550:(1953–1957), a house designed as a work of art on the heights of the capital, immersed in a tropical garden. Conceived as large-scale abstract sculpture, it can be seen from the inside as an uninterrupted sequence of points of view where light and color prevail. Outside, the walls were like suspended screens that defined the space of the house. At night, a lighting system highlighted its contours. All the materials and the furniture, chosen or designed by Ponti, were shipped from Italy. The overall effect has been noted for its "lightness": "the Villa Planchard sits so lightly on the hillside above Caracas that it is known as the 'butterfly house.'" A few miles away, Ponti designed for Blanca Arreaza, the Diamantina (1954–1956), so-called because of the diamond-shaped tiles that partially cover its facade. This villa has since been destroyed.
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645:. He completely renewed the iconographic repertoire by freely revisiting the classical tradition. He also rationalized the production system of the pieces while maintaining their high quality of execution. The pieces were presented at the first decorative arts biennial in Monza in 1923. With his new designs, he won the great prize for ceramics in 1925 at the International Exhibition of Modern Decorative and Industrial Arts in Paris. After this major success, Ponti played a major role in the modernisation of Italian decorative arts, especially thanks to his involvement in the Monza Biennials and the Milan Triennials. In the 1920s, Ponti began numerous collaborations, notably with the silverware company Christofle, the glassmakers Venini and Fontana Arte. He also founded the Labirinto group, with
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and light became important protagonists of his architecture. This theatricality was reinforced by the omnipresence of ceramics, whose uses he reinvented both indoors and outdoors. In collaboration with the
Milanese firm Ceramica Joo, he created diamond-shaped tiles with which he covered most of his facades (Villa Arreaza in Caracas, 1954–1956, Villa Nemazee in Tehran, 1957–1964, Shui Hing department store in Hong Kong, 1963, San Carlo Borromeo Hospital Church, 1964–1967 and Montedoria building, 1964–1970 in Milan). With Ceramica D'Agostino, he designed tiles with blue and white or green and white motifs that once combined create different more than a hundred motifs. They were used for the interior decoration of the hotels Parco dei Principi in
339:. With the construction of the Borletti funeral chapel in 1931, he started to adopt a modernist shift. By removing all ornament, Ponti moved towards formal simplification where he sought to make style and structure coincide. The ten "case tipiche" (typical houses), built in Milan between 1931 and 1938, were also close to Rationalist Modernism while retaining features of Mediterranean houses like balconies, terraces, loggias and pergolas. Spacious, equipped and built with modern materials, they met the requirements of the new Milanese bourgeoisie. The construction of the Rasini building (1933–1936) with its flat roofs marked the end of his partnership with Emilio Lancia around 1933. He then joined forces with engineers
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concrete facade perforated with openings, such that it is referred to locally as "the sail." In 1971, he participated in the construction of the Denver Art Museum in
Colorado, taking care of the building's exterior envelope. He also submitted in 1971 a project for the future Centre Georges-Pompidou in Paris by proposing to model an axis in the capital linking the Baltard pavilions in les Halles pavilions to the future modern art museum thanks to an art "garden".
483:. This vast hangar was designed as an architecture laboratory, an exhibition space and a space for the presentation of studies and models. After the death of Rosselli, he continued to work with his longtime partner Fornaroli. A block away, in via Dezza, Ponti built a nine-story apartment building, which housed his family. From 1950 to 1955, he was also in charge of the urban planning project for the Harar-Dessiè social housing district in Milan with architects
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or radio. He then applied this solution to domestic spaces and offices, with "organised walls". Next came the "fitted windows", for the manufacturer
Altamira in particular and that he used for his apartment via Dezza. With its vertical and horizontal frames through which shelves, bookcases and frames can be arranged, the "fitted window" became the fourth transparent wall of a room and ensured a transition between the inside and the outside.
890:, which he founded in 1928 with the publisher Gianni Mazzochi and which he directed almost all his life, Ponti had the opportunity to spread his ideas. The aim of this review was to document all forms of artistic expression in order to stimulate creation through an independent critical perspective. A mirror of the architectural and decorative arts trends, it introduced Italian readers to the modernist movement and creators such as
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395:, with the construction and interior design of the new Faculty of Arts, Il Liviano (1934–1940), then the artistic direction and interior design of the Aula Magna, the basilica and the rectorate of the Palazzo Bo. In the late 1930s, Ponti deepened his research on Mediterranean housing by collaborating with writer and architect
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In 1970, Ponti presented his concept of an adapted house (casa adatta) at
Eurodomus 3 in Milan, where the house is centred around a spacious room with sliding partitions, around which the rooms and service areas gravitate. The space requirement for furniture and services was reduced to a minimum. The
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In the field of interior design, Ponti multiplied inventions and favoured multifunctional solutions; In 1951, he developed an ideal hotel room for the Milan
Triennial, in which he presented a "dashboard" bed headboard composed of shelves, some of which were mobile, and control buttons for electricity
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In 1948 he returned to Domus, where he remained as editor until his death. His daughter Lisa
Licitra Ponti soon joined the editorial team. In the 1950s, the review became more international and the reopening of borders encouraged confrontation with different cultural and visual worlds. Thanks to his
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In the 1930s, while Ponti continued to design unique pieces of furniture for specific interiors, and encouraged the promotion of quality series production. In 1930, he designed furniture and lighting for the glassmaker
Fontana and became in 1933, together with Pietro Chiesa, the artistic director of
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chemical group (1935–1938), for which he used the latest techniques and materials produced by the firm, in order to reflect the company's avant-garde spirit, Ponti designed, on an unprecedented scale (the offices housed 1,500 workstations), a building in every detail, from architecture to furniture.
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From a simple participant, he became a member of the steering committee of the Monza
Biennials in 1927, where he advocated for a closer bond between crafts and industry. Thanks to his involvement, the Biennale underwent tremendous development: renamed the Triennial of Art and Modern Architecture in
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In the last years of his life, Ponti was more than ever in search of transparency and lightness. He saw his facades as folded and perforated sheets of paper with geometric shapes. The 1970s began with the inauguration in 1970 of the
Taranto Cathedral, a white rectangular building topped with a huge
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and Hong Kong, where Ponti developed new architectural solutions: the façades of his buildings became lighter and seemed to be detached like suspended screens. With the church of San
Francesco al Fopponino in Milan (1961–1964), he created his first façade with perforated hexagonal openings. The sky
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where he carried out a monumental fresco on the stairs leading to the rectorate. From 1943, due to the Second World War, his activity as an architect slowed down. This period corresponded to a period of reflection in which Ponti devoted himself to writing and designing sets and costumes for theatre
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in 1968, Ponti presented a model of a city, Autilia, for which he imagined a continuous vehicle circulation system. The art historian Nathan Shapira, his student and disciple, organised that same year, with the help of Ponti, his first retrospective exhibition which travelled the United States for
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readers detailed plans of a circular house called Il scarabeo sotto la foglia (1964– The beetle under a leaf). This small oval building was covered with white and green ceramic tiles, both inside and outside, including the roof. Its envelope reflected the surrounding landscape and blended into it,
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From the beginning of his career, Ponti promoted Italian creation in all its aspects. In a 1940 publication, he wrote that: "The Italians were born to build. Building is a characteristic of their race, it informs their mentality, commitment to their work and destiny, it is the expression of their
502:(1956–1960). Facing Milan's main station, this 31-story, 127-meter-high (417 ft) skyscraper housed the headquarters of Pirelli, a company specializing in tyres and rubber products. At the time of its inauguration, and for a few months, it was the tallest building in Europe. Together with the
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At the turn of the 1950s, Ponti deployed a prolific creation where he sought to combine aesthetic and functional requirements: the espresso machine for La Pavoni in 1948 and the Visetta sewing machine for Visa (1949), textiles for JSA, door handles for Olivari, a range of sanitary facilities for
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In 1957, Ponti published Amate l'architettura (In Praise of Architecture), his seminal work where he defined the expression of a finished form (la forma finita) that was simple, light, and did not allow any possibility of extension, addition, repetition or superposition. This concept applied to
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magazine—an architecture and design magazine sympathetic to the fascist regime—which he edited until 1947. In the magazine, which expressed clear support for fascist Italy and Nazi Germany, in reference to the regime, Ponti wrote: "our great allies give us an example of tenacious, very serious,
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in the Netherlands (1966–1969), Ponti proposed another solution, by creating a tiled façade for an existing building. Modular, it was enlivened thanks to the non-uniform arrangement of its openings with various shapes. Lit from behind, the facade turned into a bright screen at night. Facing the
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Ponti continued to create wall and floor coverings whose graphic rendering becomes a work of art in itself. Foliage patterns were developed on tiles for Ceramica D'Agostino. Together with this manufacturer, he also produced geometrically decorated and coloured tiles to cover the floors of the
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Ponti was born in Milan in 1891 to Enrico Ponti and Giovanna (Rigone). His studies were interrupted by his military service during World War I. He served as a Capitan in the Pontonier Corps (Corps of Engineers) from 1916 to 1918 and was awarded both the
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in 1976. A similar process was used in 1978 to cover the facade of the Shui Hing department store in Singapore. Finally, that same year, his ultimate decorative and poetic shapes, a bestiary of folded silver leaves, were interpreted by the silversmith
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movement. In 1925, Ponti participated in the International Exhibition of Modern Decorative and Industrial Arts in Paris, with the porcelain manufacturer. On this occasion, he made friends with Tony Bouilhet, director of the silversmith company
914:. Over the years, the magazine became more international and played an important role in the evolution of Italian and international design and architecture. Still published today, Domus is a reference in the fields of architecture and design.
715:. From 1946 to 1950, he designed many objects for this glassmaker: bottles, chandeliers, including a multicoloured chandelier. The bottles evoke stylized female bodies. It was also in 1940 that he began working with the decorator and designer
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During his career, which spanned six decades, Ponti built more than a hundred buildings in Italy and in the rest of the world. He designed a considerable number of decorative art and design objects as well as furniture. Thanks to the magazine
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building, Ponti designed a living square where the inhabitants could meet and rest on sculptures built for this purpose. Ponti also deepened his reflection on the skyscraper with a project of triangular and coloured towers (1967–1969).
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by designing the School of Mathematics school, inaugurated in 1935. Ponti chose bright and functional spaces with simple lines, including a fan-shaped building that housed three amphitheaters. From 1934 to 1942, he worked at the
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In the 1950s, and thanks to his role in the Domus Magazine, Ponti was internationally known and commissions were multiplying, with constructions in Venezuela, Sweden, Iraq and projects in Brazil. In New York City, he set up the
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furniture also became flexible and space-saving in order to optimise space. The Gabriela chair (1971) with a reduced seat, as well as the Apta furniture series (1970) for Walter Ponti, illustrated this new way of life.
641:, one of Italy's leading porcelain manufacturers, based in Milan and Sesto Fiorentino, changing the company's whole output through the involvement of some of the main Italian artists of the time, including the sculptor
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in Parco Sempione, a museum and theater to host the displays. Adjacent to the palace, a steel tower-spire was commissioned from Gio Ponti. The 108-meter-high (354 ft) Littoria Tower (or Lictor's Tower, but now
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After World War 2, with the emergence of the Italian economic boom, the 1950s were a busy time for Ponti, who traveled abroad. He participated in the redevelopment and interior design of several Italian liners
751:, the Leggera and Superleggera (superlight) chairs, the Distex, Round, Lotus and Mariposa chairs are now among the classics of Italian design. In 1957, the Superleggera chair designed for
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At the turn of the 1940s, architectural projects continued initially for Ponti, with the construction of the Columbus Clinic (1939–1949) in Milan, and the interior design of the
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like the shell of a beetle. In 1966, collector Giobatta Meneguzzo built his version of the beetle under a leaf in the province of Vicenza and entrusted the Italian designer
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magazine. Ponti also coordinated the Italian and European editions of the Eurodomus design exhibitions, including the exhibition "Formes italiennes" in 1967 at the
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organized and orderly application "(Stile, August 1941). Stile only lasted a few years and shut-down after the Aglo-American liberation of Italy and the defeat of
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Gio Ponti: la collezione del Museo Richard-Ginori della manifattura di Doccia = Gio Ponti: the collection of the Museo Richard-Ginori della manifattura di Doccia
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involvement in numerous exhibitions, Ponti established himself as a major player in the development of post-war design and the diffusion of "Made in Italy".
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in 1921. The same year, he married Giulia Vimercati, with whom he had four children, Lisa, Giovanna, Letizia, and Giulio, and eight grandchildren.
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with Emilio Lancia, a furniture collection with simple lines that was produced in series and sold by the Milanese department store La Rinascente.
187:; 18 November 1891 – 16 September 1979) was an Italian architect, industrial designer, furniture designer, artist, teacher, writer and publisher.
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In the 1940s and early 1950s, Ponti turned to unique creations showcasing the skills of exceptional craftsmen. With the artist and enameller
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and trained several generations of designers. Ponti also contributed to the creation in 1954 of one of the most important design awards: the
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570:(1960) and in Rome (1961–1964). The Hotel Parco dei Principi in Sorrento was one of the first design hotel in Italy. Ponti also offered to
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architecture as well as art and design. It was symbolized by the hexagonal shape of the diamond that Ponti used in many of his creations.
2799:, ed. G. Celant. Catalogue essay for the Ponti Exhibition at the Triennale di Milano, 6 May – 24 July 2011 (Milan: Electa, 2011), 35–45.
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Mussolini claimed on 28 October 1932, that "non si può superare il divino con l'umano" (We cannot exceed the divine with the human).
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Many models also emerged in the 1960s, such as the Continuum rattan armchair for Pierantonio Bonacina (1963), wooden armchairs for
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In the 1950s and in the 1960s, Ponti multiplied events in Italy and abroad. In 1964, he organised a series of exhibitions in the
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1934: Room "Più leggero dell'aria" ("Lighter than air") at the Esposizione dell’aeronautica italiana, Palazzo dell'Arte,
790:(1967), Lumi (1960), and Guzzini (1967), but also fabrics for JSA and a dinner service for Ceramica Franco Pozzi (1967).
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The 1930s were years of intense activity for Ponti. He was involved in many projects, particularly in his native city of
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1930 and relocated to Milan in 1933, it became a privileged place to observe innovation at the international level.
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Il miraggio della concordia: documenti sull'architettura e la decorazione del Bo e del Liviano: Padova 1933–1943
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1936–1942: Artistic direction and interior design of the Aula Magna, basilica and administrative building of
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Ponti is also involved in the project to expand the new university campus in Rome, led by the urban planner
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514:(1955–1961) of the BBPR Group, this skyscraper changed Milan's landscape. From 1953 to 1957, he built the
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and Giulio Cesare, 1950, Oceania, 1951), showcases the know-how of his country. Construction continued in
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1935–1936: Interior design and furnishing of the Italian cultural institute, Lützow-Fürstenberg Palace,
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3487:. Frescobaldi Malenchini, Livia; Giovannini, Maria Teresa; Rucellai, Oliva; Museo Ginori di Doccia. .
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1939: Competition for the Palazzo dell'Acqua e della Luce ("Palace of Water and Light") for the E42,
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From 1936 to 1961 he worked as a professor on the permanent staff of the Faculty of Architecture at
1177:(1933–1936, Domus Serena; 1933–1937, Domus Livia, Domus Aurelia, Domus Honoria; 1938, Domus Flavia)
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Daniel Sherer, "Gio Ponti in New York: Design, Architecture, and the Strategy of Synthesis," in
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Gio Ponti and Carlo Mollino: Post-war Italian Architects and the Relevance of Their Work Today
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The 1960s and 1970s were dominated by international architectural projects in places like
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3434:"Il pellegrino stanco by Gio Ponti by Salvatore Saponaro | Blouin Art Sales Index"
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1946: Objects in papier-mâché in collaboration with Enrico and Gaetano Dal Monte,
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1945: Furniture for Saffa, "La casa entro l'armadio" (the house in the wardrobe),
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showroom in Milan, named "Espressioni", featuring a generation of talents such as
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1949: Interior design of the ocean liners Conte Biancamano and Conte Grande for
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3375:. Ponti, Gio (1891–1979); Greco, Antonella; Rubini, Rubino. Roma: Kappa. 2008.
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Gio Ponti: la Villa Planchart a Caracas = Gio Ponti: Villa Planchart en Caracas
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1927–1930: creation of two furniture collections, Il Labirinto and Domus Nova,
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1956–1957: Diamond-shaped tiles and ceramic pebbles for Ceramica Joo, Limito,
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1933–1938: Case tipiche (typical houses), via Letizia and via del Caravaggio,
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1978: Objects made from silver leaf in collaboration with Lino Sabattini,
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1122:(1931–1934, Domus Julia; 1932–1934, Domus Fausta; 1932–1936, Domus Carola)
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Art Prize for his artistic merits, as well as a gold medal from the Paris
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and was entrusted with the construction of the 250-seat auditorium of the
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2762:, NY: F.W. Dodge Corporation, 1960. Library of Congress number 59-11727
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1934–1935: Domus Adele (Magnaghi and Bassanini building), viale Zugna,
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from 1923 through 1927, and then through 1933 with Lancia only, as
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1963: Continuum armchair for Pierantonio Bonacina, Lurago d'Erba,
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1961–1963: Facade of the Shui Hing department store, Nathan Road,
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and Giulio Cesare for Società di Navigazione, Gruppo IRI-Finmare,
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for the Milan Scala in 1947. He also planned a film adaptation of
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1941–1947: Furniture decorated with enamel in collaboration with
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1932–1935: School of Mathematics, university campus la Sapienza,
543:
229:
143:
137:
3327:
Grattacielo Pirelli: un capolavoro di Gio Ponti per la Lombardia
2367:
1956: Enameled cooper objects and animals in collaboration with
1713:
1961–1964: San Francesco al Fopponino church, via Paolo Giovio,
1475:
1952: Interior design of the Casa di Fantasia, Piazza Piemonte,
1260:
1936: Design of the universal exhibition of the catholic press,
879:
existence, and the supreme and immortal mark of their history."
347:
to form Studio Ponti-Fornaroli-Soncini which lasted until 1945.
205:
after the Second World War. From 1936 to 1961, he taught at the
3764:. Fiell, Charlotte, 1965– , Fiell, Peter; Irace, Fulvio. Köln.
2565:
2555:
2541:
2531:
2348:
2223:
2149:
2083:
2079:
2065:
1911:
1843:
1825:
1790:
1759:
1964–1967: San Carlo Borromeo hospital church, via San Giusto,
1630:
1530:
1515:
1500:
1490:
1455:
1952: Architecture studio Ponti-Fornaroli-Rosselli, via Dezza,
1231:
1064:
783:
712:
708:
558:
546:, Ponti had freedom to accomplish one of his masterpieces: the
368:
3852:
3416:
3414:
1327:
1938: Design of the "Mostra della Vittoria", Fiera di Padova,
313:
published in 1933. Other outputs of the time include the 1928
2625:
2611:
2601:
2597:
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2569:
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2515:
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2199:
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2153:
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2109:
2105:
2087:
2069:
2059:
2055:
2041:
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2027:
2006:
2002:
1991:
1940–1959: furniture and interior design in partnership with
1986:
1982:
1966:
1962:
1952:
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1938:
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1030:. Finally, he obtained an honorary doctorate from the London
999:
984:. It was also in the mid-1960s that he befriended art critic
724:
472:
404:
336:
221:
74:
3411:
2621:
2436:
1789:
1966: Canopy for the main basilica at the Oropa sanctuary,
1704:
1634:
1606:
1348:
1126:
2947:. Ponti, Gio, 1891–1979 (1st ed.). Milano: Leonardo.
2914:. Ponti, Gio, 1891–1979 (1st ed.). Milano: Leonardo.
1667:
1959: Auditorium of the Time-Life Building, Sixth Avenue,
3848:
Gio Ponti's works on the Italian public Television – RAI
3104:(25th anniversary ed.). Köln: Taschen. p. 562.
1373:
280:
Ponti began his architectural career in partnership with
1114:
1931–1936: Case tipiche (typical houses), via de Togni,
632:
1159:
1933–1936: Rasini building, bastioni di Porta Venezia,
256:
Ponti graduated with a degree in architecture from the
3858:
INA Casa Harrar-Ponti by Gio Ponti in Rome (1951–1955)
2046:
1945: Sets and costumes for the ballet Mondo Tondo by
1560:
1955–1960: San Luca Evangelista church, via Vallazze,
1240:
1935–1937: Paradiso del Cevedale hotel, Val Martello,
4200:
Academic staff of the Polytechnic University of Milan
2194:
cutlery and other silver objects for Krupp Italiana,
1873:
1977–1978: Facade of the Shui Hing department store,
1703:
1961–1964: Parco dei Principi hotel, via Mercadante,
1042:
1018:
In 1934 he was given the title of "Commander" of the
367:), was meant to resemble the bundles that formed the
2780:
Romanelli, Marco; Ponti, Lisa Licitra, eds. (2003).
2158:
1951: Display of a standard hotel room for the IXth
707:, the porcelain manufacturer Richard Ginori and the
3551:
Fontana Arte: Gio Ponti, Pietro Chiesa, Max Ingrand
2564:1971: Gabriela chair for Walter Ponti, San Biagio,
2540:1970: Apta furniture for Walter Ponti, San Biagio,
2011:1942–1943: Film adaptation of the play Henry IV by
1250:1935–1938: First Montecatini building, via Turati,
1135:1932–1936: ItalCima chocolate factory, via Crespi,
798:Salzburger Nachrichten newspaper's headquarters in
263:
3736:"Architetto e Designer Giovanni Ponti è nato oggi"
3605:. Ponti, Gio (1891–1979). Milano: 24 ore cultura.
3309:
2204:1953: Furniture and organized walls for Altamira,
1571:
637:In 1923, Ponti was appointed artistic director of
3131:
3129:
2658:Crippa, Maria Antonietta; Capponi, Carlo (2006).
1813:1967–1969: Colourful and triangular skyscrapers (
1657:1958–1962: RAS office building, via Santa Sofia,
1495:1953: Italian-Brazilian-Centre, Predio d'Italia,
873:
4141:
2114:1948: Coffee machine La Cornuta for La Pavoni,
1769:1964–1970: Montedoria building, via Pergolesi,
596:Architecture designed by Ponti photographed by
3596:
3594:
3592:
3420:
3259:
3257:
3126:
2779:
1859:1976: Tile floors for the headquarters of the
1220:1935–1936: Laporte house, via Benedetto Brin,
1037:
520:Centro Studi Fondazione Livio e Maria Garzanti
3891:
3683:
3681:
2790:Retrospective Gio Ponti: A Metaphysical World
2657:
1926:1930: Furniture and objets for Fontana Arte,
1881:
1838:1971: Competition for the Plateau Beaubourg,
727:– 1940, Dulcioria pastry shop in Milan–1949,
3666:: CS1 maint: multiple names: authors list (
3536:Gio Ponti, l'arte si innamora dell'industria
3075:"Pónti, Giovanni nell'Enciclopedia Treccani"
2905:
2903:
2901:
2899:
2669:Gio Ponti (Architecture series—bibliography)
2148:1950–1960: Textiles for Jsa, Busto Arsizio,
1611:1957–1959: Carmelite convent, Bonmoschetto,
1337:1938–1949: Columbus clinic, via Buonarroti,
1206:1934–1940: Faculty of the Arts, Il Liviano,
3589:
3357:: CS1 maint: numeric names: authors list (
3254:
2606:1973–1975: Tiling for Ceramica d'Agostino,
2520:1968: Novedra armchair for C&B Italia,
2510:1967: Tableware for Ceramica Franco Pozzi,
2425:1960–1964: Tiling for Ceramica d'Agostino,
1934:Beginning of partnership with Fontana Arte.
731:– 1950, the liners Conte Grande – 1949 and
239:
3898:
3884:
3792:: CS1 maint: location missing publisher (
3759:
3678:
3670:) CS1 maint: numeric names: authors list (
3581:: CS1 maint: location missing publisher (
3519:) CS1 maint: numeric names: authors list (
3515:: CS1 maint: location missing publisher (
3168:: CS1 maint: location missing publisher (
3099:
2675:
2487:1967: The Los Angeles Cathedral, sculpture
1937:1930–1933: Textiles for Vittorio Ferrari,
1414:1950: Interior design of the ocean liners
1180:1934: De Bartolomeis villas, Val Seriana,
1069:1928: Borletti building, via San Vittore,
988:, who became a regular contributor to the
4180:Italian military personnel of World War I
3533:
3267:. Nezzo, Marta (1966– ). : Canova. 2008.
3135:
2896:
1853:1974: Facade for the Mony Konf building,
3314:. Chioggia: Il Leggio Libreria editrice.
3312:Arte sulle motonavi: il varo dell'utopia
3138:Gio Ponti 1891–1979: master of lightness
1059:1926–1928: country house l'Ange volant,
678:
663:
475:. In 1952, he created a new agency with
267:
232:and the Superleggera chair, produced by
3760:Fiell, Charlotte; Fiell, Peter (2017).
3633:
3324:
3100:Fiell, Charlotte; Fiell, Peter (2005).
2739:Gio Ponti, The Complete Work, 1928–1978
2734:, New York: Rizzoli International, 1996
2676:Fiell, Charlotte; Fiell, Peter (1999).
2124:1949: Sewing machine Visetta for Visa,
1947:1930–1936: Cutlery for Krupp Italiana,
1376:headquarters(ex-EIAR), corso Sempione,
1362:1939–1952: Piazza San Babila building,
14:
4195:Polytechnic University of Milan alumni
4142:
3905:
3600:
3548:
2638:
1888:1923–1938: Ceramics and porcelain for
429:for the Triennial Theatre in 1940, or
399:. Together, they imagined in 1938 the
378:With the first office building of the
3879:
3853:Gio Ponti Archives – Official Website
3691:. Bosoni, Giampiero. : Skira-. 2008.
3482:
3202:
3022:"Compasso d'oro alla carriera (1956)"
2942:
2909:
2823:
2804:Gio Ponti designer: Padova, 1936–1941
2711:
2694:
2666:
2459:1966: Dezza armchairs and divans for
2357:1956: Light fittings for Arredoluce,
2297:, Italy, later produced by Reguitti,
1079:1928–1930: Via Domenichino building,
633:Decorative arts and industrial design
182:
3864:Gio Ponti's inventions on Architonic
2741:, Cambridge (Mass.): MIT Press, 1990
2530:1968: Triposto furniture for Tecno,
1902:1927: pewter and silver objects for
1510:1953: Institute of nuclear physics,
1280:1936–1942: Ferrania building (today
1270:1936–1938: Domus Alba, via Goldoni,
917:In 1941 Ponti resigned as editor of
735:– 1950, etc.), spanned two decades.
4118:"900", Cahiers d'Italie et d'Europe
3636:Piero Fornasetti: la folie pratique
3634:Mauriès, Patrick, (1952– ) (2015).
3459:"Il Novecento – Salvatore Saponaro"
2746:Gio Ponti. La committenza Fernandes
2671:. Monticello: Vance Bibliographies.
1049:1924–1926: via Randaccio building,
1022:in Stockholm. He also obtained the
906:. Ponti also presented the work of
807:. Ponti died on 16 September 1979.
763:in 1950, and created furniture for
224:in collaboration with the engineer
24:
3807:Design Museum: Gio Ponti Biography
2826:"Villa Planchart, Caracas 1953–57"
2586:1971: Household linen for Zucchi,
2405:1959: Folding chair for Reguitti,
1733:1962–1964: Ministerial buildings,
579:for the interior design. With the
352:Fifth Triennial of Decorative Arts
25:
4241:
3841:
3329:. Milano: Touring club italiano.
3325:Brevini, Franco (1951– ) (2005).
2391:1957: 699 Superleggera chair for
2256:1953: Bodywork line Diamante for
828:and fork (Sabattini); photo 1963.
743:, cutlery for Krupp Italiana and
3821:. designboom.com. Archived from
3733:
2660:Gio Ponti e l'architettura sacra
2490:1967: Polsino lamp for Guzzini,
2343:1956: Door handles for Olivari,
1677:1960: Parco dei Principi hotel,
1577:1956–1957: Building, via Dezza,
1145:1933: Littoria tower (today the
1090:1931: Borletti funerary chapel,
1043:Architecture and interior design
1008:Politecnico di Milano University
857:
845:
833:
818:
811:Design by Ponti photographed by
620:
608:
516:Hotel della Città et de la Ville
264:Architecture and interior design
258:Politecnico di Milano University
49:
4225:Compasso d'Oro Award recipients
4210:Modernist architects from Italy
4205:Commanders of the Order of Vasa
4160:20th-century Italian architects
3811:
3800:
3753:
3727:
3627:
3542:
3527:
3483:Ponti, Gio (1891–1979) (2015).
3476:
3451:
3426:
3365:
3318:
3303:
3229:
3196:
3185:
3176:
3093:
3067:
1572:Major Achievements and Projects
778:(1964), the Dezza armchair for
627:RAS building, Milan (1956–1960)
134:Concattedrale Gran Madre di Dio
103:Polytechnic University of Milan
3638:. Paris: Les Arts décoratifs.
3050:"Gio Ponti – 699 Superleggera"
3042:
3014:
2995:"The ADI Compasso d'Oro Award"
2987:
2969:
2936:
2870:
2844:
2817:
2767:Gio Ponti: Master of Lightness
2572:, later produced by Pallucco,
2500:1967: Fato lamp for Artemide,
2228:1953: 807 Distex armchair for
1601:1956–1962: Development board,
874:Creative advocacy and activity
317:with the Novecento architects
247:Bronze Medal of Military Valor
216:His most famous works are the
13:
1:
2632:
2289:1953–1954: Folding chair for
2074:1946–1950: Glass objects for
1639:1958: Interior design of the
1402:Società di Navigazione Italia
220:, built from 1956 to 1960 in
4185:Italian industrial designers
4165:Italian fascist architecture
3136:Graziella, Roccella (2017).
2943:Ponti, Lisa Licitra (1990).
2910:Ponti, Lisa Licitra (1990).
2824:Ponti, Gio (February 1961).
2810:
2662:. Milan: Silvana editoriale.
2473:1966: Bathroom fittings for
2271:1953: Sets and costumes for
2242:1953: Bathroom fittings for
2092:1947: Sets and costumes for
1971:1940: Sets and costumes for
1743:1963: Villa for Daniel Koo,
1723:1962: Pakistan House hotel,
1540:1953–1957: Villa Planchart,
998:in Paris. At Eurodomus 2 in
767:, Altamira, and cutlery for
7:
4175:Italian furniture designers
3438:www.blouinartsalesindex.com
3310:GMGprogettocultura (2016).
2716:. Milan: Mondadori Electa.
2643:. Milan: Mondadori Electa.
2415:1960: Wall light for Lumi,
1038:Selected works and projects
615:Harar quarter, Milan (1950)
10:
4246:
3860:(with drawings and photos)
3740:www.beniculturalionline.it
3421:Romanelli & Ponti 2003
3205:Gio Ponti: gli anni trenta
3140:(English ed.). Köln.
3102:Design of the 20th Century
2769:, Cologne: Taschen, 2009,
2695:Green, Keith Evan (2006).
2678:Design of the 20th Century
2596:1973: Lamps for Reggiani,
1882:Decorative arts and design
1550:1954–1956: Villa Arreaza,
1390:building, largo Donegani,
494:With the help of engineer
154:Palazzo Montecatini, Milan
151:(with James Sudler Assoc.)
29:
4220:Italian magazine founders
4109:
3913:
2784:. Milan: Abitare Segesta.
2760:In Praise of Architecture
2098:Christoph Willibald Gluck
1621:1957–1964: Villa Nemazee
1525:1953: Villa Taglianetti,
1312:1938: San Michele hotel,
1210:, piazza del Capitanato,
1013:
534:airline agency (1958) on
431:Christoph Willibald Gluck
228:, the Villa Planchart in
161:
120:
116:
108:
98:
82:
60:
48:
41:
4230:Domus (magazine) editors
4215:Italian magazine editors
3869:7 September 2007 at the
3192:Lombardia Beni Culturali
2797:Espressioni di Gio Ponti
2641:Espressioni di Gio Ponti
2639:Celant, Germano (2011).
2550:1970: Textiles for Jsa,
951:Pier Giacomo Castiglioni
896:Ludwig Mies van der Rohe
668:Bottle with Stopper for
290:Studio Ponti e Lancia PL
240:Early life and education
207:Milan Polytechnic School
3549:Franco, Deboni (2013).
3534:La Pietra, Ugo (2009).
3203:Lucia, Miodini (2001).
2748:, Electa Napoli, 2009,
2667:Lamia, Doumato (1981).
1861:Salzburger Nachtrichten
1591:, piazza Duca d'Aosta,
1104:, piazza degli affari,
1028:Académie d'Architecture
982:Michelangelo Pistoletto
864:Ceramic sanitaries for
782:(1966), a sofa bed for
683:Superleggera chair for
30:For the racehorse, see
3719:: CS1 maint: others (
3601:Fulvio, Irace (2011).
3403:: CS1 maint: others (
3295:: CS1 maint: others (
3237:"Scuola di Matematica"
2712:Irace, Fulvio (1988).
1779:1964–1970: Cathedral,
852:Cutlery, 1955–1960 ca.
840:Cutlery, 1955–1958 ca.
688:
676:
453:Anton Giulio Bragaglia
331:Alberto Alpago Novello
315:Monument to the Fallen
277:
251:Italian Military Cross
180:Italian pronunciation:
4190:Architects from Milan
4011:Arrigo Renato Marzola
2878:"PALAZZO MONTECATINI"
2806:, Rome: Laterza, 1989
2737:Ponti, Lisa Licitra,
1799:1966–1969: Facade of
910:and of the decorator
682:
667:
271:
184:[ˌdʒopˈponti]
3054:Italian Architecture
2765:Graziella Roccella,
2714:La Casa all'italiana
2680:. Cologne: Taschen.
2277:Alessandro Scarlatti
2214:1953: Furniture for
2134:1950: Furniture for
1981:, Teatro dell'Arte,
1284:), corso Matteotti,
1032:Royal College of Art
928:The Rome-Berlin Axis
600:(Fondo Paolo Monti,
583:department store in
510:(1956–1959) and the
329:, Emilio Lancia and
311:La Casa all'Italiana
4170:Modernist designers
4129:Margherita Sarfatti
4006:Gian Emilio Malerba
3976:Leonardo Dudreville
2858:. Denver Art Museum
2856:DenverArtMuseum.org
2447:Knoll International
2258:Carrozzeria Touring
1300:University of Padua
1208:University of Padua
1020:Royal Order of Vasa
776:Knoll International
479:and his son-in-law
419:and opera, such as
416:University of Padua
393:University of Padua
388:Marcello Piacentini
4041:Giuseppe Montanari
3951:Giorgio de Chirico
3907:Novecento Italiano
3825:on 6 February 2012
3207:. Milano: Electa.
2945:Gio Ponti: l'opera
2912:Gio Ponti: l'opera
2884:. OLIVARI B. S.P.A
2782:Gio Ponti. A World
2744:Fabrizio Mautone,
2705:Edwin Mellen Press
2701:Lewiston, New York
2273:Mitridate Eupatore
2218:department store,
2216:Nordiska Kompaniet
1803:department store,
1386:1947–1951: Second
1102:Palazzo Mezzanotte
1024:Accademia d'Italia
996:Galeries Lafayette
689:
677:
643:Salvatore Saponaro
540:Time-Life building
294:Novecento Italiano
278:
55:Ponti in the 1950s
4137:
4136:
4031:Francesco Messina
3956:Raffaele De Grada
3538:. Milan: Rizzoli.
3027:ADI Design Museum
3000:ADI Design Museum
2775:978-3-8365-0038-8
2754:978-88-510-0603-7
2313:Reed & Barton
2136:Singer & Sons
2094:Orfeo ed Euridice
1822:Denver Art Museum
1628:
900:Jean-Michel Frank
769:Reed & Barton
765:Singer & Sons
711:glass factory in
477:Antonio Fornaroli
436:Orfeo ed Euridice
403:on the island of
401:Albergo nel bosco
360:Palazzo dell'Arte
341:Antonio Fornaroli
274:Denver Art Museum
165:
164:
149:Denver Art Museum
142:Villa Planchard,
86:16 September 1979
32:Gio Ponti (horse)
27:Italian architect
16:(Redirected from
4237:
4056:Roberto Narducci
4036:Giuseppe Migneco
3961:Fortunato Depero
3900:
3893:
3886:
3877:
3876:
3835:
3834:
3832:
3830:
3815:
3809:
3804:
3798:
3797:
3791:
3783:
3762:Domus: 1928–1939
3757:
3751:
3750:
3748:
3746:
3731:
3725:
3724:
3718:
3710:
3685:
3676:
3675:
3665:
3657:
3631:
3625:
3624:
3598:
3587:
3586:
3580:
3572:
3546:
3540:
3539:
3531:
3525:
3524:
3514:
3506:
3480:
3474:
3473:
3471:
3469:
3455:
3449:
3448:
3446:
3444:
3430:
3424:
3418:
3409:
3408:
3402:
3394:
3369:
3363:
3362:
3356:
3348:
3322:
3316:
3315:
3307:
3301:
3300:
3294:
3286:
3261:
3252:
3251:
3249:
3247:
3233:
3227:
3226:
3200:
3194:
3189:
3183:
3180:
3174:
3173:
3167:
3159:
3133:
3124:
3123:
3097:
3091:
3090:
3088:
3086:
3071:
3065:
3064:
3062:
3060:
3046:
3040:
3039:
3037:
3035:
3018:
3012:
3011:
3009:
3007:
2991:
2985:
2984:
2973:
2967:
2966:
2940:
2934:
2933:
2907:
2894:
2893:
2891:
2889:
2874:
2868:
2867:
2865:
2863:
2852:"North Building"
2848:
2842:
2841:
2839:
2837:
2821:
2802:Mario Universo,
2785:
2730:La Pietra, Ugo,
2727:
2708:
2691:
2672:
2663:
2654:
2013:Luigi Pirandello
1993:Piero Fornasetti
1622:
975:
912:Piero Fornasetti
861:
849:
837:
822:
717:Piero Fornasetti
624:
612:
496:Pier Luigi Nervi
481:Alberto Rosselli
465:Conte Biancamano
441:Luigi Pirandello
397:Bernard Rudofsky
226:Pier Luigi Nervi
186:
181:
89:
71:18 November 1891
70:
68:
53:
39:
38:
21:
4245:
4244:
4240:
4239:
4238:
4236:
4235:
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4124:Return to order
4105:
4046:Giorgio Morandi
4026:Pietro Marussig
3946:Felice Casorati
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3871:Wayback Machine
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1979:Igor Stravinsky
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976:or the artists
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963:Ettore Sottsass
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705:Pietro Melandri
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508:Melchiorre Bega
421:Igor Stravinsky
345:Eugenio Soncini
327:Ottavio Cabiati
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389:
384:
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374:
370:
366:
361:
358:designed the
357:
353:
350:For the 1933
348:
346:
342:
338:
333:
332:
328:
324:
320:
316:
312:
308:
304:
303:Emilio Lancia
300:
295:
291:
287:
286:Emilio Lancia
283:
275:
270:
261:
259:
254:
252:
248:
237:
235:
231:
227:
223:
219:
218:Pirelli Tower
214:
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204:
200:
196:
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188:
185:
177:
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128:Pirelli Tower
126:
125:
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119:
115:
111:
107:
104:
101:
97:
85:
81:
76:
63:
59:
52:
47:
40:
37:
33:
19:
4116:
4101:Adolfo Wildt
4086:Mario Sironi
4075:
4066:René Paresce
3996:Achille Lega
3986:Achille Funi
3981:Guido Farina
3931:Pompeo Borra
3827:. Retrieved
3823:the original
3813:
3802:
3761:
3755:
3745:24 September
3743:. Retrieved
3739:
3729:
3688:
3635:
3629:
3602:
3550:
3544:
3535:
3529:
3484:
3478:
3466:. Retrieved
3462:
3453:
3441:. Retrieved
3437:
3428:
3423:, p. 6.
3372:
3367:
3326:
3320:
3311:
3305:
3264:
3244:. Retrieved
3240:
3231:
3204:
3198:
3187:
3178:
3137:
3101:
3095:
3085:24 September
3083:. Retrieved
3081:(in Italian)
3078:
3069:
3059:24 September
3057:. Retrieved
3053:
3044:
3032:. Retrieved
3030:(in Italian)
3025:
3016:
3006:24 September
3004:. Retrieved
2998:
2989:
2980:
2971:
2944:
2938:
2911:
2888:30 September
2886:. Retrieved
2881:
2872:
2862:30 September
2860:. Retrieved
2855:
2846:
2836:30 September
2834:. Retrieved
2829:
2819:
2803:
2796:
2789:
2781:
2766:
2759:
2745:
2738:
2731:
2713:
2696:
2677:
2668:
2659:
2640:
2326:
2311:cutlery for
2308:
2265:
2191:
2173:
2016:
1973:
1847:
1814:
1801:De Bijenkorf
1645:Fifth Avenue
1534:
1519:
1504:
1439:
1416:Andrea Doria
1356:
1321:
1147:Branca tower
1061:Paris Region
1017:
1005:
990:
959:Bruno Munari
940:
936:
932:
922:
918:
916:
892:Le Corbusier
887:
885:
881:
877:
796:
792:
773:
756:
737:
733:Andrea Doria
698:
694:Fontana Arte
690:
658:
655:Paolo Venini
647:Tomaso Buzzi
636:
590:
571:
556:
552:
536:Fifth Avenue
528:
519:
515:
493:
489:Gino Pollini
485:Luigi Figini
469:Andrea Doria
461:Conte Grande
457:
449:Louis Jouvet
444:
434:
424:
409:
400:
385:
377:
365:Branca Tower
359:
349:
334:
323:Tomaso Buzzi
314:
310:
307:Tomaso Buzzi
289:
282:Mino Fiocchi
279:
255:
243:
215:
192:
189:
175:
171:
167:
166:
93:Milan, Italy
88:(1979-09-16)
36:
4155:1979 deaths
4150:1891 births
4096:Mario Tozzi
4091:Arturo Tosi
4061:Ubaldo Oppi
4001:Betto Lotti
3971:Ercole Drei
3941:Carlo Carrà
3819:"Gio Ponti"
3468:12 December
3443:12 December
2981:Treccani.it
2830:domusweb.it
2758:Gio Ponti,
2345:Borgomanero
2315:, Newport,
2307:1954–1958:
1863:newspaper,
1820:1970–1972:
1809:Netherlands
1587:1956–1960:
1388:Montecatini
1372:1939–1952:
1003:two years.
970: [
921:and set up
868:, 1954 ca.
813:Paolo Monti
692:the branch
598:Paolo Monti
542:(1959). In
504:Galfa Tower
380:Montecatini
4144:Categories
4071:Ugo Piatti
3936:Aldo Carpi
3829:3 November
3336:8836533825
3241:Archi DiAP
3214:8843577042
3156:1025334052
2977:"Treccani"
2954:8835500834
2921:8835500834
2882:Olivari.it
2633:References
2574:Preganziol
2176:chair for
2172:1951: 646
1974:Pulcinella
1904:Christofle
967:Nanda Vigo
745:Christofle
672:(c. 1949)
659:Domus Nova
577:Nanda Vigo
426:Pulcinella
354:in Milan,
299:Christofle
109:Occupation
67:1891-11-18
4076:Gio Ponti
3788:cite book
3780:929918224
3715:cite book
3707:470583524
3662:cite book
3654:905906425
3621:746301220
3603:Gio Ponti
3577:cite book
3569:881689184
3553:. Turin.
3511:cite book
3503:929450430
3399:cite book
3391:234368228
3353:cite book
3291:cite book
3283:310391604
3164:cite book
3120:809539744
2811:Citations
2732:Gio Ponti
2522:Novedrate
2512:Gallarate
2465:Tolentino
2293:-Singer,
2264:, Italy (
2220:Stockholm
1875:Singapore
1855:Hong Kong
1805:Eindhoven
1745:Hong Kong
1735:Islamabad
1725:Islamabad
1699:Hong Kong
1556:Venezuela
1546:Venezuela
1527:São Paulo
1512:São Paulo
1497:São Paulo
1487:Stockholm
955:Enzo Mari
585:Eindhoven
581:Bijenkorf
563:Islamabad
445:Enrico IV
236:in 1957.
121:Buildings
112:Architect
43:Gio Ponti
18:Giò Ponti
3867:Archived
3345:58466940
3246:4 August
3223:49874443
2963:23017967
2930:23017967
2618:Bregnano
2492:Macerata
2395:, Meda,
2333:, Meda,
2309:Diamante
2232:, Meda,
2180:, Meda,
2102:la Scala
2052:la Scala
2024:la Scala
1865:Salzburg
1830:Colorado
1739:Pakistan
1729:Pakistan
1679:Sorrento
1643:agency,
1641:Alitalia
800:Salzburg
788:Artemide
568:Sorrento
532:Alitalia
518:and the
467:, 1949,
249:and the
168:Giovanni
4110:Related
3914:Artists
3034:28 July
2832:. Domus
2608:Salerno
2578:Treviso
2427:Salerno
2393:Cassina
2331:Cassina
2299:Brescia
2291:Cassina
2266:project
2230:Cassina
2178:Cassina
2174:Leggera
2126:Voghera
2017:project
1869:Austria
1848:project
1815:project
1781:Taranto
1613:Sanremo
1603:Baghdad
1552:Caracas
1542:Caracas
1535:project
1520:project
1505:project
1467:Trieste
1447:Trieste
1440:project
1357:project
1322:project
1262:Vatican
1242:Bolzano
1236:Austria
947:Achille
759:at the
753:Cassina
749:Cassina
544:Caracas
414:at the
234:Cassina
230:Caracas
144:Caracas
138:Taranto
130:, Milan
77:, Italy
3778:
3768:
3734:BBCC.
3705:
3695:
3652:
3642:
3619:
3609:
3567:
3557:
3501:
3491:
3389:
3379:
3343:
3333:
3281:
3271:
3221:
3211:
3154:
3144:
3118:
3108:
2961:
2951:
2928:
2918:
2773:
2752:
2720:
2684:
2647:
2566:Mantua
2556:Varese
2542:Mantua
2532:Varedo
2349:Novara
2325:1956:
2224:Sweden
2190:1951:
2150:Varese
2084:Venice
2080:Murano
2076:Venini
2066:Faenza
1912:France
1844:France
1826:Denver
1791:Biella
1631:Tehran
1531:Brazil
1516:Brazil
1501:Brazil
1491:Sweden
1232:Vienna
1065:France
1014:Awards
784:Arflex
713:Murano
709:Venini
687:(1955)
670:Venini
559:Tehran
369:fasces
276:, 1971
2626:Italy
2612:Italy
2602:Italy
2598:Milan
2592:Italy
2588:Milan
2582:Italy
2570:Italy
2560:Italy
2546:Italy
2536:Italy
2526:Italy
2516:Italy
2506:Italy
2502:Milan
2496:Italy
2483:Italy
2479:Milan
2469:Italy
2455:Italy
2451:Milan
2441:Italy
2431:Italy
2421:Italy
2417:Milan
2411:Italy
2407:Milan
2401:Italy
2397:Milan
2387:Italy
2383:Milan
2377:Italy
2373:Padua
2363:Italy
2359:Milan
2353:Italy
2339:Italy
2335:Milan
2327:Round
2303:Italy
2295:Milan
2285:Italy
2281:Milan
2262:Milan
2252:Italy
2248:Milan
2238:Italy
2234:Milan
2200:Italy
2196:Milan
2192:Conca
2186:Italy
2182:Milan
2168:Italy
2164:Milan
2154:Italy
2130:Italy
2120:Italy
2116:Milan
2110:Italy
2106:Milan
2088:Italy
2070:Italy
2060:Italy
2056:Milan
2042:Italy
2038:Milan
2032:Italy
2028:Milan
2007:Italy
2003:Padua
1987:Italy
1983:Milan
1967:Italy
1963:Padua
1953:Italy
1949:Milan
1943:Italy
1939:Milan
1932:Italy
1928:Milan
1922:Italy
1918:Milan
1908:Paris
1898:Italy
1894:Milan
1840:Paris
1795:Italy
1785:Italy
1775:Italy
1771:Milan
1765:Italy
1761:Milan
1755:Italy
1719:Italy
1715:Milan
1709:Italy
1693:Italy
1689:Turin
1683:Italy
1663:Italy
1659:Milan
1617:Italy
1597:Italy
1593:Milan
1583:Italy
1579:Milan
1566:Italy
1562:Milan
1481:Italy
1477:Milan
1471:Italy
1461:Italy
1457:Milan
1451:Italy
1434:Italy
1430:Milan
1424:Italy
1420:Genoa
1410:Italy
1406:Genoa
1396:Italy
1392:Milan
1382:Italy
1378:Milan
1368:Italy
1364:Milan
1353:Italy
1343:Italy
1339:Milan
1333:Italy
1329:Padua
1318:Italy
1314:Capri
1308:Italy
1304:Padua
1290:Italy
1286:Milan
1276:Italy
1272:Milan
1266:Italy
1256:Italy
1252:Milan
1246:Italy
1226:Italy
1222:Milan
1216:Italy
1212:Padua
1202:Italy
1198:Milan
1192:Italy
1188:Milan
1182:Italy
1175:Italy
1171:Milan
1165:Italy
1161:Milan
1155:Italy
1151:Milan
1141:Italy
1137:Milan
1131:Italy
1120:Italy
1116:Milan
1110:Italy
1106:Milan
1096:Italy
1092:Milan
1085:Italy
1081:Milan
1075:Italy
1071:Milan
1055:Italy
1051:Milan
1000:Turin
991:Domus
974:]
923:Stile
919:Domus
888:Domus
725:Padua
572:Domus
524:Forlì
522:, in
473:Milan
405:Capri
373:Duomo
337:Milan
222:Milan
194:Domus
176:Ponti
75:Milan
3831:2011
3794:link
3776:OCLC
3766:ISBN
3747:2022
3721:link
3703:OCLC
3693:ISBN
3672:link
3668:link
3650:OCLC
3640:ISBN
3617:OCLC
3607:ISBN
3583:link
3565:OCLC
3555:ISBN
3521:link
3517:link
3499:OCLC
3489:ISBN
3470:2017
3445:2017
3405:link
3387:OCLC
3377:ISBN
3359:link
3341:OCLC
3331:ISBN
3297:link
3279:OCLC
3269:ISBN
3248:2017
3219:OCLC
3209:ISBN
3170:link
3152:OCLC
3142:ISBN
3116:OCLC
3106:ISBN
3087:2022
3061:2022
3036:2024
3008:2022
2959:OCLC
2949:ISBN
2926:OCLC
2916:ISBN
2890:2022
2864:2022
2838:2022
2771:ISBN
2750:ISBN
2718:ISBN
2682:ISBN
2645:ISBN
2622:Como
2437:Como
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1635:Iran
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