317:(and also painted portraits of the spouses of both, at an unknown date). John Parker, 1st Earl of Morley, and his family were good friends of the Greys, who often went to Devon in the summer for Lady Grey’s health. Maybe as a result, Say was soon after commissioned to paint a full-length portrait of Earl Grey, then prime minister, and several of his daughters (Mary Wood, Viscountess Halifax and Lady Louisa Lambton) and daughters-in-law (Maria Countess Grey and Maria Viscountess Howick). Another early notable commission was a portrait of
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1830 was “Little
Wanderers”, a romantic portrayal of the sisters Alice and Edith Acraman, daughters of Daniel Wade Acraman (1775–1847), a rich iron manufacturer of Clifton, Bristol. Say had more extensive relations with the Acraman family, painting a portrait of the girls’ mother, sketching the heads
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After he died on 29 March 1868 at Upton Park, he was buried at St Mary’s Church in Upton, Slough. His wife
Henrietta died on 3 May 1872 and was buried at Upton with her husband. Their tombs have not been preserved. They had two children, Evelyn Geoffrey (born 18 February 1851) and Henrietta Maude
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in
Yorkshire, to paint portraits of several of the family. Among the daughters whose portrait he painted was Henrietta (1807 – 1872), to whom he may also have given instruction in painting, and he announced his forthcoming marriage to her in late 1847; the wedding took place on 6 April 1848. They
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at St Mary
Marylebone on 1 February 1805. An elder brother born in October 1802 probably died in infancy. There were also three elder sisters, all of whom married known figures in the contemporary art world. Mary Anne (born 24 August 1794) married in 1817 (as his second wife) the architect
182:). In Burke’s Landed Gentry of 1862/63, there is an entry for “Say of Tilney”, describing the medieval ramifications and mentioning that “a branch of the family finally settled at Tilney Islington”, followed by an extended genealogy from the sixteenth century down to Frederick Richard Say.
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and later a double portrait of Ernest, Prince of
Leiningen and Prince Victor of Hohenlohe-Langenburg. It may have been for this purpose that he made a journey to Prussia in August to October 1846. In 1849, he was commissioned to paint a large full-length portrait of
256:. Haydon’s memoirs record that Say always meant to paint portraits. His teaching method was heavily directed towards correct anatomical representation, and his students spent much time drawing from bodies at Sir
209:(1775 – 1847), Leonora (born 4 February 1798) married in 1827 another architect, William Adams Nicholson (1803 – 1853), and Emma (born 4 May 1800) married also in 1827 George Morant (1770 – 1846), who ran a
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Say’s gained support and commissions from the Royal household. In the second half of the 1840s, he was commissioned to paint portraits of some of Queen
Victoria and Prince Albert's close German relatives,
398:, a merchant, philanthropist and reformer, to be hung in the Town Hall, Calcutta, when Tagore visited England (in extravagant style) in 1841. The painting was exhibited at the Royal Academy in 1843, when
260:’s surgery. It may be this anatomical experience that led to a major undertaking by Frederick and his father, to draw and engrave a series of detailed pictures of specimens of diseased human organs for
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for a drawing and he received other awards at the same society in 1819 and 1820. Already in 1819, he was producing some quite accomplished engravings, presumably under his father’s guidance.
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in 1861 for the South
African Library in Cape Town, “painted … in commemoration of His Royal Highness’s Visit to the Colony in the Year 1860” to inaugurate new harbour works in Table Bay.
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of these children many times as models for angels’ heads depicted in some mural decorations and giving Edith painting lessons, and introducing her to a wide circle of artistic friends.
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By the time Say stopped painting in about 1862, his classical style of portraiture was going out of fashion, and photography was making inroads into the market for pictures of people.
441:, who painted the portrait of Frederick’s father William that is in the National Portrait Gallery. The second portrait, of an adult, dark-haired Frederick, by the famous miniaturist
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Two portraits of
Frederick Say have survived, both miniatures. One shows him as a fresh-faced, golden-haired boy of 12 years, painted by a Miss Green, perhaps a daughter of
419:, for presentation to the University of Cambridge when Albert was appointed Chancellor of the University. Numerous other portraits, as well as copies of paintings by
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in 1826, and he continued to exhibit at the Royal
Academy every year except 1834 until 1854 (a total of 78 paintings), although he never became a Royal Academician.
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to paint several portraits for the “Statesmen’s
Gallery” that he was constituting at his home, Drayton Manor in Staffordshire. These portraits included those of
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The Royal Academy of Arts; a complete dictionary of contributors and their work from its foundation in 1769 to 1904
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For example, A diseased brain. Coloured aquatint by W. Say after F. R. Say for Richard Bright, 1829
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At least 50 of Say’s portraits were copied as engravings for wider diffusion, by engravers such as
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126:(30 November 1804 – 30 March 1868) was a notable society portrait painter in London between
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The first record of Frederick’s work is an award (a “Silver Palette”) he received in 1817 at the
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and George Raphael Ward. Some of his portraits are now known only from existing engravings.
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A genealogical and heraldic dictionary of the landed gentry of Great Britain and Ireland
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Life of Benjamin Robert Haydon, Historical Painter, from his autobiography and journals
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reported that “it is beyond all question the most remarkable work in the exhibition”.
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367:(Governor-General of India, 1842–44), (these three being on display at the London
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321:(another friend of John Parker), for Christ Church, Oxford, completed in 1830.
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Frederick began to exhibit in the Royal Academy’s Summer Exhibition and the
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John Cheney, Forgotten but not lost – Frederick Richard Say (1804–1868),
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519:(Volume VII, Sacco to Tofano), London, Henry Graves and Co., 1906
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1860, undertaking commissions for portraits of figures such as
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in London. William died on 24 August 1834 in London, aged 66.
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Edward Law, 1st Earl of Ellenborough (1790-1871), by F.R. Say
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ran from 1815 in direct competition with the classes at the
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A group of Calcutta residents commissioned the portrait of
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In the mid-1840s, Frederick visited the Thompson family of
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and of Lady Elizabeth Bulteel, one of the daughters of
46:. Unsourced material may be challenged and removed.
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379:, Lord Privy Seal, and a second portrait of Sir
351:In the early 1840s, Say was commissioned by Sir
560:29 artworks by or after Frederick Richard Say
377:Walter Francis Scott, 5th Duke of Buccleuch
225:moved into a new high-class development at
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200:Frederick was born on 30 November 1804 and
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375:(Privy Councillor and Lord Chief Baron),
248:Say attended the school that the painter
106:Learn how and when to remove this message
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305:in 1831. He exhibited 1830 portraits of
166:The Say family was notable in the early
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408:Ernst, Duke of Saxe-Coburg & Gotha
365:Edward Law, 1st Earl of Ellenborough
359:, 5th Duke of Newcastle-under-Lyme,
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357:Henry Pelham Fiennes Pelham-Clinton
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307:Frances Parker, Countess of Morley
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298:) was published as engravings in
274:A series of drawings of writers (
468:(2011, Vol. XI, No. 3, pp 74-82)
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492:The Gentleman's Magazine
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381:William Webb Follett
302:New Monthly Magazine
296:Edward Bulwer Lytton
288:Mary Russell Mitford
40:improve this article
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477:Sir Bernard Burke,
466:British Art Journal
280:Thomas Haynes Bayly
269:British Institution
396:Dwarkananth Tagore
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343:Another work from
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