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projected." His
Narcissistic self-delusion (he is unaware that he sees himself in the whale) complements "his Oedipean self-ignorance" (he does not know who he really is). The Narcissus myth also explains why Ahab, unlike Oedipus, remains self-ignorant. While two messengers enlight Oedipus and separate him from his obsession, Narcissus and Ahab are never interrupted from theirs. The contrast between Narcissus and Ahab is that the first contemplates a beautiful image which he loves, while Ahab projects an evil image which he hates, which Sweeney calls "an ironic reversal on Melville's part." In several ways Ahab and Moby Dick resemble each other:
474:. "Ahab, unlike Lear," Olson observes, "does not in this night of storm discover his love for his fellow wretches. On the contrary, this night Ahab uncovers his whole hate." Later, in chapter 125, "The Log and Line," Ahab says to Pip, in Lear's words to his Fool, "Thou touchest my inmost centre, boy; thou are tied to me by chords woven of my heart-strings." While Sweeney endorses Olson's identification, he finds exaggerated the claim that Ahab learns from his cabin-boy just as Lear does from the Fool. Ahab learns "little or nothing" throughout the book.
521:"seemed combinedly possessed by all the angels that fell from heaven," sinks the ship. Tashtego hammers a sky-hawk to the mast: "And so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upward, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven with her, and helmeted herself with it." Pommer finds "most impressive of all" the Latin in chapter 113, "The Forge," with which Ahab cries: "
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spade alternatively as both a crutch and as a tool with which to dissect the whale. Oedipus' staff, Sweeney notes, is both "a walking tool and the murder weapon with which he killed his father." The
Promethean and Oedipean sides of Ahab connect in this chapter by way of the crutch. In addition to this, blindness is alluded to. Oedipus and Ahab are intelligent and ignorant at the same time, excessively proud, and both face a riddle (the mystery of evil).
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for the White Whale, described by
Ishmael as "the fiery hunt," thus represents a conflict with a deity—hence the references to Moby Dick as a god. Ahab waving the fiery harpoon is Melville's "modified equivalent of Prometheus's smuggling from heaven the fire-laden fennel stalk." Both Prometheus and Ahab try to alter or reverse "the supernatural design, and herein lies the acme of their tragic hubris." Prometheus, mistakenly convinced that
689:) is transformed into "a handsome young sailor", a New Bedford harpooner who has little in common with Ahab, not even his full name, which is extended to Ahab Ceeley. Though, in the book, Ahab has already lost his leg, in the film, a "crude papier mache monster" bites it off. When the movie opened on Broadway, it made $ 20,000 a week and ran longer than any Warner film up to that time.
262:, sailed as mate under Ahab. During that voyage, a typhoon near Japan swung her three masts overboard. Every moment, the crew thought the ship would sink, the sea breaking over the ship. Yet, instead of thinking of death, Ahab and Peleg thought of how to save all hands, and how to rig temporary masts in order to get into the nearest port and make repairs.
504:). Pommer argues that Milton's work was more immediate than Shakespeare, because while some of Melville's soliloquies appear to find their prototypes in Shakespeare, "there is a slight step from dramatic monologue to fictional thought," and Milton "had already taken that step, using, in his own extended narrative, soliloquies precisely like Melville's."
633:, who can only repeat the sounds she hears. Echo is an auditory complement to the visual reflection and a foreshadowing of Narcissus' death. In the same way Fedallah, who only says what Ahab wants to hear, is an auditory reflection of Ahab's evil, of which Moby Dick is the visual reflection. Fedallah foreshadows Ahab's death.
390:, which evoke the psychological causes for his ignorance. Ahab's use of a spade for a crutch in Chapter 70, "The Sphinx," reminds the reader that he is lame, like Oedipus, and also wounded, like Prometheus. However, Ahab should be considered both in relation to the allusions and in contrast to the other characters.
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for
December 1851, Ahab "becomes the victim of a deep, cunning monomania; believes himself predestined to take a bloody revenge on his fearful enemy; pursues him with fierce demoniac energy of purpose." Ripley admires the creation of Ahab, who "opens upon us with wonderful power. He exercises a wild,
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The greatness and woe of both Satan and Ahab lies in pride. "The proud person," Pommer explains, "believing that he deserves treatment appropriate to his self-inflated dignity, is quick to anger when he receives a less welcome treatment. At the exaltation of the
Messiah, Satan 'could not bear/Through
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During the onset of
Melville's rediscovery there was no change of emphasis on Ahab and his struggle with the whale. During the 1950s and 1960s literary scholars shifted their attention to narrative technique and point of view, which for Melville studies meant that the spotlight switched from Ahab to
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accomplished his theft by the stealthy hiding of the divine spark in a fennel stalk. In contrast, "Ahab's theft is a boldly defiant deed, set amidst elemental nature in furious eruption." The whole business of whaling is a theft of fire, for the sperm whale's oil is used as fuel for flames. The hunt
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The opening chapter contains an extended allusion to "that story of
Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned" (Ch. 1, "Loomings"). Ahab does not realize that the malice he sees in the White Whale is his own, "wildly
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apple to the soil." On the last day of the chase, Ahab evokes the
Creation: ""What a lovely day again! were it a new-made world, and made for a summerhouse to the angels, and this morning the first of its throwing open to them, a fairer day could not dawn upon that world." Later that day Moby Dick,
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Ahab's character is shaped by mythic and literary patterns that overlap and reinforce each other in such a complementary way that "the apparent irony of one allusion is frequently the truth of another." For instance, allusions to
Oedipus, which flesh out Ahab's ignorance and lack of self-knowledge,
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A subtle connection between Ahab, Moby Dick and
Fedallah is formed by the imagery of the brow and forehead. According to Sweeney, Fedallah is "clearly an external projection of Ahab's own depravity" and at the same time a double of what Ahab finds most evil in the whale. Fedallah is several times
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myth. In the chapter "The Sphynx," Ahab stands before a sperm whale's head hanging from the side of his ship: "it seemed the Sphynx's in the desert." Ahab orders the head to "tell us the secret thing that is in thee." Here Ahab resembles Oedipus and the monster of Thebes, the more for his using a
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Ahab interprets these prophecies to mean that he cannot die on land or sea, but they prove to be accurate if cryptic predictions of his death. Fedallah is swept off Ahab's whaleboat during the final three-day chase, and Ahab later sees his corpse bound to Moby Dick with a harpoon line. The whale
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to the mast, as a reward for the crewmember who first sights Moby Dick. As the voyage proceeds, Ahab gradually abandons the physical comforts of his life, symbolized by such actions as throwing his pipe overboard and giving his shaving razors to the ship's blacksmith for use in forging a special
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In addition to the prosthetic leg, Ahab has a mark that runs down one side of his face and neck: “Threading its way out from among his grey hairs, and continuing right down one side of his tawny scorched face and neck, till it disappeared in his clothing, you saw a slender rod like mark, lividly
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For Melville's allegory the single most important thing was that Ahab "did evil in the sight of the Lord above all that were before him" in 16:30–31. The biblical Ahab foreshadows the tragic end of Captain Ahab and the essential duality of his character. Both Ahabs are shrewd in their secular
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as it is often called, tricked out in trophies of whale bones and teeth from profitable voyages." The ship's last voyage, however, is not entirely commercial: from the moment Ahab attaches the golden doubloon on the mast, it becomes a pursuit of a perceived enemy, under a captain unable to
470:, the King's, the Fool's, and Edgar's, allegorized in the book, with Ahab taking the role of Lear and Pip the roles of both the Fool and Edgar. Melville makes his points by way of contrasts to Shakespeare. Olson identifies the typhoon in chapter 119, "The Candles," with the storm in
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16:28–22:40, the evil idol-worshipping ruler. This association prompts Ishmael to ask, after first hearing Ahab's name: "When that wicked king was slain, the dogs, did they not lick his blood?" He is rebuked by one of Ahab's colleagues, who points out that "He did not name himself."
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before Queequeg's coffin," Sweeney compares, "is clearly a maniac, completely detached from his former personality." Likewise, Io, tortured by the gadfly, "bursts upon the stage in a wild dance...While on the stage, Io speaks with a disjointed frenzy much the same as Pip's."
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have been bored with shallow holes, the same diameter as the lower end, to allow him to steady himself against the motion of the ship. While at sea, he turns to the ship's carpenter and blacksmith to fashion a replacement leg and fittings after damaging the one he wears.
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pride that sight, and thought himself impair'd.'" Satan's "sense of injur'd merit" is reported in his first speech in Hell. Ahab's story, caused by Moby Dick biting off his leg, follows the same psychological pattern of being spiritually and physically impaired.
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harpoon he intends to use against Moby Dick. When the whale is eventually sighted, a disastrous three-day chase begins. Ahab throws his harpoon and hits Moby Dick, but its line wraps around his neck and drags him off his boat when the whale dives, drowning him.
269:, took part in a deadly battle against Spanish forces before an altar in Santa, and spat into its silver chalice. Ahab lost his leg during his most recent whaling voyage, leaving him with a grim disposition and a strong desire for revenge against Moby Dick.
277:, p. 129.) The mark and its origins – whether a birthmark, the scar from a wound, or otherwise – are rarely mentioned or discussed. Ahab's leg includes a small flat patch that he uses as a slate for making navigational calculations. The deck planks of
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ends up as a hunt for revenge on the whale, as Ahab forces the crew members to support his fanatical mission. When Moby Dick is finally sighted, Ahab's hatred robs him of all caution, and the whale drags him to his death beneath the sea and sinks the
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associations. The captain is successful in whaling, with a record of forty years. "The very evidence of this success," Nathalia Wright observes, "is fantastically like that in King Ahab's story: Captain Ahab, too, lives in an ivory house, 'the ivory
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Ahab was named by his insane, widowed mother, who died when he was twelve months old. The etymology of the name Ahab derives from the Hebrew, meaning "father's brother" as cited in Strong's Concordance no. 256. At age 18, Ahab first took to sea as a
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during the third part of "Canto V: The Evil Defining", the character of Captain Ahab appears. She was the captain of the Pequod Crew in search of the giant "Palid Whale", along with the initial crew of Ishmael, Queequeg, Pip, Stubb and Starbuck.
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Ahab appears quite frequently in humorous comic strips and cartoons. Without effort an entire anthology of this material (caricature, gag cartoons, editorial cartoons) could be assembled. The one strip that most often refers to Melville is
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before I give him up!". Khan quotes Ahab's tirade at the end of the novel verbatim with his final lines: "To the last I grapple with thee; from Hell's heart I stab at thee; for hate's sake, I spit my last breath at thee." In the later film
251:. Less than three voyages earlier, Ahab married a girl, with whom he had a young son. He had been in colleges and among the cannibals and had seen deeper wonders than the waves. He had fixed his lance, the keenest and surest on the isle of
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s narrator comments on Captain Ahab as an artistic creation, the language of Coleridge's lecture appears: "at all detract from him, dramatically regarded, if either by birth or other circumstances, he have what seems a half-wilful
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calls attention to the fact that Ahab is called an "ungodly god-like man". Ahab's "tragedy is that of an unregenerate will" whose "burning mind is barred out from the exuberance of love" and argues that he "remains damned". Writer
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Milton's Satan is "not the least element of which Captain Ahab is compounded," says Nathalia Wright. The words with which Ishmael and Starbuck portray him—infidel, impious, diabolic, blasphemous—describe him as a towering rebel.
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s last voyage. Peleg and Bildad pilot the ship out of the harbor, and Ahab first appears on deck when the ship is already at sea. Instead of embarking on a regular whaling voyage, Ahab declares he is out for revenge and nails a
313:, "Ahab is a Shakespearean tragic hero, created according to the Coleridgean formula." The creation of Ahab, who apparently does not derive from any captain Melville sailed under, was heavily influenced by the observation in
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planned the destruction of man, stole fire in order to contravene the will of the god; Ahab, thinking his mind can penetrate the mystery of evil, is convinced that killing Moby Dick will "expel evil from the cosmos."
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Further allusions identify Ahab with Satan. Milton's scene set in Hell includes the lines "Their appetite with gust, instead of fruit/Chew'd bitter ashes, which the offended taste/With spattering noise rejected"
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whitish. It resembled that perpendicular seam sometimes made in the straight, lofty trunk of a great tree, when the upper lightning tearingly darts down it...leaving the tree still greenly alive, but branded.” –(
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compromise. King Ahab, an able politician but a patron of foreign gods, offended Jehovah (YHWH) by introducing Baal as a god. Jehovah tolerated no other gods and contrived with prophets to destroy King Ahab.
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Finally, both are "ultimately unknowable." According to Ishmael in "The Nut," all things that are mighty wear "a false brow to the common world." Ahab hates the mask as much as he does the thing itself.
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Before the ship sails from Nantucket, Ishmael encounters a man named Elijah, who tells him about some of Ahab's past deeds. According to Elijah, Ahab once lay near death for three days and nights near
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becomes the second when it sinks with the loss of all hands aboard. The line around Ahab's neck serves as the fatal hemp, and Moby Dick's final dive allows Fedallah to lead Ahab to his death.
703:) blacksmith holds a fiery, hot-bladed tool against his stump. Again, the whale is just a means to separate lovers. In another divergence from the book, Ahab's sweetheart is the daughter of
947:(initially introduced as Ahab) also appears to be somewhat inspired by the fate Captain Ahab. In addition, the transport helicopter regularly used by the player is referred to as Pequod.
2034:. The Writings of Herman Melville Volume Six. Eds. Harrison Hayford, Hershel Parker, G. Thomas Tanselle. Evanston and Chicago: Northwestern University and the Newberry Library.
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has Pip. The madness of Io and Pip is caused by their unintentional contact with the primal elements or with the deity. "The Pip who dances and shakes his
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The first two film adaptations show "the radical surgery that Hollywood performed on Herman Melville's masterpiece." The first was a 1926 silent movie,
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is likened to Ahab chasing the white whale. Stieb, who was not involved in the documentary's production, also noted the similarity.
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496:, as Henry F. Pommer recognized, where Michael promised Adam "spiritual armour, able to resist/ Satan's assaults, and quench his
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Ahab's scar may have been modeled on the description of Satan's face, which "Deep scars of thunder had intrench'd." (
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felt little sympathy for Ahab and found that the whale should have "torn off both his legs, and a bit more besides".
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Ahab is firmly established in popular culture by cartoons, comic books, films and plays. Most famously, he provided
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Ahab's speech combines Quaker archaism with Shakespeare's idiom to serve as "a homegrown analogue to blank verse."
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in Khan's dwelling. Khan liberally paraphrases Ahab, with "I'll chase him round the moons of Nibia and round the
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When the book was first published, reviewers mostly focused on Ahab and the whale. According to George Ripley in
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that "one of Shakespeare's modes of creating characters is to conceive any one intellectual or moral faculty in
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Peleg refers to Ahab respectfully as a "grand, ungodly, god-like man", but he is also nicknamed "Old Thunder".
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In "The Candles" (Ch 119) Ahab's harpoon is called a "fiery dart." The phrase is taken from book XII of
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at the bottom of his nature." All men "tragically great," Ishmael says, "are made so through a certain
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bit off Ahab's leg, and he now wears a prosthetic leg made out of whalebone. The whaling voyage of the
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both share physical features, they are scarred or wounded, and each has a prominent brow or forehead.
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1219:"Strong's Hebrew: 256. אַחְאָב (Achab) -- "father's brother," a king of Isr., also a false prophet"
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mentions the sinking of Ahab's ship by Moby Dick on the song "Re:Definition" from their 1998 album
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1859:. Eds. Mary K. Bercaw Edwards and Thomas Farel Heffernan. Nashville: Vanderbilt University Press.
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Like his eponym, Captain Ahab worships pagan gods, particularly the spirit of fire. Fedallah the
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both share the same internal characteristics: isolated, stubborn, vengeful, quickly enraged.
2013:
Stone, Edward. (1975). "Ahab Gets Girl, or Herman Melville Goes to the Movies." Reprinted:
1986:
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Moby-Dick. New York & Toronto: G.K. Hall & Co., and Maxwell Macmillan Canada, 1992.
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chapter 132, "The Symphony," has "like a blighted fruit-tree he shook, and cast his last,
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Ahab's death seems to be based on an actual event. On May 18, 1843, Melville was aboard
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Moby-Dick. Ed. Kevin J. Hayes. Westport, Connecticut and London: Greenwood Press, 1994.
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described using "phantom" imagery in the chapter "Ahab's Boat and Crew. Fedallah." In
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Hinds, Jane (1997). "The Wrath of Ahab; or, Herman Melville Meets Gene Roddenberry".
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calls Ahab "a brilliant personification of the very essence of fanaticism". Scholar
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Williams, David Park (1965). "Hook and Ahab: Barrie's Strange Satire on Melville".
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also references the character in his song "Shiver Me Timbers" on his 1974 album
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In "The Candles," Ahab is temporarily stricken by blindness, an allusion to the
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1732:(The Director's Edition): Audio commentary (DVD; Disc 1/2). Paramount Pictures.
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1930:. Tenth Printing 1966, New York, London and Toronto: Oxford University Press.
1913:. Eds. Luther S. Mansfield and Howard P. Vincent. New York: Hendricks House.
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1881:. Ed. John Bryant. New York, Westport, Connecticut, London: Greenwood Press.
789:. In films that were released directly to video, Captain Ahab was played by
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American Renaissance: Art and Expression in the Age of Emerson and Whitman
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1874:. Ann Arbor: University of Michigan Press 1967, Paperback printing 1970.
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and the animated video features popular scenes following Captain Ahab.
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Barbour, James. (1986). "Melville Biography: A Life and the Lives."
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references him in one of their songs, with the album being based on
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both are described with images of royalty, divinity, and archeology.
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1909:. (1952). "Introduction" and "Explanatory Notes". Herman Melville,
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paraphrases Ahab as he laments his own preoccupation with revenge.
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That Fedallah will die before him and serve as his pilot into death
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The Recognition of Herman Melville. Selected Criticism since 1846
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1937:. Gen. Ed. Emory Elliott. New York: Columbia University Press.
1835:. Ed. John Bryant. New York, Westport, London: Greenwood Press.
956:, the main character Jack Boyd is frequently compared to Ahab.
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910:. The futuristic comic book supervillain Ahab uses harpoons.
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character, who is obsessed with not a whale but a crocodile.
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Howard, Leon. (1940). "Melville's Struggle with the Angel."
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bewildering fascination by his dark and mysterious nature."
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contains a song called “Hey Ahab” based on the character.
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Ego non baptizo te in nomine patris, sed in nomine diaboli
430:. Fedallah makes three prophecies regarding Ahab's death:
2030:. (1988). "Historical Note Section VI". Herman Melville,
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and figures in biblical and classical literature such as
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The character of Ahab was created under the influence of
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Inge, M. Thomas. (1986). "Melville in Popular Culture."
685:, a romantic love story in which the character of Ahab (
1999:, Kent, Ohio, London: The Kent State University Press,
2039:"Hook and Ahab: Barrie's Strange Satire on Melville."
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Reprinted in Brian Higgins and Hershel Parker (eds.),
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Ahab has been portrayed on television, beginning with
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Cited in Pommer (1950), 67 (Pommer's italics), and 93
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references Ahab in their 2016 song "The Day We Fell"
699:. Ahab is "shrieking in pain" as the ship's (called
1972:. Reprint: City Lights Books, San Francisco, 1958.
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1762:"Captain Ahab: The Story of Dave Stieb - Dorktown"
981:The song "Beneath These Waves" (in the 2005 album
835:. To make the parallels clear, there is a copy of
707:. Once again, it became a hit at the box office.
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2063:. Durham, North Carolina: Duke University Press.
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1900:Herman Melville: Critical Assessments. Volume I
714:played Ahab in a filmed production of his play
449:proves to be the first of the two hearses; the
1935:Columbia Literary History of the United States
1259:Cited in Howard (1940), 231. Howard's italics.
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1996:Melville's Evermoving Dawn: Centennial Essays
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1250:Cited in Howard (1940), 231. Howard's italics
1993:?", in Bryant, John; Milder, Robert (eds.),
1425:Cited in Pommer (1950) 93. Pommer's italics.
742:There have been two French film versions of
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16:Fictional character from the novel Moby-Dick
1933:Milder, Robert. (1988). "Herman Melville."
1902:. The Banks, East Sussex: Helm Information.
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1024:references the character in his 1965 song "
720:; however, this film is considered "lost".
563:In a tragedy a hero has a mad counterpart:
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327:excess, and then to place himself ... thus
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2015:The Critical Response to Herman Melville's
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1084:American rock duo Shadow Academy, members
875:is a 2022 four-part sports documentary by
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887:, a baseball pitcher, whose pursuit of a
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1071:Mos Def & Talib Kweli Are Black Star
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398:Ahab is named for the biblical story of
369:. Aboard were two sailors from the ship
173:. On a previous voyage, the white whale
149:is a fictional character and one of the
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827:focuses on the theme of vengeance, and
426:, his harpooner, is a fire-worshipping
335:, under given circumstances." Whenever
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2571:Fictional characters with disabilities
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1886:Studies in Classic American Literature
752:(2004), starring Frédéric Bonpart and
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258:Years ago, Peleg, now the co-owner of
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2022:Melville's Use of Classical Mythology
963:– Mordecai Fluke – is based on Ahab.
873:Captain Ahab: The Story of Dave Stieb
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434:That before he dies, he must see two
1963:Critical Essays on Herman Melville's
940:Metal Gear Solid V: The Phantom Pain
1888:. Reprinted London: Penguin Books.
1783:"The 20 Best Documentaries of 2022"
991:) is about Ahab's will of revenge.
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464:mentions three modes of madness in
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1728:Meyer, Nicholas (August 6, 2002).
1373:Olson (1938), in Higgins, ed., 273
386:are complemented by references to
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1982:. University of Pittsburgh Press.
1470:Mansfield and Vincent (1952), 641
959:The first boss in the indie game
917:and Ahab was made by the trio of
861:'s vengeful campaign against the
810:, a fantasy-themed re-imagining.
672:John Barrymore as Ahab Ceeley in
477:
309:According to Melville biographer
2301:Hakugei: Legend of the Moby Dick
2050:"Moby-Dick – a modern tragedy."
1716:10.1111/j.1542-734X.1997.00043.x
1337:Mansfiel and Vincent (1952), 637
1151:"Moby-Dick – a modern tragedy."
255:, in stranger foes than whales.
1879:A Companion to Melville Studies
1857:Herman Melville's Whaling Years
1833:A Companion to Melville Studies
1812:
1789:
1775:
1754:
1735:
1730:Star Trek II: The Wrath of Khan
1722:
1704:The Journal of American Culture
1683:
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1244:
816:Star Trek II: The Wrath of Khan
351:" All mortal greatness "is but
1951:(1938). "Lear and Moby Dick".
1898:Lee, A. Robert (ed.). (2001).
1771:. Secret Base. April 12, 2022.
1235:
1211:
1202:
1159:
1144:
1135:
1126:
1117:
1108:
1017:is named after the character.
894:
795:a 2010 modern re-imagining of
692:Barrymore is also Ahab in the
285:Ahab is age 58 at the time of
1:
2541:Male characters in literature
2037:Williams, David Park. (1965).
1845:. New York: Alfred A. Knopf.
1101:
648:Harper's New Monthly Magazine
21:Captain Ahab (disambiguation)
2428:Moby Dick and Mighty Mightor
2386:The Call of the Wretched Sea
1843:Melville: His World and Work
1796:@ash_stieb (30 March 2022).
773:and including portrayals by
767:'s portrayal in 1954 on the
636:
241:
167:captain of the whaling ship
7:
2061:Melville's Use of the Bible
2020:Sweeney, Gerard M. (1975).
1123:Matthiessen (1941), 457 n.5
1043:The Heart of Saturday Night
994:The alternative metal band
984:Touched by the Crimson King
883:and Alex Rubenstein, about
664:Films, television and video
641:
444:That only hemp can kill him
381:Ahab allegorically regarded
10:
2592:
2475:Green Shadows, White Whale
2059:Wright, Nathalia. (1949).
1866:, June 1940. Reprinted in
1825:
1748:November 29, 2016, at the
1443:Cited in Pommer (1950), 66
18:
2448:
2400:Dopey Dick the Pink Whale
2370:
2327:
2276:
2217:
2208:
2185:
2167:
2119:
1978:Pommer, Henry F. (1950).
1905:Mansfield, Luther S. and
1864:Modern Language Quarterly
1031:Bringing It All Back Home
394:King Ahab (Old Testament)
136:
126:
118:
110:
100:
92:
84:
76:
71:
61:
46:
36:
31:
2531:Fictional animal hunters
2200:Fast-Fish and Loose-Fish
2056:Retrieved 25 March 2014.
2045:Retrieved 25 March 2014.
2032:Moby-Dick; or, The Whale
2024:. Amsterdam: Rodopi N.V.
1911:Moby-Dick; or, The Whale
1855:Heflin, Wilson. (2004).
1798:"a couple more snippets"
1599:Cited in Lee (2001), 332
1590:Cited in Lee (2001), 331
976:
932:
913:An acclaimed version of
854:Star Trek: First Contact
727:was directed in 1956 by
2576:Novels about disability
2561:Characters in Moby-Dick
2551:Male characters in film
2498:In the Heart of the Sea
2490:In the Heart of the Sea
1989:(1997), "Whose Book is
1968:Olson, Charles (1947).
1884:Lawrence, D.H. (1923).
1026:Bob Dylan's 115th Dream
1013:German doom metal band
457:King Lear (Shakespeare)
315:Samuel Taylor Coleridge
234:with the model for his
207:Samuel Taylor Coleridge
72:In-universe information
2546:Male literary villains
2536:Fictional sea captains
1328:Chapter 16. "The Ship"
921:artists consisting of
676:
542:Prometheus (Aeschylus)
523:
345:over-ruling morbidness
2566:Fiction about revenge
2293:Moby Dick - Rehearsed
2048:Wilson, A.N. (2008).
1987:Sealts Jr., Merton M.
1509:Sweeney (1975), 41–42
1141:Sweeney (1975), 73–4.
831:borrows heavily from
770:Hallmark Hall of Fame
671:
1132:Lawrence (1923), 157
1114:Delbanco (2005), 166
989:Demons & Wizards
987:from the metal band
305:Concept and creation
189:Melville biographer
19:For other uses, see
2336:Moby Dick—Rehearsed
2028:Tanselle, G. Thomas
1980:Milton and Melville
731:, with a script by
717:Moby Dick Rehearsed
584:Oedipus (Sophocles)
365:, which sailed for
26:Fictional character
2556:Male film villains
2521:Fictional amputees
2379:Age of the Dragons
2253:(1971; unfinished)
2054:, 27 October 2008.
1818:Inge (1986), 716–7
1689:Inge (1986), 703–5
1581:Sweeney (1975), 88
1572:Sweeney (1975), 87
1563:Sweeney (1975), 86
1554:Sweeney (1975), 85
1545:Sweeney (1975), 84
1536:Sweeney (1975), 74
1527:Sweeney (1975), 75
1518:Sweeney (1975), 43
1500:Sweeney (1975), 38
1491:Sweeney (1975), 37
1434:Pommer (1950), 55.
1407:Sweeney, 1975, 43.
1316:Sweeney (1975), 15
1307:Sweeney (1975), 73
1295:Sweeney (1975), 72
1286:Sweeney (1975), 14
1277:Heflin (2004), 189
1268:Milder (1988), 435
1241:Howard (1940), 235
1208:Barbour (1986), 16
1155:, 27 October 2008.
1077:English rock band
953:This Is the Police
848:perdition's flames
807:Age of the Dragons
677:
659:In popular culture
163:(1851). He is the
2508:
2507:
2444:
2443:
1907:Howard P. Vincent
1785:. Paste Magazine.
1680:Stone (1975), 180
1662:Stone (1975), 176
1635:Stone (1975), 172
1626:Stone (1975), 179
1617:Sealts (1997), 66
1608:Sealts (1997), 64
1479:Pommer (1950), 95
1461:Pommer (1950), 93
1416:Wright (1949), 64
1364:Wright (1949), 65
1355:Wright (1949), 63
1346:Wright (1949), 62
1028:" from the album
829:The Wrath of Khan
804:in the 2011 film
754:Capitaine Achabin
723:Warner Brothers'
546:Overlapping with
195:F. O. Matthiessen
144:
143:
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2214:
2188:special subjects
2099:
2092:
2085:
2076:
2075:
2043:, December 1965.
2009:
1974:Internet Archive
1960:
1924:Matthiessen, F.O
1839:Delbanco, Andrew
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779:1998 mini-series
756:(2007) starring
725:third adaptation
620:Fedallah as Echo
597:Narcissus (Ovid)
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2007:
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1970:Call Me Ishmael
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1055:’s 2010 album
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1953:Twice a Year
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961:Noitu Love 2
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783:William Hurt
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733:Ray Bradbury
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236:Captain Hook
232:J. M. Barrie
229:
210:
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188:
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168:
165:monomaniacal
158:
151:protagonists
147:Captain Ahab
146:
145:
114:Unnamed wife
37:
2470:(whaleship)
2421:Möbius Dick
2210:Adaptations
1919:free access
1769:youtube.com
945:Venom Snake
895:Comic books
877:Secret Base
765:Victor Jory
729:John Huston
498:fiery darts
488:John Milton
428:Zoroastrian
349:morbidness.
311:Leon Howard
217:Shakespeare
137:Nationality
122:Unnamed son
105:Sea captain
80:Old Thunder
55:I. W. Taber
2515:Categories
2461:Mocha Dick
2277:Television
2154:Bulkington
2121:Characters
1926:. (1941).
1915:HathiTrust
1841:. (2005).
1228:2024-03-30
1102:References
1090:Dan Avidan
1066:Black Star
1049:Elton John
885:Dave Stieb
846:and round
577:tambourine
565:Prometheus
552:Prometheus
532:I, 600–601
510:X, 565–567
502:XII, 491-2
101:Occupation
62:Created by
2485:(TV film)
2482:The Whale
2414:Leviathan
2407:Dicky Moe
2360:Moby-Dick
2352:Moby-Dick
2344:Moby Dick
2317:Moby Dick
2309:Moby Dick
2285:Moby Dick
2266:Moby Dick
2258:Moby Dick
2250:Moby Dick
2242:Moby Dick
2234:Moby Dick
2129:Moby Dick
2111:Moby-Dick
1991:Moby-Dick
1959:: 165–89.
1326:Moby-Dick
1196:163344199
1095:Moby-Dick
1086:Jim Roach
1058:The Union
1039:Tom Waits
1022:Bob Dylan
1007:Moby-Dick
1001:Leviathan
919:Argentine
915:Moby Dick
889:no-hitter
844:maelstrom
837:Moby-Dick
833:Moby-Dick
800:, and by
797:Moby Dick
744:Moby Dick
710:In 1955,
696:Moby Dick
655:Ishmael.
637:Reception
573:Moby-Dick
514:Moby-Dick
467:King Lear
388:Narcissus
375:Moby-Dick
371:Nantucket
337:Moby-Dick
329:mutilated
275:Moby-Dick
267:Cape Horn
253:Nantucket
249:harpooner
242:Biography
175:Moby Dick
160:Moby-Dick
42:character
39:Moby-Dick
2195:Cetology
2144:Queequeg
1746:Archived
996:Mastodon
881:Jon Bois
865:, actor
819:(1982),
701:Mary-Ann
642:Critical
518:cindered
367:Honolulu
363:The Star
333:diseased
295:doubloon
140:American
127:Religion
119:Children
77:Nickname
2449:Related
2435:Railsea
2139:Ishmael
1917:online
1870:(ed.),
1826:Sources
1806:Twitter
1765:(video)
1037:Singer
1020:Singer
903:Peanuts
841:Antares
785:in the
777:in the
590:Oedipus
436:hearses
402:in the
353:disease
225:Oedipus
96:Captain
2501:(film)
2493:(book)
2339:(1955)
2320:(2011)
2312:(1998)
2304:(1997)
2296:(1965)
2288:(1954)
2269:(2010)
2261:(1978)
2245:(1956)
2237:(1930)
2229:(1926)
2176:Pequod
2114:(1851)
2069:Online
2003:
1941:
1892:
1849:
1743:online
1194:
1188:460839
1186:
857:after
512:), and
451:Pequod
424:Parsee
413:Pequod
325:morbid
320:Hamlet
287:Pequod
279:Pequod
260:Pequod
227:myth.
221:Milton
212:Hamlet
184:Pequod
179:Pequod
170:Pequod
131:Quaker
111:Spouse
85:Gender
2467:Essex
2371:Other
2328:Stage
2168:Ships
2067:free
1802:Tweet
1396:p. 60
1192:S2CID
1184:JSTOR
977:Music
933:Games
694:1930
416:'
340:'
290:'
93:Title
2218:Film
2041:PMLA
2001:ISBN
1939:ISBN
1890:ISBN
1847:ISBN
1384:p.60
1168:PMLA
1088:and
1051:and
1015:Ahab
863:Borg
821:Khan
781:and
631:Echo
627:Ovid
567:has
557:Zeus
548:Lear
472:Lear
400:Ahab
219:and
88:Male
32:Ahab
2159:Pip
2108:'s
1712:doi
1176:doi
966:In
950:In
937:In
906:by
879:'s
813:In
793:in
500:" (
490:'s
377:."
355:."
331:or
157:'s
153:in
2517::
1955:.
1767:.
1708:20
1706:.
1694:^
1484:^
1300:^
1221:.
1190:.
1182:.
1172:80
1170:.
1074:.
1045:.
1034:.
1010:.
760:.
746::
571:,
569:Io
534:)
186:.
2423:"
2419:"
2098:e
2091:t
2084:v
2071:.
2010:.
1957:1
1808:.
1800:(
1718:.
1714::
1398:.
1231:.
1198:.
1178::
508:(
23:.
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