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Le Mur (urban art)

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resulting in a collection of 400 cans by 400 international artists. The project's name refers to the standard European capacity of a spray can (400 milliliters). The collection was first exhibited in November 2008 at the Maison des MĂ©tallos in Paris, and since then, it has become a traveling exhibition.
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In March 2001, Thomas Schmitt invited Jean Faucheur to paste a poster on the altered billboard. Faucheur displayed a series of works created ten years earlier, starting with the tricolored scene Gran' Popa Scalp. This was followed by a series of samples. By 2002, the circle expanded into a temporary
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The MUR also manages the "400ML Project," an exhibition initiated by collectors Mathilde and Gautier Jourdain, featuring custom-painted spray cans by urban artists worldwide. When Jean Faucheur gifted a custom can to Gautier Jourdain, he did not anticipate that it would lead to a two-year project
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In 2009, the association collaborated with the Born in the Streets – Graffiti exhibition, which ran from July 7, 2009, to January 10, 2010, at the Cartier Foundation. Artists like Alëxone, the 1980 collective, Fancie, Jean Faucheur, and others were invited to create works in public, which were
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In early 2003, the Giraudy double panel was removed and replaced by Dauphin with a plexiglass-covered panel and a smaller one (200x150 cm). An accompanying sign read, "Notice to artists, this panel is reserved for you to express your creativity." Hours later, Thom Thom altered it to "Notice to
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According to an interview with Jean Faucheur and Thomas Schmitt, from May 2000 to March 2001, the double billboard at the intersection of Oberkampf and Saint Maur Streets in Paris's 11th arrondissement became a "spot" for Parisian urban art. Much like a vertical squat, the two "4 by 3" panels,
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Second Official Period (Since May 2009) The new MUR (colored brown) started in June 2009 with a phosphorescent poster by Pierre Huyghe, paying tribute to Manhu, a deceased member of the Ripoulin Brothers. From August to December 2009, the MUR presented posters first exhibited at the
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artist collective named One Night, whose goal was to replace the advertising posters in the 11th and 20th arrondissements with original works measuring 4 meters by 3, created in the art squat of the Arts et Toits association. Their first action took place on May 24, 2002.
27:, an acronym for "modulable, urban, and reactive," is a French association founded in 2003 with the goal of promoting contemporary and, in particular, urban art. It is a non-profit organization under French law (1901) and was founded by the French painter and sculptor 147:. The first "legally pasted" poster was created by GĂ©rard Zlotykamien. A temporary double panel was installed by Clear Channel on behalf of the city hall, and restoration work was announced. The final poster pasted on the "green MUR" was by RERO. 108:. This marked the infiltration of street art in the 13th arrondissement, despite the uniform decor reminiscent of Jacques Tati, where Schmitt cut posters at the corner of Place Verte and Oberkampf Street, which later became M.U.R. 185:
During the 2022 legislative elections, a pro-NUPES mural by Mode2 was displayed on the MUR, sparking accusations of "illegal promotion" from the right-wing opposition. Bob Jeudy, one of the founders, was also close to politician
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Artists are free to choose their methods of working on the panel, using materials such as spray paint, acrylics, glue, and ink. They generally create works measuring 3 by 8 meters, though this is also optional.
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as part of the Born in the Streets – Graffiti exhibition. In October 2010, Le MUR/The Wall, a book-catalogue compiling all works displayed since Gérard Zlotykamien, was published by Kitchen 93.
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In March 2003, the association's statutes were filed, and the concept of a "wall-gallery" was proposed to authorities. The Committee for Art in the City gave its approval in September 2005.
402: 424: 391: 413: 314:, Nautilus, 2002. The first edition of the book in 1998 at Ă©dition Mille et une nuits, "les petits libres" was not illustrated, the 2002 edition gave examples of 439: 369: 403:
https://www.radiofrance.fr/franceculture/podcasts/les-nuits-de-france-culture/art-urbain-comment-le-street-art-est-passe-de-l-illegal-au-bankable-6992373
123:'s music video So Many Men, the wall was completely covered in blue paper for special effects. After the shoot, Thom Thom created a double mega logo. 104:
managed at the time by the company Giraudy, were systematically altered by Thomas Schmitt, which led to encounters with artists like Nomad, Vast, and
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https://www.huffingtonpost.fr/politique/article/legislatives-cette-fresque-parisienne-aux-accents-pro-nupes-accusee-de-promotion-illegale_197131.html
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https://www.radiofrance.fr/franceculture/podcasts/les-nuits-de-france-culture/l-histoire-du-street-art-avec-fancie-bob-jeudy-et-thom-thom-9782257
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movement in Paris in April 2000. Le Mur was at this time an advertising billboard was firstly hijacked by artist Hephaestus in spring 2000.
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autistics, etc." This situation persisted until 2007, during which time two more "One Night" actions took place in May 2003 and May 2005.
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https://www.leparisien.fr/paris-75/paris-75011/paris-le-mur-d-oberkampf-dedie-au-street-art-fete-ses-10-ans-10-08-2017-7186581.php
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The association offers urban artists and graffiti artists the chance to showcase their work temporarily on a wall located at 107
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Patrick Nguyen & Stuart Mackenzie, Beyond the Street: The 100 Leading Figures in Urban Art, Die Gestalten Verlag, 2010.
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https://www.telerama.fr/sortir/le-mur-doberkampf,-ce-pari-fou-devenu-une-institution-du-street-art-parisien,n5249974.php
500: 31:, the situationist Thomas Louis Jacques Schmitt, known as "Thom Thom," Malitte Matta, and the art collector Bob Jeudy. 229: 211: 380: 299: 337:+" (For the maids it's real, for the others, it's virtual, Guy Dedord can only be seen on the ATTAC+ Tv channel). 348: 318:
impact in recent art works. Among them was shown a work by a situationist artist called Hephaesus showing a
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https://www.lexpress.fr/culture/a-athenes-l-art-urbain-s-inscrit-entre-rue-et-crise_1549268.html
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as "Pour les bonnes c'est réel, pour les autres c'est virtuel, Guy Debord ne passe que sur
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https://www.radiofrance.fr/franceculture/le-m-u-r-de-l-illegalite-a-l-institution-4660282
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https://www.timeout.fr/paris/le-blog/le-m-u-r-oberkampf-sexporte-a-orleans-013017
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https://www.radiofrance.fr/franceculture/a-coup-de-griffes-sur-les-murs-7108223
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The official inauguration took place on January 25, 2007, in the presence of
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In 2007 it became an officially sanctioned street exhibition space.
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Twenty cities have now their own "Mur" in france among them
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Tristan Manco, Street Logos, Thames & Hudson, 2004,
511: 494: 127:"Reserved for Autistics" Period (2003–2007) 501: 487: 139:First Official Period (2007–February 2009) 346: 153:Fondation Cartier pour l'Art Contemporain 115:In September 2002, during the filming of 15: 264: 180: 512: 347:Le Mestre, BĂ©rĂ©nice (29 August 2012). 453: 440:a review on paris.untappedcities.com 13: 312:Guy Debord ou la beautĂ© du nĂ©gatif 193: 14: 536: 433: 168:displayed on the Oberkampf wall. 457: 171: 158: 418: 407: 396: 385: 374: 363: 340: 304: 293: 282: 271: 53:It is the initial spot of the 1: 473:. You can help Knowledge by 7: 10: 541: 452: 349:"Astro, street art filant" 98: 20:Jacques VilleglĂ© at Le MUR 351:(in French). LibĂ©ration 469:-related article is a 206:, Kitchen 93, 2005, 21: 310:Shigenobu Gonzalvez, 19: 265:References and notes 224:, Kitchen 93, 2010, 181:Political Engagement 40:11eme arrondissement 445:official flash site 22: 525:Visual arts stubs 482: 481: 322:advertising with 258:978-3-89955-290-4 248:978-0-500-28469-8 238:978-2-85980-015-4 532: 520:Culture of Paris 503: 496: 489: 461: 454: 427: 422: 416: 411: 405: 400: 394: 389: 383: 378: 372: 367: 361: 360: 358: 356: 344: 338: 308: 302: 297: 291: 286: 280: 275: 260:, (p. 185) 222:Le Mur /The Wall 540: 539: 535: 534: 533: 531: 530: 529: 510: 509: 508: 507: 450: 436: 431: 430: 423: 419: 412: 408: 401: 397: 390: 386: 379: 375: 368: 364: 354: 352: 345: 341: 309: 305: 298: 294: 287: 283: 276: 272: 267: 216:Jean Faucheur, 196: 194:Further reading 188:Philippe SĂ©guin 183: 174: 161: 141: 129: 101: 12: 11: 5: 538: 528: 527: 522: 506: 505: 498: 491: 483: 480: 479: 462: 448: 447: 442: 435: 434:External links 432: 429: 428: 417: 406: 395: 384: 373: 362: 339: 326:for the movie 303: 292: 281: 269: 268: 266: 263: 262: 261: 250: 240: 218:Thomas Schmitt 214: 200:Thomas Schmitt 195: 192: 182: 179: 173: 170: 160: 157: 140: 137: 128: 125: 117:Youssou N'Dour 100: 97: 9: 6: 4: 3: 2: 537: 526: 523: 521: 518: 517: 515: 504: 499: 497: 492: 490: 485: 484: 478: 476: 472: 468: 463: 460: 456: 455: 451: 446: 443: 441: 438: 437: 426: 421: 415: 410: 404: 399: 393: 388: 382: 377: 371: 366: 350: 343: 336: 332: 329: 325: 321: 317: 313: 307: 301: 296: 290: 285: 279: 274: 270: 259: 255: 251: 249: 245: 241: 239: 235: 231: 230:2-85980-015-8 227: 223: 219: 215: 213: 212:2-85980-007-7 209: 205: 201: 198: 197: 191: 189: 178: 172:400ML Project 169: 165: 159:The MUR Today 156: 154: 148: 146: 145:Georges Sarre 136: 133: 124: 122: 121:Pascal Obispo 118: 113: 109: 107: 96: 94: 90: 86: 82: 78: 74: 70: 66: 61: 58: 56: 51: 49: 45: 41: 37: 36:rue Oberkampf 32: 30: 29:Jean Faucheur 26: 18: 475:expanding it 464: 449: 420: 409: 398: 387: 376: 365: 353:. Retrieved 342: 324:Keanu Reeves 311: 306: 295: 284: 273: 221: 203: 184: 175: 166: 162: 149: 142: 134: 130: 114: 110: 102: 62: 59: 52: 33: 24: 23: 355:8 September 514:Categories 316:Guy Debord 69:Strasbourg 55:street art 89:Cherbourg 75:, Nancy, 331:hijacked 204:Une Nuit 81:Mulhouse 65:Bordeaux 106:L'Atlas 99:History 93:OrlĂ©ans 38:in the 328:Matrix 320:Canal+ 256:  246:  236:  228:  210:  77:Epinal 73:Toulon 48:France 25:Le MUR 465:This 335:ATTAC 91:, or 85:Tours 44:Paris 471:stub 357:2012 254:ISBN 244:ISBN 234:ISBN 226:ISBN 208:ISBN 119:and 467:art 42:of 516:: 232:, 220:, 202:, 190:. 95:. 87:, 83:, 79:, 71:, 67:, 46:, 502:e 495:t 488:v 477:. 359:.

Index


Jean Faucheur
rue Oberkampf
11eme arrondissement
Paris
France
street art
Bordeaux
Strasbourg
Toulon
Epinal
Mulhouse
Tours
Cherbourg
Orléans
L'Atlas
Youssou N'Dour
Pascal Obispo
Georges Sarre
Fondation Cartier pour l'Art Contemporain
Philippe SĂ©guin
Thomas Schmitt
ISBN
2-85980-007-7
Thomas Schmitt
ISBN
2-85980-015-8
ISBN
978-2-85980-015-4
ISBN

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