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236:"Before the American documentary had quite learned how to adapt itself to wartime uses, this fine record of the triumphant 1300 mile chase of Rommel's Afrika Korps from El Alamein to Tripoli, by the British 8th Army, came along to celebrate a victory, mark a turning point of the war, and spur on our own official film-makers to report back from the many fronts the thrilling facts of Allied combat. Exceptionally lucid as to the terrain and the action involved, the film also brought home with a shock to the average civilian the reality, the human element, of battle. It was, perhaps, the best and earliest vindication of the documentary film as the powerfully educational and inspiring force it can be."
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An early screening in the U.S., at New York's Museum of Modern Art, was for its "The
Documentary Film" series, lasting from January through May 1946. This film was shown on April 1-2-3-4, and the Museum offered high praise:
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relies heavily on captured German newsreel footage. Many of the most famous sequences in the film have been excerpted and appear with frequency in
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Barry, Iris. "The
Documentary Film, Prospect and Retrospect." The Bulletin of the Museum of Modern Art 13:2 (December 1945), 10.
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A photograph of a box containing the presentation print of the film
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Summer of Soul (...Or, When the
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Into the Arms of
Strangers: Stories of the Kindertransport
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Who Are the DeBolts? And Where Did They Get
Nineteen Kids?
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This article related to a
British film of the 1940s is a
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I Am a
Promise: The Children of Stanton Elementary School
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199:. Like the famous "
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58:Produced by
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1208:Categories
982:Undefeated
974:Inside Job
294:0826473903
264:References
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129:60 minutes
69:Production
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113:1943-03
111: (
1081:(2023)
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1041:(2018)
1033:(2017)
1030:Icarus
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