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French classical music

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1579: 1589: 1569: 21: 1599: 440: 854:" (music that tells a story) developed. Other types of music that became important in the nineteenth century were grand opera, small pieces for piano; piano sonatas, often with the exploration of new harmonic or tonal ideas. In the late Romantic era, the Austro-German tradition of 826:
were very important. This Italian opera was taken up in France, where Lully developed a French national opera style. In the seventeenth century, instrumental music developed a great deal, and vocal music was usually accompanied by a written bassline called the
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dominated musical composition. Composers began exploring different, looser approaches to tonality (the key-centered-ness of a piece of music). During this era, French composers such as Debussy and Ravel developed a style called
496:. It includes all of the major genres of sacred and secular, instrumental and vocal music. French classical styles often have an identifiably national character, ranging from the clarity and precision of the music of the late 803:
era of the thirteenth and fourteenth centuries, the trend towards writing polyphonic music extended to non-Church music. In the fifteenth century, more secular music emerged, such as the French
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During the twentieth-century, composers took many different paths. Some composers looked backwards to the light, elegant Classical works, with the
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Chew, Geffrey & Rastall, Richard (2001). "Notation, §III, 1(vi): Plainchant: Pitch-specific notations, 13th–16th centuries". In
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from the eighteenth century moved towards a simpler, lighter style of instrumental music. Later in the eighteenth century, the
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BENT, IAN D.; HUGHES, DAVID W.; PROVINE, ROBERT C.; RASTALL, RICHARD; ANNE KILMER (2001). "Notation, §I: General". In
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Classical music, including that from France is largely distinguished from many other non-European and [[venom
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and exact execution of a piece of music. This leaves less room for practices, such as improvisation and
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In the late sixteenth-century, composers attempted to recreate Greek drama using a style called
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Malm, W.P.; Hughes, David W. (2001). "Japan, §III, 1: Notation systems: Introduction". In
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Classical music usually refers to music produced in, or rooted in the traditions of
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dominated, with the main forms being sonatas, symphonies, and string quartets.
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ornamentation, that are frequently heard in non-European art music (compare
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styles of the early 20th century. Important French composers include
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was the dominant form of music, followed by a sacred
1615: 1090:The New Grove Dictionary of Music and Musicians 1047:The New Grove Dictionary of Music and Musicians 1007:The New Grove Dictionary of Music and Musicians 967:The New Grove Dictionary of Music and Musicians 492:, with written records predating the reign of 1131: 415: 1145: 955: 882:and used a tortured, dramatic style called 846:The nineteenth century is often called the 1138: 1124: 995: 422: 408: 1075: 1616: 936:The Oxford Concise Dictionary of Music 775:During the early Christian era of the 1119: 433: 1598: 488:began with the sacred music of the 13: 874:. Austro-German composers such as 14: 1640: 735:music]]al forms by its system of 273:Nationalistic and patriotic songs 1597: 1587: 1578: 1577: 1567: 438: 19: 1568: 870:of the Russian-French composer 500:to the sensitive and emotional 1069: 1029: 989: 949: 928: 1: 921: 703: 464:in tone and meet Knowledge's 7: 902:) music and indeterminacy ( 898:); chance-based or random ( 890:. Other composers explored 799:became popular. 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London: 1147:Western classical music 946:, accessed 23 July 2007 944:Oxford Reference Online 184:Victoires de la Musique 1629:French styles of music 1245:Transition to Romantic 1175:Major periods and eras 767:), and popular music. 761:Indian classical music 727:common practice period 486:French classical music 1201:Transition to Baroque 490:Roman Catholic Church 167:Media and performance 1533:Worldwide traditions 1486:Classical music blog 1095:Macmillan Publishers 1052:Macmillan Publishers 1012:Macmillan Publishers 972:Macmillan Publishers 458:improve this article 1385:Students by teacher 58:Musical instruments 1077:Middleton, Richard 942:, (Oxford, 2007), 1611: 1610: 1506:Progressive music 1300: 1299: 1104:978-1-56159-239-5 1061:978-1-56159-239-5 1021:978-1-56159-239-5 981:978-1-56159-239-5 783:(only one voice) 498:Renaissance music 483: 482: 466:quality standards 432: 431: 399: 398: 295: 294: 268: 267: 261:Vieilles Charrues 1636: 1601: 1600: 1591: 1581: 1580: 1571: 1570: 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Index

Music of France
Composers
History
Festivals
Musical instruments
gregorian
classical
opera
folk
chanson
nouvelle chanson
cancan
musette
cabaret
popular
yé-yé
pop
jazz
rock
hip hop
house
electronic
celtic
Victoires de la Musique
Prix Constantin
NRJ Music Awards
SNEP
Aix-en-Provence
Bourges
Eurockéennes

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