Hound Dog (song) - Knowledge

3422:: "Thereafter Otis, in apparent disregard of the contracts both with Spin Music Inc. and plaintiff, arranged to have 'Hound Dog' published by Lion Music Publishing Company of Houston, Texas, and released by its affiliate Peacock Records. Otis executed a writer-publisher contract on October 10, 1952, with Lion Music Publishing Company in which Leiber, Otis and Stoller were described as the writers of 'Hound Dog.'" Thus, Otis received a co-writing credit with Leiber and Stoller on Thornton's Peacock Records release and on all of the 1953 cover versions. The court also noted: "Otis signed not only his name but also signed—or perhaps forged—the names of Stoller and Leiber to it. The president or proprietor of Lion Music Publishing Company noted the similarity of the handwriting of the signatures and made contact with Leiber and Stoller who advised him that Otis had no authority to sign their names to the agreement and that Otis was not a co-author of the song, although he was entitled to receive one-third of the royalties. Lion then arranged for a contract with Leiber and Stoller alone for the publishing rights." In order for Leiber and Stoller to execute the contract with Lion—"which, because we were underage, had to be signed by our mothers"—a court appointed Mary Stein (for Leiber) and Adelyn Stoller (for Stoller) as their legal guardians in late April 1953. The contract assigned the publishing for "Hound Dog" to Lion. Otis' credit was omitted from all subsequent records. Following on the popularity of Elvis' live and televised performances of "Hound Dog", Elvis Presley Music made the acquisition of half the publishing for the song from Lion Music a precondition to issuing a recording, to which Robey assented. 1929:, who were chosen to provide backup vocals, recalls: "They had demos on almost everything that Elvis recorded, and we'd take it from the demo. We'd listen to the demo, most of the time, and we'd take it from the demo. We had (Big) Mama Thornton's record on 'Hound Dog', since she had a record on that. After listening to it we actually thought it was awful and couldn't figure out why Elvis wanted to do that." However, what Stoker did not realize was that Presley wanted to record the version he saw in Las Vegas by Freddie Bell and the Bellboys that he had been performing since May. As session pianist Emidio "Shorty Long" Vagnoni left to work on a rehearsal for a stage show, Stoker plays piano on this recording of "Hound Dog". As Stoker was unable to also sing first tenor, "the Jordanaires try to come up with a combined sound as best they can to cover it, and Gordon laughs as he states, 'That's one of the worst sounds we ever got on any record!' However Elvis insists on doing the song, and the results, albeit without Gordon singing tenor, will still do more than please the masses. Gordon also related that Elvis very much knew in his mind what he wanted the final results to be so they didn't spend a lot of time working out tempos." In response to journalist Dave Schwensen, who said: "I remember reading an interview a few years ago with 570:]-Otis. Thornton recalled later that she learned her record was in circulation while she was on her way to a performance with the Johnny Otis Orchestra during this tour in Dayton, Ohio. "I was going to the theater and I just turned the radio on in the car and the man said, 'Here's a record that's going nationwide: 'Hound Dog' by Willie Mae Thornton.' I said, 'That's me!' I hadn't heard the record in so long. So when we get to the theater they was blasting it. You could hear it from the theater, from the loudspeaker. They were just playing 'Hound Dog' all over the theater. So I goes up in the operating room, I say, 'Do you mind playing that again?' 'Cause I hadn't heard the record in so long I forgot the words myself. So I stood there while he was playing it, listening to it. So that evening I sang it on the show, and everybody went for it. 'Hound Dog' just took off like a jet." 3415:. In exchange for Otis using their songs, Leiber and Stoller gave Otis a one-third interest in those songs and assigned the publishing to Otis' company, Valjo Music Publishing Company. Similarly, on August 30, 1952, Leiber and Stoller signed a contract with Spin Music Inc.—another publishing company in which Otis held an interest—assigning it certain rights to "Hound Dog" and some other songs in exchange for royalties to be divided equally between Leiber, Stoller, and Otis. When the song was copyrighted initially on September 9, 1952, words and music were credited to Don Deadric Robey and Willie Mae Thornton, with Lion Publishing Co. identified as the registered publisher. However, on March 26, 1953, it was credited to Leiber, Stoller, and Otis; and Valjo Music—not Spin—was the registered publisher. 3254:: "The answers to r&b tunes, which have become prolific with the many replies to such smash hits as 'I Don't Know', 'Mama' and 'Hound Dog' are being given a serious scrutiny by the original copyright holders of the tunes on the original hit waxings. It appears they do not think too highly of writing an answer to a hit unless a license is obtained and permission to write a parody is given by the publisher." On the prior page, Peacock Records placed an advertisement promoting Thornton's release as "The Original Version of 'Hound Dog'", warning: "Beware of Imitations – Follow the Leader for Good Results" before reminding the reader: "The Original – The Best". Two pages later, Intro Records touted the version by Tommy Duncan and the Miller Bros. as "Best of them all!!!" 3443:

had learned that the defendants were legally infants at the time of the original contracts in 1952, and would, therefore, disaffirm any contract that they had with him. This made no sense to the United States Southern District of Court of New York: "Otis was a man who had many years experience in the music business. He must have realized that even though Leiber and Stoller were infants they could not disaffirm his co-authorship of a song, if in fact he had been a co-author." Further, while Leiber and Stoller acknowledged that they had given Otis one-third of the mechanical rights for the original Thornton recording, they denied giving him one-third authorship credit. On December 4, 1957, Federal Court Judge

1252: 2047:. He expressed some disappointment in the success of the cover: "It just sounded terribly nervous, too fast, too white. But you know, after it sold seven or eight million records it started to sound better." Leiber and Stoller tired of explaining that Presley had dropped most of their lyrics. For example, Leiber complained about Presley adding the line, "You ain't never caught a rabbit, and you ain't no friend of mine", calling it "inane… It doesn't mean anything to me." Forty years later, Leiber told music journalist Rikky Rooksby that Presley had stamped the hit with his own identity: "(A) white singer from Memphis who's a hell of a singer—he does have some black attitudes—takes the song over 1985:... And the Jordanaires, a gospel quartet who would provide wonderfully subtle rhythmic backup on the next song Elvis recorded at the session, 'Don't Be Cruel', are just hanging on for the ride during this one, while drummer D.J. Fontana just goes plumb crazy. Fontana's machine-gun drumming on this record has become deservedly famous: the only part of his kit consistently audible in the mix is the snare, played so loud and insistently that the RCA engineers just gave up and let his riffs distort into splatters of clipped noise. The overall effect could not be more different from the amused, relaxed contempt of Big Mama Thornton; it is reminiscent of nothing so much as late 1970s white 1757:

asserts that "Hound Dog", like almost all of Presley's "covers were all of material whose brief moment in the limelight was over, without the songs having become standards." While, because of its popularity, Presley's recording "arguably usurped the original", Plasketes concludes: "anyone who's ever heard the Big Mama Thornton original would probably argue otherwise." Presley was aware of and appreciated Big Mama Thornton's original recording of "Hound Dog", and had a copy in his personal record collection. Ron Smith, a schoolfriend of Presley's, says he remembers Elvis singing along to a version by Tommy Duncan (lead singer for the classic lineup of

1800:, Presley's manager, a copy of his 1955 Teen Records' recording, hoping that if Presley recorded it, "he might reap some benefit when his own version was released on an album". According to Bell, " promised me that if I gave him the song, the next time Elvis went on tour, I would be the opening act for him—which never happened." In another interview Bell said: "I hope my career is more than giving 'Hound Dog' to Elvis". In May 1956, two months before Presley's release, Bell re-recorded a more frantic version of the song for the Mercury label; however, it was not released as a single until 1957. It was later included on Bell's 1957 album, 3454:, on the basis that Otis was "unworthy of belief", that he admitted forging Leiber and Stoller's signatures on a declaration to third-party publisher Lion Music, that Leiber and Stoller were underage at the time, and that Otis had signed a release to any claims for $ 750. As the evidence would not sustain Valjo's contention that Otis had collaborated in the writing of "Hound Dog", the Court voided Leiber and Stoller's contract, ordered Otis to pay the legal costs of the defendants, and awarded 46.25% of the song to Leiber and Stoller, with Lion Music receiving 28.75% and Elvis Presley Music receiving the final 25%. 1981:"Hound Dog" is "notable for an unremitting level of what can only be called rock and roll dissonance: Elvis just shouts, leaving behind almost completely the rich vocal timbres ("romantic lyricism") and mannerist rhythmic play on added syllables ("boogification") that Richard Middleton identifies as the cornerstones of his art. Scotty Moore's guitar is feral: playing rhythm he stays in the lowest register, slashing away at open fifths and hammering the strong beats with bent and distorted pitches; his repetitive breaks are stinging and even, when he begins one chorus in the wrong key, quite literally atonal 1925:, who argued that "'Hound Dog' was so identified with Elvis that fans would demand a record of the concert standard." According to Ace Collins: "Elvis may not have wanted to record 'Hound Dog', but he had a definite idea of how he wanted the finished product to sound. Though he usually slowed it down and treated it like a blues number in concert, in the studio Elvis wanted the song to come off as fast and dynamic." While the producing credit was given to Sholes, the studio recordings reveal that Presley produced the songs himself, which is verified by the band members. Gordon Stoker, First Tenor of the 1747:

end, until he recorded it with what was undeniably, his own arrangement based not just on Scotty Moore's tremendously modern guitar work but his own rage and disgust at what had taken place the night before, at Steve Allen's Tonight show, when he was forced to sing the song to a basset hound, and dressed in tails while simultaneously facing an audience of 40 million. And once he recorded it, it was his version which he chose to deliver, although by the end of 1956, he'd added inflections from the Thornton version as well.

621:". The success of "Hound Dog" secured Peacock Record's place as a major independent label. However, despite its success, neither the composers nor artist were compensated well for their efforts. According to Stoller, "Big Mama's 'Hound Dog' went to number one, sold a million copies, and did nothing for our bank statements. We were getting screwed." After suing Robey, "We were given an advance check for $ 1,200," said Stoller, "but the check bounced." As a result, Leiber and Stoller started their own label, 970:-influenced voice, quick wit, and eye-popping antics, he was the perfect candidate to reply to the harsh accusations Big Mama Thornton had thrown out in her song, this time leveling them at a 'bossy woman'". Despite his reluctance to record the song and his reservations about the band assembled by Phillips, Thomas "threw himself into the song with the same brash charm that he brought to all his performances, complete with yowls, growls, and fervent imprecations". The record's spare electric guitar work by 2180:

introduced the song to Presley in April, told an interviewer: "I didn't feel bad about that at all. In fact, I encouraged him to record it." However, after the success of Presley's recording, "Bell sued to get some of the composer royalties because he had changed the words and indeed the song, and he would have made millions as the songwriter of Elvis's version: but he lost because he did not ask Leiber & Stoller for permission to make the changes and thereby add his name as songwriter."

3462:... This came out and was a big smash, and everything was all right. I had half the publishing rights and one third of the song-writing. Then Elvis Presley made it a mega hit, and they got greedy. They sued me in court. They won, they beat me out of it. I could have sent my kids to college, like they sent theirs," Otis said. "But, oh well, if I dwell on that I get quite unhappy, so we try to move on." However, Leiber and Stoller maintained consistently and emphatically that Otis was " 293:. Presley's version, which sold about 10 million copies globally, was his best-selling song and "an emblem of the rock 'n' roll revolution". It was simultaneously number one on the US pop, country, and R&B charts in 1956, and it topped the pop chart for 11 weeks—a record that stood for 36 years. Presley's 1956 RCA recording was inducted into the Grammy Hall of Fame in 1988, and it is listed as one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll". 14284: 12615: 3263:

sale. In the Memphis courts, Lion Publishing Co. sought royalties and treble damages, claiming "Bear Cat" was "a dead steal". In May, Phillips responded: "There's a lot of difference in the words. As for the tune, there's practically no melody, but a rhythm pattern", adding that it is hard to differentiate between any two 12-bar blues songs. By June 1953 in a "precedent-setting" decision the Court ruled against Phillips, and upheld the charges of

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looked like the biggest, baddest, saltiest chick you would ever see. And she was mean, a 'lady bear,' as they used to call 'em. She must have been 350 pounds, and she had all these scars all over her face" conveying words which could not be sung. "But how to do it without actually saying it? And how to do it telling a story? I couldn't just have a song full of expletives." In 1999, Leiber said, "I was trying to get something like the

1402:' "Bear Cat", a 1953 answer song to Thornton's original recording, and subsequently in Presley's 1956 recording. In June 1984 music researcher and historian George A. Moonoogian also "found a stylistic similarity" between Frank "Dual Trumpeter" Motley & His Crew's 1954 number "New Hound Dog" (Big Town 116) and Bell's 1955 Teen Records release of "Hound Dog". On the single's label, authorship is credited to Leibler [ 3632:"Hound Dog" / "Don't Be Cruel" (Recorded: July 2, 1956; Released: July 13, 1956: RCA Victor 47–6604) (Canada: July 13, 1956; RCA Victor 20–6604) (Germany: August 4, 1956; RCA 20–6604; 47–6604) (UK: September 1956; HMV POP 249) (Belgium: September 1956; 47–6604) (Australia: 1956; RCA 10186) (Italy, 1956: RCA Italiana 45N 0515) "Perro De Caza (Hound Dog)" (Spain: 1957; RCA 3–10052) (Japan: August 1962; Victor SS-1297) 3267:, finding the tune and some of the lyrics of "Bear Cat" to be identical to those of "Hound Dog". Phillips was ordered to pay 2% of all of the profits of "Bear Cat" plus court costs. As this amounted to $ 35,000 compensation, Phillips was reduced to near bankruptcy, ultimately forcing him to sell Elvis Presley's Sun contract to RCA for $ 35,000 to raise the funds to settle his debts. On June 4, 1953, 3333:] in Cincinnati that he had an interest in the song 'Hound Dog' and should have a fifty per cent share of its success." Nathan claimed that Valjo Music, one of King Records' publishing affiliates, had legal rights to the song as Johnny Otis, who claimed to be a co-author, was under exclusive contract to them at the time. An article entitled "New Howl Goes Up Over 'Hound Dog' Infringement" in 3647: 950:... and modified by a delicate Latin-flavored "rhumba-boogie" beat, the record struck a communal chord somewhere between low comedy and bedrock truth. It totally tickled Sam on both levels. "I said, my God, it's so true. You ain't nothing but a hound dog. You ain't met your responsibilities. You didn't go to work like you ." And it gave him an immediate idea for a follow-up – from the 1225:. But it's not Rosco. It simply is not him. Really. Even Rosco confirmed that. It might not even be a Memphis Recording Service demo. Just substitute the words "Hound Dog" for "Juice Head" and what have you got? Of course the inspiration for this song came from Big Mama Thornton's "Hound Dog" or perhaps even from Rufus Thomas' "Bear Cat". But the song's other parent is 3458:

as "derogatory crap". In 2000, Otis claimed: "Leiber and Stoller brought me the song, 'Hound Dog,'" Otis recalls, of the time he produced Big Mama Thornton's recording of what was to become an R&B, and then rock 'n' roll, classic. "Parts of it weren't really acceptable. I didn't like that reference to chicken and watermelon, said 'Let's get that crap out of there.'

1793:'." Just as Haley had borrowed the riff from Bartholomew, Presley borrowed it from Bell and the Bellboys. The Latin riff form that was used in Presley's "Hound Dog" was known as "Habanera rhythm", which is a Spanish and African-American musical beat form. After the release of "Hound Dog" by Presley, the Habanera rhythm gained much popularity in American popular music. 1406:] and Stoller. No credit is given to Bell or anyone else for the revised lyrics. Their recording of "Hound Dog" was a local hit in the Philadelphia area, and received "lots of radio play on the east coast, and Bell found himself with a regional hit, that included Philadelphia, Cleveland, and New York. Despite "Hound Dog" spending 16 weeks at number one on the pre- 520:, Thornton recalled that she added a few interjections of her own, played around with the rhythm (some of the choruses have thirteen rather than twelve bars), and had the band bark and howl like hound dogs at the end of the song: "I started to sing the words and join in some of my own. All that talkin' and hollerin'—that's my own." Thornton interacts constantly in a 625:, and publishing company, Quintet Music. Those ventures were successful, but Leiber and Stoller would only earn substantial royalties from "Hound Dog" when it was covered by Elvis Presley (RCA 6604) in July 1956. Similarly, Thornton stated: "That song sold over two million records. I got one check for $ 500 and never saw another." In 1984, she told 1713:

remained a staple for them. Presley and his band attended a performance and loved their burlesque reworking of "Hound Dog". According to Paul W. Papa: "From the first time Elvis heard this song he was hooked. He went back over and over again until he learned the chords and lyrics." When asked about "Hound Dog", Presley's guitarist

1009:' first hit, More than 5,000 copies were ordered in the first days by distributors, and by mid-April it had charted nationally, eventually reaching number three on the R&B charts. However, as Phillips claimed a writing credit for the song, a copyright-infringement suit ensued that nearly bankrupted Phillips' record label. 1879:. Presley was reportedly a good sport about the silliness while on the show, but Presley would later recall it as an extremely embarrassing moment. Scotty Moore later suggested that Presley's anger about the way Allen orchestrated the performance drove the aggressive style that he recorded "Hound Dog" in the very next day. 29: 550:

foreground, conveying her haughty relief at being through with a trifling man. Thornton maintains a confident attitude, bringing the blues tradition of outspoken women into the R&B context and helping to set the style for rock and roll by putting sexuality and play with gender expectations in the foreground.

1442:; Mercury EP-1-3502), and Norway (Mercury EP MN5). As the legal dispute about its composition had not been resolved, authorship of the Mercury Records version is attributed to Leiber-Stoller-Otis. Mercury finally released Freddie Bell and the Bellboys' new version of "Hound Dog" in the USA on their debut album 1781:. It was Freddie Bell and the Bellboys' performance of the song (with Bell's amended lyrics) that influenced Presley's decision to perform, and later record and release, his own version: "Elvis's version of 'Hound Dog' (1956) came about, not as an attempt to cover Thornton's record, but as an imitation of a 3457:

Despite the Court's findings, Otis continued to claim that he wrote the third verse and rewrote some of the lyrics in the second verse—including adding "You made me feel so bad. You make me weep and moan. You ain't looking for a woman. You're looking for a home"—and edited out what he described later

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On April 4, 1953, Robey wrote to Phillips that, "unless contracts are signed and in the office of Mr. Harris Fox by Wednesday, April 8, 1953, I will be forced to take immediate steps with Court Actions", hoping "this will not cause any unfriendly relations, but please remember that I have to pay when

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that aired on December 3, 1968, on the NBC television network. After the ratings success of this program, on July 31, 1969, Presley returned to perform in Las Vegas for the first time since his unsuccessful performances in April and May 1956. Booked for a four-week, fifty-seven show engagement at the

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Larry Birnbaum described Elvis Presley's rendition of "Hound Dog" as "an emblem of the rock 'n' roll revolution". George Plasketes argues that Elvis Presley's version of "Hound Dog" should not be considered a cover "since … were innocent of Willie Mae Thornton's original 1953 release". Michael Coyle

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in the fall of 1955, told of performing the song when given the spotlight at live performances. "I used to do 'Hound Dog.' Haley would get mad at me if I'd do that. This was even before Presley did it. Haley didn't like those guys from Philadelphia that wrote the song." As Leiber and Stoller were not

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By July 1956, "the rock 'n roll age was upon the world, and as the new sensation Elvis Presley recorded "Hound Dog" to international acclaim, Peacock re-released Willa Mae Thornton's original" by August 18, 1956, backing it with "Rock-a-Bye Baby" (Peacock 5–1612), but it failed to chart. In Australia

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As he had provided lyrics for the version of "Hound Dog" recorded by Presley, Freddie Bell "sued to get some of the composer royalties because he had changed the words and indeed the song, and he would have made millions as the songwriter of Elvis' version: but he lost because he did not ask Leiber

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alleged that he was the co-author of "Hound Dog" along with two defendants, Leiber and Stoller. The defendants denied that Otis wrote any part of the song. On August 26, 1956, Otis signed a release of any claims to the song in exchange for $ 750. In court, Otis claimed that he had done so because he

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to determine the legal status of all answer songs. While earlier pressings of Sun 181 bore the caption "(The Answer To Hound Dog)" above the A-side title, as a result of the legal action this was removed from all later pressings. In the 1980s, Sam Phillips conceded: "I should have known better. The

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Despite its commercial success, "Elvis used to say that 'Hound Dog' was the silliest song he'd ever sung and thought it might sell ten or twelve records right around his folks' neighborhood." By the end of summer 1956, after Presley's recording of the song was a million-seller, Freddie Bell, who had

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Whatever Presley got from hearing Freddy Bell's version, which was sometime in April of 1956, lasted a couple of months only. In fact he sang it 21 times, live, at concerts and on television, using Bell's vocal arrangement but which also included his own blues version, at half speed, and only at the

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before an audience of 7,000. The song remained his standard closer until the late 1960s. By the spring of 1956, Presley was fast becoming a national phenomenon and teenagers came to his concerts in unprecedented numbers, with the enthusiastic reaction – particularly to "Hound Dog" – causing riots at

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version of the song for Mercury that was over 20 seconds shorter, and that also omitted the comedic "arf arf" dog sounds of their 1955 Teen Records version. However, Mercury did not release this new version until after the success of Presley's version. Initially released in France in late 1956 on an

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Bell removed innuendoes like "You can wag your tail but I ain't gonna feed you no more" and replaced them with sanitized lyrics, changing a racy song about a disappointing lover into a song that was literally about a dog. Musically, he gave the song a rock and roll rhythm. Jerry Leiber, the original

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magazine listed the song as "the nation's top-selling blues record", and it topped the charts in New York, Chicago, New Orleans, San Francisco, Newark, Memphis, Dallas, Cincinnati, St. Louis, and Los Angeles. "By mid summer, it is obvious that "Hound Dog" will be the biggest seller in the history of

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slid across the ice. This is the latest episode: King Records joined the pack this week in the legal hassle over who's gonna get the profits from the current rhythm Dog." ... Valjo, meanwhile, is complaining that one of the writers of the tune, Johnny Otis, was under exclusive contract to them when

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You ain't nothin' but a hound dog" is becoming a battle cry faster than a pup can clean a bone. "Hound Dog" has been howling on the juke boxes for several months and all this time the record has been hounded by imitations and sundry other misfortunes. One thing is sure: this is the most profitable

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On September 9, 1952, the copyright application for "Hound Dog" was lodged. On the application the words & music are attributed to Don Deadric Robey & Willie Mae Thornton, with the copyright claimants listed as: "Murphy L. Robey (W) & Willie Mae Thornton (A). It was renewed subsequently

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three times; "Hound Dog" was performed during each appearance. On September 9, 1956, with the song topping several U.S. charts, Presley's set featured an abbreviated version of "Hound Dog". During his second appearance on October 28, Presley jokingly introduced the song as "one of the saddest songs

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on July 1 that year. Steve Allen, who was notoriously contemptuous of rock 'n' roll music and especially songs such as "Hound Dog", ensured that the performance had a comedic bent, cracking jokes and presenting Presley with a signed prop toilet paper roll as a play on the name of the genre. Presley

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in Las Vegas. Ace Collins indicates that "Far from being the frenetic, hard-driving song that he would eventually record, Elvis' early live renditions of 'Hound Dog' usually moved pretty slowly, with an almost burlesque feel." Presley modelled his performance, particularly his hip gyrations, on the

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elements can be found in this recording. Puerto Rican bass player Mario Delagarde is credited with adding "a jazz-based rhythm". Influenced by African-American musical cultures, its "sounds range from the gravelly beginning of several phrases, to her spoken and howled interpolations, and the ending

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Leiber and Stoller wrote the song "Hound Dog" in 12 to 15 minutes, with Leiber scribbling the lyrics in pencil on ordinary paper and without musical notation in the car on the way to Stoller's apartment. Said Leiber, "'Hound Dog' took like twelve minutes. That's not a complicated piece of work. But

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Musical work Registration Number / Date: RE0000048383 / 1980-01-11 EU0000287247 / 1952-09-09. Type of Work: Musical work Registration Number / Date: RE0000048383 / 1980-01-11 EU0000287247 / 1952-09-09 Title: Hound dog. Words & music: Don D. Robey & Willie Mae Thornton. Variant title: Hound

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her. "You know what you said about me woman?" says the man in open confrontation. "Well…You ain't nothin' but a bear cat, scratchin' at my door." All the irony and sarcasm of the original is captured in the answer, even the sexuality: "You can purr, pretty kitty, but I ain't gonna rub you no more."

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nstead of barking and howling there is meowing and hissing in the background. In true answer form, the gender of the participants was reversed. This time the protagonist is male, directly challenging the worthless female of the original song—correcting her previous insults and re-directing them at

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concert that was the "first entertainment special to be broadcast live around the world," on January 14, 1973. Beamed via Globecam Satellite to Australia, South Korea, Japan, Thailand, the Philippines, South Vietnam and other countries, it was also seen on a delayed basis in around thirty European

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is recorded during this engagement and is soon released. During this concert, Presley introduced "Hound Dog" as his "special song". "Never one to take himself too seriously, Elvis joked with the crowd about the old days and the old songs. At one point, he decided to dedicate his next number to the

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reacted negatively to Presley's rendition of "Hound Dog", saying that "for sheer repulsiveness coupled with the monotony of incoherence, Hound Dog hit a new low in my experience." Race later stated: "it is a thoroughly bad record", lacking in "tone, intelligibility, musicianship, taste subtlety",

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between verses. The performance started in an upbeat tempo in the style of the Bellboys, but dropped to a half tempo for the dramatic finish. Presley's movements during the performance were energetic and sexually charged, especially his hip gyrations, and the reactions of young women in the studio

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phrase 'Dirty Mother Furya'. I was looking for something closer to that but I couldn't find it, because everything I went for was too coarse and would not have been playable on the air." Using a "black slang expression referring to a man who sought a woman to take care of him", the song's opening

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Their requests for payment having been ignored, Robey and two other music publishers initiated unprecedented legal proceedings in April against the record companies that released these competing songs, alleging copyright infringement. As a result, Chess Records withdrew Brim's "Rattlesnake" from

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reported that, "In an effort to combat what has become a rampant practice by small labels—the rushing out of answers which are similar in melody and/or theme to ditties which have become smash hits—many pubbers are now retaining attorneys. Common practice, of course is to regard the answer as an

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After the Presley version of "Hound Dog" became a commercial success, Homer and Jethro parodied it as "Houn' Dawg" (RCA Victor 47–6706; 20–6706), including such lines as: "You look like an Airedale, with the air let out". Several parodies emphasized the cross-cultural appeal of Presley's record.

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of the song, making it "the best-known and most often recorded Rock & Roll song". In July 2013 the official Leiber & Stoller website listed 266 different versions of "Hound Dog", but acknowledged that its list is incomplete. Among the notable artists who have covered Presley's version of

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fashion during a one-minute long guitar "solo" by Lewis. These verbal interjections, sometimes called "blues talk", are common in blues music. Years later Thornton helped launch a controversy over "Hound Dog", claiming to have written it. When questioned further on the matter, Thornton explained

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The song was written for a woman to sing in which she berates "her selfish, exploitative man", and in it she "expresses a woman's rejection of a man – the metaphorical dog in the title". According to Iain Thomas, "'Hound Dog' embodies the Thornton persona she had crafted as a comedienne prior to

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in April 1990, Stoller said: "She was a wonderful blues singer, with a great moaning style. But it was as much her appearance as her blues style that influenced the writing of 'Hound Dog' and the idea that we wanted her to growl it." Leiber recalled: "We saw Big Mama and she knocked me cold. She

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Thornton's "Hound Dog" differed from most of the rhythm and blues records of the era in its spare arrangement. There are none of the honking saxophone solos or pounding piano flourishes that marked the R&B sound. Instead, supported by guitar, bass and drums, her resonant vocals dominate the

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It was his first appearance in Las Vegas. However, "because of audience dissatisfaction, low attendance, and unsavory behavior by underage fans", the booking was reduced to one week. Freddie Bell and the Bellboys were still the resident act at the Silver Queen Bar in the Sands, and "Hound Dog"

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Agreeing with Robert Fink, who claims that "Hound Dog" as performed by Presley was intended as a burlesque, "troping off white overreactions to a black sexual innuendo", Freya Jarman-Ivens asserts that "Presley's version of 'Hound Dog' started its life as a blackface comedy", in the manner of

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Philip H. Ennis sees "Two Hound Dogs", which was recorded on May 10, 1955, by Bill Haley & His Comets (Decca 29552), as a response to Thornton's recording. While not an answer record in the traditional sense, the lyric characterized "Rhythm" and "Blues" as the titular "Two Hound Dogs", an

647:... Thornton continues to make personal appearances and is always remembered for her original version of "Hound Dog" which gets a spate of airplay during the summer of 1958 which leads to another re-release of the original." On October 7, 1965, Thornton's live performance of "Hound Dog" with 2009:

told RCA vice president Larry Kananga that "Hound Dog" "may become such a big hit that RCA may have to change its corporate symbol from the 'Victor Dog' to the 'Hound Dog'." After this recording, Presley performed this "angry hopped-up version" of "Hound Dog" in his concerts, and also on his

1968:

Musicologist Robert Fink asserts that "Elvis drove the band through thirty-one takes, slowly fashioning a menacing, rough-trade version quite different than the one they had been performing on the stage." The result of Presley's efforts was an "angry hopped-up version" of "Hound Dog". Citing

465:

We were worried because the drummer wasn't getting the feel that Johnny had created in rehearsal. "Johnny," Jerry said, "can't you play drums on the record? No one can nail that groove like you." "Who's gonna run the session?" he asked. Silence. "You two?" he asked. "The kids are gonna run a

1385:

In early 1955 this version of "Hound Dog" became the first record released on Teen Records (TEEN 101), "a subsidiary of the equally obscure Sound Records", that was owned by Lowe; jazz impresario Nat Segal, who owned Downbeat, the first integrated nightclub in Philadelphia; and partially by

10803:

I recall Joe Berrer (Joe was president of the Missile Division at the time; not sure of the spelling of his last name) returning from Inglewood where he had met with Dutch Kindleberger and Lee Atwood regarding the contract award and telling us that it had been decided to name the GAM-77 as

1940:... "He was talking about the second guitar break on the recording of 'Hound Dog' and said it sounded like you just took off your guitar, dropped it on the floor and it got the perfect sound. He said he's never been able to figure out how you did that.", in 2002 Scotty Moore indicated: " 642:

and Bruce Henderson) released the same record on licence in 1956 (Prestige PSP-1004), but the composition is credited to Robey-Thornton-Leiber-Stoller. By early 1957 "Willa Mae Thornton is seen as one who is out of the rock / pop mainstream and so her affiliation with Peacock Records

994:... was under no illusions about surpassing the original": "Hell, we didn't come close to being as good as Big Mama. She could have done that song a cappella and convinced me that, by God, you ain't nothing but a damned hound dog!" Thomas was dissatisfied with the result, especially 3092:… musicians do not have to obtain permission from the original artists to perform and record parodies of those compositions", other parodies of "Hound Dog" emerged subsequently. These include "Found God", a self-acknowledged parody of Presley's version by popular Christian band 2159:

ranked it as the number two song for 1956. "Hound Dog" would go on to sell 10 million copies worldwide, including 5 million in the United States alone. In 1958 the "Hound Dog"/"Don't Be Cruel" single became just the third record to sell more than three million copies, following

583:

biographer James M Salem, "The rawness of the sound combined with the overt sexuality of the lyric made 'Hound Dog' an immediate smash hit in urban black America from late March to the middle of July 1953." "Hound Dog" takes off immediately and looks like a national hit record.

1818:

on June 5, 1956. It was his second appearance on Berle's program. At Berle's request, Presley appeared without his guitar, the first time he had done so on national television. By this time, Presley's band had added instrumental flourishes to the song: Scotty Moore had added a

3124:

By the end of 1953 at least six "answer songs" that responded to 'Big Mama' Thornton's original version of "Hound Dog" were released. According to Peacock Records's Don Robey, these songs were "bastardizations" of the original and reduced its sales potential. These included:

588:

quickly records an answer song called "Bear Cat" on Sun 181. Thornton's record is such a big seller that Peacock Records has three new pressing plants running full-time to try and keep up with demand. Debuting in the charts on March 28, 1953, it spent fourteen weeks on the

336:'s Houston-based Peacock Records the year before, and after two failed singles, Robey had enlisted Otis to reverse her fortunes. After hearing Thornton rehearse several songs, Leiber and Stoller "forged a tune to suit her personality—brusque and badass". In an interview in 1789:… The words, the tempo, and the arrangement of Elvis' 'Hound Dog' come not from Thornton's version of the song, but from the Bellboys'." According to Rick Coleman, the Bellboys' version "featured Bartholomew's three-beat Latin riff, which had been heard in Bill Haley's ' 2130:

indicated that Presley's record influenced his decision to get into music: "What got me into the whole thing in the beginning wasn't songwriting. When 'Hound Dog' came across the radio, there was nothing in my mind that said, 'Wow, what a great song, I wonder who wrote

1117:, in which the hound dog states his case, was recorded by Blues singer Jimmy Wilson (as Jimmie Wilson) and His All Stars (with Hal "King" Solomon on piano) and released by Geddins' Big Town Records in May 1953 (Big Town Records 103). The review in the May 23 edition of 437:

In 1992, Leiber and Stoller recalled that during the rehearsal, Thornton sang the song as a ballad. Leiber said that this was not the way they planned and sang it for her, with Stoller on piano, as an example of the concept. Thornton agreed to try their recommendation.

3520:, a biopic about Elvis Presley. In the movie, Thornton (played by Shonka Dukureh in her only film role, as she died shortly after the film's release) is shown as the original singer of the song "Hound Dog" and appears in the movie singing the song. Presley (played by 1828:

audience were enthusiastic, as shown on the broadcast. According to Robert Fink, "Hound Dog" as performed by Presley on Berle's show was intended to be humorous, "troping off white overreactions to a black sexual innuendo". Over 40,000,000 people saw the performance.

1468: 1202:(Groove 4G-0106) by May 21. While credited solely to Kennedy, this song has a similar melody to "Hound Dog": "'Country Boy' has a deceptively slouching flip on the 'Hound Dog' motif – this time with Tiny proclaiming proudly that he 'ain't nothing but a country boy'". 3056:-rock song, Katz sang "You ain't nothin' but a paskudnick". By March 1957, veteran country singer Cliff Johnson responded to the popularity of Presley's "Hound Dog" by recording his self-penned "Go 'Way Hound Dog (Let Me Sing My Blues)" (Columbia 4-40865; Australia: 803:

noted: "By coincidence or intent, the use of 'hound dog' also recognizes the top r&b record of the moment." After Elvis Presley released his version of "Hound Dog" in 1956, by early November Homer & Jethro released a parody version, "Houn' Dawg" (RCA Victor

2741:

The commercial success of Presley's 1956 RCA version of "Hound Dog" precipitated a proliferation of cover versions, answer songs, and parodies. Additionally, "Hound Dog" was translated into several languages, including German, Spanish, Portuguese, French, and even

3362:

s Rolontz summed up the events thusly: "The year 1953 saw an important precedent set in regard to answer tunes … since the 'Hound Dog' decision, few record firms have attempted to 'answer' smash hits by other companies by using same tune with different lyrics."

2203:

International Hotel, which has just been built and has the largest showroom in the city, "this engagement breaks all existing Las Vegas attendance records and attracts rave reviews from the public and the critics. It is a triumph." Elvis' first live album,

1724:

In 1992, Leiber and Stoller confirmed that Presley was familiar with Thornton's record of the song but "he didn't do her version"; he had learned the song from Freddie Bell & The Bellboys. Presley first added "Hound Dog" to his live performances at the

1960:… Sometimes in the studio you do it too many times and you go past that peak. Like three takes before was really the one you should use. That was it. We had done the thing, ("Hound Dog"). I think it was printed somewhere that we did it about forty or sixty 913:

By the end of 1953, at least six "answer songs" that responded to 'Big Mama' Thornton's original version of "Hound Dog" were released. According to Peacock's Don Robey, these songs were "bastardizations" of the original and reduced its sales potential.

8775:

Robert Fink, "Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon", in Roger Beebe, Denise Fulbrook, Ben Saunders, ed., Rock Over the Edge: Transformations in Popular Music Culture (Duke University Press, 2002) pp.

8752:

8742:

5252:

Array: RE0000059284 / 1980-05-13 EU0000287247 / 1952-09-09 Title: Hound dog. Words & music: Don Deadric Robey & Willie Mae Thornton. Variant title: Hound dog. Copyright Claimant: Murphy L. Robey (W) & Willie Mae Thornton (A). See

3140:"(You Ain't Nothin' But A Female) Hound Dog" (King 45–1212) recorded by Vocalist Charlie Gore and guitarist Louis Innis on March 22 for King Records on March 22. This song was credited to Innis, Lois Mann (a pseudonym of King Records owner 9471: 3347:

he wrote the tune in collaboration with others and they are claiming 50 per cent of the publisher's share of the tune. At any rate, on it goes and the big problem now seems to be, how much Is that "Hound Dog" In the juke box worth?

426:. Leiber regarded the original recording by the 350-pound "blues belter" Big Mama Thornton as his favorite version, while Stoller said, "If I had to name my favorite recordings, I'd say they are Big Mama Thornton's 'Hound Dog' and 2059:. In most cases where we are attributed with rock and roll, it's misleading, because what we did is usually the original record—which is R&B—and some other producer (and a lot of them are great) covered our original record." 1893:

we've ever heard", before playing it in full. In the third and final appearance on January 6, 1957, Presley performed seven songs, including "Hound Dog". This proved to be Presley's last live performance on American television.

1193:

and released by the Imperial Records label (Imperial 45–5234) by the end of March 1953. Described as a "stomping uptempo boogie rocker", it began: "You ain't nothin' but a Play Girl / Staying out all night long". In April 1955,

799:, as Homer and Jethro they recorded a parody version, "(How Much Is) That Hound Dog in the Window" (RCA Victor 47–5280) in March that went to number two on the US Country charts, and number 17 on the Billboard national charts. 3550:

with Kansas City Bill and Orchestra "Hound Dog" / "Night Mare" (US: February 1953; Peacock 1612) (UK: 1954; Vogue V 2284) (Sweden, 1954; Karusell K 66) (France, 1954: Vogue V 3328) Song is credited to Leiber-Stroller [

1036:

Vocalist Charlie Gore and guitarist Louis Innis recorded "(You Ain't Nothin' But A Female) Hound Dog" (King 45–1212) for King Records on March 22. This song was credited to Innis, Lois Mann (a pseudonym of King Records owner

1121:

describes this song as "the latest, and possibly the last in the long line of answers to 'Hound Dog', featuring Jimmy Wilson singing the tune okay style. Ork backs him in a blues manner but they could have added a stronger

1029:(45–4627). While it had the same melody and many of the same lyrics as the original, Brown is credited as the sole writer. Despite the threat of legal action, Brown's "Mr. Hound Dog's in Town" was still being advertised in 4864: 2026:

to the single "Don't Be Cruel" (G2WW-5936) on July 13, 1956. Soon after the single was re-released with "Hound Dog" first and in larger print than "Don't Be Cruel" on the record sleeve. Both sides of the record topped

1446:(Mercury MG 20289) in January 1958, but now crediting Leiber & Stoller only. Both the 1955 Teen Records (2:45) and the 1956 Mercury Records (2:22) versions of "Hound Dog" are included in the 1996 compilation album 2196:. During this concert, which raised nearly $ 65,000 for the USS Arizona Memorial building fund, Presley closed the concert singing "Hound Dog". Presley performed a high-energy version of "Hound Dog" in his legendary 1229:'s slowed down "Juicehead Blues" which harks to the previous decade…If indeed this originated from Sam Phillips' studio, it was nothing that Phillips needed to touch because it was another lawsuit waiting to happen." 8360: 2142:

Presley's "Hound Dog" sold over 4 million copies in the United States on its first release. It was his best-selling single and, starting in July 1956, it spent eleven weeks at number one—a record not eclipsed until

1964:… I don't know, give or take. But if someone was counting it off, just a couple notes and we stop, that's a take. You know? 'Take Two.' But I was frustrated for some reason and in the second solo I just went, BLAH." 1394:. Their version of "Hound Dog", which includes "arf arf" dog sounds made by the band throughout the song, also included the "most overused rhythmic pattern" of the 1950s, the three-beat Latin bass riff pioneered by 3230:' first hit, eventually reaching number three on the R&B charts. However, as Phillips claimed a writing credit for the song, a copyright-infringement suit ensued that nearly bankrupted Phillips' record label. 2031:

Best Sellers in Stores and Most Played in Jukeboxes charts alongside "Don't Be Cruel", while "Hound Dog" on its own merit topped the country & western and rhythm & blues charts and peaked at number one on

986:… You ain't nothin' but a bear cat, scratchin' at my door." All the irony and sarcasm of the original is captured in the answer, even the sexuality: "You can purr, pretty kitty, but I ain't gonna rub you no more." 1158:. Motley is credited as the sole composer, and "King" Herbert Whitaker plays tenor saxophone. This song is described as "the first rocking rearrangement of 'Hound Dog'". It was re-released in Canada in 1956 by 2126:… The record was widely scorned by music industry veterans and high-pop aficionados, yet in its rude enthusiasm it represents an emphatic assertion of aesthetic principle at the dawn of rock and roll." In 1997 3382:

in October 1956, after the commercial success of Elvis Presley's version of the song, and concluded in December 1957. It would be the first "legal spat" for Presley's publishing company, Elvis Presley Music.

722:

Thornton's "Hound Dog" was so popular that it spawned at least ten cover versions of the original before Elvis Presley recorded it in July 1956. One of the earliest covers of Thornton's original was that of

513:" After this exchange, Leiber sang the song himself to demonstrate how they wanted it done. After that, according to Stoller's later recollection, Thornton understood the bawdy style they were looking for. 1413:, it attracted no national attention. However, the regional popularity of this release, along with the group's showmanship, yielded a tour; an appearance in the seminal pioneer Rock and Roll musical film 7945:

Michael Coyle, "Hijacked Hits and Antic Authenticity", in Roger Beebe, Denise Fulbrook, Ben Saunders, ed., Rock Over the Edge: Transformations in Popular Music Culture (Duke University Press, 2002) p. 97.

2208:

audience and the staff at the International: 'This is the only song I could think of that really expresses my feeling toward the audience', he said in all earnestness, before bursting into 'Hound Dog'."

5449: 2216:

countries. An expanded version was broadcast on NBC in the USA on April 4, 1973, on NBC, attracting 51% of the television viewing audience, and was seen in more American households than the July 1969

958:... "Bear Cat", "n the time-honored tradition of answer songs, was a virtual carbon copy of "Hound Dog" with lyrics, chord progressions, and rhythmic structure all patterned directly on the original. 10024: 11775: 1831:

Unfortunately for Presley, the mainstream public did not find the sexually charged performance amusing, and controversy erupted. It was the first major controversy of Presley's career. Letters of

3535:

missile's name is inspired by Presley's version of the song. The missiles were air-launched supersonic missiles designed to destroy heavily defended ground targets. Almost 700 AGM-28s were built.

617:

Don Robey estimated that Thornton's version of "Hound Dog" sold between 500,000 and 750,000 copies, and would have sold more had its sales not been diluted by an abundance of cover versions and "

400:

Leiber and Stoller along with Johnny Otis, also wrote a different version to the "Hound Dog" song structure on behalf of Big Mama Thornton, recorded with an alternative lyric entitled "Tom Cat".

3591:"Hound Dog" (Leibler-Stoller) (2:45) / "Move Me Baby"(1955: Teen 101). This version is slower and includes "arf arf" sounds. * (2:20) (Leiber-Stoller-* "Hound Dog" (Leiber-Stoller-Otis) (2:20) 2243:

placed Presley's version at number 55 of Q Magazine's 100 Greatest Guitar Tracks. Presley's version is listed as one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll".

9606: 1977:

sees this recording as "revenge on Steve ("you ain't no friend of mine") Allen, and as a protest at being censored on national TV." In analyzing Presley's recording, Fink asserts that

2040:. By August 18, 1956, Peacock Records had re-released Big Mama Thornton's original recording of "Hound Dog", backing it with "Rock-a-Bye Baby" (Peacock 5–1612), but it failed to chart. 3355:'s cover record (King 12126). When the dust settled, the publishing for "Hound Dog" (in all variations) remained with Lion, and writing credit with Leiber and Stoller. In April, 1954, 3075:, backed by The Memphis Mariachis, released "(You Ain't Nothin' But A) Chihuahua", a "Chicano Power parody" that opens with: "You ain't nothin' but a Chihuahua/ Yapping all the time." 1185:

Two records were released that were neither cover versions of nor answers to Thornton's release, yet used a similar melody without any attribution to Leiber and Stoller. The first was

3379: 1857:

on NBC, faced pressure from network executives to cancel the performance. Allen refused, insisting he would control the performance so it would not offend the public's sensibilities.

1733:

Just weeks after they had seen Bell and the Bellboys perform, "Hound Dog" became Elvis and Scotty and Bill's closing number for the first time on May 15, 1956, at Ellis Auditorium in

926:

at 706 Union Avenue, Memphis, Tennessee on March 8, 1953, just two weeks after Thornton's original version was released, and even before a review of "Hound Dog" had been published in

579:, and reviewed positively on March 14, 1953, as a new record to watch, described as "a wild and exciting rhumba blues" with "infectious backing that rocks all the way". According to 4612: 1205:

In the early 1970s, Robert Loers, owner of Dutch label Redita Records, found a song with the same melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead" on an anonymous

3430:

In October 1956, the success of Presley's version (sales at that time exceeded 2 million copies) prompted Valjo to sue Leiber and Stoller and Elvis Presley Music (an affiliate of

494:, and Puerto Rican bass player Mario Delagarde (some sources say erroneously it was Albert Winston) are listed as "Kansas City Bill & Orchestra" on the Peacock record labels. 3104:

Over the years "Hound Dog" "has been the subject of an inordinate number of lawsuits", and "would eventually become one of the most litigated songs in recorded music history".

738:

Within a month of the release of Thornton's "Hound Dog", the following six country cover versions of the song—all credited erroneously to Leiber-Stoller (or Stroller [

731:(Federal 12126) that was released by April. While Federal's trade ads touted this release as the greatest record ever made by Little Esther, in its review on April 11, 1953, 14857: 12031: 1921:. Despite its popularity in his live shows, Presley had neither planned nor prepared to record "Hound Dog", but agreed to do so at the insistence of RCA's assigned producer 8368: 3194:

at 706 Union Avenue, Memphis.on March 8, 1953, just two weeks after Thornton's original version was released, and even before a review of "Hound Dog" had been published in

4088: 10724: 4372: 2928:

also recorded "Hound Dog" during his huge rehearsal of early Rock and Roll classics (for the Madison Square Garden concert) that was released on the unauthorized album

1362:

suspected that "Hound Dog" could potentially have greater appeal, but knew it had to be sanitized for mainstream acceptance, and so asked popular Las Vegas lounge act

525:

that, while the song had been composed by Leiber and Stoller, she had transformed it: "They gave me the words, but I changed it around and did it my way". In his book

554:

On September 9, 1952, the copyright application for "Hound Dog" was lodged. On the application the words and music are attributed to Thornton and recording executive

14094: 882:

from Philadelphia (and Haley recorded other Leiber and Stoller songs), Haley was probably referring to Freddie Bell and Bernie Lowe, of Philadelphia's Teen Records.

10557: 10376: 7491: 12492: 12038: 558:, with the copyright claimants listed as: "Murphy L. Robey (W) & Willie Mae Thornton (A)." It was renewed subsequently on May 13, 1980, with the same details. 11067: 14817: 998:'s country-style blues guitar playing. In 1978, Robert Palmer wrote: "Even today, Rufus takes perverse delight in pointing out the wrong notes in Louis's solo." 7611: 14822: 12045: 11566: 10841: 3560:

with Kansas City Bill and Orchestra "Hound Dog" / "Rock-a-Bye Baby" (Aust & NZ: 1956; Prestige PSP-1004) Song is credited to Robey-Thornton-Leiber-Stoller.

2102:: "When I hear 'Hound Dog' I have to vomit a little, but in 1975 it will probably be a slightly ancient classic." Albin J. Zak III, Professor of Music at the 529:, Michael T. Bertrand says that Thornton's explanation "ingenuously stresses artist interpretation as the sole yardstick with which to measure authenticity". 14847: 14669: 8889: 5446: 4531: 3238:

original. Currently publishers are putting up a fight to protect their originals from unauthorised or infringing answers." In that same issue, Robey told

1166:

When the dust settled, the publishing for "Hound Dog" (in all variations) remained with Lion, and writing credit with Leiber and Stoller. In April, 1954,

14812: 13403: 12803: 12052: 3524:) hears Thornton sing the song at a concert and decides to record a cover version. Dukureh's performance of "Hound Dog" is included in full on the movie 7570:

Robert Fink, "Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon", in Roger Beebe, Denise Fulbrook, Ben Saunders, ed.,

12066: 11873: 5840: 1177:… since the 'Hound Dog' decision, few record firms have attempted to 'answer' smash hits by other companies by using same tune with different lyrics." 566:

In late February 1953, "Hound Dog" was released by Peacock (Peacock 1612), with the song credited erroneously on the label to Leiber-Stroller [

377:

genre." R&B expert George A. Moonoogian concurs, calling it "a biting and scathing satire in the double-entendre genre" of 1950s rhythm and blues.

11038: 7318: 10948: 4743: 4416: 4362: 541:

with dog sounds from the band." According to musicologist Robert Fink, Thornton's delivery has flexible phrasing making use of micro-inflections and

286: 256: 9089: 5667: 14807: 12238: 11376: 6408: 4040: 7156: 5251: 461:, Thornton's "Hound Dog" was the first record that Leiber and Stoller produced themselves, taking over from bandleader Johnny Otis. Said Stoller: 12651: 11866: 11436: 3186:

However, the most popular of the answer songs to "Hound Dog" was "Bear Cat (The Answer To Hound Dog)" (Sun 181) recorded by Memphis disc jockey

12835: 10678: 3301:

On July 8 Robey wrote to Phillips again, thanking him "kindly for your co-operation in this matter", but Phillips still refused to purchase a

2236:

magazine ranked it No. 19 on their list of the 500 Greatest Songs of All Time, the highest ranked of Presley's eleven entries. In March 2005,

1835:

poured into the NBC mailroom, critics called the performance vulgar, moral watchdogs raised concerns about juvenile delinquency, and even the

1761:). According to another schoolmate, Elvis' favorite r'n'b song was "Bear Cat (the Answer to Hound Dog)" by Rufus Thomas, a hero of Presley's. 505:

them out. Although intimidated by her size and facial scarring, Leiber protested, to which Thornton responded with an icy glare and told him,

348:

line, "You ain't nothin' but a hound dog", was a euphemism, said Leiber The song, a Southern blues lament, is "the tale of a woman throwing a

14802: 11627: 11298: 11291: 5239: 859:

and the Miller Bros. (Intro 6071) Duncan's version is described as "a smoother, jazzy reading featuring fine guitar and piano contributions".

10007: 2066:

expressed disgusted at "the bad taste that is exemplified by Elvis Presley's 'Hound Dog' music, with his animal gyrations". In October 1956

14762: 12831: 11319: 6197: 8564: 4305:

Big "Tiny" Kennedy and His Orchestra "Country Boy" (Tiny Kennedy) (October 1955: Groove 4G-0106) Re-released 2011: Juke Box Jam JBJ 1025)

12726: 10977: 9552: 8852: 3305:

for Thomas' "Bear Cat". Robey then instructed his company lawyer Irving Marcus to sue Phillips and Sun Records, hoping to use this as a

13628: 13471: 13027: 10966: 10771: 8622:(Oxford University Press, 2009) p. 134, which indicates that the television cameras were forbidden to show Presley from the waist down. 845:

described her recording: "She sings it well, shouting out the lyrics with occasional excitement, tho without the power the tune needs."

5089: 2912:

played from August 1957 through 1961. No recorded version is known to survive. On August 30, 1972, Lennon performed the song with the

1370:, who had been performing songs with "tongue-in-cheek" humour as the band in residence at The Silver Queen Bar and Cocktail Lounge at 12697: 11824: 9610: 4367: 2704: 1882:

Although Ed Sullivan had publicly stated he would never invite Presley onto his show, the ratings success of Presley's appearance on

795: 6901: 3930:(UK: June 12, 2012; Record label: Master Classics Records) Comedy version featuring Valentine singing the song, then reciting it as 13497: 13123: 12987: 12857: 12583: 12080: 11527: 11277: 397:… didn't even bother to sit down. He had a cigarette in his mouth that was burning his left eye, and he started to play the song." 11078: 3718:

Jack Turner and His Granger County Gang (Recorded: March 20, 1953; Released: April 4, 1953: RCA Victor 47–5267), who was actually

14069: 13935: 13366: 12507: 12059: 11999: 11655: 11648: 11305: 11200: 11190: 11160: 9488: 9357: 9340: 5549: 3434:) for an accounting of profits and for damages and to have Otis restored as co-writer and recover damages for lost royalties. In 3325:

In late July 1953 Syd Nathan, president of King Records, took Robey and his Lion Publishing Company to court. The August 1, 1953

7462: 5713:"Experience The Music: One Hit Wonders and The Songs That Shaped Rock and Roll | The Rock and Roll Hall of Fame and Museum" 1378:

lyricist, found these changes irritating, saying that the rewritten words made "no sense". Described as "one of their trademark

1139:(backed by the Eugene Jackson Trio and All Stars) also recorded "You Call Me a Hound Dog" about this time which was released on 13748: 13130: 12879: 11348: 9059: 8853:"Interview with Jerry Leiber and Mike Stoller Introduction as if any introduction is necessary for this legendary song writing" 7120: 6573: 4051: 2680: 445:, Thornton's version is "an important beginning of rock-and-roll, especially in its use of the guitar as the key instrument". 10732: 10576: 10275:

The Late, Great Johnny Ace and the Transition from R & B to Rock 'n' Roll' (University of Illinois Press, 2001) pp. 84–85.

9880:

Papa, Play for Me: The Hilarious, Heartwarming Autobiography of Comedian and Bandleader Mickey Katz. As told to Hannibal Coons

5788: 5365: 14177: 13755: 13461: 13068: 11894: 11845: 11810: 11803: 11485: 11120: 11096: 10772:"The Music of 'Elvis': A Complete Guide to Who Sings What on Soundtrack, from Jack White to Jazmine Sullivan to Stevie Nicks" 10409: 10331: 10115: 8787:"Elvis Presleys National TV Appearances In The 1950s: Elvis Articles – 'For Elvis Fans Only' Official Elvis Presley Fan Club" 8574: 6055: 5260: 4975: 4918: 4593: 3598:"Hound Dog" (Leiber-Stoller-Otis) (2:20) / "Big Bad Wolf" (1957: Mercury Records 45152) (Australia: July 1957; Mercury 45152) 3289:

was a "conscious imitation" of their own recording with "only minor variations". Sam C. Phillips of Sun Record agreed to pay

2173: 296:"Hound Dog" has been at the center of controversies and several lawsuits, including disputes over authorship, royalties, and 9454: 8786: 7275: 946:

Sam was knocked out by Big Mama Thornton's "Hound Dog" the first time he heard it. Performed with ripsaw gusto by the singer

829:

Former Hollywood child actress and 1946 National Yodeling champion Betsy Gay (Intro 6070) recorded a hillbilly version with

14422: 13697: 13548: 12890: 12502: 11641: 11205: 11195: 7399: 10233:

The Late, Great Johnny Ace and the Transition from R & B to Rock 'n' Roll' (University of Illinois Press, 2001) p. 85.

9625:

The Late, Great Johnny Ace and the Transition from R & B to Rock 'n' Roll" (University of Illinois Press, 2001) p. 83.

8989:

Burt Bacharach, Song by Song: The Ultimate Burt Bacharach Reference for Fans, Serious Record Collectors, and Music Critics

6981: 6944: 4320:

Cliff Johnson "Go 'Way Hound Dog (Let Me Sing My Blues)" (1956: Columbia 4-40865; Australia: 1957; Coronet Records KW-022)

4276:) "(You Ain't Nuttin' But a) Juicehead" (Probably March 1953: unreleased demo recorded at Sun Records) On Various Artists 3137:(45–4627). While it had the same melody and many of the same lyrics as the original, Brown is credited as the sole writer. 2115: 13865: 13814: 12644: 12024: 11362: 11006: 10561: 10373: 9004: 4721: 247:

in late February 1953, "Hound Dog" was Thornton's only hit record, selling over 500,000 copies, spending 14 weeks in the

12529: 9521: 7499: 5007: 4781: 2754:

By 1964, Presley's version of "Hound Dog" had been covered over 26 times, and by 1984, there were at least 85 different

1084:

on guitar. However, when Don Robey threatened an injunction against Sun Records for the similar "Bear Cat", Leonard and

14478: 13891: 13832: 13544: 13475: 13421: 13265: 13134: 12770: 12600: 12087: 9030: 7423:

Mike Weatherford, Cult Vegas: The Weirdest! the Wildest! the Swingin'est Town on Earth! (Huntington Press, 2001) p. 59.

5037: 4820: 3810: 3313: 3084: 3079: 2148: 2088:' crusade against "inferior music", including "Hound Dog", which Sinatra sarcastically referred to as "a masterpiece". 1626: 457:

in Los Angeles on August 13, 1952, the day after its composition. It subsequently became her biggest hit. According to

408:

Thornton's recording of "Hound Dog" is credited with "helping to spur the evolution of black R&B into rock music".

5458:

Encyclopedia of African American History, 1896 to the Present: From the Age of Segregation to the Twenty-first Century

922:

The first and most popular answer song to "Hound Dog" was "Bear Cat (The Answer To Hound Dog)" (Sun 101), recorded at

14837: 14320: 13902: 13610: 13355: 13302: 13291: 13225: 13119: 13064: 12663: 12006: 11782: 11429: 11185: 9415: 9318: 9135: 9099: 8493: 8409: 8404:

The Blue Moon Boys: The Story of Elvis Presley's Band. Ken Burke and Dan Griffin. 2006. Chicago Review Press. p. 53.

8393: 8388:

The Blue Moon Boys: The Story of Elvis Presley's Band. Ken Burke and Dan Griffin. 2006. Chicago Review Press. p. 52.

8347: 8078: 7769: 6226: 3693: 3675: 2876:

released "Hound Dog" in 1973 as a non-album single, backed with "Can I Drive You Home?". It reached number 18 on the

708:

The original version was ranked No. 318 on the 2021 edition of "Top 500 Songs of All Time" by Rolling Stone Magazine.

490:"Kansas City Bill" (after his drummer "Kansas City" Bell) on this record. Therefore, Otis, Louisiana blues guitarist 10558:"Opinion, Valjo Music vs. Elvis Presley Music in US District Court, Southern District of New York, December 4, 1957" 10476:

Decisions of the United States Courts Involving Copyright, 1957–1958: Copyright Office Bulletin No. 31. Reprint 1972

10397:

Decisions of the United States Courts Involving Copyright, 1957–1958: Copyright Office Bulletin No. 31. Reprint 1972

9125: 3250:

I intrude upon the rights of others, and certainly must protect my own rights." On April 11 Bob Rolontz reported in

14757: 14429: 13909: 13788: 12940: 12558: 12539: 11355: 11210: 11180: 10889: 7345: 6786: 6293: 1758: 8886: 7912: 5642: 4326:

and His Orchestra "You're A Doity Dog (Hound Dog)" (January 1957; Capitol F3607) (Germany: 1957; Capitol F 80 411)

3285:. Lion Publishing Company of Houston, Tex., won the out-of-court settlement after contending in a court suit that 14832: 14127: 13712: 13428: 13359: 13269: 13112: 12908: 12693: 12253: 11859: 11796: 11736: 11478: 11450: 8732: 6824: 5763: 4337: 2212: 1061: 470:

Otis played drums on the recording, replacing Ledard "Kansas City" Bell. As Otis was still signed exclusively to

8094: 5712: 4438: 3351:

In response, Robey counter-sued both King Records and Valjo Music over Roy Brown's answer record, and also over

3202:

wrote new lyrics, in which he altered the gender of the singer, who bemoaned that his woman was a "bear cat", a

466:

recording session?" "Sure," I said. "The kids wrote it. Let the kids do it." Johnny smiled and said, 'Why not?'"

14782: 14599: 13708: 13526: 13218: 13167: 13108: 13001: 12915: 12737: 12637: 12192: 11662: 11634: 11270: 11016:

Lillistam, Lars. (1988) "Musical Acculturation: 'Hound Dog' From Blues to Swedish Rock'n'Roll. In Hennion, ed.

10816: 2929: 2107: 1438:(Barclay 14159), it was released subsequently in 1957 in Australia (July 1957: Mercury Records 45152), Sweden ( 9223: 1251: 1173:

s Rolontz summed up the events thusly: "The year 1953 saw an important precedent set in regard to answer tunes

289:

in 2004, but was excluded from the revised list in 2021 in favor of Thornton's version; it is also one of the

14797: 14787: 14265: 14207: 14148: 14098: 14041: 13588: 13141: 12976: 12972: 12961: 12875: 12306: 11901: 11852: 10078: 9585: 8666: 8530: 8095:"Guillermo F. Perez-Argüello, comments on By Rick Moore, "Lyric Of The Week: Big Mama Thornton, "Hound Dog""" 4943: 2689: 1726: 1698: 1591: 1367: 1350: 1263: 1150:"New Hound Dog" (Big Town 116) by Frank "Dual Trumpeter" Motley and His Motley Crew, with vocals provided by 1140: 325: 236: 142: 10352:

It's One For The Money: The Song Snatchers Who Carved Up a Century of Pop & Sparked a Musical Revolution

4549:

Insidetracks: a first-hand history of popular music from the world's greatest record producers and engineers

1102:'s Combo Records released "Real Gone Hound Dog" (Combo 25), "an obscure 'answer' record to 'Hound Dog'", by 385:

of the music was not easy." According to Leiber, as soon as they reached the parking lot and Stoller's 1937

14792: 14772: 14542: 14287: 14087: 13185: 13178: 12686: 11443: 10041: 8690: 8509: 8131:

Michael Coyle, "Hijacked Hits and Antic Authenticity", in Roger Beebe, Denise Fulbrook, Ben Saunders, ed.,

4357: 3781:(William Randolph Cole) "Hound Dog Special" (Recorded: February 24, 1954: MGM 11794) "A spend off [ 3476:(BMI) is the performing rights organization for "Hound Dog" (BMI Work #94632, ISWC # T-905246869-6), while 3451: 3408: 3277:"The Sun Record Company of Memphis agreed to pay $ 2,080 to a Texas Recording firm because its blues tune, 3134: 3096:, which, using the original tune, opens with: "I ain't nothin' but I found God/It took quite a long time". 1415: 1026: 479: 290: 9310:

Australian Chart Book: 1940–1969: the Hit Songs and Records from Thirty Years of Specially Compiled Charts

7010: 1198:

Jesse "Big 'Tiny'" Kennedy recorded "Country Boy" accompanied by His Orchestra that was released by RCA's

14842: 14073: 13971: 13298: 13075: 12904: 12573: 12523: 12220: 12185: 11992: 11971: 11499: 11369: 11153: 7956:"Interview with D.J. Fontana : Elvis Articles:'For Elvis Fans Only' Official Elvis Presley Fan Club" 4391: 4203: 3832: 2965: 2111: 698: 422: 10754: 7717: 6412: 1426:

In May 1956 (two months before Presley recorded his version), Bell and the Bell Boys recorded a more up

1088:, decided to not to release "Rattlesnake" at that time. In 1969 these songs were released officially on 272:"Hound Dog" has been recorded more than 250 times. The best-known version is the July 1956 recording by 14767: 14655: 14528: 14503: 14436: 14123: 13730: 13617: 13559: 13537: 13086: 12563: 12534: 11715: 11676: 9802: 9785: 9170: 7306: 7237: 7160: 4230: 3130: 2103: 1673: 1371: 1022: 878: 691: 491: 309: 252: 215: 10438:

First Pressings: The History of Rhythm & Blues, First Pressings: The History of Rhythm & Blues

8299: 4217:

Charlie Gore & Louis Innis "(You Ain't Nothin but a Female) Hound Dog" (March 22, 1953: King 3587)

1697:

in 1956. Presley had been booked from April 23 through May 6, 1956 to appear at the Venus Room of the

1005:

to describe it on March 28 as "the fastest answer song to hit the market". It became both Thomas' and

14852: 14777: 14574: 14510: 14242: 13898: 13858: 13737: 13486: 13399: 13254: 13214: 12704: 12512: 12213: 12112: 11471: 11242: 10316:

The Late, Great Johnny Ace and the Transition from R & B to Rock 'n' Roll' Music in American life

9663: 9504: 9437: 9373: 8457: 8044: 5279: 3662: 3557:

with Kansas City Bill and Orchestra "Hound Dog" / "Rock-a-Bye Baby" (US: August 1956; Peacock 5–1612)

3477: 3404: 2098: 2036:

main pop chart, the Top 100. Later reissues of the single by RCA in the 1960s designated the pair as

2005:

In the end, Presley chose version 28, declaring: "This is the one." During the day Presley's manager

1374:

soon after its opening in December 1952, to rewrite the lyrics for their first release on his label.

676: 10988: 10842:"The AGM-28 'Hound Dog' Cruise Missile: How the Air Force Planned to Drop a Hydrogen Bomb on Russia" 8593: 8421: 8027: 7869: 5219: 5165: 4291:

Juanita Moore and the Eugene Jackson Trio "Call Me a Hound Dog" (Robert Geddins) on Various Artists

1213:, the Memphis distributorship owned by Sam Phillips' brother, Tom, where Sun artifacts were stored. 14627: 14369: 14201: 13975: 13825: 13023: 12730: 12708: 11908: 11754: 11694: 11669: 11552: 11422: 11408: 11056: 9249: 8804: 7184: 6720: 6144: 6114: 6030: 5949: 4019: 2800: 2481: 2449: 2433: 2151:" held at the top for 13 weeks in 1992. It stayed in the number one spot until it was replaced by " 1769:, but more especially "African-American performers with a penchant for 'clowning' – 1533: 1017:

In the months after the release of "Hound Dog" and "Bear Cat", a spate of answer records followed:

962:

Looking for a suitable man to record this song, Phillips selected part-time local WDIA disk jockey

593: 251:, including seven weeks at number one. Thornton's recording of "Hound Dog" is listed as one of the 9759: 9205: 7102: 6641: 6083: 14592: 14464: 14252: 13986: 13803: 13792: 13388: 13344: 13192: 12817: 12594: 12245: 11601: 11520: 11464: 11457: 11415: 11401: 11312: 11263: 10244: 9508: 9441: 9377: 9285: 9267: 5106: 3164: 2599: 2520: 2314: 2198: 1847:, host of a popular televised variety show, publicly stated that he would never feature Presley. 1069: 11088: 9599: 8708: 8553:

See Austen, Jake, TV-A-Go-Go: Rock on TV from American Bandstand to American Idol (2005), p. 13.

8485: 8479: 8323: 7936:

Ace Collins, Untold Gold: The Stories Behind Elvis's #1 Hits (Chicago Review Press, 2005) p. 28.

6201: 5303: 4466: 934:, in which he altered the gender of the singer, who bemoaned that his woman was a "bear cat", a 14662: 14634: 14556: 14549: 14535: 13570: 13236: 13196: 12842: 12618: 12497: 12481: 12382: 12285: 12121: 11985: 11573: 11146: 9688: 9206:"Elvis Presley: March 25, 1961 – Honolulu, Hawaii. Bloch Arena: U.S.S. Arizona Benefit Concert" 7612:"'Last Call at the Downbeat' shines a spotlight on a jazz legend's forgotten Philly connection" 4063: 3828: 3821: 2637: 2348: 2165: 1839:

published an opinion piece entitled "Beware Elvis Presley". The performance earned Presley the

1790: 1391: 898: 639: 431: 297: 10790: 10596: 9560: 3310:

melody was exactly the same as theirs, but we claimed the credit for writing the damn thing".

629:, "Didn't get no money from them at all. Everybody livin' in a house but me. I'm just livin." 14827: 14752: 14747: 14742: 14613: 14443: 14313: 14236: 14168: 14019: 13887: 13869: 13759: 13690: 13555: 13309: 13276: 13034: 12936: 12925: 12853: 12824: 12415: 11729: 11513: 11506: 11333: 11284: 11227: 8860: 8184: 7739: 5975: 4910: 4898: 4103: 3847: 3498: 3473: 3329:

reported: "Lion itself was in court defending the contention of Syd Nathan Records [

2917: 2152: 1814: 1721:

agreed that Elvis had borrowed the Bellboys version after seeing them perform the song live.

1644: 1144: 1081: 819: 386: 8766:, ed. Vernon Chadwick (Boulder, CO: Westview Press, 1997) pp. 37–72, plus End notes 253–258. 7955: 7806: 4840: 2051:… But here's the thing: we didn't make it. His version is like a combination of country and 1886:

convinced him to reconsider. Sullivan wound up paying $ 50,000 for Presley to appear on the

1154:

was recorded in October 1954 for Big Town Records, a subsidiary of 4 Star Records, owned by

416:, regards "Hound Dog" as a marker of "the success of race-mixing in music a year before the 13942: 13799: 13766: 13679: 13482: 13338: 12568: 11922: 11915: 11492: 9526: 9492: 9458: 6159: 6019: 5829: 4759: 4121: 3343: 3213:

was greatly influenced by that of Pete Lewis on the original. According to James M. Salem:

3170:"Real Gone Hound Dog" (Combo 25), "an obscure 'answer' record to 'Hound Dog'", recorded by 2988: 2631: 2584: 2546: 2477: 2461: 2445: 2429: 2413: 2397: 2379: 2361: 2343: 2327: 2189: 2089: 1862: 1853: 977:

was greatly influenced by that of Pete Lewis on the original. According to James M. Salem:

966:, who adopted the nickname, "Rufus 'Hound Dog' Thomas" for this recording. "With his gruff 369:

entering the music business" by parading "the classic puns, extended metaphors, and sexual

6909: 3747:

Betsy Gay (Recorded: March 18, 1953; Released: April 11, 1953: Intro Records 45–6070) (w/

3226:

to describe it as "the fastest answer song to hit the market". It became both Thomas' and

8: 14737: 14707: 14648: 14606: 13810: 13741: 13493: 13410: 12897: 12796: 12682: 12588: 12487: 12456: 11950: 11789: 11701: 11587: 11559: 11545: 11104: 10866:"78 RPM – Willie Mae "Big Mama" Thornton – Hound Dog / Night Mare – Peacock – USA – 1612" 9905: 9475: 6553:

Unsung Heroes of Rock 'n' Roll: The Birth of Rock 'n' Roll in the Wild Years Before Elvis

4906: 4165: 4136: 3902: 3668: 3206:

slang term for "a hot-blooded or fiery girl". The record's spare electric guitar work by

2959: 2848: 2572: 2229: 870:

recorded an instrumental version, "Hound Dog Special" (MGM 11794), a "spend off [

702: 442: 409: 266: 9867:

Mexican American Mojo: Popular Music, Dance, and Urban Culture in Los Angeles, 1935–1968

6963: 6059: 3366: 2220:. Eventually it was seen in about forty countries by one billion to 1.5 billion people. 393:' on the roof of the car. We got to Johnny Otis's house and Mike went right to the piano 14485: 14194: 13635: 13599: 13450: 13446: 12994: 12517: 12461: 12410: 12367: 12330: 12299: 12278: 12136: 11957: 11929: 11831: 11619: 11340: 11234: 11112: 10804:"Hounddog". At the time Elvis was "King" and his musical fame carried over to our bird. 10116:"popsike.com - CLASSIC WILLIE MAE "BIG MAMA" THORNTON 78 "HOUND DOG" - auction details" 9556: 7083: 5993: 4158: 3935: 3525: 3444: 3302: 3069: 2651: 2492: 2006: 1797: 1734: 1387: 982:

her. "You know what you said about me woman?" says the man in open confrontation. "Well

575: 2188:

Presley's final performance on stage for almost 8 years was a benefit concert for the

1796:

When asked if Bell had any objections to Presley recording his own version, Bell gave

990:

While "the result was peppier than Big Mama's version, with a more straight-ahead beat

14641: 14457: 14348: 14341: 14105: 13982: 13953: 13854: 13836: 13675: 13515: 13392: 13348: 13331: 13038: 12983: 12846: 12781: 12397: 12346: 12151: 12129: 12105: 11887: 11838: 11768: 11116: 11092: 10989:"Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon" 10584: 10101: 9411: 9314: 9131: 9095: 9026: 8594:"Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon" 8570: 8489: 8422:"Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon" 8405: 8389: 8074: 8028:"Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon" 7870:"Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon" 7470: 7015: 6570: 6222: 5220:"Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon" 5166:"Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon" 4936: 4914: 4816: 3912: 3874: 3657: 3626: 3516: 3511: 2877: 2465: 2417: 2401: 2384: 2366: 2331: 2275: 2023: 1922: 1906: 1868: 1606: 1497: 1490: 1271: 521: 329: 240: 163: 48: 40: 9067: 6846: 6829:

AMG AllMusic Guide: Pop Albums: Central Rocks: The Central Ave Scene 1951–58, Vol. 2

5796: 5373: 3246:"to issue Sun a license on 'Bear Cat' in order that Robey might collect a royalty". 1060:. In March 1953 Brim and his His Gary Kings recorded "Rattlesnake" (Checker 769) at 14683: 14306: 14213: 14182: 14158: 14137: 14037: 14008: 13949: 13913: 13686: 13642: 13624: 13174: 13145: 12792: 12759: 12467: 12430: 12260: 12167: 12144: 11817: 11761: 11580: 11256: 10328: 9002:"'A Thoroughly Bad Record': Elvis Presley's 'Hound Dog' as Rock and Roll Manifesto" 8348:"Mercury Album Discography, Part 5: MG-20200 to MG-20399 Main Popular Music Series" 7584: 6173: 5841:"Jack Turner And His Granger County Gang - Hound Dog / I Couldn't Keep From Crying" 5585: 5202: 4983: 4343:

El Vez and The Memphis Mariachis (as "(You Ain't Nothin' But A) Chihuahua") (1991)

4308: 4260: 4220: 4132: 4099: 4012: 3953: 3923: 3727: 3723: 3532: 3448: 3243: 3182:'s Combo Records. The composition was credited to Higgins and Porter (as V. Haven). 2955:(in German, as "Heut Geh' Ich Nicht Nach Hause") (1957); (Today I'm Not Going Home) 2913: 2869:, which was nominated for a Grammy in the Traditional Folk Album category in 2000. 2828: 2776: 2595: 2516: 2310: 2116:"'A Thoroughly Bad Record': Elvis Presley's 'Hound Dog' as Rock and Roll Manifesto" 1888: 1738: 1528: 1395: 1190: 755: 751: 656: 533: 517: 232: 82: 9574: 9001: 6221:

Bill Haley: The Daddy of Rock and Roll. John Swenson. 1982. Stein and Day. p. 64.

5684: 5137:

1789–1989: musique, histoire, démocratie, Vibrations, musiques, médias et sociétés

4865:

Blues singer ‘Big Mama’ Thornton had a hit with ‘Hound Dog.’ Then Elvis came along

3744:(Recorded: November 1952; released: April 4, 1953: 78pm: IF-452; Imperial 45–8186) 3030:, released a parody version in 1956 entitled "Pound Dog" (L&M LM1002) about a 2043:

Stoller learned of the Presley cover from Leiber after returning from vacation in

785:

Country-Western version on March 20, 1953, in New York City. After the success of

697:

In 2017, Thornton's recording of "Hound Dog" was selected for preservation in the

603:

Peacock Records." The song was named as the Best Rhythm and Blues song of 1953 by

14690: 14450: 14298: 14226: 14083: 13280: 13232: 13163: 13079: 12774: 12578: 12372: 12354: 12292: 11978: 11964: 11102:

St. Pierre, Roger. "Big Mama Thornton: The Hound Dog Howler Who Inspired Janis".

10624:

Modern Federal Practice Digest: All Federal Case Law in the Modern Era, Volume 37

10380: 10335: 9405: 9308: 9008: 8893: 7349: 7279: 6577: 6493: 5453: 5011: 4532:"Leiber and Stoller: Rolling Stone's 1990 Interview With the Songwriting Legends" 4246: 3999: 3887: 3719: 3712: 3431: 3392: 3175: 3156: 3057: 3031: 2974: 2792: 2764: 2085: 1918: 1836: 1774: 1770: 1742:

some performances. Presley researcher Guillermo F. Perez-Argüello contends that:

1599: 1159: 1107: 1057: 967: 939: 838: 747: 728: 660: 502: 483: 471: 454: 370: 255:'s "500 Songs That Shaped Rock and Roll", ranked at 318 in the 2021 iteration of 244: 150: 128: 87: 11133: 10941: 10102:"Catalog of Copyright Entries 1952 Unpublished Music Jan-Dec 3D Ser Vol 6 Pt 5B" 9639: 9187: 8632: 8003: 7403: 6989: 6748: 5624: 4565:

Little Labels – Big Sound: Small Record Companies and the Rise of American Music

938:

slang term for "a hot-blooded or fiery girl". According to Phillips' biographer

14721: 14329: 13770: 13566: 13533: 13457: 13417: 12425: 12420: 12313: 12073: 11708: 11594: 11249: 8145: 7687:

See George A. Moonoogian and Roger Meedem, "Ain't Nothin' But a Hound Dog" in

4617: 4299: 4117: 4083: 3980: 3908: 3806: 3741: 3269: 3210: 2998: 2948:

Among those artists who have recorded non-English versions of "Hound Dog" are:

2893: 2873: 2832: 2784: 2768: 2743: 2063: 1974: 1934: 1930: 1478: 1259: 1199: 1151: 1132: 995: 974: 545:. Each has a focal accent which is never repeated. According to Maureen Mahon: 497:

During the rehearsal, Leiber objected to Thornton's vocal approach, as she was

36: 10514: 10488: 10411:

Catalog of Copyright Entries 1952 Unpublished Music Jan–Dec 3D Ser Vol 6 Pt 5B

9796: 9779: 7300: 7231: 6982:""Recorded In Hollywood / Hollywood Records – An R & B Split Personality" 4005:

album (Recorded December 1, 1964; Released March 1965: Warner Bros. W/WS 1578)

2962:

Orchestra (in German, as "Das Ist Rock And Roll") (lyrics: Fini Busch) (1957);

2920:, New York City, in one of his last charity concerts, and was released on his 1913:'s New York City studio with his regular band of Scotty Moore on lead guitar, 1667: 209: 28: 14731: 14676: 14188: 14144: 14116: 13668: 13606: 13592: 12929: 12810: 12763: 12741: 12660: 12545: 12405: 12377: 12206: 12199: 11169: 9607:"American single certifications – Elvis Presley – Hound Dog_Don_t Be Cruel" 9531: 8924:

Rock Criticism from the Beginning: Amusers, Bruisers And Cool-Headed Cruisers

5004: 4488:

The Late, Great Johnny Ace and the Transition from R & B to Rock 'n' Roll

4314: 4242: 4193: 4179: 4175: 4126: 4070: 4047: 3963: 3957: 3851: 3521: 3400: 3352: 3207: 3171: 3160: 3152: 3023: 2933: 2856: 2852: 2820: 2812: 2804: 2780: 2755: 2081: 2037: 1718: 1706: 1702: 1613: 1549: 1537: 1482: 1432: 1310: 1210: 1136: 1103: 1065: 1053: 1045: 971: 852: 823: 724: 622: 537: 417: 382: 338: 278: 273: 10865: 10710:

Peter Nazareth, "'Nineteen Fifty-Five': Alice, Elvis And The Black Matrix",

8284:

All Roots Lead to Rock: Legends of Early Rock 'n' Roll: a Bear Family Reader

7599:

All Roots Lead to Rock: Legends of Early Rock 'n' Roll: A Bear Family Reader

7552:

All Roots Lead to Rock: Legends of Early Rock 'n' Roll: a Bear Family Reader

6446:

Record Makers and Breakers: Voices of the Independent Rock 'n' Roll Pioneers

5484:

Record Makers and Breakers: Voices of the Independent Rock 'n' Roll Pioneers

5041: 3767:

Cleve Jackson and His Hound Dogs (1953: Herald H-1015) on Various Artists,

2904:' early career "Hound Dog" was one of the songs Lennon and McCartney as the 2900:, and "Hound Dog" was a favorite of the young Lennon and his mother, during 1812:

Presley first performed "Hound Dog" for a nationwide television audience on

862:

Cleve Jackson (Jackson Cleveland Toombs) & His Hound Dogs (Herald 6000),

14376: 14362: 13821: 13370: 13287: 13090: 12965: 12886: 12552: 12474: 12435: 12392: 12362: 12338: 11936: 10693: 9581: 6324: 4273: 4266: 4256: 4199: 4153: 4147: 4079: 4058: 4035: 4008: 3989: 3881: 3864: 3797: 3761: 3752: 3399:

when Otis needed songs for artists he was recording for Federal, including

3199: 3187: 3042:

novelty song version, "You're a Doity Dog" (Capitol F3607), singing with a

2984: 2844: 2840: 2836: 2816: 2808: 2796: 2788: 2760: 2217: 2193: 2068: 1876: 1778: 1714: 1686: 1572: 1420: 1419:

in January 1956; and eventually a recording contract with Mercury Records'

1399: 1363: 1333: 1226: 1222: 1206: 1186: 1093: 1073: 963: 931: 856: 834: 771: 746:

Jack Turner & his Granger County Gang (RCA 20–5267; 47–5267) (actually

585: 532:

Thornton recorded two takes of the song, and the second take was released.

333: 305: 248: 123: 11113:"A Hound Dog Tale: Big Mama, Elvis, and the Song That Changed Everything." 6250:

The Late Great Johnny Ace and the Transition from R&B to Rock 'N' Roll

5344:

The Late Great Johnny Ace and the Transition from R&B to Rock 'N' Roll

2994: 885:

In later years Big Mama Thornton's version was covered by such artists as

14355: 14258: 14112: 13701: 13327: 13258: 13005: 12159: 11722: 10978:"From Musical Revolution to Countercultural Music: The Poet and the King" 8829:"Elvis Presley – Don't Be Cruel / Hound Dog – RCA Victor – USA – 47-6604" 8475: 4323: 4280:(Netherlands, 1974: Redita LP-111) On Various Artists (Netherlands 1988: 4250: 4224: 4183: 4141: 4095: 3947: 3905:, on July 1, 1964; December 1964, #71: Smash Records MGS 27056/SRS 67056) 3794:(1967: Bluesway 6010) (1968: Bluesway 45–61016) Modified Thornton version 3731: 3575:(1970: Back Beat Records BLP-68) Reissued: (1974: ABC/Back Beat BBLX-68). 3227: 3191: 3179: 3035: 2952: 2925: 2901: 2897: 2860: 2824: 2161: 2144: 1998: 1926: 1848: 1844: 1820: 1544: 1359: 1305: 1155: 1114: 1099: 1006: 923: 790: 763: 759: 618: 542: 344: 321: 301: 156: 95: 12629: 10893: 9171:"Freddie Bell: Rock'n'roll pioneer who was a primary influence on Elvis" 7979: 7637:

Rock & Roll's Hidden Giant: The Story of Rock Pioneer Charlie Gracie

7384:

The Seventh Stream: The Emergence of Rocknroll in American Popular Music

7338: 6870: 6301: 5925:

The Seventh Stream: The Emergence of Rocknroll in American Popular Music

742:])-Otis—were released on several different labels by white artists: 727:, who recorded an R&B cover on March 11, 1953 (b/w "Sweet Lips") on 675:

In February 2013, Thornton's recording of "Hound Dog" was inducted into

11383: 8828: 7916: 6804: 5737: 5495:

Willie Mae Thornton, in "Heart Attack Claims 'Big Mama' Thornton, 57",

5240:"Mama's Voice: The Lasting Influence of Willie Mae 'Big Mama' Thornton" 4188: 4111: 3817: 3788: 3748: 3735: 3412: 3396: 3264: 3141: 3093: 3065: 3027: 2865: 2237: 2169: 2093: 2073: 1986: 1914: 1585: 1577: 1407: 1344: 1195: 1085: 1077: 1038: 894: 886: 830: 812: 808: 786: 775: 767: 648: 580: 475: 312:. From the 1970s onward, the song has been featured in numerous films. 136: 10637:

Motion Picture Law Review: Including Radio, and the Theater, Volume 20

10099: 9995:

Reconstructing the US Latino/a image in literature and performance art

9852:

Cordelia Chávez Candelaria, Peter J. Garcâia, Arturo J. Aldama, eds.,

5897:

Vladimir Bogdanov, Chris Woodstra, and Stephen Thomas Erlewine, eds.,

5606: 5567: 5139:, Vol. 3 (Editions de la Maison des sciences de l'homme, 1992) p. 773. 4196:) Nominated for Grammy in the Traditional Folk Album category in 2000. 4162:(November 1989: Duck Records 7599-2 6074–1) (1990: Warner Bros. 19848) 3107: 1237: 638:

and New Zealand, Prestige Records (founded in Auckland by 17 year-old

14471: 13522: 12451: 11326: 8271:

Cult Vegas: The Weirdest! the Wildest! the Swingin'Est Town on Earth!

8258:

Cult Vegas: The Weirdest! the Wildest! the Swingin'Est Town on Earth!

7702:

Cult Vegas: The Weirdest! the Wildest! the Swingin'est Town on Earth!

4443: 4330: 4293:

Toast of the Coast: 1950s R&B from Dolphin's of Hollywood, Vol. 2

4236: 3940: 3839: 3778: 3503: 3494: 3439: 3306: 3148: 2905: 2772: 2228:

In 1988, Presley's original 1956 RCA recording was inducted into the

2127: 2056: 1840: 1824: 1766: 1690: 1049: 902: 867: 849: 782: 652: 555: 487: 427: 10515:"From the Mouths of Babes: Protecting Child Authors From Themselves" 10489:"From the Mouths of Babes: Protecting Child Authors From Themselves" 9350: 9333: 4588: 4586: 4106:, New York City, from one of his last charity concerts. Released on 2971:

Los Rogers (in Spanish, as "El Twist Del Perro") (1961); (Dog Twist)

1110:". The composition was credited to Higgins and Porter (as V. Haven). 14399: 14004: 12387: 11943: 11880: 10791:"A Brief Account of the Beginning of the Hounddog (GAM 77) Program" 9361: 9344: 6724: 6680: 6678: 6636: 6634: 6591: 6589: 5998: 5668:"Paul McCartney, Bob Dylan Recordings Added to Grammy Hall of Fame" 3931: 3203: 3039: 2968:(in Mexican Spanish, as "Sabueso") (1960: Discos Audiomex). (Hound) 2299: 2287: 1994: 1127: 935: 598: 498: 390: 11068:"`Hound Dog' – the Song That Did Most to Leave World All Shook Up" 10104:. U.S. Govt. Print. Off. p. 508 – via Internet Archive. 4269:"Bear Cat (The Answer To Hound Dog)" (March 1953: Sun Records 181) 3984:

Little Richard Is Back…And There's a Whole Lotta Shakin' Goin' On!

3867:

and His Blue Caps (Recorded: 1956; Released: 2004; Norton 45–114)

3569:"Hound Dog" / "Let's Go Get Started" (1969: Mercury Records 72981) 3380:

United States District Court for the Southern District of New York

705:

as being "culturally, historically, or aesthetically significant".

10967:"Remembering Jerry Leiber, the ‘Hound Dog’ Poet of Rock ‘n’ Roll" 10245:"Sam Phillips: Sun Records: The Man Who Invented Rock & Roll" 8950:

Interpreting Rock Movies: The Pop Film and Its Critics in Britain

8361:"Elvis Presley, his Hound Dog, and the controversy that followed" 5899:

All Music Guide to Country: The Definitive Guide to Country Music

4583: 3052: 3047: 3043: 2937: 2909: 2052: 1990: 1901:

For 7 hours from 2:00 pm on July 2, 1956, the day after the

1872: 1871:

while singing an abbreviated version of "Hound Dog" to an actual

1832: 735:

opined: "It fails to build the same excitement of the original."

11138: 11048:

Nazareth, Peter. "Elvis as Anthology", in Vernon Chadwick, ed.,

9828:

MusicMaster, the 45 RPM Record Directory: 1947 to 1982, Volume 2

9498: 8068: 6675: 6670:

The Birth of Rock and Roll: Music in the 1950s Through The 1960s

6631: 6586: 6329:

Good Rockin' Tonight: Sun Records and the Birth of Rock 'n' Roll

5994:"Hound Dog - Big Mama Thornton | Song Info | AllMusic" 3605:(Sweden: 1957; Mercury EP-1-3502) (Norway: 1957; Mercury EP MN5) 3129:"Mr. Hound Dog's in Town" recorded on March 18 by Blues shouter 1685:

Elvis Presley and his band first encountered "Hound Dog" at the

1382:", the Bellboys version became a staple of their Las Vegas act. 1001:

Within two weeks, "Bear Cat" (Sun 181) was in stores, prompting

14266:"I Got a Feelin' in My Body" (Tommie Sunshine & Wuki Remix) 14015: 13931: 8442:

TV-a-Go-Go: Rock on TV from American Bandstand to American Idol

8346:

David Edwards, Randy Watts, Mike Callahan, and Patrice Eyries,

7887:

It Happened in Las Vegas: Remarkable Events that Shaped History

6488: 6486: 5550:"Willie Mae "Big Mama" Thornton* - Hound Dog / Rock A Bye Baby" 3715:(Recorded: March 11, 1953; Released: April 1953: Federal 12126) 3072: 2881: 2044: 1730:

Bellboys version, which was a Las Vegas-style comic burlesque.

1694: 1379: 778: 349: 10289:(Rolling Stone Press/Prentice Hall, Incorporated, 1986) p. 75. 9841:

A Rocket in My Pocket: The Hipster's Guide to Rockabilly Music

8034:

16:2 (University of Illinois Press, Summer 1998) pp. 168, 169.

6743: 6741: 5186:

Roy Brewer, "The Use of Habanera Rhythm in Rockabilly Music",

4813:

Alive on the Andrea Doria!: The Greatest Sea Rescue in History

3198:, While retaining the same melody as "Hound Dog", Sun founder 1064:

in Chicago. "Rattlesnake" and "It Was a Dream" were backed by

11000:

Duke/Peacock Records: An Illustrated History with Discography

10200:

Chosen Capital: The Jewish Encounter with American Capitalism

10008:"El Vez is part Weird Al, part Elvis – and all entertainment" 9582:"British single certifications – Elvis Presley – Hound Dog" 7450:

Vegas at Odds: Labor Conflict in a Leisure Economy, 1960–1985

7179: 7177: 6409:"Robert Palmer, "The Sun King: Sam Phillips" (December 1978)" 4789: 4706:

Duke/Peacock Records: An Illustrated History with Discography

4311:"Houn' Dawg" (November 10, 1956: RCA Victor 20–6706; 47–6706) 3916:(Recorded 1960; Released: December 1961, #8: Parkway P-7002) 2205:

Elvis in Person at the International Hotel, Las Vegas, Nevada

1467: 374: 100: 10372:

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK,

10025:"Christian group ApologetiX readies for Farmer City concert" 8685: 8683: 8458:"Culture Shock: Flashpoints: Music and Dance: Elvis Presley" 8133:

Rock Over the Edge: Transformations in Popular Music Culture

8045:"Culture Shock: Flashpoints: Music and Dance: Elvis Presley" 7572:

Rock Over the Edge: Transformations in Popular Music Culture

7524:

Flowers in the Dustbin: The Rise of Rock and Roll, 1947–1977

7059:, eds. Edward Komara and Peter Lee (Routledge, 2004) p. 147. 6776:, eds. Edward Komara and Peter Lee (Routledge, 2004) p. 148. 6483: 5027:, eds. Edward Komara and Peter Lee (Routledge, 2004) p. 839. 4298:

Frank "Dual Trumpeter" Motley & His Crew (with vocal by

4233:"Mr. Hound Dog's in Town" (March 1953: King Records 45–4627) 807:

Billy Starr (Imperial 8186) This version is described as "a

690:

Thornton's recording of "Hound Dog" is listed as one of the

9011:, American Musicological Society lecture (October 5, 2011). 8709:"Music Mart interview by Jonathan Wingate - The Guitar Man" 8245:

Blue Monday: Fats Domino and the Lost Dawn of Rock 'n' Roll

8229:

Elvis After Elvis: The Posthumous Career of a Living Legend

7663:

Blue Monday: Fats Domino and the Lost Dawn of Rock 'n' Roll

7650:

Blue Monday: Fats Domino and the Lost Dawn of Rock 'n' Roll

7121:"Frank (Dual Trumpet) Motley And His Crew* - New Hound Dog" 7072:, eds. Edward Komara and Peter Lee (Routledge, 2004) p. 81. 6738: 6620: 6618: 5532: 5530: 5005:"Remembering Johnny Otis 1921–2012: Part 1: The Early Years 4336:

The Raging Storms "Hound Dog " (Fred Kelly) December 1961:

3544: 3391:

Leiber and Stoller were introduced to Otis in July 1952 by

1221:

first appeared on a Redita Records LP , it was credited to

930:. "Bear Cat" had new lyrics written by Sun Records founder 10960:

Response Recordings: An Answer Song Discography, 1950–1990

10287:

Rock of Ages: The Rolling Stone History of Rock & Roll

10100:

9123: 8937:

I Don't Sound Like Nobody: Remaking Music in 1950s America

7174: 6945:"Self-Styled Siren: In Memoriam: Juanita Moore, 1914-2014" 6531: 6529: 6462:

First Pressings: The History of Rhythm & Blues, Vol. 4

5912:

Response Recordings: An Answer Song Discography, 1950–1990

5738:"National Recording Registry Picks Are "Over the Rainbow"" 5395:

Honkers and Shouters: The Golden Years of Rhythm and Blues

3629:

radio show from 1955 and 1956. (1982: Music Works PB 3601)

3068:

that professes satiation with rockabilly music." In 1991,

509:'White boy, don't you be tellin' me how to sing the blues. 11057:"Nineteen Fifty-Five": Alice, Elvis And The Black Matrix" 10995:

16:2 (University of Illinois Press, Summer 1998):135–179.

10611:

Decisions of the United States Courts Involving Copyright

9464: 8680: 8114: 8112: 7103:"Singles Discography for Quality Records - CA - K series" 6664: 6662: 6145:"Nineteen Fifty-Five": Alice, Elvis And The Black Matrix" 5460:, ed. Paul Finkelman (NY: Oxford University Press, 2009). 4834: 4832: 3507:

Theatre Award nominations, including Musical of the Year.

3436:

Valjo Music Publishing Corporation v. Elvis Presley Music

3420:

Valjo Music Publishing Corporation v. Elvis Presley Music

3376:

Valjo Music Publishing Corporation v. Elvis Presley Music

3368:

Valjo Music Publishing Corporation v. Elvis Presley Music

3222:

By the end of March, "Bear Cat" was in stores, prompting

2887: 2077:

and defying "the decent limits of guitar amplification".

1917:

on bass, D. J. Fontana on drums, and backing vocals from

1910: 1701:

as an "extra added attraction", third on the bill to the

10579:. Nielsen Business Media, Inc. – via Google Books. 8600:

16:2 (University of Illinois Press, Summer 1998) p. 169.

8428:

16:2 (University of Illinois Press, Summer 1998) p. 170.

8300:"45 Discography for Mercury Records – OZ – 45000 series" 7876:

16:2 (University of Illinois Press, Summer 1998) p. 168.

6642:"Praguefrank's Country Music Discographies: Louis Innis" 6615: 6608:"Ladder of Best Sellers From King and Federal Records", 6390: 6388: 6386: 6384: 5527: 5226:

16:2 (University of Illinois Press, Summer 1998) p. 173.

5198: 5196: 5172:

16:2 (University of Illinois Press, Summer 1998) p. 175.

5090:"The Backpages Interview: Jerry Leiber and Mike Stoller" 4439:"12 best songs of all time that will make you nostalgic" 4392:"The Blues Archive: University of Mississippi Libraries" 2977:(in French, as "Un Vieux Chien de Chasse") on his album 1785:

of her record performed by Freddie Bell and the Bellboys

403: 11023:

Moonoogian, George A. "Ain't Nothin' But a Hound Dog."

10817:"Boeing: Historical Snapshot: GAM-77 Hound Dog Missile" 10194: 10192: 10079:"Brian Lukasavitz, "Blues Law: Hound Dog vs. Bear Cat"" 7843:, 3rd ed. (University of Illinois Press, 1996) page 67. 7676:

Encyclopedia of Great Popular Song Recordings, Volume 1

7141:

Rolontz, Bob (24 April 1954). "Rhythm and Blue Notes".

7011:"Eugene Jackson, 84; Child Actor Starred in 'Our Gang'" 6526: 5259:

dog. Copyright Claimant: Mrs. Murphy L. Robey (E) See:

4963:

Encyclopedia of Great Popular Song Recordings, Volume 1

4841:"Behind the Song: "Hound Dog," by Leiber & Stoller" 3871:(Recorded 1956; Released: 1987: Charly Records BOX 108) 3844:

Lightning In a Bottle: A One Night History of the Blues

3785:] of Willie Mae Thornton's" version. (instrumental) 3758:

Eddie Hazlewood (April 11, 1953: Intro Records 45–6069)

3190:(adopting the nickname, "Rufus 'Hound Dog' Thomas") at 1096:, and the backing musicians credited as "his Stompers". 11030:

Moonoogian, George A. "The Answer Record in R&B."

9250:"Elvis Presley 1967–1969 : From Elvis In Memphis" 8109: 7037:

Eugene W. Jackson II with Gwendolyn Sides St. Julian,

6659: 6370: 6368: 6320: 6318: 5304:"Big Mama Thornton: The Life and Music. McFarland Inc" 4957: 4955: 4953: 4829: 4295:(Recorded ca. 1953; Released: UK: March 10, 2009: Ace) 4249:") "Real Gone Hound Dog" (written by C. Higgins & 3493:, a musical send-up that was written, and produced by 3374:

The most protracted lawsuit involving "Hound Dog" was

3174:

and His Mellotones' with a vocal by Higgins' brother "

3144:, the latter his wife's maiden name), and Johnny Otis. 2122:… we can recognize defining moments of crystallization 2022:"Hound Dog" (G2WW-5935) was initially released as the 1905:

performance, Presley recorded "Hound Dog" along with "

1106:

and His Mellotones' with a vocal by Higgins' brother "

1041:, the latter his wife's maiden name), and Johnny Otis. 12039:

From Nashville to Memphis: The Essential '60s Masters

10478:(Library of Congress. Copyright Office, 1972) p. 638. 10463:

Hastings Communications and Entertainment Law Journal

10391: 10389: 9854:

Encyclopedia of Latino Popular Culture, Vol. 1: A – L

8239: 8237: 6547: 6545: 6381: 6354: 6352: 5868: 5866: 5432:"Best Selling Rhythm & Blues Records 1949–1953", 5360: 5358: 5356: 5354: 5352: 5193: 3470:& Stoller for permission" to make those changes. 3319:

Lion Publishing Co. vs King Records & Valjo Music

3297:

already sold and two cents a record for future sales.

2720:

Sales+streaming figures based on certification alone.

2092:

had "a particular loathing of 'Hound Dog'". In 1960,

14858:

United States National Recording Registry recordings

14620: 12032:

The King of Rock 'n' Roll: The Complete 50's Masters

11079:"Elvis, Hound Dog and questions of intended meaning" 10949:"Hound Dog: 10 facts about Elvis Presley's hit song" 10260:"'Hound Dog' Owners Win $ 2,080 in Recording Suit", 10189: 10169:"Recording Companies In Law Suit Over 'Hound Dog'", 8648: 8646: 7902:, 2nd ed. (University of Nevada Press, 2004) p. 137. 7674:

Steve Sullivan, "Hound Dog (1956)-Elvis Presely" in

7566: 7564: 7562: 7560: 7537:

The Guinness Encyclopedia of Popular Music, Volume 1

7051: 7049: 7047: 6440: 6438: 4744:"Hound Dog: 10 facts about Elvis Presley's hit song" 4637: 4635: 4633: 4631: 4629: 4627: 4559: 4557: 3595:(UK: 1956: Barclay 14159 EP) (France: Mercury 14159) 3566:(US: 1967; Peacock Records PLP-2000) Various Artists 2940:) also recorded the Presley version of "Hound Dog". 14095:

There's a Honky Tonk Angel (Who'll Take Me Back In)

12053:

Peace in the Valley: The Complete Gospel Recordings

12046:

Walk a Mile in My Shoes: The Essential '70s Masters

10440:, Vol. 3 (Big Nickel Publications, May 1986) p. 40. 9711: 9709: 9268:"Elvis Presley : Opening Night, July 31, 1969" 7394: 7392: 6456: 6454: 6424: 6422: 6365: 6315: 4950: 2493:

Cash Box Magazine Top Country & Western Singles

1358:By 1955 Philadelphia-based Teen Records co-founder 1238:

Freddie Bell and the Bellboys' versions (1955–1956)

243:on August 13, 1952, in Los Angeles and released by 14328: 11874:Command Performances: The Essential 60s Masters II 11018:1789–1989: Musique, Histoire, Democratie, Vol. III 10653:Midnight at the Barrelhouse: The Johnny Otis Story 10532:Midnight at the Barrelhouse: The Johnny Otis Story 10386: 10301:"New Howl Goes Up Over 'Hound Dog' Infringement", 9634: 9632: 9047:Heidi Klum & Seal: The Truth About the Divorce 8609:The Ed Sullivan Shows DVD SOFA ENTERTAINMENT, INC. 8484:(1st ed.). Blackwell Publishers Ltd. p. 8234: 6597:Catalog of Copyright Entries: Musical Compositions 6542: 6349: 5863: 5510:Midnight at the Barrelhouse: The Johnny Otis Story 5349: 4938:Midnight at the Barrelhouse: The Johnny Otis Story 4935: 4897:Leiber, Jerry; Stoller, Mike; Ritz, David (2009). 4671: 3293:owners two cents per record for 79,000 waxings of 2892:As Elvis Presley was a major seminal influence on 1952:… I was actually pissed off to tell'ya the truth." 1234:apparent testament to the stature of "Hound Dog". 1092:(1969: Chess LP 1537) with songs by both Brim and 687:Fifty Essential Recordings From The Fifties (1990) 614:s Best Selling Rhythm & Blues Chart for 1953. 596:, seven of them at number one. By April 30, 1953, 412:professor Stephen J. Whitefield, in his 2001 book 10892:(in Dutch). www.706unionavenue.nl. Archived from 10414:(U.S. Govt. Print. Off., 1952) pp. 508, 804, 824. 10064:"Is Apologetix the way to welcome God's return?" 9753: 9751: 9400: 9398: 9396: 9394: 9392: 9390: 9388: 9386: 8643: 7712: 7710: 7557: 7185:"45 Discography for Imperial Records 5000 series" 7044: 6448:(University of Illinois Press, 2009) pp. 152–153. 6435: 4896: 4776: 4774: 4772: 4669: 4667: 4665: 4663: 4661: 4659: 4657: 4655: 4653: 4651: 4624: 4554: 4458: 4363:List of best-selling singles in the United States 3771:(Netherlands: 1974; Redita 108) Various Artists 3489:The song was included in the 1996 stage musical, 2679: 2192:on Sunday, March 25, 1961, at the Bloch Arena in 1453: 441:According to Maureen Mahon, a music professor at 14729: 14059: 12239:The Frank Sinatra Timex Show: Welcome Home Elvis 11377:From Elvis Presley Boulevard, Memphis, Tennessee 10575:Inc, Nielsen Business Media (16 December 1957). 10534:(University of Minnesota Press, 2010) pp. 42–43. 10425:Catalog of Copyright Entries, 3D Ser Vol 7 Pt 5A 10374:"VALJO MUSIC PUBL. CORP. v. ELVIS PRESLEY MUSIC" 10285:Ed Ward, Geoffrey Stokes, and Ken Tucker, eds., 10068:(Murfreesboro, Tennessee, March 15, 2007) p. B.2 9706: 8887:"Before Elvis, 'Big Mama' Thornton: 'Hound Dog'" 8286:, ed. Colin Escott (Schirmer Books, 1999) p. 79. 7554:, ed. Colin Escott (Schirmer Books, 1999) p. 75. 7389: 6686:Catalog of Copyright Entries, 3D Ser Vol 7 Pt 5A 6515: 6513: 6451: 6419: 6396:Sam Phillips: The Man Who Invented Rock 'n' Roll 6168: 6166: 6139: 6137: 6135: 5274: 5272: 5270: 5268: 4373:List of number-one rhythm and blues hits of 1956 4333:, Frank Slay) (November 1960: Swan Records 4063) 4041:BBC Sessions (The Jimi Hendrix Experience album) 3897:(1977: Gusto GT-103) (1992: Dragon Street 7822) 3585: 679:. It has also received the following accolades: 573:On March 7, 1953, "Hound Dog" was advertised in 11867:Amazing Grace: His Greatest Sacred Performances 11050:In Search of Elvis: Music, Race, Art, Religion. 10858: 10647: 10645: 10081:. American Blues Scene Magazine. March 19, 2014 9941:Junu Bryan Kim, "What If Elvis Were Mexican?", 9629: 9119: 9117: 8654:Untold Gold: The Stories Behind Elvis's #1 Hits 7518: 7516: 7434:Untold Gold: The Stories Behind Elvis's #1 Hits 7354:"706 Blues": A Collection of Rare Memphis Blues 6805:"Illustrated Grace & John Brim discography" 5973: 5707: 5705: 5366:""They Call Her Big Mama – Willa Mae Thornton" 4901:Hound Dog: The Leiber and Stoller Autobiography 4278:"706 Blues": A Collection of Rare Memphis Blues 4223:"(How Much Is) That Hound Dog In The Window?" ( 3895:Whole Lotta' Shakin' Goin' On: Where Rock Began 459:Hound Dog: The Leiber and Stoller Autobiography 14818:Songs written by Jerry Leiber and Mike Stoller 10683:(New York University Law Center, 1957) p. 161. 10679:Journal of the Copyright Society of the U.S.A. 10613:(U.S. Government Printing Office, 1973):637ff. 9781:"Ralf Bendix – Heute geh ich nicht nach Hause" 9748: 9383: 9127:Rock movers & shakers, Volume 1991, Part 2 8294: 8292: 7707: 7136: 7134: 6787:"Elmore James - John Brim - Whose Muddy Shoes" 6599:(U.S. Government Printing Office, 1954) p. 37. 5685:"Rocklist.net Rolling Stone Lists – Main Page" 4976:"The Once And Always Godfather: Johnny Otis", 4769: 4693:Rebels Wit Attitude: Subversive Rock Humorists 4648: 4110:(US: January 24, 1986: UK: February 24, 1986: 2418:Most Played Country & Western in Jukeboxes 2211:Presley performed "Hound Dog" in his historic 1909:" and "Any Way You Want Me" for RCA Victor at 1052:wrote an answer song called "Rattlesnake" for 917: 14823:Song recordings produced by Stephen H. Sholes 14314: 12645: 11628:From Memphis to Vegas / From Vegas to Memphis 11292:From Memphis to Vegas / From Vegas to Memphis 11154: 11061:Journal of the African Literature Association 10712:Journal of the African Literature Association 10368: 10366: 10364: 10362: 10360: 10297: 10295: 10214: 10212: 10210: 10208: 9895:(University of California Press, 2005) p. 78. 8905:R. Serge Denisoff and William D. Romanowski, 8478:(1999). Bruce Horner and Thomas Swiss (ed.). 8148:Before Elvis: The Prehistory of Rock 'n' Roll 7998: 7996: 7864: 7862: 7547: 7545: 6841: 6839: 6837: 6699:Blues with a Feeling: The Little Walter Story 6537:60 Years of Recorded Jazz 1917–1977, Volume 2 6510: 6430:Soulsville, U.S.A.: The Story of Stax Records 6339: 6337: 6163: 6148:Journal of the African Literature Association 6132: 5512:(University of Minnesota Press, 2010) p. xiv. 5265: 4738: 4736: 4734: 4716: 4714: 4677:Before Elvis: The Prehistory of Rock 'n' Roll 4538:(April 19, 1990; reprinted: August 22, 2011). 4032:set (July 1991: Rhino/Foo-eee label R2 70542) 4016:(September 22, 1965: Delmark Records DS 9613) 3008:Aurelio Morata (in Spanish, as "Perra Boba") 2183: 659:, is recorded and released subsequently by 389:, "I was beating out a rhythm we called the ' 315: 14848:Song recordings produced by Richard Batchens 14202:"Baby Let's Play House" (Spankox Re:Version) 11909:Suspicious Minds: The Memphis 1969 Anthology 11320:Elvis Sings The Wonderful World of Christmas 10655:(University of Minnesota Press, 2010) p. 43. 10642: 9878:Mickey Katz; Hannibal Coons; and Joel Grey, 9160:(University of Arkansas Press, 2005) p. 137. 9114: 8939:(University of Michigan Press, 2010) p. 168. 8691:"Elvis Presley - The New York Sessions 1956" 8566:Elvis Presley: The Man. The Life. The Legend 8138: 7513: 6715: 6713: 6711: 6709: 6707: 6476:"Blues Legend Rufus Thomas Succumbs at 84", 6472: 6470: 6078: 6076: 5702: 5601: 5599: 5568:"Willie Mae "Big Mama" Thornton - Hound Dog" 5486:(University of Illinois Press, 2009) p. 233. 5410:(University of Illinois Press, 2000) p. 190. 5160: 5158: 5152:(University of Illinois Press, 2005) p. 190. 4687: 4685: 3973:) (December 1963: Vee-Jay Records VJS-1077) 3893:(recorded at Sun Studios February 14, 1958) 3109:Lion Music Publishing Company v. Sun Records 3034:. In January 1957, Jewish American satirist 2943: 2246: 12836:I'm Gonna Sit Right Down and Cry (over You) 10609:United States. Copyright Office. Bulletin, 10318:(University of Illinois Press, 2001) p. 85. 9158:Looking Back To See: A Country Music Memoir 8883:Lyrics: Writing Better Words for Your Songs 8805:"RCS Label Shot for RCA Victor (N.J.) 6604" 8764:Search of Elvis: Music, Race, Art, Religion 8452: 8450: 8289: 8203:Country: The Twisted Roots of Rock 'n' Roll 8120:Play It Again: Cover Songs in Popular Music 7841:Go Cat Go!: Rockabilly Music and Its Makers 7131: 6697:Tony Glover, Scott Dirks, and Ward Gaines, 6602: 6252:(University of Illinois Press, 2001) p. 84. 5950:"RCS Label Shot for Imperial (Calif.) 8186" 5346:(University of Illinois Press, 2001) p. 83. 4490:(University of Illinois Press, 2001) p. 80. 4026:Tis the Season to Be Jelly – Live in Sweden 3995:(US: 1964; Decca 4560)(UK: 1964; Brunswick) 3734:on lead guitar, Charles Green on bass, and 3005:(June 15, 1990: Black Cat at Sound Service) 2664: 14813:Songs involved in plagiarism controversies 14321: 14307: 13472:Long Legged Girl (with the Short Dress On) 12652: 12638: 11161: 11147: 10788: 10357: 10292: 10205: 9982:I am Elvis: A Guide to Elvis Impersonators 9856:(Greenwood Publishing Group, 2004) p. 135. 9481: 9447: 9300: 9224:"The Story of Elvis Presley's "Hound Dog"" 8976:After the Ball: Pop Music from Rag to Rock 8952:(Manchester University Press, 2004) p. 56. 8185:"93 Scotty Moore interview by Kevin Woods" 7993: 7859: 7793:(Univ. Press of Mississippi, 2013) p. 111. 7791:Scotty and Elvis: Aboard the Mystery Train 7542: 7159:. Songwriters Hall of Fame. Archived from 6834: 6820: 6818: 6672:(The Rosen Publishing Group, 2013) p. 162. 6565: 6563: 6561: 6334: 6244: 6242: 6240: 6238: 6236: 6234: 5986: 5917: 5643:"American Folk Blues Festival '65 (Vinyl)" 5338: 5336: 5334: 5332: 5207:The Musical Ear: Oral Tradition in the USA 4892: 4731: 4711: 4464: 3564:The Big Ones From Duke and Peacock Records 3418:According to the findings of the court in 3147:"Rattlesnake" recorded by blues guitarist 2863:included "Hound Dawg" on their 1999 album 2118:, in October 2011 asserted: "In retrospect 2062:In September 1956, Democratic congressman 2017: 1807: 1466: 1450:(Germany: Bear Family Records BCD 15901). 1250: 818:Eddie Hazelwood (Intro 6069) His version " 27: 16:1952 song by Jerry Leiber and Mike Stoller 12659: 10132:Bob Rolontz, "Rhythm & Blues Notes", 9906:"Johnson, Cliff (RCS Artist Discography)" 9611:Recording Industry Association of America 9407:Joel Whitburn's top pop singles 1955–2006 8922:(October 10, 1956) in Ulf Lindberg, ed., 8762:Peter Nazareth, "Elvis as Anthology," In 8667:"Sold on Song – Song Library – Hound Dog" 8531:"Sold on Song – Song Library – Hound Dog" 8069:Scotty Moore and James Dickerson (1997). 7828:All shook up: Elvis day-by-day, 1954–1977 7386:(Wesleyan University Press, 1992) p. 194. 7039:Eugene "Pineapple" Jackson: His Own Story 6704: 6467: 6288: 6286: 6284: 6282: 6280: 6278: 6073: 5927:(Wesleyan University Press, 1992) p. 193. 5596: 5155: 4890: 4888: 4886: 4884: 4882: 4880: 4878: 4876: 4874: 4872: 4682: 4368:List of number-one singles of 1956 (U.S.) 4211: 3694:Learn how and when to remove this message 3466:a writer of the song" (emphasis theirs). 2466:Top Selling Country & Western Singles 2450:Most Played Rhythm and Blues in Jukeboxes 2402:Most Played Country & Western Singles 2223: 874:] of Willie Mae Thornton's" version. 841:studio in Los Angeles on March 18, 1953. 667:(Fontana 681 529 TL) with other artists. 607:magazine, and was ranked number three on 381:the rhyme scheme was difficult. Also the 332:. Thornton had been signed by "Diamond" 14178:"A Little Less Conversation" (JXL remix) 11089:"Big Mama Thornton: The Life and Music." 10449:"Who Let That Hound Dog Off His Leash?" 10427:, (U.S. Govt. Print. Off., 1953) p. 211. 10423:Library of Congress. Copyright Office., 10408:Library of Congress. Copyright Office., 10225: 10202:(Rutgers University Press, 2012) p. 151. 9530:. Longbored Surfer. 1956. Archived from 9431: 9367: 9060:"Number One Song of the Year: 1946–2015" 8447: 8216:Oh Boy!: Masculinities and Popular Music 8122:(Ashgate Publishing, Ltd., 2010) p. 243. 8097:. American Songwriter. November 10, 2014 7789:Scotty Moore (with James L. Dickerson), 7444: 7442: 6688:, (U.S. Govt. Print. Off., 1953) p. 180. 6684:Library of Congress. Copyright Office., 6626:The King Labels: A Discography, Volume 1 6571:"Good Rockin' Roy Brown : part two" 6276: 6274: 6272: 6270: 6268: 6266: 6264: 6262: 6260: 6258: 6115:"RCS Label Shot for Intro (Calif.) 6071" 5901:, 2nd ed. (Backbeat Books, 2003) p. 357. 5419:"'Hound Dog' Top-Selling Blues Record", 5234: 5232: 4815:. Morgan James Publishing. p. 161. 4679:(Rowman & Littlefield, 2012) p. 234. 4578:Oh Boy!: Masculinities and Popular Music 4526: 4524: 4522: 4520: 4506: 4504: 4502: 4500: 4498: 4496: 4347:(December 14, 1999: Sympathy 4 the R.I.) 3775:(Netherlands: 1989; White Label WLP2805) 3121:on May 13, 1980, with the same details. 1969:Presley's anger at his treatment on the 796:(How Much Is) That Doggie in the Window? 712: 694:'s "500 Songs That Shaped Rock and Roll" 561: 14808:Number-one singles in the United States 14237:"Pocketful of Rainbows" (Spankox Remix) 11656:Elvis Recorded Live on Stage in Memphis 10474:Library of Congress. Copyright Office, 10395:Library of Congress. Copyright Office, 9958:(University Press of Kansas, 1999):206. 9956:Elvis Culture: Fans, Faith, & Image 9664:"Hound Dog - Australian Music Database" 8474: 7539:, 2nd ed. (Guinness Pub., 1995) p. 345. 7455: 7356:(Netherlands, 1974: Redita LP-111) and 7140: 7100: 7081: 6961: 6815: 6595:Library of Congress. Copyright Office, 6558: 6555:, rev. ed (Harmony Books, 1991) p. 209. 6231: 5329: 5209:(Ashgate Publishing, Ltd., 2011) p. 58. 5124:Blues from the Delta: The Roots of Jazz 5077:A Brief History of Rock, Off the Record 4933: 4810: 4567:(Indiana University Press, 1999) p. 74. 4467:"Big Mama Thornton: The Life and Music" 3850:in New York City; 2004 DVD directed by 3764:(April 18, 1953: Intro Records 45–6071) 3078:Encouraged by the 1994 decision of the 2749: 1180: 1025:recorded "Mr. Hound Dog's in Town" for 1012: 908: 670: 655:at American Folk Blues Festival '65 in 320:On August 12, 1952, R&B bandleader 14763:Billy "Crash" Craddock songs 14730: 14183:"Rubberneckin'" (Paul Oakenfold Remix) 12832:I'll Never Let You Go (Little Darlin') 10942:"Alice Walker's 'Nineteen Fifty-Five'" 10839: 10664:"Valjo Music Loses 'Hound Dog' Suit", 10626:(West Publishing Company, 1961) p. 14. 9997:(Stony Brook University, 2006) p. 170. 9745:(Harmony Books, 1992) pp. 15, 23, 363. 9732:(Enslow Publishers, Inc., 2010) p. 30. 9623:George Moonoogian, in James M. Salem, 8885:(Hal Leonard Corporation, 2006); from 8588: 8586: 8481:Key Terms in Popular Music and Culture 8436: 8434: 7801: 7799: 7785: 7783: 7635:Charlie Gracie & John A. Jackson, 7248:Colin Larkin, "Jesse 'Tiny" Kennedy", 7222:(BU Publications Limited, 1978) p. 46. 6964:"45 Discography for Hollywood Records" 6871:"Illustrated Jimmy Wilson discography" 6624:Michel Ruppli and William R. Daniels, 6200:. Thegardnerfamily.org. Archived from 5066:(Wesleyan University Press, 1993):xxi. 4961:Steve Sullivan, "Hound Dog (1953)" in 4869: 4708:(Big Nickel Publications, 1990) p. 54. 4608: 4606: 4486:George Moonoogian, in James M. Salem, 4302:) "New Hound Dog" (1954: Big Town 116) 4286:Sun Records: The Blues Years 1950–1958 4156:(Germany: 1989; Reprise 5439-19719-7) 2888:Beatles and John Lennon cover versions 2851:(in his full baritone voice). In 1999 482:as "Kansas City Bill" or perhaps with 14302: 12633: 11846:Elvis: A Legendary Performer Volume 3 11811:Elvis: A Legendary Performer Volume 2 11804:Elvis: A Legendary Performer Volume 1 11142: 10543:"Vajo Music Loses 'Hound Dog' Suit", 10504:156 F. Supp. 568–570 (S.D.N.Y. 1957). 9869:(Duke University Press, 2008) p. 205. 9124:Rees, Dafydd; Crampton, Luke (1991). 9087: 9020: 8909:(Transaction Publishers, 1991) p. 37. 8562: 8135:(Duke University Press, 2002) p. 145. 7678:(Screcrow Press, 2013) p. 542, n.168. 7652:(Da Capo Press, 2007) pp. 6, 73, 126. 7439: 7373:(Wagner Verlag sucht Autoren) p. 350. 7157:"Dave Bartholomew Detailed Song List" 7084:"45 discography for Big Town Records" 6887:"Rhythm & Blues Record Reviews", 6749:"The Chess Label Part II (1953-1955)" 6255: 5816:"Rhythm & Blues Record Reviews", 5229: 5182: 5180: 5178: 4838: 4517: 4493: 4329:Johnny Madera "Too Many Hound Dogs" ( 3986:(June 1964: Vee-Jay Records VJS-1107) 3483: 2014:on September 9 and October 28, 1956. 1851:, who had already booked Presley for 1472:1956 RCA Victor single picture sleeve 404:Big Mama Thornton's version (1952/53) 14803:Grammy Hall of Fame Award recipients 14423:Time Change... A Natural Progression 12503:Cultural depictions of Elvis Presley 11776:50,000,000 Elvis Fans Can't Be Wrong 11642:As Recorded at Madison Square Garden 11306:Elvis Country (I'm 10,000 Years Old) 11074:. London, England: January 24, 2000. 10755:"'Hound Dog': Elvis Meets Rap Music" 9893:Audiotopia: Music, Race, And America 9553:"The CASH BOX Year-End Charts: 1956" 9306: 8273:(Huntington Press Inc, 2001) p. 117. 8260:(Huntington Press Inc, 2001) p. 117. 7574:(Duke University Press, 2002) p. 97. 7526:(Simon & Schuster, 1999) p. 135. 7402:. Rockabillyhall.com. Archived from 7250:The Virgin Encyclopedia of The Blues 6930:Rhythm & Blues Record Reviews", 5764:"The 500 Greatest Songs of All Time" 4764:In Search of American Jewish Culture 4436: 4417:"The 500 Greatest Songs of All Time" 4231:Roy Brown and His Mighty, Mighty Men 4055:(February 1968; Atco Records 33-237) 3640: 2482:Top Selling Rhythm and Blues Singles 2434:Most Played Rhythm and Blues Singles 2251: 2104:State University of New York, Albany 414:In Search of American Jewish Culture 13815:The First Time Ever I Saw Your Face 13131:(Marie's the Name) His Latest Flame 12698:I Don't Care If the Sun Don't Shine 12025:Worldwide 50 Gold Award Hits Vol. 1 11349:Raised on Rock / For Ol' Times Sake 10958:Cooper, B. Lee and Wayne S. Haney, 10574: 9971:(Penguin Books Canada, 1999) p. 98. 9757: 8656:(Chicago Review Press, 2005) p. 30. 8620:Moral Panics and the Copyright Wars 8583: 8563:Keogh, Pamela Clarke (2008-06-24). 8444:(Chicago Review Press, 2005) p. 11. 8431: 8414: 8269:Freddie Bell, in Mike Weatherford, 8174:"Elvis' Original Record Collection" 7796: 7780: 7770:"Mercury Album Discography, Part 5" 7740:"Mercury Records Discography: 1956" 7737: 7436:(Chicago Review Press, 2005) p. 27. 7371:Bill Haley: Father of Rock 'n' Roll 7276:"October 2007 Script - Queer Blues" 5976:"hillbilly-music.com - Billy Starr" 4811:Simpson, Pierette Domenica (2008). 4603: 4514:(Random House Digital, Inc., 2012). 4150:(UK: 1985; Magnum Force MFLP-2.039) 4140:(Recorded: 1978; Released: 1978 on 4125:(Recorded: 1973; Released: 1973 on 3920:(December 1961, #2; Parkway P-7007) 3706: 3636: 3315:King Records vs Lion Publishing Co. 420:of public schools was mandated" in 363:But I ain't gonna feed you no more 13: 12771:I Want You, I Need You, I Love You 12727:I'm Left, You're Right, She's Gone 12088:The Complete Elvis Presley Masters 11895:Memories: The '68 Comeback Special 11134:"Leiber & Stoller Discography" 11052:Boulder, CO: Westview Press, 1997. 11039:"The House That 'Hound Dog' Built" 10934: 9928:"Reviews of New C&W Records", 9813:"Reviews of New C&W Records", 8569:. Simon and Schuster. p. 73. 7261:"Reviews of New R&B Records", 7041:(Jefferson, NC: McFarland, c1999). 6847:"45 discography for Combo Records" 5910:B. Lee Cooper and Wayne S. Haney, 5175: 5082: 4317:"Pound Dog" (1956: L&M LM1002) 4227:) (March 1953: RCA Victor 47–5280) 4100:Plastic Ono Elephant's Memory Band 3858: 3085:Campbell v. Acuff-Rose Music, Inc. 2914:Plastic Ono Elephant's Memory Band 2829:Plastic Ono Elephant's Memory Band 2611: 1627:I Want You, I Need You, I Love You 1113:"Call Me a Hound Dog", written by 14: 14869: 13698:You Don't Have to Say You Love Me 12891:That's When Your Heartaches Begin 12081:The Complete '68 Comeback Special 11168: 11127: 10218:"King Hops Into 'Hound' Hassle", 9313:. Australian Chart Book Limited. 8633:"Ed Sullivan Performances on DVD" 8150:(Rowman & Littlefield, 2012)" 7898:Barbara N. Land and Myrick Land, 7585:"45 Discography for Teen Records" 6374:Peter Clayton and Peter Gammond, 5888:(Arcadia Publishing, 2008) p. 47. 5607:""Big Mama" Thornton - Hound Dog" 5023:Craig Morrison, "Rock 'N' Roll", 4695:(Counterpoint Press, 2008) p. 44. 4547:Jerry Leiber, in Richard Buskin, 4239:"Rattlesnake" (1953: Checker 769) 4028:(Recorded September 30, 1967) in 3762:Tommy Duncan and the Miller Bros. 3579:Hound Dog: The Peacock Recordings 2936:(who was asked to join the young 2880:and appeared at number 21 on the 2055:. It's not black. He sounds like 717: 453:Thornton recorded "Hound Dog" at 357:You ain't nothin' but a hound dog 328:to his home to meet blues singer 14283: 14282: 13892:I've Got a Thing About You, Baby 12614: 12613: 11002:. Big Nickel Publications, 1990. 10919: 10907: 10882: 10833: 10809: 10782: 10764: 10747: 10717: 10704: 10686: 10671: 10658: 10629: 10616: 10603: 10568: 10550: 10537: 10524: 10507: 10498: 10481: 10468: 10456: 10443: 10430: 10417: 10402: 10344: 10321: 10308: 10279: 10267: 10254: 10237: 10176: 10163: 10151: 10139: 10126: 10108: 10093: 10071: 10058: 10034: 10031:(Bloomington: October 31, 2008). 10017: 10000: 9987: 9974: 9961: 9948: 9935: 9922: 9898: 9885: 9872: 9859: 9846: 9833: 9820: 9807: 9790: 9773: 9735: 9722: 9681: 9656: 9617: 9545: 9514: 9505:"Official Singles Chart Top 100" 9438:"Official Singles Chart Top 100" 9374:"Official Singles Chart Top 100" 9278: 9260: 9242: 9216: 9198: 9180: 9163: 9150: 9081: 9052: 9039: 9014: 8994: 8981: 8968: 8955: 8942: 8929: 8912: 8899: 8881:Jerry Leiber, in Rikky Rooksby, 8875: 8845: 8821: 8797: 8779: 8769: 8756: 8746: 8736: 8726: 8701: 8659: 8625: 8612: 8603: 8556: 8547: 8523: 8502: 8468: 8398: 8382: 8353: 8340: 8316: 8276: 8263: 8250: 8221: 8208: 8195: 8177: 8168: 8125: 8087: 8062: 8037: 8020: 7972: 7948: 7939: 7930: 7905: 7892: 7879: 7846: 7833: 7820: 7762: 7750: 7731: 7694: 7681: 7668: 7655: 7642: 7639:(Alfred Music, 2014) pp. 54, 68. 7629: 7604: 7591: 7577: 7529: 7484: 7426: 7417: 7376: 7363: 7332: 7311: 7302:"Big Tiny Kennedy – Country Boy" 7294: 7268: 7255: 7242: 7225: 7220:Blues Unlimited, Volumes 128–132 7213: 7201: 7149: 7113: 7094: 7075: 7062: 7055:Bill Munson, "Bridges, Curley", 7031: 7003: 6974: 6955: 6937: 6924: 6894: 6881: 6863: 6797: 6779: 6766: 6691: 6401: 4563:Rick Kennedy and Randy MacNutt, 4044:(Recorded: 1967; Released: 1998) 3880:(Recorded & released: 1957; 3645: 3623:Elvis: The First Live Recordings 3616: 3425: 2256: 1759:Bob Wills and the Texas Playboys 811:-honed blend of country and pre- 665:American Folk Blues Festival '65 352:out of her house and her life": 291:best-selling singles of all time 263:s 500 Greatest Songs of All Time 14529:Sherbet's Greatest Hits 1970-75 13545:Your Time Hasn't Come Yet, Baby 13476:That's Someone You Never Forget 13429:If Every Day Was Like Christmas 12254:Aloha from Hawaii via Satellite 11649:Aloha from Hawaii via Satellite 11437:It Happened at the World's Fair 11063:1:2 (Summer/Fall 2007):150–162. 10789:Ellis Katz (February 9, 2011). 9980:American Graphic Systems, Inc, 9743:The Complete Beatles Chronicles 9489:Elvis Presley – Jailhouse Rock" 9410:. Record Research. 2008-01-08. 9188:"Benefit Concert March 25,1961" 8987:Perry Como, in Serene Dominic, 8073:. Schirmer Books. p. 175. 7704:(Huntington Press, 2001) p. 59. 7360:(Netherlands 1988: Redita 131). 6646:Countrydiscography.blogspot.com 6432:(Music Sales Group, 1997) p. 9. 6215: 6190: 6153: 6107: 6094: 6048: 6023: 6013: 5967: 5942: 5930: 5904: 5891: 5878: 5851: 5833: 5823: 5810: 5781: 5756: 5730: 5677: 5661: 5635: 5617: 5578: 5560: 5542: 5515: 5502: 5489: 5476: 5463: 5439: 5426: 5413: 5400: 5387: 5317: 5296: 5245: 5212: 5142: 5129: 5126:(Capo Press, 1978) pp. 107–108. 5116: 5099: 5069: 5056: 5030: 5017: 4997: 4968: 4965:(Scarecrow Press, 2013) p. 466. 4927: 4858: 4804: 4753: 4698: 4645:(Syracuse University, 2001):43. 4594:"Elvis Presley's pedigree chum" 4570: 4172:(1993; Regular Records D 31093) 3977:(1968: Sunset Records SUS-5220) 3899:The Greatest Live Show On Earth 3514:was featured as a character in 3497:, that ran for three months at 3447:dismissed Valjo's claim in the 3386: 2213:Aloha from Hawaii Via Satellite 1823:, and D.J. Fontana had added a 1444:Rock & Roll ... All Flavors 877:Bass player Al Rex, who joined 14330:Sherbet / Highway / The Sherbs 13226:(You're the) Devil in Disguise 13219:They Remind Me Too Much of You 12738:I Forgot to Remember to Forget 11783:Elvis' Golden Records Volume 3 11663:Having Fun with Elvis on Stage 10714:, Vol. 1 (Spring 2007) p. 157. 7400:"RAB Hall of Fame: Bill Black" 6772:Justin O'Brien, "Brim, John", 6628:(Greenwood Press, 1985) p. 68. 6150:1:2 (Summer/Fall 2007) p. 157. 5914:(Scarecrow Press, 1990) p. 38. 5135:Antoine Hennion, contrib., in 4541: 4480: 4430: 4409: 4384: 4245:and His Mellotones (vocal by " 3971:It's in His Kiss (Shoop Shoop) 3625:These are recordings from the 3545:Willie Mae "Big Mama" Thornton 3539: 3257: 3050:break between verses. In this 2981:(1977: Philips) (An Old Hound) 2958:Die Rock and Rollers with the 2930:S.I.R. John Winston Ono Lennon 2174:Rudolph the Red-Nosed Reindeer 2108:American Musicological Society 1896: 1454:Elvis Presley's version (1956) 632: 330:Willie Mae "Big Mama" Thornton 324:asked 19-year-old songwriters 287:500 Greatest Songs of All Time 1: 14149:Wear My Ring Around Your Neck 13789:Until It's Time for You to Go 12973:Wear My Ring Around Your Neck 12559:Elvis Presley's Pink Cadillac 10998:Gart, Galen and Roy C. Ames, 10465:18 (Hastings, 1995) p. 130ff. 10182:"Who Wrote That There Song?" 9882:(Simon & Schuster, 1977). 9586:British Phonographic Industry 9025:. Da Capo Press. p. 83. 8991:(Music Sales Group, 2003):68. 8948:Steve Race, in Andrew Caine, 8247:(Da Capo Press, 2007) p. 125. 7807:"Interview with D.J. Fontana" 7665:(Da Capo Press, 2007) p. 317. 7601:(Schirmer Books, 1999) p. 74. 7278:. 23 May 2013. Archived from 6494:"The Sun Records Label Story" 6378:(Guinness Books, 1989) p. 24. 5190:17:3 (September 1999) p. 316. 4944:University of Minnesota Press 4437:Puri, Chhavi (28 June 2023). 4378: 4284:(Redita 131) Various Artists 4267:Rufus "Hound Dog" Thomas, Jr. 4074:Conway Twitty Sings the Blues 3891:Whole Lotta' Shakin' Goin' On 3586:Freddie Bell and the Bellboys 3474:Broadcast Music, Incorporated 3115: 3099: 3001:as "Souhung") on their album 1699:New Frontier Hotel and Casino 1592:Jerry Leiber and Mike Stoller 1423:subsidiary by February 1956. 1368:Freddie Bell and the Bellboys 1351:Jerry Leiber and Mike Stoller 1264:Freddie Bell and the Bellboys 766:, Charles Green on bass, and 326:Jerry Leiber and Mike Stoller 237:Jerry Leiber and Mike Stoller 143:Jerry Leiber and Mike Stoller 13360:(It's a) Long Lonely Highway 13186:King of the Whole Wide World 13179:Just Tell Her Jim Said Hello 12067:Today, Tomorrow, and Forever 11860:Elvis' Gold Records Volume 5 11797:Elvis' Gold Records Volume 4 10840:Weintz, Steve (2018-08-18). 9717:The John Lennon Encyclopedia 9347:. Retrieved March 4, 2013. 8963:Jim Reeves: His Untold Story 8907:Risky Business: Rock in Film 8512:. Steveallen.com. 1956-06-24 8231:(Routledge, 1996) pp. 50–51. 8205:(Da Capo Press, 2009) p. 55. 7915:. 2007-01-15. Archived from 7900:A Short History of Las Vegas 7830:(Pierian Press, 1985) p. 77. 7469:. 2004-12-09. Archived from 7252:(Virgin Books, 1998) p. 207. 6949:Selfstyledsiren.blogspot.com 6362:(Pascal Press, 2003) p. 177. 5795:. 1951-01-05. Archived from 5586:"Phil Warren - AudioCulture" 4704:Galen Gart and Roy C. Ames, 4358:List of best-selling singles 4315:Lalo "Pancho Lopez" Guerrero 4098:Performed by Lennon and the 3480:owns the publishing rights. 3337:of August 8, 1953 reported: 3024:Lalo "Pancho Lopez" Guerrero 2736: 2112:Rock & Roll Hall of Fame 1804:(Mercury Records MG 20289). 1605:Elvis Presley (uncredited), 1189:'s "Play Girl", credited to 486:at this time, Otis used the 448: 359:Quit snoopin' 'round my door 304:released by such artists as 276:, which ranked number 19 on 7: 14074:(Let Me Be Your) Teddy Bear 13709:I Really Don't Want to Know 13404:Please Don't Stop Loving Me 13168:Anything That's Part of You 12905:(Let Me Be Your) Teddy Bear 12574:Elvis Presley Forever stamp 12524:Elvis has left the building 12221:Elvis Presley: The Searcher 12193:Elvis: That's the Way It Is 12186:The Pied Piper of Cleveland 11993:Way Down in the Jungle Room 11972:The Essential Elvis Presley 11528:Elvis Presley: The Searcher 9830:(Record-Rama, 1983) p. 348. 9817:(November 10, 1956) p. 124. 9668:Australianmusicdatabase.com 9511:. Retrieved April 3, 2014. 9495:. Retrieved March 4, 2013. 9472:Chart Track: Week 35, 2007" 9461:. Retrieved March 4, 2013. 9444:. Retrieved March 4, 2013. 9380:. Retrieved March 4, 2013. 9364:. Retrieved 23 June 2024. 9358:Elvis Presley – Hound Dog!" 9341:Elvis Presley – Hound Dog!" 7889:(Globe Pequot, 2009) p. 69. 7738:Project, Jazz Discography. 6376:The Guinness Jazz Companion 4839:Zollo, Paul (May 8, 2020). 4512:Who Wrote The Book Of Love? 4419:. Rolling Stone. 2021-09-16 4351: 4076:(1972: MGM Records SE-4837) 3665:. The specific problem is: 3608:"Hound Dog"(Leiber-Stoller) 3244:Harry Fox publishing agency 3016: 2924:album on January 24, 1986. 2155:", also recorded by Elvis. 1802:Rock & Roll…All Flavors 1751: 1021:On March 18, Blues shouter 699:National Recording Registry 423:Brown v. Board of Education 175:"Everytime I Think of You" 10: 14874: 14719:For more information, see 14718: 14208:I'll Be Home for Christmas 14099:I Got a Feelin' in My Body 13618:Clean Up Your Own Backyard 13560:A Little Less Conversation 13303:Ain't That Loving You Baby 13142:Can't Help Falling in Love 12941:Got a Lot o' Livin' to Do! 12535:FBI files on Elvis Presley 11677:An Afternoon in the Garden 10668:(December 16, 1957) p. 28. 10639:(D. Hartman, 1959) p. 105. 10453:(October 27, 1956):18, 21. 10314:see also: James M. Salem, 9798:"Sabueso – Los Solitarios" 9455:Elvis Presley – Hound Dog" 9023:Songwriters On Songwriting 8978:(Faber & Faber, 2013). 8935:Steve Race, in Albin Zak, 8004:"Elvis Presley In Concert" 7233:"Smiley Lewis – Play Girl" 7068:Robert Eagle, "Big Town", 6753:Campber.people.clemson.edu 6535:Walter Bruyninckx, comp., 6519:"Answer to the 'Answers'", 6300:(in Dutch). Archived from 4905:(1st ed.). New York: 4263:) (1953: Imperial 45–5234) 4089:Friends From The Beginning 3581:(1992: Peacock MCAD-10668) 3499:Hollywood's Hudson Theatre 3378:that was initiated in the 2184:Later notable performances 1390:'s creator and first host 1372:The Sands Hotel and Casino 692:Rock and Roll Hall of Fame 316:Background and composition 265:and was inducted into the 253:Rock and Roll Hall of Fame 14700: 14584: 14566: 14520: 14511:Caught in the Act... Live 14495: 14414: 14336: 14278: 14247:(with Lisa Marie Presley) 14055: 14029: 13996: 13963: 13923: 13899:If You Talk in Your Sleep 13879: 13846: 13780: 13722: 13660: 13656: 13580: 13507: 13438: 13380: 13319: 13246: 13215:One Broken Heart for Sale 13206: 13155: 13100: 13087:Are You Lonesome Tonight? 13056: 13052: 13015: 12953: 12867: 12751: 12718: 12674: 12670: 12609: 12513:Elvis Presley Enterprises 12444: 12323: 12270: 12230: 12177: 12097: 12016: 12007:Where No One Stands Alone 11746: 11686: 11611: 11537: 11393: 11219: 11176: 10547:(16 December 1957) p. 28. 9522:"Billboard Top 50 – 1956" 9130:. ABC-CLIO. p. 400. 9094:. ABC-CLIO. p. 226. 8926:(Peter Lang, 2005) p. 83. 8510:"Steve Allen Comedy Show" 8365:The Poodle (and Dog) Blog 8304:Globaldogproductions.info 8218:(Routledge, 2013) p. 109. 7587:. Global Dog Productions. 7189:Globaldogproductions.info 7107:Globaldogproductions.info 7101:Productions, Global Dog. 7088:Globaldogproductions.info 7082:Productions, Global Dog. 6968:Globaldogproductions.info 6962:Productions, Global Dog. 6851:Globaldogproductions.info 6539:(W. Bruyninckx) p. B-899. 6360:Excel Preliminary English 5875:(April 11, 1953) page 18. 5625:"Prestige - AudioCulture" 4580:(Routledge, 2007) p. 188. 4288:(1996: Charly CDSUNBOX 7) 3884:L1541)). Novelty version. 3869:The Capitol Years '56–'63 3773:Boppin' Hillbilly, Vol. 5 3405:Little Willie Littlefield 2944:Foreign-language versions 2717: 2702: 2687: 2676: 2673: 2621: 2618: 2563: 2560: 2537: 2534: 2508: 2505: 2266: 2263: 2247:Charts and certifications 2099:The Saturday Evening Post 1679: 1666: 1661: 1657: 1620: 1612: 1597: 1583: 1571: 1555: 1543: 1527: 1519: 1504: 1488: 1477: 1465: 1460: 1342: 1332: 1316: 1304: 1296: 1281: 1269: 1258: 1249: 1244: 879:Bill Haley and His Comets 516:Speaking to music writer 239:. Recorded originally by 221: 208: 203: 199: 170: 162: 148: 134: 122: 106: 94: 81: 73: 58: 46: 35: 26: 21: 14838:Infinity Records singles 14128:There Goes My Everything 13713:There Goes My Everything 13024:I Need Your Love Tonight 11695:Elvis Sings Flaming Star 10962:, Scarecrow Press, 1990. 10519:West Virginia Law Review 10493:West Virginia Law Review 10329:"Johnny Otis – Part Two" 10042:"Song Lyrics: Found God" 9760:"John Lennon: Hound Dog" 9272:Elvispresleymusic.com.au 9254:Elvispresleymusic.com.au 9210:Elvispresleymusic.com.au 9091:Music of the Postwar Era 8695:Elvispresleymusic.com.au 7856:(ABC-CLIO, 2008) p. 223. 7854:Music of the Postwar Era 7691:14 (June 1984) pp. 4–10. 7452:(JHU Press, 2010) p. 72. 6891:(May 23, 1953) page 162. 6721:"Elvis Presley – Awards" 6701:(Routledge, 2012) p. 99. 6331:(Open Road Media, 2011). 5524:(September 13, 1984):43. 5473:(December 17, 2011):137. 4934:Lipsitz, George (2010). 4345:Son of a Lad From Spain? 4020:The Mothers of Invention 3612:(1957: Mercury MG 20289) 3491:Hound Dog: A Hip hOpera" 2801:the Mothers of Invention 2665:Sales and certifications 2385:Most Played in Jukeboxes 1448:Rockin' Is Our Business 14758:Big Mama Thornton songs 14253:O Come, All Ye Faithful 14124:You'll Never Walk Alone 13987:She Thinks I Still Care 13793:We Can Make the Morning 13538:You'll Never Walk Alone 13345:(Such an) Easy Question 12977:Doncha' Think It's Time 12564:Elvis Presley's guitars 11486:Paradise Hawaiian Style 11313:Love Letters from Elvis 11264:Something for Everybody 11043:The Wall Street Journal 10940:Burroughs, Alison Joy. 10916:(18 December 1961): 27. 10622:United States. Courts, 10305:(August 8, 1953) p. 18. 10222:(August 1, 1953) p. 15. 10160:(April 11, 1953) p. 42. 10148:(April 11, 1953) p. 40. 10136:(April 11, 1953) p. 41. 9932:(March 16, 1957) p. 49. 9509:Official Charts Company 9442:Official Charts Company 9378:Official Charts Company 7689:Whiskey, Women, And ... 6668:Jeff Wallenfeldt, ed., 6480:(January 7, 2002) p. 16 6198:"Bill Haley Recordings" 6056:"Rockin' Country Style" 5939:(10 November 1956):124. 5423:(April 30, 1953) p. 61. 5010:April 11, 2013, at the 4272:Unknown (attributed to 4102:on August 30, 1972, at 3956:(Recorded: 1963 at the 3779:The Cozy Cole All Stars 3610:Rock´n Roll All Flavors 2979:To Elvis from Nashville 1808:Television performances 1739:Memphis Cotton Festival 1703:Freddy Martin Orchestra 1508:July 13, 1956 868:The Cozy Cole All Stars 594:Rhythm and Blues charts 501:the lyrics rather than 189:"Cotton Pickin' Blues" 14833:Groove Records singles 14593:Can You Feel It, Baby? 14550:The Sherbet Phenomenon 14536:The Sherbet Collection 13771:O Come All Ye Faithful 13197:Where Do You Come From 12843:Shake, Rattle and Roll 12498:Million Dollar Quartet 12383:The Sweet Inspirations 12249:('68 Comeback Special) 11853:Greatest Hits Volume 1 11243:Elvis' Christmas Album 11201:Personal relationships 11007:"Jerry Leiber tribute" 10521:112 (2000) pp. 42-443. 10303:The Pittsburgh Courier 10264:4:4 (June 4, 1953):61. 10184:The Pittsburgh Courier 10066:The Daily News Journal 10012:Monterey County Weekly 9843:(Profile Books, 2010). 9730:John Lennon: "Imagine" 9719:(Virgin, 2000) p. 727. 9559:. 1957. Archived from 7720:. Rockabillyeurope.com 7070:The Blues Encyclopedia 7057:The Blues Encyclopedia 6906:www.home.earthlink.net 6774:The Blues Encyclopedia 6523:(April 4, 1953) p. 18. 5397:(Macmillan, 1978):482. 5255:Copyright Encyclopedia 5025:The Blues Encyclopedia 4845:Americansongwriter.com 4722:"Jerry Leiber tribute" 4340:M677; Trans Atlas M677 3822:Matriarch of the Blues 3667:versions may not meet 3432:Hill & Range Songs 3335:The Pittsburgh Courier 3220: 3060:KW-022), described in 2991:, as "Hot-Dog") (1984) 2638:Best Sellers in Stores 2367:Most Played by Jockeys 2349:Best Sellers in Stores 2139:… it was just there." 2003: 1973:the previous evening, 1966: 1791:Shake, Rattle and Roll 1749: 1398:that was also used in 1231: 988: 866:On February 24, 1954, 552: 468: 366: 298:copyright infringement 14783:Jerry Lee Lewis songs 14444:Life... Is for Living 14042:Softly as I Leave You 14020:America the Beautiful 13888:Take Good Care of Her 13826:It's a Matter of Time 13760:The Sound of Your Cry 13691:The Next Step Is Love 12731:Baby Let's Play House 12709:You're a Heartbreaker 12687:Blue Moon of Kentucky 12482:Elvis: What Happened? 12416:George C. Nichopoulos 11755:Elvis' Golden Records 11285:From Elvis in Memphis 11084:(September 24, 2008). 11025:Whiskey, Women and … 10928:(27 January 1962):23. 10846:The National Interest 10198:Rebecca Kobrin, ed., 10173:(May 14, 1953) p. 62. 9984:(Pocket Books, 1991). 9758:Joe (6 August 2010). 9689:"Sherbet - Hound Dog" 9045:Jean-Pierre Hombach, 8071:That's Alright, Elvis 6174:"Instrumental Groups" 5974:Hillbilly-Music.com. 5499:(August 13, 1984):63. 5408:Race, Rock, and Elvis 5406:Michael T. Bertrand, 5150:Race, Rock, and Elvis 5148:Michael T. Bertrand, 5088:Cleothus Hardcastle, 4104:Madison Square Garden 3848:Radio City Music Hall 3825:(2000: Private Music) 3215: 3046:accent, and having a 2966:Dyno Y Los Solitarios 2918:Madison Square Garden 2084:supported US Senator 2018:Release and reception 1979: 1944:I don't know either," 1942: 1815:The Milton Berle Show 1744: 1416:Rock Around the Clock 1215: 1145:Recorded In Hollywood 979: 713:Responses (1953–1955) 562:Release and reception 547: 527:Race, Rock, and Elvis 463: 455:Radio Recorders Annex 432:Is That All There Is? 361:You can wag your tail 354: 88:Radio Recorders Annex 14798:Sherbet (band) songs 14788:Little Richard songs 14575:Can You Feel It Baby 13767:Merry Christmas Baby 13680:Mama Liked the Roses 13339:Crying in the Chapel 12818:Tryin' to Get to You 12705:Milkcow Blues Boogie 12694:Good Rockin' Tonight 12595:Elvis' Greatest Shit 12569:Elvis Presley single 12457:Audubon Street House 11916:The 50 Greatest Hits 11430:Girls! Girls! Girls! 11299:That's the Way It Is 11196:Films and television 11045:(February 28, 2013). 11034:22 (1976):24–25, 28. 11027:14 (June 1984):4–10. 10761:(November 29, 1996). 10513:Julie Cromer Young, 10487:Julie Cromer Young, 10354:(Hachette UK, 2015). 9993:Jason Blake Meyler, 9307:Kent, David (2005). 9177:(February 15, 2008). 9021:Zollo, Paul (1997). 8350:(December 19, 2008). 8214:Freya Jarman-Ivens, 7759:(6 January 1958):13. 7339:"The discredited LP 7321:. Piccadilly Records 7210:(March 28, 1953):42. 6398:(Hachette UK, 2015). 6327:and Martin Hawkins, 6104:(April 11, 1953):43. 6031:"RCS Search Results" 5860:(April 11, 1953):31. 5820:(April 11, 1953):41. 5436:(April 24, 1954):16. 5326:(March 14, 1953):32. 4907:Simon & Schuster 4766:(UPNE, 2001) p. 162. 4760:Stephen J. Whitfield 4576:Freya Jarman-Ivens, 4551:(Spike, 1999) p. 40. 4469:. Mcfarlandbooks.com 4212:Answers and parodies 4122:Rigor Mortis Sets In 4064:Pacific High Studios 3960:) (part of a medley) 3789:The Dirty Blues Band 3722:on vocals, with his 3676:improve this section 3661:to meet Knowledge's 3603:Rock 'N' Roll Vol. 2 3281:, is too similar to 3242:he had notified the 2989:Brazilian Portuguese 2750:Other cover versions 2232:. In December 2004, 2224:Awards and accolades 2190:USS Arizona Memorial 2090:Oscar Hammerstein II 2012:The Ed Sullivan Show 1884:The Steve Allen Show 1863:The Steve Allen Show 1860:Presley appeared on 1854:The Steve Allen Show 1843:"Elvis the Pelvis". 1082:Louis and Dave Myers 1013:Other answer records 909:Answers and parodies 889:on their 1968 album 887:the Dirty Blues Band 750:on vocals, with his 671:Awards and accolades 373:so popular with the 14793:The Easybeats songs 14773:Elvis Presley songs 14635:So Glad You're Mine 13811:An American Trilogy 13124:Wild in the Country 12898:Peace in the Valley 12858:Any Way You Want Me 12488:Elvis-A-Rama Museum 11951:Elvis Inspirational 11825:Welcome to My World 11790:Elvis for Everyone! 11553:Peace in the Valley 11206:Cultural depictions 11105:New Musical Express 10984:2 (March 19, 2012). 10890:"1953 Sun Sessions" 10753:F. Kathleen Foley, 10729:www.abcmedianet.com 10383:(December 4, 1957). 9945:(April 1991) p. 96. 9910:Rcs-discography.com 9826:Paul C. Mawhinney, 9762:. The Beatles Bible 9476:Irish Singles Chart 9088:Tyler, Don (2008). 8965:(2011) pp. 226–227. 8809:Rcs-discography.com 8618:Cf. William Patry, 8227:Gilbert B. Rodman, 7463:"Hound Dog Meaning" 7352:On Various Artists 6294:"1953 Sun Sessions" 6178:History-of-rock.com 6119:Rcs-discography.com 6088:Hillbilly-music.com 6035:Rcs-discography.com 5980:Hillbilly-music.com 5954:Rcs-discography.com 5886:Chicago's WLS Radio 5742:Library of Congress 5689:Rocklistmusic.co.uk 5674:(November 21, 2012) 5445:Timothy J. O'Brien, 5280:"Theelvisforum.com" 5122:William R. Ferris, 5044:on October 28, 2007 5003:Larry Beniciewicz, 4615:interviewed on the 4600:(October 29, 1995). 3903:Birmingham, Alabama 2763:and His Blue Caps; 2670: 2230:Grammy Hall of Fame 2106:, in his inaugural 1669:"Hound Dog" (audio) 1196:female impersonator 1062:Universal Recording 703:Library of Congress 677:Grammy Hall of Fame 492:Pete "Guitar" Lewis 443:New York University 410:Brandeis University 267:Grammy Hall of Fame 14843:RCA Victor singles 14614:You've Got the Gun 14557:The Hits 1969–1984 14243:I Love You Because 14195:Lisa Marie Presley 14070:Puppet on a String 13936:Thinking About You 13870:For Ol' Times Sake 13629:You'll Think of Me 13600:How Great Thou Art 13451:Fools Fall in Love 13447:Indescribably Blue 13400:Frankie and Johnny 13367:Puppet on a String 13035:A Big Hunk o' Love 12518:Elvis Presley Lake 12411:Colonel Tom Parker 12368:The Blue Moon Boys 12331:Lisa Marie Presley 12300:Elvis: The Concert 12293:Elvis. The Musical 12279:Cooking with Elvis 12214:The New Gladiators 12098:Biographical media 11832:He Walks Beside Me 11747:Compilation albums 11730:Elvis' 40 Greatest 11602:Easy Come, Easy Go 11479:Frankie and Johnny 11278:How Great Thou Art 11123:(February 7, 2024) 11108:(January 1, 1972). 11013:(August 23, 2011). 10973:(August 24, 2011). 10965:Corliss, Richard. 10955:(August 23, 2011). 10694:"Johnny Otis page" 10595:has generic name ( 10564:on March 23, 2014. 10495:112 (2000) p. 442. 10379:2014-03-23 at the 10334:2015-01-17 at the 10186:(June 6, 1953):19. 9693:Poparchives.com.au 9007:2014-12-26 at the 9000:Albin J. Zak III, 8892:2013-04-23 at the 8256:Mike Weatherford, 8118:George Plasketes, 7980:"Ellis Auditorium" 7700:Mike Weatherford, 7348:2013-02-13 at the 7265:(May 21, 1955):67. 6934:(23 May 1953):162. 6612:(June 6, 1953):32. 6576:2016-03-05 at the 6100:"Record Reviews", 5793:Home.earthlink.net 5629:Audioculture.co.nz 5590:Audioculture.co.nz 5452:2018-11-19 at the 5111:The New York Times 5079:(Routledge, 2016). 5038:"New World NW 261" 4750:(August 23, 2011). 4728:(August 23, 2011). 4643:Rock and Roll Jews 4613:Leiber and Stoller 4253:) (1953: Combo 25) 3936:Edward G. Robinson 3901:(Recorded live in 3846:(Recorded live at 3730:on mandolin, with 3593:Rock'n'Roll Vol. 1 3484:In popular culture 3478:Sony/ATV SONGS LLC 3303:mechanical license 3157:Checker subsidiary 3080:U.S. Supreme Court 3070:Elvis "translator" 2669: 2264:Chart (1956–1957) 2007:Colonel Tom Parker 1798:Colonel Tom Parker 1727:New Frontier Hotel 1616:singles chronology 1440:Rock'n'Roll Vol. 2 1388:American Bandstand 1300:Philadelphia, 1955 1058:Checker subsidiary 1048:, Blues guitarist 1044:At the request of 850:Texas Playboy band 789:'s version of the 758:on mandolin, with 474:, a subsidiary of 269:in February 2013. 166:singles chronology 62:February 1953 14768:Crossover (music) 14716: 14715: 14349:Daryl Braithwaite 14342:Clive Shakespeare 14296: 14295: 14274: 14273: 14262: 14248: 14233: 14230: 14223:"Blue Christmas" 14220: 14217: 14198: 14174: 14164: 14154: 14133: 14079: 14051: 14050: 13954:Pieces of My Life 13855:Steamroller Blues 13837:Always on My Mind 13676:The Wonder of You 13652: 13651: 13498:You Don't Know Me 13483:There's Always Me 13467: 13349:It Feels So Right 13076:It's Now or Never 13048: 13047: 13039:My Wish Came True 12984:Hard Headed Woman 12946: 12921: 12880:Playing for Keeps 12847:Lawdy Miss Clawdy 12627: 12626: 12601:List of memorials 12508:Songs about Elvis 12398:Stephen H. Sholes 12359: 12351: 12347:Priscilla Presley 12343: 12335: 12145:Elvis & Nixon 12140:(2005 miniseries) 12130:Elvis Meets Nixon 12060:Live in Las Vegas 12000:The Wonder of You 11923:ELV1S: 30 #1 Hits 11839:Mahalo from Elvis 11769:A Date with Elvis 11574:Follow That Dream 11394:Soundtrack albums 11121:978-0-8071-8114-0 11097:978-0-7864-7759-3 11087:Spörke, Michael. 11055:Nazareth, Peter. 10976:Du Verger, Jean. 10947:Chilton, Martin. 10735:on 28 August 2011 10436:Galen Gart, ed., 10006:Stuart Thornton, 9728:Jeff Burlingame, 9644:Leiberstoller.com 9557:Cash Box Magazine 9230:. 21 October 2012 9192:Elvisinhawaii.com 8896:(April 27, 2012). 8576:978-1-4391-0815-4 8282:Freddie Bell, in 8008:Elvisconcerts.com 7913:"Elvis live 1956" 7382:Philip H. Ennis, 7019:. 28 October 2001 7016:Los Angeles Times 6951:. 4 January 2014. 6912:on 6 January 2003 6460:Galen Gart, ed., 6394:Peter Guralnick, 6346:(April 18, 1953). 6298:706unionavenue.nl 5556:. 3 October 2023. 5447:"Peacock Records" 5284:Theelvisforum.com 5064:Upside Your Head! 4920:978-1-4165-5938-2 4592:Nicholas Barber, 3946:(September 1963: 3913:For Twisters Only 3878:Hoosier Hot Shots 3875:Hoosier Hot Shots 3704: 3703: 3696: 3663:quality standards 3654:This section may 3627:Louisiana Hayride 3512:Big Mama Thornton 3501:, receiving five 2908:and later as the 2878:Kent Music Report 2759:"Hound Dog" are: 2733: 2732: 2726: 2725: 2721: 2662: 2661: 2609: 2608: 2556: 2555: 2530: 2529: 2501: 2500: 2276:Kent Music Report 1923:Stephen H. Sholes 1683: 1682: 1653: 1652: 1607:Stephen H. Sholes 1356: 1355: 1090:Whose Muddy Shoes 918:"Bear Cat" (1953) 522:call and response 241:Big Mama Thornton 225: 224: 195: 194: 164:Big Mama Thornton 41:Big Mama Thornton 14865: 14853:Songs about dogs 14778:Etta James songs 14701:Related articles 14684:Magazine Madonna 14607:You're All Woman 14430:On with the Show 14323: 14316: 14309: 14300: 14299: 14286: 14285: 14256: 14246: 14231: 14224: 14218: 14214:Carrie Underwood 14211: 14192: 14172: 14162: 14159:Heartbreak Hotel 14152: 14138:The Elvis Medley 14131: 14077: 14057: 14056: 14038:Unchained Melody 14009:Pledging My Love 13950:Bringing It Back 13804:Bosom of Abraham 13658: 13657: 13625:Suspicious Minds 13465: 13462:The Love Machine 13193:Return to Sender 13146:Rock-A-Hula Baby 13069:Fame and Fortune 13054: 13053: 13028:A Fool Such as I 12988:Don't Ask Me Why 12944: 12919: 12793:Blue Suede Shoes 12760:Heartbreak Hotel 12683:That's All Right 12672: 12671: 12654: 12647: 12640: 12631: 12630: 12617: 12616: 12589:Fool's Gold Loaf 12540:Military service 12468:Elvis and Gladys 12445:Related articles 12357: 12349: 12341: 12333: 12261:Elvis in Concert 11818:The Sun Sessions 11762:For LP Fans Only 11702:Let's Be Friends 11670:Elvis in Concert 11257:His Hand in Mine 11163: 11156: 11149: 11140: 11139: 11077:"Soundaffects", 11066:Norton, Cherry. 11032:Record Exchanger 10929: 10923: 10917: 10911: 10905: 10904: 10902: 10901: 10886: 10880: 10879: 10877: 10876: 10862: 10856: 10855: 10853: 10852: 10837: 10831: 10830: 10828: 10827: 10813: 10807: 10806: 10800: 10798: 10786: 10780: 10779: 10778:. June 18, 2022. 10768: 10762: 10751: 10745: 10744: 10742: 10740: 10731:. Archived from 10721: 10715: 10708: 10702: 10701: 10690: 10684: 10675: 10669: 10662: 10656: 10651:George Lipsitz, 10649: 10640: 10635:Dennis Hartman, 10633: 10627: 10620: 10614: 10607: 10601: 10600: 10594: 10590: 10588: 10580: 10572: 10566: 10565: 10560:. Archived from 10554: 10548: 10541: 10535: 10530:George Lipsitz, 10528: 10522: 10511: 10505: 10502: 10496: 10485: 10479: 10472: 10466: 10460: 10454: 10447: 10441: 10434: 10428: 10421: 10415: 10406: 10400: 10393: 10384: 10370: 10355: 10350:Clinton Heylin, 10348: 10342: 10325: 10319: 10312: 10306: 10299: 10290: 10283: 10277: 10273:James M. Salem, 10271: 10265: 10258: 10252: 10241: 10235: 10231:James M. Salem, 10229: 10223: 10216: 10203: 10196: 10187: 10180: 10174: 10167: 10161: 10155: 10149: 10143: 10137: 10130: 10124: 10123: 10112: 10106: 10105: 10097: 10091: 10090: 10088: 10086: 10075: 10069: 10062: 10056: 10055: 10053: 10052: 10038: 10032: 10021: 10015: 10004: 9998: 9991: 9985: 9978: 9972: 9965: 9959: 9954:Erika Lee Doss, 9952: 9946: 9943:Vegetarian Times 9939: 9933: 9926: 9920: 9919: 9917: 9916: 9902: 9896: 9889: 9883: 9876: 9870: 9865:Anthony Macías, 9863: 9857: 9850: 9844: 9837: 9831: 9824: 9818: 9811: 9805: 9799: 9794: 9788: 9782: 9777: 9771: 9770: 9768: 9767: 9755: 9746: 9739: 9733: 9726: 9720: 9713: 9704: 9703: 9701: 9699: 9685: 9679: 9678: 9676: 9674: 9660: 9654: 9653: 9651: 9650: 9636: 9627: 9621: 9615: 9614: 9603: 9597: 9596: 9594: 9592: 9578: 9572: 9571: 9569: 9568: 9549: 9543: 9542: 9540: 9539: 9518: 9512: 9502: 9496: 9485: 9479: 9468: 9462: 9451: 9445: 9435: 9429: 9428: 9426: 9424: 9402: 9381: 9371: 9365: 9354: 9348: 9337: 9331: 9330: 9328: 9327: 9304: 9298: 9297: 9295: 9293: 9282: 9276: 9275: 9264: 9258: 9257: 9246: 9240: 9239: 9237: 9235: 9220: 9214: 9213: 9202: 9196: 9195: 9184: 9178: 9167: 9161: 9154: 9148: 9147: 9145: 9144: 9121: 9112: 9111: 9109: 9108: 9085: 9079: 9078: 9076: 9075: 9066:. Archived from 9056: 9050: 9049:(epubli) p. 235. 9043: 9037: 9036: 9018: 9012: 8998: 8992: 8985: 8979: 8972: 8966: 8959: 8953: 8946: 8940: 8933: 8927: 8916: 8910: 8903: 8897: 8879: 8873: 8872: 8870: 8868: 8863:on 24 April 2013 8859:. Archived from 8849: 8843: 8842: 8840: 8839: 8825: 8819: 8818: 8816: 8815: 8801: 8795: 8794: 8783: 8777: 8773: 8767: 8760: 8754: 8750: 8744: 8740: 8734: 8730: 8724: 8723: 8721: 8719: 8705: 8699: 8698: 8687: 8678: 8677: 8675: 8674: 8663: 8657: 8650: 8641: 8640: 8629: 8623: 8616: 8610: 8607: 8601: 8590: 8581: 8580: 8560: 8554: 8551: 8545: 8544: 8542: 8541: 8527: 8521: 8520: 8518: 8517: 8506: 8500: 8499: 8472: 8466: 8465: 8454: 8445: 8438: 8429: 8418: 8412: 8402: 8396: 8386: 8380: 8379: 8377: 8376: 8367:. Archived from 8357: 8351: 8344: 8338: 8337: 8335: 8334: 8320: 8314: 8313: 8311: 8310: 8296: 8287: 8280: 8274: 8267: 8261: 8254: 8248: 8241: 8232: 8225: 8219: 8212: 8206: 8199: 8193: 8192: 8181: 8175: 8172: 8166: 8165: 8163: 8161: 8142: 8136: 8129: 8123: 8116: 8107: 8106: 8104: 8102: 8091: 8085: 8084: 8066: 8060: 8059: 8057: 8055: 8041: 8035: 8024: 8018: 8017: 8015: 8014: 8000: 7991: 7990: 7988: 7987: 7976: 7970: 7969: 7967: 7966: 7952: 7946: 7943: 7937: 7934: 7928: 7927: 7925: 7924: 7909: 7903: 7896: 7890: 7883: 7877: 7866: 7857: 7850: 7844: 7839:Craig Morrison, 7837: 7831: 7824: 7818: 7817: 7815: 7814: 7803: 7794: 7787: 7778: 7777: 7766: 7760: 7754: 7748: 7747: 7735: 7729: 7728: 7726: 7725: 7714: 7705: 7698: 7692: 7685: 7679: 7672: 7666: 7659: 7653: 7646: 7640: 7633: 7627: 7626: 7624: 7622: 7608: 7602: 7595: 7589: 7588: 7581: 7575: 7568: 7555: 7549: 7540: 7533: 7527: 7520: 7511: 7510: 7508: 7507: 7498:. Archived from 7488: 7482: 7481: 7479: 7478: 7459: 7453: 7448:James P. Kraft, 7446: 7437: 7430: 7424: 7421: 7415: 7414: 7412: 7411: 7396: 7387: 7380: 7374: 7367: 7361: 7336: 7330: 7329: 7327: 7326: 7315: 7309: 7303: 7298: 7292: 7291: 7289: 7287: 7272: 7266: 7259: 7253: 7246: 7240: 7234: 7229: 7223: 7217: 7211: 7205: 7199: 7198: 7196: 7195: 7181: 7172: 7171: 7169: 7168: 7153: 7147: 7146: 7138: 7129: 7128: 7117: 7111: 7110: 7098: 7092: 7091: 7079: 7073: 7066: 7060: 7053: 7042: 7035: 7029: 7028: 7026: 7024: 7007: 7001: 7000: 6998: 6997: 6988:. Archived from 6978: 6972: 6971: 6959: 6953: 6952: 6941: 6935: 6928: 6922: 6921: 6919: 6917: 6908:. Archived from 6898: 6892: 6885: 6879: 6878: 6867: 6861: 6860: 6858: 6857: 6843: 6832: 6822: 6813: 6812: 6801: 6795: 6794: 6783: 6777: 6770: 6764: 6763: 6761: 6759: 6745: 6736: 6735: 6733: 6731: 6717: 6702: 6695: 6689: 6682: 6673: 6666: 6657: 6656: 6654: 6653: 6638: 6629: 6622: 6613: 6606: 6600: 6593: 6584: 6567: 6556: 6549: 6540: 6533: 6524: 6517: 6508: 6507: 6505: 6504: 6490: 6481: 6474: 6465: 6458: 6449: 6442: 6433: 6426: 6417: 6416: 6411:. Archived from 6405: 6399: 6392: 6379: 6372: 6363: 6356: 6347: 6341: 6332: 6322: 6313: 6312: 6310: 6309: 6290: 6253: 6248:James M. Salem, 6246: 6229: 6219: 6213: 6212: 6210: 6209: 6194: 6188: 6187: 6185: 6184: 6170: 6161: 6157: 6151: 6141: 6130: 6129: 6127: 6125: 6111: 6105: 6098: 6092: 6091: 6080: 6071: 6070: 6068: 6067: 6058:. Archived from 6052: 6046: 6045: 6043: 6041: 6027: 6021: 6017: 6011: 6010: 6008: 6006: 5990: 5984: 5983: 5971: 5965: 5964: 5962: 5960: 5946: 5940: 5934: 5928: 5923:Philip H. Ennis, 5921: 5915: 5908: 5902: 5895: 5889: 5884:Scott Childers, 5882: 5876: 5870: 5861: 5855: 5849: 5848: 5837: 5831: 5827: 5821: 5814: 5808: 5807: 5805: 5804: 5785: 5779: 5778: 5776: 5775: 5760: 5754: 5753: 5751: 5749: 5744:. March 29, 2016 5734: 5728: 5727: 5725: 5724: 5709: 5700: 5699: 5697: 5696: 5681: 5675: 5665: 5659: 5658: 5656: 5654: 5639: 5633: 5632: 5621: 5615: 5614: 5603: 5594: 5593: 5582: 5576: 5575: 5564: 5558: 5557: 5546: 5540: 5539:(18 Aug 1956):70 5534: 5525: 5519: 5513: 5508:George Lipsitz, 5506: 5500: 5493: 5487: 5480: 5474: 5469:"Jerry Leiber", 5467: 5461: 5443: 5437: 5430: 5424: 5417: 5411: 5404: 5398: 5391: 5385: 5384: 5382: 5381: 5372:. Archived from 5362: 5347: 5342:James M. Salem, 5340: 5327: 5321: 5315: 5314: 5312: 5310: 5300: 5294: 5293: 5291: 5290: 5276: 5263: 5249: 5243: 5236: 5227: 5216: 5210: 5203:Anne Dhu McLucas 5200: 5191: 5184: 5173: 5162: 5153: 5146: 5140: 5133: 5127: 5120: 5114: 5113:(June 12, 2000). 5105:In Jim Windolf, 5103: 5097: 5096:(June 30, 2001). 5094:Rock's Backpages 5086: 5080: 5073: 5067: 5060: 5054: 5053: 5051: 5049: 5040:. Archived from 5034: 5028: 5021: 5015: 5001: 4995: 4994: 4992: 4991: 4982:. Archived from 4972: 4966: 4959: 4948: 4947: 4941: 4931: 4925: 4924: 4894: 4867: 4862: 4856: 4855: 4853: 4851: 4836: 4827: 4826: 4808: 4802: 4801: 4799: 4797: 4792:on 11 April 2013 4788:. Archived from 4778: 4767: 4757: 4751: 4740: 4729: 4718: 4709: 4702: 4696: 4689: 4680: 4675:Larry Birnbaum, 4673: 4646: 4641:Michael Billig, 4639: 4622: 4610: 4601: 4590: 4581: 4574: 4568: 4561: 4552: 4545: 4539: 4528: 4515: 4510:Richard Crouse, 4508: 4491: 4484: 4478: 4477: 4475: 4474: 4465:Michael Spörke. 4462: 4456: 4455: 4453: 4451: 4434: 4428: 4427: 4425: 4424: 4413: 4407: 4406: 4404: 4402: 4388: 4309:Homer and Jethro 4221:Homer and Jethro 4186:"Hound Dawg" on 4108:Live in New York 4052:The Beat Goes On 4025: 4013:Hoodoo Man Blues 3993:Fun City, U.S.A. 3954:Sammy Davis, Jr. 3944:Sings Guess Who? 3924:Dickie Valentine 3918:Your Twist Party 3842:Various Artists 3792:Dirty Blues Band 3738:on steel guitar. 3728:Kenneth C. Burns 3724:Homer and Jethro 3707:Thornton version 3699: 3692: 3688: 3685: 3679: 3649: 3648: 3641: 3533:AGM-28 Hound Dog 3461: 3445:Archie O. Dawson 3361: 3342:hound dog since 3208:Memphis bluesman 3091: 3088:that "ruled that 3026:, the father of 2960:Johannes Fehring 2922:Live in New York 2884:year-end chart. 2872:Australian band 2847:; and (in 1993) 2777:Sammy Davis, Jr. 2719: 2688:United Kingdom ( 2671: 2668: 2616: 2615: 2558: 2557: 2532: 2531: 2503: 2502: 2261: 2260: 2252: 2199:Comeback Special 2138: 2134: 2125: 2121: 2050: 2010:performances on 1984: 1971:Steve Allen Show 1963: 1959: 1956:... "It was just 1955: 1951: 1947: 1939: 1903:Steve Allen Show 1889:Ed Sullivan Show 1788: 1717:and his drummer 1670: 1622: 1621: 1602: 1588: 1567: 1566: 1562: 1515: 1513: 1493: 1470: 1458: 1457: 1396:Dave Bartholomew 1347: 1328: 1327: 1323: 1292: 1290: 1274: 1254: 1242: 1241: 1176: 1172: 1162:(Quality K1544). 1076:on string bass; 1033:on June 6, 1953. 993: 985: 972:Memphis bluesman 957: 949: 891:Dirty Blues Band 756:Kenneth C. Burns 752:Homer and Jethro 657:Hamburg, Germany 646: 613: 518:Ralph J. Gleason 512: 508: 396: 383:metric structure 371:double entendres 284: 262: 235:song written by 233:twelve-bar blues 212: 172: 171: 153: 139: 118: 117: 113: 69: 67: 51: 31: 19: 18: 14873: 14872: 14868: 14867: 14866: 14864: 14863: 14862: 14728: 14727: 14726: 14717: 14712: 14696: 14691:We Ride Tonight 14600:Free the People 14580: 14562: 14516: 14491: 14479:Defying Gravity 14410: 14384:Dennis Laughlin 14332: 14327: 14297: 14292: 14270: 14227:Martina McBride 14117:You Asked Me To 14084:Are You Sincere 14061: 14047: 14025: 13992: 13959: 13919: 13875: 13842: 13776: 13718: 13648: 13636:Don't Cry Daddy 13576: 13571:Edge of Reality 13549:Let Yourself Go 13503: 13434: 13376: 13315: 13255:Kissin' Cousins 13242: 13233:Bossa Nova Baby 13202: 13164:Good Luck Charm 13151: 13096: 13080:A Mess of Blues 13044: 13011: 12949: 12863: 12775:My Baby Left Me 12747: 12714: 12666: 12658: 12628: 12623: 12605: 12579:Elvis sightings 12440: 12373:The Jordanaires 12358:(second cousin) 12355:Brandon Presley 12342:(granddaughter) 12319: 12266: 12226: 12173: 12093: 12012: 11979:Christmas Duets 11965:Elvis Christmas 11742: 11716:C'mon Everybody 11682: 11607: 11533: 11451:Kissin' Cousins 11444:Fun in Acapulco 11389: 11215: 11211:Cultural impact 11172: 11167: 11130: 11099:(July 22, 2014) 11091:McFarland Inc. 11072:The Independent 11005:Gritten, Dave. 10937: 10935:Further reading 10932: 10924: 10920: 10912: 10908: 10899: 10897: 10888: 10887: 10883: 10874: 10872: 10864: 10863: 10859: 10850: 10848: 10838: 10834: 10825: 10823: 10815: 10814: 10810: 10796: 10794: 10787: 10783: 10770: 10769: 10765: 10752: 10748: 10738: 10736: 10723: 10722: 10718: 10709: 10705: 10692: 10691: 10687: 10676: 10672: 10663: 10659: 10650: 10643: 10634: 10630: 10621: 10617: 10608: 10604: 10592: 10591: 10582: 10581: 10573: 10569: 10556: 10555: 10551: 10542: 10538: 10529: 10525: 10512: 10508: 10503: 10499: 10486: 10482: 10473: 10469: 10461: 10457: 10448: 10444: 10435: 10431: 10422: 10418: 10407: 10403: 10399:(1972):639–641. 10394: 10387: 10381:Wayback Machine 10371: 10358: 10349: 10345: 10336:Wayback Machine 10326: 10322: 10313: 10309: 10300: 10293: 10284: 10280: 10272: 10268: 10259: 10255: 10251:(October 2003). 10243:Richard Buskin, 10242: 10238: 10230: 10226: 10217: 10206: 10197: 10190: 10181: 10177: 10168: 10164: 10156: 10152: 10144: 10140: 10131: 10127: 10114: 10113: 10109: 10098: 10094: 10084: 10082: 10077: 10076: 10072: 10063: 10059: 10050: 10048: 10040: 10039: 10035: 10023:Steve Hoffman, 10022: 10018: 10005: 10001: 9992: 9988: 9979: 9975: 9966: 9962: 9953: 9949: 9940: 9936: 9927: 9923: 9914: 9912: 9904: 9903: 9899: 9890: 9886: 9877: 9873: 9864: 9860: 9851: 9847: 9838: 9834: 9825: 9821: 9812: 9808: 9797: 9795: 9791: 9780: 9778: 9774: 9765: 9763: 9756: 9749: 9741:Mark Lewisohn, 9740: 9736: 9727: 9723: 9714: 9707: 9697: 9695: 9687: 9686: 9682: 9672: 9670: 9662: 9661: 9657: 9648: 9646: 9638: 9637: 9630: 9622: 9618: 9605: 9604: 9600: 9590: 9588: 9580: 9579: 9575: 9566: 9564: 9551: 9550: 9546: 9537: 9535: 9520: 9519: 9515: 9503: 9499: 9486: 9482: 9469: 9465: 9452: 9448: 9436: 9432: 9422: 9420: 9418: 9404: 9403: 9384: 9372: 9368: 9355: 9351: 9338: 9334: 9325: 9323: 9321: 9305: 9301: 9291: 9289: 9288:. Rock List Net 9284: 9283: 9279: 9266: 9265: 9261: 9248: 9247: 9243: 9233: 9231: 9222: 9221: 9217: 9204: 9203: 9199: 9186: 9185: 9181: 9168: 9164: 9155: 9151: 9142: 9140: 9138: 9122: 9115: 9106: 9104: 9102: 9086: 9082: 9073: 9071: 9058: 9057: 9053: 9044: 9040: 9033: 9019: 9015: 9009:Wayback Machine 8999: 8995: 8986: 8982: 8973: 8969: 8960: 8956: 8947: 8943: 8934: 8930: 8917: 8913: 8904: 8900: 8894:Wayback Machine 8880: 8876: 8866: 8864: 8851: 8850: 8846: 8837: 8835: 8827: 8826: 8822: 8813: 8811: 8803: 8802: 8798: 8785: 8784: 8780: 8774: 8770: 8761: 8757: 8751: 8747: 8741: 8737: 8731: 8727: 8717: 8715: 8713:Scottymoore.net 8707: 8706: 8702: 8689: 8688: 8681: 8672: 8670: 8665: 8664: 8660: 8651: 8644: 8637:Scottymoore.net 8631: 8630: 8626: 8617: 8613: 8608: 8604: 8591: 8584: 8577: 8561: 8557: 8552: 8548: 8539: 8537: 8529: 8528: 8524: 8515: 8513: 8508: 8507: 8503: 8496: 8473: 8469: 8456: 8455: 8448: 8439: 8432: 8419: 8415: 8403: 8399: 8387: 8383: 8374: 8372: 8359: 8358: 8354: 8345: 8341: 8332: 8330: 8322: 8321: 8317: 8308: 8306: 8298: 8297: 8290: 8281: 8277: 8268: 8264: 8255: 8251: 8242: 8235: 8226: 8222: 8213: 8209: 8200: 8196: 8189:Scottymoore.net 8183: 8182: 8178: 8173: 8169: 8159: 8157: 8154:Scottymoore.net 8144: 8143: 8139: 8130: 8126: 8117: 8110: 8100: 8098: 8093: 8092: 8088: 8081: 8067: 8063: 8053: 8051: 8043: 8042: 8038: 8025: 8021: 8012: 8010: 8002: 8001: 7994: 7985: 7983: 7978: 7977: 7973: 7964: 7962: 7954: 7953: 7949: 7944: 7940: 7935: 7931: 7922: 7920: 7911: 7910: 7906: 7897: 7893: 7884: 7880: 7867: 7860: 7851: 7847: 7838: 7834: 7825: 7821: 7812: 7810: 7805: 7804: 7797: 7788: 7781: 7768: 7767: 7763: 7755: 7751: 7736: 7732: 7723: 7721: 7718:"Frankie Brent" 7716: 7715: 7708: 7699: 7695: 7686: 7682: 7673: 7669: 7660: 7656: 7647: 7643: 7634: 7630: 7620: 7618: 7616:Mycitypaper.com 7610: 7609: 7605: 7596: 7592: 7583: 7582: 7578: 7569: 7558: 7550: 7543: 7534: 7530: 7521: 7514: 7505: 7503: 7490: 7489: 7485: 7476: 7474: 7461: 7460: 7456: 7447: 7440: 7431: 7427: 7422: 7418: 7409: 7407: 7398: 7397: 7390: 7381: 7377: 7368: 7364: 7358:Keep On Rolling 7350:Wayback Machine 7341:Keep On Rocking 7337: 7333: 7324: 7322: 7317: 7316: 7312: 7301: 7299: 7295: 7285: 7283: 7274: 7273: 7269: 7260: 7256: 7247: 7243: 7232: 7230: 7226: 7218: 7214: 7206: 7202: 7193: 7191: 7183: 7182: 7175: 7166: 7164: 7155: 7154: 7150: 7139: 7132: 7119: 7118: 7114: 7099: 7095: 7080: 7076: 7067: 7063: 7054: 7045: 7036: 7032: 7022: 7020: 7009: 7008: 7004: 6995: 6993: 6980: 6979: 6975: 6960: 6956: 6943: 6942: 6938: 6929: 6925: 6915: 6913: 6900: 6899: 6895: 6886: 6882: 6869: 6868: 6864: 6855: 6853: 6845: 6844: 6835: 6823: 6816: 6803: 6802: 6798: 6785: 6784: 6780: 6771: 6767: 6757: 6755: 6747: 6746: 6739: 6729: 6727: 6719: 6718: 6705: 6696: 6692: 6683: 6676: 6667: 6660: 6651: 6649: 6640: 6639: 6632: 6623: 6616: 6607: 6603: 6594: 6587: 6578:Wayback Machine 6568: 6559: 6550: 6543: 6534: 6527: 6518: 6511: 6502: 6500: 6492: 6491: 6484: 6475: 6468: 6459: 6452: 6443: 6436: 6427: 6420: 6407: 6406: 6402: 6393: 6382: 6373: 6366: 6357: 6350: 6342: 6335: 6323: 6316: 6307: 6305: 6292: 6291: 6256: 6247: 6232: 6220: 6216: 6207: 6205: 6196: 6195: 6191: 6182: 6180: 6172: 6171: 6164: 6158: 6154: 6143:Peter Nazareth, 6142: 6133: 6123: 6121: 6113: 6112: 6108: 6099: 6095: 6082: 6081: 6074: 6065: 6063: 6054: 6053: 6049: 6039: 6037: 6029: 6028: 6024: 6018: 6014: 6004: 6002: 5992: 5991: 5987: 5972: 5968: 5958: 5956: 5948: 5947: 5943: 5935: 5931: 5922: 5918: 5909: 5905: 5896: 5892: 5883: 5879: 5871: 5864: 5856: 5852: 5839: 5838: 5834: 5828: 5824: 5815: 5811: 5802: 5800: 5787: 5786: 5782: 5773: 5771: 5762: 5761: 5757: 5747: 5745: 5736: 5735: 5731: 5722: 5720: 5711: 5710: 5703: 5694: 5692: 5683: 5682: 5678: 5666: 5662: 5652: 5650: 5641: 5640: 5636: 5623: 5622: 5618: 5605: 5604: 5597: 5584: 5583: 5579: 5566: 5565: 5561: 5548: 5547: 5543: 5535: 5528: 5520: 5516: 5507: 5503: 5494: 5490: 5481: 5477: 5468: 5464: 5454:Wayback Machine 5444: 5440: 5431: 5427: 5418: 5414: 5405: 5401: 5392: 5388: 5379: 5377: 5364: 5363: 5350: 5341: 5330: 5322: 5318: 5308: 5306: 5302: 5301: 5297: 5288: 5286: 5278: 5277: 5266: 5250: 5246: 5238:Maureen Mahon, 5237: 5230: 5217: 5213: 5201: 5194: 5185: 5176: 5163: 5156: 5147: 5143: 5134: 5130: 5121: 5117: 5107:"Stand By Them" 5104: 5100: 5087: 5083: 5074: 5070: 5061: 5057: 5047: 5045: 5036: 5035: 5031: 5022: 5018: 5012:Wayback Machine 5002: 4998: 4989: 4987: 4974: 4973: 4969: 4960: 4951: 4932: 4928: 4921: 4895: 4870: 4863: 4859: 4849: 4847: 4837: 4830: 4823: 4809: 4805: 4795: 4793: 4780: 4779: 4770: 4758: 4754: 4742:Martin Chilton, 4741: 4732: 4719: 4712: 4703: 4699: 4690: 4683: 4674: 4649: 4640: 4625: 4611: 4604: 4598:The Independent 4591: 4584: 4575: 4571: 4562: 4555: 4546: 4542: 4529: 4518: 4509: 4494: 4485: 4481: 4472: 4470: 4463: 4459: 4449: 4447: 4435: 4431: 4422: 4420: 4415: 4414: 4410: 4400: 4398: 4390: 4389: 4385: 4381: 4354: 4338:Warwick Records 4282:Keep On Rolling 4247:Daddy Cleanhead 4214: 4023: 4000:Everly Brothers 3950:DLP-3501/25501) 3928:Live In Concert 3888:Jerry Lee Lewis 3861: 3859:Presley version 3720:Henry D. Haynes 3709: 3700: 3689: 3683: 3680: 3673: 3650: 3646: 3639: 3619: 3588: 3547: 3542: 3486: 3459: 3428: 3393:Federal Records 3389: 3372: 3359: 3323: 3273:reported that: 3260: 3176:Daddy Cleanhead 3118: 3113: 3102: 3089: 3058:Coronet Records 3019: 2946: 2890: 2793:Everly Brothers 2765:Jerry Lee Lewis 2752: 2739: 2734: 2703:United States ( 2681:Certified units 2667: 2623: 2614: 2612:Year-End charts 2565: 2539: 2510: 2268: 2259: 2249: 2226: 2186: 2166:White Christmas 2149:End of the Road 2136: 2132: 2123: 2119: 2086:George Smathers 2048: 2020: 1982: 1961: 1957: 1953: 1949: 1945: 1937: 1919:the Jordanaires 1899: 1867:performed in a 1837:Catholic Church 1810: 1786: 1775:Dizzy Gillespie 1771:Louis Armstrong 1754: 1668: 1648: 1639: 1630: 1598: 1584: 1564: 1560: 1559: 1511: 1509: 1489: 1473: 1456: 1343: 1325: 1321: 1320: 1288: 1286: 1270: 1240: 1183: 1174: 1170: 1160:Quality Records 1108:Daddy Cleanhead 1015: 991: 983: 968:Louis Armstrong 955: 947: 940:Peter Guralnick 920: 911: 839:Radio Recorders 748:Henry D. Haynes 729:Federal Records 720: 715: 673: 661:Fontana Records 644: 635: 611: 564: 510: 506: 484:Mercury Records 472:Federal Records 451: 406: 394: 365: 362: 360: 358: 318: 282: 260: 245:Peacock Records 210: 190: 185: 176: 149: 135: 115: 111: 110: 77:August 13, 1952 65: 63: 47: 17: 12: 11: 5: 14871: 14861: 14860: 14855: 14850: 14845: 14840: 14835: 14830: 14825: 14820: 14815: 14810: 14805: 14800: 14795: 14790: 14785: 14780: 14775: 14770: 14765: 14760: 14755: 14750: 14745: 14740: 14722:Groove Records 14714: 14713: 14711: 14710: 14704: 14702: 14698: 14697: 14695: 14694: 14687: 14680: 14673: 14666: 14659: 14652: 14645: 14638: 14631: 14624: 14617: 14610: 14603: 14596: 14588: 14586: 14582: 14581: 14579: 14578: 14570: 14568: 14564: 14563: 14561: 14560: 14553: 14546: 14539: 14532: 14524: 14522: 14518: 14517: 14515: 14514: 14507: 14499: 14497: 14493: 14492: 14490: 14489: 14482: 14475: 14468: 14461: 14454: 14447: 14440: 14433: 14426: 14418: 14416: 14412: 14411: 14409: 14408: 14405: 14402: 14397: 14394: 14391: 14388: 14387:Gunther Gorman 14385: 14381: 14380: 14373: 14366: 14359: 14352: 14345: 14337: 14334: 14333: 14326: 14325: 14318: 14311: 14303: 14294: 14293: 14291: 14290: 14279: 14276: 14275: 14272: 14271: 14269: 14268: 14263: 14249: 14239: 14234: 14221: 14204: 14199: 14185: 14180: 14175: 14169:Blue Christmas 14165: 14155: 14141: 14134: 14120: 14109: 14102: 14091: 14080: 14065: 14063: 14053: 14052: 14049: 14048: 14046: 14045: 14033: 14031: 14027: 14026: 14024: 14023: 14012: 14000: 13998: 13994: 13993: 13991: 13990: 13979: 13967: 13965: 13961: 13960: 13958: 13957: 13946: 13939: 13927: 13925: 13921: 13920: 13918: 13917: 13906: 13895: 13883: 13881: 13877: 13876: 13874: 13873: 13866:Raised on Rock 13862: 13850: 13848: 13844: 13843: 13841: 13840: 13829: 13818: 13807: 13796: 13784: 13782: 13778: 13777: 13775: 13774: 13763: 13756:It's Only Love 13752: 13745: 13734: 13731:Rags to Riches 13726: 13724: 13720: 13719: 13717: 13716: 13705: 13694: 13683: 13672: 13664: 13662: 13654: 13653: 13650: 13649: 13647: 13646: 13639: 13632: 13621: 13614: 13603: 13596: 13584: 13582: 13578: 13577: 13575: 13574: 13567:If I Can Dream 13563: 13556:Almost in Love 13552: 13541: 13534:We Call on Him 13530: 13519: 13511: 13509: 13505: 13504: 13502: 13501: 13490: 13479: 13468: 13458:You Gotta Stop 13454: 13442: 13440: 13436: 13435: 13433: 13432: 13425: 13414: 13407: 13396: 13384: 13382: 13378: 13377: 13375: 13374: 13363: 13352: 13341: 13335: 13332:You'll Be Gone 13323: 13321: 13317: 13316: 13314: 13313: 13310:Blue Christmas 13306: 13295: 13284: 13277:Viva Las Vegas 13273: 13262: 13250: 13248: 13244: 13243: 13241: 13240: 13229: 13222: 13210: 13208: 13204: 13203: 13201: 13200: 13189: 13182: 13171: 13159: 13157: 13153: 13152: 13150: 13149: 13138: 13127: 13116: 13104: 13102: 13098: 13097: 13095: 13094: 13083: 13072: 13060: 13058: 13050: 13049: 13046: 13045: 13043: 13042: 13031: 13019: 13017: 13013: 13012: 13010: 13009: 12998: 12991: 12980: 12969: 12957: 12955: 12951: 12950: 12948: 12947: 12933: 12926:Jailhouse Rock 12922: 12912: 12901: 12894: 12883: 12871: 12869: 12865: 12864: 12862: 12861: 12854:Love Me Tender 12850: 12839: 12828: 12821: 12814: 12807: 12800: 12789: 12782:Don't Be Cruel 12778: 12767: 12755: 12753: 12749: 12748: 12746: 12745: 12734: 12722: 12720: 12716: 12715: 12713: 12712: 12701: 12690: 12678: 12676: 12668: 12667: 12657: 12656: 12649: 12642: 12634: 12625: 12624: 12622: 12621: 12610: 12607: 12606: 12604: 12603: 12598: 12591: 12586: 12584:Elvis sandwich 12581: 12576: 12571: 12566: 12561: 12556: 12549: 12542: 12537: 12532: 12527: 12520: 12515: 12510: 12505: 12500: 12495: 12493:Sun recordings 12490: 12485: 12478: 12471: 12464: 12459: 12454: 12448: 12446: 12442: 12441: 12439: 12438: 12433: 12428: 12426:Linda Thompson 12423: 12421:Judy Spreckels 12418: 12413: 12408: 12403: 12400: 12395: 12390: 12385: 12380: 12375: 12370: 12365: 12360: 12352: 12344: 12336: 12327: 12325: 12324:Related people 12321: 12320: 12318: 12317: 12314:The Elvis Dead 12310: 12303: 12296: 12289: 12282: 12274: 12272: 12268: 12267: 12265: 12264: 12257: 12250: 12242: 12234: 12232: 12228: 12227: 12225: 12224: 12217: 12210: 12203: 12196: 12189: 12181: 12179: 12175: 12174: 12172: 12171: 12164: 12156: 12148: 12141: 12133: 12126: 12118: 12110: 12101: 12099: 12095: 12094: 12092: 12091: 12084: 12077: 12074:Elvis the King 12070: 12063: 12056: 12049: 12042: 12035: 12028: 12020: 12018: 12014: 12013: 12011: 12010: 12003: 11996: 11989: 11986:If I Can Dream 11982: 11975: 11968: 11961: 11954: 11947: 11940: 11933: 11926: 11919: 11912: 11905: 11898: 11891: 11884: 11877: 11870: 11863: 11856: 11849: 11842: 11835: 11828: 11821: 11814: 11807: 11800: 11793: 11786: 11779: 11772: 11765: 11758: 11750: 11748: 11744: 11743: 11741: 11740: 11733: 11726: 11719: 11712: 11709:Almost in Love 11705: 11698: 11690: 11688: 11684: 11683: 11681: 11680: 11673: 11666: 11659: 11652: 11645: 11638: 11631: 11624: 11615: 11613: 11609: 11608: 11606: 11605: 11598: 11591: 11588:Viva Las Vegas 11584: 11577: 11570: 11563: 11560:Jailhouse Rock 11556: 11549: 11546:Love Me Tender 11541: 11539: 11535: 11534: 11532: 11531: 11524: 11517: 11510: 11503: 11500:Double Trouble 11496: 11489: 11482: 11475: 11468: 11461: 11454: 11447: 11440: 11433: 11426: 11419: 11412: 11405: 11397: 11395: 11391: 11390: 11388: 11387: 11380: 11373: 11366: 11359: 11352: 11345: 11337: 11330: 11323: 11316: 11309: 11302: 11295: 11288: 11281: 11274: 11267: 11260: 11253: 11250:Elvis Is Back! 11246: 11239: 11231: 11223: 11221: 11217: 11216: 11214: 11213: 11208: 11203: 11198: 11193: 11188: 11183: 11177: 11174: 11173: 11166: 11165: 11158: 11151: 11143: 11137: 11136: 11129: 11128:External links 11126: 11125: 11124: 11109: 11100: 11085: 11075: 11064: 11053: 11046: 11035: 11028: 11021: 11014: 11003: 10996: 10993:American Music 10987:Fink, Robert. 10985: 10974: 10963: 10956: 10945: 10936: 10933: 10931: 10930: 10918: 10906: 10881: 10857: 10832: 10808: 10781: 10763: 10746: 10725:"ABC Medianet" 10716: 10703: 10685: 10670: 10657: 10641: 10628: 10615: 10602: 10567: 10549: 10536: 10523: 10506: 10497: 10480: 10467: 10455: 10442: 10429: 10416: 10401: 10385: 10356: 10343: 10320: 10307: 10291: 10278: 10266: 10253: 10249:Sound On Sound 10236: 10224: 10204: 10188: 10175: 10162: 10150: 10138: 10125: 10107: 10092: 10070: 10057: 10046:ApologetiX.com 10033: 10016: 10014:(May 8, 2008). 9999: 9986: 9973: 9967:Harold Fiske, 9960: 9947: 9934: 9921: 9897: 9884: 9871: 9858: 9845: 9839:Max Décharné, 9832: 9819: 9806: 9789: 9772: 9747: 9734: 9721: 9705: 9680: 9655: 9628: 9616: 9598: 9573: 9544: 9513: 9497: 9493:Single Top 100 9480: 9463: 9459:Single Top 100 9446: 9430: 9416: 9382: 9366: 9349: 9332: 9319: 9299: 9277: 9259: 9241: 9215: 9197: 9179: 9162: 9156:Maxine Brown, 9149: 9136: 9113: 9100: 9080: 9051: 9038: 9032:978-0306812651 9031: 9013: 8993: 8980: 8974:Ian Whitcomb, 8967: 8961:Larry Jordan, 8954: 8941: 8928: 8911: 8898: 8874: 8857:willybrauch.de 8844: 8820: 8796: 8778: 8768: 8755: 8745: 8735: 8725: 8700: 8679: 8658: 8642: 8624: 8611: 8602: 8598:American Music 8582: 8575: 8555: 8546: 8522: 8501: 8494: 8476:Shumway, David 8467: 8446: 8430: 8426:American Music 8413: 8397: 8381: 8352: 8339: 8324:"Freddie Bell" 8315: 8288: 8275: 8262: 8249: 8243:Rick Coleman, 8233: 8220: 8207: 8201:Nick Tosches, 8194: 8176: 8167: 8137: 8124: 8108: 8086: 8079: 8061: 8036: 8032:American Music 8019: 7992: 7982:. Scotty Moore 7971: 7947: 7938: 7929: 7904: 7891: 7885:Paul W. Papa, 7878: 7874:American Music 7858: 7845: 7832: 7819: 7809:. Elvis.com.au 7795: 7779: 7761: 7749: 7730: 7706: 7693: 7680: 7667: 7661:Rick Coleman, 7654: 7648:Rick Coleman, 7641: 7628: 7603: 7597:Colin Escott, 7590: 7576: 7556: 7541: 7535:Colin Larkin, 7528: 7512: 7483: 7454: 7438: 7425: 7416: 7388: 7375: 7362: 7331: 7310: 7293: 7267: 7254: 7241: 7224: 7212: 7200: 7173: 7148: 7130: 7112: 7093: 7074: 7061: 7043: 7030: 7002: 6973: 6954: 6936: 6923: 6893: 6880: 6862: 6833: 6814: 6796: 6778: 6765: 6737: 6703: 6690: 6674: 6658: 6630: 6614: 6601: 6585: 6557: 6551:Nick Tosches, 6541: 6525: 6509: 6482: 6466: 6450: 6434: 6418: 6415:on 2016-08-22. 6400: 6380: 6364: 6358:David Mahony, 6348: 6333: 6314: 6254: 6230: 6214: 6189: 6162: 6152: 6131: 6106: 6093: 6072: 6047: 6022: 6012: 5985: 5966: 5941: 5929: 5916: 5903: 5890: 5877: 5862: 5850: 5832: 5822: 5809: 5780: 5755: 5729: 5701: 5676: 5660: 5634: 5616: 5595: 5577: 5559: 5541: 5526: 5514: 5501: 5488: 5475: 5462: 5438: 5425: 5412: 5399: 5386: 5348: 5328: 5316: 5295: 5264: 5244: 5228: 5224:American Music 5211: 5192: 5188:American Music 5174: 5170:American Music 5154: 5141: 5128: 5115: 5098: 5081: 5075:Wayne Robins, 5068: 5055: 5029: 5016: 4996: 4967: 4949: 4946:. p. xii. 4926: 4919: 4868: 4857: 4828: 4822:978-1600374609 4821: 4803: 4786:Bluesworld.com 4768: 4752: 4730: 4720:Dave Gritten, 4710: 4697: 4681: 4647: 4623: 4618:Pop Chronicles 4602: 4582: 4569: 4553: 4540: 4530:David Fricke, 4516: 4492: 4479: 4457: 4429: 4408: 4382: 4380: 4377: 4376: 4375: 4370: 4365: 4360: 4353: 4350: 4349: 4348: 4341: 4334: 4327: 4321: 4318: 4312: 4306: 4303: 4300:Curley Bridges 4296: 4289: 4270: 4264: 4261:D. Bartholomew 4254: 4240: 4234: 4228: 4218: 4213: 4210: 4209: 4208: 4197: 4173: 4163: 4151: 4145: 4130: 4118:John Entwistle 4115: 4093: 4084:Little Richard 4077: 4068: 4067:(1971) Bootleg 4056: 4045: 4033: 4030:Beat the Boots 4017: 4006: 3996: 3987: 3981:Little Richard 3978: 3967:You're No Good 3961: 3951: 3938: 3921: 3909:Chubby Checker 3906: 3885: 3872: 3860: 3857: 3856: 3855: 3837: 3826: 3815: 3807:Susan Tedeschi 3804: 3795: 3786: 3776: 3765: 3759: 3756: 3745: 3742:de:Billy Starr 3739: 3716: 3708: 3705: 3702: 3701: 3653: 3651: 3644: 3638: 3637:Cover versions 3635: 3634: 3633: 3630: 3618: 3615: 3614: 3613: 3606: 3599: 3596: 3587: 3584: 3583: 3582: 3576: 3570: 3567: 3561: 3558: 3555: 3546: 3543: 3541: 3538: 3537: 3536: 3529: 3508: 3485: 3482: 3427: 3424: 3388: 3385: 3371: 3365: 3349: 3348: 3322: 3312: 3299: 3298: 3259: 3256: 3211:Joe Hill Louis 3184: 3183: 3168: 3145: 3138: 3117: 3114: 3112: 3106: 3101: 3098: 3018: 3015: 3014: 3013: 3010:Tributo Al Rey 3006: 2999:Bernese German 2992: 2982: 2972: 2969: 2963: 2956: 2945: 2942: 2894:Paul McCartney 2889: 2886: 2833:John Entwistle 2785:Little Richard 2769:Chubby Checker 2756:cover versions 2751: 2748: 2744:Bernese German 2738: 2735: 2731: 2730: 2724: 2723: 2715: 2714: 2711: 2708: 2700: 2699: 2696: 2693: 2685: 2684: 2678: 2675: 2666: 2663: 2660: 2659: 2656: 2646: 2645: 2642: 2626: 2625: 2620: 2613: 2610: 2607: 2606: 2603: 2592: 2591: 2588: 2585:Single Top 100 2580: 2579: 2576: 2568: 2567: 2562: 2554: 2553: 2550: 2547:Single Top 100 2542: 2541: 2536: 2528: 2527: 2524: 2513: 2512: 2507: 2499: 2498: 2495: 2488: 2487: 2484: 2472: 2471: 2468: 2456: 2455: 2452: 2440: 2439: 2436: 2424: 2423: 2420: 2408: 2407: 2404: 2392: 2391: 2388: 2374: 2373: 2370: 2356: 2355: 2352: 2338: 2337: 2334: 2322: 2321: 2318: 2307: 2306: 2303: 2295: 2294: 2291: 2283: 2282: 2279: 2271: 2270: 2265: 2258: 2255: 2250: 2248: 2245: 2225: 2222: 2185: 2182: 2153:Love Me Tender 2064:Emanuel Celler 2038:double-A-sided 2019: 2016: 1975:Peter Nazareth 1935:Rolling Stones 1931:Keith Richards 1907:Don't Be Cruel 1898: 1895: 1809: 1806: 1753: 1750: 1681: 1680: 1677: 1676: 1664: 1663: 1659: 1658: 1655: 1654: 1651: 1650: 1645:Love Me Tender 1641: 1632: 1618: 1617: 1610: 1609: 1603: 1595: 1594: 1589: 1581: 1580: 1575: 1569: 1568: 1557: 1553: 1552: 1547: 1541: 1540: 1531: 1525: 1524: 1521: 1517: 1516: 1506: 1502: 1501: 1498:Don't Be Cruel 1494: 1486: 1485: 1475: 1474: 1471: 1463: 1462: 1455: 1452: 1354: 1353: 1348: 1340: 1339: 1336: 1330: 1329: 1318: 1314: 1313: 1308: 1302: 1301: 1298: 1294: 1293: 1283: 1279: 1278: 1277:"Move Me Baby' 1275: 1267: 1266: 1256: 1255: 1247: 1246: 1239: 1236: 1200:Groove Records 1191:D. Bartholomew 1182: 1179: 1164: 1163: 1152:Curley Bridges 1148: 1133:Eugene Jackson 1123: 1111: 1097: 1080:on drums; and 1042: 1034: 1014: 1011: 996:Joe Hill Louis 975:Joe Hill Louis 960: 959: 919: 916: 910: 907: 864: 863: 860: 846: 827: 816: 805: 774:), recorded a 719: 718:Cover versions 716: 714: 711: 710: 709: 706: 695: 688: 672: 669: 634: 631: 563: 560: 450: 447: 405: 402: 355: 317: 314: 285:s list of the 249:R&B charts 223: 222: 219: 218: 206: 205: 204:Official audio 201: 200: 197: 196: 193: 192: 187: 178: 168: 167: 160: 159: 154: 146: 145: 140: 132: 131: 126: 120: 119: 108: 104: 103: 98: 92: 91: 85: 79: 78: 75: 71: 70: 60: 56: 55: 52: 44: 43: 33: 32: 24: 23: 15: 9: 6: 4: 3: 2: 14870: 14859: 14856: 14854: 14851: 14849: 14846: 14844: 14841: 14839: 14836: 14834: 14831: 14829: 14826: 14824: 14821: 14819: 14816: 14814: 14811: 14809: 14806: 14804: 14801: 14799: 14796: 14794: 14791: 14789: 14786: 14784: 14781: 14779: 14776: 14774: 14771: 14769: 14766: 14764: 14761: 14759: 14756: 14754: 14751: 14749: 14746: 14744: 14741: 14739: 14736: 14735: 14733: 14724: 14723: 14709: 14706: 14705: 14703: 14699: 14692: 14688: 14685: 14681: 14678: 14674: 14671: 14667: 14664: 14660: 14657: 14653: 14650: 14646: 14643: 14639: 14636: 14632: 14629: 14625: 14622: 14618: 14615: 14611: 14608: 14604: 14601: 14597: 14594: 14590: 14589: 14587: 14583: 14577: 14576: 14572: 14571: 14569: 14565: 14559: 14558: 14554: 14552: 14551: 14547: 14545: 14544: 14540: 14538: 14537: 14533: 14531: 14530: 14526: 14525: 14523: 14519: 14513: 14512: 14508: 14506: 14505: 14501: 14500: 14498: 14494: 14488: 14487: 14483: 14481: 14480: 14476: 14474: 14473: 14469: 14467: 14466: 14462: 14460: 14459: 14455: 14453: 14452: 14448: 14446: 14445: 14441: 14439: 14438: 14434: 14432: 14431: 14427: 14425: 14424: 14420: 14419: 14417: 14415:Studio albums 14413: 14406: 14404:Bruce Worrall 14403: 14401: 14398: 14395: 14392: 14389: 14386: 14383: 14382: 14379: 14378: 14374: 14372: 14371: 14370:Tony Mitchell 14367: 14365: 14364: 14360: 14358: 14357: 14353: 14351: 14350: 14346: 14344: 14343: 14339: 14338: 14335: 14331: 14324: 14319: 14317: 14312: 14310: 14305: 14304: 14301: 14289: 14281: 14280: 14277: 14267: 14264: 14260: 14254: 14250: 14244: 14240: 14238: 14235: 14228: 14222: 14215: 14209: 14205: 14203: 14200: 14196: 14190: 14189:In the Ghetto 14186: 14184: 14181: 14179: 14176: 14170: 14166: 14160: 14156: 14150: 14146: 14145:I Was the One 14142: 14139: 14135: 14129: 14125: 14121: 14118: 14114: 14110: 14107: 14103: 14100: 14096: 14092: 14089: 14085: 14081: 14075: 14071: 14067: 14066: 14064: 14058: 14054: 14043: 14039: 14035: 14034: 14032: 14028: 14021: 14017: 14013: 14010: 14006: 14002: 14001: 13999: 13995: 13988: 13984: 13980: 13977: 13973: 13972:For the Heart 13969: 13968: 13966: 13962: 13955: 13951: 13947: 13944: 13943:T-R-O-U-B-L-E 13940: 13937: 13933: 13929: 13928: 13926: 13922: 13915: 13914:It's Midnight 13911: 13910:Promised Land 13907: 13904: 13900: 13896: 13893: 13889: 13885: 13884: 13882: 13878: 13871: 13867: 13863: 13860: 13856: 13852: 13851: 13849: 13845: 13838: 13834: 13833:Separate Ways 13830: 13827: 13823: 13819: 13816: 13812: 13808: 13805: 13801: 13800:He Touched Me 13797: 13794: 13790: 13786: 13785: 13783: 13779: 13772: 13768: 13764: 13761: 13757: 13753: 13750: 13746: 13743: 13739: 13735: 13732: 13728: 13727: 13725: 13721: 13714: 13710: 13706: 13703: 13699: 13695: 13692: 13688: 13687:I've Lost You 13684: 13681: 13677: 13673: 13670: 13669:Kentucky Rain 13666: 13665: 13663: 13659: 13655: 13644: 13643:Rubberneckin' 13640: 13637: 13633: 13630: 13626: 13622: 13619: 13615: 13612: 13608: 13607:In the Ghetto 13604: 13601: 13597: 13594: 13590: 13586: 13585: 13583: 13579: 13572: 13568: 13564: 13561: 13557: 13553: 13550: 13546: 13542: 13539: 13535: 13531: 13528: 13524: 13520: 13517: 13513: 13512: 13510: 13506: 13499: 13495: 13491: 13488: 13484: 13480: 13477: 13473: 13469: 13463: 13459: 13455: 13452: 13448: 13444: 13443: 13441: 13437: 13430: 13426: 13423: 13422:All That I Am 13419: 13415: 13412: 13408: 13405: 13401: 13397: 13394: 13390: 13386: 13385: 13383: 13379: 13372: 13368: 13364: 13361: 13357: 13353: 13350: 13346: 13342: 13340: 13336: 13333: 13329: 13325: 13324: 13322: 13318: 13311: 13307: 13304: 13300: 13296: 13293: 13289: 13285: 13282: 13278: 13274: 13271: 13267: 13266:Kiss Me Quick 13263: 13260: 13256: 13252: 13251: 13249: 13245: 13238: 13234: 13230: 13227: 13223: 13220: 13216: 13212: 13211: 13209: 13205: 13198: 13194: 13190: 13187: 13183: 13180: 13176: 13175:She's Not You 13172: 13169: 13165: 13161: 13160: 13158: 13154: 13147: 13143: 13139: 13136: 13135:Little Sister 13132: 13128: 13125: 13121: 13120:I Feel So Bad 13117: 13114: 13110: 13106: 13105: 13103: 13099: 13092: 13088: 13084: 13081: 13077: 13073: 13070: 13066: 13062: 13061: 13059: 13055: 13051: 13040: 13036: 13032: 13029: 13025: 13021: 13020: 13018: 13014: 13007: 13003: 12999: 12996: 12992: 12989: 12985: 12981: 12978: 12974: 12970: 12967: 12963: 12959: 12958: 12956: 12952: 12942: 12938: 12934: 12931: 12930:Treat Me Nice 12927: 12923: 12917: 12913: 12910: 12906: 12902: 12899: 12895: 12892: 12888: 12884: 12881: 12877: 12873: 12872: 12870: 12866: 12859: 12855: 12851: 12848: 12844: 12840: 12837: 12833: 12829: 12826: 12822: 12819: 12815: 12812: 12811:I Got a Woman 12808: 12805: 12801: 12798: 12794: 12790: 12787: 12783: 12779: 12776: 12772: 12768: 12765: 12764:I Was the One 12761: 12757: 12756: 12754: 12750: 12743: 12742:Mystery Train 12739: 12735: 12732: 12728: 12724: 12723: 12721: 12717: 12710: 12706: 12702: 12699: 12695: 12691: 12688: 12684: 12680: 12679: 12677: 12673: 12669: 12665: 12662: 12661:Elvis Presley 12655: 12650: 12648: 12643: 12641: 12636: 12635: 12632: 12620: 12612: 12611: 12608: 12602: 12599: 12597: 12596: 12592: 12590: 12587: 12585: 12582: 12580: 12577: 12575: 12572: 12570: 12567: 12565: 12562: 12560: 12557: 12555: 12554: 12550: 12548: 12547: 12546:Eight Elvises 12543: 12541: 12538: 12536: 12533: 12531: 12528: 12525: 12521: 12519: 12516: 12514: 12511: 12509: 12506: 12504: 12501: 12499: 12496: 12494: 12491: 12489: 12486: 12484: 12483: 12479: 12477: 12476: 12472: 12470: 12469: 12465: 12463: 12462:Impersonators 12460: 12458: 12455: 12453: 12450: 12449: 12447: 12443: 12437: 12434: 12432: 12429: 12427: 12424: 12422: 12419: 12417: 12414: 12412: 12409: 12407: 12406:Memphis Mafia 12404: 12401: 12399: 12396: 12394: 12391: 12389: 12386: 12384: 12381: 12379: 12378:The Imperials 12376: 12374: 12371: 12369: 12366: 12364: 12361: 12356: 12353: 12348: 12345: 12340: 12337: 12332: 12329: 12328: 12326: 12322: 12316: 12315: 12311: 12309: 12308: 12304: 12302: 12301: 12297: 12295: 12294: 12290: 12288: 12287: 12283: 12281: 12280: 12276: 12275: 12273: 12269: 12263: 12262: 12258: 12256: 12255: 12251: 12248: 12247: 12243: 12241: 12240: 12236: 12235: 12233: 12229: 12223: 12222: 12218: 12216: 12215: 12211: 12209: 12208: 12207:This Is Elvis 12204: 12202: 12201: 12200:Elvis on Tour 12197: 12195: 12194: 12190: 12188: 12187: 12183: 12182: 12180: 12178:Documentaries 12176: 12170: 12169: 12165: 12163:(2023 series) 12162: 12161: 12157: 12154: 12153: 12149: 12147: 12146: 12142: 12139: 12138: 12134: 12132: 12131: 12127: 12125:(1990 series) 12124: 12123: 12119: 12116: 12115: 12111: 12108: 12107: 12103: 12102: 12100: 12096: 12090: 12089: 12085: 12083: 12082: 12078: 12076: 12075: 12071: 12069: 12068: 12064: 12062: 12061: 12057: 12055: 12054: 12050: 12048: 12047: 12043: 12041: 12040: 12036: 12034: 12033: 12029: 12027: 12026: 12022: 12021: 12019: 12015: 12009: 12008: 12004: 12002: 12001: 11997: 11995: 11994: 11990: 11988: 11987: 11983: 11981: 11980: 11976: 11974: 11973: 11969: 11967: 11966: 11962: 11960: 11959: 11955: 11953: 11952: 11948: 11946: 11945: 11941: 11939: 11938: 11934: 11932: 11931: 11927: 11925: 11924: 11920: 11918: 11917: 11913: 11911: 11910: 11906: 11904: 11903: 11899: 11897: 11896: 11892: 11890: 11889: 11885: 11883: 11882: 11878: 11876: 11875: 11871: 11869: 11868: 11864: 11862: 11861: 11857: 11855: 11854: 11850: 11848: 11847: 11843: 11841: 11840: 11836: 11834: 11833: 11829: 11827: 11826: 11822: 11820: 11819: 11815: 11813: 11812: 11808: 11806: 11805: 11801: 11799: 11798: 11794: 11792: 11791: 11787: 11785: 11784: 11780: 11778: 11777: 11773: 11771: 11770: 11766: 11764: 11763: 11759: 11757: 11756: 11752: 11751: 11749: 11745: 11739: 11738: 11734: 11732: 11731: 11727: 11725: 11724: 11720: 11718: 11717: 11713: 11711: 11710: 11706: 11704: 11703: 11699: 11697: 11696: 11692: 11691: 11689: 11687:Budget albums 11685: 11679: 11678: 11674: 11672: 11671: 11667: 11665: 11664: 11660: 11658: 11657: 11653: 11651: 11650: 11646: 11644: 11643: 11639: 11637: 11636: 11632: 11630: 11629: 11625: 11622: 11621: 11617: 11616: 11614: 11610: 11604: 11603: 11599: 11597: 11596: 11592: 11590: 11589: 11585: 11583: 11582: 11578: 11576: 11575: 11571: 11569: 11568: 11564: 11562: 11561: 11557: 11555: 11554: 11550: 11548: 11547: 11543: 11542: 11540: 11536: 11530: 11529: 11525: 11523: 11522: 11518: 11516: 11515: 11511: 11509: 11508: 11504: 11502: 11501: 11497: 11495: 11494: 11490: 11488: 11487: 11483: 11481: 11480: 11476: 11474: 11473: 11469: 11467: 11466: 11462: 11460: 11459: 11455: 11453: 11452: 11448: 11446: 11445: 11441: 11439: 11438: 11434: 11432: 11431: 11427: 11425: 11424: 11420: 11418: 11417: 11413: 11411: 11410: 11406: 11404: 11403: 11399: 11398: 11396: 11392: 11386: 11385: 11381: 11379: 11378: 11374: 11372: 11371: 11367: 11365: 11364: 11363:Promised Land 11360: 11358: 11357: 11353: 11351: 11350: 11346: 11343: 11342: 11338: 11336: 11335: 11334:He Touched Me 11331: 11329: 11328: 11324: 11322: 11321: 11317: 11315: 11314: 11310: 11308: 11307: 11303: 11301: 11300: 11296: 11294: 11293: 11289: 11287: 11286: 11282: 11280: 11279: 11275: 11273: 11272: 11268: 11266: 11265: 11261: 11259: 11258: 11254: 11252: 11251: 11247: 11245: 11244: 11240: 11237: 11236: 11232: 11230: 11229: 11228:Elvis Presley 11225: 11224: 11222: 11220:Studio albums 11218: 11212: 11209: 11207: 11204: 11202: 11199: 11197: 11194: 11192: 11189: 11187: 11184: 11182: 11179: 11178: 11175: 11171: 11170:Elvis Presley 11164: 11159: 11157: 11152: 11150: 11145: 11144: 11141: 11135: 11132: 11131: 11122: 11118: 11114: 11110: 11107: 11106: 11101: 11098: 11094: 11090: 11086: 11083: 11080: 11076: 11073: 11069: 11065: 11062: 11058: 11054: 11051: 11047: 11044: 11040: 11037:Myers, Marc. 11036: 11033: 11029: 11026: 11022: 11019: 11015: 11012: 11011:The Telegraph 11008: 11004: 11001: 10997: 10994: 10990: 10986: 10983: 10979: 10975: 10972: 10968: 10964: 10961: 10957: 10954: 10953:The Telegraph 10950: 10946: 10943: 10939: 10938: 10927: 10922: 10915: 10910: 10896:on 2015-12-22 10895: 10891: 10885: 10871: 10867: 10861: 10847: 10843: 10836: 10822: 10818: 10812: 10805: 10793:. AMMS Alumni 10792: 10785: 10777: 10773: 10767: 10760: 10756: 10750: 10734: 10730: 10726: 10720: 10713: 10707: 10699: 10695: 10689: 10682: 10680: 10674: 10667: 10666:The Billboard 10661: 10654: 10648: 10646: 10638: 10632: 10625: 10619: 10612: 10606: 10598: 10586: 10578: 10571: 10563: 10559: 10553: 10546: 10540: 10533: 10527: 10520: 10516: 10510: 10501: 10494: 10490: 10484: 10477: 10471: 10464: 10459: 10452: 10446: 10439: 10433: 10426: 10420: 10413: 10412: 10405: 10398: 10392: 10390: 10382: 10378: 10375: 10369: 10367: 10365: 10363: 10361: 10353: 10347: 10340: 10337: 10333: 10330: 10327:J.C. Marion, 10324: 10317: 10311: 10304: 10298: 10296: 10288: 10282: 10276: 10270: 10263: 10257: 10250: 10246: 10240: 10234: 10228: 10221: 10220:The Billboard 10215: 10213: 10211: 10209: 10201: 10195: 10193: 10185: 10179: 10172: 10166: 10159: 10158:The Billboard 10154: 10147: 10146:The Billboard 10142: 10135: 10134:The Billboard 10129: 10121: 10117: 10111: 10103: 10096: 10080: 10074: 10067: 10061: 10047: 10043: 10037: 10030: 10026: 10020: 10013: 10009: 10003: 9996: 9990: 9983: 9977: 9970: 9964: 9957: 9951: 9944: 9938: 9931: 9930:The Billboard 9925: 9911: 9907: 9901: 9894: 9888: 9881: 9875: 9868: 9862: 9855: 9849: 9842: 9836: 9829: 9823: 9816: 9815:The Billboard 9810: 9804: 9800: 9793: 9787: 9783: 9776: 9761: 9754: 9752: 9744: 9738: 9731: 9725: 9718: 9712: 9710: 9694: 9690: 9684: 9669: 9665: 9659: 9645: 9641: 9640:"Discography" 9635: 9633: 9626: 9620: 9612: 9608: 9602: 9587: 9583: 9577: 9563:on 2012-10-09 9562: 9558: 9554: 9548: 9534:on 2013-01-28 9533: 9529: 9528: 9523: 9517: 9510: 9506: 9501: 9494: 9490: 9484: 9477: 9473: 9467: 9460: 9456: 9450: 9443: 9439: 9434: 9419: 9417:9780898201727 9413: 9409: 9408: 9401: 9399: 9397: 9395: 9393: 9391: 9389: 9387: 9379: 9375: 9370: 9363: 9360:(in French). 9359: 9353: 9346: 9342: 9336: 9322: 9320:9780646444390 9316: 9312: 9311: 9303: 9287: 9281: 9273: 9269: 9263: 9255: 9251: 9245: 9229: 9228:Neatorama.com 9225: 9219: 9211: 9207: 9201: 9193: 9189: 9183: 9176: 9172: 9166: 9159: 9153: 9139: 9137:9780874366617 9133: 9129: 9128: 9120: 9118: 9103: 9101:9780313341915 9097: 9093: 9092: 9084: 9070:on 2018-04-20 9069: 9065: 9061: 9055: 9048: 9042: 9034: 9028: 9024: 9017: 9010: 9006: 9003: 8997: 8990: 8984: 8977: 8971: 8964: 8958: 8951: 8945: 8938: 8932: 8925: 8921: 8915: 8908: 8902: 8895: 8891: 8888: 8884: 8878: 8862: 8858: 8854: 8848: 8834: 8830: 8824: 8810: 8806: 8800: 8792: 8788: 8782: 8772: 8765: 8759: 8749: 8739: 8733: 8729: 8714: 8710: 8704: 8696: 8692: 8686: 8684: 8668: 8662: 8655: 8652:Ace Collins, 8649: 8647: 8638: 8634: 8628: 8621: 8615: 8606: 8599: 8595: 8592:Robert Fink, 8589: 8587: 8578: 8572: 8568: 8567: 8559: 8550: 8536: 8532: 8526: 8511: 8505: 8497: 8495:0-631-21264-7 8491: 8487: 8483: 8482: 8477: 8471: 8463: 8459: 8453: 8451: 8443: 8440:Jake Austen, 8437: 8435: 8427: 8423: 8420:Robert Fink, 8417: 8411: 8410:1-55652-614-8 8407: 8401: 8395: 8394:1-55652-614-8 8391: 8385: 8371:on 2018-10-09 8370: 8366: 8362: 8356: 8349: 8343: 8329: 8328:Rockabilly.nl 8325: 8319: 8305: 8301: 8295: 8293: 8285: 8279: 8272: 8266: 8259: 8253: 8246: 8240: 8238: 8230: 8224: 8217: 8211: 8204: 8198: 8190: 8186: 8180: 8171: 8156:. p. 235 8155: 8151: 8149: 8141: 8134: 8128: 8121: 8115: 8113: 8096: 8090: 8082: 8080:0-02-864599-5 8076: 8072: 8065: 8050: 8046: 8040: 8033: 8029: 8026:Robert Fink, 8023: 8009: 8005: 7999: 7997: 7981: 7975: 7961: 7957: 7951: 7942: 7933: 7919:on 2007-01-15 7918: 7914: 7908: 7901: 7895: 7888: 7882: 7875: 7871: 7868:Robert Fink, 7865: 7863: 7855: 7849: 7842: 7836: 7829: 7823: 7808: 7802: 7800: 7792: 7786: 7784: 7775: 7771: 7765: 7758: 7753: 7745: 7744:Jazzdisco.org 7741: 7734: 7719: 7713: 7711: 7703: 7697: 7690: 7684: 7677: 7671: 7664: 7658: 7651: 7645: 7638: 7632: 7617: 7613: 7607: 7600: 7594: 7586: 7580: 7573: 7567: 7565: 7563: 7561: 7553: 7548: 7546: 7538: 7532: 7525: 7519: 7517: 7502:on 2018-07-31 7501: 7497: 7493: 7487: 7473:on 2015-12-22 7472: 7468: 7464: 7458: 7451: 7445: 7443: 7435: 7432:Ace Collins, 7429: 7420: 7406:on 2012-02-04 7405: 7401: 7395: 7393: 7385: 7379: 7372: 7366: 7359: 7355: 7351: 7347: 7344: 7342: 7335: 7320: 7314: 7308: 7304: 7297: 7282:on 2013-05-23 7281: 7277: 7271: 7264: 7263:The Billboard 7258: 7251: 7245: 7239: 7235: 7228: 7221: 7216: 7209: 7208:The Billboard 7204: 7190: 7186: 7180: 7178: 7163:on 2015-12-22 7162: 7158: 7152: 7145:. p. 23. 7144: 7143:The Billboard 7137: 7135: 7126: 7122: 7116: 7108: 7104: 7097: 7089: 7085: 7078: 7071: 7065: 7058: 7052: 7050: 7048: 7040: 7034: 7018: 7017: 7012: 7006: 6992:on 2016-06-06 6991: 6987: 6985: 6977: 6969: 6965: 6958: 6950: 6946: 6940: 6933: 6927: 6911: 6907: 6903: 6897: 6890: 6889:The Billboard 6884: 6876: 6872: 6866: 6852: 6848: 6842: 6840: 6838: 6830: 6826: 6821: 6819: 6810: 6806: 6800: 6792: 6788: 6782: 6775: 6769: 6754: 6750: 6744: 6742: 6726: 6722: 6716: 6714: 6712: 6710: 6708: 6700: 6694: 6687: 6681: 6679: 6671: 6665: 6663: 6647: 6643: 6637: 6635: 6627: 6621: 6619: 6611: 6610:The Billboard 6605: 6598: 6592: 6590: 6582: 6579: 6575: 6572: 6566: 6564: 6562: 6554: 6548: 6546: 6538: 6532: 6530: 6522: 6521:The Billboard 6516: 6514: 6499: 6495: 6489: 6487: 6479: 6473: 6471: 6464:(1954) p. 41. 6463: 6457: 6455: 6447: 6444:John Broven, 6441: 6439: 6431: 6425: 6423: 6414: 6410: 6404: 6397: 6391: 6389: 6387: 6385: 6377: 6371: 6369: 6361: 6355: 6353: 6345: 6344:The Billboard 6340: 6338: 6330: 6326: 6321: 6319: 6304:on 2015-12-22 6303: 6299: 6295: 6289: 6287: 6285: 6283: 6281: 6279: 6277: 6275: 6273: 6271: 6269: 6267: 6265: 6263: 6261: 6259: 6251: 6245: 6243: 6241: 6239: 6237: 6235: 6228: 6227:0-8128-2909-3 6224: 6218: 6204:on 2012-02-05 6203: 6199: 6193: 6179: 6175: 6169: 6167: 6160: 6156: 6149: 6146: 6140: 6138: 6136: 6120: 6116: 6110: 6103: 6102:The Billboard 6097: 6089: 6085: 6079: 6077: 6062:on 2013-07-07 6061: 6057: 6051: 6036: 6032: 6026: 6020: 6016: 6001: 6000: 5995: 5989: 5981: 5977: 5970: 5955: 5951: 5945: 5938: 5933: 5926: 5920: 5913: 5907: 5900: 5894: 5887: 5881: 5874: 5873:The Billboard 5869: 5867: 5859: 5858:The Billboard 5854: 5847:. April 1953. 5846: 5842: 5836: 5830: 5826: 5819: 5818:The Billboard 5813: 5799:on 2016-03-07 5798: 5794: 5790: 5784: 5769: 5768:Rolling Stone 5765: 5759: 5743: 5739: 5733: 5718: 5714: 5708: 5706: 5690: 5686: 5680: 5673: 5672:Rolling Stone 5669: 5664: 5648: 5644: 5638: 5630: 5626: 5620: 5612: 5608: 5602: 5600: 5591: 5587: 5581: 5573: 5569: 5563: 5555: 5551: 5545: 5538: 5533: 5531: 5523: 5522:Rolling Stone 5518: 5511: 5505: 5498: 5492: 5485: 5482:John Broven, 5479: 5472: 5466: 5459: 5455: 5451: 5448: 5442: 5435: 5434:The Billboard 5429: 5422: 5416: 5409: 5403: 5396: 5393:Arnold Shaw, 5390: 5376:on 2011-06-04 5375: 5371: 5369: 5361: 5359: 5357: 5355: 5353: 5345: 5339: 5337: 5335: 5333: 5325: 5320: 5305: 5299: 5285: 5281: 5275: 5273: 5271: 5269: 5262: 5257: 5256: 5248: 5241: 5235: 5233: 5225: 5221: 5218:Robert Fink, 5215: 5208: 5204: 5199: 5197: 5189: 5183: 5181: 5179: 5171: 5167: 5164:Robert Fink, 5161: 5159: 5151: 5145: 5138: 5132: 5125: 5119: 5112: 5108: 5102: 5095: 5091: 5085: 5078: 5072: 5065: 5062:Johnny Otis, 5059: 5043: 5039: 5033: 5026: 5020: 5013: 5009: 5006: 5000: 4986:on 2017-02-04 4985: 4981: 4979: 4971: 4964: 4958: 4956: 4954: 4945: 4940: 4939: 4930: 4922: 4916: 4912: 4908: 4904: 4903: 4900: 4893: 4891: 4889: 4887: 4885: 4883: 4881: 4879: 4877: 4875: 4873: 4866: 4861: 4846: 4842: 4835: 4833: 4824: 4818: 4814: 4807: 4791: 4787: 4783: 4782:"BLUES WORLD" 4777: 4775: 4773: 4765: 4761: 4756: 4749: 4748:The Telegraph 4745: 4739: 4737: 4735: 4727: 4726:The Telegraph 4723: 4717: 4715: 4707: 4701: 4694: 4688: 4686: 4678: 4672: 4670: 4668: 4666: 4664: 4662: 4660: 4658: 4656: 4654: 4652: 4644: 4638: 4636: 4634: 4632: 4630: 4628: 4620: 4619: 4614: 4609: 4607: 4599: 4595: 4589: 4587: 4579: 4573: 4566: 4560: 4558: 4550: 4544: 4537: 4536:Rolling Stone 4533: 4527: 4525: 4523: 4521: 4513: 4507: 4505: 4503: 4501: 4499: 4497: 4489: 4483: 4468: 4461: 4446: 4445: 4440: 4433: 4418: 4412: 4397: 4393: 4387: 4383: 4374: 4371: 4369: 4366: 4364: 4361: 4359: 4356: 4355: 4346: 4342: 4339: 4335: 4332: 4328: 4325: 4322: 4319: 4316: 4313: 4310: 4307: 4304: 4301: 4297: 4294: 4290: 4287: 4283: 4279: 4275: 4271: 4268: 4265: 4262: 4259:"Play Girl" ( 4258: 4255: 4252: 4248: 4244: 4243:Chuck Higgins 4241: 4238: 4235: 4232: 4229: 4226: 4222: 4219: 4216: 4215: 4206: 4205: 4201: 4198: 4195: 4194:Acoustic Disc 4191: 4190: 4185: 4181: 4180:John Hartford 4177: 4176:David Grisman 4174: 4171: 4170:Tiny Tim Rock 4167: 4164: 4161: 4160: 4155: 4152: 4149: 4146: 4143: 4139: 4138: 4134: 4131: 4128: 4127:Track Records 4124: 4123: 4119: 4116: 4113: 4109: 4105: 4101: 4097: 4094: 4091: 4090: 4086:on the album 4085: 4081: 4078: 4075: 4072: 4071:Conway Twitty 4069: 4066: 4065: 4060: 4057: 4054: 4053: 4049: 4048:Vanilla Fudge 4046: 4043: 4042: 4037: 4034: 4031: 4027: 4021: 4018: 4015: 4014: 4010: 4007: 4004: 4001: 3997: 3994: 3991: 3988: 3985: 3982: 3979: 3976: 3975:I Need You So 3972: 3968: 3965: 3964:Betty Everett 3962: 3959: 3958:Coconut Grove 3955: 3952: 3949: 3945: 3942: 3939: 3937: 3933: 3929: 3925: 3922: 3919: 3915: 3914: 3910: 3907: 3904: 3900: 3896: 3892: 3889: 3886: 3883: 3879: 3876: 3873: 3870: 3866: 3863: 3862: 3853: 3852:Antoine Fuqua 3849: 3845: 3841: 3838: 3835: 3834: 3830: 3829:Robert Palmer 3827: 3824: 3823: 3819: 3816: 3813: 3812: 3808: 3805: 3803:(1982: Demon) 3802: 3799: 3796: 3793: 3790: 3787: 3784: 3780: 3777: 3774: 3770: 3766: 3763: 3760: 3757: 3754: 3750: 3746: 3743: 3740: 3737: 3733: 3729: 3725: 3721: 3717: 3714: 3713:Little Esther 3711: 3710: 3698: 3695: 3687: 3677: 3672: 3670: 3664: 3660: 3659: 3652: 3643: 3642: 3631: 3628: 3624: 3621: 3620: 3617:Elvis Presley 3611: 3607: 3604: 3600: 3597: 3594: 3590: 3589: 3580: 3577: 3574: 3571: 3568: 3565: 3562: 3559: 3556: 3553: 3549: 3548: 3534: 3530: 3527: 3523: 3522:Austin Butler 3519: 3518: 3513: 3509: 3506: 3505: 3500: 3496: 3492: 3488: 3487: 3481: 3479: 3475: 3471: 3467: 3465: 3455: 3453: 3452:Federal Court 3450: 3446: 3441: 3437: 3433: 3423: 3421: 3416: 3414: 3410: 3406: 3402: 3401:Little Esther 3398: 3394: 3384: 3381: 3377: 3369: 3364: 3358: 3354: 3353:Little Esther 3345: 3340: 3339: 3338: 3336: 3332: 3328: 3320: 3316: 3311: 3308: 3304: 3296: 3292: 3288: 3284: 3280: 3276: 3275: 3274: 3272: 3271: 3266: 3255: 3253: 3247: 3245: 3241: 3236: 3233:On March 28, 3231: 3229: 3225: 3219: 3214: 3212: 3209: 3205: 3201: 3197: 3193: 3189: 3181: 3177: 3173: 3172:Chuck Higgins 3169: 3166: 3162: 3161:Little Walter 3158: 3154: 3153:Chess Records 3150: 3146: 3143: 3139: 3136: 3132: 3128: 3127: 3126: 3122: 3110: 3105: 3097: 3095: 3087: 3086: 3081: 3076: 3074: 3071: 3067: 3063: 3059: 3055: 3054: 3049: 3045: 3041: 3037: 3033: 3029: 3028:Chicano music 3025: 3012:(1997: Picap) 3011: 3007: 3004: 3000: 2996: 2993: 2990: 2986: 2983: 2980: 2976: 2973: 2970: 2967: 2964: 2961: 2957: 2954: 2951: 2950: 2949: 2941: 2939: 2935: 2934:Tony Sheridan 2931: 2927: 2923: 2919: 2915: 2911: 2907: 2903: 2899: 2895: 2885: 2883: 2879: 2875: 2870: 2868: 2867: 2862: 2858: 2857:John Hartford 2854: 2853:David Grisman 2850: 2846: 2842: 2838: 2834: 2830: 2826: 2822: 2821:Conway Twitty 2818: 2814: 2813:Vanilla Fudge 2810: 2806: 2805:The Easybeats 2802: 2798: 2794: 2790: 2786: 2782: 2781:Betty Everett 2778: 2774: 2770: 2766: 2762: 2757: 2747: 2745: 2729: 2722: 2716: 2712: 2709: 2706: 2701: 2697: 2694: 2691: 2686: 2682: 2677:Certification 2672: 2657: 2654: 2653: 2648: 2647: 2643: 2640: 2639: 2634: 2633: 2628: 2627: 2619:Chart (1956) 2617: 2604: 2601: 2597: 2594: 2593: 2589: 2586: 2583:Netherlands ( 2582: 2581: 2577: 2574: 2570: 2569: 2561:Chart (2007) 2559: 2551: 2548: 2545:Netherlands ( 2544: 2543: 2535:Chart (1974) 2533: 2525: 2522: 2518: 2515: 2514: 2506:Chart (1971) 2504: 2496: 2494: 2490: 2489: 2485: 2483: 2480: 2479: 2474: 2473: 2469: 2467: 2464: 2463: 2458: 2457: 2453: 2451: 2448: 2447: 2442: 2441: 2437: 2435: 2432: 2431: 2426: 2425: 2421: 2419: 2416: 2415: 2410: 2409: 2405: 2403: 2400: 2399: 2394: 2393: 2389: 2387: 2386: 2382: 2381: 2376: 2375: 2371: 2369: 2368: 2364: 2363: 2358: 2357: 2353: 2351: 2350: 2346: 2345: 2340: 2339: 2335: 2333: 2330: 2329: 2324: 2323: 2319: 2316: 2312: 2309: 2308: 2304: 2301: 2297: 2296: 2292: 2289: 2285: 2284: 2280: 2277: 2273: 2272: 2262: 2257:Weekly charts 2254: 2253: 2244: 2242: 2240: 2235: 2234:Rolling Stone 2231: 2221: 2219: 2214: 2209: 2206: 2201: 2200: 2195: 2191: 2181: 2177: 2175: 2171: 2167: 2163: 2158: 2154: 2150: 2146: 2140: 2135:… It was just 2129: 2117: 2113: 2109: 2105: 2101: 2100: 2095: 2091: 2087: 2083: 2082:Frank Sinatra 2078: 2075: 2071: 2070: 2065: 2060: 2058: 2054: 2046: 2041: 2039: 2035: 2030: 2025: 2015: 2013: 2008: 2002: 2000: 1996: 1992: 1988: 1978: 1976: 1972: 1965: 1941: 1936: 1932: 1928: 1924: 1920: 1916: 1912: 1908: 1904: 1894: 1891: 1890: 1885: 1880: 1878: 1874: 1870: 1865: 1864: 1858: 1856: 1855: 1850: 1846: 1842: 1838: 1834: 1829: 1826: 1822: 1817: 1816: 1805: 1803: 1799: 1794: 1792: 1784: 1780: 1776: 1772: 1768: 1762: 1760: 1748: 1743: 1740: 1737:, during the 1736: 1731: 1728: 1722: 1720: 1719:D. J. Fontana 1716: 1710: 1708: 1707:Shecky Greene 1705:and comedian 1704: 1700: 1696: 1692: 1688: 1678: 1675: 1671: 1665: 1660: 1656: 1646: 1642: 1637: 1633: 1628: 1624: 1623: 1619: 1615: 1614:Elvis Presley 1611: 1608: 1604: 1601: 1596: 1593: 1590: 1587: 1586:Songwriter(s) 1582: 1579: 1576: 1574: 1570: 1558: 1554: 1551: 1550:Rock and roll 1548: 1546: 1542: 1539: 1538:New York City 1535: 1532: 1530: 1526: 1522: 1518: 1507: 1503: 1499: 1495: 1492: 1487: 1484: 1483:Elvis Presley 1480: 1476: 1469: 1464: 1459: 1451: 1449: 1445: 1441: 1437: 1436:Rock 'n' Roll 1434: 1429: 1424: 1422: 1418: 1417: 1412: 1409: 1405: 1401: 1397: 1393: 1389: 1383: 1381: 1375: 1373: 1369: 1365: 1361: 1352: 1349: 1346: 1345:Songwriter(s) 1341: 1337: 1335: 1331: 1319: 1315: 1312: 1311:Rock and roll 1309: 1307: 1303: 1299: 1295: 1284: 1280: 1276: 1273: 1268: 1265: 1261: 1257: 1253: 1248: 1243: 1235: 1230: 1228: 1224: 1220: 1214: 1212: 1211:Select-o-Hits 1208: 1203: 1201: 1197: 1192: 1188: 1178: 1169: 1161: 1157: 1153: 1149: 1147:label (421A). 1146: 1142: 1138: 1137:Juanita Moore 1134: 1130: 1129: 1124: 1120: 1116: 1112: 1109: 1105: 1104:Chuck Higgins 1101: 1098: 1095: 1091: 1087: 1083: 1079: 1075: 1071: 1067: 1066:Little Walter 1063: 1059: 1055: 1054:Chess Records 1051: 1047: 1046:Leonard Chess 1043: 1040: 1035: 1032: 1028: 1024: 1020: 1019: 1018: 1010: 1008: 1004: 999: 997: 987: 978: 976: 973: 969: 965: 954:point of view 953: 945: 944: 943: 941: 937: 933: 929: 925: 915: 906: 904: 900: 899:Robert Palmer 896: 892: 888: 883: 880: 875: 873: 869: 861: 858: 854: 853:Western swing 851: 847: 844: 840: 836: 832: 828: 825: 821: 817: 814: 810: 806: 802: 798: 797: 792: 788: 784: 780: 777: 773: 769: 765: 761: 757: 753: 749: 745: 744: 743: 741: 736: 734: 730: 726: 725:Little Esther 707: 704: 700: 696: 693: 689: 686: 685:Rolling Stone 682: 681: 680: 678: 668: 666: 662: 658: 654: 650: 641: 630: 628: 627:Rolling Stone 624: 623:Spark Records 620: 615: 610: 606: 601: 600: 595: 592: 587: 582: 578: 577: 571: 569: 559: 557: 551: 546: 544: 539: 535: 530: 528: 523: 519: 514: 504: 500: 495: 493: 489: 485: 481: 477: 473: 467: 462: 460: 456: 446: 444: 439: 435: 433: 429: 425: 424: 419: 418:desegregation 415: 411: 401: 398: 392: 388: 384: 378: 376: 372: 364: 353: 351: 346: 341: 340: 339:Rolling Stone 335: 331: 327: 323: 313: 311: 307: 303: 299: 294: 292: 288: 281: 280: 279:Rolling Stone 275: 274:Elvis Presley 270: 268: 264: 259: 258:Rolling Stone 254: 250: 246: 242: 238: 234: 230: 220: 217: 213: 207: 202: 198: 188: 183: 179: 174: 173: 169: 165: 161: 158: 155: 152: 147: 144: 141: 138: 137:Songwriter(s) 133: 130: 127: 125: 121: 109: 105: 102: 99: 97: 93: 90:, Los Angeles 89: 86: 84: 80: 76: 72: 61: 57: 53: 50: 45: 42: 38: 34: 30: 25: 20: 14828:1973 singles 14753:1956 singles 14748:1955 singles 14743:1953 singles 14720: 14649:Silvery Moon 14573: 14555: 14548: 14543:Track Record 14541: 14534: 14527: 14521:Compilations 14509: 14502: 14484: 14477: 14470: 14463: 14456: 14449: 14442: 14435: 14428: 14421: 14396:Danny Taylor 14377:Harvey James 14375: 14368: 14363:Garth Porter 14361: 14354: 14347: 14340: 13822:Burning Love 13742:Only Believe 13494:Big Boss Man 13411:Love Letters 13371:Wooden Heart 13292:Never Ending 13288:Such a Night 13281:What'd I Say 13091:I Gotta Know 13065:Stuck on You 12966:I Beg of You 12887:All Shook Up 12797:Tutti Frutti 12785: 12593: 12553:Triple Elvis 12551: 12544: 12480: 12475:Elvis and Me 12473: 12466: 12436:Larry Geller 12431:Ginger Alden 12402:June Juanico 12393:J. D. Sumner 12363:Sam Phillips 12339:Riley Keough 12312: 12305: 12298: 12291: 12286:All Shook Up 12284: 12277: 12259: 12252: 12244: 12237: 12219: 12212: 12205: 12198: 12191: 12184: 12166: 12158: 12150: 12143: 12135: 12128: 12120: 12117:(miniseries) 12114:Elvis and Me 12113: 12104: 12086: 12079: 12072: 12065: 12058: 12051: 12044: 12037: 12030: 12023: 12005: 11998: 11991: 11984: 11977: 11970: 11963: 11956: 11949: 11942: 11937:Elvis at Sun 11935: 11928: 11921: 11914: 11907: 11900: 11893: 11886: 11879: 11872: 11865: 11858: 11851: 11844: 11837: 11830: 11823: 11816: 11809: 11802: 11795: 11788: 11781: 11774: 11767: 11760: 11753: 11735: 11728: 11721: 11714: 11707: 11700: 11693: 11675: 11668: 11661: 11654: 11647: 11640: 11633: 11626: 11623:(1968 album) 11618: 11600: 11593: 11586: 11579: 11572: 11567:Flaming Star 11565: 11558: 11551: 11544: 11526: 11519: 11512: 11505: 11498: 11491: 11484: 11477: 11472:Harum Scarum 11470: 11463: 11456: 11449: 11442: 11435: 11428: 11421: 11414: 11407: 11400: 11382: 11375: 11368: 11361: 11354: 11347: 11344:(1973 album) 11339: 11332: 11325: 11318: 11311: 11304: 11297: 11290: 11283: 11276: 11269: 11262: 11255: 11248: 11241: 11238:(1956 album) 11233: 11226: 11111:Wynne, Ben. 11103: 11082:Soundaffects 11081: 11071: 11060: 11049: 11042: 11031: 11024: 11017: 11010: 10999: 10992: 10982:Revue Ecolle 10981: 10970: 10959: 10952: 10925: 10921: 10913: 10909: 10898:. 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Retrieved 4395: 4386: 4344: 4292: 4285: 4281: 4277: 4274:Rosco Gordon 4257:Smiley Lewis 4202: 4200:James Taylor 4187: 4169: 4157: 4154:Eric Clapton 4148:Carl Perkins 4135: 4120: 4107: 4087: 4080:Jimi Hendrix 4073: 4061: 4059:Van Morrison 4050: 4039: 4036:Jimi Hendrix 4029: 4022: 4011: 4009:Junior Wells 4003:Rock 'n Soul 4002: 3992: 3990:The Surfaris 3983: 3974: 3970: 3966: 3943: 3927: 3917: 3911: 3898: 3894: 3890: 3882:Tops Records 3877: 3868: 3865:Gene Vincent 3843: 3831: 3820: 3809: 3800: 3798:James Booker 3791: 3782: 3772: 3769:Chicago Rock 3768: 3753:Merle Travis 3690: 3684:October 2019 3681: 3674:Please help 3669:WP:SONGCOVER 3666: 3655: 3622: 3609: 3602: 3592: 3578: 3572: 3563: 3551: 3515: 3502: 3490: 3472: 3468: 3463: 3456: 3435: 3429: 3419: 3417: 3390: 3375: 3373: 3367: 3356: 3350: 3334: 3330: 3326: 3324: 3318: 3314: 3300: 3294: 3290: 3286: 3282: 3278: 3268: 3261: 3251: 3248: 3239: 3234: 3232: 3223: 3221: 3216: 3200:Sam Phillips 3195: 3188:Rufus Thomas 3185: 3135:King Records 3123: 3119: 3108: 3103: 3083: 3077: 3061: 3051: 3020: 3009: 3002: 2985:Angela Ro Ro 2978: 2975:Lucky Blondo 2947: 2921: 2891: 2871: 2864: 2845:James Taylor 2841:Eric Clapton 2837:Carl Perkins 2817:Van Morrison 2809:Jimi Hendrix 2797:Junior Wells 2789:The Surfaris 2761:Gene Vincent 2753: 2740: 2727: 2718: 2710:4× Platinum 2650: 2649:US Singles ( 2636: 2630: 2476: 2460: 2444: 2428: 2412: 2396: 2383: 2378: 2365: 2360: 2347: 2342: 2326: 2238: 2233: 2227: 2218:Moon landing 2210: 2204: 2197: 2194:Pearl Harbor 2187: 2178: 2156: 2141: 2097: 2079: 2069:Melody Maker 2067: 2061: 2042: 2033: 2028: 2021: 2011: 2004: 1980: 1970: 1967: 1943: 1902: 1900: 1887: 1883: 1881: 1877:Basset Hound 1861: 1859: 1852: 1830: 1813: 1811: 1801: 1795: 1782: 1779:Louis Jordan 1763: 1755: 1745: 1732: 1723: 1715:Scotty Moore 1711: 1687:Sands Casino 1684: 1635: 1523:July 2, 1956 1447: 1443: 1439: 1435: 1427: 1425: 1421:Wing Records 1414: 1410: 1403: 1400:Rufus Thomas 1384: 1376: 1364:Freddie Bell 1357: 1232: 1227:Eddie Vinson 1223:Rosco Gordon 1218: 1216: 1204: 1187:Smiley Lewis 1184: 1167: 1165: 1141:John Dolphin 1135:and actress 1131:child actor 1126: 1118: 1094:Elmore James 1089: 1074:Willie Dixon 1030: 1027:King Records 1016: 1002: 1000: 989: 980: 964:Rufus Thomas 961: 951: 932:Sam Phillips 927: 921: 912: 890: 884: 876: 871: 865: 857:Tommy Duncan 842: 835:Merle Travis 800: 794: 772:steel guitar 739: 737: 732: 721: 684: 674: 664: 663:on an album 636: 626: 619:answer songs 616: 608: 604: 597: 590: 586:Rufus Thomas 574: 572: 567: 565: 553: 548: 543:syncopations 531: 526: 515: 496: 480:King Records 469: 464: 458: 452: 440: 436: 421: 413: 407: 399: 379: 367: 356: 337: 319: 306:Rufus Thomas 302:answer songs 300:by the many 295: 277: 271: 257: 228: 226: 181: 54:"Night Mare" 14708:Discography 14656:Summer Love 14496:Live albums 14407:John Watson 14356:Alan Sandow 14259:Susan Boyle 14113:Loving Arms 13749:I'm Leavin' 13702:Patch It Up 13611:Any Day Now 13389:Tell Me Why 13328:Do the Clam 13259:It Hurts Me 13006:I Got Stung 12995:King Creole 12804:Money Honey 12530:Elvis Radio 12271:Stage shows 12231:TV specials 12160:Agent Elvis 12155:(2022 film) 12109:(1979 film) 11930:2nd to None 11723:I Got Lucky 11612:Live albums 11581:Kid Galahad 11423:Blue Hawaii 11409:King Creole 11115:LSU Press. 10797:February 6, 10776:Variety.com 10593:|last= 10577:"Billboard" 10120:Popsike.com 9362:Ultratop 50 9345:Ultratop 50 8669:. Bbc.co.uk 8146:"Birnbaum, 7852:Don Tyler, 7774:Bsnpubs.com 7369:Otto Fuchs, 7343:Redita 131" 6902:"Labels-3a" 6498:Bsnpubs.com 6428:Rob Bowman 6084:"Betsy Gay" 5647:Discogs.com 5261:popsike.com 5048:February 9, 4911:65, 111–112 4909:. pp. 4396:Olemiss.edu 4324:Mickey Katz 4225:Bob Merrill 4184:Mike Seeger 4142:RCA Records 4137:Tokyo Tapes 4096:John Lennon 3969:(Retitled: 3948:Dot Records 3926:(UK: 1962) 3811:Better Days 3732:Chet Atkins 3678:if you can. 3601:"Hound Dog" 3554:]-Otis. 3540:Discography 3426:Proceedings 3370:(1956–1957) 3258:Proceedings 3228:Sun Records 3192:Sun Studios 3180:Jake Porter 3038:released a 3036:Mickey Katz 2953:Ralf Bendix 2926:John Lennon 2902:The Beatles 2898:John Lennon 2861:Mike Seeger 2825:John Lennon 2332:The Hot 100 2300:Ultratop 50 2288:Ultratop 50 2274:Australia ( 2162:Bing Crosby 2145:Boyz II Men 2034:Billboard's 2029:Billboard's 1999:Sex Pistols 1989:rage – the 1927:Jordanaires 1849:Steve Allen 1845:Ed Sullivan 1821:guitar solo 1662:Music video 1600:Producer(s) 1461:"Hound Dog" 1360:Bernie Lowe 1245:"Hound Dog" 1156:Bob Geddins 1115:Bob Geddins 1100:Jake Porter 1007:Sun Records 924:Sun Studios 791:Bob Merrill 764:lead guitar 760:Chet Atkins 640:Phil Warren 633:Re-releases 345:Furry Lewis 322:Johnny Otis 211:"Hound Dog" 157:Johnny Otis 151:Producer(s) 22:"Hound Dog" 14738:1952 songs 14732:Categories 14642:Slipstream 14504:In Concert 14486:Shaping Up 14437:Slipstream 14390:Tony Leigh 14106:Guitar Man 14060:Posthumous 13983:Moody Blue 13516:Guitar Man 13393:Blue River 13237:Witchcraft 13113:Lonely Man 12909:Loving You 12334:(daughter) 12307:Viva Elvis 11958:Elvis Rock 11521:Viva Elvis 11465:Girl Happy 11458:Roustabout 11416:G.I. 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