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British horror cinema

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17: 969: 1604:. The War and the associated prevalence of violence, maiming and death had a profound impact on films produced in the subsequent years and decades. As time went on, spiritualism continued to be a prominent thematic focus, largely due to the British public's mourning of their deceased. British silent horror films began to be a depiction of the public's efforts to maintain a spiritual connection with the deceased. Specifically, filmmakers drawing inspiration from 4719: 3482: 907: 894: 1543: 1733:(BBFC), introduced a new film classification, the "H" rating, which lasted from 1933 to 1951. It grouped together films that were deemed 'horrific', leading to distributors promoting films as "uncanny", or as mysteries or melodramas. The H rating was predominantly introduced to deal with the influx of American horror films that were arriving from the United States. The president of the BBFC, Edward Shortt, stated in 2150:, while others were called out for what Walker summarized as "just not being very good." He noted a "general lack of interest in new British horror cinema at this time, then, may well be attributed to a possible assumption that the films are not dissimilar enough from similarly terrible contemporary American productions to warrant extended analysis on their own terms." 1949:
stated that the British horror cinema was "still a long way below the minimum standard of even the most vilified 1980s product." Walker would note that the 2000s and 2010s marked "a dramatic change in tide for the genre, and signalled the first sustained period of British horror productions since Hammer's golden era."
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the first place." Other general criticisms were that the films were too explicit in their depiction of physical details and that some critics found it specifically disturbing for horror films where the director was no sufficiently "distanced" from their material. The most famous example being the reception to
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During the 1950s, the critical verdict towards British horror films was described by Peter Hutchings as "overwhelmingly negative". Petley noted that horror films were often viewed in terms of previously mentioned critical standards and "roundly condemned for not being what they never set out to be in
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British horror films were routinely attacked by significant numbers of British critics from the late 1950s to the early 1970s. John Ellis's critical discourse on British critics noted that critics in the 1940s "defined middle-class conceptions for decades to come" and that "critics had more success
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The horror film was established as a genre in American cinema in the 1930s, most notably through the horror films of Universal. Author Ian Conrich noted that British horror cinema is often absent from historical discourse in 1930s films, and not usually acknowledged until film companies like Hammer
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stated that films require "realism, logic, truth". Both publications warned against films where "visual eloquence becomes visual rhetoric, mere flowers of effect rather than active participation in the atmosphere and action of a story" (Penguin Film Review) while images used incorrectly could lead
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wrote what he described as an obituary in Petley and Chibnall's book "British Horror Cinema", lamenting "the general absence of any real directorial talent at the turn of the millennium" finding horror film directors "who really knew what they were doing escaped to Hollywood long ago." Stanley
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Hammer, under new ownership, resumed making films in 2007. Walker noted that "its name was nowhere near as central to British horror film culture as it had been in the previous decades". British horror films from the 2000s were detached from Hammer's gothic traditions, with the films being
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relates to America." Hammer would dominate the horror film market for nearly 20 years, with films that Pirier described as "no way imitative of American or European models but derive from literary sources." Hammer's films were often mocked or shunned by contemporary critics.
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in 1935 in regard to horror films that he hoped "producers and renters will accept this word of warning, and discourage this type of subject as far as possible." American productions listened and production on horror films slowed down in the United States, with an article in
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developed their work in the late 1950s. Conrich stated there were no true horror films of the era, but films that had a "horrific" nature that were predominantly comedies, thrillers or melodramas. That the films that closely corresponded to Hollywood films of the era include
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declared that Hammer's perchant for this style was unique to Britain. The tranche of films developed at the studio and its rivals "remains the only staple cinematic myth which Britain can properly claim as its own, and which relates to it in the same way as the
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in 1993. Pirie's view became highly influential for academia, where Walker noted that in several scholars of British horror film history "nostalgia for a certain type of Hammer film also retained the upper hand in pop culture throughout the 1980s and 1990s."
1751:. The film was promoted more as a mystery than a horror film, with its press book stating that the film "is thrilling and uncanny without being 'horrific'" Other early films are lost such as two by Widgey Raphael Lotinga Newman: 1524:
around the 1960s. A distinguishing feature of British horror cinema from its foundations in the 1910s until the end of Hammer's prolific output in the genre in the 1970s was storylines based on, or referring to, the
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Short silent films had become an increasingly common cinematic form of entertainment during the time of the surge in popularity of gothic horror filmmaking. Such films are exemplified by
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in influencing British tastes than perhaps they realized. Decades of film appreciation have maintained the divisions that they initiated." Among these critics, an editorial in the first
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Petley, Julian (2002). "Chapter 3: 'A Crude Sort of Entertainment for a Crude Sort of Audience': The British Critics and Horror Cinema". In Chibnall, Steve; Petley, Julian (eds.).
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declaring that the reason Universal had abandoned their horror film productions, was that "European countries, especially England, are prejudiced against this type product."
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As the British horror genre expanded, American horror cinema began to draw influence from the wave of British spiritualistic horror films. In 1913, American director,
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stating that the film "wallows in the diseased urges of a homicidal pervert, and actually romanticizes his pornographic brutality" while Alexander Walker in the
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period, when no single mainstream critic defended the horror films of the era. Criticism was often levelled that they lacked the social relevance that
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stated that films were "a medium of artistic expression and as a means of public information and education" while Jympson Harman in
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stated that following the murder, "no one in their right mind" would produce a British horror film during this sensitive period.
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that themes from forgotten English gothic novels remain in the culture, as "idioms and emotions created have entered our DNA."
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Most 21st century studies on British horror films detach themselves from literary Gothic readings, such as James Leggott's
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Conrich, Ian (2002). "Chapter 5: Horrific films and 1930s British cinema". In Chibnall, Steve; Petley, Julian (eds.).
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The 1990s were described by Walker as "similarly dire" to the 1980s, noting only a few low-budget productions such as
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influenced by what Walker describes as a "whole host of cross-cultural factors." Pirie argued in a 2008 edition of
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Laner, Barbara (Fall 2012). "The Vampiric Film: Intermedial Incorporation in 'Nosferatu, a Symphony of Horror'".
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declared to be "mostly thought of as American productions that had peripheral British involvement" noting
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Of the 55 films rated "H", 38 were American productions. The first British production to be rated "H" was
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Regionally set and occasionally regionally funded films also appeared during this period such as
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In that year, one of the highest grossing British horror films of the period was released with
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also involving a mad doctor who attempts to revive the mummified body of a Crusader. Following
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in the early 20th century. Some of the most successful British horror films were made by
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British Film Catalogue: Two Volume Set - The Fiction Film/The Non-Fiction Film, Volume 2
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stated the film "displays a nervous fascination with the perversion it illustrates."
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involving a mad doctor who attempts to exchange the brain of a woman and an ape, and
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The 1980s only saw a handful of British horror films which Johnny Walker, author of
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of the nineteenth century. Influential works during the nineteenth century include
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Critical disdain for horror films was at its height in the early 1980s during the
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audiences to become victim of "symptoms of a perverse and decadent imagination" (
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The horror films by Hammer studios generally performed well at the box office.
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by two children who had allegedly been inspired by a home video release of
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Wounds of Nations: Horror Cinema, Historical Trauma and National Identity
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which, at the time, was Britain's largest film production company
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Contemporary British Horror Cinema: Industry, Genre and Society
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Contemporary British Horror Cinema: Industry, Genre and Society
656: 2883: 1990:(2012). British horror comedy films included the very popular 1783:(1948). Other works, such as those of Tod Slaughter including 62: 2989: 1633: 2289:
Fryer, Ian (2017). "2: From the Silents to the Thirties".
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During this period, British censorship in the form of the
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The British Horror Film: from the Silent to the Multiplex
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A Heritage of Horror: The English Gothic Cinema 1946-1972
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The rise of British silent horror cinema coincided with
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Fyne, R J (2000). "McFarland Medley: A Review Essay".
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Contemporary British Cinema; From Heritage to Horror
2672: 2541: 2524: 2503: 2486: 2457: 2032:A New Edition of Horror: The English Gothic Cinema 2310:Spiritualism and British Society between the Wars 2138:praised in 1979 for such American productions as 1667:, travelled to Britain to produce the 1916 film, 4735: 3528: 1968:(2002), launching the career of horror director 1807:From the 1950s to the 1970s, the British studio 1640:that defined early British silent horror films. 2167:was published in 1973. The first follow-up was 1790:Sweeney Todd, the Demon Barber of Fleet Street 1569:British silent horror drew its influence from 3514: 2899: 2212:. In Chibnall, Steve; Petley, Julian (eds.). 2002:(2011) along with less popular films such as 1486: 932: 3521: 3507: 2906: 2892: 2354:English Gothic: A Century of Horror Cinema 2307: 2169:Hammer and Beyond: The British Horror Film 1877:(1984) or were "amateurish flops" such as 1763:, five more British films were rated 'H': 1493: 1479: 939: 925: 2210:"Horrific films and 1930s British cinema" 3215: 2185:Beyond Hammer: British Horror since 1970 1541: 15: 2755: 2451: 2439: 2424: 2412: 2400: 2383: 2326: 2284: 2282: 2280: 2254: 2252: 2250: 2248: 2246: 2244: 2207: 1678:Frankenstein; or, The Modern Prometheus 1584:Frankenstein; or, The Modern Prometheus 4736: 4297:Associated British Picture Corporation 2860: 2778: 2705: 2693: 2681: 2666: 2654: 2639: 2627: 2615: 2603: 2588: 2576: 2564: 2552: 2535: 2518: 2497: 2480: 2468: 2201: 1516:. Horror films began in Britain with 3502: 2887: 2734: 2351: 2288: 2258: 2082: 1587:(1818), and the gothic horror novel, 4666:History of British film certificates 4530:British Board of Film Classification 2801: 2731:January 8, 1993; pg. 14; Issue 4684. 2277: 2241: 1962:(2002). Also released that year was 4565:National Film and Television School 4550:British Society of Cinematographers 13: 1838: 14: 4760: 4570:National Science and Media Museum 4457:Woolf & Freedman Film Service 2721:Showalter, Elaine. 'Blood sell.' 1796: 1684: 4718: 4717: 3481: 3480: 2827:Treasures from the Film Archives 2115:(1960) which Nina Hibbin of the 967: 906: 905: 892: 61: 4632:British Independent Film Awards 2913: 2073:(2010), and the United States ( 1939: 4560:Cinema Exhibitors' Association 4442:Tigon British Film Productions 4317:British National Films Company 4261:Warner Bros. Studios Leavesden 2345: 2320: 2312:. Manchester, United Kingdom: 2301: 2156: 1781:The Fall of the House of Usher 1: 2723:The Times Literary Supplement 2259:Brown, Simon (October 2010). 2194: 1978:(2002) and its many sequels, 1731:British Board of Film Censors 1537: 4749:Cinema of the United Kingdom 4649:Cinematograph Films Act 1927 3530:Cinema of the United Kingdom 3336:Set in academic institutions 2147:The Texas Chain Saw Massacre 1773:The Man Who Changed His Mind 1711:The Man Who Changed His Mind 7: 4627:British Academy Film Awards 4357:G. B. Samuelson Productions 4312:British Instructional Films 2842:"The Horror! The Horror!". 2314:Manchester University Press 1896:(1990), Simon Sprackling's 1611: 10: 4765: 4555:Children's Film Foundation 4194:Mister Smith Entertainment 3408:Indian burial ground trope 2867:Edinburgh University Press 2715: 2308:Hazelgrove, Jenny (2000). 1800: 1554:The Haunted Curiosity Shop 1532: 4713: 4614: 4593: 4517: 4489:Documentary Film Movement 4469: 4452:Woodfall Film Productions 4372:General Film Distributors 4284: 4091: 4079: 3536: 3476: 3435: 3348: 3296: 3175: 3053: 2921: 2187:(2009) and I.Q. Hunter's 1932:(1991). The authors of 1924:James Bulger was murdered 1821:(1958). In his 1973 book 1818:The Curse of Frankenstein 1559:Paul's Animatograph Works 26:The Curse of Frankenstein 4382:Hemdale Film Corporation 4231:Recorded Picture Company 2352:Rigby, Jonathan (2006). 2141:Night of the Living Dead 1811:made films adapted from 1671:, which was inspired by 1644:directed the 1919 film, 1557:was produced in 1901 by 4575:Northern Ireland Screen 4509:Gainsborough melodramas 4159:Hammer Film Productions 2861:Walker, Johnny (2015). 2327:Gifford, Denis (2016). 2179:(2008), Linnie Blake's 2061:(2007)), South Africa ( 2011:Lesbian Vampire Killers 1803:Hammer Film Productions 1767:(1934), the short film 1717:The Dark Eyes of London 1522:Hammer Film Productions 4535:British Film Institute 4327:Clarendon Film Company 4322:Butcher's Film Service 4236:Scott Free Productions 1785:The Face at the Window 1723:The Face at the Window 1669:The Man Without a Soul 1618:Dr. Trimball's Verdict 1566: 42: 4700:National Theatre Live 4484:British horror cinema 4417:The Rank Organisation 4362:Gainsborough Pictures 4307:British and Dominions 4124:Double Negative (VFX) 3190:First film by country 2825:"Tiger-beetle, The". 2781:British Horror Cinema 2758:British Horror Cinema 2214:British Horror Cinema 2208:Conrich, Ian (2001). 2183:(2008), James Rose's 1934:British Horror Cinema 1874:The Company of Wolves 1551: 1529:of the 19th century. 1508:is a sub-category of 1506:British horror cinema 977:List of British films 19: 4744:British horror films 4683:London Film Festival 4540:BFI National Archive 4504:Kitchen sink realism 4109:Big Talk Productions 4080:Production companies 2358:Reynolds & Hearn 2189:British Trash Cinema 2164:A Heritage of Horror 1735:Kinematograph Weekly 1650:, that was based on 1628:(1914), directed by 1620:(1913), directed by 651:New French Extremity 4412:Merton Park Studios 4407:MGM-British Studios 4397:London Film Company 4377:Halas and Batchelor 4342:Denham Film Studios 4276:Working Title Films 2848:(69): 32–34. 1999. 2725:(London, England), 2091:Penguin Film Review 2067:(2009)), Germany, ( 1777:Dark Eyes of London 1765:The Tell-Tale Heart 1665:George Loane Tucker 1593:(1897), written by 49:Part of a series on 4392:Ideal Film Company 4292:Amicus Productions 4224:Shepperton Studios 4179:Jellyfish Pictures 4114:British Lion Films 4099:Aardman Animations 2805:Film & History 2220:. pp. 58–70. 2083:Critical reception 1987:The Woman in Black 1944:In 2002, director 1567: 43: 4731: 4730: 4671:Home Video Charts 4465: 4464: 4387:Hepworth Pictures 4271:Wimbledon Studios 4189:Longcross Studios 4144:Film4 Productions 3496: 3495: 3448:Exploitation film 3344: 3343: 2998:Postmodern horror 2876:978-0-7486-8974-3 2316:. pp. 13–41. 2103:Sight & Sound 2097:Sight & Sound 1993:Shaun of the Dead 1909:Razor Blade Smile 1571:gothic literature 1549: 1527:gothic literature 1503: 1502: 949: 948: 4756: 4721: 4720: 4479:British New Wave 4427:Southall Studios 4347:Eagle-Lion Films 4219:Pinewood Studios 4209:Passion Pictures 4089: 4088: 3523: 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4402:Mancunian Films 4332:Bryanston Films 4280: 4204:Palace Pictures 4174:The Imaginarium 4154:Goldcrest Films 4139:Eon Productions 4134:Elstree Studios 4081: 4075: 3532: 3527: 3497: 3492: 3472: 3431: 3340: 3292: 3211: 3171: 3049: 3028:Social thriller 2917: 2912: 2877: 2841: 2824: 2795: 2772: 2718: 2713: 2712: 2704: 2700: 2692: 2688: 2680: 2673: 2665: 2661: 2653: 2646: 2638: 2634: 2626: 2622: 2614: 2610: 2602: 2595: 2587: 2583: 2575: 2571: 2563: 2559: 2551: 2542: 2534: 2525: 2517: 2504: 2496: 2487: 2479: 2475: 2467: 2458: 2450: 2446: 2438: 2431: 2423: 2419: 2411: 2407: 2399: 2390: 2382: 2375: 2368: 2350: 2346: 2339: 2325: 2321: 2306: 2302: 2287: 2278: 2257: 2242: 2232: 2230: 2228: 2206: 2202: 2197: 2159: 2085: 1946:Richard Stanley 1942: 1914:Julian Richards 1888:Richard Stanley 1849:Stanley Kubrick 1841: 1839:1980s and 1990s 1805: 1799: 1753:Castle Sinister 1693:Castle Sinister 1687: 1654:'s 1897 novel, 1614: 1542: 1540: 1535: 1514:British studios 1499: 1470: 1399: 1357: 1315: 1273: 1231: 1189: 1147: 1105: 1063: 1021: 961: 958: 945: 904: 891: 890: 883: 882: 881: 856: 848: 847: 846: 817:Social thriller 761: 753: 752: 751: 697: 684: 683: 682: 645: 637: 636: 635: 588: 573: 572: 538: 528: 527: 473: 463: 462: 408: 398: 397: 343: 333: 332: 278: 268: 267: 213: 203: 202: 148: 138: 137: 98: 83: 56: 51: 21:Christopher Lee 12: 11: 5: 4762: 4752: 4751: 4746: 4729: 4728: 4726: 4725: 4714: 4711: 4710: 4708: 4707: 4702: 4697: 4695:London in film 4692: 4685: 4680: 4673: 4668: 4663: 4656: 4651: 4646: 4641: 4634: 4629: 4624: 4618: 4616: 4612: 4611: 4609: 4608: 4603: 4597: 4595: 4591: 4590: 4588: 4587: 4582: 4577: 4572: 4567: 4562: 4557: 4552: 4547: 4542: 4537: 4532: 4527: 4521: 4519: 4515: 4514: 4512: 4511: 4506: 4501: 4496: 4491: 4486: 4481: 4475: 4473: 4467: 4466: 4463: 4462: 4460: 4459: 4454: 4449: 4444: 4439: 4434: 4432:Stoll Pictures 4429: 4424: 4419: 4414: 4409: 4404: 4399: 4394: 4389: 4384: 4379: 4374: 4369: 4364: 4359: 4354: 4349: 4344: 4339: 4334: 4329: 4324: 4319: 4314: 4309: 4304: 4299: 4294: 4288: 4286: 4282: 4281: 4279: 4278: 4273: 4268: 4263: 4258: 4253: 4251:Thin Man Films 4248: 4243: 4238: 4233: 4228: 4227: 4226: 4221: 4214:Pinewood Group 4211: 4206: 4201: 4199:Number 9 Films 4196: 4191: 4186: 4181: 4176: 4171: 4166: 4164:HandMade Films 4161: 4156: 4151: 4146: 4141: 4136: 4131: 4129:Ealing Studios 4126: 4121: 4116: 4111: 4106: 4101: 4095: 4093: 4086: 4077: 4076: 4074: 4073: 4068: 4063: 4058: 4053: 4048: 4043: 4038: 4033: 4028: 4023: 4018: 4013: 4008: 4003: 3998: 3993: 3988: 3983: 3978: 3973: 3968: 3963: 3958: 3953: 3948: 3943: 3938: 3933: 3928: 3923: 3918: 3913: 3908: 3903: 3898: 3893: 3888: 3883: 3878: 3873: 3868: 3863: 3858: 3853: 3848: 3843: 3838: 3833: 3828: 3823: 3818: 3813: 3808: 3803: 3798: 3793: 3788: 3783: 3778: 3773: 3768: 3763: 3758: 3753: 3748: 3743: 3738: 3733: 3728: 3723: 3718: 3713: 3708: 3703: 3698: 3693: 3688: 3683: 3678: 3673: 3668: 3663: 3658: 3653: 3648: 3643: 3638: 3633: 3628: 3623: 3618: 3613: 3608: 3603: 3598: 3593: 3588: 3583: 3578: 3573: 3568: 3563: 3558: 3553: 3548: 3542: 3540: 3534: 3533: 3526: 3525: 3518: 3511: 3503: 3494: 3493: 3491: 3490: 3477: 3474: 3473: 3471: 3470: 3465: 3460: 3455: 3453:Extreme cinema 3450: 3445: 3439: 3437: 3433: 3432: 3430: 3429: 3428: 3427: 3422: 3412: 3411: 3410: 3400: 3395: 3390: 3385: 3384: 3383: 3381:archaic mother 3378: 3373: 3363: 3358: 3352: 3350: 3346: 3345: 3342: 3341: 3339: 3338: 3333: 3328: 3323: 3318: 3317: 3316: 3306: 3300: 3298: 3294: 3293: 3291: 3290: 3285: 3280: 3275: 3270: 3265: 3260: 3255: 3250: 3245: 3240: 3235: 3230: 3225: 3219: 3217: 3210: 3209: 3208: 3207: 3202: 3192: 3187: 3181: 3179: 3173: 3172: 3170: 3169: 3167:United Kingdom 3164: 3159: 3154: 3149: 3144: 3143: 3142: 3132: 3127: 3126: 3125: 3120: 3112: 3111: 3110: 3105: 3097: 3096: 3095: 3087: 3086: 3085: 3073: 3068: 3067: 3066: 3057: 3055: 3051: 3050: 3048: 3047: 3046: 3045: 3035: 3030: 3025: 3020: 3015: 3010: 3005: 3000: 2995: 2994: 2993: 2981: 2976: 2971: 2969:Gothic romance 2966: 2961: 2956: 2951: 2946: 2941: 2936: 2934:Blaxploitation 2931: 2925: 2923: 2919: 2918: 2911: 2910: 2903: 2896: 2888: 2882: 2881: 2875: 2858: 2839: 2822: 2799: 2793: 2776: 2770: 2753: 2732: 2717: 2714: 2711: 2710: 2708:, p. 6-7. 2698: 2686: 2671: 2659: 2644: 2632: 2620: 2608: 2593: 2581: 2579:, p. 2-3. 2569: 2567:, p. 5-6. 2557: 2540: 2523: 2502: 2485: 2483:, p. 3-4. 2473: 2456: 2444: 2429: 2417: 2405: 2388: 2373: 2366: 2344: 2337: 2319: 2300: 2295:Fonthill Media 2276: 2240: 2226: 2199: 2198: 2196: 2193: 2158: 2155: 2084: 2081: 2064:Surviving Evil 2052:White Settlers 1941: 1938: 1929:Child's Play 3 1840: 1837: 1801:Main article: 1798: 1797:Hammer horrors 1795: 1686: 1685:1930s to 1940s 1683: 1636:and religious 1630:Cecil Hepworth 1613: 1610: 1539: 1536: 1534: 1531: 1501: 1500: 1498: 1497: 1490: 1483: 1475: 1472: 1471: 1469: 1468: 1463: 1458: 1452: 1449: 1448: 1442: 1441: 1423: 1422: 1416: 1415: 1381: 1380: 1374: 1373: 1339: 1338: 1332: 1331: 1297: 1296: 1290: 1289: 1255: 1254: 1248: 1247: 1213: 1212: 1206: 1205: 1171: 1170: 1164: 1163: 1129: 1128: 1122: 1121: 1087: 1086: 1080: 1079: 1045: 1044: 1038: 1037: 1003: 1002: 996: 995: 987: 986: 984:British horror 980: 979: 973: 972: 964: 963: 960:United Kingdom 959: 947: 946: 944: 943: 936: 929: 921: 918: 917: 916: 915: 902: 885: 884: 880: 879: 874: 869: 864: 862:Extreme cinema 858: 857: 854: 853: 850: 849: 845: 844: 839: 834: 829: 824: 819: 814: 809: 804: 799: 794: 789: 784: 779: 774: 769: 763: 762: 759: 758: 755: 754: 750: 749: 744: 739: 734: 733: 732: 722: 721: 720: 715: 705: 699: 698: 695: 694: 691: 690: 686: 685: 681: 680: 675: 674: 673: 668: 660: 653: 647: 646: 643: 642: 639: 638: 634: 633: 628: 623: 618: 613: 612: 611: 606: 601: 590: 589: 586: 585: 582: 581: 575: 574: 571: 570: 565: 560: 555: 550: 545: 539: 534: 533: 530: 529: 526: 525: 520: 515: 510: 505: 500: 495: 490: 485: 480: 474: 469: 468: 465: 464: 461: 460: 455: 450: 445: 440: 435: 430: 425: 420: 415: 409: 404: 403: 400: 399: 396: 395: 390: 385: 380: 375: 370: 365: 360: 355: 350: 344: 339: 338: 335: 334: 331: 330: 325: 320: 315: 310: 305: 300: 295: 290: 285: 279: 274: 273: 270: 269: 266: 265: 260: 255: 250: 245: 240: 235: 230: 225: 220: 214: 209: 208: 205: 204: 201: 200: 195: 190: 185: 180: 175: 170: 165: 160: 155: 149: 144: 143: 140: 139: 136: 135: 130: 125: 120: 115: 110: 105: 99: 96: 95: 92: 91: 85: 84: 82: 81: 76: 70: 67: 66: 58: 57: 52: 9: 6: 4: 3: 2: 4761: 4750: 4747: 4745: 4742: 4741: 4739: 4724: 4716: 4715: 4712: 4706: 4703: 4701: 4698: 4696: 4693: 4691: 4690: 4686: 4684: 4681: 4679: 4678: 4674: 4672: 4669: 4667: 4664: 4662: 4661: 4657: 4655: 4652: 4650: 4647: 4645: 4642: 4640: 4639: 4635: 4633: 4630: 4628: 4625: 4623: 4620: 4619: 4617: 4613: 4607: 4604: 4602: 4599: 4598: 4596: 4592: 4586: 4583: 4581: 4578: 4576: 4573: 4571: 4568: 4566: 4563: 4561: 4558: 4556: 4553: 4551: 4548: 4546: 4545:BFI Southbank 4543: 4541: 4538: 4536: 4533: 4531: 4528: 4526: 4523: 4522: 4520: 4518:Organisations 4516: 4510: 4507: 4505: 4502: 4500: 4497: 4495: 4492: 4490: 4487: 4485: 4482: 4480: 4477: 4476: 4474: 4468: 4458: 4455: 4453: 4450: 4448: 4447:Warwick Films 4445: 4443: 4440: 4438: 4437:Tempean Films 4435: 4433: 4430: 4428: 4425: 4423: 4420: 4418: 4415: 4413: 4410: 4408: 4405: 4403: 4400: 4398: 4395: 4393: 4390: 4388: 4385: 4383: 4380: 4378: 4375: 4373: 4370: 4368: 4365: 4363: 4360: 4358: 4355: 4353: 4350: 4348: 4345: 4343: 4340: 4338: 4337:The Danzigers 4335: 4333: 4330: 4328: 4325: 4323: 4320: 4318: 4315: 4313: 4310: 4308: 4305: 4303: 4300: 4298: 4295: 4293: 4290: 4289: 4287: 4283: 4277: 4274: 4272: 4269: 4267: 4264: 4262: 4259: 4257: 4256:Vertigo Films 4254: 4252: 4249: 4247: 4244: 4242: 4239: 4237: 4234: 4232: 4229: 4225: 4222: 4220: 4217: 4216: 4215: 4212: 4210: 4207: 4205: 4202: 4200: 4197: 4195: 4192: 4190: 4187: 4185: 4182: 4180: 4177: 4175: 4172: 4170: 4167: 4165: 4162: 4160: 4157: 4155: 4152: 4150: 4147: 4145: 4142: 4140: 4137: 4135: 4132: 4130: 4127: 4125: 4122: 4120: 4117: 4115: 4112: 4110: 4107: 4105: 4102: 4100: 4097: 4096: 4094: 4090: 4087: 4085: 4078: 4072: 4069: 4067: 4064: 4062: 4059: 4057: 4054: 4052: 4049: 4047: 4044: 4042: 4039: 4037: 4034: 4032: 4029: 4027: 4024: 4022: 4019: 4017: 4014: 4012: 4009: 4007: 4004: 4002: 3999: 3997: 3994: 3992: 3989: 3987: 3984: 3982: 3979: 3977: 3974: 3972: 3969: 3967: 3964: 3962: 3959: 3957: 3954: 3952: 3949: 3947: 3944: 3942: 3939: 3937: 3934: 3932: 3929: 3927: 3924: 3922: 3919: 3917: 3914: 3912: 3909: 3907: 3904: 3902: 3899: 3897: 3894: 3892: 3889: 3887: 3884: 3882: 3879: 3877: 3874: 3872: 3869: 3867: 3864: 3862: 3859: 3857: 3854: 3852: 3849: 3847: 3844: 3842: 3839: 3837: 3834: 3832: 3829: 3827: 3824: 3822: 3819: 3817: 3814: 3812: 3809: 3807: 3804: 3802: 3799: 3797: 3794: 3792: 3789: 3787: 3784: 3782: 3779: 3777: 3774: 3772: 3769: 3767: 3764: 3762: 3759: 3757: 3754: 3752: 3749: 3747: 3744: 3742: 3739: 3737: 3734: 3732: 3729: 3727: 3724: 3722: 3719: 3717: 3714: 3712: 3709: 3707: 3704: 3702: 3699: 3697: 3694: 3692: 3689: 3687: 3684: 3682: 3679: 3677: 3674: 3672: 3669: 3667: 3664: 3662: 3659: 3657: 3654: 3652: 3649: 3647: 3644: 3642: 3639: 3637: 3634: 3632: 3629: 3627: 3624: 3622: 3619: 3617: 3614: 3612: 3609: 3607: 3604: 3602: 3599: 3597: 3594: 3592: 3589: 3587: 3584: 3582: 3579: 3577: 3574: 3572: 3569: 3567: 3564: 3562: 3559: 3557: 3554: 3552: 3549: 3547: 3544: 3543: 3541: 3539: 3538:Films by year 3535: 3531: 3524: 3519: 3517: 3512: 3510: 3505: 3504: 3501: 3489: 3488: 3479: 3478: 3475: 3469: 3466: 3464: 3461: 3459: 3456: 3454: 3451: 3449: 3446: 3444: 3441: 3440: 3438: 3434: 3426: 3423: 3421: 3418: 3417: 3416: 3413: 3409: 3406: 3405: 3404: 3401: 3399: 3396: 3394: 3391: 3389: 3386: 3382: 3379: 3377: 3374: 3372: 3369: 3368: 3367: 3364: 3362: 3359: 3357: 3354: 3353: 3351: 3347: 3337: 3334: 3332: 3329: 3327: 3324: 3322: 3319: 3315: 3312: 3311: 3310: 3307: 3305: 3302: 3301: 3299: 3295: 3289: 3286: 3284: 3281: 3279: 3276: 3274: 3271: 3269: 3266: 3264: 3261: 3259: 3256: 3254: 3251: 3249: 3246: 3244: 3241: 3239: 3236: 3234: 3231: 3229: 3226: 3224: 3221: 3220: 3218: 3214: 3206: 3203: 3201: 3198: 3197: 3196: 3193: 3191: 3188: 3186: 3183: 3182: 3180: 3178: 3174: 3168: 3165: 3163: 3160: 3158: 3155: 3153: 3150: 3148: 3145: 3141: 3140: 3136: 3135: 3133: 3131: 3128: 3124: 3121: 3119: 3116: 3115: 3113: 3109: 3106: 3104: 3103:Expressionism 3101: 3100: 3098: 3094: 3091: 3090: 3088: 3084: 3083: 3079: 3078: 3077: 3074: 3072: 3069: 3065: 3062: 3061: 3059: 3058: 3056: 3052: 3044: 3041: 3040: 3039: 3036: 3034: 3031: 3029: 3026: 3024: 3021: 3019: 3016: 3014: 3011: 3009: 3006: 3004: 3003:Psychological 3001: 2999: 2996: 2992: 2991: 2987: 2986: 2985: 2982: 2980: 2977: 2975: 2972: 2970: 2967: 2965: 2964:Found footage 2962: 2960: 2957: 2955: 2952: 2950: 2947: 2945: 2942: 2940: 2937: 2935: 2932: 2930: 2927: 2926: 2924: 2920: 2916: 2909: 2904: 2902: 2897: 2895: 2890: 2889: 2886: 2878: 2872: 2868: 2864: 2859: 2855: 2851: 2847: 2846: 2840: 2836: 2832: 2828: 2823: 2819: 2815: 2811: 2807: 2806: 2800: 2796: 2794:0-415-23003-9 2790: 2786: 2782: 2777: 2773: 2771:0-415-23003-9 2767: 2763: 2759: 2754: 2750: 2746: 2742: 2738: 2733: 2730: 2729: 2724: 2720: 2719: 2707: 2702: 2696:, p. 38. 2695: 2690: 2683: 2678: 2676: 2669:, p. 39. 2668: 2663: 2657:, p. 36. 2656: 2651: 2649: 2642:, p. 34. 2641: 2636: 2630:, p. 33. 2629: 2624: 2618:, p. 32. 2617: 2612: 2606:, p. 31. 2605: 2600: 2598: 2590: 2585: 2578: 2573: 2566: 2561: 2554: 2549: 2547: 2545: 2537: 2532: 2530: 2528: 2520: 2515: 2513: 2511: 2509: 2507: 2499: 2494: 2492: 2490: 2482: 2477: 2470: 2465: 2463: 2461: 2454:, p. 68. 2453: 2448: 2442:, p. 64. 2441: 2436: 2434: 2427:, p. 62. 2426: 2421: 2415:, p. 61. 2414: 2409: 2403:, p. 60. 2402: 2397: 2395: 2393: 2386:, p. 59. 2385: 2380: 2378: 2369: 2367:9781905287369 2363: 2359: 2355: 2348: 2340: 2338:9781317740636 2334: 2331:. Routledge. 2330: 2323: 2315: 2311: 2304: 2296: 2292: 2285: 2283: 2281: 2272: 2268: 2267: 2262: 2255: 2253: 2251: 2249: 2247: 2245: 2229: 2227:9781134582570 2223: 2219: 2215: 2211: 2204: 2200: 2192: 2190: 2186: 2182: 2178: 2173: 2170: 2166: 2165: 2161:Pirie's book 2154: 2151: 2149: 2148: 2143: 2142: 2137: 2133: 2128: 2126: 2125: 2120: 2119: 2114: 2113: 2106: 2104: 2099: 2098: 2093: 2092: 2080: 2078: 2077: 2072: 2071: 2066: 2065: 2060: 2059: 2054: 2053: 2048: 2047: 2042: 2041: 2035: 2033: 2027: 2025: 2024: 2019: 2018: 2013: 2012: 2007: 2006: 2001: 2000: 1995: 1994: 1989: 1988: 1983: 1982: 1977: 1976: 1975:Resident Evil 1971: 1970:Neil Marshall 1967: 1966: 1961: 1960: 1959:28 Days Later 1955: 1950: 1947: 1937: 1935: 1931: 1930: 1925: 1921: 1920: 1915: 1911: 1910: 1905: 1901: 1900: 1895: 1894: 1889: 1884: 1882: 1881: 1876: 1875: 1870: 1866: 1865: 1860: 1856: 1855: 1850: 1846: 1836: 1833: 1828: 1824: 1820: 1819: 1814: 1813:Gothic novels 1810: 1804: 1794: 1792: 1791: 1786: 1782: 1778: 1774: 1770: 1766: 1762: 1758: 1754: 1750: 1745: 1743: 1742: 1736: 1732: 1727: 1725: 1724: 1719: 1718: 1713: 1712: 1707: 1706: 1701: 1700: 1695: 1694: 1682: 1680: 1679: 1674: 1670: 1666: 1661: 1659: 1658: 1653: 1652:Richard Marsh 1649: 1648: 1643: 1639: 1635: 1631: 1627: 1623: 1619: 1609: 1607: 1603: 1598: 1596: 1592: 1591: 1586: 1585: 1580: 1576: 1572: 1564: 1560: 1556: 1555: 1530: 1528: 1523: 1519: 1515: 1511: 1507: 1496: 1491: 1489: 1484: 1482: 1477: 1476: 1474: 1473: 1467: 1464: 1462: 1459: 1457: 1454: 1453: 1451: 1450: 1447: 1444: 1443: 1440: 1437: 1434: 1431: 1428: 1425: 1424: 1421: 1418: 1417: 1414: 1411: 1408: 1405: 1402: 1398: 1395: 1392: 1389: 1386: 1383: 1382: 1379: 1376: 1375: 1372: 1369: 1366: 1363: 1360: 1356: 1353: 1350: 1347: 1344: 1341: 1340: 1337: 1334: 1333: 1330: 1327: 1324: 1321: 1318: 1314: 1311: 1308: 1305: 1302: 1299: 1298: 1295: 1292: 1291: 1288: 1285: 1282: 1279: 1276: 1272: 1269: 1266: 1263: 1260: 1257: 1256: 1253: 1250: 1249: 1246: 1243: 1240: 1237: 1234: 1230: 1227: 1224: 1221: 1218: 1215: 1214: 1211: 1208: 1207: 1204: 1201: 1198: 1195: 1192: 1188: 1185: 1182: 1179: 1176: 1173: 1172: 1169: 1166: 1165: 1162: 1159: 1156: 1153: 1150: 1146: 1143: 1140: 1137: 1134: 1131: 1130: 1127: 1124: 1123: 1120: 1117: 1114: 1111: 1108: 1104: 1101: 1098: 1095: 1092: 1089: 1088: 1085: 1082: 1081: 1078: 1075: 1072: 1069: 1066: 1062: 1059: 1056: 1053: 1050: 1047: 1046: 1043: 1040: 1039: 1036: 1033: 1030: 1027: 1024: 1020: 1017: 1014: 1011: 1008: 1005: 1004: 1001: 998: 997: 994: 993: 989: 988: 985: 982: 981: 978: 975: 974: 970: 966: 965: 962: 957: 956:Cinema of the 953: 952: 942: 937: 935: 930: 928: 923: 922: 920: 919: 913: 903: 900: 895: 889: 888: 887: 886: 878: 875: 873: 870: 868: 865: 863: 860: 859: 852: 851: 843: 840: 838: 835: 833: 830: 828: 825: 823: 820: 818: 815: 813: 810: 808: 807:Psychological 805: 803: 800: 798: 795: 793: 790: 788: 785: 783: 780: 778: 775: 773: 770: 768: 765: 764: 757: 756: 748: 745: 743: 740: 738: 735: 731: 730:Analog horror 728: 727: 726: 725:Found footage 723: 719: 716: 714: 711: 710: 709: 706: 704: 701: 700: 693: 692: 688: 687: 679: 676: 672: 669: 667: 666:Expressionism 664: 663: 661: 659: 658: 654: 652: 649: 648: 641: 640: 632: 629: 627: 624: 622: 619: 617: 614: 610: 607: 605: 602: 600: 597: 596: 595: 592: 591: 584: 583: 580: 577: 576: 569: 566: 564: 561: 559: 556: 554: 551: 549: 546: 544: 541: 540: 537: 532: 531: 524: 521: 519: 516: 514: 511: 509: 506: 504: 501: 499: 496: 494: 491: 489: 486: 484: 481: 479: 476: 475: 472: 467: 466: 459: 456: 454: 451: 449: 446: 444: 441: 439: 436: 434: 431: 429: 426: 424: 421: 419: 416: 414: 411: 410: 407: 402: 401: 394: 391: 389: 386: 384: 381: 379: 376: 374: 371: 369: 366: 364: 361: 359: 356: 354: 351: 349: 346: 345: 342: 337: 336: 329: 326: 324: 321: 319: 316: 314: 311: 309: 306: 304: 301: 299: 296: 294: 291: 289: 286: 284: 281: 280: 277: 272: 271: 264: 261: 259: 256: 254: 251: 249: 246: 244: 241: 239: 236: 234: 231: 229: 226: 224: 221: 219: 216: 215: 212: 207: 206: 199: 196: 194: 191: 189: 186: 184: 181: 179: 176: 174: 171: 169: 166: 164: 161: 159: 156: 154: 151: 150: 147: 142: 141: 134: 131: 129: 126: 124: 121: 119: 116: 114: 111: 109: 106: 104: 101: 100: 94: 93: 90: 87: 86: 80: 77: 75: 72: 71: 69: 68: 64: 60: 59: 55: 50: 47: 46: 40: 39: 34: 33: 28: 27: 22: 18: 4689:Look at Life 4687: 4675: 4660:Harry Potter 4658: 4636: 4483: 4422:Rock Studios 4367:Gate Studios 4241:Syncopy Inc. 4184:London Films 4169:Heyday Films 3485: 3376:scream queen 3166: 3137: 3118:ghost movies 3080: 3064:Ozploitation 3023:Supernatural 2988: 2979:Lovecraftian 2862: 2845:Film Ireland 2843: 2826: 2812:(2): 80–84. 2809: 2803: 2780: 2757: 2743:(1): 28–38. 2740: 2736: 2726: 2722: 2701: 2689: 2684:, p. 7. 2662: 2635: 2623: 2611: 2584: 2572: 2560: 2555:, p. 5. 2538:, p. 2. 2521:, p. 1. 2500:, p. 4. 2476: 2471:, p. 3. 2452:Conrich 2002 2447: 2440:Conrich 2002 2425:Conrich 2002 2420: 2413:Conrich 2002 2408: 2401:Conrich 2002 2384:Conrich 2002 2353: 2347: 2328: 2322: 2309: 2303: 2290: 2270: 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Index


Christopher Lee
The Curse of Frankenstein
Dracula
The Mummy
Horror films

History
Lists
By decade
1890s
1900s
1910s
1920s
1930s
1940s
1950s
1960s
1960
1961
1962
1963
1964
1965
1966
1967
1968
1969
1970s
1970

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