Knowledge

Concatenative synthesis

Source 📝

903: 60: 94:
Concatenative synthesis for music started to develop in the 2000s in particular through the work of Schwarz and Pachet (so-called musaicing). The basic techniques are similar to those for speech, although with differences due to the differing nature of speech and music: for example, the
103:
chops sampled sounds into tiny pieces and rearranges them to replicate a target sound. This allowed Clouth to use and manipulate his own beatboxing, a technique used on 'Into' and 'The Vacuum State'."
105:
Clouth's concatenative synthesis algorithm was adapted from 'Let It Bee — Towards NMF-Inspired Audio Mosaicing' by Jonathan Driedger, Thomas Prätzlich, and Meinard Müller.
26:). The duration of the units is not strictly defined and may vary according to the implementation, roughly in the range of 10 milliseconds up to 1 second. It is used in 227:
Maestre, E. and Ramírez, R. and Kersten, S. and Serra, X. (2009), "Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings",
147: 267: 41:, concatenative synthesis is driven by an analysis of the source sound, in order to identify the units that best match the specified criterion. 101:, the first full-length album by Rob Clouth (Mesh 2020), features self-made concatenative synthesis software called the 'Reconstructor' which " 193: 616: 368: 34:
to generate user-specified sequences of sound from a database (often called a corpus) built from recordings of other sequences.
940: 428: 686: 763: 459: 424: 681: 525: 964: 361: 70: 50: 419: 676: 327: 969: 959: 691: 354: 171: 237: 661: 505: 933: 914: 737: 606: 591: 204: 201:
Proceedings of the COST G-6 Conference on Digital Audio Effects (DaFx-01), University of Limerick
22:
is a technique for synthesising sounds by concatenating short samples of recorded sound (called
847: 801: 232: 816: 555: 438: 95:
segmentation is not into phonetic units but often into subunits of musical notes or events.
811: 520: 478: 8: 226: 926: 831: 821: 732: 250: 114: 38: 796: 261: 671: 621: 377: 254: 242: 27: 281: 515: 31: 910: 862: 305: 246: 953: 882: 872: 791: 535: 385: 902: 877: 826: 666: 495: 806: 722: 530: 409: 641: 59: 747: 712: 611: 601: 540: 742: 586: 565: 560: 414: 307:
Sónar+D CCCB 2020 Talk: "Journey to the Center of the Musical Brain"
773: 717: 636: 631: 550: 510: 404: 346: 119: 500: 433: 155:
Proceedings of the International Computer Music Conference (ICMC)
857: 727: 454: 400: 328:"AudioLabs - Let it Bee - Towards NMF-inspired Audio Mosaicing" 867: 768: 696: 596: 570: 545: 464: 626: 124: 148:"Current research in Concatenative Sound Synthesis" 191: 951: 141: 139: 51:Speech synthesis § Concatenative synthesis 934: 362: 136: 266:: CS1 maint: multiple names: authors list ( 231:, vol. 33, no. 4, pp. 23–42, 165: 163: 941: 927: 369: 355: 236: 173:Data-Driven Concatenative Sound Synthesis 160: 169: 145: 952: 909:This technology-related article is a 350: 185: 897: 376: 54: 13: 687:Texas Instruments LPC Speech Chips 14: 981: 901: 764:Speech Synthesis Markup Language 425:Festival Speech Synthesis System 203:, pp. 39–44, archived from 58: 526:Microsoft text-to-speech voices 320: 298: 274: 220: 1: 192:Zils, A.; Pachet, F. (2001), 170:Schwarz, Diemo (2004-01-23), 130: 16:Method of synthesizing sounds 913:. You can help Knowledge by 44: 7: 282:"Zero Point, by Rob Clouth" 108: 89: 10: 986: 896: 48: 840: 782: 756: 705: 692:General Instrument SP0256 654: 579: 488: 477: 447: 393: 384: 332:www.audiolabs-erlangen.de 247:10.1162/comj.2009.33.4.23 506:Software Automatic Mouth 853:Concatenative synthesis 738:Microsoft Speech Server 607:NIAONiao Virtual Singer 20:Concatenative synthesis 848:Articulatory synthesis 802:Franklin Seaney Cooper 229:Computer Music Journal 67:This section is empty. 965:Sound synthesis types 817:Wolfgang von Kempelen 597:CeVIO Creative Studio 556:CeVIO Creative Studio 439:Automatik Text Reader 32:music sound synthesis 812:Haskins Laboratories 521:Microsoft Speech API 146:Schwarz, D. (2005), 194:"Musical Mosaicing" 822:Ignatius Mattingly 115:Granular synthesis 39:granular synthesis 922: 921: 891: 890: 797:Catherine Browman 650: 649: 473: 472: 460:Lyricos / Flinger 310:, 29 October 2020 87: 86: 977: 970:Technology stubs 960:Speech synthesis 943: 936: 929: 905: 898: 733:Windows Narrator 672:Pattern playback 622:Symphonic Choirs 486: 485: 391: 390: 378:Speech synthesis 371: 364: 357: 348: 347: 342: 341: 339: 338: 324: 318: 317: 316: 315: 302: 296: 295: 293: 292: 278: 272: 271: 265: 257: 240: 224: 218: 217: 216: 215: 209: 198: 189: 183: 182: 181: 180: 167: 158: 157: 152: 143: 82: 79: 69:You can help by 62: 55: 28:speech synthesis 985: 984: 980: 979: 978: 976: 975: 974: 950: 949: 948: 947: 894: 892: 887: 836: 784: 778: 752: 701: 646: 575: 516:Microsoft Agent 480: 469: 443: 380: 375: 345: 336: 334: 326: 325: 321: 313: 311: 304: 303: 299: 290: 288: 280: 279: 275: 259: 258: 238:10.1.1.188.8860 225: 221: 213: 211: 207: 196: 190: 186: 178: 176: 168: 161: 150: 144: 137: 133: 111: 92: 83: 77: 74: 53: 47: 37:In contrast to 17: 12: 11: 5: 983: 973: 972: 967: 962: 946: 945: 938: 931: 923: 920: 919: 906: 889: 888: 886: 885: 880: 875: 870: 865: 863:Inverse filter 860: 855: 850: 844: 842: 838: 837: 835: 834: 829: 824: 819: 814: 809: 804: 799: 794: 788: 786: 780: 779: 777: 776: 771: 766: 760: 758: 754: 753: 751: 750: 745: 740: 735: 730: 725: 720: 715: 709: 707: 703: 702: 700: 699: 694: 689: 684: 679: 674: 669: 664: 658: 656: 652: 651: 648: 647: 645: 644: 639: 634: 629: 624: 619: 614: 609: 604: 599: 594: 589: 583: 581: 577: 576: 574: 573: 568: 563: 558: 553: 548: 543: 538: 533: 528: 523: 518: 513: 508: 503: 498: 492: 490: 483: 475: 474: 471: 470: 468: 467: 462: 457: 451: 449: 445: 444: 442: 441: 436: 431: 422: 417: 412: 407: 397: 395: 388: 382: 381: 374: 373: 366: 359: 351: 344: 343: 319: 297: 273: 219: 184: 159: 134: 132: 129: 128: 127: 122: 117: 110: 107: 91: 88: 85: 84: 65: 63: 49:Main article: 46: 43: 15: 9: 6: 4: 3: 2: 982: 971: 968: 966: 963: 961: 958: 957: 955: 944: 939: 937: 932: 930: 925: 924: 918: 916: 912: 907: 904: 900: 899: 895: 884: 883:Voice cloning 881: 879: 876: 874: 873:Phase vocoder 871: 869: 866: 864: 861: 859: 856: 854: 851: 849: 846: 845: 843: 839: 833: 830: 828: 825: 823: 820: 818: 815: 813: 810: 808: 805: 803: 800: 798: 795: 793: 792:Alan W. Black 790: 789: 787: 781: 775: 772: 770: 767: 765: 762: 761: 759: 755: 749: 746: 744: 741: 739: 736: 734: 731: 729: 726: 724: 721: 719: 716: 714: 711: 710: 708: 704: 698: 695: 693: 690: 688: 685: 683: 680: 678: 675: 673: 670: 668: 665: 663: 660: 659: 657: 653: 643: 640: 638: 635: 633: 630: 628: 625: 623: 620: 618: 615: 613: 610: 608: 605: 603: 600: 598: 595: 593: 590: 588: 585: 584: 582: 578: 572: 569: 567: 564: 562: 559: 557: 554: 552: 549: 547: 544: 542: 539: 537: 536:Voice browser 534: 532: 529: 527: 524: 522: 519: 517: 514: 512: 509: 507: 504: 502: 499: 497: 494: 493: 491: 487: 484: 482: 476: 466: 463: 461: 458: 456: 453: 452: 450: 446: 440: 437: 435: 432: 430: 426: 423: 421: 418: 416: 413: 411: 408: 406: 402: 399: 398: 396: 392: 389: 387: 386:Free software 383: 379: 372: 367: 365: 360: 358: 353: 352: 349: 333: 329: 323: 309: 308: 301: 287: 283: 277: 269: 263: 256: 252: 248: 244: 239: 234: 230: 223: 210:on 2011-09-27 206: 202: 195: 188: 175: 174: 166: 164: 156: 149: 142: 140: 135: 126: 123: 121: 118: 116: 113: 112: 106: 104: 100: 96: 81: 72: 68: 64: 61: 57: 56: 52: 42: 40: 35: 33: 29: 25: 21: 915:expanding it 908: 893: 878:Self-voicing 852: 827:Philip Rubin 706:Applications 667:Mockingboard 496:Amazon Polly 479:Proprietary 335:. Retrieved 331: 322: 312:, retrieved 306: 300: 289:. Retrieved 285: 276: 228: 222: 212:, retrieved 205:the original 200: 187: 177:, retrieved 172: 154: 102: 98: 97: 93: 75: 71:adding to it 66: 36: 23: 19: 18: 807:Gunnar Fant 785:Researchers 783:Developers/ 723:Dr. Sbaitso 531:Readspeaker 410:Gnopernicus 954:Categories 748:Voice font 713:AOLbyPhone 612:PPG Phonem 602:Chipspeech 541:CoolSpeech 337:2022-07-23 314:2022-07-23 291:2022-07-23 286:Rob Clouth 214:2011-04-27 179:2010-01-15 131:References 99:Zero Point 78:April 2015 757:Protocols 743:PlainTalk 587:Alter/Ego 566:LaLaVoice 561:Voiceroid 455:eCantorix 415:Gnuspeech 233:CiteSeerX 45:In speech 774:VoiceXML 718:DialogOS 637:Vocaloid 632:Vocalina 617:Realivox 551:CereProc 511:Talk It! 489:Speaking 481:software 405:eSpeakNG 394:Speaking 262:citation 120:VOCALOID 109:See also 90:In music 841:Process 662:Echo II 655:Machine 642:Xiaoice 580:Singing 501:DECtalk 448:Singing 434:FreeTTS 255:1078610 858:Currah 832:Yamaha 728:MBROLA 677:Phasor 592:Cantor 401:eSpeak 253:  235:  868:PSOLA 769:SABLE 697:TuVox 571:15.ai 546:IVONA 465:Sinsy 429:Flite 251:S2CID 208:(PDF) 197:(PDF) 151:(PDF) 24:units 911:stub 682:RIAS 627:UTAU 420:Orca 268:link 125:UTAU 30:and 243:doi 73:. 956:: 330:. 284:. 264:}} 260:{{ 249:, 241:, 199:, 162:^ 153:, 138:^ 942:e 935:t 928:v 917:. 427:/ 403:/ 370:e 363:t 356:v 340:. 294:. 270:) 245:: 80:) 76:(

Index

speech synthesis
music sound synthesis
granular synthesis
Speech synthesis § Concatenative synthesis

adding to it
Granular synthesis
VOCALOID
UTAU


"Current research in Concatenative Sound Synthesis"


Data-Driven Concatenative Sound Synthesis
"Musical Mosaicing"
the original
CiteSeerX
10.1.1.188.8860
doi
10.1162/comj.2009.33.4.23
S2CID
1078610
citation
link
"Zero Point, by Rob Clouth"
Sónar+D CCCB 2020 Talk: "Journey to the Center of the Musical Brain"
"AudioLabs - Let it Bee - Towards NMF-inspired Audio Mosaicing"
v
t

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.