507:
122:
156:
46:
182:
347:
523:
524:
257:, or transposition keys. Four centuries later, Boethius interpreted Ptolemy in Latin, still with the meaning of transposition keys, not scales. When chant theory was first being formulated in the 9th century, these seven names plus an eighth,
234:), which served as a model for medieval European chant theorists when they developed their own modal classification system starting in the 9th century. The success of the Western synthesis of this system with elements from the fourth book of
521:
199:
In the diatonic genus, the sequence over the octave is the same as that produced by playing all the white notes of a piano ascending from E to E, a sequence equivalent to the pattern of the modern
206:
Placing the single tone at the bottom of the scale followed by two conjunct tetrachords (that is, the top note of the first tetrachord is also the bottom note of the second), produces the
249:
of Greek theory (a term with various meanings, including the sense of an octave consisting of eight tones), the name was appropriated (along with six others) by the 2nd-century theorist
962:
leads the listener to think of it as a minor song. In the final chord of the sequence, however, the third is a major sixth above the tonic, as in the Dorian scale. Examples include: "
1112:
2531:
2497:
522:
210:("below Dorian") octave species: A | B C D E | (E) F G A. Placing the two conjunct tetrachords together and the single tone at the top of the scale produces the
1482:, taking significant inspiration from the aforementioned medieval Gregorian chants to effect an "ancient and mysterious" sound, is written in E dorian
2669:
2493:
1579:
1553:
2099:
939:
is often cited as a Dorian modal piece, and while the melody line in places uses the major sixth scale degree, the chord progression is in
288:. The same scalar pattern, but starting a fourth or fifth below the mode final D, and extending a fifth above (or a sixth, terminating on B
735:"). Although Bach left no explicit indication, the piece is commonly assumed to be in the Dorian mode, since it bears no key signature.
2201:
1024:
1624:, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan; New York: Grove's Dictionaries of Music, 2001).
1604:, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan; New York: Grove's Dictionaries of Music, 2001).
2211:
2040:
1993:
1917:
1885:
1742:
1677:
1649:
1629:
1609:
732:
724:
1353:
1804:
350:
185:
159:
125:
49:
673:, a 14th-century monophonic Italian dance in two parts, with the second section designated "La Rotta della Manfredina" (
258:
2227:
1039:
239:
2060:
1763:
1721:
1697:
1423:
1869:
1374:
1290:
2334:
1392:
1877:
1279:
1716:, edited by Jann Pasler, 16–38 (Berkeley, Los Angeles, and London: University of California Press, 1986): 33.
1073:
674:
664:
654:
549:
1515:
716:"Chorale prelude for organ in Dorian mode, BuxWV 180: Christ, unser Herr zum Jordan kam", an organ piece by
453:
in quality, because, as the D becomes the new tonal centre, the F a minor third above the D becomes the new
866:
581:
1669:
1588:
1562:
808:– The composition takes an AABA form with chords in the "A" sections in D Dorian and the "B" section in E
801:
537:
346:
181:
155:
121:
45:
877:. The song is a simple but atypical I7-V7-IV7 12-bar progression with a key signature corresponding to C
242:, created the false impression that the Byzantine octoechos was inherited directly from ancient Greece.
2162:
1834:, with introduction and rubrics in English. (Tournai and New York: Desclée & Co., 1961): 1259–1261.
1644:, second edition, 29 vols., edited by Stanley Sadie and John Tyrrell (London: Macmillan, 2001): 7:507.
974:
751:
663:, a 14th-century monophonic Italian dance in two parts, with the second section designated "La Rotta" (
302:. In the untransposed form on D, in both the authentic and plagal forms the note C is often raised to C
1860:, with introduction and rubrics in English. (Tournai and New York: Desclée & Co., 1961): 880–881.
1215:
776:
574:
1779:
1600:
Harold S. Powers, "Mode, §II: Medieval modal theory, 2: Carolingian synthesis, 9th–10th centuries",
2584:
1907:
818:
617:
533:
33:(characteristic melodic behaviour, or the scale structure associated with it); one of the medieval
2110:
2623:
2559:
2136:
1847:, with introduction and rubrics in English. (Tournai and New York: Desclée & Co., 1961): 780.
1577:, "Greece, §I: Ancient: 6. Music Theory: (iii) Aristoxenian Tradition: (e) Tonoi and Harmoniai".
1346:
1318:
917:
764:
545:
481:
353:
227:
188:
162:
128:
52:
41:, corresponding to the piano keyboard's white notes from D to D, or any transposition of itself.
2690:
2618:
2580:
2570:
1529:
1226:
849:– The composition takes an AABA form with the "A" sections in D Dorian and the "B" section in E
631:
2175:
2030:
759:
2664:
2659:
2651:
2590:
2077:
874:
842:
728:
1294:
1261:
687:
682:
624:
2007:
8:
2565:
2327:
1574:
1548:
1511:
1479:
1204:
1156:
995:
717:
585:
491:
473:
27:
506:
261:(later changed to Hypomixolydian), were again re-appropriated in the anonymous treatise
1941:
1360:
1268:
1149:
999:
686:(Mass of Our Lady), a polyphonic mass composed before 1365 by French poet and composer
2307:
1957:"The eclecticism of Camille Saint-Saëns: defining a "French sound" in music 1866-1896"
606:
2406:
2207:
2056:
2036:
1989:
1913:
1889:
1881:
1759:
1738:
1717:
1693:
1673:
1645:
1625:
1605:
1459:
1378:
1329:
982:
640:
1551:, "Greece, §I: Ancient: 6. Music Theory: (iii) Aristoxenian Tradition: (d) Scales".
2695:
2555:
2547:
2466:
2461:
2451:
2302:
1709:
1505:
1406:
1367:
1301:
1244:
704:
599:
106:
1956:
2518:
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2416:
2411:
2401:
2383:
2073:
1191:
1180:
1167:
1084:
1065:
1043:
967:
959:
870:
610:
384:, since the pattern of whole and half steps is the same ascending or descending.
381:
364:
or any transposition of its interval pattern, which has the ascending pattern of
299:
211:
207:
140:
731:(also informally known as "the Dorian" to distinguish it from the better known "
387:
The modern Dorian mode can also be thought of as a scale with a minor third and
2641:
2633:
2613:
2605:
2575:
2481:
2360:
2351:
2320:
1524:
1520:
1455:
1410:
1248:
1057:
1035:) sounds heavily pentatonic, but is in fact (nominally) in the 'D' Dorian mode.
1032:
989:
836:
805:
567:
458:
400:
339:
335:
270:
174:
87:
38:
2272:
2249:
2156:
2684:
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2527:
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1665:
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1305:
1116:
932:
780:
495:
462:
440:
432:
404:
388:
200:
1008:
accidental, but is actually played in E Dorian. It shares a key signature (F
790:, Op. 26), Saint-Saëns uses an E Dorian scale in the first half of the song.
2537:
2523:
2456:
2446:
2343:
1333:
1322:
1283:
1237:
1101:
1061:
1028:
940:
511:
477:
444:
392:
309:
215:
110:
34:
958:
The chord sequence i–III–VII–IV is sometimes used in pop songs, where the
2513:
2489:
2436:
2393:
2378:
2312:
1893:
1501:
1487:
1444:
1440:
1400:
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832:
828:
822:
553:
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295:
148:
114:
26:
can refer to three very different but interrelated subjects: one of the
1448:
1396:
1272:
1219:
1184:
1094:
436:
365:
342:
corresponding to the white keys of the piano from D to D (shown below)
91:
2055:
Transcription in "R&B Bass Bible" (Milwaukee: Hal
Leonard, 2005).
276:
In medieval theory, the authentic Dorian mode could include the note B
2174:
Nile, Rodgers; Bernard, Edwards; Gang, Sugarhill (12 November 2007).
1208:
1129:
1105:
1080:
978:
963:
746:
541:
369:
231:
1472:
769:
650:
144:
2297:
924:
during the choruses to build tension, while staying in the key of
2032:
Jazz Theory and
Practice: For Performers, Arrangers and Composers
1136:
925:
454:
250:
94:(four-note segments) separated by a whole tone, running from the
79:
447:
up to its second degree again. The resulting scale is, however,
480:) but with a major sixth. The modern Dorian mode resembles the
294:), was numbered as mode 2 in the medieval system. This was the
83:
1912:(1st ed.). London, UK: Chatto & Windus. p. 261.
269:, first gave it a new sense as one of a set of eight diatonic
1427:
921:
636:
1712:, "From Subject to Style: Stravinsky and the Painters", in
639:
from the late 13th or early 14th century, recorded in the
298:
corresponding to the authentic Dorian, and was called the
1939:
Lionel Pike, "Sibelius's Debt to
Renaissance Polyphony",
352:
Audio playback is not supported in your browser. You can
187:
Audio playback is not supported in your browser. You can
161:
Audio playback is not supported in your browser. You can
127:
Audio playback is not supported in your browser. You can
51:
Audio playback is not supported in your browser. You can
1876:, edited by Robert Winter and Robert Martin, (Berkeley:
1737:, eighth edition (Boston: McGraw-Hill, 2009): 243–244.
1690:
Counterpoint in
Composition: The Study of Voice Leading
334:
The modern Dorian mode (also called "Russian minor" by
588:, often sung in English as "Sing We Now of Christmas")
501:
1945:
55, no. 3 (July 1974): 317–326 (citation on 318–319).
1132:" by the Beatles (A Dorian, then briefly D Dorian #4)
988:"The Night The Lights Went Out In Georgia" (1973) by
214:
octave species, a note sequence equivalent to modern
203:, although the temperament differs by small amounts.
1714:
Confronting
Stravinsky: Man, Musician, and Modernist
245:
Originally used to designate one of the traditional
1999:
2251:Tears For Fears - Mad World (Official Music Video)
1692:(New York: Columbia University Press, 1989): 10.
745:The "Et incarnatus est" in the Credo movement of
693:"Personent Hodie", Medieval Latin Christmas carol
2682:
2173:
1662:The New Grove Dictionary of Music and Musicians
1642:The New Grove Dictionary of Music and Musicians
1622:The New Grove Dictionary of Music and Musicians
1602:The New Grove Dictionary of Music and Musicians
1580:The New Grove Dictionary of Music and Musicians
1554:The New Grove Dictionary of Music and Musicians
1002:is often written in E minor with a persistent C
920:. The song uses the modern Dorian scale on the
230:developed a system of eight musical modes (the
328:
2328:
1988:, (Katonah, New York: Ekay Music, 1990): 75.
443:, i.e., a major scale played from its second
376:whole, half, whole, whole, whole, half, whole
312:, and the variable sixth step is in general B
1773:
1771:
472:The modern Dorian mode is equivalent to the
265:. A commentary on that treatise, called the
2229:The Sugarhill Gang – Rappers Delight (Bass)
2134:
2072:
2028:
1980:
1978:
1976:
37:; or—most commonly—one of the modern modal
2342:
2335:
2321:
2097:
2010:. Vancouver, British Columbia: Roedy Black
1905:
407:, notated relative to the major scale as:
2137:"Mad World Deconstructed Anthony Pacheco"
1777:
1768:
643:and thought to have originated in France.
2029:Hellmer, Jeffrey; Lawn, Richard (2005).
1973:
1748:
1733:Bruce Benward and Marilyn Nadine Saker,
505:
64:
1735:Music in Theory and Practice: Volume II
490:It is also equivalent to the ascending
427:It may be considered an "excerpt" of a
221:
109:, the intervals in each tetrachord are
2683:
2303:Dorian Scale over the Circle of Fifths
2199:
1954:
1664:, second edition, 29 vols., edited by
2316:
1856:The Benedictines of Solesmes (eds.),
1843:The Benedictines of Solesmes (eds.),
1828:The Benedictines of Solesmes (eds.),
1672:(London: Macmillan, 2001): 12:36–37.
733:Toccata and Fugue in D minor, BWV 565
725:Toccata and Fugue in D minor, BWV 538
327:
1363:" by Led Zeppelin (chorus; A Dorian)
1354:Norwegian Wood (This Bird Has Flown)
758:The "Royal March of the Lions" from
649:, a 14th-century monophonic Italian
63:
1356:" by the Beatles (chorus; E Dorian)
768:suite uses Dorian mode to evoke a "
703:"Il est bel et bon", a madrigal by
502:Notable compositions in Dorian mode
13:
14:
2707:
2291:
1688:Felix Salzer and Carl Schachter,
1229:" by Radiohead (chorus; E Dorian)
1020:) with its relative key, D major.
465:is built upon the tonic, it is a
2008:"How Keys and Modes REALLY Work"
1660:Harold S. Powers, "Hypodorian",
1424:The Fox (What Does the Fox Say?)
1375:What Goes Around... Comes Around
1159:" by Radiohead (verse; D Dorian)
680:The Kyrie, Gloria, and Credo of
635:, an anonymous three-part Latin
602:", Gregorian chant (Marian hymn)
519:
2265:
2242:
2220:
2193:
2167:
2150:
2128:
2091:
2066:
2049:
2022:
1948:
1933:
1899:
1874:The Beethoven Quartet Companion
1863:
1850:
1837:
1822:
1797:
1510:kOdipPaalai / Pann Marudham in
177:, they are semitone–tone–tone.
1878:University of California Press
1872:, "Notes on the Quartets", in
1727:
1703:
1682:
1654:
1634:
1614:
1594:
1568:
1542:
1475:, the national anthem of Japan
1113:Everything Means Nothing To Me
697:
560:
532:Hit songs in Dorian include, "
338:,) by contrast, is a strictly
282:"by licence", in addition to B
1:
2035:. Alfred Music. p. 190.
1809:hymnsandcarolsofchristmas.com
1805:"Noel Nouvelet – French Noel"
1535:
1074:London Philharmonic Orchestra
675:British Library, Add MS 29987
665:British Library, Add MS 29987
655:British Library, Add MS 29987
627:", Gregorian chant (sequence)
620:", Gregorian chant (sequence)
1780:"Marks of the Dorian family"
1640:Harold S. Powers, "Dorian",
1620:Peter Jeffery, "OktĹŤÄ“chos",
1583:, second edition, edited by
1557:, second edition, edited by
1370:" by Harry Styles (D Dorian)
349:
184:
158:
124:
48:
7:
2206:. Hal Leonard Corporation.
1909:Camille Saint-Saëns: A Life
1495:
1388:" by Chris Isaak (B Dorian)
1152:" by the Beatles (E Dorian)
739:
592:
380:Thus, the Dorian mode is a
10:
2712:
2078:"Notes on 'Eleanor Rigby'"
1591:(London: Macmillan, 2001).
1565:(London: Macmillan, 2001).
1523:, the equivalent scale in
1504:, the equivalent scale in
1349:" by Pink Floyd (B Dorian)
1264:" by Pink Floyd (G Dorian)
1093:Dorian, F Dorian cover by
928:for the verses and melody.
859:
710:
70:The Dorian mode (properly
2650:
2632:
2604:
2546:
2480:
2429:
2392:
2359:
2350:
1756:The Songwriter's Workshop
2585:descending melodic major
2532:descending melodic minor
1955:Kayali, Francis (2008).
1754:Kachulis, Jimmy (2004).
1466:
786:In "La Brise" (from the
618:Victimae paschali laudes
439:above the major scale's
318:in ascending lines and B
16:Authentic Gregorian mode
2560:ascending melodic minor
2498:ascending melodic major
2158:"Get Lucky" (Daft Punk)
1778:Tillekens, Ger (2002).
1758:, p.41. Berklee Press.
1194:" by Michael Jackson (C
794:
783:are in the Dorian mode.
765:Carnival of the Animals
647:Chominciamento di gioia
609:" (original setting in
546:Owner of a Lonely Heart
487:in the diatonic genus.
354:download the audio file
253:to designate his seven
189:download the audio file
163:download the audio file
129:download the audio file
53:download the audio file
2571:Lydian augmented (III)
2344:Modes in Western music
2308:Dorian Scale on guitar
2298:Dorian Mode – Analysis
2274:Mad World - Gary Jules
2200:Letsch, Glenn (2005).
1530:Ukrainian Dorian scale
883:major but with every B
775:Large portions of the
632:Alle Psallite Cum Luya
586:French Christmas carol
558:
556:"..., and many others.
528:
236:De institutione musica
2652:Double harmonic scale
2624:Phrygian dominant (V)
2619:Ukrainian Dorian (IV)
867:Born Under a Bad Sign
729:Johann Sebastian Bach
727:", an organ piece by
540:"..., "Lowdown"..., "
530:
509:
271:species of the octave
82:. Applied to a whole
78:) is named after the
2665:Hungarian minor (IV)
2591:Half diminished (VI)
2581:Aeolian dominant (V)
1262:Great Gig in the Sky
1049:"Autumn Sweater" by
688:Guillaume de Machaut
683:Messe de Nostre Dame
625:Veni Sancte Spiritus
222:Medieval Dorian mode
2660:Double harmonic (I)
1986:1000 Keyboard Ideas
1942:Music & Letters
1906:Brian Rees (1999).
1575:Thomas J. Mathiesen
1549:Thomas J. Mathiesen
1512:Ancient Tamil music
1205:Riders on the Storm
907:, making the song C
760:Camille Saint-Saëns
718:Dieterich Buxtehude
661:Lamento di Tristano
492:melodic minor scale
474:natural minor scale
90:was built upon two
2642:Harmonic major (I)
2614:Harmonic minor (I)
2176:"Rapper's Delight"
2116:on 2 February 2014
1516:Evolution of Panns
1395:" (D Dorian) and "
1361:Stairway To Heaven
1269:Give It to Me Baby
653:in five sections (
529:
329:Modern Dorian mode
2678:
2677:
2425:
2424:
2213:978-0-634-07370-0
2135:Anthony Pacheco.
2042:978-1-4574-1068-0
1994:978-0-943748-48-1
1919:978-1-85619-773-1
1886:978-0-520-20420-1
1870:Michael Steinberg
1743:978-0-07-310188-0
1678:978-1-56159-239-5
1650:978-1-56159-239-5
1630:978-1-56159-239-5
1610:978-1-56159-239-5
1460:Sabrina Carpenter
1379:Justin Timberlake
1139:" by Radiohead (G
983:Pharrell Williams
835:, popularized by
788:MĂ©lodies Persanes
641:Montpellier Codex
525:
514:'s "Chanty" from
358:
193:
167:
133:
100:nete diezeugmenon
65:Greek Dorian mode
57:
2703:
2357:
2356:
2337:
2330:
2323:
2314:
2313:
2285:
2284:
2283:
2281:
2269:
2263:
2262:
2261:
2259:
2246:
2240:
2239:
2238:
2236:
2224:
2218:
2217:
2197:
2191:
2190:
2188:
2186:
2171:
2165:
2159:
2154:
2148:
2147:
2145:
2143:
2132:
2126:
2125:
2123:
2121:
2115:
2109:. Archived from
2108:
2098:Bill T. Roxler.
2095:
2089:
2088:
2086:
2084:
2070:
2064:
2053:
2047:
2046:
2026:
2020:
2019:
2017:
2015:
2003:
1997:
1982:
1971:
1970:
1968:
1966:
1961:
1952:
1946:
1937:
1931:
1930:
1928:
1926:
1903:
1897:
1867:
1861:
1854:
1848:
1841:
1835:
1826:
1820:
1819:
1817:
1815:
1801:
1795:
1794:
1792:
1790:
1775:
1766:
1752:
1746:
1731:
1725:
1710:Richard Taruskin
1707:
1701:
1686:
1680:
1658:
1652:
1638:
1632:
1618:
1612:
1598:
1592:
1572:
1566:
1546:
1506:Hindustani music
1435:
1434:
1418:
1417:
1407:Heart-Shaped Box
1399:" (F Dorian) by
1368:Watermelon Sugar
1341:
1340:
1313:
1312:
1256:
1255:
1199:
1198:
1175:
1174:
1144:
1143:
1124:
1123:
1092:
1091:
1019:
1018:
1013:
1012:
1007:
1006:
996:Rapper's Delight
954:
953:
948:
947:
918:First of October
912:
911:
906:
905:
900:
899:
894:
893:
888:
887:
882:
881:
854:
853:
813:
812:
705:Pierre Passereau
600:Ave maris stella
584:" (15th century
575:Scarborough Fair
527:
526:
516:Poems of the Sea
431:played from the
422:
421:
416:
415:
330:
323:
322:
317:
316:
307:
306:
293:
292:
287:
286:
281:
280:
228:Byzantine church
107:enharmonic genus
66:
2711:
2710:
2706:
2705:
2704:
2702:
2701:
2700:
2681:
2680:
2679:
2674:
2646:
2628:
2600:
2542:
2476:
2421:
2388:
2346:
2341:
2294:
2289:
2288:
2279:
2277:
2271:
2270:
2266:
2257:
2255:
2254:, 9 August 2013
2248:
2247:
2243:
2234:
2232:
2226:
2225:
2221:
2214:
2198:
2194:
2184:
2182:
2172:
2168:
2157:
2155:
2151:
2141:
2139:
2133:
2129:
2119:
2117:
2113:
2106:
2096:
2092:
2082:
2080:
2074:Alan W. Pollack
2071:
2067:
2054:
2050:
2043:
2027:
2023:
2013:
2011:
2006:
2004:
2000:
1984:Ronald Herder,
1983:
1974:
1964:
1962:
1959:
1953:
1949:
1938:
1934:
1924:
1922:
1920:
1904:
1900:
1868:
1864:
1855:
1851:
1842:
1838:
1827:
1823:
1813:
1811:
1803:
1802:
1798:
1788:
1786:
1776:
1769:
1753:
1749:
1732:
1728:
1708:
1704:
1687:
1683:
1659:
1655:
1639:
1635:
1619:
1615:
1599:
1595:
1573:
1569:
1547:
1543:
1538:
1498:
1469:
1432:
1431:
1415:
1414:
1338:
1337:
1310:
1309:
1253:
1252:
1196:
1195:
1181:Blinding Lights
1172:
1171:
1168:Michael Jackson
1150:Don't Bother Me
1141:
1140:
1121:
1120:
1089:
1088:
1085:Tears for Fears
1066:Miriam Stockley
1064:performed with
1044:Imagine Dragons
1016:
1015:
1010:
1009:
1004:
1003:
968:Tears for Fears
960:harmonic rhythm
951:
950:
945:
944:
909:
908:
903:
902:
897:
896:
891:
890:
885:
884:
879:
878:
871:Booker T. Jones
862:
851:
850:
810:
809:
797:
742:
713:
700:
690:(c. 1300–1377).
611:Gregorian chant
595:
563:
520:
510:Dorian mode in
504:
482:Greek Phrygian
461:. Thus, when a
419:
418:
413:
412:
382:symmetric scale
360:
359:
357:
332:
320:
319:
314:
313:
304:
303:
300:Hypodorian mode
290:
289:
284:
283:
278:
277:
259:Hypermixolydian
224:
195:
194:
192:
169:
168:
166:
141:chromatic genus
135:
134:
132:
68:
59:
58:
56:
39:diatonic scales
17:
12:
11:
5:
2709:
2699:
2698:
2693:
2676:
2675:
2673:
2672:
2667:
2662:
2656:
2654:
2648:
2647:
2645:
2644:
2638:
2636:
2634:Harmonic major
2630:
2629:
2627:
2626:
2621:
2616:
2610:
2608:
2606:Harmonic minor
2602:
2601:
2599:
2598:
2593:
2588:
2578:
2573:
2568:
2566:Dorian â™2 (II)
2563:
2556:Jazz minor (I)
2552:
2550:
2544:
2543:
2541:
2540:
2535:
2521:
2519:Mixolydian (V)
2516:
2511:
2509:Phrygian (III)
2506:
2501:
2486:
2484:
2478:
2477:
2475:
2474:
2469:
2464:
2459:
2454:
2449:
2444:
2439:
2433:
2431:
2427:
2426:
2423:
2422:
2420:
2419:
2417:Hypomixolydian
2414:
2409:
2404:
2398:
2396:
2390:
2389:
2387:
2386:
2381:
2376:
2371:
2365:
2363:
2354:
2348:
2347:
2340:
2339:
2332:
2325:
2317:
2311:
2310:
2305:
2300:
2293:
2292:External links
2290:
2287:
2286:
2264:
2241:
2219:
2212:
2203:R & B bass
2192:
2180:Musicnotes.com
2166:
2149:
2127:
2090:
2065:
2048:
2041:
2021:
1998:
1972:
1947:
1932:
1918:
1898:
1880:, 1994): 270.
1862:
1849:
1836:
1821:
1796:
1767:
1747:
1726:
1702:
1681:
1653:
1633:
1613:
1593:
1567:
1540:
1539:
1537:
1534:
1533:
1532:
1527:
1525:Carnatic music
1521:Kharaharapriya
1518:
1508:
1497:
1494:
1493:
1492:
1483:
1476:
1468:
1465:
1464:
1463:
1452:
1437:
1420:
1403:
1389:
1382:
1371:
1364:
1357:
1350:
1343:
1326:
1315:
1298:
1287:
1276:
1265:
1258:
1241:
1230:
1223:
1212:
1201:
1188:
1177:
1160:
1153:
1146:
1133:
1126:
1109:
1098:
1077:
1054:
1047:
1036:
1021:
1000:Sugarhill Gang
992:
990:Vicki Lawrence
986:
971:
956:
929:
914:
861:
858:
857:
856:
839:
825:
815:
806:Herbie Hancock
796:
793:
792:
791:
784:
777:Symphony No. 6
773:
756:
752:Missa Solemnis
741:
738:
737:
736:
721:
712:
709:
708:
707:
699:
696:
695:
694:
691:
678:
668:
658:
644:
628:
621:
614:
603:
594:
591:
590:
589:
578:
571:
568:Drunken Sailor
562:
559:
503:
500:
425:
424:
401:perfect fourth
378:
377:
362:
361:
351:
348:
340:diatonic scale
331:
326:
267:Nova expositio
223:
220:
197:
196:
186:
183:
175:diatonic genus
171:
170:
160:
157:
137:
136:
126:
123:
113:–quarter tone–
88:octave species
67:
62:
61:
60:
50:
47:
15:
9:
6:
4:
3:
2:
2708:
2697:
2694:
2692:
2691:Modes (music)
2689:
2688:
2686:
2671:
2668:
2666:
2663:
2661:
2658:
2657:
2655:
2653:
2649:
2643:
2640:
2639:
2637:
2635:
2631:
2625:
2622:
2620:
2617:
2615:
2612:
2611:
2609:
2607:
2603:
2597:
2596:Altered (VII)
2594:
2592:
2589:
2586:
2582:
2579:
2577:
2576:Acoustic (IV)
2574:
2572:
2569:
2567:
2564:
2561:
2557:
2554:
2553:
2551:
2549:
2545:
2539:
2538:Locrian (VII)
2536:
2533:
2529:
2528:natural minor
2525:
2522:
2520:
2517:
2515:
2512:
2510:
2507:
2505:
2502:
2499:
2495:
2494:natural major
2491:
2488:
2487:
2485:
2483:
2479:
2473:
2472:Reciting tone
2470:
2468:
2465:
2463:
2460:
2458:
2455:
2453:
2450:
2448:
2445:
2443:
2440:
2438:
2435:
2434:
2432:
2428:
2418:
2415:
2413:
2410:
2408:
2405:
2403:
2400:
2399:
2397:
2395:
2391:
2385:
2382:
2380:
2377:
2375:
2372:
2370:
2367:
2366:
2364:
2362:
2358:
2355:
2353:
2349:
2345:
2338:
2333:
2331:
2326:
2324:
2319:
2318:
2315:
2309:
2306:
2304:
2301:
2299:
2296:
2295:
2276:
2275:
2268:
2253:
2252:
2245:
2231:
2230:
2223:
2215:
2209:
2205:
2204:
2196:
2181:
2177:
2170:
2164:
2160:
2153:
2138:
2131:
2112:
2105:
2103:
2102:Eleanor Rigby
2100:"Thoughts on
2094:
2079:
2075:
2069:
2062:
2061:0-634-08926-9
2058:
2052:
2044:
2038:
2034:
2033:
2025:
2009:
2005:Wayne Chase,
2002:
1995:
1991:
1987:
1981:
1979:
1977:
1958:
1951:
1944:
1943:
1936:
1921:
1915:
1911:
1910:
1902:
1895:
1891:
1887:
1883:
1879:
1875:
1871:
1866:
1859:
1858:Liber Usualis
1853:
1846:
1845:Liber Usualis
1840:
1833:
1832:
1831:Liber Usualis
1825:
1810:
1806:
1800:
1785:
1781:
1774:
1772:
1765:
1764:9781476867373
1761:
1757:
1751:
1744:
1740:
1736:
1730:
1723:
1722:0-520-05403-2
1719:
1715:
1711:
1706:
1699:
1698:0-231-07039-X
1695:
1691:
1685:
1679:
1675:
1671:
1667:
1666:Stanley Sadie
1663:
1657:
1651:
1647:
1643:
1637:
1631:
1627:
1623:
1617:
1611:
1607:
1603:
1597:
1590:
1586:
1585:Stanley Sadie
1582:
1581:
1576:
1571:
1564:
1560:
1559:Stanley Sadie
1556:
1555:
1550:
1545:
1541:
1531:
1528:
1526:
1522:
1519:
1517:
1513:
1509:
1507:
1503:
1500:
1499:
1490:
1489:
1484:
1481:
1477:
1474:
1471:
1470:
1461:
1457:
1453:
1450:
1446:
1442:
1438:
1429:
1425:
1421:
1412:
1408:
1404:
1402:
1398:
1394:
1390:
1387:
1383:
1380:
1376:
1372:
1369:
1365:
1362:
1358:
1355:
1351:
1348:
1344:
1335:
1331:
1327:
1324:
1320:
1316:
1307:
1306:Joni Mitchell
1303:
1299:
1296:
1292:
1291:Love Me Again
1288:
1285:
1281:
1277:
1274:
1270:
1266:
1263:
1259:
1250:
1246:
1245:I Can't Dance
1242:
1239:
1235:
1231:
1228:
1224:
1221:
1217:
1213:
1210:
1206:
1202:
1193:
1189:
1186:
1182:
1178:
1169:
1165:
1161:
1158:
1154:
1151:
1147:
1138:
1134:
1131:
1127:
1118:
1117:Elliott Smith
1114:
1110:
1107:
1103:
1099:
1096:
1086:
1082:
1078:
1075:
1071:
1067:
1063:
1059:
1055:
1052:
1048:
1045:
1041:
1037:
1034:
1030:
1026:
1022:
1001:
997:
993:
991:
987:
984:
980:
976:
972:
969:
965:
961:
957:
942:
938:
934:
933:Eleanor Rigby
930:
927:
923:
919:
915:
876:
872:
869:" written by
868:
864:
863:
848:
844:
840:
838:
834:
830:
826:
824:
820:
816:
807:
803:
802:Maiden Voyage
799:
798:
789:
785:
782:
781:Jean Sibelius
778:
774:
771:
767:
766:
761:
757:
754:
753:
748:
744:
743:
734:
730:
726:
722:
719:
715:
714:
706:
702:
701:
692:
689:
685:
684:
679:
676:
672:
671:La Manfredina
669:
666:
662:
659:
656:
652:
648:
645:
642:
638:
634:
633:
629:
626:
622:
619:
615:
612:
608:
604:
601:
597:
596:
587:
583:
582:Noël nouvelet
579:
576:
572:
569:
565:
564:
557:
555:
551:
547:
543:
539:
535:
517:
513:
508:
499:
497:
496:minor seventh
493:
488:
486:
485:
479:
475:
470:
468:
464:
460:
456:
452:
451:
446:
442:
438:
434:
430:
410:
409:
408:
406:
402:
398:
394:
390:
385:
383:
375:
374:
373:
371:
367:
355:
345:
344:
343:
341:
337:
325:
311:
301:
297:
274:
273:, or scales.
272:
268:
264:
260:
256:
252:
248:
243:
241:
237:
233:
229:
219:
217:
213:
209:
204:
202:
201:Phrygian mode
190:
180:
179:
178:
176:
164:
154:
153:
152:
150:
146:
142:
130:
120:
119:
118:
116:
112:
108:
103:
101:
97:
93:
89:
86:, the Dorian
85:
81:
80:Dorian Greeks
77:
73:
54:
44:
43:
42:
40:
36:
35:musical modes
32:
29:
28:Ancient Greek
25:
21:
2670:Oriental (V)
2524:Aeolian (VI)
2503:
2407:Hypophrygian
2368:
2278:, retrieved
2273:
2267:
2256:, retrieved
2250:
2244:
2233:, retrieved
2228:
2222:
2202:
2195:
2183:. Retrieved
2179:
2169:
2152:
2140:. Retrieved
2130:
2118:. Retrieved
2111:the original
2101:
2093:
2081:. Retrieved
2068:
2051:
2031:
2024:
2012:. Retrieved
2001:
1985:
1963:. Retrieved
1950:
1940:
1935:
1923:. Retrieved
1908:
1901:
1873:
1865:
1857:
1852:
1844:
1839:
1829:
1824:
1812:. Retrieved
1808:
1799:
1787:. Retrieved
1783:
1755:
1750:
1734:
1729:
1713:
1705:
1689:
1684:
1670:John Tyrrell
1661:
1656:
1641:
1636:
1621:
1616:
1601:
1596:
1589:John Tyrrell
1578:
1570:
1563:John Tyrrell
1552:
1544:
1486:
1393:Burn it Down
1334:Led Zeppelin
1284:Lana Del Rey
1238:Jimi Hendrix
1157:Lotus Flower
1102:Karma Police
1062:Karl Jenkins
1029:Clean Bandit
916:"Dorian" by
895:lowered to B
875:William Bell
787:
763:
750:
681:
670:
660:
646:
630:
613:, sequence).
531:
515:
512:Ernest Bloch
489:
483:
478:Aeolian mode
471:
459:third degree
448:
445:scale degree
426:
417:3, 4, 5, 6,
393:major second
386:
379:
372:as follows:
363:
333:
324:in descent.
310:leading tone
275:
266:
262:
254:
246:
244:
235:
225:
216:Locrian mode
205:
198:
172:
138:
111:quarter tone
104:
99:
96:hypate meson
95:
75:
71:
69:
30:
23:
19:
18:
2514:Lydian (IV)
2504:Dorian (II)
2462:Hypolocrian
2452:Hypoaeolian
2280:27 November
2258:27 November
1814:18 December
1784:icce.rug.nl
1488:Angry Birds
1445:Mark Ronson
1441:Uptown Funk
1401:Linkin Park
1386:Wicked Game
1295:John Newman
1234:Purple Haze
1164:Billie Jean
1070:Mary Carewe
1051:Yo La Tengo
1040:Radioactive
937:the Beatles
847:Miles Davis
833:Tito Puente
829:Oye Como Va
823:Miles Davis
698:Renaissance
561:Traditional
554:Billie Jean
467:minor triad
429:major scale
366:whole steps
296:plagal mode
263:Alia Musica
149:minor third
143:, they are
115:major third
92:tetrachords
20:Dorian mode
2685:Categories
2548:Jazz minor
2490:Ionian (I)
2467:Pentatonic
2442:Hypoionian
2412:Hypolydian
2402:Hypodorian
2384:Mixolydian
2014:1 December
1925:19 October
1789:31 January
1536:References
1480:Halo theme
1462:(B Dorian)
1451:(D Dorian)
1449:Bruno Mars
1447:featuring
1397:New Divide
1381:(A Dorian)
1330:No Quarter
1325:(E Dorian)
1319:Supersonic
1297:(G Dorian)
1286:(F Dorian)
1280:Blue Jeans
1275:(D Dorian)
1273:Rick James
1240:(E Dorian)
1222:(E Dorian)
1220:Pink Floyd
1211:(E Dorian)
1187:(F Dorian)
1185:the Weeknd
1108:(A Dorian)
1095:Gary Jules
1076:(D Dorian)
1053:(D Dorian)
1046:(B Dorian)
985:(B Dorian)
981:featuring
819:Milestones
677:, No. 92).
667:, No. 91).
657:, No. 78).
518:, mm. 1–8.
437:whole tone
370:half steps
308:to form a
226:The early
212:Mixolydian
208:Hypodorian
147:–semitone–
24:Doric mode
2361:Authentic
2352:Gregorian
2235:31 August
2185:31 August
2120:25 August
2083:11 August
1302:Woodstock
1209:the Doors
1170:(verse; F
1130:I Me Mine
1106:Radiohead
1081:Mad World
1025:Tick Tock
979:Daft Punk
975:Get Lucky
964:Mad World
747:Beethoven
607:Dies irae
550:Moondance
542:Foxy Lady
534:Evil Ways
336:Balakirev
247:harmoniai
232:octoechos
31:harmoniai
2482:Diatonic
2374:Phrygian
2142:21 April
1894:27034831
1496:See also
1473:Kimigayo
1433:♯
1416:♯
1339:♯
1311:♭
1254:♭
1197:♯
1192:Thriller
1173:♯
1142:♯
1122:♭
1090:♯
1017:♯
1011:♯
1005:♯
952:♭
946:♭
910:♯
904:♮
898:♮
892:♯
886:♯
880:♯
852:♭
811:♭
740:Romantic
651:estampie
593:Medieval
484:harmonia
476:(or the
420:♭
414:♭
399:, and a
321:♭
315:♮
305:♯
291:♭
285:♮
279:♭
240:Boethius
145:semitone
72:harmonia
2696:Dorians
2457:Locrian
2447:Aeolian
2163:YouTube
1456:Feather
1436:Dorian)
1419:Dorian)
1411:Nirvana
1342:Dorian)
1314:Dorian)
1257:Dorian)
1249:Genesis
1216:Breathe
1200:Dorian)
1176:Dorian)
1145:Dorian)
1137:15 Step
1125:Dorian)
1058:Adiemus
949:VI and
941:Aeolian
926:D minor
913:Dorian.
860:Popular
855:Dorian.
843:So What
837:Santana
814:Dorian.
772:style."
770:Persian
711:Baroque
552:"..., "
548:"..., "
544:"..., "
494:with a
455:mediant
389:seventh
251:Ptolemy
173:In the
139:In the
105:In the
98:to the
2437:Ionian
2394:Plagal
2379:Lydian
2369:Dorian
2210:
2059:
2039:
1992:
1965:12 May
1916:
1892:
1884:
1762:
1741:
1720:
1696:
1676:
1648:
1628:
1608:
1514:, see
955:VI–I).
538:I Wish
536:..., "
411:1, 2,
84:octave
2430:Other
2114:(PDF)
2107:(PDF)
1960:(PDF)
1491:theme
1467:Other
1458:" by
1443:" by
1428:Ylvis
1426:" by
1409:" by
1377:" by
1347:Money
1332:" by
1323:Oasis
1321:" by
1304:" by
1293:" by
1282:" by
1271:" by
1247:" by
1236:" by
1227:Lucky
1218:" by
1207:" by
1183:" by
1166:" by
1115:" by
1104:" by
1083:" by
1060:" by
1042:" by
1033:Mabel
1031:(and
1027:" by
998:" by
977:" by
966:" by
935:" by
922:piano
901:and E
889:and E
845:" by
831:" by
821:" by
804:" by
637:motet
463:triad
457:, or
450:minor
441:tonic
433:pitch
405:fifth
397:sixth
255:tonoi
76:tonos
2530:and
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