clora (1998),
776:Art Farmer discography
608:for the production of
474:
40:Background information
2298:Eddie "Lockjaw" Davis
2015:Live at the Half-Note
1692:The Art Farmer Septet
1676:When Farmer Met Gryce
661:Sweet Basil Jazz Club
512:A Great Day in Harlem
466:
433:Newport Jazz Festival
404:The Art Farmer Septet
310:Later life and career
245:Jefferson High School
208:'s quartet and, with
204:. He went on to join
159:Arthur Stewart Farmer
50:Arthur Stewart Farmer
2800:Enja Records artists
2790:Cool jazz trumpeters
2770:Argo Records artists
2470:Now Hear Our Meanin'
2165:Another Git Together
1980:Blame It on My Youth
1868:Yesterday's Thoughts
1625:Complete discography
1506:Gitler, Ira (1966),
1256:Greenwood Publishing
1102:Fairchild, Rolf. In
1076:Porter, Ray (1995),
596:innovations of the '
508:Hal McKusick Quintet
226:Council Bluffs, Iowa
68:Council Bluffs, Iowa
2855:The Jazztet members
2845:Post-bop trumpeters
2840:Musicians from Iowa
2815:Hard bop trumpeters
2810:GRP Records artists
2795:CTI Records artists
2494:Out of the Folk Bag
2478:Swing, Waltz, Swing
2361:Albert Mangelsdorff
1804:To Sweden with Love
1539:(October 7, 1999),
1464:Buffalo Jazz Report
1428:Audiophile Audition
1106:. Arhoolie Records.
896:April 10, 2013, at
481:, Quincy Jones and
343:, then played with
84:New York City, U.S.
2620:Bohemia After Dark
2534:Latin Kaleidoscope
1525:The New York Times
1477:The New York Times
1239:Bogdanov, Vladimir
1065:The New York Times
618:, for six months.
543:Grachan Moncur III
496:Poème électronique
475:
364:Swing Time Records
282:and the swing era
106:Musician, composer
2646:
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2454:Jazz Is Universal
2227:
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2070:
2069:
1956:You Make Me Smile
1908:Something You Got
1876:To Duke with Love
1558:Los Angeles Times
1442:Cunniffe, Thomas
1104:Jumpin' the Blues
930:Los Angeles Times
801:Los Angeles Times
724:Los Angeles Times
669:Jerome Richardson
663:and, later, with
492:head arrangements
467:Farmer in a 1958
450:The Subterraneans
440:Blue Note Records
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2582:Change of Scenes
2462:Handle with Care
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2211:Back to the City
2179:Moment to Moment
2137:Meet the Jazztet
2097:
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2050:Related articles
1892:The Summer Knows
1836:Baroque Sketches
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1592:Official website
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425:Steve Allen Show
265:Horace Henderson
230:Phoenix, Arizona
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445:I Want to Live!
421:Thelonious Monk
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611:The Apple Tree
521:Farmer formed
506:'s 1957 album
479:George Russell
429:Charles Mingus
417:Gerry Mulligan
415:(1956–58) and
380:Clifford Brown
376:Lionel Hampton
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356:Big Joe Turner
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198:George Russell
175:Addison Farmer
165:trumpeter and
155:Musical artist
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227:
217:
215:
211:
207:
203:
202:Teddy Charles
199:
194:
192:
188:
184:
183:Sonny Rollins
180:
179:Horace Silver
176:
172:
168:
164:
160:
148:
142:
138:
134:
130:
124:
121:
117:
113:
111:Instrument(s)
109:
105:
103:Occupation(s)
101:
98:
94:
91:
87:
77:
73:
69:
57:
53:
49:
43:
38:
34:
29:
22:
19:
2634:
2628:The Golden 8
2626:
2618:
2599:
2580:
2572:
2564:
2556:
2548:
2540:
2532:
2524:
2516:
2508:
2500:
2492:
2484:
2476:
2468:
2460:
2452:
2399:Sahib Shihab
2393:
2384:Benny Bailey
2316:Derek Humble
2303:Ronnie Scott
2278:
2273:Kenny Clarke
2271:
2216:
2209:
2202:
2184:
2177:
2170:
2163:
2158:Here and Now
2156:
2149:
2142:
2135:
2120:Benny Golson
2114:
2037:
2029:
2021:
2013:
1994:
1986:
1978:
1970:
1962:
1954:
1946:
1938:
1930:
1922:
1914:
1906:
1898:
1890:
1882:
1874:
1866:
1858:
1850:
1842:
1834:
1826:
1818:
1810:
1802:
1794:
1788:Interaction
1786:
1778:
1770:
1762:
1754:
1746:
1738:
1730:
1722:
1714:
1706:
1698:
1690:
1682:
1674:
1660:
1574:
1565:
1557:
1548:
1540:
1537:"Art Farmer"
1532:
1524:
1515:
1507:
1502:
1497:. Canongate.
1494:
1476:
1471:
1463:
1458:
1427:
1411:
1403:
1394:
1381:
1373:
1368:
1360:
1355:
1347:
1301:
1285:
1280:
1272:
1263:
1255:
1250:
1242:
1221:
1199:
1180:
1173:The Guardian
1172:
1169:"Art Farmer"
1143:
1134:
1111:
1103:
1098:
1090:
1085:
1077:
1072:
1064:
1044:
1028:
1010:
994:
947:
929:
890:"Art Farmer"
885:
880:
875:, pp. 43–55.
872:
822:
800:
764:The Guardian
763:
760:
748:
746:'s vocals".
736:Kenny Dorham
731:The Guardian
729:
722:
720:
711:
703:
685:
658:
651:
625:
609:
587:
572:
565:Pete La Roca
558:
549:and bassist
527:Benny Golson
520:
507:
504:Hal McKusick
476:
468:
458:Lester Young
449:
443:
437:
402:
396:
388:Benny Bailey
384:Quincy Jones
373:
360:Pete Johnson
358:and pianist
353:
345:Wardell Gray
333:Benny Carter
318:
300:Fats Navarro
277:
273:World War II
242:
223:
210:Benny Golson
195:
158:
157:
127:Years active
80:(1999-10-04)
18:
2710:1999 deaths
2705:1928 births
2593:Live albums
2558:More Smiles
2542:Fellini 712
2433:John Bodwin
2414:Herb Geller
2404:Shake Keane
2389:Jimmy Woode
2379:Kenny Clare
2346:John Surman
2326:Åke Persson
2196:Live albums
2104:The Jazztet
2062:The Jazztet
2057:Discography
2007:Live albums
1948:Warm Valley
1900:Crawl Space
1884:On the Road
1860:Gentle Eyes
1748:Brass Shout
696:, aged 71.
682:Scott Yanow
644:Ben Webster
598:Giant Steps
590:Jimmy Heath
539:McCoy Tyner
523:the Jazztet
448:(1958) and
329:Jay McShann
321:Johnny Otis
296:Miles Davis
288:jam session
269:Jimmy Mundy
249:Sonny Criss
214:the Jazztet
2699:Categories
2566:Off Limits
2510:All Smiles
2486:Sax No End
2419:Phil Woods
2394:Art Farmer
2307:Carl Drewo
2172:Voices All
2115:Art Farmer
1852:Homecoming
1796:Perception
1740:Modern Art
1708:2 Trumpets
1661:Art Farmer
1599:Art Farmer
781:References
740:Lee Morgan
569:Steve Kuhn
409:Gigi Gryce
337:Roy Porter
261:Ed Thigpen
238:segregated
220:Early life
187:Gigi Gryce
167:flugelhorn
131:1940s–1999
116:flugelhorn
61:1928-08-21
46:Birth name
25:Art Farmer
2677:Biography
2550:All Blues
2429:Stan Getz
2424:Zoot Sims
2374:Fats Sadi
2218:Real Time
2186:Nostalgia
1932:Manhattan
1916:Big Blues
1772:Early Art
1273:JazzTimes
1011:JazzTimes
694:Manhattan
686:Silk Road
665:Ran Blake
284:big bands
145:artfarmer
114:Trumpet,
2321:Nat Peck
2311:Tony Coe
1611:Archived
1603:AllMusic
1479:, p. 39.
1447:Archived
1420:Archived
1324:Archived
1188:Archived
894:Archived
636:Don Byas
616:Broadway
594:Coltrane
579:Atlantic
577:for the
560:Jazz 625
547:Jim Hall
470:DownBeat
399:Prestige
193:player.
2651:Portals
1466:, p. 1.
1135:Allegro
752:flumpet
671:at the
349:El Paso
171:flumpet
140:Website
120:flumpet
2639:(1963)
2631:(1961)
2623:(1955)
2604:(1969)
2585:(1971)
2577:(1970)
2569:(1970)
2561:(1969)
2553:(1969)
2545:(1969)
2537:(1968)
2529:(1968)
2521:(1968)
2513:(1968)
2505:(1967)
2497:(1967)
2489:(1967)
2481:(1966)
2473:(1965)
2465:(1963)
2457:(1962)
2042:(1989)
2034:(1976)
2026:(1966)
2018:(1964)
1999:(2007)
1991:(1989)
1988:Ph.D.
1983:(1988)
1975:(1987)
1967:(1987)
1959:(1985)
1951:(1983)
1943:(1982)
1940:Mirage
1935:(1982)
1927:(1979)
1919:(1979)
1911:(1977)
1903:(1977)
1895:(1977)
1887:(1976)
1879:(1976)
1871:(1976)
1863:(1972)
1855:(1971)
1847:(1967)
1839:(1966)
1831:(1966)
1823:(1965)
1815:(1964)
1807:(1964)
1799:(1964)
1791:(1963)
1783:(1963)
1775:(1962)
1767:(1961)
1759:(1959)
1751:(1959)
1743:(1958)
1735:(1958)
1727:(1958)
1719:(1957)
1711:(1957)
1703:(1956)
1695:(1956)
1687:(1955)
1679:(1955)
1389:. npr.
642:, and
628:Vienna
259:, and
185:, and
89:Genres
70:, U.S.
2689:Music
2518:Faces
1972:Azure
280:bebop
191:bebop
97:bebop
2665:Jazz
2526:More
1924:Yama
667:and
533:and
531:Argo
401:LP,
386:and
339:and
298:and
200:and
163:jazz
147:.org
93:Jazz
75:Died
55:Born
1764:Art
1601:at
614:on
604:of
557:'s
555:BBC
2701::
1573:.
1556:.
1523:.
1484:^
1435:^
1426:.
1402:.
1346:.
1335:^
1322:.
1309:^
1293:^
1271:.
1229:^
1211:^
1171:.
1156:^
1124:^
1063:.
1052:^
1036:^
1018:^
1002:^
980:^
955:^
937:^
928:.
905:^
892:.
830:^
808:^
799:.
788:^
638:,
518:.
435:.
382:,
335:,
294:,
267:,
255:,
251:,
181:,
118:,
95:,
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1560:.
1543:.
1527:.
1430:.
1406:.
1350:.
1275:.
1258:.
1175:.
1067:.
932:.
803:.
63:)
59:(
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