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starts with the main character's death, and then tells his life through flashbacks interspersed with a journalist's present-time investigation of Kane's life. The fabula of the film is the actual story of Kane's life the way it happened in chronological order, while the syuzhet is the way the story
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Mos, Leendert. (2003). Jerome Bruner: Language, Culture, Self. Canadian
Psychology (Feb), on line review of David Bakhurst & Sturart Shanker (Eds.( Jerome Bruner: Language, Culture, Self. London: Sage Publications, 2001. Accessed at
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Propp, Vladimir, Morphology of the
Folktale (1929), Austin, University of Texas Press, 2010; Shklovsky, Viktor, Literature and Cinematography (2008) by Dalkey Archive Press (first published 1923)
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Propp, Vladimir. (1928/1968). Morphology of the Folk Tale. English trans. Laurence Scott. TX: University of Texas Press (first published in Moscow in 1928; English, 1968).
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movement in the early 20th century. Narratologists have described fabula as "the raw material of a story", and syuzhet as "the way a story is organized".
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Cox, James. (2006). Muting White Noise: The
Subversion of Popular Culture Narratives of Conquest in Sherman Alexie's Fiction. University of Oklahoma Press.
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Shklovsky, Viktor. (1917/1965). Art as
Technique in L T Lemon and M Reis, eds., (1965) Russian Formalist Criticism. University of Nebraska Press.
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Derrida, Jacques. (1979). ‘Living On – Border Lines’ in
Deconstruction and Criticism (NY: Seabury Press, edited by Harold Bloom et al., 1979).
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Cobley, Paul. "Narratology." The Johns
Hopkins Guide to Literary Theory and Criticism. Baltimore: Johns Hopkins University Press, Web.
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Culler, Jonathan. (1981). The
Pursuit of Signs: Semiotics, Literature, Deconstruction. Ithaca, NY: Cornell University Press.
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Classical narratives tend to have synchronous fabula and syuzhet, but they may be treated asynchronously according to a
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Benjamin, W. (1969). The
Storyteller: Observations on the Works of Nikolai Leskov, in Illuminations (Ed.
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230:, Bakhtin's concept of how configurations of time and space are represented in language and discourse
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Bruner, Jerome. (1986). Actual Minds, Possible Worlds. Cambridge, MASS.: Harvard
University Press.
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Boje, D. M. (2001). Narrative
Methods for Organizational and Communication Research. London: Sage.
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Garcia-Landa, Jose Angel. 1990. Narrative Theory (University of Zaragoza); On line edition 2005,
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Pateman, Trevor. 1991. English Formalism and Russian Formalism: Clive Bell and Viktor Shklovsky
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King, Thomas. (2003). The Truth about Stories: A Native Narrative. Toronto: House of Ananasi.
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Whorf, Benjamin Lee (1956). Language, Thought and Reality - Selected Writings.
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Walsh, Richard, 2001. Fabula and Fictionality in Narrative Theory. Style.
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by M.M. Bakhtin (ed. Holquist, M.). Austin: University of Texas Press.
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style. Films and novels often achieve an asynchronous effect via
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Silko, Leslie Marmon. (1981). Storyteller. NY: Arcade Publishing
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Shotter, John (1993). Conversational Realities. London: Sage.
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is told throughout the movie, including flashbacks.
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