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The second subject appears in pure A major, the "ultimate tonal goal of the piece". The opening codas "louder and more animatedly until the very end". It ends with a loud tremolo, a group of grace notes ascending to two octaves of A notes in the highest registers of the piano, and a quick, final
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context which, in bars 15–21, transitions, through the addition of G natural, to the whole tone context of a new
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served as inspiration for the piece, with
Debussy reimagining a group's journey to the island considered
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at bar 21. This A Lydian context serves to transition from the whole tone mode on A to the A
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116:'s birthplace, and their subsequent ecstatic unions of love upon arrival. According to
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of the whole tone scale, avoided in the outer sections, is used and provides further
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120:(1977), the "central relationship in the work is that between material based on the
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Music in
Transition: A Study of Tonal Expansion and Atonality, 1900–1920
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The introduction creates a whole tone context. This changes to an A
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begins with a chromatically descending whole tone cadenza.
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298:. New York: W. W. Norton & Company. p. 38.
104:composed in 1904. It is assumed that the painting
100:(The Joyful Island) is a piece for solo piano by
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1195:Solo piano compositions by Claude Debussy
324:International Music Score Library Project
157:context, inflected by occasional Lydian D
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982:Hommage Ă S. Pickwick Esq. P.P.M.P.C.
745:Rhapsodie for saxophone and orchestra
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778:Dances for Harp and String Orchestra
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793:Six sonatas for various instruments
16:Piano composition by Claude Debussy
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1067:Cinq poèmes de Charles Baudelaire
733:Fantaisie for piano and orchestra
683:Prélude à l'après-midi d'un faune
504:Prélude à l'après-midi d'un faune
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275:The Piano Works of Claude Debussy
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250:Problems playing this file? See
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277:, Toronto: Dover, p. 94,
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240:Museum of Romanticism (Madrid)
1:
1110:Le Martyre de saint SĂ©bastien
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187:Recapitulation, bars 160–255
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938:La fille aux cheveux de lin
629:La chute de la maison Usher
273:Schmitz, E. Robert (1950),
106:The Embarkation for Cythera
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931:Ce qu'a vu le vent d'ouest
469:Cydalise et le Chèvre-pied
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621:Le diable dans le beffroi
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1004:Four hands or two pianos
339:format (archived on the
1020:Six Ă©pigraphes antiques
952:La cathédrale engloutie
945:La sérénade interrompue
234:Performance in 2016 by
1139:Impressionism in music
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46:
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970:, Book 2 (1912–1913)
912:, Book 1 (1909–1910)
447:Unprepared modulation
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141:Exposition, bars 1–98
52:
30:
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1134:Musée Claude-Debussy
924:Des pas sur la neige
608:Pelléas et Mélisande
585:List of compositions
294:Samson, Jim (1977).
110:Jean-Antoine Watteau
600:Rodrigue et Chimène
378:Impressionist music
171:Middle, bars 99–159
77:, and major scales
1144:Debussy quadrangle
1094:La Damoiselle Ă©lue
886:Reflets dans l'eau
739:Première rhapsodie
664:La boîte à joujoux
238:on piano, live at
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1200:1904 compositions
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1059:Ariettes oubliées
1038:
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961:La plus que lente
895:Children's Corner
849:suite (1894–1901)
838:Suite bergamasque
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726:L'enfant prodigue
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529:Modernism (music)
442:Pentatonic scales
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163:s, of the second
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830:Valse romantique
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322:: Scores at the
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130:diatonic scale
102:Claude Debussy
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797:Cello Sonata
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611:(1893–1902)
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461:Compositions
397:John Ireland
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1128:Emma Bardac
1086:Other vocal
1078:(1891–1904)
1070:(1887–1889)
1062:(1885–1887)
1015:(1886–1889)
975:Brouillards
898:(1906–1908)
841:(1890–1905)
747:(1901-1911)
741:(1909–1910)
735:(1889–1890)
710:(1905–1912)
702:(1903–1905)
694:(1897–1899)
659:(1912–1913)
651:(1911–1912)
632:(1908–1917)
624:(1902–1911)
603:(1890–1892)
203:) markedly.
167:at bar 67.
126:lydian mode
53:Whole tone
1189:Categories
766:Piano Trio
675:Orchestral
476:Jeux d'eau
425:Techniques
260:References
252:media help
183:contrast.
175:The other
118:Jim Samson
1051:Beau soir
787:for flute
691:Nocturnes
514:(Debussy)
497:Nocturnes
329:Recording
136:Structure
114:Aphrodite
65:, lydian
1174:Category
968:Préludes
910:Préludes
854:Estampes
511:Préludes
283:66-20423
236:Eunmi Ko
194:arpeggio
181:harmonic
160:♯
128:and the
1121:Related
862:Masques
759:Chamber
1149:crater
1130:(wife)
1113:(1911)
1105:(1909)
1097:(1889)
1054:(1880)
1031:(1915)
1023:(1914)
992:(1915)
990:Études
964:(1910)
917:Voiles
906:(1909)
878:Images
873:(1904)
865:(1904)
857:(1903)
833:(1890)
799:(1915)
789:(1913)
785:Syrinx
780:(1904)
774:(1893)
768:(1879)
729:(1884)
707:Images
699:La mer
686:(1894)
667:(1913)
648:Khamma
640:Ballet
490:La mer
385:People
302:
281:
242:(6:13)
151:motive
147:Lydian
124:, the
98:L. 106
1043:Songs
807:Piano
592:Opera
522:Other
165:theme
155:major
89:on A.
814:Solo
656:Jeux
300:ISBN
279:LCCN
83:Play
71:Play
59:Play
40:Play
337:MP3
335:in
331:by
108:by
1191::
96:,
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343:)
308:.
254:.
200:0
198:A
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