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739:
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1128:. This building was enlarged in the seventeenth century by order of Federico Borromeo, and again in the eighteenth century when the new bell tower was built. Already at the end of the nineteenth century part of the structure was demolished. The rest of the buildings, as already mentioned, were demolished in 1967 to allow the construction of the new parish center, which was inaugurated in 1972 by the Archbishop of Milan
113:
2090:È notevole l'architettura di questa chiesa, che è stata interamente progettata dall'insigne architetto Bramante. Questa chiesa necessita di una facciata altrettanto bella e che soddisfi esteticamente la sua vista. La si dovrà pertanto realizzare utilizzando marmi pregiati prevedendo nicchie, statue, pinnacoli e altri elementi decorativi, e tutto quanto necessario per aumentarne la bellezza
511:. That poverty among the nobility was also the author of much administrative disruption in Legnano, as they fought to hold onto their possessions within the Duchy. Compounding all these difficulties was a disinterest in Legnano by the Archbishop of Milan, who began withdrawing holy orders from the area. This had been provoked by the loss of the rebellious tendencies
2072:
guerra che patì questo contorno, in particolare la terra di
Legnano, atteso che, calando per la strada di Varese l'anno 1511 alli X dicembre, ne fu abbruggiata una parte e saccheggiato il resto; ne fa di ciò mentione il medemo tesoriere Alessandro Lampugnano, et è conforme a quello dice anco il Guicciardino nella sua storia nel libro X.
735:
practice. This resulted later in those entering the basilica from its new main entrance finding the high altar to their left, so the entrances were rotated 90° to the east and west. Another possibility is that, in the first half of the basilica's history, the high altar was aligned to the main entrance.
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As already mentioned, the remains of the old one were transformed into a chapel, which is still visible behind the bell tower of the
Basilica of San Magno on the south side of the building, near a covered passage. The design of the new bell tower was the work of Bartolomeo Gazzone. The new bell tower
922:
The transfer of the provost tax from
Parabiago to Legnano (which also led to the creation of the parish church of the same name) was dictated by various reasons: from the greater number of inhabitants of the village of Legnano, to the fact that the church of San Magno was larger than the parabiaghese
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of San Magno for the realization of the musical instrument and 16 liras for its positioning. The choir in walnut wood is instead the work of the painter Gersam Turri. It was placed in its current position in 1640 and it was restored on two occasions (one in the 19th century and the other in the 20th
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on a blue background: these decorations also resume the frescoing of the vault. The sub-arches are embellished with paintings depicting the Greek. The pilasters, before the frescoes by Gersam Turri, were all decorated with gray stripes and squares: the same gray color was also characteristic of the
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The architecture of this church is remarkable, which was entirely designed by the distinguished architect
Bramante. This church needs an equally beautiful facade that aesthetically satisfies its view. It should therefore be made using precious marbles, providing niches, statues, pinnacles and other
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This temple, which dates back to the early 11th century, has been modified several times and finally rebuilt by the brilliant architect Donato
Bramante, and constitutes a conspicuous ornament and decoration of the city. We raise to the dignity and honor of Basilica Minor the church consecrated to
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The church of S. Magno, as can be seen from a travel guide by
Alessandro Lampugnano, was begun in 1504 on 4 May, and was built to perfection in 1513. And this building would have been built to perfection in a much shorter time, had it not been for the calamity of war that this country suffered, in
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There are a few reasons that the people chose, in spite of the danger of continued water damage, to reuse the site of the parish church. One is a confidence displayed by the people of
Legnano in the technical skills of the builders of the basilica church. Another is that what is now the Piazza San
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Questo tempio, che risale agli inizi del XI secolo, più volte modificato e infine ricostruito dal geniale architetto Donato
Bramante, costituisce un cospicuo ornamento e decoro della città. Eleviamo alla dignità e all'onore di Basilica Minore la chiesa consacrata a Dio in nome di S. Magno, nella
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which is frescoed with a softer shade than that of the vault: this is the opposite of what is generally done in the decorations of contemporary churches in the basilica, which are instead characterized by stronger colors in the lower parts and more tenuous in the upper architectural sections. The
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The modern main door was instead opened later, perhaps in 1840, or earlier, as shown by some archive notes relating to the pastoral visit made in
Legnano by cardinal Giuseppe Pozzobonelli in 1761, in which there is a description of the Basilica of San Magno where the three doors facing the modern
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La chiesa di S. Magno, come si vede da un libro di maneggio fatto da un
Alessandro Lampugnano, fu incominciata l'anno 1504 adì 4 maggio, et fu ridotta a perfettione l'anno 1513. Et questa fabrica sarebbe stata ridotta a perfettione in maggior brevità di tempo, se non fossero stati li disturbi di
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The architects who followed him were therefore not sure about the type of coating to be applied to the walls of the basilica, since they did not know the idea that the original designer had. To this was also added the desire to create high-quality plastering works that should have been up to the
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in flight and with geometric motifs decorated with fruits. The lapel of the fresco that gives towards the center of the church is instead painted with candelabra of fruit and vegetables, while on the space between the triumphal arch and the pylons of the building there are two roundels that are
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Faced with the displacement of the provost, the Parabiaghsis appealed to the pope, but without success, given the endorsement of the archiepiscopal decree by the Roman Curia, which occurred in 1586. Officially acquired relevance also from the most important ecclesiastical hierarchies, from this
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The basilica's north–south orientation was chosen because of urban planning; to its west was the old cemetery and on the east was the Olona, so it was decided that no doors should be placed on these sides of the basilica. The main chapel, however, was built facing east in traditional Christian
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The walls under the cornice were also painted. On the wall to the right of the altar are represented the Marriage of the Virgin, the Visitation of the Blessed Virgin Mary, the Adoration of the Shepherds and the Visit of the Magi. The left wall is decorated with the Journey to Nazareth, the
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in 1556 by Evangelista Luini, son of Bernardino. They represented the martyrdom of saint Peter surrounded by God blessing (on the bezel) and some saints (on the pillars). Later these paintings were lost and were rebuilt between the 19th and 20th centuries by Beniamino and Gersam Turri.
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that served the basilica was that of the ancient church of San Salvatore. Not having structural problems, he saved himself from demolition. This bell tower was extended in 1542, while in 1611 it was restructured and strengthened to allow the placement of the bells consecrated by
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churches do not have a main façade around which secondary volumes rotate, but they have a series of symmetries and perspective spaces that have about the same importance and form the whole of the entire structure. The octagonal plan of the basilica of San Magno has a short
1092:, which were larger and heavier. In 1638 another work of strengthening of the tower was carried out. In the middle of the eighteenth century the ancient bell tower collapsed for two thirds, and then on December 2, 1752, work began on the construction of a new bell tower.
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of the basilica, a hypothesis which was not followed up. In 1888 another restoration was organized, which however was not approved by the Conservation of Monuments for Lombardy. The first restoration that went into port, made necessary to remedy the damage caused by a
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style. The dominant color of the vault is golden yellow, which deliberately contrasts with the dark blue of the main dome. The subjects painted on the vault of the chapel have a typically 15th century Lombard style. The upper part of the wall, being located under the
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particular the land of Legnano, given that, falling in the street of Varese in the year 1511 on 10 December, with one side bleached and the rest sacked; it confirms the work of Alessandro Lampugnano, and conforms to what Guicciardino says in his story in the book X.
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were made, which covered the terracotta walls that had characterized the basilica for centuries, giving it an "unfinished" appearance: these works were carried out several centuries after construction of the church because the architect who designed it had left no
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Purification of the Blessed Virgin Mary, the Massacre of the Innocents, the Return to Nazareth and the Dispute. In this last scene there are portraits of Lanino and his helper, who lend their faces to some passers-by. The triumphal arch is instead frescoed with
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The original plans of the basilica have been lost and therefore no documents bearing the signature of its architect. Bramante's name, in fact, appears only in later written testimonies. The design of the basilica of San Magno was probably carried out by
1368:, is perhaps the only pipe instrument manufactured by the Antegnati family that has come down to us practically intact. According to many music experts, the organ of the basilica of San Magno is an excellent instrument, above all for the sweetness and
1955:, which is opposite, was not decorated by almost any painting to give an idea of how unadorned the basilica was before the realization of the pictorial works of the early 20th century. The only fresco present is a 17th-century depiction of the
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which are internally painted with a gray shade and with a rather dark blue color, which brings out the penumbra originating from the recesses: on the pillars of the drum are represented candelabras, which take up the decoration of the vault.
1292:, which is therefore the only part of the basilica that was not paved with marble, while at the interior of the main chapel, during some works, the remains of the ancient terracotta flooring were found under the marble pavement.
357:, whose construction has been traced to the 10th or 11th centuries AD. By the 15th century, the stability of the parish church's foundation had been drastically weakened by its age and water leaking in from the nearby
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Work on the church was suspended from 1516 to 1523, for two reasons. The second was that funding for the church had ceased; the primary donors, the local nobility, were made destitute after the French drove the
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forced the municipal government to move the cemetery out of the town in 1808. The nobility were laid to rest inside the church until their bones were removed from the Basilica of San Magno in the 18th century.
896:, which was created on 24 December 1482 with the name of "parish of San Magno and San Salvatore", and finally the new church: Magnus of Milan later became also the patron saint of the municipality of Legnano.
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was moved in 1610 to its present location. This entrance was walled off and transformed into an atrium to the Chapel of the Immaculate Conception. The second original entrance, located in the Chapel of the
380:, to demolish its remains and to build a new church on the same site. Because the parish church had had a rather dour appearance, Legnano's populace decided to erect a much more sumptuous place of worship.
1692:, is still, from an architectural point of view, part of the vault of the chapel; it is divided into lunettes, which are all frescoed. The lateral lunettes, which are next to the large windows, depict the
1230:, an event that ends the event. The blessing ceremony of the three doors was particularly solemn, also because it was included in the busy program of celebrations of the eighth centenary of the battle.
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God in the name of St. Magnus, in the city of Legnano, located in the territory of the Archdiocese of Milan, with the addition of all liturgical privileges, that for this reason they compete.
1970:. This chapel has frescoes from 1862 by Mosè Turri and decorations by the same painter that were executed in 1853. There is also a precious 17th century painting depicting the deposition of
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and by the availability, in Legnano, of greater resources, also economic, as well as by the presence in the village of Milan of various ecclesiastical structures, including some convents.
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and saint Magnus. The latter are topped by canopies embellished with purple curtains. Also frontally there are also depictions of the prophets Isaiah and Jeremiah and four putti. This
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presumably between 1562 and 1564, at the height of his artistic maturity, thanks to the economic contribution of the Lampugnani family. The work of the Lanino consists of eight large
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are cited as well as drawn. It was decided to open the central door because the two side entrances did not allow the visitor entering the basilica to be directly in front of the main
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1511:, twelve roundels, one in each architectural element, containing the faces as many biblical prophets (from left and right, starting from the arch located at the chapel of the
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The chapel of saint Charles and saint Magnus, which is the third on the left, was instead frescoed in 1924 with the representation of various figures of putti. It contains a
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was prone to frequent and destructive flooding. Finally, in the very late 15th century, the parish church partially collapsed. The people of Legnano obtained permission from
1768:, as a whole, has a great artistic value, especially with regard to the invoice of the painted characters. According to experts, it represents one of Lanino's masterpieces.
1910:. It was frescoed in 1925 with some depictions of biblical scenes. The chapel contains a precious deposed wooden Christ, a crucifix and two papier-mâché statues depicting
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The tympanum of the main entrance door of the Basilica of San Magno. On the left, you can see a glimpse of the graffito decorations that characterize the entire facade
549:. The proof that assigns the authorship of the drawings to the famous artist is contained in a writing of 1650 by Agostino Pozzo, provost of San Magno, which reads:
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With the changes that took place in the first part of the 20th century, the ancient stalls of the choir of the basilica lost that austerity that was typical of the
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Magnus of Milan, to which the church of Leghorn is named, portrayed in the part of the frescoes by Bernardino Lanino which is on the right column of the main chapel
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was laid on 4 May 1504 and construction was finished on 6 June 1513. The decoration of the basilica church's interior began shortly thereafter with the frescoes of
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view in all directions. The visitor, in every position, can indeed find perspective angles, foreshortenings and architectural spaces that satisfy the view. In the
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The part of the floor of the basilica of San Magno located under the dome. In the background, we can see the Luini polyptych, which is preserved in the main chapel
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As far as the name is concerned, the legnanese basilica was originally known as "church of San Magno". On 7 August 1584, on the occasion of the transfer of the
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and Antonio de Antoni and the sculptor Giovanni Servi, wrote a report that had the purpose of carrying out a survey to evaluate the possibility of carry out a
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877:: thanks to the new king, and to the intercession of Magno of Milan, the Milanese archbishop who was later proclaimed a saint, many prisoners were released.
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1974:, which is the work of Giovanni Battista Lampugnani. In the chapel there is also an ancient baptismal font in red marble of the mid-seventeenth century.
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from 1490 and an 18th-century wooden statue of the Immaculate. The frescoes are from the 17th century and depict the Assumption of Mary and some saints.
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città di Legnano, posta nel territorio dell'Arcidiocesi milanese, con l'aggiunta di tutti i privilegi liturgici, che a tale titolo le competono.
873:, killing and imprisoning important religious figures as well. On the death of Theodoric, on the throne of the Ostrogoths, sat the most tolerant
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17th century fresco by Francesco and Giovanni Battista Lampugnani depicting the Assumption of the Virgin (chapel of the Immaculate Conception)
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1258:
In the background, behind the main altar and under the Luini polyptych, are the wooden stalls of the choir. They are kept in the main chapel
915:, the religious building changed its name to "provost church of San Magno" and the parish priest of Magnus of Milan acquired the title of
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to the basilica's south. This entrance was also walled off, and two new entrances opened on the front facade facing the Piazza San Magno.
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on 2 July 1610, were added to the bell tower. One of these bells was cast with a fragment of a bell associated to a miracle performed by
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1830 fresco by Beniamino Turri depicting Peter of Verona. In the background is the scene of the martyrdom (chapel of saint Peter Martyr)
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and decorations of 1925 by Gersam Turri. The chapel also contains a 17th-century painting by the Lampugnani brothers that depicts the
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1207:. The depictions on the panels of the three doors are inspired by the battle of Legnano and the cultural traditions of the city.
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and – more generally – the curved profiles of the surrounding vertical walls, which in turn close together in the dome above.
746:, founded in the Middle Ages, in a watercolor by Giuseppe Pirovano. In the background, the Basilica of San Magno is recognized
424:. The church received its first two bells in 1510. The next year, however, on 11 December 1511, Legnano was razed and sacked
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Polyptych by Bernardino Luini from 1523 depicting the Madonna and Child, seven musician angels and some saints (main chapel)
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The plan of the basilica is typically Renaissance. It no longer follows the typical elongated rectangular shape towards the
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631:. Gian Giacomo had also created the first piece of interior decor for the basilica with his 1515 fresco on the main vault.
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2014:. The two frescoes that decorate it are from the 16th century and are the work of Giangiacomo Lampugnani. One depicts the
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Fresco by Giangiacomo Lampugnani of the 16th century depicting the "Madonna in throne and Saints" (chapel of saint Agnes)
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571:, then archbishop of Milan, which is connected to his pastoral visit to Legnano in 1618, an excerpt of which states:
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The first document that mentions Donato Bramante as an architect of the basilica of San Magno is instead a text by
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Since these persecutions also affected Legnano, its inhabitants decided to name Magnus of Milan first the central
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plus two small scenes that are located above the windows: the cycle of paintings was designed to "rotate" around
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1989:, is instead to the right of the main altar. There are frescoes from 1603 by Giovan Pietro Luini (known as "the
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The first decorative work carried out in the basilica was carried out in 1515 by Gian Giacomo Lampugnani, who
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Excerpt from the document relating to the pastoral visit made in Legnano in 1618 by Cardinal Federico Borromeo
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Questa fabbrica è dissegno per quello si tiene Bramante architetto de' più famosi habbi hauto la cristianità
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1660:, which is located in the center of the front wall and which it was created a few decades before this work.
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on its exterior was incinerated. Writing about the construction of the basilica church, Agostino Pozzi, the
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entrance doors were built and then donated to the basilica on the occasion of the eighth centenary of the
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at any time of day, the overall effect is of absolute importance, so much so that even the art historian
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recognized architectural and artistic value of the basilica of Legnano: this indecision on the type of
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The main entrance was opened sometime before 1840, according to records from a pastoral visit by card.
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of the previous bell tower. The height exceeds 40 meters. Along the walls were provided with pilaster
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The doors were the work of the sculptor Franco Dotti and were blessed on May 30, 1976, by archbishop
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that provides the church with a cross shape. On the corners of the latter there are also four small
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from which branches, starting from the bottom, are unwound. Inside this drawing the windows of the
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Bull of Pope Pius XII of March 19, 1950, which elevated the church of San Magno to a Roman basilica
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was made by Turri inspired by the frescoes in the main chapel, which are the work of Lanino. The
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period. The platform built in the first part of the 20th century, however, concealed part of the
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301:, the remains of 16th century paintings by Evangelista Luini, the frescoes of the main chapel by
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The construction was then directed by an unnamed master, and Legnano's most experienced artist,
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The greatest monetary contributions to the construction of the basilica church were made by the
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1266:, was laid in the 18th century. It has a geometric checkered pattern made with inlay, with the
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The design of this building is by Bramante, architect of the most famous who had Christianity.
1400:. Accompanied by the wise internal natural lighting originating from the side openings of the
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The organ of the basilica of San Magno, which is older than the one preserved in the
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Drawing of 1860 depicting the Basilica of San Magno, by Mosé Turri senior (1837–1903)
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The interior of the basilica church is adorned with numerous first-class examples of
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century onwards, the legnanese church began to be called, to emphasize the relief, "
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in 1761, as the side entrances did not allow visitors to enter directly before the
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family thanks to the testamentary bequest of Francesco Lampugnani, who donated 25
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On the right side of the basilica there was, until 1967, an ancient 16th century
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which conferred the dignity of a Roman minor basilica on the church of Legnano:
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that converges towards the center of the basilica, recalling the lines of the
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that struck Legnano on 20 July 1910, was then carried out from 1911 to 1914.
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Plan of the basilica of San Magno dating back to 1761 and contained in the
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decorative elements, and everything necessary to increase its beauty.
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to be applied led to the expansion of the times of their execution.
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On the back wall, on the sides of the Luini polyptych, are painted
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On 20 August 1611, two bells that had been consecrated by Cardinal
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Remains of the Romanesque bell tower of the church of San Salvatore
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that is widely considered by art historians to be his masterpiece.
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1832:
are depicted in dark light, while in the horizontal sections the
1811:. On the lower predella, inside the small vertical compartments,
1798:
1713:
1689:
1680:
1676:
1576:
1560:
1548:
1528:
1456:
1440:
1436:
1171:
1158:
1048:
1000:
remains of the bell tower of the ancient church of San Salvatore;
853:
is linked to some events that took place a few decades after the
807:
724:
712:
523:
500:
463:
412:
and Vismara families, two of the oldest families in Legnano. The
247:
92:
2174:
1435:
open. The painting is then completed with the representation of
1423:
The vault is divided into eight segments within which the large
656:
Proceedings of the pastoral visit of card. Giuseppe Pozzobonelli
2035:
2031:
1994:
1971:
1948:
1899:
1833:
1765:
1725:
1649:
1568:
1536:
1464:
1428:
1389:
1357:
1326:
1303:
1288:: this original flooring remained intact only in the chapel of
1263:
1186:
1154:
1105:
1072:
1059:, however, the perspective was all centered on the high altar.
893:
512:
294:
262:
from 518 to 530. The church was built from 1504 to 1513 in the
849:
A hypothesis that explains the entitlement of the basilica to
3122:
1967:
1936:
1782:
1737:
1580:
1563:), which were added to the four prophets previously painted:
1524:
1504:
1460:
1448:
1444:
1296:
1162:
1101:
1097:
1044:
783:
369:
274:
was added between the years 1752 and 1791. On 18 March 1950,
3005:
Legnano: il suo sviluppo, i suoi monumenti, le sue industrie
3211:
3201:
3162:
3152:
3142:
2306:
1432:
1353:
1285:
1271:
889:
817:
is confirmed by the papal bull of March 19, 1950 issued by
421:
1491:
tholobate is characterized by the presence of twenty-four
1039:
The façade and the bell tower of the Basilica of San Magno
342:
Upon the site of the Basilica of San Magno once stood the
3214:(original design c. 1501; demolished in the 17th century)
2284:
2282:
2280:
2278:
2276:
1262:
The floor, which was made of white, black and red Verona
1281:
Until the 18th century the entire church was paved with
700:, a religious architect and the future designer of the
2881:
2871:
2869:
2867:
2865:
2852:
2850:
2848:
2846:
2844:
2831:
2829:
2827:
2825:
2823:
2821:
2784:
2782:
2769:
2767:
2765:
2752:
2750:
2714:
2712:
2710:
2602:
2504:
2502:
2474:
2472:
2470:
2468:
2399:
2397:
2395:
2273:
2234:
2113:
1906:
The large side chapel on the left is dedicated to the
1157:
and the other external walls of the basilica were not
1132:. The new rectory was manufactured in a modern style.
112:
3273:
16th-century Roman Catholic church buildings in Italy
3020:(in Italian). Istituto italiano d'arti grafiche. SBN
2212:
2210:
2208:
2206:
2204:
2125:
2010:
At the entrance, on the left, there is the chapel of
1836:
nailed is painted, again with the same technique the
1741:
supported by angels having the face of two prophets.
1233:
1165:. The appearance changed radically in 1914, when the
2794:
1627:
were decorated, again by Gersam Turri in 1923, with
1140:
766:
acquired by the basilica's canon from the bishop of
661:
The entrance to the basilica, originally facing the
3171:(original project attributed, ground breaking 1508)
2862:
2841:
2818:
2806:
2779:
2762:
2747:
2707:
2526:
2499:
2465:
2409:
2392:
2341:
907:to Legnano, change of location decreed by cardinal
313:. The item of greatest significance, however, is a
2989:
2520:
2493:
2459:
2430:
2371:
2201:
2183:
1412:, who defined this decoration "the most beautiful
1310:who carved the aforementioned small temple with a
3041:(in Italian). Parish of San Magno. Archived from
1613:The frescoes on the side walls of the main chapel
1199:Association, with the participation of the eight
1120:The remains of the ancient 16th century parsonage
892:of the ancient church of San Salvatore, then the
869:, who was of the Aryan faith, began to persecute
836:
533:, and thus the need for ducal troops in Legnano.
246:) is the principal church of the Italian town of
3264:
979:chapel of the Baptistery or of the Sacred Heart;
789:On 12 November 1850 a commission created by the
609:, the 13th century master builder who had built
330:The origins: the ancient church of San Salvatore
2992:Legnano. Una città, la sua storia, la sua anima
2990:Ferrarini, Gabriella; Stadiotti, Marco (2001).
2020:, saint Agnes, saint Ambrose, saint Magnus and
1943:and two 17th century paintings depicting saint
466:of the basilica of San Magno, here called the "
3165:(original design, 1503, ground breaking, 1506)
1471:. The blue of the background was made using a
1467:, whose dominant colors are white and gray in
1329:on the walls, in particular the scenes of the
3089:
2570:
2568:
2566:
2564:
2562:
2560:
2558:
2556:
1760:, while on the entrance pillars are depicted
1644:and walls of the main chapel were painted by
241:
3298:1513 establishments in the Holy Roman Empire
2253:Parish of San Magno: Storia della parrocchia
1951:are from the same period. The chapel of the
946:raised the provost church of San Magno to a
645:
1716:of the frontal wall instead the first four
1306:wood by the Coiro brothers, or by the same
953:
3283:Churches in the metropolitan city of Milan
3096:
3082:
2553:
1928:, houses the aforementioned altarpiece by
1486:Just below the dome there is an octagonal
1375:
865:: in response, the king of the Ostrogoths
797:of San Magno, and made up of the painters
638:on 15 December 1529 by Francesco Landino,
33:
3278:Roman Catholic churches completed in 1513
2898:
2896:
1348:of the basilica was built in 1542 by the
1338:Return of the family of Jesus to Nazareth
1203:that they take part annually in the city
598:. Gian Giacomo was a distant relative of
3002:
2608:
2288:
2240:
2131:
1885:
1877:
1869:
1771:Behind the main altar is a polyptych by
1743:
1662:
1477:
1379:
1253:
1245:
1237:
1144:
1115:
1047:of medieval churches, but has a central
1034:
950:, from which the modern name descended.
879:
840:
749:
737:
696:. The work on the entrances was done by
649:
585:
489:
457:
333:
1384:Main vault of the Basilica of San Magno
3265:
3177:(original project attributed, c. 1509)
3039:"Storia della parrocchia di San Magno"
3007:(in Italian). Pianezza e Ferrari. SBN
2976:Profilo storico della città di Legnano
2893:
2030:. On the columns are instead depicted
1704:, while the lunettes on the right are
964:
942:On March 19, 1950, with a papal bull,
39:Basilica of San Magno from the Square.
3077:
3015:
2970:D'Ilario, Giorgio; Gianazza, Egidio;
2904:"La basilica di San Magno: la storia"
2887:
2875:
2856:
2835:
2812:
2800:
2788:
2773:
2756:
2718:
2532:
2508:
2478:
2415:
2403:
2347:
2312:
2216:
2119:
1174:on possible decoration of the walls.
1013:The plan of the basilica of San Magno
925:church of Santi Gervasio and Protasio
3288:Renaissance architecture in Lombardy
3169:Santa Maria della Consolazione, Todi
3030:
3003:Raimondi, Giovanni Battista (1913).
2003:and a painting of 1940 representing
1499:In 1923 Gersam Turri painted in the
973:chapel of the Immaculate Conception;
3103:
2994:(in Italian). Telesio editore. SBN
2906:(in Italian). parrocchiasanmagno.it
2578:(in Italian). parrocchiasanmagno.it
1966:is instead on the left of the main
1865:
1100:structure that replaced the one in
727:to the new entrances, windows, and
443:. The church was also damaged; the
13:
3018:La Basilica di San Magno a Legnano
1635:
1503:, in the spaces between the major
1234:The floor, the organ and the choir
1008:
976:chapel of San Carlo and San Magno;
278:named the Basilica of San Magno a
14:
3319:
3059:
2024:, while the other represents the
1898:, located near the entrance, was
1141:The facade and the entrance doors
1135:
1078:
861:promulgated an edict against the
3303:Donato Bramante church buildings
2978:(in Italian). Edizioni Landoni.
1632:spandrels then painted in 1923.
1603:
1594:
1111:
985:chapel of the Blessed Sacrament;
855:Fall of the Western Roman Empire
428:soldiers, then fighting for the
111:
104:
3135:(1492–1498) (cloister and apse)
3133:Santa Maria delle Grazie, Milan
3069:Website of the San Magno parish
2093:
2084:
2075:
2065:
1482:Another image of the main vault
1025:
857:. In 523 the Byzantine emperor
396:
3181:Basilica of San Magno, Legnano
2521:Ferrarini & Stadiotti 2001
2494:Ferrarini & Stadiotti 2001
2460:Ferrarini & Stadiotti 2001
2431:Ferrarini & Stadiotti 2001
2372:Ferrarini & Stadiotti 2001
2184:Ferrarini & Stadiotti 2001
837:The title and the denomination
742:In the foreground the ancient
702:Church of Madonnina dei Ronchi
642:for the Archdiocese of Milan.
560:Storia delle chiese di Legnano
494:Basilica of San Magno at night
483:Storia delle chiese di Legnano
453:Storia delle chiese di Legnano
1:
3293:Basilica churches in Lombardy
3119:Santa Maria presso San Satiro
2962:
1226:and which is followed by the
1030:
994:chapel of San Pietro Martire;
957:
384:Magno was the town's primary
368:. To make matters worse, the
2107:
1667:The vault of the main chapel
991:chapel of the Holy Crucifix;
451:of Legnano, reported in the
441:War of the League of Cambrai
7:
2041:
1801:). This work is flanked by
1404:, which allow a calibrated
1161:and presented with exposed
10:
3324:
324:
3252:Palazzo Visconti frescoes
3244:
3221:
3190:
3111:
1683:, which were made with a
1242:The organ of the basilica
927:, by the presence of the
646:From 17th to 20th century
254:. It is dedicated to the
217:
212:
204:
196:
184:
172:
167:
128:
99:
88:
83:
73:
61:
49:
44:
32:
23:
18:
2198:, p. 206, 208, 210.
2058:
2048:Magnus (bishop of Milan)
1981:, which is dedicated to
1775:from 1523 depicting the
1675:is decorated with fruit
954:The plan of the basilica
234:Basilica of Saint Magnus
152:45.5949000°N 8.9192000°E
3127:Giovanni Antonio Amadeo
2974:; Turri, Marco (1984).
1376:The vault of the church
1214:before the traditional
793:on the proposal of the
744:Palazzo Leone da Perego
698:Francesco Maria Richini
596:Gian Giacomo Lampugnani
539:Giovanni Antonio Amadeo
418:Gian Giacomo Lampugnani
348:church of San Salvatore
291:Gian Giacomo Lampugnani
3149:Santa Maria della Pace
3139:San Pietro in Montorio
2315:, pp. 13, 16, 28.
2017:Madonna with the Child
1891:
1883:
1875:
1749:
1668:
1483:
1385:
1259:
1251:
1243:
1150:
1149:The main entrance door
1121:
1040:
1014:
929:hospice of Sant'Erasmo
885:
846:
834:
755:
747:
672:and the Chapel of the
658:
591:
584:
565:
495:
488:
471:
339:
289:artwork. Examples are
242:
130:Geographic coordinates
3198:Cortile del Belvedere
3125:(c. 1476–1482) (with
3016:Turri, Marco (1974).
1957:Mary, mother of Jesus
1889:
1881:
1873:
1853:Resurrection of Jesus
1747:
1718:doctors of the Church
1666:
1481:
1383:
1257:
1249:
1241:
1148:
1119:
1038:
1012:
883:
844:
823:
770:, as recorded in the
753:
741:
690:Giuseppe Pozzobonelli
674:Immaculate Conception
653:
600:Oldrado II Lampugnani
589:
573:
551:
493:
473:
461:
390:Napoleonic government
337:
243:Basilica di San Magno
157:45.5949000; 8.9192000
26:Basilica di San Magno
19:Basilica of San Magno
3230:Christ at the Column
3175:San Giovanni in Oleo
3159:St. Peter's Basilica
2954:D'Ilario et al. 1984
2942:D'Ilario et al. 1984
2742:D'Ilario et al. 1984
2702:D'Ilario et al. 1984
2683:D'Ilario et al. 1984
2671:D'Ilario et al. 1984
2659:D'Ilario et al. 1984
2647:D'Ilario et al. 1984
2626:D'Ilario et al. 1984
2597:D'Ilario et al. 1984
2548:D'Ilario et al. 1984
2448:D'Ilario et al. 1984
2387:D'Ilario et al. 1984
2360:D'Ilario et al. 1984
2336:D'Ilario et al. 1984
2301:D'Ilario et al. 1984
2268:D'Ilario et al. 1984
2231:, pp. 256, 279.
2229:D'Ilario et al. 1984
2196:D'Ilario et al. 1984
2169:D'Ilario et al. 1984
2053:Archdiocese of Milan
2000:crucifixion of Jesus
1839:crucifixion of Jesus
1696:: those on the left
1515:and of the outward,
1224:stadio Giovanni Mari
970:chapel of St. Agnes;
948:Roman minor basilica
388:until a fiat of the
68:Archdiocese of Milan
3045:on 28 December 2014
3022:IT\ICCU\SBL\0589368
3009:IT\ICCU\CUB\0533168
2996:IT\ICCU\RMR\0096536
2983:IT\ICCU\RAV\0221175
2685:, pp. 256–257.
2661:, pp. 249–250.
2576:"Storia parrocchia"
1913:Our Lady of Sorrows
1218:on the copy of the
1051:plan that allows a
913:archbishop of Milan
867:Theoderic the Great
791:Austrian government
509:subsequent fighting
430:Holy League of 1511
287:Lombard Renaissance
260:Archbishop of Milan
222:.parrocchiasanmagno
148: /
2956:, p. 253-254.
2462:, pp. 114–15.
2122:, pp. 14, 18.
2005:Thérèse of Lisieux
1977:The chapel of the
1962:The chapel of the
1892:
1884:
1876:
1750:
1722:Augustine of Hippo
1720:, namely Ambrose,
1669:
1484:
1386:
1260:
1252:
1244:
1196:Famiglia Legnanese
1151:
1122:
1041:
1015:
886:
847:
756:
748:
679:Feast of the Cross
659:
592:
496:
472:
344:Lombard Romanesque
340:
3260:
3259:
3191:Secular buildings
3155:(1504) (cloister)
3141:(The Tempietto),
3031:Online references
2972:Marinoni, Augusto
2890:, pp. 30–31.
2303:, pp. 248–9.
2027:Nativity of Jesus
1993:") depicting the
1979:Blessed Sacrament
1785:and four saints (
1781:, seven musician
1778:Madonna and Child
1646:Bernardino Lanino
1573:Bernardino Lanino
1513:Blessed Sacrament
1332:Visit of the Magi
1250:The entrance hall
1191:battle of Legnano
1167:graffiti plasters
1096:was built with a
1090:Federico Borromeo
1023:
1022:
1019:
1018:
988:sacristy passage;
937:collegiate church
768:Sion, Switzerland
760:Federico Borromeo
663:Malinverni Palace
634:The basilica was
569:Federico Borromeo
468:Collegiate church
303:Bernardino Lanini
264:Renaissance-style
252:province of Milan
230:
229:
120:Location in Italy
3315:
3112:Church buildings
3098:
3091:
3084:
3075:
3074:
3067:
3054:
3052:
3050:
3025:
3012:
2999:
2986:
2957:
2951:
2945:
2939:
2916:
2915:
2913:
2911:
2900:
2891:
2885:
2879:
2873:
2860:
2854:
2839:
2833:
2816:
2810:
2804:
2798:
2792:
2786:
2777:
2771:
2760:
2754:
2745:
2739:
2722:
2716:
2705:
2699:
2686:
2680:
2674:
2668:
2662:
2656:
2650:
2644:
2629:
2623:
2612:
2606:
2600:
2594:
2588:
2587:
2585:
2583:
2572:
2551:
2545:
2536:
2530:
2524:
2518:
2512:
2506:
2497:
2491:
2482:
2476:
2463:
2457:
2451:
2445:
2434:
2428:
2419:
2413:
2407:
2401:
2390:
2384:
2375:
2369:
2363:
2357:
2351:
2345:
2339:
2333:
2316:
2310:
2304:
2298:
2292:
2286:
2271:
2265:
2256:
2250:
2244:
2238:
2232:
2226:
2220:
2214:
2199:
2193:
2187:
2181:
2172:
2166:
2135:
2129:
2123:
2117:
2101:
2097:
2091:
2088:
2082:
2079:
2073:
2069:
1987:Paul the Apostle
1945:Charles Borromeo
1866:The side chapels
1859:supper at Emmaus
1787:John the Baptist
1773:Bernardino Luini
1694:four evangelists
1654:Bernardino Luini
1607:
1598:
1212:Giovanni Colombo
1205:Palio di Legnano
1130:Giovanni Colombo
962:
961:
958:
832:
780:piazza San Magno
710:
671:
640:auxiliary bishop
630:
622:Visconteo Castle
619:
611:Lampugnani Manor
608:
582:
563:
558:Agostino Pozzi,
541:or his follower
532:
521:
486:
481:Agostino Pozzi,
438:
411:
367:
356:
319:Bernardino Luini
245:
226:
223:
221:
163:
162:
160:
159:
158:
153:
149:
146:
145:
144:
141:
115:
114:
108:
37:
16:
15:
3323:
3322:
3318:
3317:
3316:
3314:
3313:
3312:
3263:
3262:
3261:
3256:
3240:
3217:
3208:Palazzo Caprini
3186:
3107:
3105:Donato Bramante
3102:
3065:
3062:
3057:
3048:
3046:
3033:
3028:
2965:
2960:
2952:
2948:
2940:
2919:
2909:
2907:
2902:
2901:
2894:
2886:
2882:
2874:
2863:
2855:
2842:
2834:
2819:
2811:
2807:
2799:
2795:
2787:
2780:
2772:
2763:
2755:
2748:
2740:
2725:
2717:
2708:
2700:
2689:
2681:
2677:
2669:
2665:
2657:
2653:
2645:
2632:
2624:
2615:
2607:
2603:
2595:
2591:
2581:
2579:
2574:
2573:
2554:
2546:
2539:
2531:
2527:
2519:
2515:
2507:
2500:
2492:
2485:
2477:
2466:
2458:
2454:
2446:
2437:
2429:
2422:
2414:
2410:
2402:
2393:
2385:
2378:
2370:
2366:
2358:
2354:
2346:
2342:
2334:
2319:
2311:
2307:
2299:
2295:
2287:
2274:
2266:
2259:
2251:
2247:
2239:
2235:
2227:
2223:
2215:
2202:
2194:
2190:
2182:
2175:
2167:
2138:
2130:
2126:
2118:
2114:
2110:
2105:
2104:
2098:
2094:
2089:
2085:
2080:
2076:
2070:
2066:
2061:
2044:
1896:Peter of Verona
1868:
1758:saint Sebastian
1638:
1636:The main chapel
1617:
1616:
1615:
1614:
1610:
1609:
1608:
1600:
1599:
1378:
1372:of the chords.
1236:
1153:Originally the
1143:
1138:
1114:
1081:
1033:
1028:
956:
939:of San Magno".
851:Magnus of Milan
839:
833:
830:
815:Donato Bramante
799:Francesco Hayez
772:parish register
704:
665:
648:
624:
613:
602:
583:
580:
564:
557:
547:Donato Bramante
545:on a design by
526:
515:
487:
480:
432:
405:
399:
378:Ludovico Sforza
361:
350:
332:
327:
268:Donato Bramante
218:
179:Donato Bramante
156:
154:
150:
147:
142:
139:
137:
135:
134:
124:
123:
122:
121:
118:
117:
116:
40:
28:
12:
11:
5:
3321:
3311:
3310:
3305:
3300:
3295:
3290:
3285:
3280:
3275:
3258:
3257:
3255:
3254:
3248:
3246:
3242:
3241:
3239:
3238:
3225:
3223:
3219:
3218:
3216:
3215:
3205:
3194:
3192:
3188:
3187:
3185:
3184:
3178:
3172:
3166:
3156:
3146:
3136:
3130:
3115:
3113:
3109:
3108:
3101:
3100:
3093:
3086:
3078:
3072:
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3060:External links
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1804:God the Father
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715:elements like
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2610:
2609:Raimondi 1913
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2290:
2289:Raimondi 1913
2285:
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1826:saint Matthew
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140:45°35′41.64″N
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3066:(in Italian)
3047:. Retrieved
3043:the original
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2908:. Retrieved
2883:
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2580:. Retrieved
2528:
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2191:
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2115:
2095:
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2077:
2067:
2032:saint Jerome
2025:
2022:saint Ursula
2015:
2009:
1998:
1990:
1976:
1964:Sacred Heart
1961:
1952:
1934:
1930:Giampietrino
1911:
1905:
1893:
1857:
1851:
1845:
1844:Pose in the
1841:
1820:
1802:
1776:
1770:
1762:Jesus Christ
1751:
1734:
1670:
1639:
1618:
1498:
1485:
1475:powder dye.
1473:lapis lazuli
1422:
1410:Eugène Müntz
1387:
1363:
1343:
1336:
1330:
1320:
1294:
1280:
1261:
1209:
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1194:
1184:
1176:
1152:
1126:clergy house
1123:
1094:
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1064:Bramantesque
1061:
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1026:Architecture
941:
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921:
916:
898:
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848:
824:
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733:
729:roof lantern
687:
681:, faced the
660:
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566:
559:
552:
535:
507:in 1499 and
497:
482:
474:
452:
420:on the main
400:
397:Construction
382:
341:
311:Giampietrino
297:of the main
284:
266:designed by
256:Saint Magnus
233:
231:
208:June 6, 1513
174:Architect(s)
168:Architecture
25:
3235:attribution
3233:(c. 1490) (
3204:(1504–1505)
3183:(1504–1513)
3049:23 December
2012:saint Agnes
1983:saint Peter
1791:saint Peter
1673:cross vault
1507:and in the
1469:chiaroscuro
1323:Renaissance
1290:sant'Agnese
1057:Middle Ages
1053:perspective
803:restoration
705: [
666: [
636:consecrated
625: [
614: [
603: [
527: [
524:inhabitants
516: [
470:of Legnano"
445:scaffolding
439:during the
433: [
414:cornerstone
406: [
362: [
351: [
200:May 4, 1504
191:Renaissance
155: /
143:8°55′9.12″E
51:Affiliation
3267:Categories
2963:References
2910:22 October
2888:Turri 1974
2876:Turri 1974
2857:Turri 1974
2836:Turri 1974
2813:Turri 1974
2801:Turri 1974
2789:Turri 1974
2774:Turri 1974
2757:Turri 1974
2719:Turri 1974
2533:Turri 1974
2509:Turri 1974
2479:Turri 1974
2416:Turri 1974
2404:Turri 1974
2348:Turri 1974
2313:Turri 1974
2217:Turri 1974
2120:Turri 1974
1926:Immacolate
1922:Assumption
1830:saint Mark
1817:saint John
1813:saint Luke
1754:saint Roch
1710:saint Luke
1706:saint Mark
1702:saint John
1629:candelabra
1453:sea horses
1425:candelabra
1406:luminosity
1361:century).
1312:tabernacle
1283:terracotta
1270:under the
1228:horse race
1185:The three
1180:decoration
1085:bell tower
1031:The church
1003:Bell tower
694:high altar
403:Lampugnani
307:altarpiece
305:, and the
272:bell tower
258:, who was
3222:Paintings
3145:(c. 1502)
2108:Citations
1939:of saint
1847:Sepulcher
1822:Ecce homo
1712:. On the
1685:grotesque
1658:polyptych
1625:pilasters
1621:paintings
1557:Zechariah
1545:Zephaniah
1501:spandrels
1488:tholobate
1459:, winged
1414:grotesque
1394:grotesque
1350:Antegnati
1220:Carroccio
1159:plastered
1049:octagonal
997:sacristy;
905:Parabiago
903:tax from
875:Athalaric
871:Catholics
721:pediments
717:pilasters
503:from the
315:polyptych
250:, in the
205:Completed
3245:Frescoes
2042:See also
1900:frescoed
1856:and the
1809:tympanum
1714:lunettes
1677:festoons
1650:frescoes
1565:Jeremiah
1541:Habakkuk
1509:capitals
1441:dolphins
1437:centaurs
1429:frescoed
1418:Lombardy
1390:frescoed
1370:sonority
1335:and the
1327:frescoes
1316:sacristy
1201:contrada
1172:drawings
1069:transept
859:Justin I
829:—
579:—
556:—
479:—
386:cemetery
359:Olonella
295:frescoes
89:Location
84:Location
63:Province
45:Religion
3308:Legnano
2582:11 July
1949:stuccos
1924:o dell'
1799:Ambrose
1690:cornice
1681:cherubs
1577:Solomon
1561:Malachi
1549:Ezekiel
1529:Obadiah
1465:dragons
1457:harpies
1396:church
1356:to the
1314:in the
1308:carvers
1073:chapels
917:provost
901:provost
808:cyclone
795:provost
725:lintels
713:Baroque
501:Sforzas
464:etching
449:provost
346:parish
325:History
248:Legnano
238:Italian
213:Website
95:, Italy
93:Legnano
2036:Origen
1995:angels
1991:Gnocco
1972:Christ
1953:Andito
1947:. The
1941:Magnus
1850:, the
1842:, the
1834:Christ
1819:, the
1795:Magnus
1783:angels
1766:chapel
1738:angels
1726:Jerome
1569:Isaiah
1559:, and
1537:Haggai
1521:Daniel
1505:arches
1493:niches
1449:satyrs
1445:eagles
1358:parish
1304:walnut
1300:stalls
1297:choirs
1264:marble
1187:bronze
1163:bricks
1155:facade
1106:lesene
1102:stones
894:parish
863:Arians
723:, and
562:, 1650
513:Seprio
485:, 1650
270:. The
3123:Milan
2059:Notes
1968:altar
1937:relic
1642:vault
1581:David
1553:Micah
1525:Jonah
1461:putti
1402:vault
1398:vault
1354:liras
1346:organ
1286:tiles
1276:vault
1268:motif
1098:brick
1045:altar
784:altar
709:]
670:]
629:]
618:]
607:]
531:]
520:]
462:1716
437:]
426:Swiss
410:]
370:Olona
366:]
355:]
299:vault
186:Style
3212:Rome
3202:Rome
3163:Rome
3153:Rome
3143:Rome
3051:2016
2912:2014
2584:2019
2034:and
1985:and
1916:and
1828:and
1815:and
1797:and
1756:and
1728:and
1708:and
1700:and
1671:The
1640:The
1579:and
1567:and
1533:Amos
1517:Joel
1463:and
1433:dome
1427:are
1392:the
1344:The
1295:The
1272:dome
1216:Mass
1062:The
890:apse
620:and
422:dome
232:The
74:Rite
2980:SBN
1656:'s
1420:".
1416:in
522:'s
317:by
309:by
293:'s
224:.it
220:www
3269::
3210:,
3200:,
3161:,
3151:,
3121:,
2920:^
2895:^
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