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format. Each release was limited to a run of 500 copies each, with the record sleeve - as is the case with limited edition releases - stamped with the individual copy number. In a press release from the period, Simenon was quoted as saying of the limited number release approach,
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294:- with the name of the release reflecting how the collection included the first, second, third and fourth tracks released on the label. Issued in 2000, and taking the form of two
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695:. With full release details still to come, and following his lengthy absence from the mainstream, Simenon continues to ramp up communication through the bands
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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Because of certain similarities between electronica's compositional, production and editing styles, and aspects of the more mainstream
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As of 2008, in between its compilation work, Electric Tones has also released five records by five individual artists. First out was
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genre, the two worlds sometimes overlap. It is not uncommon for certain artists to move between the two scenes - as with label boss,
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would feature three tracks, and spotlight the progressive compositional talents of the one-time child
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Simenon very occasionally releases his own compositions through the label, either under the alias of
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filling the flipside. Avacado's work continued to mine the possibilities of melding contemporary
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was rounded off with the notable inclusion of several tracks by a hitherto unknown act, called
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566:. Again this release shone across another pseudonym by an already well-known name, with
416:- included together here, perhaps, because both acts were experimenting with aspects of
310:. Knak has since achieved a mainstream profile of sorts through his collaboration with
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aesthetic, illustrating a clear progression of his compositional manifesto from
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also scored his recording debut through
Electric Tones, with his 2002 release,
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The ninth release from the label would come courtesy of producer/programmer,
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student, who at one time or another had previously worked with the likes of
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395:"All the releases were limited editions to keep the hobby spirit alive."
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https://web.archive.org/web/20160201124959/http://www.bombthebass.com/
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486:(the latter of which has since become a much sought after rarity).
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Up until the end of 2007, Electric Tones had released two further
356:. Upon reading the credits closely, this turned out to be another
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platform. However, it has still not been confirmed as to whether
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Please help to demonstrate the notability of the topic by citing
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to active mainstream duties, with the intended release of a new
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465:. And, playing the collection out was the reappearance of the
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The first
Electric Tones release was a four-track compilation
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323:- for which Knak co-wrote and produced several tracks.
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will be an
Electric Tones release (no doubt becoming
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name - for the first time in 9 years - courtesy of a
493:tracks would later be rounded up, and released in
442:The remaining pair of compositions making up this
430:, which turned out to be an occasional alias for
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590:. Limited to a numbered run of 300 copies, the
506:; in turn becoming the labels seventh release.
228:owned and run by British composer and producer
677:In February 2008, came the announcement that
368:Regular Current: Compilations & New Names
510:Alternate Current: Non-compilation Releases
731:page - suggesting that the song will be a
121:Learn how and when to remove this message
546:is a futuristic blues song. Next came a
513:
269:
924:
720:was featured along with a promotional
910:Official Bomb The Bass Myspace page:
900:http://www.myspace.com/electrictones
266:Opiate Sparks: Electric Tones Debuts
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388:, both of which were issued in the
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912:http://www.myspace.com/bombthebass
673:Surge: New Electric Tones Material
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570:an alternative representation of
500:form under the collective title,
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326:Also featured was a cut called
232:. The label, which is based in
947:Electronic music record labels
937:Alternative rock record labels
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302:marked the recording debut of
36:notability guideline for music
1:
904:Official Bomb The Bass site:
881:
894:http://www.electrictones.com
714:As of March 2008, the track
336:, which is an outfit led by
258:or as the more experimental
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404:is divided equally between
314:, on her hugely successful
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43:reliable secondary sources
32:The topic of this article
562:, by an artist listed as
550:built around two tracks,
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34:may not meet Knowledge's
454:, the recording name of
226:independent record label
16:Independent record label
898:Official Myspace page:
426:features two tracks by
820:Electric Tones Jukebox
811:Electric Tones 9101112
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423:Electric Tones 9101112
385:Electric Tones 9101112
281:
871:List of record labels
635:, otherwise known as
524:by Wiseintime (2001).
517:
438:, otherwise known as
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932:Vanity record labels
942:Dutch record labels
818:- Various Artists:
809:- Various Artists:
789:Electric Tones 5678
787:- Various Artists:
754:Electric Tones 1234
752:- Various Artists:
625:Electric Tones 5678
463:James Postlethwaite
401:Electric Tones 5678
379:Electric Tones 5678
291:Electric Tones 1234
276:Electric Tones 1234
587:The Bridge Ends EP
526:
450:contribution from
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735:release ahead of
605:Checkpoint Fender
412:-based musician,
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188:Country of origin
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130:
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33:
954:
846:Kumo And Friends
804:(10-inch single)
681:was reinstating
651:electronic music
642:Kumo And Friends
471:Christian Kleine
215:
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204:Official website
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70:"Electric Tones"
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833:The Bridge Ends
829:Richard Avocado
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769:(7-inch single)
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611:Left of Legzira
582:Ricardo Avacado
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414:Ricardo Avocado
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344:with the band,
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592:10-inch single
548:10-inch single
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334:Club Off Chaos
296:7-inch singles
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66:Find sources:
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859:Future Chaos
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848:(12-inch EP)
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659:Robert Owens
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633:Jono Podmore
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572:Ian Simmonds
557:
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538:Issued on a
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428:Soul Circuit
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420:aesthetics.
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354:Flow Creator
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133:Record label
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851:e-tones 010
838:e-tones 009
825:e-tones 008
822:(album, CD)
816:e-tones 007
807:e-tones 006
794:e-tones 005
785:e-tones 004
772:e-tones 003
759:e-tones 002
750:e-tones 001
745:Discography
708:e-tones 010
679:Tim Simenon
616:Electronica
436:Paul Conboy
362:Tim Simenon
308:Thomas Knak
288:, entitled
249:Tim Simenon
245:Dance music
238:electronica
230:Tim Simenon
191:Netherlands
182:Electronica
172:Tim Simenon
111:August 2011
47:independent
926:Categories
882:References
798:Wiseintime
655:The Shamen
568:Wiseintime
564:Wiseintime
482:featuring
317:Vespertine
81:newspapers
55:redirected
647:violinist
618:with the
484:Lali Puna
479:Clear Cut
456:Newcastle
410:Amsterdam
358:alter-ego
329:Croissant
234:Amsterdam
199:Amsterdam
45:that are
865:See also
861:(album)
802:Slowfall
559:Meltdown
553:Slowfall
520:Slowfall
448:abstract
196:Location
918:Related
729:Myspace
724:on the
697:Myspace
667:BJ Cole
598:, with
594:ran at
576:Juryman
503:Jukebox
495:digital
342:drummer
280:(2000).
168:Founder
158: (
153:Founded
95:scholar
59:deleted
780:Tracks
763:A.P.E.
733:single
608:, and
600:side-A
596:33-rpm
574:, aka
536:A.P.E.
452:Noriko
440:A.P.E.
408:, and
406:Opiate
348:. The
306:, aka
304:Opiate
298:, the
224:is an
97:
90:
83:
76:
68:
51:merged
767:Blind
722:video
687:album
544:Blind
531:Blind
474:remix
321:album
312:Björk
178:Genre
102:JSTOR
88:books
57:, or
842:Kumo
665:and
649:and
637:Kumo
556:and
434:and
382:and
360:for
213:.com
160:2001
156:2001
74:news
620:Dub
534:by
476:of
418:Dub
374:EPs
346:Can
332:by
209:www
928::
857::
853:-
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840:-
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761:-
741:.
689:,
669:.
661:,
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639:.
628:.
578:.
542:,
522:EP
498:CD
491:EP
461:,
459:DJ
444:EP
364:.
350:EP
340:,
300:EP
286:EP
278:EP
262:.
251:.
240:.
53:,
162:)
124:)
118:(
113:)
109:(
99:·
92:·
85:·
78:·
61:.
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
