179:
304:
198:). This company's theatre, which was not much larger than the Salle Lacaze, was demolished, and the larger Salle Choiseul with a capacity of about 900 was constructed. The new theatre was not only larger, but warmer, more luxurious and more comfortable than the Salle Lacaze. The orchestra was enlarged from sixteen players to thirty. Offenbach's new license permitted performances of one-act comedies, with or without music, but with fewer than five characters. It also specifically excluded sketches and required the performance of at least two works by composers other than Offenbach. The first performance of the merged company was on 29 December 1855 at the Salle Choiseul and included the premiere of Offenbach's
33:
212:. From this time performances were primarily given at the Salle Choiseul during the winter theatre season. The company performed at the Salle Lacaze during the 1856, 1857 and 1859 summer seasons, however, in March 1861 legislation was enacted which prevented the company from using both theatres, and appearances at the Salle Lacaze were discontinued. In spite of the restrictions of the license, Offenbach began including longer, more substantial works which violated its terms. For instance, his two-act
1160:
93:
In
February 1855, Offenbach successfully requested a license from the Parisian authorities for the performance of what he described as a "new and original" genre of musical theatre. He justified his proposed endeavour by saying that these works would have mass appeal and would provide opportunities
157:
about two swindling "blind" Parisian beggars. The latter was almost cut, since the invited audience who attended the dress rehearsal failed to laugh, but
Offenbach decided to retain it, and it was the hit of the opening night. This little piece soon acquired an international reputation (due to
2140:
Levin indicates that the company was a private entrepreneurship from its founding in 1855 up until 1885, which is the extent of her coverage of the topic. See Table 16.8. "Chronology and administration of the Théâtre des
Bouffes-Parisiens company" in Levin 2009, p.
218:
with a cast of 16 received its first performance at the Salle
Choiseul on 21 October 1858. Even after Offenbach resigned as the director in January 1862, the company continued at the Salle Choiseul, performing light operas by other composers as well as Offenbach.
230:
While the Théâtre des
Bouffes-Parisiens is indelibly linked to Offenbach, it has also been the venue for a number of other important works. In addition to Offenbach's own operettas, the theatre has seen the premieres of musical works by
166:. Further performances in the summer of 1855 were primarily of satirical sketches which only included a few musical numbers. The season, however, was so successful that Offenbach was able to resign his position as conductor of the
2842:
1652:(Yon 2000, p. 201). During the summer of 1860 the company performed in Brussels and Lyon. Offenbach himself went to Berlin to supervise the rehearsals and conduct the Berlin premiere of
80:. With the decline in popularity of operetta after 1870, the theatre expanded its repertory to include comedies. The theatre is still active with regular productions of stage plays.
2798:
1608:
Lamb ( "Offenbach, Jacques" in Sadie 1992, vol. 3, p. 653) gives the capacity of the Salle Lacaze as 300. Gammond (1980, p. 37) says it held an audience of only 50.
266:, after whose death in May 2007 his partner Bruno Finck took over. Subsequently Dominique Dumond, director of Polyfolies assumed the leadership in September 2013.
178:
1626:
Lamb ( "Offenbach, Jacques" in Sadie 1992, vol. 3, p. 653) gives the capacity of 900; Faris (1980, pp. 52–53) provides an extensive quote from the periodical
194:
In
October Offenbach submitted another petition to the authorities, this time to merge his company with the Théâtre des Jeunes Élèves de Monsieur Comte (
1702:
1687:
269:
The theatre is part of the « Théâtres parisiens associés » and more recently the stage has witnessed straight theatre such as
222:
Upon the departure of
Offenbach, the new director tore down the existing hall to erect a larger one with a capacity of 1100 spectators.
2232:
2720:
Levin, Alicia (2009). "A documentary overview of musical theaters in Paris, 1830–1900" in Fauser 2009, pp. 379–402.
76:
at 4 rue
Monsigny with an entrance at the back at 65 Passage Choiseul. In the 19th century the theatre was often referred to as the
2852:
2777:
2752:
2714:
2699:
2669:
2654:
1880:
2589:
2567:
2184:
1840:
The date of the premiere is given as 16 March 1880 by Andrew Lamb "Varney, Louis" in Sadie 1992, vol. 4, p. 901 (see also
1720:
2847:
2176:
Levin 2009, p. 399, indicates that the theatre was closed. The company's website states that the closure was due to the
303:
2743:
2265:
17:
2837:
1756:
1500:
109:. The inaugural performance was on 5 July with Offenbach conducting four of his own works: a prologue called
106:
2255:
1732:
1124:
621:
73:
2200:"Cantin, Louis" in Gänzl 2001, pp. 308–309. According to Gänzl, Cantin gave up his directorship in 1885.
32:
291:
167:
101:. This theatre was unusually small with a capacity of only 300 spectators, but was located on the
2544:
2528:
2512:
2480:
602:
143:
1875:
Klein, Axel: O'Kelly - An Irish
Musical Family in Nineteenth-Century France (Norderstedt 2014).
975:
920:
462:
278:
2448:
2396:
2356:
2332:
2308:
2257:
The
Italian Shakespearians: Performances by Ristori, Salvini, and Rossi in England and America
1587:
583:
2680:
2632:
2496:
2464:
2444:
2428:
2412:
2388:
2372:
2348:
2324:
2300:
2284:
2213:
1648:
During the summer of 1858 the company went on tour, and Offenbach sublet the Salle Lacaze to
262:
From 1986 to 2007, the Théâtre des Bouffes-Parisiens was under the directorship of the actor
1296:
185:
2728:
2624:
1649:
901:
659:
2229:
1630:
describing the demolition and reconstruction of the theatre and the size of the orchestra.
426:
214:
8:
2177:
780:
1744:
492:
1457:
407:
263:
195:
1084:
1052:
969:
950:
2773:
2748:
2710:
2695:
2665:
2650:
2261:
1876:
1841:
1184:
672:
577:
475:
456:
420:
334:
236:
149:
61:
1656:
at the Friedrich-Wilhelmstädtisches Theater on 23 June 1860 (Yon 2000, pp. 232–233).
914:
895:
774:
209:
126:
2642:
1431:
1143:
248:
232:
1137:
102:
2765:
2593:
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1504:
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560:
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256:
244:
240:
49:
65:
2738:
2564:
2181:
878:
543:
526:
384:
353:
286:
274:
1159:
439:
367:
118:
2831:
2813:
2800:
1167:
The Théâtre des Bouffes-Parisiens was founded as a private entrepreneurship.
1020:
988:
844:
827:
810:
653:
634:
596:
401:
129:, who worked as a government official and needed to protect his reputation);
2014:
Charlton, David. "Terrasse, Claude (Antoine)" in Sadie 1992, vol. 4, p. 700.
1933:
Charlton, David. "Vidal, Paul (Antonin)" in Sadie 1992, vol. 4, pp. 987–988.
1521:
Lamb, Andrew. "Offenbach, Jacques" in Sadie 1992, vol. 3, pp. 653–658.
2732:
2684:
2636:
1236:
1101:
740:
689:
615:
252:
98:
1845:
757:
723:
706:
640:
97:
The company gave its first performances during the summer of 1855 at the
793:
340:
200:
158:
visitors from the Exposition), and Offenbach's admirers soon included
1707:
163:
1497:
122:
69:
58:
2790:
956:
159:
2629:
Dicken's Dictionary of Paris, 1882. An Unconventional Handbook
2662:
Music, theater, and cultural transfer. Paris, 1830–1914
54:
2843:
Buildings and structures in the 2nd arrondissement of Paris
2725:
Nos Artistes: Annuaire des Théâtres et Concerts, 1901–1902
2598:
Encyclopédie multimedia de la comédie musicale, 1918–1940
2660:
Fauser, Annegret, editor; Everist, Mark, editor (2009).
365:
182:
The Salle Choiseul during a performance of Offenbach's
1831:
Traubner 2003, p. 91; Gänzl 2001, pp. 1494–1495.
1757:
Un tramway nommé désir at the Bouffes-Parisiens, 2024
1733:
88 fois l'infini at the at the Bouffes-Parisiens page
2260:. Associated University Presses. pp. 48, 56–8.
2248:
Chizzola was an Italian manager-impresario, managed
1786:
Lamb, Andrew. "Hervé" in Sadie 1992, vol. 2, p. 708.
2559:
2557:
2555:
2553:
1163:The public at the Bouffes-Parisiens (c. 1860)
2829:
1857:Traubner 2003, p. 91; Gänzl 2001, pp. 1341–1343.
1804:"Lecocq, Charles" in Gänzl 2001, pp. 1165–1168.
2550:
1924:"Messager, André" in Gänzl 2001, pp. 1379–1382.
1745:Page for La Note at the Bouffes-Parisiens, 2023
141:, a pantomime utilizing themes from Rossini's
2163:
2161:
2159:
2157:
2155:
2153:
2151:
2149:
2147:
1915:"Roger, Victor" in Gänzl 2001, pp. 1733–1734.
1902:
1900:
1898:
2709:, second edition. New York: Schirmer Books.
2664:. Chicago: The University of Chicago Press.
2608:
2606:
1848:), but as 16 May 1880 by Levin 2009, p. 402.
1703:Les théâtres cherchent leur planche de salut
147:arranged by "Alfred Lange" (Offenbach); and
2587:"Les Théâtres parisiens: Bouffes-Parisiens"
1723:on the Théâtres parisiens associés website.
1493:
1491:
1489:
1487:
2762:" in Sadie 1992, vol. 4, pp. 961–962.
2144:
1895:
2675:Galignani, A. and W., publishers (1862).
2603:
1678:in Sadie 1992, vol. 3, pp. 774–776.
2649:. London & Boston: Faber and Faber.
1573:
1571:
1569:
1567:
1565:
1563:
1561:
1559:
1557:
1555:
1553:
1551:
1549:
1547:
1484:
1158:
302:
177:
72:. The current theatre is located in the
31:
2707:The Encyclopedia of the Musical Theatre
2582:
2580:
2253:
1906:"Pugno, Raoul" in Gänzl 2001, p. 1662.
1545:
1543:
1541:
1539:
1537:
1535:
1533:
1531:
1529:
1527:
14:
2830:
1517:
1515:
1513:
48:
36:Théâtre des Bouffes-Parisiens in 2010
2677:Galignani's New Paris Guide for 1862
2577:
1524:
1154:
298:
2541:Almanach des spectacles. Année 1909
2525:Almanach des spectacles. Année 1907
2509:Almanach des spectacles. Année 1906
2493:Almanach des spectacles. Année 1905
2477:Almanach des spectacles. Année 1904
2461:Almanach des spectacles. Année 1902
2441:Almanach des spectacles. Année 1901
2425:Almanach des spectacles. Année 1900
2409:Almanach des spectacles. Année 1899
2385:Almanach des spectacles. Année 1897
2369:Almanach des spectacles. Année 1895
2345:Almanach des spectacles. Année 1893
2321:Almanach des spectacles. Année 1892
2297:Almanach des spectacles. Année 1890
2281:Almanach des spectacles. Année 1889
2226:Almanach des spectacles. Année 1888
2210:Almanach des spectacles. Année 1885
1510:
289:and François Berléand in 2023, and
24:
25:
2864:
2784:
2744:The New Grove Dictionary of Opera
2252:on tour in the US in 1873-4. See
1224:Julien-Joseph-Henry Dupontavisse,
1207:Eugène Hanappier, Armand Lapoint
173:
2747:(4 volumes). London: Macmillan.
498:Les chevaliers de la table ronde
105:, near the crowds attending the
2534:
2518:
2502:
2486:
2470:
2454:
2434:
2418:
2402:
2378:
2362:
2338:
2329:Le Boulevard: Croquis Parisiens
2314:
2305:Le Boulevard: Croquis Parisiens
2290:
2274:
2242:
2219:
2203:
2194:
2170:
2134:
2125:
2116:
2107:
2098:
2089:
2080:
2071:
2062:
2053:
2044:
2035:
2026:
2017:
2008:
1999:
1990:
1981:
1972:
1963:
1954:
1945:
1936:
1927:
1918:
1909:
1886:
1869:
1860:
1851:
1834:
1825:
1816:
1807:
1798:
1789:
1780:
1771:
1762:
1750:
1738:
1726:
1714:
1695:
1681:
1668:
1659:
1642:
243:, and plays by writers such as
88:
57:theatre founded in 1855 by the
2853:Music venues completed in 1855
2679:. Paris: A. and W. Galignani.
1633:
1620:
1611:
1602:
1593:
1580:
1577:Levin 2009, pp. 401–402.
1449:Nicky Nancel (Madame Mondavi)
695:Joséphine vendue par ses sœurs
307:Théâtre des Bouffes-Parisiens
13:
1:
1473:
42:Théâtre des Bouffes-Parisiens
2191:, retrieved 20 August 2011).
1288:Charles (Carlo) A. Chizzola
1254:Jules Noriac, Charles Comte
1125:Les aventures du roi Pausole
622:Les mousquetaires au couvent
94:for young French composers.
50:[teɑtʁdebufpaʁizjɛ̃]
7:
2600:, retrieved 20 August 2011.
2574:, retrieved 20 August 2011.
2254:Carlson, Marvin A. (1985).
2180:. (See "Historique" at the
1463:
1453:
1445:
1437:
1426:
1416:
1408:
1400:
1392:
1384:
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1326:
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1211:
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984:
965:
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874:
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840:
823:
806:
789:
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736:
719:
702:
685:
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649:
630:
611:
592:
573:
556:
539:
522:
505:
488:
471:
452:
445:L'omelette à la Follembuche
435:
416:
397:
380:
349:
330:
111:Entrez, messieurs, mesdames
10:
2869:
2848:Theatres completed in 1855
2131:Gänzl 2001, pp. 2056–2057.
2104:Gänzl 2001, pp. 1008–1009.
2095:Gänzl 2001, pp. 2077–2078.
2086:Gänzl 2001, pp. 1625–1626.
2050:Gänzl 2001, pp. 1139–1140.
2032:Gänzl 2001, pp. 1611–1613.
2023:Gänzl 2001, pp. 2067–2068.
2005:Gänzl 2001, pp. 2126–2127.
1987:Gänzl 2001, pp. 1660–1662.
1892:Gänzl 2001, pp. 1038–1040.
1813:Gänzl 2001, pp. 1602–1603.
1073:Trois jeunes filles … nues
850:L'enlèvement de la Toledad
83:
2694:. London: Omnibus Press.
2570:11 September 2011 at the
2565:Bouffes-Parisiens website
2187:11 September 2011 at the
2182:Bouffes-Parisiens website
1503:18 September 2019 at the
225:
121:and "Jules Servières" (a
2758:Wagstaff, John (1992). "
2041:Gänzl 2001, pp. 480–482.
1960:Gänzl 2001, pp. 581–582.
1866:Gänzl 2001, pp. 763–764.
1822:Gänzl 2001, pp. 590–591.
1777:Gänzl 2001, pp. 360–362.
1498:Bouffes-Parisien website
1212:17 September 1866
292:A Streetcar Named Desire
27:Theatre in Paris, France
2690:Gammond, Peter (1980).
1759:accessed 22 April 2024.
1747:accessed 22 April 2024.
1735:accessed 22 April 2024.
1701:Armelle Héliot, «
1285:1 September 1888
549:Le barbier de Trouville
359:Les Statues de l'Alcade
144:Il barbiere di Siviglia
64:for the performance of
2723:Martin, Jules (1901).
2375:; Gänzl 2001, p. 1490.
2353:Almanach Hachette 1895
1639:Yon 2000, pp. 760–762.
1617:Faris 1980, pp. 51–52.
1361:15 October 1901
1340:Michel-Amable Coudert
1275:15 October 1885
1192:3 February 1862
1164:
678:La Barbière improvisée
481:Le carnaval des revues
311:
191:
107:Exposition Universelle
37:
2838:Opera houses in Paris
2791:The Theatre's website
2727:. Paris: Ollendorff.
2631:. London: Macmillan.
2592:30 March 2012 at the
2235:18 April 2017 at the
1721:Les Bouffes-Parisiens
1372:Lagoanère and Lénéka
1356:Vildreux and Pezzani
1162:
939:Les travaux d'Hercule
306:
295:(in French) in 2024.
181:
137:on a pastoral theme;
35:
2705:Gänzl, Kurt (2001).
2612:Gänzl 2001, p. 2198.
2563:"Historique" at the
2077:Gänzl 2001, p. 2079.
1978:Gänzl 2001, p. 1490.
1951:Gänzl 2001, p. 1307.
1942:Gänzl 2001, p. 1297.
1768:Fétis/Pougin (1880).
1650:Jean-Charles Deburau
1599:Dickens 1882, p. 32.
1412:Mme Cora-Laparcerie
1404:Deval and Richemond
1251:16 April 1871
1227:Auguste Lefranc
1215:François Varcollier
1009:La dame en décolleté
660:Gillette de Narbonne
603:Les noces d'Olivette
463:Geneviève de Brabant
373:Dieux vielles gardes
206:chinoiserie musicale
155:bouffonerie musicale
2810: /
2178:Franco-Prussian War
2167:Levin 2009, p. 399.
2113:Gänzl 2001, p. 668.
2068:Gänzl 2001, p. 578.
2059:Gänzl 2001, p. 457.
1969:Gänzl 2001, p. 530.
1795:Gänzl 2001, p. 722.
1676:"Orphée aux enfers"
1665:Levin 2009, p. 401.
1393:October 1906
781:Le mari de la reine
208:with a libretto by
2814:48.8684°N 2.3354°E
2122:Gänzl 2001, p. 87.
1458:Jean-Claude Brialy
1388:Monza and Darcour
1348:Coudert and Berny
1297:Oscar de Lagoanère
1233:August 1868
1220:8 July 1867
1203:27 September 1864
1181:5 July 1855
1165:
1134:19 September 1934
1034:17 September 1924
867:La dot de Brigitte
763:Le retour d'Ulysse
408:Le docteur miracle
390:Le docteur miracle
312:
264:Jean-Claude Brialy
192:
186:Un mari à la porte
74:2nd arrondissement
38:
2778:978-2-07-074775-7
2770:Jacques Offenbach
2753:978-1-56159-228-9
2741:, editor (1992).
2715:978-0-02-864970-2
2700:978-0-7119-0257-2
2670:978-0-226-23926-2
2655:978-0-571-11147-3
2647:Jacques Offenbach
2393:Bulletin officiel
1881:978-3-7357-2310-9
1654:Orphée aux enfers
1471:
1470:
1441:Albert Willemetz
1430:Gustave Quinson,
1185:Jacques Offenbach
1155:List of directors
1152:
1151:
1115:12 December 1930
1081:22 December 1926
1002:22 December 1923
966:10 November 1921
947:12 November 1918
911:10 December 1898
902:Les p'tites Michu
892:16 November 1897
875:28 February 1896
833:Mam'zelle Carabin
771:18 December 1889
650:11 November 1882
631:29 December 1880
593:13 November 1879
578:Emmanuel Chabrier
574:28 November 1877
540:19 November 1871
489:17 November 1866
476:Jacques Offenbach
472:10 February 1860
457:Jacques Offenbach
453:19 November 1859
427:Orphée aux enfers
421:Jacques Offenbach
350:29 December 1855
335:Jacques Offenbach
331:29 December 1855
299:List of premieres
279:François Berléand
237:Emmanuel Chabrier
215:Orphée aux enfers
150:Les deux aveugles
62:Jacques Offenbach
18:Bouffes-Parisiens
16:(Redirected from
2860:
2825:
2824:
2822:
2821:
2820:
2815:
2811:
2808:
2807:
2806:
2803:
2766:Yon, Jean-Claude
2643:Faris, Alexander
2625:Dickens, Charles
2613:
2610:
2601:
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2538:
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2400:
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2033:
2030:
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2015:
2012:
2006:
2003:
1997:
1994:
1988:
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1742:
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1730:
1724:
1718:
1712:
1699:
1693:
1692:, 16 April 2008.
1685:
1679:
1672:
1666:
1663:
1657:
1646:
1640:
1637:
1631:
1624:
1618:
1615:
1609:
1606:
1600:
1597:
1591:
1586:Galignani 1862,
1584:
1578:
1575:
1522:
1519:
1508:
1495:
1432:Albert Willemetz
1396:Clot and Dublay
1239:, Charles Comte
1225:
1204:
1187:, Charles Comte
1170:
1169:
1066:3 December 1925
841:17 October 1894
824:3 November 1893
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729:Le valet de cœur
566:La petite muette
523:16 January 1869
506:11 January 1867
417:21 October 1858
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271:88 fois l'infini
249:Albert Willemetz
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139:Arlequin barbier
131:Une nuit blanche
115:pièce d'occasion
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620:
616:Louis Varney
601:
582:
565:
548:
531:
514:
497:
480:
461:
444:
436:8 June 1859
425:
406:
389:
372:
358:
339:
290:
282:
270:
268:
261:
253:Sacha Guitry
229:
221:
213:
205:
204:, a one-act
199:
193:
184:
154:
153:, a one-act
148:
142:
138:
134:
133:, a one-act
130:
114:
113:, a one-act
110:
99:Salle Lacaze
96:
92:
89:Salle Lacaze
77:
66:opéra bouffe
41:
39:
29:
2817: /
1689:France-Soir
1464:2007
1454:1986
1446:1958
1438:1929
1427:1927
1417:1913
1409:1909
1401:1907
1385:1905
1377:1904
1369:1902
1353:1900
1345:1899
1337:1897
1327:1895
1319:1893
1311:1892
1303:1890
1293:1889
1267:1877
1259:1873
1244:1870
1098:9 May 1929
858:6 May 1895
758:Raoul Pugno
724:Raoul Pugno
707:Raoul Pugno
641:La mascotte
440:Léo Delibes
368:Léo Delibes
119:Joseph Méry
117:written by
2832:Categories
2802:48°52′06″N
1474:References
1026:En chemyse
794:Paul Vidal
341:Ba-ta-clan
201:Ba-ta-clan
2805:2°20′07″E
2760:Véronique
2692:Offenbach
1846:457931152
1708:Le Figaro
1705: »,
921:Véronique
320:Composer
309:(c. 1867)
281:in 2021,
164:Thackeray
2768:(2000).
2645:(1980).
2627:(1882).
2590:Archived
2568:Archived
2233:Archived
2185:Archived
1501:Archived
746:Oscarine
712:Le sosie
584:L'étoile
532:Gandolfo
123:pen name
70:operetta
59:composer
55:Parisian
2619:Sources
1107:Flossie
994:Là-Haut
957:Phi-Phi
884:Ninette
283:La Note
160:Tolstoy
84:History
53:) is a
46:French:
2776:
2751:
2713:
2698:
2668:
2653:
2449:p. 404
2395:1899,
2357:p. 452
2333:p. 191
2331:1893,
2309:p. 191
2307:1893,
2264:
1879:
1844:
1588:p. 470
1090:J'aime
1058:P.L.M.
226:Legacy
210:Halévy
190:(1859)
2545:p. 78
2529:p. 81
2513:p. 78
2497:p. 76
2481:p. 69
2465:p. 68
2445:p. 71
2429:p. 63
2413:p. 65
2389:p. 57
2373:p. 69
2349:p. 66
2325:p. 64
2301:p. 58
2285:p. 57
2230:p. 56
2214:p. 62
1479:Notes
1173:Date
493:Hervé
323:Work
317:Date
285:with
273:with
233:Hervé
2774:ISBN
2749:ISBN
2729:View
2711:ISBN
2696:ISBN
2681:View
2666:ISBN
2651:ISBN
2633:View
2262:ISBN
2141:399.
1877:ISBN
1842:OCLC
976:Dédé
799:Eros
326:Ref
277:and
255:and
239:and
162:and
68:and
40:The
2731:at
2683:at
2635:at
125:of
2834::
2605:^
2579:^
2552:^
2543:,
2527:,
2511:,
2495:,
2479:,
2463:,
2443:,
2427:,
2411:,
2391:;
2387:,
2371:,
2355:,
2351:;
2347:,
2327:;
2323:,
2303:;
2299:,
2283:,
2228:,
2212:,
2146:^
1897:^
1526:^
1512:^
1486:^
259:.
251:,
247:,
235:,
170:.
2780:.
2755:.
2735:.
2717:.
2702:.
2687:.
2672:.
2657:.
2639:.
2547:.
2531:.
2515:.
2499:.
2483:.
2467:.
2451:.
2431:.
2415:.
2399:.
2359:.
2335:.
2311:.
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2239:.
2216:.
1883:.
1590:.
1507:.
44:(
20:)
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