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801:(詩塘; literally "poetic pool"), which is usually reserved for inscriptions onto the work of art, ranging from a short verse to poems and other inscriptions. These inscriptions are often done by people other than the artist. Although inscriptions can also be placed onto the material of the artwork itself. The upper part of the scroll is called
907:
Traditional scroll mounters go through a lengthy process of backing the mounting silks with paper using paste before creating the borders for the scroll. Afterwards, the whole scroll is backed before the roller and fittings are attached. The whole process can take two weeks to nine months depending
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sheets in lieu of paste which reduced the amount of time from a few weeks to just a few hours. This new method is generally used for mass-produced artwork rather than serious art or conservation as mounting done this way tends not to be as robust as wet mounting whose scrolls can last for over a
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Chinese mounting and conservation techniques are considered a traditional craft and are believed to have developed around 2,000 years ago. This craft is considered an art unto itself. Careful attention was and still is paid to ensure the quality and variety of the silk and paper to protect and
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Hanging scrolls are different from the handscrolls. A handscroll is a long narrow scroll for displaying a series of scenes in
Chinese painting. It intended to be viewed section for section, flat on a table, during its unrolling. In contrast, a hanging scroll is appreciated in its entirety.
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Hanging scrolls are generally intended to be displayed for short periods of time, after which they are rolled up and tied for storage. They are traditionally rotated according to season or occasion, rather than be on permanent display. Their artwork could be mounted with decorative
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banners across ancient China. The earliest hanging scrolls are related to and developed from silk banners in early
Chinese history. These banners were long and hung vertically on walls. Such silk banners and hanging scroll paintings were found at
824:(地杆), attached to give the scroll the necessary weight to hang properly onto a wall, but it also serves to roll up a scroll for storage when the artwork is not in display. The two knobs at the far ends of the lower wooden bar are called
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The panoramic screen consists of several hanging scrolls that have continuous images, in which the subject continues further in another scroll. These hanging scrolls cover large areas of a wall and usually do not have a border in
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665:. They comprise several narrow and long hanging scrolls usually hung next to each other on a wall, but they can also be hung separately. Their subjects have related themes, such as the
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properly fit the artwork onto the mounting, as it gives form to the art. The art is fixed onto a four-sided inlay, made from paper or silk, thus providing a border.
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A hall painting is intended to be the centerpiece in a main hall. It is usually large, serves as a focal point in an interior, and often has a complicated subject.
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820:(惊燕; literally "frighten swallows"), are sometimes attached to the top of the scroll. At the bottom of the scroll is a wooden cylindrical bar, called
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and fitting the rod and roller at either end. This process is generally called 'wet mounting' due to the use of wet paste in the process.
828:(軸頭) and help to ease the rolling of the scroll. These could be ornamented with a variety of materials, such as jade, ivory, or horn.
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Hanging scrolls provide a vertical format to display art on walls. They are one of the most common types of scrolls for
Chinese
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Besides the previous styles of hanging scroll mountings, there are a few additional ways to format the hanging scroll.
416:(206 BCE – 220 CE). The aesthetic and structural objectives for hanging scrolls were summarized by the time of the
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In the late 20th century a new method was created called 'dry mounting' which involves the use of heat activated
431:, hanging scrolls found a place in Japanese culture and art and plays an important role in interior decoration.
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447:. They are made in many different sizes and proportions. Horizontal hanging scrolls are also a common form.
892:(3) above the artwork; a rolled-up hanging scroll with a label strip (4) on the back and two knobs known as
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is two hanging scrolls placed side by side or accompanying a scroll in the middle. They have calligraphy in
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1015:"The treatment of Chinese ancestor portraits: An introduction to Chinese painting conservation techniques"
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on how long the scroll is left on the wall to dry and stretch before finishing by polishing the back with
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424:(960–1279), artists found that hanging scrolls were well suited to their art styles.
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silk borders. The craft of creating a hanging scroll is considered an art in itself.
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is one of the many traditional ways to display and exhibit East Asian painting and
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1411:. National Palace Museum. (for a diagram of the components of a hanging scroll)
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1354:"Approaching "Pride of China": Understanding Chinese Calligraphy and Painting"
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Arrangements and formats, including panoramic screens (1) and couplets (2)
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420:(618–907) and are still followed in the present day. During the early
1385:(6th ed.). Boston, MA: Wadsworth/Cengage Learning. p. 258.
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Painters and politics in the People's
Republic of China: 1949 – 1979
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Short documentary about how a japanese hanging scroll is being made
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Originally introduced to Japan from China as a means of spreading
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1237:(3rd ed.). London: University of California Press. p.
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Scrolls originated in their earliest form from texts written on
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There are several hanging scroll styles for mounting, such as:
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Narrow strip paintings intended for smaller rooms and spaces.
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1089:. Berkeley: University of California Press. p. 232.
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Elements of a hanging scroll: decorative strips known as
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805:(天頭; symbolizing "Heaven") and the lower part is called
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At the top of the scroll is a thin wooden bar, called
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1379:Spielvogel, Jackson J.; Duiker, William J. (2010).
1019:Journal of the American Institute for Conservation
793:The artwork in the middle of the scroll is called
1013:Lee, Valerie; Gu, Xiangmei; Hou, Yuan-Li (2003).
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1382:The essential world history, Volume 1: To 1800
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1356:. Chinese Civilisation Centre. Archived from
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1174:China: A historical and cultural dictionary
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1330:. National Palace Museum. Archived from
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1062:"A Look at Chinese Painting"
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809:(地頭; symbolizing "Earth").
613:Mounting styles, including
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1231:Sullivan, Michael (1984).
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1171:Dillon, Michael (1998).
975:. National Palace Museum
632:Arrangements and formats
502:(三色裱, three color mount)
16:Type of scroll painting
1455:East Asian calligraphy
1263:"Hanging Scroll(2018)"
785:Features and materials
512:style), also known as
496:(二色裱, two color mount)
490:(一色裱, one color mount)
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1135:Sze, Mai-Mai (1957).
935:Ink and wash painting
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1297:Qu, Lei Lei (2008).
903:Method and processes
654:Four hanging scrolls
275:Revised Romanization
1334:on 7 September 2016
1138:The Tao of painting
738:Thin strip painting
412:dating back to the
219:Vietnamese alphabet
164:Canton Romanization
1440:Chinese inventions
930:History of scrolls
481:
1392:978-0-495-90291-1
1360:on 5 October 2011
1310:978-1-4027-5391-6
1248:978-0-520-04918-5
1234:The arts of China
1184:978-0-7007-0439-2
1096:978-0-520-07981-6
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514:Songshibiao
445:calligraphy
435:Description
414:Han dynasty
381:handscrolls
377:calligraphy
246:Korean name
1424:Categories
951:References
687:) or the
225:tranh cuộn
154:gwaa3zuk6
1364:17 August
1338:16 August
1213:15 August
1145:15 August
1068:14 August
979:16 August
623:sansebiao
621:(2), and
500:Sansebiao
475:(3), and
473:sansebiao
410:Mawangdui
198:li̍p-te̍k
152:lap6zuk6
134:lahpjuhk
940:Kakemono
924:See also
917:silicone
707:between.
619:ersebiao
615:yisebiao
494:Ersebiao
488:Yisebiao
469:ersebiao
465:yisebiao
441:painting
429:Buddhism
355:kakejiku
326:Katakana
312:Hiragana
200:kòa-te̍k
172:gua3zug6
170:leb6zug6
146:Jyutping
136:gwajuhk
103:Bopomofo
93:guàzhóu
1039:3179868
894:zhoutou
890:shitang
886:jingyan
826:zhoutou
818:jingyan
814:tiangan
803:tiantou
799:shitang
722:couplet
713:Couplet
395:History
389:brocade
233:Chữ Nôm
189:Hokkien
111:ㄍㄨㄚˋㄓㄡˊ
91:lìzhóu
51:Chinese
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795:huaxin
677:bamboo
673:orchid
520:mount)
516:(宋式裱,
510:Xuanhe
508:(宣和裝,
252:Hangul
109:ㄌㄧˋㄓㄡˊ
1328:"宣和装"
1035:JSTOR
822:digan
807:ditou
740:(條幅畫)
701:(通景屏)
656:(四條屏)
643:(中堂畫)
617:(1),
471:(2),
467:(1),
298:Kanji
281:jogja
1387:ISBN
1366:2011
1340:2011
1305:ISBN
1243:ISBN
1215:2011
1179:ISBN
1147:2011
1091:ISBN
1070:2011
981:2011
973:"立軸"
945:Seal
715:(對聯)
443:and
405:silk
403:and
332:カケジク
318:かけじく
239:𢂰𦄣
202:te̍k
174:zug6
156:zuk6
138:juhk
95:zhóu
1027:doi
878:(4)
866:(3)
854:(2)
842:(1)
772:(2)
760:(1)
625:(3)
607:(3)
595:(3)
583:(2)
571:(2)
559:(2)
547:(1)
535:(1)
479:(4)
192:POJ
113:ㄓㄡˊ
59:掛軸
57:立軸
1426::
1319:^
1271:^
1241:.
1239:71
1223:^
1193:^
1155:^
1105:^
1047:^
1033:.
1023:42
1021:.
1017:.
989:^
958:^
720:A
683:,
679:,
675:,
371:A
304:掛軸
258:족자
1395:.
1368:.
1342:.
1313:.
1251:.
1217:.
1187:.
1149:.
1099:.
1072:.
1041:.
1029::
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61:軸
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