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La jolie fille de Perth

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in an adjoining room. Catherine, her father the glove-maker and his apprentice Ralph enter. Catherine sings of the joys of winter, and the two men retire to leave her and Smith alone. Smith gives his beloved a rose brooch in advance of St Valentine's Day. However, a stranger now enters and asks Smith to straighten the blade of his dagger. He is the Duke of Rothsay, who proceeds to flirt with Catherine, infuriating Smith, who is about to land a blow on the Duke when Mab comes from her hiding-place to protect him. Glover returns to a scene of confusion; Catherine throws away the rose, but Mab picks it up to return it later.
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fickleness, she agrees, but swears vengeance. As the stage empties, Smith enters and serenades his sweetheart, unsuccessfully. As midnight strikes, Ralph enters, drunk and in despair at not being loved. As the Duke's steward asks him where Catherine Glover lives, a lady like her gets into a litter and is driven away. Coming to his senses, Ralph sends Smith after the litter; when the real Catherine deigns to reply to her lover's serenade he is gone.
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ballroom, lamenting Catherine's infidelity. Soon it is morning, and time for the Duke's audience. While Smith hides, the Duke receives Glover, who invites him to his daughter's approaching wedding. The Duke is surprised, and Smith bursts in and accuses Catherine of betrayal. She protests, and he forgives her, but then notices that the Duke has her enamelled rose, confirming all his suspicions.
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Workmen sing in the forge, on the eve of the Carnival. Alone, Smith muses on whether the coquettish Catherine Glover will consent to be his Valentine. Mab, Queen of the Gypsies enters hurriedly, seeking refuge in Smith's workshop from pursuing noblemen. When Catherine arrives unexpectedly, Mab hides
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The Duke tells his friends that his latest conquest will shortly arrive and a masked lady appears, but will only unmask for him. Alone together, Mab removes her domino, then flees, leaving her lover only Catherine's enamelled rose she had been wearing on her bodice. Next Smith arrives to a deserted
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A few hours later; Smith is seated by a tree, his head in his hands. Ralph and some artisans try to convince Smith of Catherine's innocence. Ralph agrees to meet Smith in a duel to decide her honour. Catherine now comes on the scene and Smith says he will allow himself to be killed to restore her
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Mab comes to let Catherine know that the Duke intervened to prevent the duel between Smith and Ralph. However, Glover informs Mab that his daughter has lost her mind – Catherine appears and sings a distracted ballad. To shock her back to her senses, Mab decides to appear at her window and sing a
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Later that evening the watch, including Glover, are on their rounds. They are scared off by revellers, who gather beneath Catherine's window. Mab joins them and dances. The Duke asks her to bring Catherine, masked, to a ball at his palace that night. Although Mab initially laughs at the Duke's
168:. Many writers have reserved severe criticism for the librettists for their stock devices and improbable events, while praising Bizet's advance on his earlier operas in construction of set pieces and his striking melodic and instrumental ideas. 469:
reply to Smith's serenade. Catherine regains herself, swoons in the arms of Smith, and revives believing that it was all a dream, and all prepare for a joyous St Valentine's Day.
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was performed in Brussels in 1868 and Geneva in 1885; in German it was given in Weimar and Vienna in 1883, and in English in Manchester and London in 1917.
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An orchestral suite of movements from the opera (sometimes titled 'Scènes bohémiennes') was published, with concert performances and later recordings.
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in 1998 and the Buxton Festival in 2006, and recorded by the BBC in Manchester for the Bizet centenary in 1975.
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in 1866 and completed by Bizet by the end of that year (with the soprano lead intended for
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1943 (live radio broadcast) Toscanini and the NBC Symphony Orchestra 19 September 1943.
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guests of the duke, noblemen, artisans, bachelors and young girls.
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Chorus: Smith's workers, the watch patrol, masqueraders, gipsies,
259: 847: 753:, directed by Alexander Khotinenko. Serenade from Bizet's opera 41: 970: 1124: 715:Филиппова (Filippova), Татьяна (Tatyana) (19 September 2018). 246: 29: 1150: 488:(from "Viens, ma belle, je t'attends" for Smith in act 2), 727:(in Russian). Yekaterinburg: Ельцин Центр (Yeltsin Center) 692:, 16th edition, 1890. G. Charpentier et Cie, Paris, 1891. 1139: 714: 204:It was staged at the Wexford Festival in 1968, the 546:– Ralph; Lorely Dyer – Mab, Queen of the Gypsies; 492:(from the opening of act 2, "Bon citoyens"), and 1163: 863: 554:Theatre Chorus, Chorus Master John Clements; 1197:Opera world premieres at the Théâtre Lyrique 717:""Зеркало для героя": родителям посвящается" 441:Night-time festivities at the Duke's palace. 550:– Simon Glover; David Holman – A Nobleman; 870: 856: 40: 843:International Music Score Library Project 566:, broadcast live on 5–6 June 1949 by the 413:The workshop of Henry Smith the armourer 395: 689:Les Annales du Théâtre et de la Musique 656:, Macmillan, London and New York, 1997. 639: 637: 1164: 783:[Gennady Pishchaev speaking]. 659: 464:2nd tableau – the main square in Perth 178: 1202:Operas based on works by Walter Scott 851: 634: 152:Jules-Henri Vernoy de Saint-Georges 69:Jules-Henri Vernoy de Saint-Georges 13: 562:. (An English version, (trans. by 14: 1218: 877: 829: 653:The New Grove Dictionary of Opera 402:costume design by Luigi Bartezago 218:Roles, voice types, premiere cast 1149: 1123: 1114: 1113: 504:At the beginning of the Soviet 230:Premiere cast, 26 December 1867 799: 773: 739: 708: 695: 612: 171:It was first performed at the 142:) is an opera in four acts by 1: 1101:Carmen Suites (Bizet/Guiraud) 950:, completed by Bizet c. 1865) 761:(in Russian). 21 October 2018 723:: Dedicated to Parents]. 605: 521: 496:(Divertissement from act 2). 206:Théâtre Impérial de Compiègne 556:Royal Philharmonic Orchestra 7: 906:(1852 or 1855; unperformed) 787:(in Russian). 6 August 2017 380: 16:1867 opera by Georges Bizet 10: 1223: 705:London, John Calder, 1978. 499: 112:26 December 1867 1109: 1093: 1070: 1031: 1013: 981: 894: 885: 781:"Говорит Геннадий Пищаев" 455:1st tableau – a wild spot 369: 195:for eleven performances. 183:Although commissioned by 107: 90: 82: 61: 51: 39: 28: 23: 1063:(incidental music, 1872) 472: 449: 435: 421: 407: 211: 1172:Operas by Georges Bizet 990:Au fond du temple saint 955:La jolie fille de Perth 837:La jolie fille de Perth 755:La jolie fille de Perth 648:La jolie fille de Perth 620:La Jolie fille de Perth 199:La jolie fille de Perth 158:, after the 1828 novel 135:La jolie fille de Perth 24:La jolie fille de Perth 1207:Operas based on novels 1192:Operas set in Scotland 1177:French-language operas 935:Les pêcheurs de perles 809:The Fair Maid of Perth 404: 337:A Lord in his service 161:The Fair Maid of Perth 140:The Fair Maid of Perth 96:The Fair Maid of Perth 56:The Fair Maid of Perth 589:– Le Duc de Rothsay; 399: 332:Auguste Armand Barré 240:Henri (Henry) Smith, 903:La maison du docteur 888:List of compositions 581:– Cathérine Glover; 534:– Catherine Glover; 291:Queen of the Gypsies 273:her father, a glover 146:(1838–1875), from a 1039:Symphony in C major 701:Alfred Loewenberg. 574:(1-2PD23) in 2000.) 542:– Duke of Rothsay; 321:Le Duc de Rothsay, 307:Glover's apprentice 220: 179:Performance history 1055:(piano duet, 1871) 911:Le docteur Miracle 629:Grove Music Online 560:Sir Thomas Beecham 516:Gennady Pishchayev 480:The movements are 405: 392:Time: 14th century 216: 1137: 1136: 1084:François Delsarte 1014:Opera discography 785:www.radioblago.ru 751:Mirror for a Hero 721:Mirror for a Hero 511:Mirror for a Hero 427:A square in Perth 378: 377: 256:Cathérine Glover 189:Christine Nilsson 131: 130: 1214: 1154: 1153: 1145: 1127: 1117: 1116: 1094:Related articles 1078:Geneviève Halévy 948:Fromental Halévy 872: 865: 858: 849: 848: 841:: Scores at the 823: 822: 820: 818: 803: 797: 796: 794: 792: 777: 771: 770: 768: 766: 743: 737: 736: 734: 732: 712: 706: 703:Annals of Opera. 699: 693: 685: 674: 663: 657: 641: 632: 616: 494:Danse bohémienne 234:Adolphe Deloffre 221: 219: 215: 166:Sir Walter Scott 119: 117: 102:Sir Walter Scott 44: 21: 20: 1222: 1221: 1217: 1216: 1215: 1213: 1212: 1211: 1162: 1161: 1160: 1148: 1140: 1138: 1133: 1105: 1089: 1066: 1027: 1009: 977: 890: 881: 876: 832: 827: 826: 816: 814: 805: 804: 800: 790: 788: 779: 778: 774: 764: 762: 745: 744: 740: 730: 728: 713: 709: 700: 696: 679: 677:Edmond Stoullig 668: 664: 660: 642: 635: 617: 613: 608: 585:– Henri Smith; 538:– Harry Smith; 524: 502: 475: 460:honour to her. 452: 438: 424: 410: 388:Perth, Scotland 383: 372: 348:His Major-Domo 323:Duke of Rothsay 231: 217: 214: 181: 173:Théâtre Lyrique 127: 126: 123:Théâtre Lyrique 120: 115: 113: 99: 78: 47: 17: 12: 11: 5: 1220: 1210: 1209: 1204: 1199: 1194: 1189: 1184: 1179: 1174: 1159: 1158: 1135: 1134: 1132: 1131: 1121: 1110: 1107: 1106: 1104: 1103: 1097: 1095: 1091: 1090: 1088: 1087: 1081: 1074: 1072: 1068: 1067: 1065: 1064: 1056: 1052:Jeux d'enfants 1048: 1042: 1035: 1033: 1029: 1028: 1026: 1025: 1017: 1015: 1011: 1010: 1008: 1007: 1000: 993: 985: 983: 979: 978: 976: 975: 967: 959: 951: 939: 931: 923: 915: 907: 898: 896: 892: 891: 886: 883: 882: 875: 874: 867: 860: 852: 846: 845: 831: 830:External links 828: 825: 824: 798: 772: 738: 707: 694: 658: 644:Hugh Macdonald 633: 624:Hugh Macdonald 610: 609: 607: 604: 603: 602: 595:Georges Prêtre 575: 548:Owen Brannigan 528: 523: 520: 501: 498: 474: 471: 451: 448: 437: 434: 423: 420: 409: 406: 394: 393: 390: 382: 379: 376: 375: 367: 366: 363: 360: 356: 355: 352: 349: 345: 344: 341: 338: 334: 333: 330: 325: 318: 317: 314: 309: 302: 301: 296: 293: 286: 285: 280: 275: 271:Simon Glover, 268: 267: 265:Jeanne Devriès 262: 257: 253: 252: 249: 244: 237: 236: 228: 225: 213: 210: 180: 177: 129: 128: 121: 111: 109: 105: 104: 92: 88: 87: 84: 80: 79: 77: 76: 71: 65: 63: 59: 58: 53: 49: 48: 45: 37: 36: 26: 25: 15: 9: 6: 4: 3: 2: 1219: 1208: 1205: 1203: 1200: 1198: 1195: 1193: 1190: 1188: 1185: 1183: 1180: 1178: 1175: 1173: 1170: 1169: 1167: 1157: 1152: 1147: 1146: 1143: 1130: 1126: 1122: 1120: 1112: 1111: 1108: 1102: 1099: 1098: 1096: 1092: 1085: 1082: 1079: 1076: 1075: 1073: 1069: 1062: 1061: 1057: 1054: 1053: 1049: 1046: 1045:Roma Symphony 1043: 1040: 1037: 1036: 1034: 1030: 1024: 1023: 1019: 1018: 1016: 1012: 1005: 1004:Toreador Song 1001: 998: 994: 991: 987: 986: 984: 980: 973: 972: 968: 965: 964: 960: 957: 956: 952: 949: 945: 944: 940: 937: 936: 932: 929: 928: 924: 921: 920: 916: 913: 912: 908: 905: 904: 900: 899: 897: 893: 889: 884: 880: 879:Georges Bizet 873: 868: 866: 861: 859: 854: 853: 850: 844: 840: 838: 834: 833: 812: 810: 802: 786: 782: 776: 760: 756: 752: 748: 742: 726: 722: 718: 711: 704: 698: 691: 690: 683: 678: 672: 667: 662: 655: 654: 649: 645: 640: 638: 631: 630: 625: 621: 615: 611: 600: 596: 592: 588: 584: 583:Alfredo Kraus 580: 579:June Anderson 576: 573: 569: 565: 561: 558:conducted by 557: 553: 549: 545: 544:Norman Walker 541: 537: 536:Richard Lewis 533: 529: 526: 525: 519: 517: 513: 512: 507: 497: 495: 491: 487: 483: 478: 470: 466: 465: 461: 457: 456: 447: 443: 442: 433: 429: 428: 419: 415: 414: 403: 398: 391: 389: 385: 384: 374: 368: 364: 361: 358: 357: 353: 350: 347: 346: 342: 339: 336: 335: 331: 329: 326: 324: 320: 319: 315: 313: 312:bass-baritone 310: 308: 304: 303: 300: 299:Alice Ducasse 297: 294: 292: 288: 287: 284: 281: 279: 276: 274: 270: 269: 266: 263: 261: 258: 255: 254: 250: 248: 245: 243: 239: 238: 235: 229: 226: 223: 222: 209: 207: 202: 200: 196: 194: 190: 186: 185:Léon Carvalho 176: 174: 169: 167: 163: 162: 157: 153: 149: 145: 144:Georges Bizet 141: 137: 136: 124: 110: 106: 103: 98: 97: 93: 89: 85: 81: 75: 72: 70: 67: 66: 64: 60: 57: 54: 50: 46:Bizet in 1875 43: 38: 35: 34:Georges Bizet 31: 27: 22: 19: 1060:L'Arlésienne 1058: 1050: 1021: 969: 961: 954: 953: 941: 933: 925: 919:Don Procopio 917: 909: 901: 836: 815:. 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In: 500:In film 482:Prélude 386:Place: 316:F Lutz 305:Ralph, 260:soprano 125:, Paris 114: ( 1187:Operas 1142:Portal 1080:(wife) 1071:Family 1041:(1855) 1022:Carmen 974:(1875) 971:Carmen 966:(1872) 958:(1867) 938:(1863) 922:(1859) 914:(1857) 895:Operas 813:. 2008 675:& 572:Beulah 508:movie 490:Marche 340:tenor 86:French 1156:Opera 1129:Audio 982:Arias 719:[ 684:] 673:] 622:" by 577:1985 530:1949 473:Suite 450:Act 4 436:Act 3 422:Act 2 408:Act 1 362:bass 351:bass 289:Mab, 247:tenor 224:Role 212:Roles 30:Opera 946:(by 819:2008 793:2020 767:2020 733:2020 278:bass 154:and 943:Noé 646:: " 599:EMI 568:BBC 552:BBC 164:by 150:by 100:by 32:by 1168:: 686:. 682:fr 671:fr 636:^ 626:, 597:. 518:. 1144:: 1006:" 1002:" 999:" 995:" 992:" 988:" 871:e 864:t 857:v 821:. 811:" 807:" 795:. 769:. 735:. 618:" 138:( 118:)

Index

Opera
Georges Bizet

Jules-Henri Vernoy de Saint-Georges
Jules Adenis
The Fair Maid of Perth
Sir Walter Scott
Théâtre Lyrique
Georges Bizet
libretto
Jules-Henri Vernoy de Saint-Georges
Jules Adenis
The Fair Maid of Perth
Sir Walter Scott
Théâtre Lyrique
Léon Carvalho
Christine Nilsson
Éden-Théâtre
Théâtre Impérial de Compiègne
Adolphe Deloffre
tenor
soprano
Jeanne Devriès
bass
Émile Wartel
Alice Ducasse
bass-baritone
baritone
Perth, Scotland

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