811:. Brice explained that four iterations of the script for the sequel were developed, before its current iteration was finalized. Explaining the writing processes, Brice stated that he and Duplass worked to create a similar slow-burn approach to the sequel's story, while acknowledgeding that they struggled with which story to produce, citing their combined fears of creating a poor sequel. The duo ultimately resolved that while the original movie had a psychological-thriller aspect where the story involved a protagonist questioning whether Josef was psychotic, or a harmless yet weird creep, before it's revealed to the audience that he is indeed a killer; the sequel was given a premise where the villain declares that he is a serial killer upfront, but his this potential-victim initially doesn't believe his claims, only to have a self-realization what has been going on all along by the end of the story. Principal photography was completed over six days in Los Angeles with a production crew consisting of five people.
327:, finds himself dissatisfied with his recent murders and determines to try something different. Through another online job-for-hire advertisement, he lures a YouTube journalist named Sara to a remote cabin. Upon her arrival, he admits to previous murders and states that he wants to document his confessions on camera. To his surprise, Sara doubts his story but takes on the project but doubts his story. Explaining that she believes the experience will increase the followers of her unsuccessful web series where she details encounters with eccentric men she meets online, the pair begin their experience together. Throughout the day Josef / "Aaron" begins his usual tactics by attempting to horrify Sara, but repeatedly fails to have any impact. After staging his own hanging, "Aaron" explains his admiration for her, and the pair begin a romantic exchange. Unbeknownst to Sara however, her client has other plans.
710:, they would develop a story where an experience within those parameters ended in a situation gone awry. Determined to create a movie together immediately, the duo began principal photography in 2012 where the initial cut was completed within five days and they were the two-person crew; their initial perception being that the film may never see a wide release. Depending on which character was the focus on camera at the time, Brice and Duplass both handled the cinematography as well as direction responsibilities during those scenes (though Brice received sole credit as director). Duplass continued mentoring Brice throughout the process, as this was the latter's directorial debut as well as his first experience acting. The duo improvised the lines of the movie, from a basic outline they've described as a "scriptment". The original scriptment titled "Peachfuzz", and was intended to be a
358:. By March 2020, Duplass confirmed that a third movie is in development. Recalling that he and Brice both felt like the second movie wasn't as good as they had wanted it to be, he stated that the current script has been written twice because they want to ensure the story is worth telling. In January 2024, Brice stated that while writing for a third film is ongoing, he and Duplass had been busy with their various respective production schedules. While discussing the plans for additional installments, the filmmaker confirmed that Josef's troubled childhood including the character's creation of the wolf-masked alias referred to as "Peachfuzz" would be explored. By September of the same year, Duplass expressed interest in portraying the titular villain for years to come, while acknowledging that there are plans for additional stories following the events of
697:, he was surprised with how quickly the seller began telling him their personal experiences through their tears, and repeatedly invaded his own personal space. Perplexed by how rapidly they perceived a closeness to him, he found himself thinking that if he didn't get out of there something bad may happen to him. The filmmakers created the franchise with a few questions in mind: Why do we inherently trust people that we shouldn’t trust? Why is it that we put an ad in the paper and let a stranger walk into our home without knowing anything about them? That story is so exciting and so interesting. For fear of being rude, or offending people, we don’t protect ourselves. And that feels big to us.
793:(1978), had been influential to his perceptions of horror early in his career. Netflix approached Brice and Duplass with the option to produce a sequel, citing the large viewership numbers which were not made public as the company's motivation. As the streaming service offered to provide a larger budget, Brice and Duplass developed a sequel while intentionally keeping the story small-scale similar to the first movie; though the concept was inspired by the 1990s slasher movie revival, with influences from
31:
302:
remote location within the mountains the pair experience a friendly exchange. Aaron does his best to capture Josef's request, but witnesses some strange behavior in the process. Ignoring these idiosyncrasies at first, Aaron soon realizes that Josef fabricated his story to lure in an unsuspecting victim for his murderous plans. Realizing the truth, he must fight for survival by escaping the isolated location and Josef's ill-intentions.
343:". In October 2017, Duplass confirmed that there were discussions ongoing for additional installments; pointing to the scene at the end of the first movie where the audience is shown the killer's collection of videos about each of his victims, stating: "I want to see each and every one of those tapes." Later that month, he also stated that creatives may repurpose some of the stories that were created during the process of writing
748:
Responding positively to the project, he explained that he receives at least one pitch for a found-footage movie per week, because " easy to make but very hard to make well." Becoming involved with redeveloping the project, the producer assisted particularly with restructuring the story's ending where the project was ultimately finalized as a horror film. With the successful producer as a part of the production,
347:. In a separate interview, the writer/producer/actor stated that the creatives involved are interested in creating a prequel, which would vaguely detail how Josef became a serial killer; while also stating that there will be a projects that explore the various victims teased at the end of the first film. That same month, Brice stated that one of the concepts that was explored for
331:
initially believing this was merely another theatrical experience, Sara realizes that the man she has spent the day with is in fact a real psychopath as he begins stab himself with her knife. Understanding the situation, Sara flees into the woods with "Aaron" in pursuit and finds herself fighting of her life.
780:
Following the movie's streaming release Brice explained that though they initially had zero intention of developing sequels, the final ending which was developed with Blum's assistance "opens the world a bit" as the audiences sees Josef's cabinet full of VHS tapes and video recordings of his previous
301:
A videographer named Aaron responds to a request on
Craigslist for one-day freelance project, requested by a man named Josef. The latter is suffering from terminal cancer, and states that he wishes to document his last days for his pregnant wife and the baby who is soon to be born. Collaborating in a
752:
took place over a total of eighteen months with an additional crew member added. Meanwhile, the marketing team at
Blumhouse Productions were tasked with portraying the project as a horror story, through its various advertising mediums. Blum later explained their collaboration on the project: "I come
765:
wide release. Through the distribution rights, it was requested that the project evolve into a trilogy, with contractual obligations from Brice and
Duplass to create the sequels. Due to the $ 20,000,000 marketing costs this would have required, however, the duo opted to maintain the self-contained
747:
horror, he encourages the respective filmmaker to develop the script through other filming techniques instead. After watching their project however, Blum agreed to join the production, telling
Duplass: "All found-footage movies come to me, and they all suck, and this one doesn't, I want to help."
330:
Taking her into the deeper into the woods, "Aaron" explains the plot he has staged for the finale of their documentary. Showing her a large previously excavated hole in the ground, "Aaron" reveals that as a result of his affection for her, he intends their story to end in a murder-suicide. Though
305:
After successfully doing so though he is now plagued with continually receiving gifts in the form of various video recordings from the assailant, Aaron is disturbed to find that Josef is obsessively stalking him. As any assistance from local law enforcement fails to provide him assistance, Aaron
387:
production. Mark
Duplass will reprise his role as the main antagonist, in addition to writing and executive producing the series with Patrick Brice. The latter served as director for each episode. The duo explained that while they have worked on various continuations of the franchise, their own
388:
perception that the second movie was inferior to the original made them hesitant to continue until they determined the story they wanted to tell. The plot of each episode will depict one of Josef's previous victims, through the video recordings he saved as depicted at the end of the
705:
and while he was under the mentorship of
Duplass. While discussing Brice's post-graduation plans it was decided that because he enjoyed interviewing people and had an interest in documentaries, as well as their combined fascination with strange interactions while
700:
The project began its inception when
Duplass and Brice first met, when the latter's wife was the nanny for the children of Duplass. In 2011 the pair formed a friendship, following Brice's graduation from
722:
with limited viewers, however, the audiences continued to connect with the thriller aspects of the story, and their repeated feedback requested more emphasis on the scary aspects of the film.
1740:
757:
it was two emails, and we agreed. I’ve not had that ever with someone on the creative or the business side." As production continued, they received a distribution offer through
783:
306:
determines to confront his client by meeting in a public place. All the while, Josef has plans of his own to realize his initial plans through any means necessary.
1416:
173:, the movies have co-starred the pair, in addition to a supporting cast. The plot centers around serial killer Josef who regularly posts listings for one-time
1705:
351:
included the revelation that Josef is the leader of a cult group, while acknowledging the possibility of this abandoned plot-point being revisited.
1575:
2095:
420:
An empty, dark grey cell indicates the character was not in the film, or that the character's official presence has not yet been confirmed.
1601:
1387:
1627:
1315:
1866:
689:
Co-written by Mark
Duplass and Patrick Brice, the project evolved from its original conception into the story which was realized as
2105:
1178:
1480:
1119:
693:. Duplass based premise in-part, on a real-life experience he had while living in New York. While responding to a listing on
1148:
1093:
1951:
1517:
702:
1867:"Q&A: Jason Blum & Mark Duplass Team On Horror Pic 'Creep' As Blumhouse Hit Machine, Indie Model Converge"
1679:
1417:"Interview: Director Patrick Brice on the Found Footage Stigma & the Endless Potential of Sequels for CREEP 2"
2100:
801:
642:
1237:
744:
147:
1544:
1263:
729:, was shown a rough cut of the movie. Duplass and Blum, had initially met in 2005 when they were both making
1445:
603:
81:
1356:
1653:
770:
distribution instead; explaining that this option allowed them to earn a monetary profit in the process.
730:
397:
416:
This section includes characters who will appear or have appeared in more than two films in the series.
339:
In June 2015, in collaboration Blum, Brice, and
Duplass stated that there would be various "stories of
753:
from the business side and Mark comes from the creative side, but every time a decision came up about
188:, were met with a strong critical response and viewership numbers upon their respective releases. The
739:, Brice and Duplass optioned the movie to him. Blum stated that 99 percent of the projects that are
1773:
1545:"Mark Duplass Says 'Creep 3' Is in the Works, Even After 'Almost Killing Ourselves' Over 'Creep 2'"
819:
For more details on the reception of each film, see the "Reception" section in each film's article.
2068:
2037:
1207:
354:
In
November 2017 Brice stated that the realization of a third movie depends on the success of
1981:
1896:
789:
608:
598:
98:
76:
383:
In June 2024 it was announced that a television series consisting of half-hour episodes had
1602:"The Creep Tapes Co-Creator Mark Duplass Wants to Play Peachfuzz Until He Dies (Exclusive)"
1009:
749:
184:
The movies which were created with a shoe-string budget and released in collaboration with
150:
8:
1996:
1919:
1120:"'Creep' 10 Years Later: Why It Remains One of the Most Compelling Uses of Found Footage"
807:
735:
1976:
795:
758:
740:
1891:
733:
and had resolved at that time to work together in the future. After Blum had released
404:
on November 15, 2024 with a two-part premiere, the series will air weekly on fridays.
864:
581:
450:
384:
296:
229:
2001:
1924:
1706:"'The Creep Tapes' – 'Creep' Franchise Returns with Shudder Series This November"
1628:"Mark Duplass Returns to the 'Creep' Franchise with New Series 'The Creep Tapes'"
1037:
951:
707:
516:
378:
162:
158:
154:
1388:"Interview: Mark Duplass on Changing the Game and Meeting His Match for CREEP 2"
1042:
719:
1837:
1808:
1032:
323:
Josef, a notorious serial killer who has taken on an alias in the form of his
2089:
762:
590:
502:
487:
245:
166:
2058:
1680:"'Creep': Mark Duplass to Adapt His Netflix Horror Movies Into a TV Series"
1066:
715:
477:
251:
170:
47:
2027:
1316:"Review: 'Creep 2' Brings Both Heart and Horror in This Unsettling Sequel"
1289:
200:
was praised for being an effective sequel, and worthy of its predecessor.
630:
174:
1576:"Interview: Patrick Brice Talks About Creep and His New Netflix Slasher"
2063:
2032:
1654:"Peachfuzz Is Back: Mark Duplass Announces 'The Creep Tapes' TV Series"
956:
726:
694:
530:
257:
178:
30:
193:
714:
character-study regarding interpersonal relationships with a use of
711:
177:
job assistance, to lure in his victims; after which he saves their
1741:"Talking Creepiness With Mark Duplass and Patrick Brice of Creep"
902:
767:
624:
613:
457:
318:
265:
185:
103:
1357:"Mark Duplass talks about his found footage horror movie Creep"
1952:"Mark Duplass' 9 Secrets to Launching a Career in Indie Film"
401:
1809:"Talking Horror with Creep 1 & 2 Director Patrick Brice"
1235:
2006:
1929:
1774:"Q&A With Patrick Brice of CREEP – Patrick Brice Talks
181:
in his personal vault and assumes their name as an alias.
540:
1153:
Franchise Gives Viewers a Real Wolf in Sheep's Clothing"
1860:
1858:
1515:
1443:
161:feature films, and a spin-off television series in
1855:
1599:
1313:
766:individual movie they had created and worked with
196:and one of the best found footage movies overall.
53:
1831:
1829:
1290:"'Creep 2' Has a Lot To Say About Horror Sequels"
2087:
1943:
1767:
1765:
1763:
1761:
1734:
1732:
1730:
1728:
1726:
1625:
1410:
1408:
1802:
1800:
1798:
1738:
1651:
1569:
1567:
1565:
1542:
1518:"Director Patrick Brice on Creep 2 and CalArts"
1511:
1509:
1507:
1505:
1503:
1501:
1481:"Interview: Director Patrick Brice for CREEP 2"
1474:
1472:
1470:
1468:
1466:
1439:
1437:
1414:
1385:
1381:
1379:
1377:
1350:
1348:
1346:
1344:
1342:
1340:
1338:
1336:
1236:The Hollywood Reporter Staff (March 13, 2014).
1826:
1573:
1176:
1094:"My streaming gem: why you should watch Creep"
1835:
1758:
1723:
1677:
1593:
1478:
1405:
1354:
1307:
1205:
1170:
1146:
1949:
1795:
1562:
1498:
1463:
1434:
1374:
1333:
1255:
1864:
1838:"DP/30: Creep, Patrick Brice, Mark Duplass"
1771:
1287:
1261:
1201:
1199:
1179:"Why Creep 2 Isn't Actually a Horror Movie"
1091:
1061:
1059:
725:This process continued and progressed when
407:
1989:
1806:
1671:
1142:
1140:
1117:
1027:
1025:
29:
2051:
1969:
1912:
1600:Cavanaugh, Patrick (September 24, 2024).
1536:
1522:New from California Institute of the Arts
1516:Ziemba, Christine N. (November 2, 2017).
1444:Wilson, Stacie Layne (October 24, 2017).
1281:
2020:
1884:
1229:
1196:
1056:
440:
396:will premiere on the streaming services
1703:
1314:Cavanaugh, Patrick (October 23, 2017).
1137:
1111:
1085:
1022:
826:
2088:
541:Additional production and crew details
1645:
1619:
1842:DP/30: The Oral History of Hollywood
1704:Squires, John (September 12, 2024).
1446:"Exclusive: Mark Duplass on Creep 2"
1415:Wixson, Heather (October 20, 2017).
1386:Wixson, Heather (October 19, 2017).
940:
856:
822:
635:Patrick Brice & Desiree Akhavan
473:Peachfuzz / Creep / "Aaron" / "Bill"
153:-horror installments, including two
2096:American psychological horror films
1177:Lincoln, Kevin (October 25, 2017).
781:victims. The filmmaker stated that
429: indicates a voice-only role.
334:
197:
13:
1543:Lattanzio, Ryan (March 27, 2020).
1479:Thayer, Craig (October 25, 2017).
1147:Tucker, James (December 4, 2020).
930:Information not publicly available
920:Information not publicly available
913:Information not publicly available
892:Information not publicly available
882:Information not publicly available
875:Information not publicly available
587:Kyle Field & Eric Andrew Kuhn
428:
423:
370:
14:
2117:
1739:SF Weekly Staff (July 14, 2015).
1626:Zilko, Christian (June 4, 2024).
1288:Norton, Jay (December 15, 2022).
1208:"Dissecting a Serial Killer: The
389:
324:
309:
189:
1985:. Nash Information Services LLC.
1652:Navarro, Meagan (June 4, 2024).
1206:King, Destiny (April 11, 2017).
996:
993:
927:
917:
910:
907:
889:
879:
872:
869:
670:
667:
658:
281:Jason Blum and Carolyn Craddock
165:. Based on an original story by
1900:. Nash Information Services LLC
1807:Beam, Adam (October 22, 2023).
1697:
802:I Know What You Did Last Summer
653:
287:
192:has since been called a horror
2106:Film series introduced in 2014
1950:Buder, Emily (July 27, 2017).
1865:Yamato, Jen (March 18, 2014).
1836:Poland, David (July 1, 2015).
1772:Oakes, Matt (March 24, 2014).
1678:Hailu, Selome (June 4, 2024).
1355:Collis, Clark (June 3, 2015).
1262:Leydon, Joe (March 13, 2014).
1118:H.C., Luiz (January 3, 2024).
677:
640:Duplass Brothers Productions,
424: indicates a cameo role.
1:
1015:
665:Duplass Brothers Productions
365:
207:
1092:Tew, Edward (June 8, 2020).
814:
784:The Texas Chain Saw massacre
604:Duplass Brothers Productions
462:
455:
448:
443:
82:Duplass Brothers Productions
7:
1264:"SXSW Film Review: 'Creep'"
1003:
10:
2122:
818:
773:
376:
316:
294:
271:October 24, 2017
607:
594:
550:
547:
506:
476:
437:
263:
249:
244:
227:
222:
219:
216:
213:
210:
130:
122:
112:
91:
64:
40:
28:
23:
761:which would have seen a
682:
408:Main cast and characters
203:
1574:Armitage, Matt (2017).
638:Blumhouse Productions,
235:June 23, 2015
35:Official franchise logo
2101:Horror film franchises
1524:. 24700 at CalArts.edu
1485:Nightmarish Conjurings
1242:The Hollywood Reporter
643:Netflix Original Films
146:franchise consists of
16:Film franchise article
599:Blumhouse Productions
325:favorite victim Aaron
77:Blumhouse Productions
1361:Entertainment Weekly
1238:"Creep: SXSW Review"
1010:List of horror films
250:Patrick Brice &
1294:Certified Forgotten
1216:What Sleeps Beneath
984:75/100 (5 reviews)
971:74/100 (6 reviews)
743:to his studio as a
736:Paranormal Activity
595:Christopher Donlon
559:Cinematographer(s)
155:streaming exclusive
1782:Silver Screen Riot
1710:Bloody Disgusting!
981:100% (27 reviews)
759:Universal Pictures
214:U.S. release date
1658:Bloody Disgusting
1124:Bloody Disgusting
1001:
1000:
968:91% (35 reviews)
941:Critical response
938:
937:
932:
922:
915:
894:
884:
877:
823:Financial details
675:
674:
538:
537:
297:Creep (2014 film)
285:
284:
256:Mark Duplass and
190:first installment
138:
137:
2113:
2080:
2079:
2077:
2075:
2055:
2049:
2048:
2046:
2044:
2024:
2018:
2017:
2015:
2013:
1997:"Creep 2 (2017)"
1993:
1987:
1986:
1973:
1967:
1966:
1964:
1962:
1947:
1941:
1940:
1938:
1936:
1916:
1910:
1909:
1907:
1905:
1888:
1882:
1881:
1879:
1877:
1862:
1853:
1852:
1850:
1848:
1833:
1824:
1823:
1821:
1819:
1804:
1793:
1792:
1790:
1788:
1769:
1756:
1755:
1753:
1751:
1736:
1721:
1720:
1718:
1716:
1701:
1695:
1694:
1692:
1690:
1675:
1669:
1668:
1666:
1664:
1649:
1643:
1642:
1640:
1638:
1623:
1617:
1616:
1614:
1612:
1597:
1591:
1590:
1588:
1586:
1580:Horror Obsessive
1571:
1560:
1559:
1557:
1555:
1540:
1534:
1533:
1531:
1529:
1513:
1496:
1495:
1493:
1491:
1476:
1461:
1460:
1458:
1456:
1441:
1432:
1431:
1429:
1427:
1412:
1403:
1402:
1400:
1398:
1383:
1372:
1371:
1369:
1367:
1352:
1331:
1330:
1328:
1326:
1311:
1305:
1304:
1302:
1300:
1285:
1279:
1278:
1276:
1274:
1259:
1253:
1252:
1250:
1248:
1233:
1227:
1226:
1224:
1222:
1203:
1194:
1193:
1191:
1189:
1174:
1168:
1167:
1165:
1163:
1144:
1135:
1134:
1132:
1130:
1115:
1109:
1108:
1106:
1104:
1089:
1083:
1082:
1080:
1078:
1073:. Fandango Media
1063:
1054:
1053:
1051:
1049:
1029:
945:
944:
928:
918:
911:
890:
880:
873:
858:
835:worldwide gross
827:
718:. After various
545:
544:
474:
435:
434:
430:
425:
335:Potential future
278:
276:
242:
240:
208:
33:
21:
20:
2121:
2120:
2116:
2115:
2114:
2112:
2111:
2110:
2086:
2085:
2084:
2083:
2073:
2071:
2057:
2056:
2052:
2042:
2040:
2026:
2025:
2021:
2011:
2009:
2002:Box Office Mojo
1995:
1994:
1990:
1975:
1974:
1970:
1960:
1958:
1948:
1944:
1934:
1932:
1925:Box Office Mojo
1918:
1917:
1913:
1903:
1901:
1890:
1889:
1885:
1875:
1873:
1863:
1856:
1846:
1844:
1834:
1827:
1817:
1815:
1805:
1796:
1786:
1784:
1770:
1759:
1749:
1747:
1737:
1724:
1714:
1712:
1702:
1698:
1688:
1686:
1676:
1672:
1662:
1660:
1650:
1646:
1636:
1634:
1624:
1620:
1610:
1608:
1598:
1594:
1584:
1582:
1572:
1563:
1553:
1551:
1541:
1537:
1527:
1525:
1514:
1499:
1489:
1487:
1477:
1464:
1454:
1452:
1442:
1435:
1425:
1423:
1413:
1406:
1396:
1394:
1384:
1375:
1365:
1363:
1353:
1334:
1324:
1322:
1312:
1308:
1298:
1296:
1286:
1282:
1272:
1270:
1260:
1256:
1246:
1244:
1234:
1230:
1220:
1218:
1204:
1197:
1187:
1185:
1175:
1171:
1161:
1159:
1145:
1138:
1128:
1126:
1116:
1112:
1102:
1100:
1090:
1086:
1076:
1074:
1071:Rotten Tomatoes
1065:
1064:
1057:
1047:
1045:
1038:Rotten Tomatoes
1031:
1030:
1023:
1018:
1006:
990:The Creep Tapes
952:Rotten Tomatoes
943:
852:
844:
843:Worldwide gross
839:
834:
825:
820:
817:
778:
720:test screenings
708:people-watching
687:
680:
654:The Creep Tapes
641:
639:
612:
602:
571:
566:
543:
517:Desiree Akhavan
472:
471:
464:The Creep Tapes
433:
414:
413:List indicators
410:
394:The Creep Tapes
381:
379:The Creep Tapes
375:
372:The Creep Tapes
368:
360:The Creep Tapes
337:
321:
315:
299:
293:
274:
272:
238:
236:
206:
163:post-production
159:video on demand
115:
108:
87:
86:
69:
67:
60:
52:Various actors
36:
17:
12:
11:
5:
2119:
2109:
2108:
2103:
2098:
2082:
2081:
2050:
2019:
1988:
1968:
1956:No Film School
1942:
1920:"Creep (2014)"
1911:
1892:"Creep (2015)"
1883:
1854:
1825:
1813:Talking Horror
1794:
1757:
1722:
1696:
1670:
1644:
1618:
1592:
1561:
1535:
1497:
1462:
1433:
1404:
1373:
1332:
1306:
1280:
1254:
1228:
1195:
1169:
1136:
1110:
1084:
1055:
1043:Fandango Media
1033:"Creep (2014)"
1020:
1019:
1017:
1014:
1013:
1012:
1005:
1002:
999:
998:
995:
992:
986:
985:
982:
979:
973:
972:
969:
966:
960:
959:
954:
949:
942:
939:
936:
935:
933:
926:
923:
916:
909:
906:
898:
897:
895:
888:
885:
878:
871:
868:
860:
859:
854:
849:
846:
841:
836:
831:
824:
821:
816:
813:
777:
772:
686:
681:
679:
676:
673:
672:
669:
666:
663:
662:Patrick Brice
660:
657:
649:
648:
645:
636:
633:
628:
620:
619:
616:
606:
596:
593:
588:
585:
577:
576:
573:
568:
563:
560:
557:
553:
552:
549:
542:
539:
536:
535:
533:
528:
526:
522:
521:
519:
514:
512:
508:
507:
505:
500:
496:
495:
493:
492:Patrick Brice
490:
485:
481:
480:
475:
467:
466:
461:
454:
446:
445:
442:
439:
432:
431:
426:
421:
412:
411:
409:
406:
377:Main article:
374:
369:
367:
364:
336:
333:
317:Main article:
314:
308:
295:Main article:
292:
286:
283:
282:
279:
269:
261:
260:
254:
248:
243:
233:
225:
224:
221:
220:Screenwriters
218:
215:
212:
205:
202:
136:
135:
132:
128:
127:
124:
120:
119:
116:
113:
110:
109:
107:
106:
101:
95:
93:
92:Distributed by
89:
88:
85:
84:
79:
73:
72:
70:
65:
62:
61:
59:
58:
57:
56:
44:
42:
38:
37:
34:
26:
25:
15:
9:
6:
4:
3:
2:
2118:
2107:
2104:
2102:
2099:
2097:
2094:
2093:
2091:
2070:
2066:
2065:
2060:
2054:
2039:
2035:
2034:
2029:
2023:
2008:
2004:
2003:
1998:
1992:
1984:
1983:
1978:
1972:
1957:
1953:
1946:
1931:
1927:
1926:
1921:
1915:
1899:
1898:
1893:
1887:
1872:
1868:
1861:
1859:
1843:
1839:
1832:
1830:
1814:
1810:
1803:
1801:
1799:
1783:
1779:
1777:
1768:
1766:
1764:
1762:
1746:
1742:
1735:
1733:
1731:
1729:
1727:
1715:September 13,
1711:
1707:
1700:
1685:
1681:
1674:
1659:
1655:
1648:
1633:
1629:
1622:
1611:September 24,
1607:
1606:ComicBook.com
1603:
1596:
1581:
1577:
1570:
1568:
1566:
1550:
1546:
1539:
1523:
1519:
1512:
1510:
1508:
1506:
1504:
1502:
1486:
1482:
1475:
1473:
1471:
1469:
1467:
1451:
1450:Dread Central
1447:
1440:
1438:
1422:
1418:
1411:
1409:
1393:
1389:
1382:
1380:
1378:
1362:
1358:
1351:
1349:
1347:
1345:
1343:
1341:
1339:
1337:
1321:
1320:ComicBook.com
1317:
1310:
1295:
1291:
1284:
1269:
1265:
1258:
1243:
1239:
1232:
1217:
1213:
1211:
1202:
1200:
1184:
1180:
1173:
1158:
1154:
1152:
1143:
1141:
1125:
1121:
1114:
1099:
1095:
1088:
1072:
1068:
1062:
1060:
1044:
1040:
1039:
1034:
1028:
1026:
1021:
1011:
1008:
1007:
991:
988:
987:
983:
980:
978:
975:
974:
970:
967:
965:
962:
961:
958:
955:
953:
950:
947:
946:
934:
931:
924:
921:
914:
905:
904:
900:
899:
896:
893:
886:
883:
876:
867:
866:
862:
861:
855:
853:total income
851:Worldwide net
850:
847:
845:total income
842:
837:
832:
829:
828:
812:
810:
809:
804:
803:
798:
797:
792:
791:
786:
785:
776:
771:
769:
764:
760:
756:
751:
746:
745:found footage
742:
738:
737:
732:
728:
723:
721:
717:
713:
709:
704:
698:
696:
692:
685:
664:
661:
656:
655:
651:
650:
647:1 hr 20 mins
646:
644:
637:
634:
632:
629:
627:
626:
622:
621:
618:1 hr 17 mins
617:
615:
610:
605:
600:
597:
592:
591:Patrick Brice
589:
586:
584:
583:
579:
578:
575:Running time
574:
569:
564:
561:
558:
555:
554:
546:
534:
532:
529:
527:
524:
523:
520:
518:
515:
513:
510:
509:
504:
503:Katie Aselton
501:
498:
497:
494:
491:
489:
488:Patrick Brice
486:
483:
482:
479:
469:
468:
465:
460:
459:
453:
452:
447:
436:
427:
422:
419:
418:
417:
405:
403:
399:
395:
392:. The series
391:
386:
380:
373:
363:
361:
357:
352:
350:
346:
342:
332:
328:
326:
320:
312:
307:
303:
298:
290:
280:
270:
268:
267:
262:
259:
255:
253:
247:
246:Patrick Brice
234:
232:
231:
226:
209:
201:
199:
195:
191:
187:
182:
180:
179:created video
176:
172:
168:
167:Patrick Brice
164:
160:
156:
152:
151:psychological
149:
148:found footage
145:
144:
133:
129:
126:United States
125:
121:
117:
111:
105:
102:
100:
97:
96:
94:
90:
83:
80:
78:
75:
74:
71:
63:
55:
51:
50:
49:
46:
45:
43:
39:
32:
27:
22:
19:
2069:Fandom, Inc.
2062:
2053:
2038:Fandom, Inc.
2031:
2022:
2010:. Retrieved
2000:
1991:
1980:
1971:
1959:. Retrieved
1955:
1945:
1933:. Retrieved
1923:
1914:
1902:. Retrieved
1895:
1886:
1874:. Retrieved
1870:
1845:. Retrieved
1841:
1816:. Retrieved
1812:
1785:. Retrieved
1781:
1775:
1748:. Retrieved
1744:
1713:. Retrieved
1709:
1699:
1687:. Retrieved
1683:
1673:
1661:. Retrieved
1657:
1647:
1635:. Retrieved
1631:
1621:
1609:. Retrieved
1605:
1595:
1583:. Retrieved
1579:
1552:. Retrieved
1548:
1538:
1526:. Retrieved
1521:
1488:. Retrieved
1484:
1453:. Retrieved
1449:
1424:. Retrieved
1420:
1395:. Retrieved
1391:
1364:. Retrieved
1360:
1323:. Retrieved
1319:
1309:
1297:. Retrieved
1293:
1283:
1271:. Retrieved
1267:
1257:
1245:. Retrieved
1241:
1231:
1219:. Retrieved
1215:
1209:
1186:. Retrieved
1182:
1172:
1160:. Retrieved
1157:Rogue Morgue
1156:
1150:
1127:. Retrieved
1123:
1113:
1101:. Retrieved
1098:The Guardian
1097:
1087:
1075:. Retrieved
1070:
1046:. Retrieved
1036:
989:
976:
963:
929:
919:
912:
901:
891:
881:
874:
863:
840:video sales
808:Urban Legend
806:
800:
794:
788:
782:
779:
774:
754:
734:
724:
699:
690:
688:
683:
652:
623:
580:
570:Distributing
556:Composer(s)
551:Crew/Detail
478:Mark Duplass
463:
456:
449:
415:
393:
382:
371:
359:
355:
353:
348:
344:
340:
338:
329:
322:
310:
304:
300:
288:
264:
252:Mark Duplass
228:
194:cult classic
183:
171:Mark Duplass
142:
141:
139:
118:2014–present
114:Release date
48:Mark Duplass
18:
1982:The Numbers
1897:The Numbers
838:Total home
833:Box office
787:(1974) and
731:drama films
678:Development
631:Julian Wass
609:The Orchard
444:Television
390:first movie
175:videography
99:The Orchard
54:(See below)
2090:Categories
2072:Retrieved
2064:Metacritic
2041:Retrieved
2033:Metacritic
1421:Daily Dead
1392:Daily Dead
1212:Franchise"
1016:References
957:Metacritic
925:>$ 500
763:theatrical
727:Jason Blum
716:dark humor
695:Craigslist
572:companies
567:companies
565:Production
531:Karan Soni
438:Character
366:Television
275:2017-10-24
258:Jason Blum
239:2015-06-23
223:Producers
198:Its sequel
66:Production
2059:"Creep 2"
1977:"Creep 2"
1745:SF Weekly
1632:IndieWire
1549:IndieWire
1067:"Creep 2"
815:Reception
790:Halloween
217:Director
68:companies
2012:June 10,
1904:June 10,
1876:June 10,
1871:Deadline
1847:June 10,
1818:June 10,
1787:June 10,
1750:June 10,
1689:June 10,
1663:June 10,
1637:June 10,
1585:June 10,
1554:June 16,
1528:June 10,
1490:June 10,
1455:June 10,
1426:June 10,
1397:June 10,
1366:June 10,
1325:June 10,
1299:June 10,
1273:June 10,
1247:June 10,
1221:June 10,
1188:June 10,
1162:June 10,
1129:June 10,
1103:June 10,
1004:See also
799:(1996),
750:reshoots
712:arthouse
131:Language
41:Starring
2074:June 9,
2043:June 9,
2028:"Creep"
1961:June 9,
1935:June 9,
1684:Variety
1268:Variety
1183:Vulture
1077:June 9,
1048:June 9,
977:Creep 2
903:Creep 2
848:Budget
775:Creep 2
768:Netflix
741:pitched
703:CalArts
625:Creep 2
614:Netflix
562:Editor
499:Angela
458:Creep 2
398:Shudder
385:wrapped
356:Creep 2
349:Creep 2
345:Creep 2
319:Creep 2
311:Creep 2
273: (
266:Creep 2
237: (
186:Netflix
134:English
123:Country
104:Netflix
948:Title
887:$ 500
805:, and
796:Scream
484:Aaron
470:Josef
313:(2017)
291:(2014)
1776:Creep
1210:Creep
1151:Creep
1149:"The
964:Creep
865:Creep
830:Film
755:Creep
691:Creep
684:Creep
582:Creep
548:Film
525:Dave
511:Sara
451:Creep
441:Film
341:Creep
289:Creep
230:Creep
211:Film
204:Films
143:Creep
24:Creep
2076:2024
2045:2024
2014:2024
2007:IMDb
1963:2024
1937:2024
1930:IMDb
1906:2024
1878:2024
1849:2024
1820:2024
1789:2024
1752:2024
1717:2024
1691:2024
1665:2024
1639:2024
1613:2024
1587:2024
1556:2024
1530:2024
1492:2024
1457:2024
1428:2024
1399:2024
1368:2024
1327:2024
1301:2024
1275:2024
1249:2024
1223:2024
1190:2024
1164:2024
1131:2024
1105:2024
1079:2024
1050:2024
997:TBD
994:TBD
857:Ref.
671:TBA
668:TBA
659:TBA
402:AMC+
400:and
169:and
157:and
140:The
2092::
2067:.
2061:.
2036:.
2030:.
2005:.
1999:.
1979:.
1954:.
1928:.
1922:.
1894:.
1869:.
1857:^
1840:.
1828:^
1811:.
1797:^
1780:.
1760:^
1743:.
1725:^
1708:.
1682:.
1656:.
1630:.
1604:.
1578:.
1564:^
1547:.
1520:.
1500:^
1483:.
1465:^
1448:.
1436:^
1419:.
1407:^
1390:.
1376:^
1359:.
1335:^
1318:.
1292:.
1266:.
1240:.
1214:.
1198:^
1181:.
1155:.
1139:^
1122:.
1096:.
1069:.
1058:^
1041:.
1035:.
1024:^
908:—
870:—
611:,
601:,
362:.
2078:.
2047:.
2016:.
1965:.
1939:.
1908:.
1880:.
1851:.
1822:.
1791:.
1778:"
1754:.
1719:.
1693:.
1667:.
1641:.
1615:.
1589:.
1558:.
1532:.
1494:.
1459:.
1430:.
1401:.
1370:.
1329:.
1303:.
1277:.
1251:.
1225:.
1192:.
1166:.
1133:.
1107:.
1081:.
1052:.
277:)
241:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.