22:
4091:
151:
50:, "an extraordinary capacity ... for seizing on and assimilating whatever in a newly encountered style (was) most useful to him". In a letter to his father, dated 7 February 1778, Mozart wrote, "As you know, I can more or less adopt or imitate any kind and style of composition". He used this gift to break new ground, becoming simultaneously "assimilator, perfector and innovator". Thus, his early works follow the traditional forms of the Italian
4129:
4117:
4141:
42:
comprise 22 musical dramas in a variety of genres. They range from the small-scale, derivative works of his youth to the full-fledged operas of his maturity. Three of the works were abandoned before completion and were not performed until many years after the composer's death. His mature works are
166:
The list includes all the theatrical works generally accepted as composed by
Wolfgang Amadeus Mozart. In this context "theatrical" means performed on a stage, by vocalists singing in character, in accordance with stage directions. Some sources have adopted more specific criteria, leading them to
101:
Ideas and characterisations introduced in the early works were subsequently developed and refined. For example, Mozart's later operas feature a series of memorable, strongly drawn female characters, in particular the so-called "Viennese soubrettes" who, in opera writer
141:
writes, "it is possible that Da Ponte understood the dramatic necessities of Mozart's style without prompting; but before his association with da Ponte, Mozart had already bullied several librettists into giving him the dramatically shaped ensembles he loved."
177:. However, as Osborne makes clear, the libretto contains stage directions which suggest that the work was acted, not merely sung, and it is formally described as a "geistliches Singspiel" (sacred play with music), not as an oratorio. The Singspiel
2357:
One mezzo-soprano role, depicting the male character Annio, was originally a castrato and is now done by mezzos. The role of Sesto (Sextus) was originally written by Mozart for a tenor before he found out it had been assigned to a mezzo
106:'s phrase, "contrive to combine charm with managerial instinct". Music writer and analyst Gottfried Kraus has remarked that all these women were present, as prototypes, in the earlier operas; Bastienne (1768), and Sandrina (
2317:
For the Vienna premiere, six months later, certain changes were introduced, mainly to accommodate the ranges of a different group of singers. Modern performances generally conflate the Prague and Vienna
137:
of 1783/84 has now been generally rejected. Mozart felt that, as the composer, he should have considerable input into the content of the libretto, so that it would best serve the music. Musicologist
3818:
2021:
and first published in 1862. The catalogue has been revised several times, most recently in 1964. The first number refers to K, the original numbering; the second to K from 1964.
586:
983:
477:
3848:
4163:
3678:
337:
2273:
The role of
Idamante, originally written for castrato, was rewritten by Mozart as a tenor role in 1786. Also, the role of Arbace is sometimes sung by a tenor.
3247:
3790:
3712:
866:
112:, 1774) are precedents for the later Constanze and Pamina, while Sandrina's foil Serpetta is the forerunner of Blonde, Susanna, Zerlina and Despina.
2837:
4025:
3810:
1327:
1263:
3858:
3624:
4168:
4061:
3853:
3843:
3833:
3240:
183:
was written in collaboration with four other composers, so it is only partially credited to Mozart who only contributed one aria.
4066:
3755:
3705:
3506:
2924:
4173:
2964:
1671:
3524:
1588:
1460:
1141:
881:
817:
549:
3233:
1789:
1729:
1524:
1392:
1335:
1271:
1209:
1072:
1013:
950:
765:
690:
631:
489:
431:
363:
115:
Mozart's texts came from a variety of sources, and the early operas were often adaptations of existing works. The first
3785:
3651:
3275:
311:
169:
229:
commission, which was completed and performed first and is usually listed as the earlier work despite having a higher
3173:
3147:
3125:
3103:
3077:
3044:
3014:
2988:
2950:
2902:
2875:
2856:
3560:
1852:
According to some recent scholarship, the unknown
Italian poet responsible for the text is more likely to have been
4094:
3868:
3863:
3800:
3698:
3587:
3405:
1894:"Gebotes" or "Gebottes" are archaic spelling variants of the modern "Gebots" which is regularly used in the title.
1877:
1153:
2291:
Two soprano soloists from the chorus sing the duet of the servant girls, "Amanti, costanti" in the act 3 finale.
2976:
591:
191:
In general, the list follows the sequence in which the operas were written. There is uncertainty about whether
103:
209:
was written in two segments, the earlier in 1774, but is listed in accordance with its completion in 1779–80.
1439:
871:
3615:
3578:
3024:
1182:
988:
3955:
3642:
3028:
2960:
2018:
4107:
3780:
342:
155:
2308:, p. 326) states: "It is fruitless to argue against the habits of opera houses around the world".
1793:
1733:
1592:
1528:
1464:
1213:
367:
4056:
1054:
131:, his "true phoenix". The once widely held theory that Da Ponte was the librettist for the discarded
84:
character in Donna Elvira. Unique among composers, Mozart ended all his mature operas, starting with
1005:
3949:
3745:
3633:
2212:
1623:
4076:
3828:
3721:
3515:
3257:
2047:
35:
4121:
4030:
3740:
3445:
3435:
3315:
1781:
1664:
1404:
1347:
561:
424:
3551:
43:
all considered classics and have never been out of the repertory of the world's opera houses.
3735:
3375:
3295:
3113:
2863:
2220:
2086:
1853:
1315:
1188:
962:
855:
443:
204:
199:
47:
4020:
3795:
3765:
3355:
3335:
3285:
3135:
2885:
Dell'Antonio, Andrew (1996). "Il
Compositore Deluso: The Fragments of Mozart's Comic Opera
1905:
1882:
1604:
1503:
1252:
1109:
919:
829:
702:
379:
179:
120:
108:
1384:
1133:
8:
3967:
3902:
3895:
3770:
3475:
3222:, source evaluation (German only), links to online DME recordings; Digital Mozart Edition
3211:
3199:
2091:
2072:
Premiered with an all-male cast, the soprano and alto parts being sung by boy choristers.
1974:
1770:
1684:
1653:
1635:
1433:
806:
794:
679:
620:
607:
217:
3889:
2014:
1875:
For two instances in which Mozart coaxed his librettists into reshaping their work, see
1710:
230:
3961:
3873:
3415:
3219:
3162:
3061:
3036:
2939:
2125:
The soprano roles of Sifare and Arbate, and the alto role of
Farnace, were written for
1914:
1373:
1225:
1178:
2842:
27:
3937:
3931:
3760:
3305:
3169:
3143:
3121:
3099:
3073:
3066:
3040:
3010:
3003:
2984:
2946:
2920:
2898:
2871:
2852:
1857:
1099:
784:
742:
732:
501:
193:
21:
3569:
3465:
3225:
3092:
1978:. In instances where the English meaning is unclear, an English equivalent is given.
1540:
4035:
3943:
3823:
3750:
3215:
3190:
2328:
2216:
1627:
1569:
1497:
1493:
1429:
1311:
526:
128:
3985:
481:
4040:
3775:
3671:
3596:
3485:
3425:
3325:
2934:
1972:
Unless indicated otherwise, these descriptions are taken from the title pages of
1862:
1745:
1721:
1631:
1516:
1283:
1113:
717:
668:
643:
597:
211:
133:
63:
1946:
may have been performed in
October 1768. It is entirely possible, however, that
66:, he "enhanced all of these forms with the richness of his innovation", and, in
3925:
3157:
2912:
1559:
1483:
1240:
923:
844:
658:
3204:
4157:
4071:
3997:
3991:
3917:
3542:
3365:
3087:
2998:
2890:
2043:
1119:
893:
530:
410:
138:
4145:
4133:
4003:
3979:
3973:
3455:
2282:
One speaking role, that of a sailor, is absent from most modern productions
2172:, p. 296) says: "There is no record it was actually performed in 1772"
2109:
2105:
1476:
400:
68:
3690:
127:
in 1781. Five years later, he began his most enduring collaboration, with
3345:
1699:
1580:
1452:
1419:
1298:
1201:
777:
601:
576:
516:
91:
55:
51:
2503:
1775:
6 soprano, 2 mezzo-soprano, 1 alto, 4 tenor, 1 baritone, 4 bass, chorus
2059:
Weiser is the most likely of several possible authors of the text; see
1833:
2000:
Unless noted otherwise, details of first performances are as given by
150:
3533:
2113:
1760:
1641:
1619:
1363:
1168:
1065:
1059:
1 soprano, 2 tenor, 2 bass, mini-chorus of 4 tenors, 1 speaking role
1044:
458:
327:
59:
2917:
The Man Who Wrote Mozart: The extraordinary life of
Lorenzo Da Ponte
3395:
2195:
2126:
1084:
1025:
943:
908:
758:
721:
542:
356:
174:
116:
95:
86:
3039:
Library of Essays in Opera
Studies (reprint ed.). Routledge.
2344:, p. 177) gives: "That is what all women do". The subtitle,
2155:
The soprano roles of
Ascanio and Fauno were written for castrati.
72:, he achieved a synthesis of the two Italian styles, including a
1126:
3 soprano, 1 mezzo-soprano, 4 tenor, 1 baritone, 2 bass, chorus
2755:
929:
736:
1991:. Additional notes indicate roles originally sung by castrati.
46:
From a very young age, Mozart had, according to opera analyst
3385:
1037:
810:
683:
624:
39:
4128:
2378:
2376:
2374:
2030:
Unless noted otherwise, librettist details are as given by
404:
2743:
1840:
had been written in 1751 and had been set to music before.
2683:
2439:
2348:, is more easily translatable as "The School for lovers".
1881:(which quotes Mozart's correspondence on this point) and
1189:
Belmont und
Constanze, oder Die EntfĂĽhrung aus dem Serail
2371:
2108:). Dr Franz Anton Mesmer was the founder of the form of
1658:
3 soprano, 2 tenor, 2 baritone, 1 bass, 1 speaking role
2468:
2466:
2181:
The soprano role of Cecilio was written for a castrato.
2815:
2791:
2779:
2767:
2731:
2719:
2563:
2393:
2391:
2232:
The soprano role of Ramiro was written for a castrato.
1670:
K.592a (duet "Nun, liebes Weibchen, ziehst mit mir") (
4105:
3255:
2803:
2707:
2695:
2671:
2659:
2647:
2635:
2611:
2599:
2587:
2575:
2551:
2527:
2478:
2415:
2340:
This is an approximate translation from the Italian.
321:
The obligation of the first and foremost commandment)
203:, and in some listings the former is given priority.
2623:
2539:
2515:
2463:
2451:
2241:
The soprano role of Aminta was written for castrato.
1938:
Both were written in 1768. The first performance of
1715:
2 soprano, 2 mezzo-soprano, 1 tenor, 1 bass, chorus
2403:
2388:
2104:possibly Vienna, October 1768, in the garden of Dr
3161:
3091:
3065:
3002:
2938:
2895:Wolfgang Amadé Mozart: Essays on His Life and Work
1257:(Provisional) 4 soprano, 2 tenor, 2 bass, chorus
80:characters in Leporello and Zerlina, and a mixed
4164:Lists of compositions by Wolfgang Amadeus Mozart
4155:
2884:
2761:
2509:
2427:
2198:on 1 May 1780. The German version, now known as
1848:
1846:
1574:3 soprano, 1 tenor, 1 baritone, 1 bass, chorus
1510:3 soprano, 1 tenor, 1 baritone, 3 bass, chorus
1446:5 soprano, 2 tenor, 1 baritone, 3 bass, chorus
2965:"Musing on Mozart and Studying with Boulanger"
417:2 treble, 2 boy alto, 1 tenor, 2 bass, chorus
119:chosen by Mozart himself appears to have been
3706:
3241:
3005:The Classical Style: Haydn, Mozart, Beethoven
2251:
2249:
2247:
1682:
1538:
1501:
1474:
1402:
1378:2 soprano, 1 tenor, 1 bass, 6 speaking roles
1281:
1223:
1195:2 soprano, 2 tenor, 1 bass, 2 speaking roles
1082:
927:
891:
827:
775:
700:
641:
559:
499:
62:. In his maturity, according to music writer
3098:. Berkeley: University of California Press.
1843:
1743:
1602:
1437:
1345:
1186:
1151:
1117:
1035:
960:
605:
441:
309:
3720:
2081:The text was derived from a French parody,
1903:Kenyon begins his guide to the operas with
977:Choruses and entr'actes for a heroic drama
740:
408:
377:
3713:
3699:
3248:
3234:
2302:Il dissoluto punito, ossia Il Don Giovanni
2244:
2146:, p. 63) calls it a "pastoral opera".
225:was started earlier and put aside for the
2164:Details of first performance are obscure.
1963:Period during which the opera was written
1440:La folle journée, ou le Mariage de Figaro
1321:(Provisional) 3 soprano, 2 tenor, 2 bass
154:Mozart circa 1780, detail of portrait by
1010:
149:
25:Playbill for the opening performance of
20:
3882:
3023:
2975:
2821:
2797:
2785:
2773:
2749:
2737:
2725:
2701:
2677:
2665:
2641:
2605:
2581:
2569:
2557:
2496:Letter to his father, c. 1774, in
2445:
2421:
2255:Not performed during Mozart's lifetime.
2165:
2143:
2060:
2031:
2001:
1988:
1951:
1918:
1823:, for which Mozart wrote only one aria.
1801:
4156:
3516:Der Hölle Rache kocht in meinem Herzen
2933:
2911:
2862:
2809:
2713:
2689:
2653:
2617:
2593:
2545:
2533:
2497:
2484:
2472:
2457:
2409:
2397:
2382:
2341:
2305:
2211:The libretto was formerly credited to
2169:
161:
3694:
3229:
2997:
2959:
2836:
2629:
2521:
2433:
2190:Mozart prepared a Singspiel version,
1987:Voice part summaries are as given by
167:exclude the early "Sacred Singspiel"
145:
1942:was delayed until May 1779, whereas
2897:. London: Oxford University Press.
2849:Opera: Composers, Works, Performers
860:4 soprano, 2 tenor, 1 bass, chorus
13:
3276:Die Schuldigkeit des ersten Gebots
3054:
2941:The Pegasus Pocket Guide to Mozart
2851:(English ed.). Cologne: Könemann.
2083:Les amours de Bastien et Bastienne
1913:, seemingly following the view of
1328:Théâtre des Fantaisies-Parisiennes
1264:Théâtre des Fantaisies-Parisiennes
312:Die Schuldigkeit des ersten Gebots
259:Operas by Wolfgang Amadeus Mozart
170:Die Schuldigkeit des ersten Gebots
14:
4185:
4169:Operas by Wolfgang Amadeus Mozart
3525:Dies Bildnis ist bezaubernd schön
3183:
3068:Mozart's Operas: A Critical Study
2168:gives dates "29 April or 1 May",
236:
16:Operas by Wolfgang Amadeus Mozart
4139:
4127:
4115:
4090:
4089:
3950:Maria Anna Thekla Mozart (Bäsle)
3588:O zittre nicht, mein lieber Sohn
2969:The Boston Musical Intelligencer
2264:The exact location is unrecorded
1909:; Cairns more or less dismisses
1856:, who initially prepared it for
468:F. W. Weiskern and J. H. Muller
290:
4067:Beethoven–Haydn–Mozart Memorial
2490:
2351:
2334:
2321:
2311:
2294:
2285:
2276:
2267:
2258:
2235:
2226:
2205:
2184:
2175:
2158:
2149:
2132:
2119:
2098:
2075:
2066:
2053:
2036:
2024:
2007:
1994:
1981:
1966:
1957:
1932:
1897:
1888:
1869:
1826:
1162:The Abduction from the Seraglio
3561:Madamina, il catalogo è questo
2300:The full name of the opera is
2138:In Italian this translates to
2017:of Mozart's work, prepared by
1813:
283:
1:
3626:Die EntfĂĽhrung aus dem Serail
3406:Die EntfĂĽhrung aus dem Serail
2981:The Complete Operas of Mozart
2365:
1878:Die EntfĂĽhrung aus dem Serail
1154:Die EntfĂĽhrung aus dem Serail
3976:(paternal great-grandfather)
3819:Concert arias, songs, canons
3579:O, wie will ich triumphieren
2013:Köchel numbers refer to the
1310:Unknown. Once attributed to
197:was written before or after
173:, which they classify as an
7:
4174:Lists of operas by composer
3956:Franz Xaver Wolfgang Mozart
3938:Maria Anna Mozart (Nannerl)
3168:. Oxford University Press.
3072:. Oxford University Press.
2983:. London: Victor Gollancz.
2945:. New York: Pegasus Books.
800:4 soprano, 2 tenor, chorus
673:4 soprano, 1 tenor, chorus
614:4 soprano, 1 alto, 2 tenor
570:Mithridates, King of Pontus
535:3 soprano, 2 tenor, 2 bass
471:1 soprano, 1 tenor, 1 bass
221:were written concurrently.
186:
10:
4190:
3164:The Mozart–Da Ponte Operas
3033:Essays on Opera, 1750–1800
2830:
995:Soprano, alto, tenor, bass
156:Johann Nepomuk della Croce
4085:
4062:Mozart in popular culture
4049:
4013:
3916:
3874:Relationship with G minor
3809:
3728:
3663:
3607:
3497:
3264:
2870:. London: Penguin Books.
2219:, but is now credited to
1055:Johann Andreas Schachtner
994:
984:Tobias Philipp von Gebler
982:
979:
976:
959:
956:
281:
278:
275:
272:
269:
266:
263:
76:character in Donna Anna,
3791:Appearance and character
3140:1791: Mozart's Last Year
2512:, pp. 404–405, 415.
2331:-Theater and Tyl theatre
2192:Die verstellte Gärtnerin
1806:
1093:Idomeneus, King of Crete
963:Thamos, König in Ägypten
797:, revised by Metastasio
394:Music for a Latin drama
4077:Mozart Monument, Vienna
3722:Wolfgang Amadeus Mozart
3258:Wolfgang Amadeus Mozart
2202:, has remained popular.
2200:Die Gärtnerin aus Liebe
2048:Anton Cajetan Adlgasser
1950:was written first. See
1709:Metastasio, revised by
1613:The Philosopher's Stone
918:Metastasio, amended by
838:The pretend garden-maid
36:Wolfgang Amadeus Mozart
3970:(paternal grandfather)
3653:The Marriage of Figaro
3446:The Marriage of Figaro
3436:Der Schauspieldirektor
3316:Mitridate, re di Ponto
1925:, also, does not list
1782:Theater auf der Wieden
1744:
1683:
1665:Theater auf der Wieden
1603:
1539:
1502:
1475:
1438:
1413:The Marriage of Figaro
1403:
1348:Der Schauspieldirektor
1346:
1292:The Deluded Bridegroom
1282:
1224:
1187:
1152:
1118:
1083:
1036:
997:(chorus and soloists)
961:
928:
892:
828:
776:
754:1 May 1772 (probably)
741:
701:
642:
606:
562:Mitridate, re di Ponto
560:
500:
442:
425:University of Salzburg
409:
378:
310:
158:
58:as well as the German
32:
3376:Thamos, King of Egypt
3296:Bastien und Bastienne
3136:Landon, H. C. Robbins
2868:Mozart and his Operas
2346:La scola degli amanti
2213:Ranieri de' Calzabigi
2087:Jean-Jacques Rousseau
1954:, pp. 37–38, 45)
1944:Bastien und Bastienne
1854:Giuseppe Petrosellini
1693:The clemency of Titus
1316:Giuseppe Petrosellini
1314:but may have been by
1085:Idomeneo, re di Creta
971:Thamos, King of Egypt
942:Archbishop's Palace,
856:Giuseppe Petrosellini
757:Archbishop's Palace,
541:Archbishop's Palace,
510:The feigned simpleton
452:Bastien and Bastienne
444:Bastien und Bastienne
355:Archbishop's Palace,
200:Bastien und Bastienne
153:
24:
3869:Compositional method
3849:Works for solo piano
3507:Canzonetta sull'aria
3356:La finta giardiniera
3336:Il sogno di Scipione
3286:Apollo et Hyacinthus
3118:The Operas of Mozart
3009:. New York: Norton.
2963:(27 November 2008).
1906:Apollo et Hyacinthus
1821:Der Stein der Weisen
1802:Notes and references
1605:Der Stein der Weisen
1504:Don Giovanni Tenorio
830:La finta giardiniera
703:Il sogno di Scipione
380:Apollo et Hyacinthus
180:Der Stein der Weisen
121:Giambattista Varesco
109:La finta giardiniera
3968:Johann Georg Mozart
3903:Neue Mozart-Ausgabe
3896:Alte Mozart-Ausgabe
3552:LĂ ci darem la mano
3476:La clemenza di Tito
3220:diplomatic editions
3193:Neue Mozart-Ausgabe
3142:. London: Fontana.
3120:. London: Cassell.
2919:. London: Phoenix.
2752:, pp. 208–209.
2692:, pp. 300–301.
2448:, pp. 191–192.
2385:, pp. 283–285.
2092:Le devin du village
1975:Neue Mozart-Ausgabe
1771:Emanuel Schikaneder
1685:La clemenza di Tito
1654:Emanuel Schikaneder
1549:Women are like that
1132:Court Theatre (now
1006:Kärntnertor Theatre
936:3 soprano, 2 tenor
807:Teatro Regio Ducale
795:Giovanni de Gamerra
749:3 soprano, 3 tenor,
680:Teatro Regio Ducale
621:Teatro Regio Ducale
388:Apollo and Hyacinth
349:3 soprano, 2 tenor
260:
255:Collaborative work
218:La clemenza di Tito
162:Basis for inclusion
31:, 30 September 1791
3962:Karl Thomas Mozart
3200:New Mozart Edition
2063:, pp. 24–25).
1778:30 September 1791
1661:11 September 1790
1405:Le nozze di Figaro
1374:Gottlieb Stephanie
1234:The goose of Cairo
1179:Gottlieb Stephanie
600:'s translation of
258:
159:
146:Compiling the list
33:
4103:
4102:
3932:Anna Maria Mozart
3912:
3911:
3688:
3687:
3306:La finta semplice
3216:critical editions
2926:978-0-7538-2180-0
2889:(K424a/430)". In
2847:(editor) (2000).
2762:Dell'Antonio 1996
2510:Dell'Antonio 1996
2019:Ludwig von Köchel
1948:La finta semplice
1940:La finta semplice
1858:Domenico Cimarosa
1799:
1798:
1757:
1718:6 September 1791
1696:
1616:
1556:
1553:All women do that
1416:
1385:Schönbrunn Palace
1359:
1295:
1237:
1165:
1134:Cuvilliés Theatre
1100:Dramma per musica
1096:
974:
905:
902:The Shepherd King
841:
803:26 December 1772
785:Dramma per musica
743:Somnium Scipionis
714:
655:
617:26 December 1770
587:V. A. Cigna-Santi
573:
513:
502:La finta semplice
455:
391:
323:
248:Incomplete opera
194:La finta semplice
4181:
4144:
4143:
4142:
4132:
4131:
4120:
4119:
4118:
4111:
4093:
4092:
3982:(brother-in-law)
3944:Constanze Mozart
3890:Köchel catalogue
3880:
3879:
3864:Violin concertos
3715:
3708:
3701:
3692:
3691:
3681:
3674:
3656:
3647:
3638:
3629:
3620:
3600:
3591:
3582:
3573:
3564:
3555:
3546:
3537:
3528:
3519:
3510:
3490:
3480:
3470:
3460:
3450:
3440:
3430:
3420:
3410:
3400:
3390:
3380:
3370:
3360:
3350:
3340:
3330:
3320:
3310:
3300:
3290:
3280:
3250:
3243:
3236:
3227:
3226:
3208:
3179:
3167:
3153:
3131:
3109:
3097:
3083:
3071:
3050:
3020:
3008:
2994:
2977:Osborne, Charles
2972:
2956:
2944:
2935:Kenyon, Nicholas
2930:
2908:
2881:
2859:
2846:
2825:
2819:
2813:
2807:
2801:
2795:
2789:
2783:
2777:
2771:
2765:
2759:
2753:
2747:
2741:
2735:
2729:
2723:
2717:
2711:
2705:
2699:
2693:
2687:
2681:
2675:
2669:
2663:
2657:
2651:
2645:
2639:
2633:
2627:
2621:
2615:
2609:
2603:
2597:
2591:
2585:
2579:
2573:
2567:
2561:
2555:
2549:
2543:
2537:
2531:
2525:
2519:
2513:
2507:
2501:
2494:
2488:
2482:
2476:
2470:
2461:
2455:
2449:
2443:
2437:
2431:
2425:
2419:
2413:
2407:
2401:
2395:
2386:
2380:
2359:
2355:
2349:
2338:
2332:
2325:
2319:
2315:
2309:
2298:
2292:
2289:
2283:
2280:
2274:
2271:
2265:
2262:
2256:
2253:
2242:
2239:
2233:
2230:
2224:
2217:Marco Coltellini
2209:
2203:
2188:
2182:
2179:
2173:
2162:
2156:
2153:
2147:
2136:
2130:
2123:
2117:
2102:
2096:
2079:
2073:
2070:
2064:
2057:
2051:
2040:
2034:
2028:
2022:
2015:Köchel Catalogue
2011:
2005:
1998:
1992:
1985:
1979:
1970:
1964:
1961:
1955:
1936:
1930:
1927:Die Schuldigkeit
1911:Die Schuldigkeit
1901:
1895:
1892:
1886:
1873:
1867:
1850:
1841:
1830:
1824:
1817:
1751:
1749:
1711:Caterino MazzolĂ
1690:
1688:
1610:
1608:
1577:26 January 1790
1546:
1544:
1513:29 October 1787
1507:
1498:Giovanni Bertati
1480:
1443:
1410:
1408:
1381:7 February 1786
1353:
1351:
1289:
1287:
1231:
1229:
1192:
1159:
1157:
1129:29 January 1781
1123:
1090:
1088:
1062:27 January 1866
1041:
992:
968:
966:
933:
899:
897:
875:
863:13 January 1775
835:
833:
781:
746:
708:
706:
676:17 October 1771
652:Ascanius in Alba
649:
647:
611:
595:
567:
565:
527:Marco Coltellini
507:
505:
474:2 October 1890.
449:
447:
414:
385:
383:
346:
338:Ignaz von Weiser
331:(collaboration)
318:
315:
292:
285:
261:
257:
254:
252:
247:
245:
231:Köchel catalogue
129:Lorenzo Da Ponte
4189:
4188:
4184:
4183:
4182:
4180:
4179:
4178:
4154:
4153:
4150:
4140:
4138:
4126:
4122:Classical music
4116:
4114:
4106:
4104:
4099:
4081:
4045:
4026:Catholic Church
4009:
4006:(sister-in-law)
4000:(sister-in-law)
3994:(sister-in-law)
3988:(mother-in-law)
3908:
3878:
3844:Piano concertos
3805:
3724:
3719:
3689:
3684:
3677:
3672:Da Ponte operas
3670:
3659:
3650:
3644:The Magic Flute
3641:
3632:
3623:
3614:
3603:
3597:Se vuol ballare
3594:
3585:
3576:
3567:
3558:
3549:
3540:
3531:
3522:
3513:
3504:
3493:
3486:The Magic Flute
3483:
3473:
3463:
3453:
3443:
3433:
3426:Lo sposo deluso
3423:
3416:L'oca del Cairo
3413:
3403:
3393:
3383:
3373:
3363:
3353:
3343:
3333:
3326:Ascanio in Alba
3323:
3313:
3303:
3293:
3283:
3273:
3260:
3254:
3189:
3186:
3176:
3158:Steptoe, Andrew
3156:
3150:
3134:
3128:
3112:
3106:
3094:Mozart's Operas
3086:
3080:
3062:Dent, Edward J.
3060:
3057:
3055:Further reading
3047:
3017:
2991:
2953:
2927:
2913:Holden, Anthony
2905:
2887:Lo Sposo Deluso
2878:
2840:
2833:
2828:
2820:
2816:
2808:
2804:
2796:
2792:
2784:
2780:
2772:
2768:
2760:
2756:
2748:
2744:
2736:
2732:
2724:
2720:
2712:
2708:
2700:
2696:
2688:
2684:
2676:
2672:
2664:
2660:
2652:
2648:
2640:
2636:
2628:
2624:
2616:
2612:
2604:
2600:
2592:
2588:
2580:
2576:
2568:
2564:
2556:
2552:
2544:
2540:
2532:
2528:
2520:
2516:
2508:
2504:
2495:
2491:
2483:
2479:
2471:
2464:
2460:, pp. 302.
2456:
2452:
2444:
2440:
2432:
2428:
2420:
2416:
2408:
2404:
2396:
2389:
2381:
2372:
2368:
2363:
2362:
2356:
2352:
2339:
2335:
2326:
2322:
2316:
2312:
2299:
2295:
2290:
2286:
2281:
2277:
2272:
2268:
2263:
2259:
2254:
2245:
2240:
2236:
2231:
2227:
2210:
2206:
2189:
2185:
2180:
2176:
2163:
2159:
2154:
2150:
2137:
2133:
2124:
2120:
2103:
2099:
2080:
2076:
2071:
2067:
2058:
2054:
2041:
2037:
2029:
2025:
2012:
2008:
1999:
1995:
1986:
1982:
1971:
1967:
1962:
1958:
1937:
1933:
1921:, p. 27).
1902:
1898:
1893:
1889:
1874:
1870:
1863:Le donne rivali
1851:
1844:
1831:
1827:
1818:
1814:
1809:
1804:
1792:
1788:
1763:
1754:The Magic Flute
1750:
1746:Die Zauberflöte
1732:
1728:
1722:Estates Theatre
1702:
1689:
1646:
1645:(collaboration)
1644:
1624:J. B. Henneberg
1617:
1609:
1591:
1587:
1562:
1545:
1527:
1523:
1517:Estates Theatre
1486:
1463:
1459:
1422:
1409:
1391:
1366:
1352:
1334:
1303:
1301:
1288:
1284:Lo sposo deluso
1270:
1245:
1243:
1230:
1226:L'oca del Cairo
1212:
1208:
1171:
1158:
1140:
1114:Antoine Danchet
1102:
1089:
1071:
1047:
1021:
1012:
1002:(two choruses)
1001:
996:
986:
967:
949:
911:
898:
880:
869:
867:Salvatortheater
847:
834:
816:
787:
764:
750:
725:
718:Azione teatrale
707:
689:
669:Giuseppe Parini
661:
648:
644:Ascanio in Alba
630:
589:
579:
566:
548:
519:
506:
488:
478:Architektenhaus
461:
448:
430:
384:
366:
362:
340:
330:
317:
270:Genre and acts
250:
249:
243:
242:
239:
223:Die Zauberflote
212:Die Zauberflöte
189:
164:
148:
134:Lo sposo deluso
104:Charles Osborne
64:Nicholas Kenyon
28:Die Zauberflöte
17:
12:
11:
5:
4187:
4177:
4176:
4171:
4166:
4149:
4148:
4136:
4124:
4101:
4100:
4098:
4097:
4086:
4083:
4082:
4080:
4079:
4074:
4069:
4064:
4059:
4053:
4051:
4047:
4046:
4044:
4043:
4038:
4033:
4028:
4023:
4017:
4015:
4011:
4010:
4008:
4007:
4001:
3995:
3989:
3983:
3977:
3971:
3965:
3959:
3953:
3952:(first cousin)
3947:
3941:
3935:
3929:
3926:Leopold Mozart
3922:
3920:
3914:
3913:
3910:
3909:
3907:
3906:
3899:
3892:
3886:
3884:
3877:
3876:
3871:
3866:
3861:
3856:
3851:
3846:
3841:
3836:
3831:
3829:Horn concertos
3826:
3821:
3815:
3813:
3807:
3806:
3804:
3803:
3798:
3793:
3788:
3783:
3778:
3773:
3768:
3763:
3758:
3753:
3748:
3743:
3738:
3732:
3730:
3726:
3725:
3718:
3717:
3710:
3703:
3695:
3686:
3685:
3683:
3682:
3675:
3667:
3665:
3661:
3660:
3658:
3657:
3648:
3639:
3630:
3621:
3617:Così fan tutte
3611:
3609:
3605:
3604:
3602:
3601:
3592:
3583:
3574:
3570:Non piĂą andrai
3565:
3556:
3547:
3538:
3529:
3520:
3511:
3501:
3499:
3495:
3494:
3492:
3491:
3481:
3471:
3466:Così fan tutte
3461:
3451:
3441:
3431:
3421:
3411:
3401:
3391:
3381:
3371:
3361:
3351:
3341:
3331:
3321:
3311:
3301:
3291:
3281:
3270:
3268:
3262:
3261:
3253:
3252:
3245:
3238:
3230:
3224:
3223:
3212:Opera libretti
3209:
3185:
3184:External links
3182:
3181:
3180:
3174:
3154:
3148:
3132:
3126:
3110:
3104:
3090:, ed. (1990).
3088:Heartz, Daniel
3084:
3078:
3056:
3053:
3052:
3051:
3045:
3025:Webster, James
3021:
3015:
2999:Rosen, Charles
2995:
2989:
2973:
2957:
2951:
2931:
2925:
2909:
2903:
2882:
2876:
2860:
2832:
2829:
2827:
2826:
2824:, p. 281.
2814:
2812:, p. 176.
2802:
2800:, p. 268.
2790:
2788:, p. 251.
2778:
2776:, p. 207.
2766:
2764:, p. 415.
2754:
2742:
2740:, p. 155.
2730:
2728:, p. 105.
2718:
2716:, p. 300.
2706:
2694:
2682:
2670:
2658:
2656:, p. 294.
2646:
2634:
2632:, p. 343.
2622:
2620:, p. 291.
2610:
2598:
2596:, p. 288.
2586:
2574:
2572:, p. 300.
2562:
2550:
2538:
2536:, p. 287.
2526:
2524:, p. 155.
2514:
2502:
2489:
2487:, p. 308.
2477:
2475:, p. 303.
2462:
2450:
2438:
2426:
2424:, p. 216.
2414:
2402:
2387:
2369:
2367:
2364:
2361:
2360:
2350:
2333:
2327:also known as
2320:
2310:
2293:
2284:
2275:
2266:
2257:
2243:
2234:
2225:
2204:
2194:, produced in
2183:
2174:
2166:Osborne (1992)
2157:
2148:
2140:festa teatrale
2131:
2118:
2097:
2074:
2065:
2052:
2035:
2032:Osborne (1992)
2023:
2006:
2002:Osborne (1992)
1993:
1989:Osborne (1992)
1980:
1965:
1956:
1931:
1915:Edward J. Dent
1896:
1887:
1868:
1842:
1825:
1811:
1810:
1808:
1805:
1803:
1800:
1797:
1796:
1785:
1779:
1776:
1773:
1768:
1765:
1758:
1741:
1737:
1736:
1725:
1719:
1716:
1713:
1707:
1704:
1697:
1680:
1676:
1675:
1668:
1662:
1659:
1656:
1651:
1648:
1639:
1636:E. Schikaneder
1622:composed with
1600:
1596:
1595:
1584:
1578:
1575:
1572:
1567:
1564:
1560:Dramma giocoso
1557:
1541:Così fan tutte
1536:
1532:
1531:
1520:
1514:
1511:
1508:
1491:
1488:
1484:Dramma giocoso
1481:
1472:
1468:
1467:
1456:
1450:
1447:
1444:
1427:
1424:
1417:
1400:
1396:
1395:
1388:
1382:
1379:
1376:
1371:
1368:
1360:
1356:The Impresario
1343:
1339:
1338:
1331:
1325:
1322:
1319:
1308:
1305:
1296:
1279:
1275:
1274:
1267:
1261:
1258:
1255:
1250:
1247:
1241:Dramma giocoso
1238:
1221:
1217:
1216:
1205:
1199:
1196:
1193:
1176:
1173:
1166:
1149:
1145:
1144:
1137:
1130:
1127:
1124:
1107:
1104:
1097:
1080:
1076:
1075:
1068:
1063:
1060:
1057:
1052:
1049:
1042:
1033:
1029:
1028:
1023:
1017:
1016:
1009:
1003:
998:
993:
981:
978:
975:
958:
954:
953:
946:
940:
939:23 April 1775
937:
934:
916:
913:
906:
889:
885:
884:
877:
864:
861:
858:
852:
849:
845:Dramma giocoso
842:
825:
821:
820:
813:
804:
801:
798:
792:
789:
782:
773:
769:
768:
761:
755:
752:
747:
730:
727:
715:
711:Scipio's Dream
698:
694:
693:
686:
677:
674:
671:
666:
663:
656:
639:
635:
634:
627:
618:
615:
612:
584:
581:
574:
557:
553:
552:
545:
539:
536:
533:
524:
521:
514:
497:
493:
492:
485:
475:
472:
469:
466:
463:
456:
439:
435:
434:
427:
421:
418:
415:
398:
395:
392:
375:
371:
370:
359:
353:
352:12 March 1767
350:
347:
335:
332:
324:
307:
303:
302:
299:
296:
293:
287:
286:
280:
277:
274:
271:
268:
265:
238:
237:List of operas
235:
188:
185:
163:
160:
147:
144:
15:
9:
6:
4:
3:
2:
4186:
4175:
4172:
4170:
4167:
4165:
4162:
4161:
4159:
4152:
4147:
4137:
4135:
4130:
4125:
4123:
4113:
4112:
4109:
4096:
4088:
4087:
4084:
4078:
4075:
4073:
4072:Mozart effect
4070:
4068:
4065:
4063:
4060:
4058:
4055:
4054:
4052:
4048:
4042:
4039:
4037:
4034:
4032:
4029:
4027:
4024:
4022:
4019:
4018:
4016:
4012:
4005:
4002:
3999:
3998:Aloysia Weber
3996:
3993:
3992:Josepha Weber
3990:
3987:
3986:Cäcilia Weber
3984:
3981:
3978:
3975:
3972:
3969:
3966:
3963:
3960:
3957:
3954:
3951:
3948:
3945:
3942:
3939:
3936:
3933:
3930:
3927:
3924:
3923:
3921:
3919:
3915:
3905:
3904:
3900:
3898:
3897:
3893:
3891:
3888:
3887:
3885:
3881:
3875:
3872:
3870:
3867:
3865:
3862:
3860:
3857:
3855:
3852:
3850:
3847:
3845:
3842:
3840:
3837:
3835:
3832:
3830:
3827:
3825:
3822:
3820:
3817:
3816:
3814:
3812:
3808:
3802:
3799:
3797:
3794:
3792:
3789:
3787:
3784:
3782:
3779:
3777:
3774:
3772:
3769:
3767:
3764:
3762:
3759:
3757:
3754:
3752:
3749:
3747:
3744:
3742:
3739:
3737:
3734:
3733:
3731:
3727:
3723:
3716:
3711:
3709:
3704:
3702:
3697:
3696:
3693:
3680:
3679:Derived works
3676:
3673:
3669:
3668:
3666:
3662:
3655:
3654:
3649:
3646:
3645:
3640:
3637:
3636:
3631:
3628:
3627:
3622:
3619:
3618:
3613:
3612:
3610:
3608:Discographies
3606:
3598:
3593:
3589:
3584:
3580:
3575:
3571:
3566:
3562:
3557:
3553:
3548:
3544:
3543:Il mio tesoro
3539:
3535:
3530:
3526:
3521:
3517:
3512:
3508:
3503:
3502:
3500:
3496:
3488:
3487:
3482:
3478:
3477:
3472:
3468:
3467:
3462:
3458:
3457:
3452:
3448:
3447:
3442:
3438:
3437:
3432:
3428:
3427:
3422:
3418:
3417:
3412:
3408:
3407:
3402:
3398:
3397:
3392:
3388:
3387:
3382:
3378:
3377:
3372:
3368:
3367:
3366:Il re pastore
3362:
3358:
3357:
3352:
3348:
3347:
3342:
3338:
3337:
3332:
3328:
3327:
3322:
3318:
3317:
3312:
3308:
3307:
3302:
3298:
3297:
3292:
3288:
3287:
3282:
3278:
3277:
3272:
3271:
3269:
3267:
3263:
3259:
3251:
3246:
3244:
3239:
3237:
3232:
3231:
3228:
3221:
3217:
3213:
3210:
3206:
3202:
3201:
3196:
3194:
3188:
3187:
3177:
3175:0-19-816221-9
3171:
3166:
3165:
3159:
3155:
3151:
3149:0-00-654324-3
3145:
3141:
3137:
3133:
3129:
3127:0-304-31135-9
3123:
3119:
3115:
3114:Mann, William
3111:
3107:
3105:0-520-07872-1
3101:
3096:
3095:
3089:
3085:
3081:
3079:0-19-284001-0
3075:
3070:
3069:
3063:
3059:
3058:
3048:
3046:9781351567886
3042:
3038:
3034:
3030:
3026:
3022:
3018:
3016:0-393-00653-0
3012:
3007:
3006:
3000:
2996:
2992:
2990:0-575-03823-3
2986:
2982:
2978:
2974:
2970:
2966:
2962:
2961:Levin, Robert
2958:
2954:
2952:1-933648-23-6
2948:
2943:
2942:
2936:
2932:
2928:
2922:
2918:
2914:
2910:
2906:
2904:0-19-816443-2
2900:
2896:
2892:
2891:Stanley Sadie
2888:
2883:
2879:
2877:0-14-029674-3
2873:
2869:
2865:
2864:Cairns, David
2861:
2858:
2857:3-8290-3571-3
2854:
2850:
2844:
2839:
2835:
2834:
2823:
2818:
2811:
2806:
2799:
2794:
2787:
2782:
2775:
2770:
2763:
2758:
2751:
2746:
2739:
2734:
2727:
2722:
2715:
2710:
2704:, p. 97.
2703:
2698:
2691:
2686:
2680:, p. 86.
2679:
2674:
2668:, p. 69.
2667:
2662:
2655:
2650:
2644:, p. 59.
2643:
2638:
2631:
2626:
2619:
2614:
2608:, p. 32.
2607:
2602:
2595:
2590:
2584:, p. 16.
2583:
2578:
2571:
2566:
2560:, p. 26.
2559:
2554:
2548:, p. 24.
2547:
2542:
2535:
2530:
2523:
2518:
2511:
2506:
2500:, p. xv)
2499:
2493:
2486:
2481:
2474:
2469:
2467:
2459:
2454:
2447:
2442:
2435:
2430:
2423:
2418:
2412:, p. 17.
2411:
2406:
2400:, p. 11.
2399:
2394:
2392:
2384:
2379:
2377:
2375:
2370:
2354:
2347:
2343:
2337:
2330:
2324:
2314:
2307:
2303:
2297:
2288:
2279:
2270:
2261:
2252:
2250:
2248:
2238:
2229:
2222:
2218:
2215:, revised by
2214:
2208:
2201:
2197:
2193:
2187:
2178:
2171:
2167:
2161:
2152:
2145:
2144:Osborne (1992
2141:
2135:
2128:
2122:
2115:
2111:
2107:
2101:
2094:
2093:
2088:
2084:
2078:
2069:
2062:
2061:Osborne (1992
2056:
2049:
2045:
2044:Michael Haydn
2042:Part 2 is by
2039:
2033:
2027:
2020:
2016:
2010:
2003:
1997:
1990:
1984:
1977:
1976:
1969:
1960:
1953:
1952:Osborne (1992
1949:
1945:
1941:
1935:
1928:
1924:
1920:
1919:Osborne (1992
1916:
1912:
1908:
1907:
1900:
1891:
1884:
1880:
1879:
1872:
1865:
1864:
1859:
1855:
1849:
1847:
1839:
1838:Il re pastore
1835:
1832:For example,
1829:
1822:
1816:
1812:
1795:
1791:
1786:
1783:
1780:
1777:
1774:
1772:
1769:
1766:
1762:
1759:
1755:
1748:
1747:
1742:
1739:
1738:
1735:
1731:
1726:
1723:
1720:
1717:
1714:
1712:
1708:
1705:
1701:
1698:
1694:
1687:
1686:
1681:
1678:
1677:
1673:
1669:
1666:
1663:
1660:
1657:
1655:
1652:
1649:
1643:
1640:
1637:
1633:
1629:
1625:
1621:
1614:
1607:
1606:
1601:
1598:
1597:
1594:
1590:
1585:
1582:
1579:
1576:
1573:
1571:
1568:
1565:
1561:
1558:
1554:
1550:
1543:
1542:
1537:
1534:
1533:
1530:
1526:
1521:
1518:
1515:
1512:
1509:
1506:
1505:
1499:
1495:
1492:
1489:
1485:
1482:
1479:
1478:
1473:
1470:
1469:
1466:
1462:
1457:
1454:
1451:
1448:
1445:
1442:
1441:
1435:
1431:
1428:
1425:
1421:
1418:
1414:
1407:
1406:
1401:
1398:
1397:
1394:
1389:
1386:
1383:
1380:
1377:
1375:
1372:
1369:
1365:
1361:
1357:
1350:
1349:
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1341:
1340:
1337:
1332:
1329:
1326:
1323:
1320:
1317:
1313:
1309:
1306:
1300:
1297:
1293:
1286:
1285:
1280:
1277:
1276:
1273:
1268:
1265:
1262:
1259:
1256:
1254:
1251:
1248:
1242:
1239:
1235:
1228:
1227:
1222:
1219:
1218:
1215:
1211:
1206:
1203:
1200:
1198:16 July 1782
1197:
1194:
1191:
1190:
1184:
1180:
1177:
1174:
1170:
1167:
1163:
1156:
1155:
1150:
1147:
1146:
1143:
1138:
1135:
1131:
1128:
1125:
1122:
1121:
1115:
1111:
1108:
1105:
1101:
1098:
1094:
1087:
1086:
1081:
1078:
1077:
1074:
1069:
1067:
1064:
1061:
1058:
1056:
1053:
1050:
1048:(incomplete)
1046:
1043:
1040:
1039:
1034:
1031:
1030:
1027:
1024:
1019:
1018:
1015:
1007:
1004:
999:
990:
985:
972:
965:
964:
955:
952:
947:
945:
941:
938:
935:
932:
931:
925:
921:
917:
914:
910:
907:
903:
896:
895:
894:Il re pastore
890:
887:
886:
883:
878:
873:
868:
865:
862:
859:
857:
853:
850:
846:
843:
839:
832:
831:
826:
823:
822:
819:
814:
812:
808:
805:
802:
799:
796:
793:
790:
786:
783:
780:
779:
774:
771:
770:
767:
762:
760:
756:
753:
748:
745:
744:
738:
734:
731:
728:
723:
719:
716:
712:
705:
704:
699:
696:
695:
692:
687:
685:
681:
678:
675:
672:
670:
667:
664:
660:
657:
653:
646:
645:
640:
637:
636:
633:
628:
626:
622:
619:
616:
613:
610:
609:
603:
599:
593:
588:
585:
582:
578:
575:
571:
564:
563:
558:
555:
554:
551:
546:
544:
540:
537:
534:
532:
531:Carlo Goldoni
528:
525:
522:
518:
515:
511:
504:
503:
498:
495:
494:
491:
486:
483:
482:WilhelmstraĂźe
479:
476:
473:
470:
467:
464:
460:
457:
453:
446:
445:
440:
437:
436:
433:
428:
426:
422:
419:
416:
413:
412:
411:Metamorphoses
406:
402:
399:
396:
393:
389:
382:
381:
376:
373:
372:
369:
365:
360:
358:
354:
351:
348:
344:
339:
336:
333:
329:
325:
322:
314:
313:
308:
305:
304:
300:
297:
294:
289:
288:
262:
256:
234:
232:
228:
224:
220:
219:
214:
213:
208:
207:
202:
201:
196:
195:
184:
182:
181:
176:
172:
171:
157:
152:
143:
140:
139:Charles Rosen
136:
135:
130:
126:
122:
118:
113:
111:
110:
105:
99:
97:
93:
89:
88:
83:
79:
75:
71:
70:
65:
61:
57:
53:
49:
44:
41:
37:
30:
29:
23:
19:
4151:
4057:Georg Nissen
4004:Sophie Weber
3980:Joseph Lange
3974:Franz Mozart
3901:
3894:
3838:
3796:Pet starling
3652:
3643:
3635:Don Giovanni
3634:
3625:
3616:
3484:
3474:
3464:
3456:Don Giovanni
3454:
3444:
3434:
3424:
3414:
3404:
3394:
3384:
3374:
3364:
3354:
3344:
3334:
3324:
3314:
3304:
3294:
3284:
3274:
3265:
3198:
3192:
3163:
3139:
3117:
3093:
3067:
3032:
3029:John A. Rice
3004:
2980:
2968:
2940:
2916:
2894:
2886:
2867:
2848:
2838:András Batta
2822:Osborne 1992
2817:
2805:
2798:Osborne 1992
2793:
2786:Osborne 1992
2781:
2774:Osborne 1992
2769:
2757:
2750:Osborne 1992
2745:
2738:Osborne 1992
2733:
2726:Osborne 1992
2721:
2709:
2702:Osborne 1992
2697:
2685:
2678:Osborne 1992
2673:
2666:Osborne 1992
2661:
2649:
2642:Osborne 1992
2637:
2625:
2613:
2606:Osborne 1992
2601:
2589:
2582:Osborne 1992
2577:
2570:Osborne 1992
2565:
2558:Osborne 1992
2553:
2541:
2529:
2517:
2505:
2498:Holden (2007
2492:
2480:
2453:
2446:Osborne 1992
2441:
2429:
2422:Webster 2017
2417:
2405:
2353:
2345:
2342:Cairns (2006
2336:
2323:
2318:productions.
2313:
2306:Kenyon (2006
2301:
2296:
2287:
2278:
2269:
2260:
2237:
2228:
2221:Petrosellini
2207:
2199:
2191:
2186:
2177:
2170:Kenyon (2006
2160:
2151:
2139:
2134:
2121:
2110:hypnotherapy
2106:Franz Mesmer
2100:
2090:
2085:, a work by
2082:
2077:
2068:
2055:
2046:, Part 3 by
2038:
2026:
2009:
1996:
1983:
1973:
1968:
1959:
1947:
1943:
1939:
1934:
1929:as an opera.
1926:
1922:
1917:, quoted by
1910:
1904:
1899:
1890:
1876:
1871:
1861:
1837:
1836:'s text for
1828:
1820:
1815:
1753:
1692:
1612:
1552:
1548:
1477:Don Giovanni
1434:Beaumarchais
1412:
1355:
1324:6 June 1867
1302:(incomplete)
1291:
1260:6 June 1867
1244:(incomplete)
1233:
1161:
1092:
1000:4 April 1774
970:
901:
837:
710:
651:
569:
509:
451:
423:Great Hall,
420:13 May 1767
401:Rufinus Widl
387:
320:
276:Voice parts
240:
226:
222:
216:
210:
205:
198:
192:
190:
178:
168:
165:
132:
124:
114:
107:
100:
85:
81:
77:
73:
69:Don Giovanni
67:
48:David Cairns
45:
34:
26:
18:
4031:Freemasonry
3756:Nationality
3736:Biographies
3346:Lucio Silla
3205:Bärenreiter
2841: [
2810:Cairns 2006
2714:Kenyon 2006
2690:Kenyon 2006
2654:Kenyon 2006
2618:Kenyon 2006
2594:Kenyon 2006
2546:Cairns 2006
2534:Kenyon 2006
2485:Kenyon 2006
2473:Kenyon 2006
2458:Kenyon 2006
2410:Cairns 2006
2398:Cairns 2006
2383:Kenyon 2006
1700:Opera seria
1581:Burgtheater
1496:, based on
1453:Burgtheater
1449:1 May 1786
1432:, based on
1420:Opera buffa
1299:Opera buffa
1202:Burgtheater
1183:C. Bretzner
1181:, based on
1022:(complete)
987: [
957:1773, 1779
922:, based on
870: [
778:Lucio Silla
735:, based on
596:, based on
590: [
577:Opera seria
538:1 May 1769
517:Opera buffa
484:92, Berlin
341: [
295:Librettist
82:seria-buffa
56:opera buffa
52:opera seria
4158:Categories
4014:Influences
3859:Symphonies
3746:Grand tour
3741:Birthplace
3256:Operas by
2630:Batta 2000
2522:Rosen 1997
2434:Levin 2008
2366:References
2112:known as "
1834:Metastasio
1819:Excluding
1333:K.430/424a
1136:), Munich
1070:K.344/336b
1011:K.345/336a
733:Metastasio
724:drammatica
608:Mithridate
117:librettist
4021:Beethoven
3766:Scatology
3761:Residence
3729:Biography
3534:Dove sono
2358:castrato.
2304:, but as
2114:mesmerism
1860:'s opera
1784:, Vienna
1761:Singspiel
1724:, Prague
1667:, Vienna
1642:Singspiel
1632:B. Schack
1620:Pasticcio
1583:, Vienna
1519:, Prague
1455:, Vienna
1387:, Vienna
1364:singspiel
1204:, Vienna
1169:Singspiel
1066:Frankfurt
1045:Singspiel
1008:, Vienna
876:, Munich
854:Probably
659:Festspiel
598:G. Parini
459:Singspiel
328:Singspiel
279:Premiere
273:Libretto
90:, in the
60:Singspiel
4095:Category
3940:(sister)
3934:(mother)
3928:(father)
3883:Editions
3771:Smallpox
3396:Idomeneo
3160:(1988).
3138:(1990).
3116:(1986).
3064:(1973).
3027:(2017).
3001:(1997).
2979:(1992).
2937:(2006).
2915:(2007).
2866:(2006).
2196:Augsburg
2127:castrati
1794:Libretto
1734:Libretto
1706:Italian
1593:Libretto
1570:Da Ponte
1566:Italian
1535:1789–90
1529:Libretto
1494:Da Ponte
1490:Italian
1465:Libretto
1430:Da Ponte
1426:Italian
1399:1785–86
1330:, Paris
1312:Da Ponte
1307:Italian
1278:1783–84
1266:, Paris
1249:Italian
1214:Libretto
1148:1781–82
1120:Idoménée
1112:, after
1106:Italian
1079:1780–81
1032:1779–80
1026:Salzburg
944:Salzburg
915:Italian
909:Serenata
851:Italian
824:1774–75
791:Italian
759:Salzburg
729:Italian
722:Serenata
665:Italian
629:K.87/74a
583:Italian
547:K.51/46a
543:Salzburg
529:, after
523:Italian
487:K.50/46b
403:, after
368:Libretto
357:Salzburg
316:, Part 1
306:1766–67
233:number.
187:Sequence
175:oratorio
125:Idomeneo
96:overture
87:Idomeneo
4108:Portals
4050:Related
4041:Salieri
3854:Sonatas
3664:Related
3203:].
3037:Ashgate
3031:(ed.).
2893:(ed.).
2831:Sources
2329:Nostitz
2095:, 1752.
1883:Varesco
1866:, 1780.
1767:German
1764:2 acts
1703:2 acts
1650:German
1647:2 acts
1628:F. Gerl
1563:2 acts
1487:2 acts
1423:4 acts
1370:German
1304:2 acts
1253:Varesco
1246:3 acts
1175:German
1172:3 acts
1110:Varesco
1103:3 acts
1051:German
1020:1779–80
980:German
920:Varesco
912:2 acts
848:3 acts
788:3 acts
751:chorus
662:2 acts
580:3 acts
520:3 acts
465:German
334:German
326:Sacred
282:Köchel
264:Period
94:of the
3946:(wife)
3918:Family
3839:Operas
3834:Masses
3824:Dances
3786:Prague
3781:Berlin
3489:(1791)
3479:(1791)
3469:(1790)
3459:(1787)
3449:(1786)
3439:(1786)
3429:(1784)
3419:(1783)
3409:(1782)
3399:(1781)
3389:(1780)
3379:(1779)
3369:(1775)
3359:(1775)
3349:(1772)
3339:(1772)
3329:(1771)
3319:(1770)
3309:(1769)
3299:(1768)
3289:(1767)
3279:(1767)
3266:Operas
3172:
3146:
3124:
3102:
3076:
3043:
3013:
2987:
2949:
2923:
2901:
2874:
2855:
1367:1 act
1362:Comic
930:Aminta
737:Cicero
726:1 act
602:Racine
462:1 act
397:Latin
301:Venue
267:Title
253:
251:
246:
244:
206:Thamos
123:, for
40:operas
4146:Music
4134:Opera
4036:Haydn
3964:(son)
3958:(son)
3811:Music
3801:Death
3776:Italy
3498:Arias
3386:Zaide
3197:[
2845:]
1923:Grove
1807:Notes
1790:Score
1787:K.620
1740:1791
1730:Score
1727:K.621
1679:1791
1672:Score
1599:1790
1589:Score
1586:K.588
1525:Score
1522:K.527
1471:1787
1461:Score
1458:K.492
1393:Score
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