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recognizes the opportunity and plans to pay him for taking the place of her fiancée in prison. The man consents and the heiress concocts a clever substitution that proves successful via change of clothes. Jack, now free, confronts the aunt—who believes that his reappearance is a ghostly one. The aunt confesses that the baron's wounds were self-inflicted and the circumstantial evidence that the servant and policeman had seen was an erroneous. The substitute convict is pardoned and released from prison without the swap ever being known. For his plot, the French baron is convicted for
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schemes with the aunt to aid his plot. When the businessman comes to the house to see his fiancée, he learns that she is out of the house and sits down with the baron and aunt. Moments later, the servant rushes into the room attracted by cries to see Jack bending over the wounded baron with a knife in hand. Both the aunt and the baron accuse him of the stabbing as well as the servant and a policeman, who also saw Jack with the knife. In court, the jury finds it to be a clear case and Jack is sentenced to ten years in prison.
139:. Focusing on the subject of convictions by circumstantial evidence, the plot has a French baron and an American businessman vie for the affections of an heiress. She chooses the American and the French baron conspires with the heiress's aunt to take revenge. The American falls into their trap and is accused of stabbing the baron by the conspirators. The circumstantial evidence was enough to convict him and he is sent to prison. Through the aid of a homeless
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His fiancée is determined to prove his innocence, but knows not how to establish it. She meets a homeless man, who closely resembles Jack, who is about to commit a crime by smashing a window. The man desires to go to prison, believing it to be the only way that he will have food and shelter. The girl
237:, like others, found the story to be foolish and completely improbable on many accounts. While the reviewer stated that no magistrate would have sent the man to jail for assault with a blunt knife, it was the jail substitution via a changing of clothes which proved to be impossible. H. Jeanval of
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The film focuses on a young heiress who has two suitors, one a French baron and the other an
American businessman named Jack. Her aunt, who favors the French noble out her desire for status, is hurt to learn that the heiress has chosen to marry the American businessman. The baron vows revenge and
200:'s social issues. Lonergan would produce several scenarios featuring the problems with circumstantial evidence being used to obtain convictions. Bowers notes that such convictions were a known social issue, but not a pressing one in 1911. The first such Thanhouser film to tackle the subject was
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carries a message and a lesson to those who value the 'circumstantial evidence' process by which so many convictions are obtained in our criminal courts. The reel demonstrates how easily evidence of this sort may be made to entangle and ensnare a totally innocent man..."
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panned the film beginning with, "Nothing more improbable or inconsistent has been seen on the screen in some time..." The reviewer concluded the review of the improbable plot as to having been "dreamed up by a ten-year-old girl."
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The single reel drama, approximately 1,000 feet long, was released on
February 17, 1911. The film was met with a wide variety of reviews by critics; with the majority proving to be negative.
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to the prison so that the original can get the needed confession. The serious nature of the film was highlighted with the advertising of the film by
Thanhouser which states, "
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wove a more tangled web of circumstantial evidence and intrigue and the resolution comes not from an astute female detective, but by the heiress's novel substitution of a
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and sent to prison. Released on
February 17, 1911, the film was a critical failure for its improbable plot and its prison substitution scene. The film is presumed
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found the baron to be boorish by shading a lady's hand with a glove on and wondered at how
Thanhouser was able to film the prison scenes. Walton, also of
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who looks like the fiancé, he is substituted in prison and the original forces a confession from the aunt. For his plot, the baron is convicted of
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The film is presumed lost because the film is not known to be held in any archive or by any collector.
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summed up the film and stated, "Good teaching as to woman's 'class', but as to details sadly lax."
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350:"Volume 1: Narrative History - Chapter 4: 1911 The Sales Company Ball"
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was a film which garnered some criticism for an improbable plot.
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168:and sent to the state prison.
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467:English-language drama films
462:1910s English-language films
250:The New York Dramatic Mirror
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427:American silent short films
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437:Lost American drama films
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348:Q. David Bowers (1995).
316:Q. David Bowers (1995).
285:Q. David Bowers (1995).
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245:The Moving Picture News
240:The Moving Picture News
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234:The Morning Telegraph
227:Release and reception
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135:film produced by the
452:1910s American films
35:An advertisement in
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386:on 20 January 2015
360:on 15 January 2015
192:. Film historian,
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261:References
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76:1911-02-17
220:Checkmate
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105:Languages
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328:12 March
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166:perjury
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