Get Carter - Knowledge

1354:. The chase scene was shot in reverse, with Hodges filming Eric's death scene first because of Hendry's poor condition, Hodges being worried that he would be too out of breath to play the death scene after running. Hodges chose the beach for its bleak, dark atmosphere but when he returned to shoot the scene he found it bathed in bright sunshine, unsuitable for the sombre conclusion he was hoping for. He waited hours until the sun began setting to capture the overcast shadowy lighting seen in the film. The film shows the beach black with coal spoilings, dumped there by the mine's conveyor system. The conveyor, a common sight on the East Durham coast, was known locally as The Flight. In the early 2000s, £10 million was spent removing these conveyors and the concrete towers, and cleaning tonnes of 1201: 1316: 1331: 1156:" forced to dispense his own sense of justice in a corrupt world". However, in his DVD commentary Hodges implies that he did not see Carter as morally any more justified than those he kills, and his death is intended to present his actions to the audience as morally bankrupt and futile: "I wanted him to be dealt with in exactly the same way he dealt with other people. Now that's a sort of Christian ethic in a way That was a prerequisite of the film for me, that the hitman should go and that's it". Hodges' decision to kill off Carter was initially protested by MGM executives, as they wanted the character to survive in the event that the film proved successful enough to warrant a 1282:, so it is most likely the film was shot on this stock. Asked to comment on what he was aiming for in the look of the film, cinematographer Wolfgang Suschitzky said "The camera work on it it was very influenced by Mike Hodges who has a very good eye for setups and he of course conferred with his operator and myself, but he influenced all of us, and much of the good look is due to him, I confess. My main task was lighting on location, very moderately, and waiting for the right daylight and setting the exposure on the lens". In the first week of shooting in Newcastle, the 38: 1568:—a long-time aficionado of the film and its history—has observed that the floral pattern of Carter's jacket is taken from the distinctive pillow and matching sheet design from the bed in the scene where Britt Ekland writhes naked whilst on the phone to Jack. The poster also places Carter's shotgun in Eric's hands, and features a grappling man and woman who seem to belong to a different film. Promotional shots and poster artwork exist from the film showing Carter holding a 1290:, Hodges and his assistant director stayed at a separate hotel to the rest of the cast and crew, which enabled him to have some respite from the production after the shooting day was done. Klinger was present on set for much of the film shoot. However, Hodges said he encountered very little interference from the producer. At one point Klinger and Caine asked if Hodges might work in a "chase sequence", but he persuaded them that it would draw too many comparisons with 591:. Hodges was surprised that a star of Caine's stature would want to play such a thoroughly unlikeable person as Carter. Giving his reasons for wanting to be involved with the film, the actor said "One of the reasons I wanted to make that picture was my background. In English movies, gangsters were either stupid or funny. I wanted to show that they're neither. Gangsters are not stupid, and they're certainly not very funny". He identified with Carter as a memory of his 1818: 562:. The production also utilised a large number of extras, most of whom were locals who just happened to be on scene when filming was happening. Others were sourced from local casting company Beverley Artistes, which sent everyone registered with it for auditions, one of these being Deana Wilde, who was cast as the pub singer. Several of the company's actors were also in background shots in the film including the casino, streets, bars and the police raid scene. 6358: 1296:(a chase sequence between Carter and the London gangsters is mentioned in the shooting script). Hodges tried to rehearse the racecourse scene between Caine and Hendry in their hotel the night before shooting, but "Hendry's drunken and resentful state forced Hodges to abandon attempt". Hodges described Caine as "a complete dream to work with". Caine only lost his temper once on set, during the very tense and emotional day filming in Glenda's flat, when the 1169: 1579:, which promoted it poorly, amidst worries the cockney dialogue in the opening scene would be unintelligible to U.S. audiences. The film's release was delayed while parts of the film were redubbed, with no great improvement. In the process of redubbing the opening, the version of the film with the original dialogue was lost. For years the version shown on British television was the redubbed American cut. UA placed the film on the declining 500:. Visiting Brumby's house, Jack discovers the man knows nothing about him and, believing he has been set up, he leaves. The next morning, two of Jack's London colleagues – Con McCarthy and Peter the Dutchman – arrive, sent by the Fletchers to take him back, but he escapes. Jack meets Margaret to talk about Frank, but the Fletchers' men are waiting and pursue him. He is rescued by Glenda, who takes him in her 1559:, in common with many film posters, has aspects or images that differ from the finished screen version. Carter is depicted wearing a gaudy floral jacket, as opposed to the dark raincoat and mohair suit he wears in the film. Asked in 2006, Putzu could not remember his artistic rationale for painting the floral jacket, but said he was painting a lot of flowers in designs at that time. Chibnall describes the 2413: 1367:

for how much he contributed". Sound editing and dubbing was done by Jim Atkinson, whom Hodges described as "so obsessive about the job". He gave Hodges multiple possibilities of how the sound could be dubbed, and explored every angle. Klinger was worried that the debut director might be overwhelmed with too many options, but Hodges said he and Atkinson got on very well.

1544:, meaning children under the age of 17 had to be accompanied by an adult. A censored version was released in West Germany on 6 August 1971, with a running time nine minutes shorter than the original. Michael Klinger was involved in promotion of the film in the UK, using the experience from his background as a distributor to conduct a strong advertising campaign. 1197:. Hodges described how wandering alone through the upper structure, he realised how the different levels could be used to reveal the hunter, Carter, and the hunted, Brumby, simultaneously but without either being aware of the other – adding to the suspense. The shopping centre and car park were closed in early 2008 and demolished in late 2010. 524:

London gangsters and Eric, who has informed Fletcher of Jack and Anna's affair. In the ensuing shootout, Jack kills Peter. As Eric and Con escape, they push the sports car into the river, unaware that Glenda is in the boot. Returning to the car park, Jack finds and beats Brumby before throwing him to his death. He then posts the film to the

1235:] of authenticity and full of useful details such as the cowboys and Indians wallpaper the African shield and crossed spears on the wall of the crime lord's living room". The Landa case also is referenced at the start of the film with a shot of a newspaper bearing the headline "Gaming Wars". Other locations in Newcastle and Gateshead, 1517: 1979:. On its general release in the North of England, Chibnall notes it had a "very strong first week", before an unseasonal heatwave damaged cinema attendance. Chibnall writes that "Interestingly, although downbeat and unsentimental tone is now thought to express the mood of its times, the mass cinema audience preferred 1408:. Aside from its score, Budd also composed three songs: "Looking For Someone", "Love Is A Four Letter Word" (with lyrics by Jack Fishman) and "Hallucinations". The theme (otherwise known as "Carter Takes a Train"), the best-known piece from the film, was played by Budd and the other members of his jazz trio, 1654:, which ran from May 1 to May 31 and included various in-person events such as "Mike Hodges in Conversation" on May 3; this was followed by a wide release in British and Irish cinemas on 27 May. This release utilised a new 4K restoration of the film's original camera negative, which was approved by Hodges. 596:

changes to Hodges' depiction of Carter in the script, cut out pleasantries and gave him a cold, hard edge; closer to Lewis's original envisioning of the character. Although he is not credited as such in the film, Caine has been acknowledged in retrospect as a co-producer. By a strange coincidence, Caine's

2195:

will likely leave viewers confused and unsatisfied. Also, reviews are mixed concerning Stallone's acting". It was so badly received on its US release that Warner Bros. decided not to give it a UK theatrical release, anticipating the film would be savaged by British critics and fans. Elvis Mitchell in

1833:

is a gritty revenge story done right". In 2003, Steve Chibnall observed a large gender imbalance in voting on the film up to April 2002, with less than 6% of votes cast (where the voters gave their gender) by women (53 out of 947). He also noticed a substantial increase in women voting on the film in

1307:

The most complicated scene to shoot was Kinnear's game of cards. There are four simultaneous conversations, with a lot of plot exposition and the introduction of two important characters, Kinnear and Glenda. The technical complexity was compounded by the variation in light coming through the windows,

1176:

Locations along the east coast of England had been scouted by Hodges and Klinger in the spring of 1970, to find a landscape that suggested a "hard, deprived background". Newcastle was selected after Hodges' first choice of Hull proved to be unsuitable. Hodges thoroughly researched the local Newcastle

492:

of crime boss Cyril Kinnear. Jack confronts Kinnear but learns little from him; he also meets a glamorous drunken woman, Glenda. As Jack leaves, Eric warns him against damaging relations between Kinnear and the Fletchers. Back in town, Jack is threatened by henchmen who want him to leave town, but he

386:

initially attracted mixed reviews. Critics begrudgingly appreciated the film's technical achievements and Caine's performance while criticising the complex plot, violence and amorality, in particular Carter's apparent lack of remorse for his actions. American critics were generally more enthusiastic,

1132:

The immediate consequence was the loss of the insights into Carter's motivations provided by his memories of boyhood and his relationships with brother Frank and delinquent gang leader Albert Swift. Also lost was the backstory of Carter's dealings with Eric Paice during their time as rival gangsters

595:

upbringing, having friends and family members who were involved in crime and felt Carter represented a path his life might have taken under different circumstances: "Carter is the dead-end product of my own environment, my childhood; I know him well. He is the ghost of Michael Caine". He made subtle

1899:

was less reserved in his praise, writing that "the movie has a sure touch". He noted the "proletarian detail" of the film which is "unusual in a British detective movie. Usually we get all flash and no humanity, lots of fancy camera tricks but no feel for the criminal strata of society". Of Caine's

1852:

said the film was well-constructed and had good characterisation, but lacked the mystery and charisma of the earlier American crime films it attempted to emulate. He found Carter's motivations were inconsistent, either being an avenging angel or an "authentic post-permissive anti-hero, revelling in

1366:

Klinger was a hands-on producer who remained present throughout shooting and in post-production. He suggested Hodges use John Trumper as editor. Hodges said that he and Trumper argued and disagreed constantly, but he still thought he was a "brilliant, brilliant editor" and was "very grateful to him

1894:

gave a cautiously approving review, describing the film as "nasty, violent and sexy all at once". It predicted that "It should please in the action market, but won't win any laurels for Caine although his portrayal of the vicious anti-hero impresses". The reviewer also opined that "Tighter editing

1342:

In shooting the scene in which Carter throws Brumby to his death from the multi-storey car park, Hodges used four shots: one of the pair struggling high up on the stairs; one from the lowest level of the stairwell where Caine actually threw Bryan Mosley over the side onto mattresses; one shot of a

1056:

and was looking to make smaller-budget films to turn a profit. At this time Klinger's friend Robert Littman had been appointed head of MGM Europe and so Klinger took his proposal to him. MGM agreed to a reasonable but below-average budget of 750,000 (there is some dispute as to whether this figure

2875:

Hodges: "The sound man comes up to me and says, "John's too quiet". And I said, "He's come to me like that and that's how I want him". So if you watch that scene I just get closer and closer with the camera to capture that quietness. John was great, there was a lot of menace in that quietness. He

1841:

had to make do with ambivalence". He thought the general stance of British critics "was to admire the film's power and professionalism while condemning its amorality and excessive violence". Geoff Mayer observed that "Mainstream critics at the time were dismayed by the film's complex plotting and

1447:

and backed with "Plaything", another piece composed for the soundtrack. Original copies of the record are much sought after by collectors and sell for around £100. The soundtrack—including pieces not used in the film—was originally only available in its entirety in Japan, where it was released on

523:

Jack tracks down Albert, who confesses he told Brumby that Doreen was Frank's daughter. Brumby showed Frank the film to incite him to call the police on Kinnear so Eric and two of his men arranged Frank's death. Having extracted this information, Jack fatally stabs Albert. Jack is attacked by the

480:

to attend the funeral of his brother, Frank, who died in a purported drink-driving accident. Jack's bosses warn him not to stir up trouble, as they are friendly with the Newcastle mob. Unsatisfied with the official explanation, Jack investigates for himself. At the funeral, Jack meets his teenage

515:

in which Doreen is forced to have sex with Albert. The other participants in the film are Glenda and Margaret. Jack becomes enraged and pushes Glenda's head underwater as she is taking a bath. She tells him the film was Kinnear's and that she thinks Doreen was pulled into the production by Eric.

5883:

This is an arrangement of Roy Budd's theme from the 1971 British gangster film, arranged for Wobble's Chinese Dub orchestra. This is a modern Britain, far removed from Mike Hodges' monochrome, where tablas patter like rattling trams and Wobble's deep bass rumbles underneath, while the melody is

1764:

by Warner on April 22, 2014; this release features the same extras as the special edition DVD, but due to a manufacturing error, American pressings of the disc utilize the dubbed American version of the opening sequence instead of the original audio. This change was carried over to the initial

1127:

technique of using a voiceover to expose the character's inner feelings. He also dispensed with flashbacks to Carter's youth featured in the novel which explored his relationship with his brother Frank, streamlining the plot to a linear narrative spanning a single weekend. As Chibnall writes:

531:

Jack abducts Margaret. He telephones Kinnear (who is in the middle of a wild party at his home), telling him that he has the film, and makes a deal for Kinnear to give him Eric in exchange for his silence. Kinnear agrees, sending Eric to an agreed location; however, he subsequently phones an

1682:

BBC broadcast in 1986. It was finally released on home media in 1993 by MGM/UA as part of its "Elite Collection". Chibnall says "There was no advertising to suggest a significant event had occurred. It was simply a part of the long process of exploiting MGM's back catalogue in the run-up to

964:

Carl Howard's character of the assassin, "J", is only identified by the initial on his ring, in his only film role, and an appropriate mystery surrounds his real identity. His name does not appear on the credits of some prints. Mike Hodges explained that Howard was an extra in his TV film

1563:

imagery as "what seems like a desperate and misguided attempt to suggest the hipness of a genre which had largely fallen out of favour". However, movie poster expert Sim Branaghan liked its eccentricity, calling it was "that kind of quirkiness you wouldn't get these days". Jonny Trunk of

1228:

to gain control of the Newcastle underworld. Michael Klinger and the MGM publicity spokesman dismissed the use of the location as mere coincidence; however, Hodges was aware of the significance of the house and chose it deliberately. Steve Chibnall writes "It proved a perfect location,

363:

than had previously been seen in British films: Caine, who also served as an uncredited co-producer, incorporated aspects of criminal acquaintances into his characterisation of Carter, while Hodges conducted research into the criminal underworld of Newcastle, in particular the

620:

and poor physical condition were apparent on set in Newcastle, and his envy at the success of his contemporary Caine was exacerbated by his drinking. Hodges and Caine used his animosity towards Caine to their advantage to create extra tension in the scenes between Carter and

535:

Jack chases Eric along a beach. He forces Eric to drink a bottle of whisky as Eric had done to Frank, then beats him to death with his shotgun. Having avenged Frank and Doreen, Jack walks along the shoreline, where he is shot dead from a distance by Kinnear's associate.

1706:. Extras included three trailers; the international trailer, an introduction by Michael Caine to the people of Newcastle, and a third featuring Roy Budd playing the opening theme. This format was also used in a 2001 VHS set released by Warner, which included 1027:(1969) and was unimpressed, telling the director "I'm going to make a gangster film, but it's going to cost a lot more than this and it's going to be better". After searching many publishers for material to adapt into a film, Klinger purchased the rights to 670:. She was also reluctant to take the part as she did not want to take her clothes off; however, she had financial problems at the time as a result of bad investment decisions by her accountant. She was later happy that she had been involved with the project. 726:. A well-known face on British television in the 1960s, his sandblasted features and shifty, haunted looks made him ideal for playing villainous characters or hard-bitten detectives. He seemed ideally cast as a London gangster colleague of Carter's. After 808:

as Doreen Carter. Petra Markham was a 24-year-old experienced theatre actress when she was asked to play the role of Carter's 16-year-old niece. Her appearance in only four scenes in the film meant she could balance the film work with appearing at the

488:, seeking his old acquaintance Albert Swift for information about his brother's death, but Swift evades him. Jack encounters another old associate, Eric Paice, who refuses to tell Jack who is employing him as a chauffeur. Tailing Eric leads him to the 2190:

plays the villain Cyrus Paice. The remake was compared unfavourably to the original by the majority of reviewers. The consensus opinion of critics on Rotten Tomatoes was that it was "a remake that doesn't approach the standard of the original,

627:

as Cyril Kinnear, Jack's main adversary. Osborne, a famous playwright, was an unusual choice of actor; he was suggested by Hodges' agent. The writer enjoyed the change, and saw it as a way to erase the image in the public's mind of him as an

632:. Osborne had never played card games before and practised poker before the shoot to lend realism to the gambling scene. Osborne's portrayal was a contrast to the description in Lewis's novel of Kinnear as an uncultured, corpulent 1424:), and was recorded on a budget of £450 (£8,700 in 2024). The musicians recorded the soundtrack live, direct to picture, playing along with the film. To save time and money Budd did not use overdubs, simultaneously playing a real 2341:, although they call their version "Get Carter", as opposed to its proper title, "Main Theme (Carter Takes A Train)". This Stereolab version was subsequently used as a sample in the song "Got Carter" by 76. The Finnish rock band 3170:

Andrew Spicer, University of the West of England: The Creative Producer – The Michael Klinger Papers; • Paper Given at the University of Stirling Conference, Archives and Auteurs – Filmmakers and their Archives, 2–4 September

1623:(BFI) releasing a new print of the film in 1999. It worked with Hodges to restore the film, with Hodges sourcing another set of negatives of the original opening, which were found in the archives of the BBC. The team then 3442: 1208:, the location of Cliff Brumby's house, awaiting demolition in 2007. Beechcroft stood derelict for many years and was finally demolished in December 2008, despite a campaign to preserve it as a tourist attraction. 1086:. Steve Chibnall writes: "his treatment retained the essential structure of Lewis's novel with its strong narrative drive, but introduced some minor changes to characterisation and more fundamental alterations to 2206:". Mike Hodges said in 2003 he had still not seen the remake, but was informed by a friend that it was "unspeakable". His son brought him a DVD of the film back from Hong Kong and he tried to watch it, but the 1616:. In South Africa the censor cut out Britt Ekland's phone sex scene, shortening her already brief role; her name was still left on the poster, leaving filmgoers to wonder why she was advertised as appearing. 2131:, including a scene in which Gozelda is mauled to death by tigers, and does not end with the main character's death. Hodges and Klinger were incensed by MGM's decision to remake the film, as they considered 1910:

magazine gave a glowing review, saying "Michael Caine is superb, suave and sexy" and describing the film as "a hard, mean and satisfying zinger of the old tough-tec school done in frank contemporary terms".

3977: 2854: 2823: 2118:

at the time he worked on the film, and that Corman had given him an untitled copy of Hodges' script, asking him to rewrite it in an African-American context; he did not learn that the film was based on

1860:

found the characters to be clichéd archetypes of the criminal underworld, such as the "homosexual chauffeur, bloated tycoon, glamorous mistress", describing the film as "perfunctory". Richard Weaver in

1193:, "seemed to capture the nature of Jack Carter himself". The car park embodies one of the film's more subtle themes, which is the destruction of an old cityscape and its rebuilding in line with modern 4182: 4122: 1338:, Northumberland. Near the film's conclusion, Carter chases Paice along these. The tops of the staithes as they appear in the film have been demolished; only the base of the structure remains. 573:

had already signed up Caine for the role. With the backing of a major studio, Klinger was keen to secure a big name for the lead, and Caine was very prominent at the time, having starred in

508:. Brumby identifies Kinnear as being behind Frank's death, also explaining that Kinnear is trying to take over his business. He offers Jack £5,000 to kill the crime boss, which he refuses. 2182:

as its source, not Hodges' film, and again it contains scenes that are directly borrowed from the original, such as the opening train ride. Michael Caine appears as Cliff Brumby, in what

3808: 1804:, a booklet containing various essays on the film and other paraphernalia, postcards and a double-sided poster for both the restoration and a replication of the original UK poster art. 1471:

tune "30-60-90" performed live by the Jack Hawkins Showband, which was the resident band at the Oxford Galleries night club. The pub singer, played by Denea Wilde, performs a cover of "

4394: 6287: 4017: 324:

after his brother's death. Suspecting foul play, and with vengeance on his mind, he investigates and interrogates, regaining a feel for the city and its hardened-criminal element.

3946: 1837:

Describing the initial critical response to the film, Steve Chibnall wrote "Initial critical vilification or indifference establishes the conditions in which a cult can flourish.

532:

associate. Jack drives Margaret to the grounds of Kinnear's estate, kills her with a fatal injection, and leaves her body there. He then calls the police to raid Kinnear's party.

3434: 4076: 1141:

as Carter's choice of weapon (which in the novel symbolises family ties and Carter's memories of more innocent times hunting with his brother) was lost in the film adaptation.

736:

as Peter the Dutchman. Lewis depicted Peter as a misogynistic homosexual in his novel; these elements were not emphasised in the film, although the character is flamboyant and

754:

as Albert Swift. Like Sewell, Edwards was an apprentice of Joan Littlewood's Theatre Workshop who had come to acting in his 30s. He had previously appeared alongside Caine in

1829:, the film has an approval rating of 87% based on 38 reviews, with an average rating of 7.50/10; the site's critical consensus reads "Darkly entertaining and tightly wound, 2036:

newspaper placed the film on their list of "Greatest Films of All Time", placing it at number 7 in the 25 greatest crime films. In the accompanying poll conducted amongst

1917:

also praised the film, saying it "not only maintains interest but conveys with rare artistry, restraint and clarity the many brutal, sordid and gamy plot turns". However,

1877:

confessed to vicarious enjoyment of it, but admitted it was "like a bottle of neat gin swallowed before breakfast. It's intoxicating all right, but it'll do you no good".

1436:. Budd described the experience as "uncomfortable, but it sounded pleasant". The theme tune features the sounds of the character's train journey from London to Newcastle. 3126: 2210:

was incompatible "so we put it in the dustbin". The film was voted the worst remake of all time in 2004 by users of British DVD rental website ScreenSelect (precursor of

3354: 5010: 6341: 37: 1082:

and contracted him to write and direct the film, paying him a flat fee of £7,000 (£135,700 in 2024) for his services. Hodges' original working title for the film was

3320: 1536:

was held in Los Angeles on 3 February 1971. The film finally opened for general release across the UK on 10 March 1971 and in the US on 18 March, where it was rated

4580: 1880:

Steve Chibnall writes that "America was rather more used to hard-boiled storytelling" and that reviewers there were "more prepared than British criticism to treat

1541: 1057:

refers to dollars or pounds) for the production. Within months of agreeing to the deal MGM had pulled out of the UK. Klinger had seen Mike Hodges' television film

792:. He wrote a letter to MGM when he learned it was making the film in Newcastle, and he was invited to meet director Mike Hodges, who wanted to cast local actors. 5870: 3969: 2862: 2831: 2969:! The tone of the piece, although violent, did not condone such actions, indeed even condemned them. I was relieved and at peace with the decision to go ahead" 1900:

performance he wrote, "The character created by Caine is particularly interesting. He's tough and ruthless, but very quiet and charged with a terrible irony".

4270: 5205: 2078:

as its basis. This was the second time that Corman had produced a blaxploitation film based on a novel that had previously been adapted for film, following

1037:. Andrew Spicer has written that "he sensed its potential to imbue the British crime thriller with the realism and violence of its American counterparts". 4174: 3580: 2123:

until he was informed by his agent. While the films share several plot details and treatments, such as a sniper aiming at Carter/Tackett on a rocky beach,

5266: 4118: 2634: 1090:". Given that Ted Lewis had not specified where his novel was set, Hodges felt free to relocate the story to a place he was familiar with, considering 4152: 2898: 5596: 3632: 3496: 2703: 4558: 1061:(1969) and immediately decided he was the ideal candidate to direct his new project. Hodges had also previously worked on current affairs programme 3545: 2989: 2566: 1467:

The film includes other music which is not included on the soundtrack LP. The music playing in the nightclub scene is an uptempo cover of the 1969

913:

boss, despite being young, having intimate knowledge of that world. In the late 1970s his career suffered as he became entangled in accusations of

3862: 2313:

inspiring because "it was done quickly and cheaply with only a few instruments, and it had to be intensely creative to disguise its limitations".

1572:; in the finished film, the only shotgun used by Carter is a double-barrelled shotgun, which Carter finds on top of his brother Frank's wardrobe. 6243: 4773: 2262:

and other British gangster films, and contains similar plot elements and themes of revenge, family and corruption. Soderbergh said he envisioned

662:. Accordingly, her minor role in the film was overemphasised in the publicity. Ekland was afraid of becoming typecast, having already played two 3023: 6439: 5563: 4913: 1133:

in London, in particular, Eric's violent treatment of Carter's lover Audrey (Anna in the screenplay) the memory of which fuels Carter's hatred.

927:

as Gerald Fletcher, one of the London crime boss brothers. Rigby was another actor Hodges cast from his familiarity in television police drama.

3800: 969:, and the director gave him a line to say, but another extra was wrongly credited. Hodges promised he would make it up to him and cast him in 5090: 4386: 4009: 5235: 1780:; the two-disc sets include the special features of earlier home media releases of the film, as well as a new audio commentary with critics 5349: 2202:

wrote "it's so minimally plotted that not only does it lack subtext or context, but it also may be the world's first movie without even a

2110:

as Tyrone Tackett, the story's counterpart to Jack Carter, while Glenda is reimagined as Gozelda, a "sultry skin flick star" portrayed by

6444: 5935: 3922: 2002: 951: 4979: 3404: 3282: 2680: 6474: 6208: 5626: 4431: 4234: 2777: 2603: 1612:

The film did not encounter many censorship problems, although the scene where Carter knifes Albert Swift caused concern for the censor

1370:

As Carter drives away from the flats, with Glenda in the boot of the car, the tyres make a screeching sound. This was later sampled by

4867: 4605: 1177:

crime scene, adapting the script to make use of settings and incorporating elements of his research into the story. His background at

6469: 3709: 1144:

Carter's killing of Brumby and his own assassination were further alterations from the novel, emphasising the film's parallels with

544:

There was pressure from MGM to have more big-name American stars in the film, which was successfully resisted by Hodges. As well as

5132: 5156:

Peter Waymark. "Richard Burton top draw in British cinemas". Times 30 Dec. 1971: 2. The Times Digital Archive. Web. 11 July 2012.

2357:

cover version of the theme tune in 2009. Wobble had long been a fan of the bassline of the track, saying in a 2004 interview with

5904: 5679: 5656: 5033: 4690: 4329: 2301:

The film's music also enjoyed its own resurgence in popularity, for it tapped into a 1990s interest in vintage film soundtracks.

1765:

British pressings of the disc, but was later reversed following public backlash; later British pressings sold by outlets such as

4956: 4486: 3522: 1957:

was a financial success, and according to Steve Chibnall its box office takings were "very respectable". On its opening week at

6459: 6454: 3943: 3346: 3118: 2461: 1200: 688: 5835: 2288:, being similarly a revenge gangster story set around a provincial English town. The production team of the television series 1220:

businessman Vince Landa, who had fled the country in 1969 after the murder of his right-hand man Angus Sibbett, the so-called

1123:, because they showed "how to use the crime story as an autopsy on society's ills". He did not, however, employ a traditional 6484: 6414: 6409: 6399: 6098: 6018: 5990: 5968: 5767: 5689: 5421: 5404: 5323: 4747: 3252: 3222: 2958: 2933: 2737: 2407: 1689:, where it was described as "one of the best British films of the 70s". Chibnall notes "it did not, however, find a place in 3687: 3610: 3242: 3212: 3165: 2965:

After reading the script the priest returned with his conclusion; "I was pretty astounded when he said it was a pretty good

6479: 6419: 4360: 3747: 1888:

admiring its "calculated soullessness" and wondering if it signalled a "new genre of virtuoso viciousness". US publication

5506: 4737: 3312: 2397: 1315: 6394: 6236: 3839: 2244: 1312:

closer to Osborne as the scene progressed. Chibnall says that Hodges regretted not rehearsing the scene more thoroughly.

5753: 1720:

from Caine, Hodges and Suschitzky, constructed from separate interviews with the three. The soundtrack was presented in

6494: 5002: 1330: 472:

bosses Gerald and Sid Fletcher. Jack is having an affair with Gerald's girlfriend Anna and plans to escape with her to

4053: 6464: 6004: 5859: 5431: 5333: 4877: 3398: 2771: 2674: 2518: 857:

Dorothy White as Margaret. White had a successful career as a television actress and was particularly well known for

652: 5174: 2226:

Tom Cox writes that many British film makers "have stolen from Hodges without matching the cold, realistic kick" of

636:, giving him an urbane and relaxed demeanour, his delivery being so relaxed and quiet that it was difficult for the 5798: 5197: 4278: 2186:

described as "a role that will increase regard for the original", speculating that "maybe that was his intention".

1998: 423:

led to the film being critically re-evaluated, with its depiction of class structure and life in 1970s Britain and

5532: 1609:, and tried to get him to relinquish the U.S. rights to the film so that Klinger could find a better distributor. 6429: 6424: 2280: 2045: 1643: 1002:

produced an increase in dark, uncompromising films, with many directors pushing the boundaries of acceptability.

3570: 1216:, provided a real-life connection with organised crime. It was the recently vacated country house of North East 1013:

devised plans for a gangster film to capitalise on public interest in the British criminal underworld after the

6449: 6229: 5258: 1496: 863:, but the part of Margaret was her first credited cinematic role (the only other being a part in the 1955 film 836: 493:

fights them off, capturing and interrogating one to find out who wants him gone. He is told the name "Brumby".

3066: 2483: 2331:

that opens and closes the film as opposed to the full-blooded jazz piece that accompanies the train journey.

1346:

Carter's climactic pursuit of Eric used an amalgamation of two locations spaced 35 miles (56 km) apart:

1263:) in many scenes to create a naturalistic documentary feel, especially in crowd scenes. The film was shot in 5480: 2630: 1308:

and Osborne's whispered delivery which made microphone placement difficult. Hodges moved the camera and the

6389: 6070: 5759: 5588: 4144: 3486: 2888: 985:, Howard was also trimmed. Hodges said in 2002 that "Carl and credits don't seem destined for each other". 5564:"Movie Review Get Carter (2000) FILM REVIEW; Slimline Stallone, With a Bruising Touch and a Gentle Mutter" 4550: 3643: 1750:

or a download, with the same extras as the 2000 release, although with only two trailers and this time in

1189:

multi-storey car park, which dominated the centre of Gateshead. To Hodges, the car park and the cast iron

2981: 2290: 1213: 1111: 1006:

was a film that explored this freedom. The project went from concept to finished film in just 10 months.

20: 5423:

The Man Who Got Carter: Michael Klinger, Independent Production and the British Film Industry, 1960–1980

2558: 1927:

was disparaging, calling the film "a doggedly nasty piece of business" and comparing it unfavourably to

1048:(MGM). In financial trouble and shutting down its British operations, MGM was in the process of closing 3870: 1468: 1351: 1320: 1010: 570: 328: 93: 5727: 4784: 1181:

had made him accustomed to making films based on hard investigation and this informed his approach to

616:, and was Hodges' first choice to play Carter, but by 1970 his career was rapidly declining. Hendry's 445:

magazine chose it as the greatest British film of all time. A poorly received second remake under the

6404: 6091: 3769:

Hanson, Wesley T. Jr. (March 1952). "Color Negative and Color Positive Film for Motion Picture Use".

3020: 2372: 2342: 2010: 1743: 1186: 1106:

before deciding on Newcastle upon Tyne. Hodges said he was influenced in his writing by the works of

973:, but his name was missed off some of the original prints. When the film credits were printed in the 820: 436: 4925: 1548:

for the film appeared on the front of buses across London, featuring the tagline "Caine is Carter".

6434: 4987: 4271:"Transcript of 'British Film Posters' podcast, Talk given in August 2007 at the Walker Art Gallery" 1972: 1679: 1429: 1138: 881: 865: 788: 554: 5227: 5098: 4511: 4204: 2019:

magazine chose it as the greatest British film of all time. In 2008 the film was placed at 225 on

1483:, a song more associated with glamorous Hollywood films than the backrooms of Newcastle pubs. The 909:, and spent most of his adult life associating with criminals, so he was ideally suited to play a 6160: 6144: 1989:

s run". It was the sixth-most popular "general release" movie at the British box office in 1971.

1958: 1929: 1613: 1380: 1221: 931:

Mike Hodges recruited a band of experienced character actors to play the small supporting roles.

914: 762: 587: 569:

as Jack Carter. Hodges wrote the screenplay with Ian Hendry in mind for Carter, but learned that

365: 999: 6322: 6176: 6168: 5820:

Bennett, Ray (9 September 2004). "Dead Man's Shoes at the Venice International Film Festival".

4515: 3914: 2203: 2171: 2151: 1981: 1717: 1685: 1620: 1279: 1194: 1190: 1018: 637: 446: 375:

worked with Hodges to give scenes a naturalistic feel, drawing heavily on their backgrounds in

5927: 5368: 4660: 4244: 3196: 6271: 6047: 5618: 5394: 4230: 3388: 3274: 2761: 2664: 2146:

Warner Bros., which holds the rights to the pre-1986 MGM library, produced another remake of

1971:, which was showing in the larger ABC1. It also performed strongly when moved to the ABCs in 1890: 1628: 1540:

for violence and female nudity, meaning it was for adults only. It was later reclassified as

1453: 1347: 1309: 1033: 936: 505: 344: 312: 77: 4420: 2855:"Did You Ever Meet Elvis? Get Carter director Mike Hodges on meeting Caine, Ali and Kubrick" 2824:"Did You Ever Meet Elvis? Get Carter director Mike Hodges on meeting Caine, Ali and Kubrick" 2591: 786:

echo to a certain extent those of Armstrong's better-known role 25 years later in BBC drama

6489: 6361: 6279: 6084: 3482: 2232: 1703: 1699:

Warner Bros. reissued the film in a special edition on DVD in October 2000 in its original

658: 485: 5064: 2349:. BB Davis & the Red Orchidstra released a version of the film's title theme in 1999. 1627:

the beginning segment onto a high-quality print of the film. The reissue premiered at the

359:. Hodges, Klinger and Caine intended to create a more realistic portrayal of violence and 8: 6384: 6314: 6152: 3955: 3717: 2363:

that "There are some bass lines that contain the whole mystery of creation within them".

2062: 1906: 1671: 1569: 1404: 1049: 1045: 815: 810: 461: 393: 372: 348: 340: 332: 177: 134: 5121: 1552: 6252: 5705: 4682: 4239: 2198: 2155: 2090: 2080: 2041: 1962: 1913: 1589: 1492: 1488: 1358:

from the beaches of East Durham. The cleaning programme was known as Turning the Tide.

1252: 1099: 1028: 957: 772: 697: 663: 517: 450: 360: 343:

before its closure. The production went from novel to finished film in 10 months, with

321: 307: 83: 5896: 5648: 4325: 3518: 6063: 6036: 6014: 6000: 5986: 5964: 5763: 5685: 5427: 5400: 5329: 4948: 4873: 4743: 4478: 3575: 3394: 3248: 3218: 2954: 2929: 2767: 2733: 2670: 2403: 2302: 2249: 2021: 1967: 1867:

praised the realism of the film, describing it as "crime at its most blatant", while

1863: 1738: 1712: 1457: 682: 650:

of the time and would have already been familiar to US audiences through her work in

575: 512: 496:

Jack knows Cliff Brumby as a businessman with controlling interests in local seaside

416: 331:

optioned Lewis's novel shortly after its publication and made a deal with the ailing

283: 3633:"Michael Luvaglio / Dennis Stafford 12 years in prison, released on licence in 1979" 2453: 2143:. The film was released by Warner Archive Collection as a MOD DVD-R on May 4, 2010. 6136: 4631: 3796: 3778: 2314: 2238: 2215: 1946:

remembered the film as "one of the most formidable British thrillers of its time".

1797: 1777: 1766: 1730:

The film was bundled in the 2008 "Movies That Matter – 70's Classics" DVD set with

1580: 1375: 1107: 876: 844: 832: 756: 740:. Beckley had developed a specialism of playing sadistic criminals, so his part in 723: 696:, Mosley was concerned about taking part in such a violent film with depictions of 612: 497: 376: 6221: 5454: 4145:"Soundtracks from other Countries >> Japanese Soundtracks: Get Carter cover" 839:. She attracted Hodges' attention not just for her good looks but for her work on 6200: 6120: 5865: 4382: 3950: 3683: 3602: 3174: 3071: 3027: 2359: 2207: 2067: 1985:(Arthur Hiller 1970), which remained the most popular film in Britain throughout 1923: 1844: 1826: 1632: 1619:

A resurgence of critical and public interest in the film in the 1990s led to the

1537: 1521: 1472: 1271: 1256: 1145: 1063: 1023: 932: 910: 887: 767: 719: 707: 646:

as Anna. Ekland was cast as the leading lady of the film, as she was a prominent

629: 581: 559: 469: 369: 6076: 4352: 3739: 2889:"Get Carter: 40th Anniversary 112 minutes that revolutionised the gangster film" 6192: 4119:"ROY BUDD CARTER GET CARTER UK SOUNDTRACK 7" SINGLE PYE MICHAEL CAINE COVER NM" 2337: 2183: 2057: 1747: 1584: 1576: 1516: 1500: 1287: 1236: 1119: 795: 779: 693: 607: 501: 412: 398: 4175:"Soul Jazz collect TV Sound and Image on new compilation: Jonny Trunk assists" 3831: 2032:

readers, 150 filmmakers and 50 film critics. In October 2010 the critics from

1575:

MGM sold distribution rights to the film in the U.S. to its future subsidiary

6378: 6184: 4048: 2966: 2925: 2275: 2271: 2187: 2085: 1943: 1857: 1789: 1785: 1724: 1647: 1598: 1565: 1556: 1545: 1449: 1268: 1240: 1205: 1103: 924: 901:

as Sid Fletcher. He was the son of a London cab driver who was discovered by

805: 751: 703: 677: 592: 566: 545: 525: 489: 473: 356: 287: 275: 188: 106: 47: 6041: 5291: 1933:. The film appeared on several US critics' lists of best films of the year. 1678:

in August 1981, but it was not shown nationally and in its entirety until a

1452:. It was released in the UK in 1998 by the Cinephile label, a subsidiary of 1396:, a jazz pianist and composer, who had previously worked on soundtracks for 1172:

Trinity Square car park, with Brumby's rooftop cafe, was demolished in 2010.

943:, who plays one of the architects, had previously appeared in such films as 504:

sports car to meet Brumby at his new restaurant development at the top of a

4428:

The Michael Klinger Papers: DocumentsThe University of West England website

4043: 3491: 2319: 2306: 2163: 2159: 2107: 2013:

of the 20th century; five years later, a survey of British film critics in

1938: 1901: 1885: 1873: 1868: 1761: 1639: 1624: 1602: 1594: 1560: 1398: 1297: 1217: 1149: 737: 733: 711: 673: 643: 624: 549: 439:

of the 20th century; five years later, a survey of British film critics in

303: 299: 295: 121: 116: 5166: 1075:, and all these past experiences informed his approach to his film debut. 6108: 5790: 2509: 2354: 2167: 2071: 1997:

At the time of its release, the only recognition the film received was a

1976: 1896: 1817: 1793: 1732: 1675: 1667: 1480: 1476: 1440: 1425: 1417: 1413: 1355: 1335: 1087: 1053: 975: 898: 420: 279: 212: 58: 43: 6052: 6030: 2510:"Defining Moment: 'Get Carter' rewrites the gangster movie, March 1971" 2350: 2106:, transposing the action from Newcastle to Los Angeles. The film stars 2015: 1781: 1670:

version" (which edited out Britt Ekland's phone sex scene) and once on

1638:

On 16 March 2022, the BFI announced that they would be partnering with

1421: 1409: 1324: 1264: 1225: 1185:. One of the first locations which attracted Hodges' attention was the 1168: 1014: 918: 825: 647: 617: 603: 441: 291: 162: 111: 3832:"Wolfgang Suschitzky: "Get Carter" with Mike Hodges and Michael Caine" 2028:

s 500 Best Movies of All Time list, which was selected by over 10,000

1683:

Christmas". Despite this, the release was given a five-star review in

1343:

dummy falling; and one of the body of Brumby on top of a crushed car.

730:, Sewell became more known for playing policemen rather than villains. 606:

as Eric Paice. Hendry had previously been cast by producer Klinger in

3435:"Mike Hodges: A concrete monstrosity, but it was perfect for my film" 2893: 2332: 2328: 2254: 2111: 1965:, London, it broke the house record, taking £8,188. It out-performed 1918: 1849: 1124: 1095: 1041: 902: 869:). She had previously worked with Mike Hodges on the television play 840: 835:

as Glenda. Moffatt was an experienced actress who had trained at the

744:

was somewhat similar to his role of "Camp Freddy" alongside Caine in

552:, and someone Hodges described as "the Canadian lead actress in TV's 477: 352: 2704:"'Get Carter' at 50: The inside story of a British gangster classic" 1751: 6058: 4639: 3782: 2599: 2211: 1721: 1393: 1371: 1114: 981: 940: 892: 799: 597: 511:

Jack has sex with Glenda at her flat, where he finds and watches a

465: 424: 388: 317: 152: 6011:

Neo-Noir: Contemporary Film Noir From Chinatown to The Dark Knight

5836:"A sign of the times: How the Seventies were brought back to life" 1255:

between 17 July and 15 September 1970. Hodges favoured the use of

1292: 1091: 906: 879:

as Edna Garfoot, Carter's landlady. Although she had appeared in

782:

as Keith Lacey. This was Armstrong's screen debut. The themes of

3119:"The crime-genre game-changer Get Carter turns 40. Mar 20, 2011" 2399:

Guide to British Cinema (Reference Guides to the World's Cinema)

2139:; Lewis later claimed that he never received any royalties from 4387:"Top 5 British Crime and Suspense Films from the '60s and '70s" 2099: 1700: 1157: 1153: 945: 859: 802:-born Hepton was cast by Hodges as Kinnear's nervous messenger. 715: 402: 316:, the film follows the eponymous Jack Carter (Caine), a London 2048:, which was selected by a panel of 150 film industry experts. 1224:. Many believed the crime was part of a failed attempt by the 1212:

The location for Cyril Kinnear's house, Dryderdale Hall, near

1484: 1433: 1275: 1631:

and went on general release on 11 June 1999, showing at the

1017:' convictions. Klinger was invited to view a first print of 935:

was cast as Eddie Appleyard, a colleague of Frank Carter's.

640:

to pick up, but Hodges liked the "menace in that quietness".

4421:"Promotion problems in America for 'Get Carter' and 'Pulp'" 1301: 1283: 1078:

Klinger contacted Hodges on 27 January 1970 with a copy of

633: 468:

Jack Carter has lived in London for years in the employ of

428: 1286:

called the crew out on a one-day strike. At the advice of

382:

Turning a respectable profit upon its initial UK release,

5795:

Empire's 500 Greatest Movies of All Time, Empire Magazine

3801:"Notes on Some Limits of Technicolor: The Antonioni Case" 1663: 1231: 1040:

Klinger had been approached in 1969 by another producer,

19:

This article is about the 1971 film. For other uses, see

1796:, actress Petra Markham and Michael Klinger's son Tony, 1601:. Michael Klinger complained in 1974 to president of UA 1267:, which was MGM's trade name for films processed at its 2625: 2623: 2621: 905:

in a pub. As a young man Bindon had been in and out of

700:, and consulted his priest over the moral implications. 453:

portraying Jack Carter and Caine in a supporting role.

347:

taking place from July to September 1970 in and around

5557: 5555: 5553: 2817: 2815: 2813: 548:, names posited by Klinger and studio executives were 481:

niece Doreen, and Frank's evasive mistress, Margaret.

391:

circuit, while MGM focused its resources on producing

5195: 4735: 4512:"BFI brings Get Carter back to big and small screens" 718:

and had come to acting late when, in 1959, he joined

680:

for the part of the "big man", but were impressed by

5325:

Getting Carter: Ted Lewis and the Birth of Brit Noir

5220: 3519:"Demolition of Gateshead Get Carter car park starts" 3428: 3426: 3424: 3422: 3210: 3166:"The Creative Producer – The Michael Klinger Papers" 2618: 2327:

theme, although it was only a version of the sparse

1821:

Jack's pursuit of Eric as seen in the film's trailer

1662:

Chibnall has established that the film was shown on

6251: 5550: 5198:"The greatest films of all time: download the data" 5032:Crist, Judith (8 March 1971). Gilbert, Ruth (ed.). 3962: 2859:

Jack mag archives, Sabotage Times, 30 December 2010

2828:

Jack mag archives, Sabotage Times, 30 December 2010

2810: 2214:). On 13 February 2001, the remake was released on 1788:, an isolated music track, interviews with Hodges, 5858: 5671: 5507:"Musicvid helmer Bayer may 'Get Carter' & Sly" 5420:Spicer, Andrew; McKenna, A. T. (24 October 2013). 5196:Rogers, Simon; Malone, Theresa (22 October 2010). 5189: 4710: 4708: 4573: 4535: 4533: 4463: 4461: 3668: 3666: 3664: 3150: 3148: 3146: 3144: 3103: 3101: 2517: 706:as Con McCarty. Sewell was the man who introduced 415:, and further endorsements from directors such as 6106: 5386: 4872:(2nd ed.). England: Routledge. p. 132. 4661:"Get Carter: 4K Ultra HD Edition (UHD + Blu-ray)" 4506: 4504: 4320: 4318: 4316: 4314: 4264: 4262: 4137: 4001: 3854: 3475: 3419: 3313:"A Conversation with Writer/Director Mike Hodges" 2501: 1392:The majority of the film's music was composed by 1148:and Carter's role as what Geoff Mayer calls "the 676:as Cliff Brumby. MGM executives initially wanted 6376: 5997:Get Carter And Beyond: The Cinema Of Mike Hodges 5317: 5315: 5313: 4977: 4768: 4766: 3823: 3268: 3266: 3264: 3110: 2451: 1652:Return of the Outsider: The Films of Mike Hodges 520:of her own car, Jack drives off to find Albert. 339:the last project to be approved by the studio's 6342:League of Extraordinary Gentlemen Century: 1969 5850: 5228:"The crime 25: do you agree with our rankings?" 4705: 4675: 4632:"Get Carter: Warner Archive Collection Blu-ray" 4530: 4458: 4037: 4035: 3863:"An interview with Mike Hodges, April 10, 2010" 3661: 3141: 3098: 2974: 2942: 2913: 1439:The theme was released as a 7" vinyl single by 1319:The location of the closing scene of the film, 5366: 4865: 4840: 4501: 4414: 4412: 4344: 4311: 4259: 3937: 3625: 3340: 3338: 3091: 3089: 3051: 3049: 2721: 2298:as one of their influences for the programme. 2158:as Jack Carter. Originally announced in 1997, 2094:. However, Hodges and critics have identified 1495:troupe, also appear and perform two numbers, " 686:actor Mosley's performance in fight scenes in 431:score receiving considerable praise. In 1999, 335:(MGM) to finance and release the film, making 6237: 6092: 5963:. British Film Guides #6. I.B. Taurus, 2003, 5919: 5698: 5419: 5310: 5286: 5284: 5113: 5062: 4763: 4326:"Entertainment Get Carter: Original and best" 3537: 3306: 3304: 3302: 3300: 3261: 3236: 3234: 3214:British Crime Cinema (British Popular Cinema) 917:in Fulham and was acquitted of murder at the 5745: 5360: 5250: 5159: 4905: 4821: 4277:. National Museums Liverpool. Archived from 4075:Bryce, Allan (1984). Van de Ven, Luc (ed.). 4032: 3684:"Chequered career of 'human rights' convict" 3675: 2631:"Get Carter celebrates its 40th anniversary" 2586: 2584: 2391: 2389: 2387: 2335:also covers Roy Budd's theme on their album 476:, but he must first return to Newcastle and 5611: 5350:"Interview with George Armitage - Part One" 5082: 4828:Andrews, Nigel (April 1971). "Get Carter". 4731: 4729: 4409: 3970:"Hoping to get Caine for coastal spectacle" 3762: 3335: 3204: 3157: 3086: 3046: 2345:cover the film's theme on their 1995 album 1834:the eight months leading up to April 2002. 6244: 6230: 6099: 6085: 5281: 4847:Weaver, Richard (May 1971). "Get Carter". 4598: 4542: 3595: 3563: 3511: 3310: 3297: 3231: 2559:"Get Carter, AFI Catalog of feature films" 2166:were considered to direct the film before 36: 4802: 4742:. England: Greenwood Press. p. 195. 4197: 3795: 3702: 3247:. England: Greenwood Press. p. 195. 3034:, 23 March 2011. Retrieved 28 April 2011. 2881: 2727: 2581: 2488:British Film Institute Collections Search 2447: 2445: 2443: 2441: 2439: 2437: 2435: 2433: 2431: 2384: 2114:. Armitage revealed that he had not seen 1772:BFI Video released its 4K restoration of 1456:. In 2012, the theme was included on the 1071:and a 1968 children's television serial, 766:. After the film Edwards found work as a 600:on the film was a man called Jack Carter. 5677: 5561: 5530: 5504: 5392: 5056: 4866:Murphy, Robert; Chibnall, Steve (1999). 4809:Milne, Tom (Spring 1971). "Get Carter". 4726: 4653: 4229: 4223: 3944:"The 50 best beach scenes in the movies" 3386: 3272: 2759: 2662: 2476: 2218:DVD by Warner Bros. Home Entertainment. 1816: 1515: 1329: 1314: 1251:Principal photography took place in the 1199: 1167: 5819: 5321: 5265:. Time Out Group and Time Out Digital. 5119: 4898: 4896: 4827: 4736:Mayer, Geoff; McDonnell, Brian (2007). 4381: 4041: 3807:(53). Australia: Senses of Cinema Inc. 3382: 3380: 3378: 3376: 3374: 3372: 3211:Murphy, Robert; Steve Chibnall (1999). 2755: 2753: 2751: 2749: 2507: 2309:explained that they found the music to 1650:as part of their retrospective program 1352:Blackhall Beach near Blackhall Colliery 6377: 5925: 5751: 5256: 4859: 4846: 4624: 4561:from the original on 25 September 2015 4548: 4275:Liverpool Museums British Film Posters 4007: 3908: 3906: 3768: 3714:The Worldwide Guide To Movie Locations 3681: 3481: 3432: 3347:"So macho: interview with Mike Hodges" 3344: 2948: 2919: 2695: 2658: 2656: 2654: 2652: 2428: 1462:British TV, Film and Library Composers 1334:Base of the North Side coal staithes, 819:. She went on to play the unfortunate 813:and her role in the television series 770:and appeared regularly in the TV show 6440:English-language crime thriller films 6225: 6080: 5907:from the original on 29 December 2013 5873:from the original on 10 December 2022 5857:David, Honigmann (23 December 2009). 5856: 5599:from the original on 29 December 2013 5478: 5269:from the original on 21 February 2012 5238:from the original on 28 December 2013 5177:from the original on 22 February 2012 5138:from the original on 8 September 2013 5122:"Michael Klinger: Always his own man" 5088: 5031: 5000: 4994: 4959:from the original on 25 February 2012 4911: 4808: 4693:from the original on 28 February 2012 4437:from the original on 8 September 2013 4363:from the original on 29 November 2010 4350: 4268: 4155:from the original on 29 December 2013 4125:from the original on 27 December 2013 4074: 4020:from the original on 28 December 2013 3980:from the original on 27 December 2013 3732: 3613:from the original on 23 November 2008 3543: 3407:from the original on 24 February 2017 3240: 3195:Steve Chibnall, Robert Murphy (eds.) 3064: 2701: 2683:from the original on 24 February 2017 2569:from the original on 28 December 2013 2553: 2551: 2549: 2547: 2545: 2543: 2541: 2539: 2537: 2464:from the original on 27 December 2013 2395: 2074:; the film's credits identify Lewis' 2040:readers, it was voted fifth. In 2011 1583:, where it played at the bottom of a 5981:Steve Chibnall & Robert Murphy: 5801:from the original on 19 January 2012 5755:The Philosophy of Stephen Soderbergh 5681:Get Carter: The British Film Guide 6 5533:"Kay gets 'Carter' to helm Stallone" 5396:Get Carter: The British Film Guide 6 5342: 5259:"100 Best British Films: Get Carter" 5171:Empire's 500 Best Movies of All Time 5120:Malcolm, Derek (20 September 1989). 5013:from the original on 4 February 2012 4940: 4893: 4353:"Get Carter directed by Mike Hodges" 4008:Nelson, Richard (16 February 2002). 3499:from the original on 4 November 2013 3487:"Get Carter: In search of lost Tyne" 3369: 3116: 2992:from the original on 9 November 2011 2852: 2821: 2780:from the original on 11 January 2014 2746: 2637:from the original on 31 October 2012 2044:London placed the film at 32 in its 1812: 1646:for a re-release of the film at the 1524:bus bearing promotional posters for 5706:"Get Carter is 'worst film remake'" 4781:16+ source guides: Gangsters (2002) 4418: 4181:. The Vinyl Factory. 18 June 2012. 3912: 3903: 3357:from the original on 2 October 2013 3311:Jakubowski, Maxim (November 2010). 2951:Street Life: The Bryan Mosley Story 2922:Street Life: The Bryan Mosley Story 2649: 2245:Lock, Stock and Two Smoking Barrels 998:In the late 1960s, a relaxation in 13: 6445:Films about dysfunctional families 5975: 5659:from the original on 19 April 2012 5629:from the original on 16 April 2014 5562:Mitchell, Elvis (7 October 2000). 5208:from the original on 1 August 2013 5063:Variety Staff (31 December 1970). 4978:Box Office Staff (18 March 1971). 4489:from the original on 17 March 2011 4397:from the original on 18 March 2012 3925:from the original on 30 April 2014 3860: 3842:from the original on 11 April 2012 3811:from the original on 25 March 2012 3750:from the original on 23 March 2012 3690:from the original on 14 April 2004 3525:from the original on 19 March 2012 3285:from the original on 11 March 2012 3163: 3129:from the original on 21 March 2011 2901:from the original on 25 March 2012 2534: 2508:Crossan, Rob (12 September 2009). 2416:from the original on 14 April 2017 2248:borrow from the film's blueprint. 2127:includes several divergences from 1776:on August 1, 2022 on standard and 1769:feature the original audio track. 1605:about the lacklustre promotion of 1361: 939:appears as Harry the card-player. 558:", which is likely a reference to 14: 6506: 6475:Films shot at EMI-Elstree Studios 6024: 5938:from the original on 13 June 2012 5928:"Jah Wobble: Ten Best Dub Tracks" 5589:"Get Carter 2000 critics reviews" 4581:"Movies That Matter 70s Classics" 4185:from the original on 29 June 2012 3869:. britmovie.co.uk. Archived from 3829: 3740:"Walker/Wallsend – Hebburn Ferry" 3445:from the original on 30 July 2010 3323:from the original on 8 March 2012 3065:Hoare, Philip (6 November 1993). 2702:Wells, Jonathan (February 2021). 2084:(1972), the fourth adaptation of 1696:s top fifty videos of the year". 1163: 6470:Films set in Newcastle upon Tyne 6357: 6356: 6288:Jack Carter and the Mafia Pigeon 5889: 5828: 5813: 5783: 5720: 5684:. UK: I.B. Taurus. p. 110. 5641: 5581: 5531:Petrikin, Chris (29 July 1999). 5524: 5498: 5472: 5447: 5413: 5369:"Interview with George Armitage" 5367:Nick Pinkerton (28 April 2015). 5150: 5025: 4946: 4612:. Warner Bros. Entertainment Inc 4476: 4332:from the original on 7 June 2004 4056:from the original on 6 July 2008 3583:from the original on 15 May 2012 3571:"The fight for Get Carter house" 3544:Mckay, Neil (19 December 2008). 3201:, London: Routledge, 1999, p.128 2861:. Sabotage Times. Archived from 2830:. Sabotage Times. Archived from 2606:from the original on 15 May 2006 2402:. Greenwood Press. p. 149. 1304:. Caine apologised immediately. 16:1971 British film by Mike Hodges 5505:Petrikin, Chris (3 June 1999). 5479:Karon, Paul (24 October 1997). 5399:. UK: I.B. Taurus. p. 94. 5091:"Cinema: North Toward Homicide" 4971: 4914:"FROM THE ARCHIVES: Get Carter" 4717: 4606:"Search results for Get Carter" 4479:"Get Carter BFI reissue review" 4470: 4449: 4375: 4302: 4293: 4167: 4111: 4099: 4068: 3992: 3894: 3885: 3799:(2009). Rolando, Caputo (ed.). 3789: 3710:"Film Locations for Get Carter" 3466: 3457: 3189: 3058: 3037: 3013: 3004: 2846: 2801: 2792: 2178:, the film credited Ted Lewis' 1716:. Also included on the DVD was 1644:Warner Bros. Home Entertainment 952:The Charge of the Light Brigade 387:but the film languished on the 320:who returns to his hometown in 5926:Wobble, Jah (13 August 2004). 5481:"McKenna gets 'Carter' for WB" 5001:Ebert, Roger (15 March 1971). 4551:"Get Carter DVD review (2000)" 4077:"A Conversation with Roy Budd" 4042:Johnson, Phil (5 March 1999). 3546:"Carter house gets the bullet" 3345:Brooks, Xan (15 August 2003). 3275:"Great Directors: Mike Hodges" 3217:. UK: Routledge. p. 128. 3117:Good, Oliver (20 March 2011). 2953:. HarperCollins. p. 129. 2460:. University of West England. 2452:Klinger, Tony; Andrew Spicer. 2323:contains a track covering the 2284:has also drawn comparisons to 1842:Carter's lack of remorse". In 1497:When The Saints Go Marching In 1259:(as he had used previously on 993: 837:Bristol Old Vic Theatre School 714:. He grew up in working-class 653:The Night They Raided Minsky's 1: 6460:Films directed by Mike Hodges 6455:Films based on British novels 3836:Web of stories 06 August 2009 3433:Hodges, Mike (26 July 2010). 3387:Chibnall, Steve (July 2003). 2760:Chibnall, Steve (July 2003). 2663:Chibnall, Steve (July 2003). 2378: 2001:nomination for Ian Hendry as 1949: 1657: 1511: 988: 6485:Films shot in Northumberland 6415:British crime thriller films 6410:1971 directorial debut films 6400:1970s English-language films 6071:AFI Catalog of Feature Films 5760:University Press of Kentucky 5089:Cocks, Jay (22 March 1971). 4308:Chibnall, p. 133, footnote 1 3746:. Bridges on the Tyne 2006. 3682:Wilson, Bill (28 May 2002). 2454:"Interview with Mike Hodges" 2174:writing the script. As with 1992: 1807: 1204:Beechcroft, Broomside Lane, 7: 6480:Films shot in County Durham 6420:British films about revenge 5708:. BBC News. 31 October 2004 5619:"Get Carter critic reviews" 2728:Freedland, Michael (2000). 2633:. BBC News. 11 March 2011. 2366: 2046:100 Best British Films list 1742:. It is available from the 1214:Hamsterley, Bishop Auckland 449:was released in 2000, with 21:Get Carter (disambiguation) 10: 6511: 6395:1970s crime thriller films 5752:Palmer, R. Barton (2011). 4485:. Future Publishing, Ltd. 4328:. BBC News. 11 June 1999. 4205:"Willie Mitchell 30-60-90" 3642:. Innocent. Archived from 3609:. BBC News. 1 April 2008. 3521:. BBC News. 26 July 2010. 3393:. I.B.Tauris. p. 23. 2766:. I.B.Tauris. p. 29. 2730:Michael Caine: A Biography 2669:. I.B.Tauris. p. 27. 2458:The Michael Klinger Papers 2343:Laika & the Cosmonauts 2066:, written and directed by 2056:In 1972, MGM released the 2051: 1895:would help considerably". 1746:as a Made on Demand (MOD) 1506: 1374:, who used it on the 1981 1246: 895:-born Dunham's film debut. 689:Far from The Madding Crowd 278:, written and directed by 18: 6495:Metro-Goldwyn-Mayer films 6352: 6333: 6298: 6263: 6115: 5443:– via Google Books. 4953:Pauline Kael film reviews 4739:Encyclopedia of Film Noir 4108:DVD, Warner Archive, 2000 3949:12 September 2008 at the 3244:Encyclopedia of film noir 2982:"George Sewell, Obituary" 2373:BFI Top 100 British films 2347:The Amazing Colossal Band 2221: 2011:BFI Top 100 British films 1802:The Ship Hotel, Tyne Main 1800:'s 1966 documentary film 1744:Warner Archive Collection 437:BFI Top 100 British films 259: 251: 243: 233: 203:3 February 1971 194: 184: 168: 158: 148: 140: 130: 99: 89: 72: 64: 54: 35: 30: 6465:Films scored by Roy Budd 6209:I'll Sleep When I'm Dead 5897:"Jah Wobble- Get Carter" 5860:"Jah Wobble: Get Carter" 5678:Chibnall, Steve (2003). 5393:Chibnall, Steve (2003). 4585:Amazon.com-Film & TV 4237:. Movies & TV Dept. 4149:Italian SOundtracks. com 3913:Cox, Tom (28 May 1999). 2514:Financial Times Magazine 1430:Wurlitzer electric piano 1387: 1257:long focal length lenses 1139:double-barrelled shotgun 1137:The significance of the 891:on television, this was 789:Our Friends in the North 516:Forcing Glenda into the 6161:Morons from Outer Space 5791:"Dead Man's Shoes 2004" 5328:. UK: Oldcastle Books. 4912:Quart, Leonard (2011). 4774:"Gangsters: Get Carter" 4151:. italian soundtracks. 3273:Williams, Tony (2006). 3067:"Obituary: John Bindon" 2596:tops British film poll" 2009:was ranked 16th on the 1666:in 1976 and 1980 "in a 1532:The world premiere for 1443:in 1971, titled simply 1381:The Friends of Mr Cairo 1222:one-armed bandit murder 915:protection racketeering 539: 456: 435:was ranked 16th on the 366:one-armed bandit murder 218:10 March 1971 6430:British neo-noir films 6425:British gangster films 6177:A Prayer for the Dying 5322:Triplow, Nick (2017). 4516:British Film Institute 3026:9 October 2012 at the 2949:Gidney, Chris (2000). 2920:Gidney, Chris (2000). 2876:made a great villain". 2732:. Orion. p. 213. 1822: 1621:British Film Institute 1581:drive-in movie circuit 1529: 1339: 1327: 1280:Eastman Color Negative 1209: 1173: 1135: 411:eventually garnered a 6450:Films about murderers 5838:. BBC. 12 August 2005 5009:. Chicago Sun Times. 4830:Monthly Film Bulletin 4783:. BFI. Archived from 4455:Chibnall, 2003, p. 76 4235:"Get Carter- Trailer" 4209:Billboard.com: Charts 3998:Chibnall, 2003, p. 86 3900:Chibnall, 2003, p. 56 3891:Chibnall, 2003, p. 80 3472:Chibnall, 2003, p. 88 3463:Chibnall, 2003, p. 81 3241:Mayer, Geoff (2007). 3173:. uwe. Archived from 2396:Mayer, Geoff (2003). 2003:Best Supporting Actor 1936:In Michael Klinger's 1820: 1629:National Film Theatre 1519: 1454:Castle Communications 1333: 1318: 1274:. This lab processed 1203: 1191:bridges over the Tyne 1171: 1130: 1067:, the arts programme 506:multi-storey car park 345:principal photography 226: (United Kingdom) 6013:Kamera Books, 2010, 5995:Steven Paul Davies: 5983:British Crime Cinema 5034:"Movies Around Town" 4869:British Crime Cinema 4385:(11 November 2011). 4359:. Head Butler, Inc. 3771:Journal of the SMPTE 3649:on 24 September 2015 3607:mansion up for sale" 3198:British Crime Cinema 3125:. Abu Dhabai Media. 2798:Chibnall, 2003 p. 86 2233:The Long Good Friday 1884:as a serious work", 1853:the casual sadism". 1044:, to make films for 486:Newcastle Racecourse 341:Borehamwood division 189:MGM-EMI Distributors 6390:1970s British films 5985:, Routledge, 1999, 5884:carried on serengi. 5728:"Get Carter (2000)" 5649:"Get Carter (2000)" 5234:. 17 October 2010. 4990:on 21 January 2013. 4980:"Get Carter (1971)" 4924:(1). Archived from 4683:"Get Carter (1971)" 4549:Haflidason, Almar. 4081:Soundtrack Magazine 3956:The Daily Telegraph 3744:Bridges on the Tyne 3720:on 26 February 2012 3579:. 11 January 2007. 3177:on 24 February 2012 2986:The Daily Telegraph 2865:on 31 December 2011 2834:on 31 December 2011 2807:Chibnall, pp. 37–38 2708:Gentleman's Journal 2522:on 10 December 2022 1672:Westward Television 1570:pump-action shotgun 1553:British quad poster 1405:Flight of the Doves 1050:its British studios 1046:Metro-Goldwyn-Mayer 816:Albert and Victoria 373:Wolfgang Suschitzky 349:Newcastle upon Tyne 333:Metro-Goldwyn-Mayer 178:MGM-British Studios 135:Wolfgang Suschitzky 6272:Jack's Return Home 6107:Films directed by 6048:TCM Movie Database 5999:, Batsford, 2003, 5822:Hollywood Reporter 5762:. pp. 69–70. 5568:The New York Times 5257:Lee Davies, Adam. 4928:on 4 February 2012 4419:Klinger, Michael. 4351:Kornbluth, Jesse. 4240:The New York Times 4211:. Rovi Corporation 4010:"Northern revival" 3976:. 28 August 2000. 2602:. 3 October 2004. 2199:The New York Times 2180:Jack's Return Home 2156:Sylvester Stallone 2150:in 2000 under the 2091:The Asphalt Jungle 2076:Jack's Return Home 1963:Shaftesbury Avenue 1942:obituary in 1989, 1823: 1590:Dirty Dingus Magee 1530: 1489:juvenile jazz band 1340: 1328: 1229:wreaking [ 1210: 1174: 1080:Jack's Return Home 1034:Jack's Return Home 1009:In 1969, producer 698:criminal behaviour 451:Sylvester Stallone 361:criminal behaviour 322:North East England 313:Jack's Return Home 274:is a 1971 British 78:Jack's Return Home 6372: 6371: 6280:Jack Carter's Law 6219: 6218: 6019:978-1-84243-311-9 5991:978-0-415-16870-0 5969:978-1-86064-910-3 5769:978-0-8131-2662-3 5732:DVDs ReleaseDates 5691:978-1-86064-910-3 5595:. Flixster, Inc. 5406:978-1-86064-910-3 5038:New York Magazine 4949:"Get Carter 1971" 4849:Films and Filming 4811:Sight & Sound 4790:on 5 January 2012 4749:978-0-313-33306-4 4555:BBCi Films review 4357:Head Butler, 2005 4281:on 8 October 2012 3974:The Northern Echo 3797:Pomerance, Murray 3576:The Northern Echo 3254:978-0-313-33306-4 3224:978-0-415-16870-0 3019:Mitchell, Wendy, 2960:978-0-00-274082-1 2935:978-0-00-274082-1 2739:978-0-7528-3472-6 2409:978-0-313-30307-4 2250:Steven Soderbergh 1999:1972 BAFTA Awards 1864:Films and Filming 1813:Critical response 1739:Dog Day Afternoon 1487:Hussars, a local 1458:Soul Jazz Records 1300:ruined his first 1084:Carter's The Name 683:Coronation Street 513:pornographic film 498:amusement arcades 417:Quentin Tarantino 377:documentary films 284:directorial debut 267: 266: 6502: 6405:1971 crime films 6360: 6359: 6246: 6239: 6232: 6223: 6222: 6145:The Terminal Man 6101: 6094: 6087: 6078: 6077: 6009:Douglas Keesey: 5959:Steve Chibnall: 5948: 5947: 5945: 5943: 5923: 5917: 5916: 5914: 5912: 5893: 5887: 5886: 5880: 5878: 5862: 5854: 5848: 5847: 5845: 5843: 5832: 5826: 5825: 5817: 5811: 5810: 5808: 5806: 5787: 5781: 5780: 5778: 5776: 5749: 5743: 5742: 5740: 5738: 5724: 5718: 5717: 5715: 5713: 5702: 5696: 5695: 5675: 5669: 5668: 5666: 5664: 5645: 5639: 5638: 5636: 5634: 5615: 5609: 5608: 5606: 5604: 5585: 5579: 5578: 5576: 5574: 5559: 5548: 5547: 5545: 5543: 5528: 5522: 5521: 5519: 5517: 5502: 5496: 5495: 5493: 5491: 5476: 5470: 5469: 5467: 5465: 5451: 5445: 5444: 5442: 5440: 5417: 5411: 5410: 5390: 5384: 5383: 5381: 5379: 5364: 5358: 5357: 5354:Money Into Light 5346: 5340: 5339: 5319: 5308: 5307: 5305: 5303: 5292:"Hit Man (1972)" 5288: 5279: 5278: 5276: 5274: 5254: 5248: 5247: 5245: 5243: 5224: 5218: 5217: 5215: 5213: 5193: 5187: 5186: 5184: 5182: 5163: 5157: 5154: 5148: 5147: 5145: 5143: 5137: 5126: 5117: 5111: 5110: 5108: 5106: 5097:. Archived from 5086: 5080: 5079: 5077: 5075: 5060: 5054: 5053: 5051: 5049: 5029: 5023: 5022: 5020: 5018: 4998: 4992: 4991: 4986:. Archived from 4975: 4969: 4968: 4966: 4964: 4944: 4938: 4937: 4935: 4933: 4909: 4903: 4900: 4891: 4890: 4888: 4886: 4863: 4857: 4856: 4844: 4838: 4837: 4825: 4819: 4818: 4806: 4800: 4799: 4797: 4795: 4789: 4778: 4770: 4761: 4760: 4758: 4756: 4733: 4724: 4721: 4715: 4712: 4703: 4702: 4700: 4698: 4679: 4673: 4672: 4670: 4668: 4657: 4651: 4650: 4648: 4646: 4628: 4622: 4621: 4619: 4617: 4602: 4596: 4595: 4593: 4591: 4577: 4571: 4570: 4568: 4566: 4546: 4540: 4537: 4528: 4527: 4525: 4523: 4508: 4499: 4498: 4496: 4494: 4474: 4468: 4465: 4456: 4453: 4447: 4446: 4444: 4442: 4436: 4425: 4416: 4407: 4406: 4404: 4402: 4383:Monahan, William 4379: 4373: 4372: 4370: 4368: 4348: 4342: 4341: 4339: 4337: 4322: 4309: 4306: 4300: 4297: 4291: 4290: 4288: 4286: 4269:Branaghan, Sim. 4266: 4257: 4256: 4254: 4252: 4243:. Archived from 4227: 4221: 4220: 4218: 4216: 4201: 4195: 4194: 4192: 4190: 4171: 4165: 4164: 4162: 4160: 4141: 4135: 4134: 4132: 4130: 4115: 4109: 4103: 4097: 4096: 4094: 4092: 4072: 4066: 4065: 4063: 4061: 4039: 4030: 4029: 4027: 4025: 4005: 3999: 3996: 3990: 3989: 3987: 3985: 3966: 3960: 3959:, 23 August 2008 3941: 3935: 3934: 3932: 3930: 3910: 3901: 3898: 3892: 3889: 3883: 3882: 3880: 3878: 3858: 3852: 3851: 3849: 3847: 3838:. webofstories. 3827: 3821: 3820: 3818: 3816: 3805:Senses of Cinema 3793: 3787: 3786: 3766: 3760: 3759: 3757: 3755: 3736: 3730: 3729: 3727: 3725: 3716:. Archived from 3706: 3700: 3699: 3697: 3695: 3679: 3673: 3670: 3659: 3658: 3656: 3654: 3648: 3637: 3629: 3623: 3622: 3620: 3618: 3599: 3593: 3592: 3590: 3588: 3567: 3561: 3560: 3558: 3556: 3541: 3535: 3534: 3532: 3530: 3515: 3509: 3508: 3506: 3504: 3485:(3 March 2011). 3479: 3473: 3470: 3464: 3461: 3455: 3454: 3452: 3450: 3430: 3417: 3416: 3414: 3412: 3384: 3367: 3366: 3364: 3362: 3342: 3333: 3332: 3330: 3328: 3317:Mulholland Books 3308: 3295: 3294: 3292: 3290: 3279:Senses of Cinema 3270: 3259: 3258: 3238: 3229: 3228: 3208: 3202: 3193: 3187: 3186: 3184: 3182: 3164:Spicer, Andrew. 3161: 3155: 3152: 3139: 3138: 3136: 3134: 3114: 3108: 3105: 3096: 3093: 3084: 3083: 3081: 3079: 3062: 3056: 3053: 3044: 3041: 3035: 3017: 3011: 3008: 3002: 3001: 2999: 2997: 2988:. 5 April 2007. 2978: 2972: 2971: 2946: 2940: 2939: 2917: 2911: 2910: 2908: 2906: 2885: 2879: 2878: 2872: 2870: 2853:Collings, Mark. 2850: 2844: 2843: 2841: 2839: 2822:Collings, Mark. 2819: 2808: 2805: 2799: 2796: 2790: 2789: 2787: 2785: 2757: 2744: 2743: 2725: 2719: 2718: 2716: 2714: 2699: 2693: 2692: 2690: 2688: 2660: 2647: 2646: 2644: 2642: 2627: 2616: 2615: 2613: 2611: 2588: 2579: 2578: 2576: 2574: 2555: 2532: 2531: 2529: 2527: 2521: 2516:. Archived from 2505: 2499: 2498: 2496: 2494: 2480: 2474: 2473: 2471: 2469: 2449: 2426: 2425: 2423: 2421: 2393: 2315:The Human League 2281:Dead Man's Shoes 2230:. Films such as 2170:signed on, with 2070:and produced by 2027: 1798:Philip Trevelyan 1778:Ultra HD Blu-ray 1760:was released on 1695: 1555:with artwork by 1376:Jon and Vangelis 1243:were also used. 1108:Raymond Chandler 877:Rosemarie Dunham 845:television plays 833:Geraldine Moffat 763:The Ipcress File 724:Theatre Workshop 664:gangster's molls 588:The Ipcress File 225: 223: 210: 208: 40: 28: 27: 6510: 6509: 6505: 6504: 6503: 6501: 6500: 6499: 6435:EMI Films films 6375: 6374: 6373: 6368: 6348: 6329: 6294: 6259: 6250: 6220: 6215: 6169:Florida Straits 6121:The Tyrant King 6111: 6105: 6027: 5978: 5976:Further reading 5951: 5941: 5939: 5932:The Independent 5924: 5920: 5910: 5908: 5895: 5894: 5890: 5876: 5874: 5866:Financial Times 5855: 5851: 5841: 5839: 5834: 5833: 5829: 5818: 5814: 5804: 5802: 5789: 5788: 5784: 5774: 5772: 5770: 5750: 5746: 5736: 5734: 5726: 5725: 5721: 5711: 5709: 5704: 5703: 5699: 5692: 5676: 5672: 5662: 5660: 5653:Rotten Tomatoes 5647: 5646: 5642: 5632: 5630: 5617: 5616: 5612: 5602: 5600: 5587: 5586: 5582: 5572: 5570: 5560: 5551: 5541: 5539: 5529: 5525: 5515: 5513: 5503: 5499: 5489: 5487: 5477: 5473: 5463: 5461: 5453: 5452: 5448: 5438: 5436: 5434: 5418: 5414: 5407: 5391: 5387: 5377: 5375: 5365: 5361: 5348: 5347: 5343: 5336: 5320: 5311: 5301: 5299: 5290: 5289: 5282: 5272: 5270: 5263:Time Out London 5255: 5251: 5241: 5239: 5226: 5225: 5221: 5211: 5209: 5194: 5190: 5180: 5178: 5165: 5164: 5160: 5155: 5151: 5141: 5139: 5135: 5124: 5118: 5114: 5104: 5102: 5101:on 3 March 2012 5087: 5083: 5073: 5071: 5061: 5057: 5047: 5045: 5030: 5026: 5016: 5014: 5007:Roger Ebert.com 4999: 4995: 4976: 4972: 4962: 4960: 4947:Kael, Pauline. 4945: 4941: 4931: 4929: 4910: 4906: 4902:Chibnall, p. 93 4901: 4894: 4884: 4882: 4880: 4864: 4860: 4845: 4841: 4826: 4822: 4807: 4803: 4793: 4791: 4787: 4776: 4772: 4771: 4764: 4754: 4752: 4750: 4734: 4727: 4723:Chibnall, p. 91 4722: 4718: 4714:Chibnall, p. 92 4713: 4706: 4696: 4694: 4687:Rotten Tomatoes 4681: 4680: 4676: 4666: 4664: 4659: 4658: 4654: 4644: 4642: 4630: 4629: 4625: 4615: 4613: 4610:Warner Web Shop 4604: 4603: 4599: 4589: 4587: 4579: 4578: 4574: 4564: 4562: 4547: 4543: 4539:Chibnall, p. 99 4538: 4531: 4521: 4519: 4510: 4509: 4502: 4492: 4490: 4483:Total Film 1999 4475: 4471: 4467:Chibnall, p. 61 4466: 4459: 4454: 4450: 4440: 4438: 4434: 4423: 4417: 4410: 4400: 4398: 4380: 4376: 4366: 4364: 4349: 4345: 4335: 4333: 4324: 4323: 4312: 4307: 4303: 4299:Chibnall, p. 90 4298: 4294: 4284: 4282: 4267: 4260: 4250: 4248: 4228: 4224: 4214: 4212: 4203: 4202: 4198: 4188: 4186: 4173: 4172: 4168: 4158: 4156: 4143: 4142: 4138: 4128: 4126: 4117: 4116: 4112: 4104: 4100: 4090: 4088: 4073: 4069: 4059: 4057: 4040: 4033: 4023: 4021: 4006: 4002: 3997: 3993: 3983: 3981: 3968: 3967: 3963: 3951:Wayback Machine 3942: 3938: 3928: 3926: 3911: 3904: 3899: 3895: 3890: 3886: 3876: 3874: 3873:on 22 July 2012 3861:Cairns, David. 3859: 3855: 3845: 3843: 3828: 3824: 3814: 3812: 3794: 3790: 3767: 3763: 3753: 3751: 3738: 3737: 3733: 3723: 3721: 3708: 3707: 3703: 3693: 3691: 3680: 3676: 3672:Chibnall, p. 57 3671: 3662: 3652: 3650: 3646: 3635: 3631: 3630: 3626: 3616: 3614: 3601: 3600: 3596: 3586: 3584: 3569: 3568: 3564: 3554: 3552: 3542: 3538: 3528: 3526: 3517: 3516: 3512: 3502: 3500: 3480: 3476: 3471: 3467: 3462: 3458: 3448: 3446: 3439:The Independent 3431: 3420: 3410: 3408: 3401: 3385: 3370: 3360: 3358: 3343: 3336: 3326: 3324: 3309: 3298: 3288: 3286: 3271: 3262: 3255: 3239: 3232: 3225: 3209: 3205: 3194: 3190: 3180: 3178: 3162: 3158: 3154:Chibnall, p. 21 3153: 3142: 3132: 3130: 3115: 3111: 3107:Chibnall, p. 35 3106: 3099: 3095:Chibnall, p. 34 3094: 3087: 3077: 3075: 3072:The Independent 3063: 3059: 3055:Chibnall, p. 31 3054: 3047: 3043:Chibnall, p. 32 3042: 3038: 3028:Wayback Machine 3021:"Get Armstrong" 3018: 3014: 3010:Chibnall, p. 33 3009: 3005: 2995: 2993: 2980: 2979: 2975: 2961: 2947: 2943: 2936: 2928:. p. 127. 2918: 2914: 2904: 2902: 2887: 2886: 2882: 2868: 2866: 2851: 2847: 2837: 2835: 2820: 2811: 2806: 2802: 2797: 2793: 2783: 2781: 2774: 2758: 2747: 2740: 2726: 2722: 2712: 2710: 2700: 2696: 2686: 2684: 2677: 2661: 2650: 2640: 2638: 2629: 2628: 2619: 2609: 2607: 2590: 2589: 2582: 2572: 2570: 2557: 2556: 2535: 2525: 2523: 2506: 2502: 2492: 2490: 2482: 2481: 2477: 2467: 2465: 2450: 2429: 2419: 2417: 2410: 2394: 2385: 2381: 2369: 2360:The Independent 2258:is a homage to 2224: 2068:George Armitage 2054: 2025: 1995: 1952: 1845:Sight and Sound 1827:Rotten Tomatoes 1815: 1810: 1693: 1660: 1633:Tyneside Cinema 1522:AEC Routemaster 1514: 1509: 1469:Willie Mitchell 1390: 1364: 1362:Post-production 1321:Blackhall Beach 1249: 1179:World in Action 1166: 1146:revenge tragedy 1073:The Tyrant King 1064:World in Action 1024:Man of Violence 1011:Michael Klinger 1000:film censorship 996: 991: 933:Godfrey Quigley 888:A Family at War 768:character actor 746:The Italian Job 720:Joan Littlewood 708:Barbara Windsor 638:sound recordist 630:angry young man 582:The Italian Job 571:Michael Klinger 560:Barbara Parkins 542: 470:organised crime 459: 370:Cinematographer 329:Michael Klinger 236: 229: 221: 219: 206: 204: 197: 180: 173: 171: 126: 94:Michael Klinger 81: 50: 24: 17: 12: 11: 5: 6508: 6498: 6497: 6492: 6487: 6482: 6477: 6472: 6467: 6462: 6457: 6452: 6447: 6442: 6437: 6432: 6427: 6422: 6417: 6412: 6407: 6402: 6397: 6392: 6387: 6370: 6369: 6367: 6366: 6353: 6350: 6349: 6347: 6346: 6337: 6335: 6331: 6330: 6328: 6327: 6319: 6311: 6302: 6300: 6296: 6295: 6293: 6292: 6291:(1976 prequel) 6284: 6283:(1974 prequel) 6276: 6267: 6265: 6261: 6260: 6249: 6248: 6241: 6234: 6226: 6217: 6216: 6214: 6213: 6205: 6197: 6193:Dandelion Dead 6189: 6181: 6173: 6165: 6157: 6149: 6141: 6133: 6125: 6116: 6113: 6112: 6104: 6103: 6096: 6089: 6081: 6075: 6074: 6073: 6061: 6050: 6039: 6026: 6025:External links 6023: 6022: 6021: 6007: 5993: 5977: 5974: 5973: 5972: 5956: 5955: 5950: 5949: 5918: 5888: 5849: 5827: 5812: 5782: 5768: 5744: 5719: 5697: 5690: 5670: 5640: 5610: 5580: 5549: 5523: 5497: 5471: 5446: 5432: 5426:. I.B.Tauris. 5412: 5405: 5385: 5359: 5341: 5334: 5309: 5280: 5249: 5219: 5188: 5158: 5149: 5112: 5081: 5055: 5024: 4993: 4970: 4939: 4904: 4892: 4878: 4858: 4839: 4820: 4801: 4762: 4748: 4725: 4716: 4704: 4674: 4652: 4623: 4597: 4572: 4541: 4529: 4500: 4469: 4457: 4448: 4408: 4374: 4343: 4310: 4301: 4292: 4258: 4247:on 22 May 2012 4222: 4196: 4166: 4136: 4110: 4098: 4067: 4031: 4000: 3991: 3961: 3936: 3902: 3893: 3884: 3853: 3830:Donat, Misha. 3822: 3788: 3783:10.5594/J05041 3777:(3): 223–238. 3761: 3731: 3701: 3674: 3660: 3624: 3594: 3562: 3536: 3510: 3474: 3465: 3456: 3418: 3399: 3368: 3334: 3296: 3260: 3253: 3230: 3223: 3203: 3188: 3156: 3140: 3109: 3097: 3085: 3057: 3045: 3036: 3012: 3003: 2973: 2959: 2941: 2934: 2912: 2880: 2845: 2809: 2800: 2791: 2772: 2745: 2738: 2720: 2694: 2675: 2648: 2617: 2580: 2533: 2500: 2475: 2427: 2408: 2382: 2380: 2377: 2376: 2375: 2368: 2365: 2338:Aluminum Tunes 2223: 2220: 2184:Elvis Mitchell 2058:blaxploitation 2053: 2050: 1994: 1991: 1951: 1948: 1814: 1811: 1809: 1806: 1680:post-watershed 1659: 1656: 1635:in Newcastle. 1614:John Trevelyan 1577:United Artists 1546:Teaser posters 1513: 1510: 1508: 1505: 1501:Auld Lang Syne 1473:How About You? 1389: 1386: 1363: 1360: 1348:Blyth staithes 1288:Richard Lester 1248: 1245: 1237:Northumberland 1187:Trinity Square 1165: 1164:Pre-production 1162: 1120:Kiss Me Deadly 995: 992: 990: 987: 929: 928: 922: 896: 874: 866:Touch & Go 855: 830: 803: 796:Bernard Hepton 793: 780:Alun Armstrong 777: 749: 731: 701: 694:Roman Catholic 671: 641: 622: 608:Roman Polanski 601: 541: 538: 502:Sunbeam Alpine 458: 455: 427:'s minimalist 413:cult following 399:blaxploitation 265: 264: 261: 257: 256: 253: 249: 248: 247:United Kingdom 245: 241: 240: 237: 234: 231: 230: 228: 227: 216: 200: 198: 195: 192: 191: 186: 185:Distributed by 182: 181: 176: 174: 169: 166: 165: 160: 156: 155: 150: 146: 145: 142: 138: 137: 132: 131:Cinematography 128: 127: 125: 124: 119: 114: 109: 103: 101: 97: 96: 91: 87: 86: 74: 70: 69: 66: 62: 61: 56: 52: 51: 41: 33: 32: 15: 9: 6: 4: 3: 2: 6507: 6496: 6493: 6491: 6488: 6486: 6483: 6481: 6478: 6476: 6473: 6471: 6468: 6466: 6463: 6461: 6458: 6456: 6453: 6451: 6448: 6446: 6443: 6441: 6438: 6436: 6433: 6431: 6428: 6426: 6423: 6421: 6418: 6416: 6413: 6411: 6408: 6406: 6403: 6401: 6398: 6396: 6393: 6391: 6388: 6386: 6383: 6382: 6380: 6365: 6364: 6355: 6354: 6351: 6344: 6343: 6339: 6338: 6336: 6332: 6325: 6324: 6320: 6317: 6316: 6312: 6309: 6308: 6304: 6303: 6301: 6297: 6290: 6289: 6285: 6282: 6281: 6277: 6274: 6273: 6269: 6268: 6266: 6262: 6258: 6254: 6247: 6242: 6240: 6235: 6233: 6228: 6227: 6224: 6211: 6210: 6206: 6203: 6202: 6198: 6195: 6194: 6190: 6187: 6186: 6185:Black Rainbow 6182: 6179: 6178: 6174: 6171: 6170: 6166: 6163: 6162: 6158: 6155: 6154: 6150: 6147: 6146: 6142: 6139: 6138: 6134: 6131: 6130: 6126: 6123: 6122: 6118: 6117: 6114: 6110: 6102: 6097: 6095: 6090: 6088: 6083: 6082: 6079: 6072: 6069: 6067: 6066: 6062: 6060: 6056: 6055: 6051: 6049: 6045: 6044: 6040: 6038: 6034: 6033: 6029: 6028: 6020: 6016: 6012: 6008: 6006: 6005:0-7134-8790-9 6002: 5998: 5994: 5992: 5988: 5984: 5980: 5979: 5970: 5966: 5962: 5958: 5957: 5953: 5952: 5937: 5933: 5929: 5922: 5906: 5902: 5898: 5892: 5885: 5872: 5868: 5867: 5861: 5853: 5837: 5831: 5823: 5816: 5800: 5796: 5792: 5786: 5771: 5765: 5761: 5757: 5756: 5748: 5733: 5729: 5723: 5707: 5701: 5693: 5687: 5683: 5682: 5674: 5658: 5654: 5650: 5644: 5628: 5624: 5620: 5614: 5598: 5594: 5590: 5584: 5569: 5565: 5558: 5556: 5554: 5538: 5534: 5527: 5512: 5508: 5501: 5486: 5482: 5475: 5460: 5456: 5450: 5435: 5433:9780857723093 5429: 5425: 5424: 5416: 5408: 5402: 5398: 5397: 5389: 5374: 5370: 5363: 5355: 5351: 5345: 5337: 5335:9781843448839 5331: 5327: 5326: 5318: 5316: 5314: 5297: 5293: 5287: 5285: 5268: 5264: 5260: 5253: 5237: 5233: 5229: 5223: 5207: 5203: 5199: 5192: 5176: 5172: 5168: 5162: 5153: 5134: 5130: 5123: 5116: 5100: 5096: 5092: 5085: 5070: 5066: 5059: 5043: 5039: 5035: 5028: 5012: 5008: 5004: 4997: 4989: 4985: 4981: 4974: 4958: 4954: 4950: 4943: 4927: 4923: 4919: 4915: 4908: 4899: 4897: 4881: 4879:0-415-16870-8 4875: 4871: 4870: 4862: 4854: 4850: 4843: 4835: 4831: 4824: 4816: 4812: 4805: 4786: 4782: 4775: 4769: 4767: 4751: 4745: 4741: 4740: 4732: 4730: 4720: 4711: 4709: 4692: 4688: 4684: 4678: 4662: 4656: 4641: 4637: 4633: 4627: 4611: 4607: 4601: 4586: 4582: 4576: 4560: 4556: 4552: 4545: 4536: 4534: 4518:. 16 May 2011 4517: 4513: 4507: 4505: 4488: 4484: 4480: 4477:Film, Total. 4473: 4464: 4462: 4452: 4433: 4430:. uwe.ac.uk. 4429: 4422: 4415: 4413: 4396: 4392: 4388: 4384: 4378: 4362: 4358: 4354: 4347: 4331: 4327: 4321: 4319: 4317: 4315: 4305: 4296: 4280: 4276: 4272: 4265: 4263: 4246: 4242: 4241: 4236: 4232: 4231:Erickson, Hal 4226: 4210: 4206: 4200: 4184: 4180: 4176: 4170: 4154: 4150: 4146: 4140: 4124: 4120: 4114: 4107: 4102: 4086: 4082: 4078: 4071: 4055: 4051: 4050: 4049:New Statesman 4045: 4038: 4036: 4019: 4015: 4011: 4004: 3995: 3979: 3975: 3971: 3965: 3958: 3957: 3952: 3948: 3945: 3940: 3924: 3920: 3916: 3909: 3907: 3897: 3888: 3872: 3868: 3867:Britmovie.com 3864: 3857: 3841: 3837: 3833: 3826: 3810: 3806: 3802: 3798: 3792: 3784: 3780: 3776: 3772: 3765: 3749: 3745: 3741: 3735: 3719: 3715: 3711: 3705: 3689: 3685: 3678: 3669: 3667: 3665: 3645: 3641: 3634: 3628: 3612: 3608: 3606: 3598: 3582: 3578: 3577: 3572: 3566: 3551: 3547: 3540: 3524: 3520: 3514: 3498: 3494: 3493: 3488: 3484: 3478: 3469: 3460: 3444: 3440: 3436: 3429: 3427: 3425: 3423: 3406: 3402: 3400:9781860649103 3396: 3392: 3391: 3383: 3381: 3379: 3377: 3375: 3373: 3356: 3352: 3348: 3341: 3339: 3322: 3318: 3314: 3307: 3305: 3303: 3301: 3284: 3280: 3276: 3269: 3267: 3265: 3256: 3250: 3246: 3245: 3237: 3235: 3226: 3220: 3216: 3215: 3207: 3200: 3199: 3192: 3176: 3172: 3167: 3160: 3151: 3149: 3147: 3145: 3128: 3124: 3120: 3113: 3104: 3102: 3092: 3090: 3074: 3073: 3068: 3061: 3052: 3050: 3040: 3033: 3029: 3025: 3022: 3016: 3007: 2991: 2987: 2983: 2977: 2970: 2968: 2967:morality play 2962: 2956: 2952: 2945: 2937: 2931: 2927: 2926:HarperCollins 2923: 2916: 2900: 2896: 2895: 2890: 2884: 2877: 2864: 2860: 2856: 2849: 2833: 2829: 2825: 2818: 2816: 2814: 2804: 2795: 2779: 2775: 2773:9781860649103 2769: 2765: 2764: 2756: 2754: 2752: 2750: 2741: 2735: 2731: 2724: 2709: 2705: 2698: 2682: 2678: 2676:9781860649103 2672: 2668: 2667: 2659: 2657: 2655: 2653: 2636: 2632: 2626: 2624: 2622: 2605: 2601: 2597: 2595: 2587: 2585: 2568: 2564: 2560: 2554: 2552: 2550: 2548: 2546: 2544: 2542: 2540: 2538: 2520: 2515: 2511: 2504: 2489: 2485: 2479: 2463: 2459: 2455: 2448: 2446: 2444: 2442: 2440: 2438: 2436: 2434: 2432: 2415: 2411: 2405: 2401: 2400: 2392: 2390: 2388: 2383: 2374: 2371: 2370: 2364: 2362: 2361: 2356: 2352: 2348: 2344: 2340: 2339: 2334: 2330: 2326: 2322: 2321: 2316: 2312: 2308: 2304: 2299: 2297: 2293: 2292: 2287: 2283: 2282: 2277: 2276:Shane Meadows 2273: 2272:Alain Resnais 2269: 2265: 2261: 2257: 2256: 2252:'s 1999 film 2251: 2247: 2246: 2241: 2240: 2235: 2234: 2229: 2219: 2217: 2213: 2209: 2208:region format 2205: 2201: 2200: 2194: 2189: 2188:Mickey Rourke 2185: 2181: 2177: 2173: 2172:David McKenna 2169: 2165: 2161: 2157: 2153: 2149: 2144: 2142: 2138: 2134: 2130: 2126: 2122: 2117: 2113: 2109: 2105: 2101: 2097: 2093: 2092: 2087: 2086:W. R. Burnett 2083: 2082: 2077: 2073: 2069: 2065: 2064: 2059: 2049: 2047: 2043: 2039: 2035: 2031: 2024: 2023: 2018: 2017: 2012: 2008: 2004: 2000: 1990: 1988: 1984: 1983: 1978: 1974: 1970: 1969: 1964: 1960: 1956: 1947: 1945: 1944:Derek Malcolm 1941: 1940: 1934: 1932: 1931: 1926: 1925: 1920: 1916: 1915: 1909: 1908: 1903: 1898: 1893: 1892: 1887: 1883: 1878: 1876: 1875: 1870: 1866: 1865: 1859: 1858:Nigel Andrews 1856:In contrast, 1854: 1851: 1847: 1846: 1840: 1835: 1832: 1828: 1819: 1805: 1803: 1799: 1795: 1791: 1790:Trunk Records 1787: 1786:Barry Forshaw 1783: 1779: 1775: 1770: 1768: 1763: 1759: 1755: 1753: 1749: 1745: 1741: 1740: 1735: 1734: 1728: 1726: 1725:Dolby Digital 1723: 1719: 1715: 1714: 1709: 1705: 1702: 1697: 1692: 1688: 1687: 1681: 1677: 1673: 1669: 1665: 1655: 1653: 1649: 1648:BFI Southbank 1645: 1641: 1636: 1634: 1630: 1626: 1622: 1617: 1615: 1610: 1608: 1604: 1600: 1599:Frank Sinatra 1596: 1592: 1591: 1586: 1582: 1578: 1573: 1571: 1567: 1566:Trunk Records 1562: 1558: 1557:Arnaldo Putzu 1554: 1551:The original 1549: 1547: 1543: 1539: 1535: 1527: 1523: 1518: 1504: 1502: 1498: 1494: 1490: 1486: 1482: 1478: 1474: 1470: 1465: 1463: 1459: 1455: 1451: 1450:Odeon Records 1446: 1442: 1437: 1435: 1431: 1427: 1423: 1419: 1415: 1411: 1407: 1406: 1401: 1400: 1395: 1385: 1383: 1382: 1377: 1373: 1368: 1359: 1357: 1353: 1349: 1344: 1337: 1332: 1326: 1322: 1317: 1313: 1311: 1305: 1303: 1299: 1295: 1294: 1289: 1285: 1281: 1277: 1273: 1270: 1266: 1262: 1258: 1254: 1244: 1242: 1241:County Durham 1238: 1234: 1233: 1227: 1223: 1219: 1218:fruit machine 1215: 1207: 1206:County Durham 1202: 1198: 1196: 1192: 1188: 1184: 1180: 1170: 1161: 1159: 1155: 1151: 1147: 1142: 1140: 1134: 1129: 1126: 1122: 1121: 1116: 1113: 1109: 1105: 1104:North Shields 1101: 1097: 1093: 1089: 1085: 1081: 1076: 1074: 1070: 1066: 1065: 1060: 1055: 1051: 1047: 1043: 1038: 1036: 1035: 1030: 1026: 1025: 1020: 1016: 1012: 1007: 1005: 1001: 986: 984: 983: 978: 977: 972: 968: 962: 960: 959: 954: 953: 948: 947: 942: 938: 937:Kevin Brennan 934: 926: 925:Terence Rigby 923: 920: 916: 912: 908: 904: 900: 897: 894: 890: 889: 884: 883: 878: 875: 872: 868: 867: 862: 861: 856: 853: 849: 846: 842: 838: 834: 831: 828: 827: 822: 818: 817: 812: 807: 806:Petra Markham 804: 801: 797: 794: 791: 790: 785: 781: 778: 775: 774: 769: 765: 764: 759: 758: 753: 752:Glynn Edwards 750: 747: 743: 739: 735: 732: 729: 725: 721: 717: 713: 709: 705: 704:George Sewell 702: 699: 695: 691: 690: 685: 684: 679: 678:Telly Savalas 675: 672: 669: 665: 661: 660: 655: 654: 649: 645: 642: 639: 635: 631: 626: 623: 619: 615: 614: 609: 605: 602: 599: 594: 593:working-class 590: 589: 584: 583: 578: 577: 572: 568: 567:Michael Caine 565: 564: 563: 561: 557: 556: 551: 547: 546:Telly Savalas 537: 533: 529: 527: 526:Scotland Yard 521: 519: 514: 509: 507: 503: 499: 494: 491: 490:country house 487: 484:Jack goes to 482: 479: 475: 474:South America 471: 467: 463: 454: 452: 448: 444: 443: 438: 434: 430: 426: 422: 418: 414: 410: 406: 405:of the film. 404: 400: 396: 395: 390: 385: 380: 378: 374: 371: 367: 362: 358: 357:County Durham 354: 350: 346: 342: 338: 334: 330: 325: 323: 319: 315: 314: 309: 305: 301: 297: 293: 289: 288:Michael Caine 286:and starring 285: 281: 277: 276:gangster film 273: 272: 262: 258: 254: 250: 246: 242: 238: 232: 217: 214: 202: 201: 199: 196:Release dates 193: 190: 187: 183: 179: 175: 167: 164: 161: 159:Color process 157: 154: 151: 147: 143: 139: 136: 133: 129: 123: 120: 118: 115: 113: 110: 108: 107:Michael Caine 105: 104: 102: 98: 95: 92: 88: 85: 80: 79: 75: 71: 67: 65:Screenplay by 63: 60: 57: 53: 49: 48:Arnaldo Putzu 45: 39: 34: 29: 26: 22: 6362: 6340: 6321: 6313: 6306: 6305: 6286: 6278: 6270: 6256: 6207: 6199: 6191: 6183: 6175: 6167: 6159: 6153:Flash Gordon 6151: 6143: 6135: 6128: 6127: 6119: 6064: 6053: 6042: 6031: 6010: 5996: 5982: 5960: 5954:Bibliography 5940:. Retrieved 5931: 5921: 5909:. Retrieved 5901:Juno Records 5900: 5891: 5882: 5875:. Retrieved 5864: 5852: 5840:. Retrieved 5830: 5821: 5815: 5803:. Retrieved 5794: 5785: 5773:. Retrieved 5754: 5747: 5735:. Retrieved 5731: 5722: 5710:. Retrieved 5700: 5680: 5673: 5661:. Retrieved 5652: 5643: 5631:. Retrieved 5622: 5613: 5601:. Retrieved 5592: 5583: 5571:. Retrieved 5567: 5540:. Retrieved 5536: 5526: 5514:. Retrieved 5510: 5500: 5488:. Retrieved 5484: 5474: 5462:. Retrieved 5458: 5449: 5437:. Retrieved 5422: 5415: 5395: 5388: 5378:11 September 5376:. Retrieved 5373:Film Comment 5372: 5362: 5353: 5344: 5324: 5300:. Retrieved 5295: 5271:. Retrieved 5262: 5252: 5240:. Retrieved 5232:The Guardian 5231: 5222: 5210:. Retrieved 5202:The Guardian 5201: 5191: 5179:. Retrieved 5170: 5161: 5152: 5140:. Retrieved 5129:The Guardian 5128: 5115: 5103:. Retrieved 5099:the original 5094: 5084: 5072:. Retrieved 5068: 5065:"Get Carter" 5058: 5046:. Retrieved 5041: 5037: 5027: 5015:. Retrieved 5006: 5003:"Get Carter" 4996: 4988:the original 4983: 4973: 4961:. Retrieved 4952: 4942: 4930:. Retrieved 4926:the original 4921: 4917: 4907: 4883:. Retrieved 4868: 4861: 4852: 4848: 4842: 4833: 4829: 4823: 4814: 4810: 4804: 4792:. Retrieved 4785:the original 4780: 4753:. Retrieved 4738: 4719: 4695:. Retrieved 4686: 4677: 4665:. Retrieved 4655: 4643:. Retrieved 4635: 4626: 4614:. Retrieved 4609: 4600: 4588:. Retrieved 4584: 4575: 4563:. Retrieved 4554: 4544: 4520:. Retrieved 4491:. Retrieved 4482: 4472: 4451: 4439:. Retrieved 4427: 4399:. Retrieved 4390: 4377: 4365:. Retrieved 4356: 4346: 4334:. Retrieved 4304: 4295: 4283:. Retrieved 4279:the original 4274: 4249:. Retrieved 4245:the original 4238: 4225: 4213:. Retrieved 4208: 4199: 4187:. Retrieved 4178: 4169: 4157:. Retrieved 4148: 4139: 4127:. Retrieved 4113: 4105: 4101: 4089:. Retrieved 4084: 4080: 4070: 4058:. Retrieved 4047: 4044:"Film Music" 4022:. Retrieved 4014:The Guardian 4013: 4003: 3994: 3982:. Retrieved 3973: 3964: 3954: 3939: 3927:. Retrieved 3919:The Guardian 3918: 3915:"Get Hodges" 3896: 3887: 3875:. Retrieved 3871:the original 3866: 3856: 3844:. Retrieved 3835: 3825: 3813:. Retrieved 3804: 3791: 3774: 3770: 3764: 3752:. Retrieved 3743: 3734: 3722:. Retrieved 3718:the original 3713: 3704: 3692:. Retrieved 3686:. BBC News. 3677: 3651:. Retrieved 3644:the original 3640:Innocent.org 3639: 3627: 3615:. Retrieved 3604: 3597: 3585:. Retrieved 3574: 3565: 3553:. Retrieved 3549: 3539: 3527:. Retrieved 3513: 3501:. Retrieved 3492:The Guardian 3490: 3483:Harris, John 3477: 3468: 3459: 3447:. Retrieved 3438: 3409:. Retrieved 3389: 3359:. Retrieved 3351:The Guardian 3350: 3325:. Retrieved 3316: 3287:. Retrieved 3278: 3243: 3213: 3206: 3197: 3191: 3179:. Retrieved 3175:the original 3169: 3159: 3131:. Retrieved 3123:The National 3122: 3112: 3076:. Retrieved 3070: 3060: 3039: 3032:Screen Daily 3031: 3015: 3006: 2994:. Retrieved 2985: 2976: 2964: 2950: 2944: 2921: 2915: 2903:. Retrieved 2892: 2883: 2874: 2867:. Retrieved 2863:the original 2858: 2848: 2836:. Retrieved 2832:the original 2827: 2803: 2794: 2782:. Retrieved 2762: 2729: 2723: 2711:. Retrieved 2707: 2697: 2685:. Retrieved 2665: 2639:. Retrieved 2608:. Retrieved 2593: 2571:. Retrieved 2562: 2524:. Retrieved 2519:the original 2513: 2503: 2491:. Retrieved 2487: 2484:"Get Carter" 2478: 2466:. Retrieved 2457: 2418:. Retrieved 2398: 2358: 2346: 2336: 2324: 2318: 2310: 2307:Adrian Utley 2300: 2295: 2291:Life on Mars 2289: 2285: 2279: 2267: 2263: 2259: 2253: 2243: 2237: 2231: 2227: 2225: 2197: 2192: 2179: 2175: 2164:Samuel Bayer 2160:Tarsem Singh 2147: 2145: 2140: 2136: 2135:inferior to 2132: 2128: 2124: 2120: 2115: 2108:Bernie Casey 2103: 2095: 2089: 2079: 2075: 2061: 2055: 2037: 2034:The Guardian 2033: 2029: 2020: 2014: 2006: 1996: 1986: 1980: 1966: 1954: 1953: 1939:The Guardian 1937: 1935: 1928: 1922: 1912: 1905: 1902:Judith Crist 1889: 1886:Pauline Kael 1881: 1879: 1874:The Observer 1872: 1869:George Melly 1862: 1855: 1843: 1838: 1836: 1830: 1824: 1801: 1773: 1771: 1762:Blu-ray Disc 1757: 1756: 1737: 1731: 1729: 1711: 1707: 1704:aspect ratio 1698: 1690: 1684: 1661: 1651: 1640:Warner Bros. 1637: 1618: 1611: 1606: 1603:Eric Pleskow 1588: 1574: 1561:flower power 1550: 1533: 1531: 1525: 1466: 1461: 1460:compilation 1444: 1438: 1403: 1399:Soldier Blue 1397: 1391: 1379: 1369: 1365: 1345: 1341: 1306: 1298:focus puller 1291: 1269:Eastmancolor 1260: 1250: 1230: 1211: 1182: 1178: 1175: 1143: 1136: 1131: 1118: 1083: 1079: 1077: 1072: 1068: 1062: 1058: 1039: 1032: 1022: 1019:Peter Walker 1008: 1003: 997: 980: 974: 970: 966: 963: 956: 950: 944: 930: 886: 882:The Avengers 880: 870: 864: 858: 851: 847: 824: 821:Rose Chapman 814: 787: 783: 771: 761: 755: 745: 741: 734:Tony Beckley 727: 712:Charlie Kray 687: 681: 674:Bryan Mosley 667: 657: 651: 644:Britt Ekland 625:John Osborne 611: 586: 580: 574: 555:Peyton Place 553: 550:Joan Collins 543: 534: 530: 528:vice squad. 522: 510: 495: 483: 460: 440: 432: 408: 407: 392: 383: 381: 336: 326: 311: 304:Bryan Mosley 300:Britt Ekland 296:John Osborne 270: 269: 268: 235:Running time 144:John Trumper 122:Britt Ekland 117:John Osborne 76: 42:Original UK 25: 6490:Jack Carter 6345:(2009–2012) 6326:(2000 film) 6318:(1972 film) 6310:(1971 film) 6299:Adaptations 6257:Jack Carter 6109:Mike Hodges 5942:14 February 5911:14 February 5877:14 February 5775:13 February 5712:22 February 5633:22 February 5603:22 February 5573:22 February 5296:AFI Catalog 5273:28 February 5242:23 February 5212:23 February 5181:21 February 5142:20 February 5105:23 February 5074:23 February 5048:28 February 5017:23 February 4963:23 February 4932:20 February 4794:24 February 4755:20 February 4663:. BFI Video 4565:18 February 4441:20 February 4215:28 February 4121:. popsike. 4060:14 February 4024:24 February 3984:24 February 3929:21 February 3846:21 February 3724:27 February 3694:26 February 3653:26 February 3587:26 February 3550:The Journal 3503:27 February 3449:25 February 3361:16 February 3181:20 February 2996:14 February 2869:14 February 2838:14 February 2641:20 February 2563:AFI Catalog 2353:produced a 2294:also cited 2168:Stephen Kay 2154:, starring 2081:Cool Breeze 2072:Gene Corman 2005:. In 1999, 1987:Get Carter' 1977:Fulham Road 1930:Point Blank 1921:writing in 1897:Roger Ebert 1871:writing in 1794:Jonny Trunk 1733:Deliverance 1668:bowdlerised 1585:double bill 1481:Ralph Freed 1477:Burton Lane 1441:Pye Records 1434:grand piano 1426:harpsichord 1418:Chris Karan 1414:double bass 1336:North Blyth 1150:moral agent 1088:narratology 1054:Borehamwood 994:Development 976:Radio Times 899:John Bindon 811:Royal Court 798:as Thorpe. 692:. A devout 421:Guy Ritchie 310:1970 novel 308:Ted Lewis's 306:. Based on 280:Mike Hodges 239:112 minutes 213:Los Angeles 90:Produced by 68:Mike Hodges 59:Mike Hodges 55:Directed by 44:film poster 6385:1971 films 6379:Categories 6323:Get Carter 6307:Get Carter 6129:Get Carter 6065:Get Carter 6054:Get Carter 6043:Get Carter 6032:Get Carter 5961:Get Carter 5623:Metacritic 5593:Get Carter 5459:Oldies.com 5173:. Empire. 4836:(447): 73. 4636:DVD Savant 4106:Get Carter 3605:Get Carter 3390:Get Carter 2763:Get Carter 2666:Get Carter 2594:Get Carter 2420:6 November 2379:References 2351:Jah Wobble 2325:Get Carter 2311:Get Carter 2303:Portishead 2296:Get Carter 2286:Get Carter 2268:Get Carter 2260:Get Carter 2228:Get Carter 2193:Get Carter 2152:same title 2148:Get Carter 2137:Get Carter 2129:Get Carter 2121:Get Carter 2116:Get Carter 2104:Get Carter 2016:Total Film 2007:Get Carter 1982:Love Story 1968:Up Pompeii 1961:cinema at 1955:Get Carter 1950:Box office 1891:Box Office 1882:Get Carter 1839:Get Carter 1831:Get Carter 1782:Kim Newman 1774:Get Carter 1758:Get Carter 1718:commentary 1658:Home media 1534:Get Carter 1526:Get Carter 1512:Theatrical 1422:percussion 1410:Jeff Clyne 1356:coal waste 1325:Hartlepool 1272:laboratory 1265:Metrocolor 1253:North East 1226:Kray twins 1183:Get Carter 1015:Kray Twins 1004:Get Carter 989:Production 919:Old Bailey 826:EastEnders 784:Get Carter 648:sex symbol 618:alcoholism 604:Ian Hendry 447:same title 442:Total Film 433:Get Carter 409:Get Carter 384:Get Carter 337:Get Carter 292:Ian Hendry 271:Get Carter 222:1971-03-10 207:1971-02-03 170:Production 163:Metrocolor 112:Ian Hendry 31:Get Carter 6253:Ted Lewis 5737:20 August 5464:20 August 5455:"Hit Man" 5439:20 August 5167:"300-201" 4984:BoxOffice 4817:(2): 107. 2894:ShortList 2493:27 August 2333:Stereolab 2329:leitmotif 2264:The Limey 2255:The Limey 2112:Pam Grier 1993:Accolades 1919:Jay Cocks 1850:Tom Milne 1808:Reception 1767:Amazon UK 1520:A London 1493:majorette 1195:Brutalism 1112:Hollywood 1096:Lowestoft 1042:Nat Cohen 1029:Ted Lewis 903:Ken Loach 841:Alun Owen 613:Repulsion 478:Gateshead 462:Newcastle 353:Gateshead 327:Producer 141:Edited by 84:Ted Lewis 6363:Category 6201:Croupier 6059:AllMovie 5936:Archived 5905:Archived 5903:. juno. 5871:Archived 5805:16 March 5799:Archived 5663:20 March 5657:Archived 5627:Archived 5597:Archived 5542:28 March 5516:28 March 5490:28 March 5267:Archived 5236:Archived 5206:Archived 5175:Archived 5133:Archived 5011:Archived 4957:Archived 4918:Cineaste 4855:(8): 88. 4697:5 August 4691:Archived 4640:DVD Talk 4616:14 March 4590:14 March 4559:Archived 4493:16 March 4487:Archived 4432:Archived 4401:16 March 4395:Archived 4367:16 March 4361:Archived 4336:16 March 4330:Archived 4285:27 March 4251:16 March 4233:(2012). 4183:Archived 4179:Fact.com 4153:Archived 4123:Archived 4054:Archived 4018:Archived 3978:Archived 3947:Archived 3923:Archived 3840:Archived 3815:16 March 3809:Archived 3754:20 March 3748:Archived 3688:Archived 3611:Archived 3581:Archived 3523:Archived 3497:Archived 3443:Archived 3405:Archived 3355:Archived 3321:Archived 3289:11 March 3283:Archived 3133:10 March 3127:Archived 3024:Archived 2990:Archived 2899:Archived 2897:. 2012. 2778:Archived 2681:Archived 2635:Archived 2604:Archived 2600:BBC News 2573:14 March 2567:Archived 2526:16 March 2468:10 March 2462:Archived 2414:Archived 2367:See also 2270:made by 2216:Region 1 2212:Lovefilm 2042:Time Out 2038:Guardian 1907:New York 1792:founder 1722:1.0 mono 1394:Roy Budd 1372:Vangelis 1117:such as 1115:B-movies 1031:' novel 982:TV Times 941:Ben Aris 911:gangland 893:Scottish 800:Bradford 659:Stiletto 598:stand-in 466:gangster 425:Roy Budd 401:-themed 389:drive-in 318:gangster 263:£750,000 252:Language 153:Roy Budd 149:Music by 100:Starring 73:Based on 6334:Related 6315:Hit Man 6068:at the 6046:at the 5842:25 June 5758:. USA: 5537:Variety 5511:Variety 5485:Variety 5069:Variety 5044:(4): 11 4885:6 March 4557:. BBC. 4189:15 July 4159:4 March 4129:1 March 4091:1 March 3877:9 March 3617:3 April 3555:1 March 3529:3 April 3327:9 March 2905:6 March 2713:24 June 2610:6 April 2565:. AFI. 2278:' film 2176:Hit Man 2141:Hit Man 2133:Hit Man 2125:Hit Man 2096:Hit Man 2063:Hit Man 2052:Remakes 1973:Edgware 1914:Variety 1754:ratio. 1676:Granada 1674:and on 1625:spliced 1595:vehicle 1507:Release 1499:" and " 1293:Bullitt 1247:Filming 1092:Grimsby 1059:Suspect 907:borstal 871:Suspect 666:before 394:Hit Man 282:in his 255:English 244:Country 220: ( 205: ( 172:company 6275:(1970) 6264:Novels 6212:(2003) 6204:(1998) 6196:(1994) 6188:(1989) 6180:(1987) 6172:(1986) 6164:(1985) 6156:(1980) 6148:(1974) 6140:(1972) 6132:(1971) 6124:(1968) 6017: 6003: 5989: 5967: 5766: 5688: 5430: 5403: 5332: 5302:2 June 4922:XXXVII 4876: 4746: 4645:2 June 3397: 3281:(40). 3251: 3221: 3078:4 June 2957: 2932: 2770: 2736: 2673: 2406: 2317:album 2222:Legacy 2100:remake 2030:Empire 2022:Empire 1708:Bullit 1701:1.85:1 1691:Empire 1686:Empire 1607:Carter 1445:Carter 1432:and a 1416:) and 1378:track 1261:Rumour 1158:sequel 1154:knight 971:Carter 967:Rumour 958:Hamlet 946:if.... 860:Z-Cars 852:Doreen 848:Stella 773:Minder 742:Carter 728:Carter 716:Hoxton 668:Carter 621:Paice. 464:-born 403:remake 260:Budget 211: ( 5298:. AFI 5136:(PDF) 5125:(PDF) 4788:(PDF) 4777:(PDF) 4667:5 May 4522:5 May 4435:(PDF) 4424:(PDF) 4391:Slate 3647:(PDF) 3636:(PDF) 3411:5 May 2784:5 May 2687:5 May 2098:as a 2060:film 2026:' 1748:DVD-R 1713:Shaft 1694:' 1587:with 1485:Pelaw 1475:" by 1388:Music 1323:near 1276:Kodak 1069:Tempo 576:Alfie 6137:Pulp 6037:IMDb 6015:ISBN 6001:ISBN 5987:ISBN 5965:ISBN 5944:2012 5913:2012 5879:2012 5844:2021 5807:2012 5777:2012 5764:ISBN 5739:2022 5714:2012 5686:ISBN 5665:2012 5635:2012 5605:2012 5575:2012 5544:2022 5518:2022 5492:2022 5466:2022 5441:2022 5428:ISBN 5401:ISBN 5380:2021 5330:ISBN 5304:2021 5275:2012 5244:2012 5214:2012 5183:2012 5144:2012 5107:2012 5095:Time 5076:2012 5050:2012 5019:2012 4965:2012 4934:2012 4887:2012 4874:ISBN 4796:2012 4757:2012 4744:ISBN 4699:2022 4669:2022 4647:2021 4618:2012 4592:2012 4567:2012 4524:2022 4495:2012 4443:2012 4403:2012 4369:2012 4338:2012 4287:2012 4253:2012 4217:2012 4191:2012 4161:2012 4131:2012 4093:2012 4087:(11) 4062:2012 4026:2012 3986:2012 3931:2012 3879:2012 3848:2012 3817:2012 3756:2012 3726:2012 3696:2012 3655:2012 3619:2012 3589:2012 3557:2012 3531:2012 3505:2012 3451:2012 3413:2012 3395:ISBN 3363:2012 3329:2012 3291:2012 3249:ISBN 3219:ISBN 3183:2012 3171:2009 3135:2012 3080:2021 2998:2012 2955:ISBN 2930:ISBN 2907:2012 2871:2012 2840:2012 2786:2012 2768:ISBN 2734:ISBN 2715:2021 2689:2012 2671:ISBN 2643:2012 2612:2012 2575:2012 2528:2012 2495:2024 2470:2012 2422:2016 2404:ISBN 2320:Dare 2266:as " 2242:and 2239:Face 2204:text 2162:and 1975:and 1959:ABC2 1924:Time 1784:and 1752:16:9 1736:and 1710:and 1642:and 1597:for 1593:, a 1491:and 1479:and 1428:, a 1402:and 1350:and 1310:boom 1302:take 1284:ACTT 1239:and 1125:noir 1110:and 1102:and 1100:Hull 979:and 955:and 885:and 850:and 760:and 757:Zulu 738:camp 656:and 634:spiv 585:and 540:Cast 518:boot 457:Plot 429:jazz 419:and 397:, a 355:and 302:and 6057:at 6035:at 3779:doi 2355:dub 2305:'s 2274:". 2102:of 2088:'s 1904:in 1825:On 1664:LWT 1542:'R' 1538:'X' 1503:". 1278:'s 1232:sic 1152:a " 1052:at 1021:'s 843:'s 823:in 722:'s 710:to 610:'s 82:by 46:by 6381:: 6255:' 5934:. 5930:. 5899:. 5881:. 5869:. 5863:. 5797:. 5793:. 5730:. 5655:. 5651:. 5625:. 5621:. 5591:. 5566:. 5552:^ 5535:. 5509:. 5483:. 5457:. 5371:. 5352:. 5312:^ 5294:. 5283:^ 5261:. 5230:. 5204:. 5200:. 5169:. 5131:. 5127:. 5093:. 5067:. 5042:10 5040:. 5036:. 5005:. 4982:. 4955:. 4951:. 4920:. 4916:. 4895:^ 4853:17 4851:. 4834:38 4832:. 4815:40 4813:. 4779:. 4765:^ 4728:^ 4707:^ 4689:. 4685:. 4638:. 4634:. 4608:. 4583:. 4553:. 4532:^ 4514:. 4503:^ 4481:. 4460:^ 4426:. 4411:^ 4393:. 4389:. 4355:. 4313:^ 4273:. 4261:^ 4207:. 4177:. 4147:. 4083:. 4079:. 4052:. 4046:. 4034:^ 4016:. 4012:. 3972:. 3953:, 3921:. 3917:. 3905:^ 3865:. 3834:. 3803:. 3775:58 3773:. 3742:. 3712:. 3663:^ 3638:. 3573:. 3548:. 3495:. 3489:. 3441:. 3437:. 3421:^ 3403:. 3371:^ 3353:. 3349:. 3337:^ 3319:. 3315:. 3299:^ 3277:. 3263:^ 3233:^ 3168:. 3143:^ 3121:. 3100:^ 3088:^ 3069:. 3048:^ 3030:, 2984:. 2963:. 2924:. 2891:. 2873:. 2857:. 2826:. 2812:^ 2776:. 2748:^ 2706:. 2679:. 2651:^ 2620:^ 2598:. 2583:^ 2561:. 2536:^ 2512:. 2486:. 2456:. 2430:^ 2412:. 2386:^ 2236:, 1848:, 1727:. 1464:. 1384:. 1160:. 1098:, 1094:, 961:. 949:, 579:, 379:. 368:. 351:, 298:, 294:, 290:, 6245:e 6238:t 6231:v 6100:e 6093:t 6086:v 5971:. 5946:. 5915:. 5846:. 5824:. 5809:. 5779:. 5741:. 5716:. 5694:. 5667:. 5637:. 5607:. 5577:. 5546:. 5520:. 5494:. 5468:. 5409:. 5382:. 5356:. 5338:. 5306:. 5277:. 5246:. 5216:. 5185:. 5146:. 5109:. 5078:. 5052:. 5021:. 4967:. 4936:. 4889:. 4798:. 4759:. 4701:. 4671:. 4649:. 4620:. 4594:. 4569:. 4526:. 4497:. 4445:. 4405:. 4371:. 4340:. 4289:. 4255:. 4219:. 4193:. 4163:. 4133:. 4095:. 4085:3 4064:. 4028:. 3988:. 3933:. 3881:. 3850:. 3819:. 3785:. 3781:: 3758:. 3728:. 3698:. 3657:. 3621:. 3603:" 3591:. 3559:. 3533:. 3507:. 3453:. 3415:. 3365:. 3331:. 3293:. 3257:. 3227:. 3185:. 3137:. 3082:. 3000:. 2938:. 2909:. 2842:. 2788:. 2742:. 2717:. 2691:. 2645:. 2614:. 2592:" 2577:. 2530:. 2497:. 2472:. 2424:. 1528:. 1420:( 1412:( 921:. 873:. 854:. 829:. 776:. 748:. 224:) 215:) 209:) 23:.

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Index