389:
275:
817:
43:
164:
262:âa sung verse following a specific form. Clark states that it is written in typical AlbĂ©niz form as it is "presented monophonically but doubled at the fifteenth for more fullness of sound." The music alters between a solo and accompaniment that is typical of flamenco. The short middle section of the piece is written in the style of a
280:
279:
276:
281:
233:
traditions (although the drama of the music is congruent with the landscape of the region of
Asturias). The origin of the presumably misattributed name was that in fact Albéniz did compose a piano work actually called (by himself) 'Asturias', which made part of a set of pieces of folk music from all
278:
406:
407:
433:
277:
245:
Albéniz's biographer, Walter Aaron Clark, describes the piece as "pure
Andalusian flamenco". In the main theme the piano mimics the guitar technique of alternating the thumb and fingers of the right hand, playing a
431:
405:
432:
300:
Though originally written to imitate guitar playing, the piece cannot be transcribed note for note for guitar. The original version makes uses of the piano keyboard's wider range compared to the
266:âanother flamenco style piece. The malagueña borrows two motives from the previous copla and builds on them. The piece returns to its first theme until a slow "hymn-like" passage ends the piece.
408:
222:, although Albéniz never intended the piece for this suite. Despite the new name, this music is not considered suggestive of the folk music of the northern Spanish region of
254:âa fast flamenco form. The "marcato"/"staccato" markings suggest both guitar sounds and the footwork of a flamenco dancer. The piece sounds as though it is written in the
188:
424:
398:
359:
323:'s transcription is the most famous and most influential. The piece has become one of the most important works of the classical guitar repertoire.
841:
599:
508:
626:
851:
820:
644:
367:
107:
79:
524:
465:
60:
234:
over Spain for the then Queen of Spain, but this piece is lost, and maybe its name was passed on the now so called one.
86:
556:
572:
331:, uses a reworking of the melody from this classical piece in The Doors song "Spanish Caravan" from their 1968 album
126:
846:
344:
213:
93:
861:
64:
619:
263:
75:
250:
open string with the index finger and a melody with the thumb. The theme itself suggests the rhythm of the
242:. The piece is noted for the delicate, intricate melody of its middle section and abrupt dynamic changes.
488:
Some performers see the piece as a challenge to play as fast as possible, though the composer specified
856:
750:
600:
https://web.archive.org/web/20160325024430/https://www.stanleyyates.com/articles/albeniz/leyenda.html
666:
612:
713:
53:
17:
697:
315:
who put it in its most recognizable key, E minor. According to the guitarist and guitar scholar
792:
659:
319:, the first guitar transcription of the piece was probably by Severino GarcĂa Fortea, although
305:
100:
785:
764:
743:
801:
720:
706:
312:
8:
771:
333:
304:
of the guitar, and the key of G minor is not suitable for the guitarâfor example, in the
201:
175:
The piece, which lasts around six minutes in performance, was originally written for the
691:
673:
505:
727:
552:
355:
320:
218:
504:
Everything You Ever Wanted To Know About... ALBĂNIZ'S LEYENDA (Preludio-Asturias),
196:
168:
635:
157:
512:
374:
192:
415:
324:
31:
835:
348:
316:
259:
255:
573:"Viola Virtuosa Albéniz, Tårrega, Sor Vier Solo Transkriptionen aus Spanien"
466:"ALBĂNIZ'S LEYENDA (Preludio-Asturias) by Stanley Yates - PDF Free Download"
363:
293:
340:
289:
247:
163:
757:
448:
156:
by its composer, is a musical work by the
Spanish composer and pianist
251:
328:
301:
258:
which is typical of bulerĂas. The second section is reminiscent of a
227:
184:
42:
230:
223:
529:
414:
Arrangement for castanets, bass and guitar, performed in 2001 by
180:
604:
176:
492:. Sharon Isbin in the example cited takes over six minutes.
311:
Many have attributed the first transcription for guitar to
216:, who included it in the 1911 "complete version" of the
167:
The opening is shown here in piano score. The repeated
506:
http://stanleyyates.com/articles/albeniz/leyenda.html
212:
was given to it posthumously by the German publisher
30:"Leyenda" redirects here. For the Anuel AA song, see
67:. Unsourced material may be challenged and removed.
833:
425:Suite Española, Op. 47 â 5. Asturias (Leyenda)
620:
551:. Oxford University Press. pp. 97â98.
308:, the pedal note D4 is not an open string.
627:
613:
500:
498:
127:Learn how and when to remove this message
439:Performed on a guitar by Gordon Rowland.
377:has arranged this piece for solo viola.
273:
171:is an example of the use of a pedal note
162:
14:
834:
495:
608:
549:Isaac Albeniz: Portrait of a Romantic
546:
542:
540:
65:adding citations to reliable sources
36:
842:Spanish compositions for solo piano
24:
447:Problems playing these files? See
387:
269:
25:
873:
634:
593:
537:
816:
815:
429:
403:
41:
343:quotes Asturias in their songs
238:, Hofmeister's subtitle, means
52:needs additional citations for
565:
517:
482:
458:
13:
1:
852:Compositions by Isaac Albéniz
380:
27:Musical work by Isaac Albéniz
547:Clark, Walter Aaron (2002).
183:. It was first published in
7:
10:
878:
29:
811:
683:
651:
642:
525:"Ni asturias ni albéniz"
189:Juan Bta. Pujol & Co.
370:" is based on Asturias.
847:Compositions for guitar
76:"Asturias" Leyenda
862:1890s in Spanish music
392:
306:standard guitar tuning
297:
179:and set in the key of
172:
490:Allegro ma non troppo
391:
362:song to Asturias and
284:
166:
744:Rumores de la Caleta
645:List of compositions
577:partitura-verlag.com
373:The italian violist
61:improve this article
368:Middle of the Night
334:Waiting for the Sun
511:2021-02-13 at the
393:
298:
210:Asturias (Leyenda)
173:
857:1892 compositions
829:
828:
772:Cantos de Espagña
434:
409:
360:Angels don't Kill
358:attributed their
356:Children of Bodom
313:Francisco TĂĄrrega
288:performed at the
282:
191:, in 1892 as the
137:
136:
129:
111:
16:(Redirected from
869:
819:
818:
629:
622:
615:
606:
605:
587:
586:
584:
583:
569:
563:
562:
544:
535:
534:
521:
515:
502:
493:
486:
480:
479:
477:
476:
462:
436:
435:
411:
410:
399:Legend (Leyenda)
390:
283:
226:, but rather of
202:Chants d'Espagne
150:), named simply
132:
125:
121:
118:
112:
110:
69:
45:
37:
21:
877:
876:
872:
871:
870:
868:
867:
866:
832:
831:
830:
825:
807:
679:
647:
638:
633:
596:
591:
590:
581:
579:
571:
570:
566:
559:
545:
538:
533:. 23 June 2023.
523:
522:
518:
513:Wayback Machine
503:
496:
487:
483:
474:
472:
464:
463:
459:
454:
453:
445:
443:
442:
441:
440:
437:
430:
427:
421:
420:
419:
412:
404:
401:
394:
388:
383:
375:Marco Misciagna
327:, guitarist of
274:
272:
270:Guitar versions
133:
122:
116:
113:
70:
68:
58:
46:
35:
28:
23:
22:
15:
12:
11:
5:
875:
865:
864:
859:
854:
849:
844:
827:
826:
824:
823:
812:
809:
808:
806:
805:
798:
797:
796:
789:
782:
768:
761:
754:
747:
740:
739:
738:
731:
724:
717:
710:
699:Suite Española
695:
687:
685:
681:
680:
678:
677:
670:
667:Pepita Giménez
663:
660:Henry Clifford
655:
653:
649:
648:
643:
640:
639:
632:
631:
624:
617:
609:
603:
602:
595:
594:External links
592:
589:
588:
564:
558:978-0199250523
557:
536:
516:
494:
481:
456:
455:
444:
438:
428:
423:
422:
416:Michael Laucke
413:
402:
397:
396:
395:
386:
385:
384:
382:
379:
349:To Tame A Land
325:Robbie Krieger
321:Andrés Segovia
271:
268:
219:Suite española
135:
134:
49:
47:
40:
32:Leyenda (song)
26:
9:
6:
4:
3:
2:
874:
863:
860:
858:
855:
853:
850:
848:
845:
843:
840:
839:
837:
822:
814:
813:
810:
804:
803:
799:
794:
790:
787:
783:
780:
776:
775:
774:
773:
769:
767:
766:
762:
760:
759:
755:
753:
752:
751:Torre Bermeja
748:
746:
745:
741:
736:
732:
729:
725:
722:
718:
715:
711:
708:
704:
703:
702:
700:
696:
694:
693:
689:
688:
686:
682:
676:
675:
671:
669:
668:
664:
662:
661:
657:
656:
654:
650:
646:
641:
637:
636:Isaac Albéniz
630:
625:
623:
618:
616:
611:
610:
607:
601:
598:
597:
578:
574:
568:
560:
554:
550:
543:
541:
532:
531:
526:
520:
514:
510:
507:
501:
499:
491:
485:
471:
470:docplayer.net
467:
461:
457:
452:
450:
426:
417:
400:
378:
376:
371:
369:
365:
361:
357:
352:
350:
346:
345:Mother Russia
342:
338:
336:
335:
330:
326:
322:
318:
317:Stanley Yates
314:
309:
307:
303:
295:
291:
287:
267:
265:
261:
257:
256:Phrygian mode
253:
249:
243:
241:
237:
232:
229:
225:
221:
220:
215:
211:
206:
204:
203:
199:set entitled
198:
194:
190:
186:
182:
178:
170:
165:
161:
160:(1860-1909).
159:
158:Isaac Albéniz
155:
154:
149:
148:
143:
142:
131:
128:
120:
109:
106:
102:
99:
95:
92:
88:
85:
81:
78: â
77:
73:
72:Find sources:
66:
62:
56:
55:
50:This article
48:
44:
39:
38:
33:
19:
800:
778:
770:
763:
756:
749:
742:
734:
698:
690:
672:
665:
658:
580:. Retrieved
576:
567:
548:
528:
519:
489:
484:
473:. Retrieved
469:
460:
446:
372:
353:
339:
332:
310:
299:
294:Sharon Isbin
285:
244:
239:
235:
217:
209:
207:
200:
174:
152:
151:
146:
145:
140:
139:
138:
123:
114:
104:
97:
90:
83:
71:
59:Please help
54:verification
51:
341:Iron Maiden
290:White House
195:of a three-
117:August 2014
836:Categories
758:Tango in D
582:2023-03-19
475:2023-11-24
449:media help
381:References
364:Elley Duhé
248:pedal-note
228:Andalusian
214:Hofmeister
87:newspapers
786:Orientale
329:The Doors
302:tessitura
264:malagueña
208:The name
185:Barcelona
821:Category
765:Mallorca
735:Asturias
714:Cataluña
509:Archived
286:Asturias
231:flamenco
224:Asturias
197:movement
141:Asturias
802:La Vega
793:CĂłrdoba
779:Prelude
721:Sevilla
707:Granada
530:YouTube
252:bulerĂa
236:Leyenda
193:prelude
181:G minor
153:Prelude
147:Leyenda
101:scholar
18:Leyenda
692:Iberia
674:Merlin
652:Operas
555:
418:(6:53)
366:song "
240:legend
103:
96:
89:
82:
74:
728:CĂĄdiz
701:No. 1
684:Piano
354:Also
260:copla
187:, by
177:piano
108:JSTOR
94:books
553:ISBN
347:and
80:news
292:by
63:by
838::
575:.
539:^
527:.
497:^
468:.
351:.
337:.
205:.
795:"
791:"
788:"
784:"
781:"
777:"
737:"
733:"
730:"
726:"
723:"
719:"
716:"
712:"
709:"
705:"
628:e
621:t
614:v
585:.
561:.
478:.
451:.
296:.
169:D
144:(
130:)
124:(
119:)
115:(
105:·
98:·
91:·
84:·
57:.
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.