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which amuses at first until its shallowness becomes apparent. The continual jokes about Georgy's size, for example, tend to pall after numerous repetitions. Nor does the film have much continuity. It proceeds in triangular jerks from scene to scene, linked tenuously and loudly by continuous snatches of music to keep the action going. The potentially excellent cast and the promising comedienne talent of Lynn
Redgrave can do little in the face of such opposition from both script and direction."
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that wealth is an important factor in getting one's girl. Bates makes a breezy lover and husband, though the scene in which he pursues his quarry through London, stripping on the way, is rather way out, Charlotte
Rampling is fine as the attractive, bitchy flat mate, Bill Owen and Rachel Kempson [
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In the midst of an argument with
Meredith over her cavalier attitude to her pregnancy, Jos kisses Georgy and tells her that he loves her. Georgy flees the apartment, and Jos follows her into the streets of London, shouting his love for her. The two return to the flat, where they have sex, after which
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Georgy and Jos bring Sara back to the flat. It quickly becomes clear that Georgy cares more for the baby than for Jos, and their relationship ends when Jos tires of a father's responsibilities and abandons Georgy and his baby. Now that Georgy is the sole caregiver of a child to whom she has no blood
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Leamington watched Georgy grow up and treated her as if he were her second father, but as she has become a young woman, his feelings for her have become more than fatherly. On his 49th birthday, Leamington offers her a legal contract, proposing to supply her with the luxuries of life in return for
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wrote of the film: "Another swinging London story filled with people running through London late at night, dancing madly in the rain, and visiting deserted children's playgrounds to ride on the roundabouts. In style a poor imitation of various 'new wave' exercises, it has a slick line in repartee
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wrote: "Miss
Redgrave has a pushover of a part, and never misses a trick to get that extra yock, whether it's her first passionate encounter with Alan Bates or her fielding of Mason's amorous overtures. She's consistently on target, and hits the bullseye all along the line. Mason adeptly displays
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Georgina "Georgy" Parkin is a 22-year-old
Londoner who has musical talent, is well-educated, and has an engaging, unpretentious character. She has an inventive imagination and loves children. At the same time, she believes herself to be plain and overweight, dresses haphazardly, and is incredibly
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Leamington has been following the developments in Georgy's life. When he mentions modifying his contract to accommodate the recent changes, Georgy, seeing an opportunity to keep Sara, gets him to propose marriage. As the newlyweds are chauffeured away from the church on their wedding day, Georgy
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gave the film four stars out of five, writing: "At the time a sexual showstopper, this can now be seen as an unconscious parody of
Swinging Sixties chic. It is saved from mere shock novelty by Lynn Redgrave's performance as the dowdy girl pursued by older employer James Mason, who finds her own
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When
Meredith discovers that she is pregnant by Jos, they decide to get married, even though she tells him that she has previously aborted two of his children and only wants to marry because she is "bored". After the wedding, Jos moves in with Meredith and Georgy, becomes disillusioned with
499:. A single release of the song (with different lyrics) topped the singles chart in Australia, and was a top 10 hit in both the UK (#3) and the U.S. (#2 for two weeks). It was the 56th biggest British hit of 1967, and the 57th biggest American hit of 1967. The song became a
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Although Georgy feels guilty, she continues her affair with Jos while
Meredith is in the hospital. Meredith has no interest in her daughter, Sara, and has tired of Jos, so she announces that she plans to put the child up for adoption. When Georgy sees Sara, she is smitten.
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identity looking after the illegitimate baby of flatmate
Charlotte Rampling. Former TV director Silvio Narizzano piles on the tricks of cinematic trendiness, but it's the acting that stabilises the story into something memorable from a boringly self-conscious era."
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is a striking example of what could only be achieved with a uniquely right performer in the crucial rule. ... The screenplay is generously spangled with truly wonderful throwaway lines, delicious plot surprises and lovely quirks of character."
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Meredith, and finds himself attracted to Georgy. Meanwhile, although she uses
Leamington's interest in her to convince him to buy several expensive items for the baby, and Ellen dies suddenly, Georgy does not sign Leamington's contract.
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The film was successful at the box office. By 1967, it had earned an estimated $ 7 million in the United States and $ 6 million in other countries. By the end of 1967, it had earned $ 7,330,000 in North America in
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naïve on the subjects of love and flirtation, having never had a boyfriend. Her parents are live-in employees of businessman James Leamington, who is in a loveless, childless marriage with the sickly Ellen.
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Her flatmate is the beautiful Meredith, who is a violinist in an orchestra. While she is out on dates with other men, Georgy entertains her boyfriend Jos Jones, on whom she has developed a crush.
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562:] add effective contributions as the parents. A lively score, brisk editing and excellent lensing, contribute to a well-made commercial picture."
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said: "Frantic black farce which seemed determined to shock, but has a few good scenes once you get attuned to the mood. A censorship milestone."
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ignores Leamington, devoting all of her attention to Sara.
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1220:"'Georgy Girl' Is Puddin' and Pie: That 'Georgy Girl'"
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Outstanding Directorial Achievement in Motion Pictures
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becoming his mistress. Georgy sidesteps his proposal.
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Best Actress in a Motion Picture – Musical or Comedy
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advertisement for the title song (November 26, 1966)
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1309:(384): 185. 1 January 1966 – via ProQuest.
313:was a box-office success, and it also spawned a
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1172:Academy of Motion Picture Arts and Sciences
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1471:"1966 New York Film Critics Circle Awards"
1260:(8): 6. 13 July 1966 – via ProQuest.
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1082:"Georgy Girl, Box Office Information"
771:Best Cinematography – Black-and-White
655:Best Cinematography – Black-and-White
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16:1966 British film by Silvio Narizzano
1218:Crowther, Bosley (6 November 1966).
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523:rentals accruing to the distributors
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849:Best Original Song – Motion Picture
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809:Best English-Language Foreign Film
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265:is a 1966 British black-and-white
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366:as Georgina "Georgy" Parkin
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1271:Halliwell, Leslie (1989).
1071:. Retrieved 16 April 2012.
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640:Best Supporting Actor
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565:British film critic
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1500:BBC Programme Index
1403:Golden Globe Awards
926:Lyrics by Jim Dale
857:Lyrics by Jim Dale
804:Golden Globe Awards
402:as Ellen Leamington
372:as James Leamington
79:by Margaret Forster
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1193:Hollywood, England
529:Critical reception
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1568:Georgy Girl
1557:Georgy Girl
1546:Georgy Girl
1505:8 September
1228:. p. 1
1177:4 September
870:Alan Bates
719:OCIC Award
703:Golden Bear
676:Georgy Girl
645:James Mason
606:Nominee(s)
584:Radio Times
544:Georgy Girl
501:gold record
497:The Seekers
432:as Salesman
394:Clare Kelly
384:as Meredith
370:James Mason
311:Georgy Girl
303:Georgy Girl
287:James Mason
262:Georgy Girl
100:James Mason
84:Produced by
76:Georgy Girl
48:Directed by
31:Georgy Girl
1588:1966 films
1582:Categories
1282:0586088946
1232:3 February
1113:3 February
1050:References
1032:Tied with
1013:Tied with
944:6th Place
929:Nominated
912:Nominated
909:Top Drama
886:Nominated
873:Nominated
860:Nominated
830:Nominated
826:Alan Bates
813:Nominated
796:Nominated
778:Nominated
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752:Nominated
737:Nominated
712:Nominated
692:Nominated
686:Lyrics by
664:Nominated
649:Nominated
632:Nominated
516:Box office
485:title song
479:Title song
441:Production
376:Alan Bates
279:Alan Bates
251:Box office
222:99 minutes
205:1966-10-21
198: (USA)
194:1966-10-17
159:Production
132:John Bloom
104:Alan Bates
58:Written by
1526:29 August
995:BBC Radio
988:BBC Radio
919:Top Song
680:Music by
670:Best Song
603:Category
511:Reception
459:Locations
388:Bill Owen
246:$ 400,000
209: (UK)
128:Edited by
1573:AllMovie
1088:16 April
688:Jim Dale
493:Jim Dale
235:Language
138:Music by
96:Starring
72:Based on
1560:at the
1480:2 March
1455:2 March
1430:2 March
1408:2 March
1383:2 March
1358:2 March
1253:Variety
1206:Variety
1020:Camelot
609:Result
552:Variety
451:Cashbox
238:English
227:Country
203: (
192: (
161:company
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980:Georgy
600:Award
408:as Peg
289:, and
243:Budget
1001:Notes
612:Ref.
1551:IMDb
1528:2013
1507:2024
1482:2024
1457:2024
1432:2024
1410:2024
1385:2024
1360:2024
1329:ISBN
1277:ISBN
1234:2024
1179:2011
1115:2024
1090:2012
1069:IMDb
1036:for
1017:for
964:Won
897:Won
843:Won
722:Won
582:The
491:and
483:The
467:and
357:Cast
321:Plot
297:and
1571:at
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1258:243
559:sic
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