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relapse. She secretly lures lonely young people to her home, promising tea and a tarot card reading, only with the sessions ending with a violent murder and "feast". At the same time, Jackie tries to control her 15-year-old half-sister Debbie, Dorothy's actual daughter that she and Edmund had shortly before being committed to the asylum. Debbie has been recently thrown out of the orphanage. She now stays with Jackie and rides with her boyfriend Alec, head of a violent biker gang. Debbie incites Alec to start a fight with a barman in one of London's hip nightclubs because he denied her liquor due to her being underage. When they get thrown out, the bike gang later ambush and assault the barman with a chain but leave when spotted. Debbie, however, decides to stay behind and hides the body in the boot of a car before the police arrive. When Jackie berates Debbie for coming home late, they have a severe argument in which Debbie in turn asks where Jackie goes at night.
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arrives, she encounters her dad alone, who tells her they feel Debbie belongs more to them than she. She starts looking for Graham and finds
Dorothy and Debbie with his body in the attic. As Dorothy and Debbie circle in on her, Edmund, who has followed her there, blocks the door. As Jackie cries for his help, the film closes with a freeze frame of Edmund restraining his urges to come to her aid and looking in dismay at his daughter's imminent demise with a voice-over of what the judge had said to him and Dorothy when they were sentenced to the mental institution in court.
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missing an eye - a wound that could not have been inflicted with a chain and is reminiscent of the wounds inflicted by
Dorothy on her victims. As it is thus revealed, Debbie and Dorothy have been secretly meeting without Jackie's knowledge, and Debbie has apparently taken on her mum's pathological urges herself.
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Jackie, Edmund's daughter by previous marriage, lives in London but secretly visits her dad and stepmum at night to bring her parcels containing animal brain, thereby implicitly feigning to commit murders for her so as to contain
Dorothy's murderous urges. Now, it seems as if Dorothy has had a severe
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It is later revealed that her cannibalism can be understood as an attempt to cope with a childhood trauma when she found out that she had eaten parts of her pet rabbit that her parents had cooked and served as dinner. Although her husband Edmund was convicted, it is later revealed that he only faked
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Meanwhile, Debbie escapes with Alec to the farmhouse, where
Dorothy kills Alec. Jackie suggests that Graham call on her stepmum, and he goes there alone to talk to Dorothy, with Jackie following shortly after. When Graham arrives, Debbie reveals his identity to Dorothy, who kills him. When Jackie
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When Jackie discovers Debbie's bloodied jacket and finds out from her that she was involved in the barman's murder, she and her boyfriend Graham, an investigative psychiatrist who has in the meantime himself found out about Jackie's family history, lead the police to the body in the boot. It is
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is a nasty, foolish and morally repellent
British Horror film, without an ounce of humour though with a plethora of hilarious lines... What lacks in imagination it attempts to make up in gore. The consistently stolid pace is mitigated by the varied nature by which the cannibal dispatches her
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Dorothy Yates lives with her husband Edmund in an isolated farmhouse in Surrey. They have just been released from a mental institution to which they were committed in 1957 after it was found
Dorothy was a cannibal who killed and partially ate at least six people.
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also stands as an excellent example of the type of darkly humorous and semi-satirical horror movies that Walker excelled in, the kind that weren't afraid to rub the viewers nose in the dirt a little bit or to give the establishment the big middle finger salute."
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his dementia in order to remain with his wife. He is a truly devoted husband who loves his wife dearly and did not take part in the actual acts of murder in 1957 nor subsequently, but only helped to cover them up.
449:. The problem is that there is absolutely no exposition or analysis, no flexibility about the theme; still contained within a basic formula, it tends to leave a highly unpleasant aftertaste"; while
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victims... The picture argues strongly that no patient should ever be released from an asylum for the criminally insane; this presumably is its bizarre claim to redeeming social value."
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is a potent little chiller that is worth a look to horror fans in search of suitably grim fare from the 1970's and a worthy testament to Pete Walker's distinctive genre skills"; and
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gave the director the chance to really capitalize on his working relationship with oddball actress
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wrote, "one of Peter Walker's best known and best remembered films,
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French, Philip (6 December 1974). "Garbo's farewell to Europe".
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Shock Xpress: The essential guide to exploitation cinema
563:"BFI Screenonline: Walker, Pete (1939-) Biography"
254:, and is one of Pete Walker's most notable films.
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584:. London: Titan Books. pp. 132–133.
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673:. No. 59263. London. p. 15.
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535:Paszylk, Bartłomiej (8 June 2009).
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379:Michael Sharvell-Martin
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906:1974 independent films
363:as Detective Inspector
224:Once Upon a Frightmare
916:British slasher films
511:British Horror Cinema
387:as Nightclub Manager
369:as Detective Sergeant
865:Home Before Midnight
514:. Psychology Press.
327:as Matthew Laurence
227:) is a 1974 British
961:1970s British films
931:Films set in Surrey
911:1970s slasher films
841:House of Mortal Sin
625:"Frightmare (1974)"
567:screenonline.org.uk
381:as Douglas Metchick
966:Psycho-biddy films
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612:. 5 December 2014.
430:Critical reception
349:Pamela Fairbrother
131:Robert C. Dearberg
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634:. Retrieved
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385:Tommy Wright
375:as The Judge
373:Noel Johnson
331:Fiona Curzon
325:Gerald Flood
295:Sheila Keith
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232:slasher film
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161:Release date
123:Peter Jessop
100:Sheila Keith
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741:Pete Walker
405:as Old Man
403:Jack Dagmar
313:Kim Butcher
236:Pete Walker
112:Kim Butcher
79:Tony Tenser
75:Pete Walker
69:Produced by
64:Pete Walker
45:Pete Walker
41:Directed by
896:1974 films
890:Categories
833:Frightmare
699:Frightmare
688:Frightmare
496:References
489:Frightmare
471:Frightmare
463:Frightmare
455:Frightmare
410:Production
345:as Lillian
212:Frightmare
188:86 minutes
172:1974-11-06
147:Production
51:Written by
24:Frightmare
671:The Times
484:The Times
399:as Peter
128:Edited by
704:AllMovie
656:DVD Talk
630:Allmovie
459:DVD Talk
451:Allmovie
435:Time Out
351:as Delia
339:as Robin
337:Jon Yule
333:as Merle
319:Leo Genn
218:Cover Up
201:Language
136:Music by
88:Starring
61:Story by
636:20 June
453:wrote "
422:and in
204:English
193:Country
170: (
149:company
876:(1983)
868:(1979)
860:(1978)
852:(1976)
849:Schizo
844:(1976)
836:(1974)
828:(1974)
820:(1973)
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804:(1972)
796:(1971)
788:(1970)
780:(1970)
772:(1969)
764:(1968)
756:(1967)
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420:London
229:horror
693:IMDb
638:2012
586:ISBN
543:ISBN
516:ISBN
283:Cast
258:Plot
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