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was discharged and the company were fined but the publicity surrounding the case called into question the necessity of the Lord
Chamberlain's role in theatre. The 1966 Joint Select Committee was set up to discuss possible changes to the Theatres Act following the dissatisfaction with how theatre
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for virtually all theatre performed in
Britain. Commercial theatre owners were generally satisfied by the safety this arrangement gave them; so long as they presented only licensed plays they were effectively immune from prosecution for any offence a play might cause. There were campaigns by
347:. While they had cause for prosecution, there was a fear that this would call into question theatre censorship as a whole. This is precisely what happened after the Royal Court Theatre was prosecuted. Director
286:, because they were critical of the German Nazi regime and it was feared that allowing certain plays to be performed might alienate what was still thought of as a friendly government. This included
302:, then Lord Chamberlain, regularly consulted the Foreign Office and sometimes, the German Embassy. In the latter case, the submissions were intended to be read by a "friendly German".
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came into open conflict with the Lord
Chamberlain's Office. Sometimes they would resort to such measures as declaring themselves private clubs for the performance of certain plays.
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356:. The committee met between 1966 and 1967 over the course of sixteen meetings and it eventually resulted in the abolition of the role of official censor in the Theatres Act 1968.
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343:. The Lord Chamberlain's Office technically had jurisdiction over private performances, but had generally avoided getting involved with bona-fide private clubs until
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censorship was being handled. It included eight representatives of the House of Lords, eight commoners, and witnesses of varying theatrical backgrounds, including
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depiction of the German government "not being in the best interests of the country". It was not granted a license until 1940 following the end of appeasement.
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in 1909 and 1911. Some plays were not licensed in the 1930s, during the period of
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is a part-time position the day-to-day work of the Office is conducted by the
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480:"Thirty years ago today: 'Saved' for the nation, farewell to the censor"
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The
Censorship of British Drama 1900-1968, Volume One 1900-1932
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wedding of
Charles, Prince of Wales and Camilla Parker Bowles
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The
British Monarchy – The Lord Chamberlain's Office
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321:Edward Bond
300:Lord Cromer
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253:(2006–2018)
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228:(1987–1990)
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183:(1960–1964)
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153:(1920–1936)
132:(1907–1920)
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80:Comptroller
565:Categories
464:Note from
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354:Peter Hall
172:Brigadier
140:Honourable
69:Royal Arms
307:producers
296:farcical
49:protocol
31:for the
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136:Colonel
125:, GCVO
74:As the
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326:Saved
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440:2015
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