147:", which had gained popularity originally in Jewish joke books after World War II. While the "Jewish mother" trope gained popularity in newer venues, such as on television, in print, and on comedy albums, notably, she was often personified in these media through her "son's vision" of her. It is also notable, then, that Walker actively assumed these traits, which gave her
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jokes that, as "the No. 1 seller in suburbia", "It has replaced the fountain pen at bar mitzvahs." Like her other albums, Walker's humor is rooted in her portrayal of Jewish women who are loud, outspoken, and speak in a drawn-out Long Island accent. On account of its success, Booker and Foster
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As a popular comedian of the 1950s and 1960s, Walker was best known for her "telephone act", wherein she delivered a monologue to her unseen friend "Ceil" at the other end of the line. The humor of this act draws upon the Jewish stereotypes of the
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article on how radio stations are breaking up traditional news programs with comedy clips, the commentator for Newark's WNTA station noted that record sales in the area for her album greatly benefited from on-air exposure.
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stated that she is "One of the theater's and the movies' top character actresses" and an "engaging comedienne" before concluding, "much that is funny is here." The reception of this album in the historically Jewish city of
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Bob Booker and George Foster's album on which Walker played a leading role,
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adaptation three years later. In addition to performing in
Chayefsky's play
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Who Is Harry
Kellerman and Why Is He Saying Those Terrible Things About Me?
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695:"The J.A.P. Show: Jewish American Princesses of Comedy - Theater - Review"
516:"Female Jewish Comedians: Grotesque Mimesis and Transgressing Stereotypes"
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suggests its popularity within concentrated Jewish communities: in another
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was a commercial and critical success. In a 1965 newspaper, journalist
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Walker released or performed on several comedy albums, including:
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The
British actress of this name is listed under her stage name,
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Walker was designated one of the "Queens of Comedy" along with
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she acted in a number of other television dramas, such as
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The J.A.P. Show: Jewish
American Princesses of Comedy
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Jewish immigrants. She acted in the original cast of
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on July 26, 1982, 12 days before her 54th birthday.
176:where she often performed her monologue to "Ceil."
151:power over them. Walker made guest appearances on
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285:The Yiddish Are Coming, The Yiddish Are Coming.
210:The Yiddish Are Coming, The Yiddish Are Coming
281:When You're in Love the Whole World Is Jewish
204:When You're in Love the Whole World Is Jewish
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598:Inc, Nielsen Business Media (1960-12-31).
567:. Nielsen Business Media, Inc. p. 29.
561:Inc, Nielsen Business Media (1960-08-15).
287:Walker was an integral performer on both.
782:American people of Latvian-Jewish descent
725:Lessons in Laughter: Betty Walker profile
672:. Purdue University Press. p. 170.
604:. Nielsen Business Media, Inc. pp.
154:The Tonight Show Starring Johnny Carson
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245:In the 1960 review of her debut album
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16:Jewish-American actress and comedian
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80:Actress and Comedian
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70:(1982-07-26)
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625:|last=
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397:Uncredited
379:Uncredited
361:Uncredited
327:Filmography
305:Belle Barth
216:Hum-Hum-Hum
135:The Doctors
751:Categories
712:2017-11-15
652:2017-11-16
486:References
358:Minor Role
291:Posthumous
50:1928-08-07
707:0362-4331
617:cite book
601:Billboard
573:cite book
564:Billboard
548:190691799
540:1474-0613
376:Guitarist
261:Billboard
251:Billboard
109:'s play
126:Decoy,
103:Latvian
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439:Exodus
343:Notes
337:Title
303:, and
257:Newark
224:– 1979
218:– 1969
192:– 1964
186:– 1960
169:, and
544:S2CID
444:Sarah
340:Role
334:Year
229:Death
703:ISSN
674:ISBN
629:help
585:help
536:ISSN
467:1971
451:1963
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417:1959
402:1950
384:1945
366:1945
348:1944
283:and
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65:Died
40:Born
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