142:
494:, he became convinced that any future for microtonality would have to involve first and foremost the development of microtonal fixed-pitch instruments (for example keyboard percussion instruments) and the adoption of satisfactory designs by commercial instrument builders. Following his own second prototype quartertone marimba extension the design was taken up by the Dutch company, Adams, who produce them on special order.
27:
438:(1986), which he toured extensively with the soprano, Sara Stowe and the sound engineer, John Whiting. All of these pieces were also recorded for CD and released by Continuum. He was artistic director of the 1988 and 1990 Percussion Festivals in London, and also devised two BBC TV documentaries on percussion in the BBC Two series
445:
One of
Friedrich Hommelâs principal aims as Director of the DarmstĂ€dter Ferienkurse had always been to establish the courses as a centre for the rapidly evolving world of percussion. To this end he commissioned Wood to write a large-scale work for percussion ensemble which would make full use of the
356:
With NLCC Wood undertook numerous CD recordings, many of which were world premiere recordings: these included music by Eric
Bergman (Chandos), Lili Boulanger (Hyperion), Ruth Crawford Seeger (Deutsche Grammophon), Giacinto Scelsi (Una Corda), Frank Denyer (Continuum), Iannis Xenakis (Hyperion) and
512:
This experience led to the idea of engaging in some kind of research and training programme for instrumentalists in microtonal performance, and so in 1990 Wood founded London's first Centre for
Microtonal Music, and its ensemble, Critical Band. The purpose of the Microtonal Centre was to research
641:
Wood's increasing activity in mainland Europe eventually led, in 2007, to his decision to leave
England for Germany. Since then Wood has continued to work regularly with choirs and ensembles throughout Europe, notably the Netherlands Radio Choir, musikFabik, Berlin Radio Choir,
525:
in London, which held a
Weekend of Microtonal Music, 'In Tune?', in 1990, 1991 and 1992. Aside from its presence at the 'In Tune?' Festivals, the ensemble 'Critical Band' undertook several recordings, concerts and tours, including a CD of three of Wood's own compositions:
513:
instrumental microtonal playing techniques, to teach these to young musicians whilst at the same time educating composers in the historical, theoretical, emotional and practical implications of microtonality. The initiative involved the collaboration of the
425:
as
Professor of Percussion from 1982. He retained this position throughout the Hommel years until 1994. During this time he pioneered a wide range of new for solo percussion and percussion ensemble, including many new pieces of his own, such as
1342:
Steven Schick, James Wood (solo percussionists), Darmstadt
Percussion Ensemble, Cornwall Percussion Ensemble, Eleanor Alberga, Helen Crayford, Paul Webster, Clive Williamson (synthesizers), John Whiting (sound projection)
361:, and Dallapiccola for Erato. Their 1990 Hyperion recording of Stravinskyâs Les Noces (performed in collaboration with the choir of the Institute of the Arts, Voronezh, Russia) was voted âbest available recordingâ in
538:
This latter work was also premiered by
Critical Band at the 1995 BBC Proms (September 11). But after the late 1990s, both the Centre for Microtonal Music and Critical Band became disbanded through lack of funding.
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546:
provided a perfect medium in which to explore his love for both microtonality and new sounds, Wood decided to immerse himself more fully in this world, and in 1996 undertook a major project at
55:
742:
Following a joint commission from the Dutch
Ensemble, Insomnio, the Stichting De Vrede van Utrecht and the Eduard Van Beinum Stichting, Wood then undertook a collaboration with the writer,
497:
But outside the realm of purely fixed-pitch instruments, Wood was also active in writing microtonal music for conventional instruments â this led to one of Woodâs largest-scale works,
200:, a post which he held until 1981, and immediately following this he founded the New London Chamber Choir, of which he was principal conductor for twenty-six years until moving to
758:â a project which lasted three years, from 2011 until 2014. At the same time he completed several new works for percussion, including a 35-minute work for percussion ensemble,
188:, from 1975 until 1976. After a further year studying percussion privately with Nicholas Cole, Wood embarked on a triple career as percussionist, composer and conductor.
2035:
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Alongside his activities as a conductor and composer, Wood was also active as a percussionist in many contemporary ensembles including
Lontano, Gemini, Matrix (director
765:
Since 2008 Wood has directed the Tenso Young Composers Workshops, designed to help and encourage young composers from all over Europe in composing for chamber choir.
2009:
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Prize (Choir Recording of the Year) together with Vocalconsort Berlin for their Harmonia Mundi recording of Woodâs reconstruction of Gesualdoâs
59:
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and Wood himself. He was also responsible for the commissioning many new works (many of which included electronics) from composers including
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in a recording of Stravinskyâs The Flood and Requiem Canticles. In 1988, Wood helped devise a BBC Two documentary about Lili Boulanger â
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454:, a 65-minute work for two percussion soloists, two percussion ensembles, four synthesizers and electronics. The two soloists were
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During his time with NLCC he pioneered a large amount of little-known choral music from a wide range of composers, including
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160:) is a British conductor, composer of contemporary classical music and former percussionist. Wood studied composition with
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501:, for large orchestra. Commissioned by the BBC for the 1989 Proms (9 August), this 30-minute work was performed by the
2156:
2013:
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From the mid-1990s, Wood also started to receive conducting invitations from several European ensembles, including
77:
735:. Released in February 2013, the recording went on to receive universal critical acclaim, and was awarded the
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1983:
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718:(for large chorus and percussion quartet) with the MDR Rundfunkchor in Leipzig in November 2014.
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in ZĂŒrich, performed this time by the Krakow Radio Orchestra, again conducted by the composer.
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large number of talented young percussionists from all over the world who were coming to
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From 2008 until 2011, he undertook the reconstruction of the two missing voices of the
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349:(for 18 solo voices, 17 instruments and electronics) and his large-scale church opera,
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Concerto for quartertone marimba (and various wooden instruments) and 15 instruments
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conducted by Wood himself. The work was subsequently selected for performance at the
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Opera for soprano, baritone, chorus, ensemble, percussion ensemble and electronics
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with the Netherlands Radio Choir. In 2011, he conducted the same work as part of
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Sara Stowe (soprano), James Wood (percussion), John Whiting (sound projection)
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2 solo percussionists, 2 percussion ensembles, 4 synthesizers and electronics
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2036:"Gesualdo, Sacrae Cantiones, Liber Secundus, VocalConsort Berlin, James Wood"
1958:
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654:, as well as remaining prolific as a composer. Notable performances include
618:, as well as the Tokyo Philharmonic Choir. In 2002, he worked closely with
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341:. Many of Woodâs own works were also specially written for NLCC, including
245:
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James Wood himself. They also recorded music of Poulenc, and JanĂĄÄek, for
1451:
Steven Schick (solo percussion), Critical Band (conducted by James Wood)
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Kuniko Kato (quartertone marimba), Critical Band conducted by James Wood
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1995/6 : Arts Foundation Fellowship for electro-acoustic composition
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directed by Hilary Boulding. The film culminated in performances of the
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365:'s 'Building a Library' in September 2000. They also collaborated with
2151:
Interview with James Wood by Juan Carlos PĂ©rez Davila about the opera
1802:"Hilary Boulding, Principal, Royal Welsh College of Music & Drama"
1648:
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Preis in the category âChoir Recording of the Yearâ in October 2013.
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Chamber Opera for baritone, vocal sextet and ensemble of 15 players
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During the period from 1983 onwards Wood started to experiment with
536:
Two men meet, each presuming the other to be from a distant planet.
458:
and Wood himself, and the work was subsequently recorded by Wergo.
1447:
Two men meet, each presuming the other to be from a distant planet
1076:
Two men meet, each presuming the other to be from a distant planet
594:
and Champ dâAction, and choirs including Netherlands Radio Choir,
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1987:
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New London Chamber Choir, Critical Band conducted by James Wood
482:. As a result of this and further experiments in works such as
185:
2118:"Artist James Wood Profile | 1994 | Arts Foundation"
65:
from the article and its talk page, especially if potentially
1853:"Odaline de la Martinez | Lontano â The Future In Music"
547:
413:. In this capacity he was noticed by the new director of the
165:
1415:
Robert van Sice (quartertone marimba), Percussive Rotterdam
1158:
Music Theatre for solo percussion, soprano and electronics
554:
on a new work for Alphorn, MIDI-cowbells and electronics â
1520:"Boulanger (L): ClairiĂšres dans le ciel & other works"
577:
2146:
2176:
Interview with James Wood by John Palmer, published by
832:
soprano, double chorus, 4 trumpets, 4 trombones, organ
474:
he devised simple prototype quartertone extensions for
389:, New London Chamber Choir and the London Sinfonietta.
180:
he went on to study percussion and conducting at the
1309:
168:
from 1971 to 1972 before going on to study music at
2088:"Past Winners - University of Massachusetts Boston"
1389:New London Chamber Choir (conducted by James Wood)
686:; the first ever performance with live pianolist (
353:, for soloists, chorus, ensemble and electronics.
207:
1467:New Music Players, conducted by Roger Montgomery
1119:soprano, MIDI-vibraphone, chorus and electronics
2190:
1777:"Stravinsky: Les Noces & other choral works"
746:and the director, Sybille Wilson on the opera,
714:in 2013; and the German premiere of Wood's own
1369:Sara Stowe (soprano), James Wood (percussion)
1080:Concerto for percussionist and 24 instruments
16:British composer, percussionist and conductor
841:Two Motets to verses from the Prophet Isaiah
176:from 1972 until 1975. After graduating from
1028:quartertone marimba and percussion quartet
872:2 countertenors, tenors, 2 baritones, bass
727:of the sixteenth-century Italian composer,
196:In 1977 he was appointed conductor of the
58:about living persons that is unsourced or
1752:"Albums James Wood - Ă©coute gratuite MP3"
774:1980 : Lili Boulanger Memorial Prize
129:Learn how and when to remove this message
1180:DĂ©ploration sur la mort de GĂ©rard Grisey
392:
140:
1677:"Two men meet... | NMC Recordings"
1671:
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1145:alphorn, MIDI-cowbells and electronics
578:Recent developments and move to Germany
450:for the summer courses. The result was
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1427:Venancio Mbande talking with the trees
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1210:flute, clarinet, violin, cello, piano
1063:Venancio Mbande talking with the trees
920:Tien chung Yao (Songs from the Fields)
854:Choroi kai Thaliai (Revels and Dances)
786:1990 : appointed a Fellow of the
664:Netherlands Radio Chamber Philharmonic
528:Venancio Mbande talking with the Trees
515:Society for the Promotion of New Music
492:Venancio Mbande talking with the trees
490:and the quartertone marimba concerto,
1984:"home » Netherlands Radio Choir"
845:soprano, flute, oboe, viola and harp
768:
662:with the Netherlands Radio Choir and
2229:Alumni of the Royal Academy of Music
1666:
1197:large chorus and percussion quartet
20:
2254:21st-century British male musicians
2249:20th-century British male musicians
1537:
1499:Insomnio, conducted by Ulrich Pöhl
1015:18 voices, 17 instruments and tape
519:Guildhall School of Music and Drama
13:
1986:. 4 September 2012. Archived from
1934:"Polish Radio Orchestra Of Krakow"
1828:"Linda Hirst | Trinity Laban"
1050:Elanga N'Kake singing to his craft
783:1996 : Holst Foundation Award
550:in Paris. He worked together with
461:
381:as well as Boulangerâs monumental
14:
2265:
2140:
1411:Spirit Festival with Lamentations
1310:Discography (works by James Wood)
1024:Spirit Festival with Lamentations
881:Ho shang Yao (Songs by the River)
828:Missa: In memoriam Lili Boulanger
484:Spirit Festival with Lamentations
472:Ho shang Yao (Songs by the River)
2234:English male classical composers
2219:21st-century classical composers
2209:20th-century classical composers
2066:Oberlin College and Conservatory
1649:"James Wood Catalogue: CD Store"
1573:"Scelsi - Complete Choral Works"
805:
542:Ever conscious of the fact that
172:, where he was organ scholar of
25:
2157:Oro Molido no. 16, January 2006
2110:
2080:
2054:
2028:
2012:. 17 April 2015. Archived from
2002:
1976:
1959:"All Events - Proms 1995 - BBC"
1951:
1926:
1909:"All Events - Proms 1989 - BBC"
1901:
1883:"Shop - James Wood - Stoicheia"
1875:
1845:
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1769:
1744:
1702:"Poulenc: Secular choral music"
1246:Sacrae Cantiones Liber Secundus
858:solo percussion, soprano, tape
799:Sacrae Cantiones Liber Secundus
724:Sacrae Cantiones Liber Secundus
442:, directed by Hilary Boulding.
208:New London Chamber Choir (NLCC)
2244:21st-century English composers
2239:20th-century English composers
2184:Tenso Network Artistic Council
1719:
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1041:bass clarinet and percussion
924:soprano and 2 percussionists
777:1993 : Gemini Fellowship
421:, who invited him to succeed
1054:solo percussionist/vocalist
634:'s production of the opera,
626:, which he conducted at the
290:The Summer Cloudâs Awakening
36:biography of a living person
7:
2214:English classical composers
2147:Official James Wood website
1599:"The music of Frank Denyer"
1483:Svet Stoyanov (percussion)
1459:London Independent Records
1236:ensemble of 15 instruments
1184:marimba and string quartet
676:Al gran sole carico dâamore
63:must be removed immediately
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1093:Concerto for 18 musicians
911:2 pianos and 2 percussion
588:Ensemble InterContemporain
419:Friedrich Ferdinand Hommel
78:"James Wood" musician
2155:for Oro Molido magazine.
1463:Crying Bird, Echoing Star
1206:Crying Bird, Echoing Star
885:soprano, solo percussion
622:on the world premiere of
596:Netherlands Chamber Choir
198:Schola Cantorum of Oxford
191:
2178:CE Books, Vision Edition
2010:"æ±äșŹăłăłă”ăŒă TOKYO CONCERTS"
1401:Village Burial with Fire
1379:James Wood (percussion)
1128:Shrine of Stored Incense
1089:The Parliament of Angels
985:Village Burial with Fire
1727:"JanĂĄÄek: Choral Music"
1624:"Xenakis: Choral Music"
869:(for the Kings Singers)
628:Amsterdam Concertgebouw
608:West German Radio Choir
415:DarmstÀdter Ferienkurse
1781:Hyperion-records.co.uk
1731:Hyperion-records.co.uk
1706:Hyperion-records.co.uk
1628:Hyperion-records.co.uk
1552:Deutschegrammophon.com
1524:Hyperion-records.co.uk
788:Royal Academy of Music
670:; his training of the
666:Orchestra at the 2008
570:(2001) and the opera,
503:BBC Symphony Orchestra
345:(for 24 solo voices),
182:Royal Academy of Music
146:
50:Please help by adding
1495:De telarum mechanicae
1405:Percussive Rotterdam
1232:De telarum mechanicae
1102:Children at a funeral
620:Karlheinz Stockhausen
604:Collegium Vocale Gent
393:Percussion activities
304:(Calacas Imaginarias)
174:Sidney Sussex College
152:(born 27 May 1953 in
144:
2199:Microtonal musicians
950:oboe and percussion
170:Cambridge University
56:Contentious material
2062:"Faculty and Staff"
1990:on 4 September 2012
1816:– via Flickr.
1167:Journey of the Magi
989:percussion quartet
946:Marsyapollonomachia
712:Berlin Philharmonie
660:Caminantes Ayacucho
600:Swedish Radio Choir
375:Whom the Gods Loved
230:Harrison Birtwistle
2098:on 26 January 2018
1863:on 28 January 2020
1832:Trinitylaban.ac.uk
1808:. 8 September 2013
1355:Choroi kai Thaliai
1264:percussion sextet
769:Awards and honours
752:Gulliverâs Travels
674:Chorus for Nonoâs
672:Vienna State Opera
624:Engel-Prozessionen
612:Berlin Radio Choir
507:1991 ISCM Festival
428:Choroi kai Thaliai
411:London Sinfonietta
385:with Linda Hirst,
383:Du Fond de lâAbime
371:London Sinfonietta
332:(Cantos Populares)
282:Forms of Emptiness
242:Luigi Dallapiccola
147:
145:James Wood in 2015
1579:. 16 January 2003
1503:
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1307:
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1260:Cloud-Polyphonies
1141:Mountain Language
760:Cloud-Polyphonies
694:âs completion of
680:Salzburg Festival
636:Sonntag aus Licht
556:Mountain Language
339:(Stramm Gedichte)
274:Walter Zimmermann
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39:needs additional
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1248:(Reconstruction)
1132:solo percussion
976:large orchestra
937:solo percussion
819:Instrumentation
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698:âs 1919 version
668:Holland Festival
648:MDR Rundfunkchor
544:electronic music
423:Christoph Caskel
322:Simon Bainbridge
315:Luca Francesconi
286:Ashes Dance Back
266:Alfred Schnittke
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1193:Tongues of Fire
1171:large ensemble
1106:prepared piano
1002:24 solo voices
898:String Quartet
808:
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716:Tongues of Fire
708:RIAS Kammerchor
684:Ingo Metzmacher
682:, conducted by
644:RIAS Kammerchor
616:RIAS Kammerchor
580:
523:Barbican Centre
464:
462:1980s and 1990s
440:Music in Camera
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294:Alejandro Vinao
278:Jonathan Harvey
262:Giacinto Scelsi
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162:Nadia Boulanger
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2068:. 29 July 2016
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894:String Quartet
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756:Jonathan Swift
744:Paul Griffiths
733:Harmonia Mundi
729:Carlo Gesualdo
579:
576:
463:
460:
394:
391:
367:Oliver Knussen
329:Roberto Sierra
318:(Let me Bleed)
308:Iannis Xenakis
301:Javier Alvarez
234:Lili Boulanger
222:Toru Takemitsu
218:Tona Scherchen
214:Iannis Xenakis
209:
206:
193:
190:
137:
136:
60:poorly sourced
33:
31:
24:
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2224:Living people
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2113:
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2037:
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2015:
2011:
2005:
1989:
1985:
1979:
1964:
1960:
1954:
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1888:
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1397:Mode Records
1392:
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1366:
1362:
1358:
1356:
1346:
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1315:
1303:solo marimba
1302:
1300:
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1196:
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1103:
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839:
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835:
831:
829:
826:
823:
822:
818:
815:
812:
811:
806:List of works
800:
796:
792:
789:
785:
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779:
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772:
766:
763:
761:
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645:
639:
637:
633:
632:Cologne Opera
629:
625:
621:
617:
613:
609:
605:
601:
597:
593:
589:
585:
575:
574:(2002â2006).
573:
569:
568:Autumn Voices
565:
561:
557:
553:
549:
545:
540:
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524:
520:
516:
510:
508:
504:
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493:
489:
485:
481:
477:
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469:
468:microtonality
459:
457:
456:Steven Schick
453:
449:
443:
441:
437:
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429:
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291:
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283:
279:
275:
271:
270:Claude Vivier
267:
263:
259:
258:Almeida Prado
255:
254:György Ligeti
251:
250:György Kurtåg
247:
243:
239:
238:Ruth Crawford
235:
231:
227:
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215:
205:
203:
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189:
187:
183:
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154:Barton-on-Sea
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74:Find sources:
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2152:
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2122:the original
2112:
2100:. Retrieved
2096:the original
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2065:
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2040:the original
2030:
2018:. Retrieved
2014:the original
2004:
1992:. Retrieved
1988:the original
1978:
1966:. Retrieved
1962:
1953:
1941:. Retrieved
1937:
1928:
1916:. Retrieved
1912:
1903:
1891:. Retrieved
1887:the original
1877:
1865:. Retrieved
1861:the original
1857:Lorelt.co.uk
1856:
1847:
1835:. Retrieved
1831:
1822:
1810:. Retrieved
1805:
1796:
1784:. Retrieved
1780:
1771:
1759:. Retrieved
1755:
1746:
1734:. Retrieved
1730:
1721:
1709:. Retrieved
1705:
1696:
1684:. Retrieved
1681:Nmcrec.co.uk
1680:
1656:. Retrieved
1652:
1643:
1631:. Retrieved
1627:
1618:
1606:. Retrieved
1602:
1593:
1581:. Retrieved
1577:Amazon.co.uk
1576:
1567:
1555:. Retrieved
1551:
1527:. Retrieved
1523:
1514:
1494:
1478:
1475:CAG Records
1462:
1446:
1436:
1426:
1410:
1400:
1385:Incantamenta
1384:
1374:
1365:Ho shang Yao
1364:
1354:
1337:
1298:
1285:
1272:
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1218:
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1140:
1127:
1114:
1101:
1088:
1075:
1062:
1049:
1036:
1023:
1010:
998:Incantamenta
997:
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971:
958:
945:
932:
919:
906:
893:
880:
866:
853:
840:
827:
798:
795:ECHO Klassik
793:2013 :
764:
759:
747:
741:
737:ECHO Klassik
722:
720:
715:
699:
678:at the 2009
675:
659:
640:
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584:lâItinĂ©raire
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517:(SPNM), the
511:
498:
496:
491:
487:
483:
480:glockenspiel
471:
465:
451:
444:
439:
435:
432:Ho shang Yao
431:
427:
396:
382:
378:
374:
355:
350:
346:
343:Incantamenta
342:
338:
331:
324:
317:
310:
303:
296:
289:
285:
281:
246:Frank Denyer
226:Eric Bergman
211:
195:
149:
148:
125:
116:
106:
99:
92:
85:
73:
62:
45:verification
38:
18:
2204:1953 births
1938:Discogs.com
1756:Musicme.com
1326:Performers
1037:Cart-wheels
750:, based on
704:musikFabrik
692:Theo Verbey
592:musikFabrik
434:(1983) and
399:Alan Hacker
387:Martyn Hill
363:BBC Radio 3
336:David Sawer
297:(Epitafios)
119:August 2020
2193:Categories
1806:Flickr.com
1653:Choroi.net
1506:References
1437:Phainomena
1351:Continuum
1273:Sea Dances
1244:Gesualdo:
1011:Phainomena
696:Stravinsky
688:Rex Lawson
656:Luigi Nono
532:Phainomena
521:, and the
403:Dreamtiger
347:Phainomena
150:James Wood
89:newspapers
2171:Vic Firth
2163:Rogosanti
2153:Hildegard
2102:11 August
2072:11 August
2020:11 August
1994:11 August
1968:11 August
1943:11 August
1918:11 August
1867:11 August
1837:11 August
1812:11 August
1786:11 August
1761:11 August
1736:11 August
1711:11 August
1686:11 August
1658:11 August
1633:11 August
1608:11 August
1583:11 August
1557:11 August
1548:"Katalog"
1529:11 August
1479:Rogosanti
1375:Rogosanti
1338:Stoicheia
1251:6 voices
1219:Hildegard
959:Stoicheia
933:RogoĆanti
700:Les Noces
572:Hildegard
552:Carl Faia
488:Stoicheia
452:Stoicheia
448:Darmstadt
436:Rogosanti
351:Hildegard
311:(Knephas)
204:in 2007.
178:Cambridge
41:citations
2128:17 April
2046:17 April
1893:17 April
1286:Gulliver
790:, London
748:Gulliver
646:and the
566:(1999),
562:(1996),
430:(1982),
409:and the
407:Endymion
379:Pie Jesu
369:and the
359:Hyperion
67:libelous
2173:website
2169:on the
2092:Umb.edu
1491:Encora
710:at the
652:Leipzig
476:marimba
325:(Eicha)
202:Germany
158:England
103:scholar
1334:Wergo
1115:SĂ©ance
972:Oreion
907:Barong
560:SĂ©ance
499:Oreion
192:Career
186:London
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867:Drama
816:Title
702:with
690:) of
548:IRCAM
470:. In
166:Paris
110:JSTOR
96:books
34:This
2180:2015
2130:2015
2104:2020
2074:2020
2048:2015
2022:2020
1996:2020
1970:2020
1945:2020
1920:2020
1895:2015
1869:2020
1839:2020
1814:2020
1788:2020
1763:2020
1738:2020
1713:2020
1688:2020
1660:2020
1635:2020
1610:2020
1585:2020
1559:2020
1531:2020
1488:2010
1472:2008
1456:2003
1423:NMC
1420:1997
1394:1995
1348:1991
1331:1990
1323:Work
1317:Year
1295:2014
1282:2014
1269:2012
1256:2011
1241:2010
1228:2007
1215:2006
1202:2002
1189:2001
1176:2000
1163:2000
1154:Jodo
1150:1999
1137:1998
1124:1997
1111:1996
1098:1996
1085:1995
1072:1995
1059:1994
1046:1993
1033:1993
1020:1993
1007:1992
994:1991
981:1989
968:1989
955:1988
942:1987
929:1986
916:1985
903:1985
890:1984
877:1983
863:1983
850:1982
837:1981
824:1976
813:Year
706:and
564:Jodo
534:and
478:and
334:and
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