237:. Kim Chae-won's childhood growing up without a father has had a direct and indirect effect on her work. In Kim's novels her father is depicted as a victim of Korea's tragic history. The remaining family copes with his absence and decline, becoming tragic victims themselves. The pain and lack in the family that comes with the father's absence and decline becomes rooted as a trauma that controls their lives thereon. The examination of how this trauma may be internalized and sublimated is the subject of Kim's most important literary achievement, the âHallucinationâ series. The wounds of Korea's modern history are thus at the bottom of Kim's work characterized by its fantastical and dreamlike aesthetic.
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Kim made her literary debut in 1975 with âGreetings at Nightâ (Baminsa), published in the journal, Contemporary
Literature (Hyeondae munhak). Among her major works are âThe Hand of the Moonâ (Darui son), âIce Houseâ (Eoreum jip), âHoneymoonâ (Mirwol), âA Green Hatâ (Chorok bit moja), âMountain Diaryâ
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Kim's writing is confessional and first-person, featuring a single subjective gaze. Her characters often feel helpless and lost, often juxtaposing present experiences with memories in an evocative rather than declarative way.
221:. Kim grew up with her older sister under the care of her mother after her father was kidnapped by the North Korean government during the political turmoil after the Korean War. Her older sister
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246:(Sanjunggi), âThe Breath of Mayâ (Oworui sumgyeol), âSummer Fantasyâ (Yeoreumui hwan), and âA Wordless Songâ (Mueonga.
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is also a novelist, and both sisters have received the respected
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368:"êčì±ì " biographical PDF available at:
387:"êčì±ì " biographical PDF available at:
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446:http://klti.or.kr/ke_04_03_011.do#
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370:http://klti.or.kr/ke_04_03_011.do#
351:http://klti.or.kr/ke_04_03_011.do#
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288:The Hand of the Moon
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