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465:, an ancient structure dated to the 11th century, embellished with intricate stone carvings. It is located in the northern part of the village, 200 metres (660 ft) off the main road. The temple also has an inscription that testifies to the date of founding of Batuan in 1022 AD. The temple underwent restoration in 1992. It is a five-tiered gateway tower, clearly influenced by Indian religious architecture. Its icons and decorations, however, are typically Balinese in style. Notable depictions include a Bhoma head overlooking the main gateway, the god
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in Ubud paintings, with green and maroon being the dominant shades used for depicting human beings. Daily life with a complex variety of activities is depicted in great details. However, the painting canvases still adopted the three space formula with the bottom part devoted to daily human activities, with ritual activities in the middle section and with the upper section devoted to the realms of gods.
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from the streams that flow through the town, there are also irrigation canals sourced from upstream dams which provide irrigation facilities to large tract of paddy fields that surround the village, which was the back bone of the sustenance economy in the past; economy is now largely dependent on tourist influx and the town is now part of "World
Economy." By 1995, the village had paved roads.
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carved arch with bass relief on the inset and intertwined with vines and a closed door. The entry to the sanctum is again through two gates. The sanctum is where the gods are enthroned during festival time through a special invitation to "come down into this world." The gods invited during the festivals are venerated with deep devotion and offerings. A sign post at the temple says:
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Another notable feature is, unlike the Ubud style, the Batuan style also imbued daily life scenes in its depictions, deviating from the traditional. The depiction is of factual scenes but camouflaged in the form of masks. The colours used by the famous artists of Batuan were more bold than those used
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influence in the region in the village is evident from the carvings and temples. In the 17th century, Batuan and southern Bali were controlled by the royal family until a priest's curse led to their losing their control; eventually they dispersed to various parts of the country. During the period of
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The town has a number of temples hidden in the labyrinth lanes and by lanes of the town but two temples are prominent on the main road. In addition, there are now concrete paved performance pavilions in the town with high roofs where dance performances are held by many dance groups, which have got
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village, another well-known art center. The land in this part of Bali is very flat. The area covered by the town excluding agricultural lands is 6 square kilometres (2.3 sq mi). The town is bounded by streams flowing through chasms or gorges, which provide water supply to the town. Apart
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The entry gate to the temple appears as a split gate as if it was formed once as one gate that was split into two parts. This gate leads into a courtyard which has a garden and a galaxy of statues fixed at various locations. From the courtyard, there is another gateway spanned by an intricately
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is made to decorate the entrance to the family compound. The festival is observed starting with the day of arrival of gods and ends on the 10th day known as
Kuningan. During this temple celebrations are held every 210 days. It is known as the Odlan festival and is held in the village when child
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Ethnography studies indicate that tourism has become integral to the economy of Batuan, particularly since the 1930s. So much so, that in the 1970s a frog dance was devised for the tourists which became a part of
Balanese social life, as such dances were performed as part of wedding receptions.
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artists. In the Batuan style of painting, the emphasis is adoption of sombre colour, generally in black and white with preponderance of mystic
Balinese religious ethos related to sorcery and witchcraft. They are also famous for the miniature painting with great attention paid to detailing. The
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had a special relationship with Batuan artists, they avoided influencing them and were careful in what
Western pictures they were to show to the Batuans. Batuan artists depicted only a traditional world in their pictures, avoiding objects such as automobiles, until at least the late 1980s.
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which evolved in the 1930s after a group of local villagers, Ida Bagus Made Togog and Ida Bagus Made Wija began experimenting with ink-washed paintings on black backgrounds. These are popular to this day. The black and white background was said to evoke the
264:, have the minor figures drawn very carefully. Even the open space is filled with pulsating marks. Scenes emerge from the canvas and retreat into the vegetation such as a dog fight, a love affair, a group of gamblers, all shown in a corner of the canvas.
152:. It is a major painting center and contains a number of art galleries and cooperative art societies which have played a key role in promoting the art of Batuan. The village is also known for its performance of the ancient Gambuh dance, performed every
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forms are primarily classified under three major categories of which Batuan Style (distinct from the Ubud Style) which originated in Batuan is one style which has absorbed the traditional art form to the present dynamic art styles; the other two
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standing amongst skulls. The roof of the temple is made of the fibre of chromatic black palm tree. The maintenance of the temple is done by the residents of the village. The temple is situated on the main road from
Denpasar to Ubud.
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are located here. I Wayan Bendi of Batuan created the paintings as "craft for tourist painting" with himself as the central figure surrounded by tourists in various modes of life and this format has now become a flourishing art form.
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There are two temples on the western part of the village which are known as Pura Puseh and Pura Dasar. These temples are built in classical
Balinese temple architecture style with elaborate carvings. Visitors are given vermilion
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to wear during visit to the temples. The town is also popular for carved teak wood furnishings. The village also has a "fat Buddha statue" (called the "Fat Baby Statue") at the cross road from Sakah to
Blahbatu facing east.
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The first line makes mention of two temples – The Pura Puse and the Pura Desa – the second line defines the organization responsible for the temple and the last line 'saka 944' is in Indic and is equivalent to 1022 CE
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is winning), which is a national festival that occurs over a cycle of every 210 days. It is the religious belief that Gods descend to the earth on this day. During this festival a long bamboo pole called locally as
344:. It is a theatrical dancing art form which reportedly evolved in the 15th century which is a fusion of singing, drama and visual art forms. It is performed during the festivals of
378:
While certain villages in Bali are known for violence during trance state, violence rituals are not performed in Batuan, nor do
Batuans commonly engage in the trance state at all.
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dance for tourists, enacting a fight between the good, a shaggy haired lion-like creature, and an evil widow-witch named Rangda. In the evenings, the dance troupe puts on a
510:, an ancient court dance performance, is staged at the temple. Owing to the success of tourism in Bali, a plot has been built next to the temple to put on a daily morning
257:
artists have an eye for detail as they paint with great patience. Vegetation is drawn in a stylised format, but each leaf is painted and shaded. The patterns, even in
148:. It is noted for its artwork and style of painting which originated in the village in the 1930s and has since emerged into a major Balinese artistic style, known as a
284:. In the early years of the Batuan genre art, Batuan artists explored subjects that concerned themselves rather than creating tourist art. While anthropologists
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327:, which is named after a notable contemporary artist in the style and sells expensive paintings, mostly over $ 200. Many paintings of the artist
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artists also give music performances. During this festival, dancing, music and elaborate decorations and food offerings are a common feature.
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Anthropologists also interpret that the paintings made by artists of Batuan are visual texts which represent the "Balinese
Character".
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Although the village is known primarily for its artistic genre, it also contains some notable architectural landmarks and carvings.
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images. These paintings have also been described as "naïve style works –almost caricatures – that depict daily life with humour."
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styles are the Ubud style of Ubed and the Sanur style which have been further supplemented by a "Young Artists" style of 1960s of
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One of the popular and ancient dance forms, which is performed in Batuan and many other villages, frequently, is known as the
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established now to cater to the tourism in the town; one such pavilion is in front of the Pura Desa Batuan temple.
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In the northern part of the village can be found a stone Buddha statue of considerable girth which marks the
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549:(1905–1985), dancer and teacher. He was one of the first to teach women martial dances such as
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Nearby tourist attractions include the Santi Mandala and Spa, Balifunworld, and the Bali Zoo.
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The life of a Balinese temple: artistry, imagination, and history in a peasant village
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The most popular festival that is observed in Batuan and other places in Bali is the
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day and also on occasions of marriages and other ceremonies, locally known as the
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The village is now dominated by galleries of various artists. Of major note is
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Images of power: Balinese paintings made for Gregory Bateson and Margaret Mead
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Batuan is located in central Bali about 10 kilometres (6.2 mi) south of
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The natural guide to Bali: enjoy nature, meet the people, make a difference
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dedicated to the Supreme God, whose image is carved in front of the throne.
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Batuan is mentioned in historical records as far back as 1000 years. The
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astride a bull, great elephants on the central stairway balustrade, and
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Dimensions: texts from Asia for the upper secondary English classroom
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To cherish the life of the world: selected letters of Margaret Mead
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Descutner, Janet; Elizabeth A. Hanley; Jacques D'Amboise (2010).
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Bali handbook with Lombok and the Eastern Isles: the travel guide
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The journey of Indonesian painting: the Bentara Budaya collection
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507:
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647:. Lonely Planet Publications (Firm). 1984. pp. 204–205.
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group also created aesthetically elegant paintings combining
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366:). However, this dance form is stated to be on the decline.
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1947–1949, most of the Batuan people remained loyal to the
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The most notable landmark is the village temple, known as
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561:, the foremost artist of Bali also hailed from Batuan.
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Penjor made of bamboo is displayed in villages during
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1278:. Art Gallery of New South Wales. pp. 18, 23.
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185:and about 15 kilometres (9.3 mi) northeast of
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829:A short History of Bali: Indonesia's Hindu Realm
236:A typical painting from Batuan by a local artist
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252:(the artists village) origin influenced by the
1204:"Batuan Temple at Batuan Village Gianyar Bali"
971:Bentara Budaya Jakarta (Organization) (2008).
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977:. Kepustakaan Populer Gramedia. p. 236.
578:Mead, Margaret; Francis, Patricia A. (2006).
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1073:. University of Chicago Press. p. 202.
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1104:. Explore Indonesia; Gunadharma University
923:. University of Hawaii Press. p. 17.
787:Ver Berkmoes, Ryan; Stewart, Iain (2007).
553:in the 1950s. He was a noted performer of
1179:(4 ed.). Rough Guides. p. 180.
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1062:
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1070:Culture on tour: ethnographies of travel
1011:. Footprint Travel Guides. p. 234.
736:Gouyon, Anne; Yayasan Bumi Kita (2005).
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506:On the 1st and 15th of each month, the
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1173:Reader, Lesley; Ridout, Lucy (2002).
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888:Reader, Lesley; Ridout, Lucy (1996).
845:ThomassonCroll, Mary Justice (2010).
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308:The Batuan painters belonging to the
276:. Artists in Batuan later changed to
1244:The Cambridge guide to Asian theatre
1210:from the original on 7 November 2010
1176:The rough guide to Bali & Lombok
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937:
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1138:. Infobase Publishing. p. 74.
1005:Capaldi, Liz; Joshua Eliot (2000).
13:
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742:. Tuttle Publishing. p. 173.
304:A Batuan painting by Ida Bagus Rai
267:Batuan village gave its name to a
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890:Bali & Lombok:The Rough Guide
831:. Allen & Unwin. p. 138.
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950:. Curriculum Press. p. 12.
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52:
45:
29:
1234:
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1315:. University of Hawaii Press.
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611:. Lonely Planet. p. 327.
140:or "Baturan") is a village in
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1:
686:. Rough Guides. p. 565.
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481:Wooden model of a split gate.
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316:with vivacious and inventive
1045:. Individual Bali. June 2009
683:The Rough Guide to Indonesia
584:. Basic Books. p. 167.
451:Pura Puseh. The pillar is a
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381:
168:
7:
848:Frommer's Bali & Lombok
680:Backshall, Stephen (2003).
10:
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1249:Cambridge University Press
1241:Brandon, James R. (1997).
851:. Frommer's. p. 218.
605:Vaisutis, Justine (2007).
373:
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201:
35:The "Fat statue" of Batuan
1355:8.5855611°S 115.2756361°E
1067:Bruner, Edward M (2005).
219:and opposed nationalism.
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109:
74:
40:
28:
21:
1384:Populated places in Bali
1309:Geertz, Hildred (2004).
1231:Geertz (2004), pp. 19–21
917:Geertz, Hildred (1994).
827:Pringle, Robert (2004).
772:Geertz (2004), pp. 17–18
518:dance and a fire dance.
16:Place in Bali, Indonesia
1360:-8.5855611; 115.2756361
1272:Friend, Donald (1990).
189:contiguous to northern
1043:"Bali-Batuan Overivew"
944:Bott, Anthony (1998).
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325:I Wayan Bendi Gallery
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177:Gas station in Batuan
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94:8.58556°S 115.27556°E
1275:Donald Friend's Bali
453:throne-shaped shrine
1351: /
1206:. Diversebali.com.
522:"Fat Buddha" statue
402:(meaning "When the
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896:. pp. 134–5.
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314:Buddhist mythology
310:Pita Maha Painters
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1145:978-1-60413-478-0
984:978-979-9101-20-4
858:978-0-470-49776-0
804:978-1-74059-913-9
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1343:8°35′8.02″S
1135:Asian Dance
719:Google Maps
329:I Made Buli
318:Wayan-style
97: /
85:115°16′32″E
1373:Categories
566:References
463:Pura Puseh
424:Pura Puseh
336:Dance form
250:Penestanan
191:Sukhawathi
608:Indonesia
532:Blahbatuh
416:Landmarks
382:Festivals
346:Full Moon
169:Geography
154:Full Moon
146:Indonesia
114:Indonesia
1208:Archived
1102:"Gambuh"
530:road to
498:Saka 944
400:Galungan
392:Galungan
282:acrylics
246:Bali art
187:Denpasar
121:Province
82:8°35′8″S
374:Rituals
278:gouache
262:sarongs
223:Culture
202:History
162:sarongs
138:Batoeon
110:Country
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404:Dharma
364:Ngaben
351:Odalan
342:Gambuh
212:Indian
134:Batuan
60:Batuan
23:Batuan
551:baris
528:Sakah
516:Kecak
467:Wisnu
259:batik
254:Dutch
208:Hindu
156:day.
1330:2010
1317:ISBN
1293:2010
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866:2010
853:ISBN
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688:ISBN
662:2010
649:ISBN
626:2010
613:ISBN
586:ISBN
471:Siwa
358:and
288:and
280:and
210:and
183:Ubud
142:Bali
126:Bali
228:Art
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