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of
Justinian's Cathedral of the Holy Wisdom (Hagia Sophia), composed after the reconstruction of the dome in 562 or 563. Paul sees the church as a "meadow" of many-coloured kinds of marble, and helps us to imagine the church before its many subsequent remodellings. The poem was probably commissioned
163:
I press her breasts, our mouths are joined, and I feed in unrestrained fury round her silver neck, but not yet is my conquest complete; I still toil wooing a maiden who refuses me her bed. Half of herself she has given to
Aphrodite and half to Pallas, and I waste away between the two.
115:
84:, a friend and admirer, who describes him as coming from a rich and illustrious family, with a father, Cyrus, and a grandfather, Florus, who both probably held public office.
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Three
Political Voices from the Age of Justinian: Agapetus, 'Advice to the Emperor'; Dialogue on Political Science'; Paul the Silentiary, 'Description of Hagia Sophia'
384:
151:. Forty of these are love poems. Two are replies to poems by Agathias. In another Paul laments the death of Damocharis of Cos, Agathias's favourite pupil.
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calls these verses "the last autumnal blossoms on the tree of Greek beauty." Although his subject matter is varied, much is explicitly erotic and uses
99:. They also fulfilled important commissions, especially in church matters, and by the sixth century their order had attained the social rank of
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by
Justinian himself, with verses to be recited by Paul himself during the rededication ceremony. The panegyric consists of 1029 verses in
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Kostenec, Jan; Dark, Ken (2011). "Paul the
Silentiary's description of Hagia Sophia in the light of new archaeological evidence".
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ASMOSIA XI, Interdisciplinary
Studies on Ancient Stone, Proceedings of the XI International Conference of ASMOSIA, 2018
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270:. Vol. I–IV. Griechisch-Deutsch ed. Hermann Beckby (2nd ed.). München: Ernst Heimeran Verlag. 1965.
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433:"The architecture of ekphrasis: construction and context of Paul the Silentiary's poem on Hagia Sophia"
355:(Loeb Classical Library) translated by W. R. Paton (1916) Cambridge MA: Harvard UP; London: Heinemann)
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Of his other poems, some eighty epigrams in the classical tradition have been preserved in the
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What little we know of Paul's life comes largely from the contemporary historian and poet
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Whitby, Mary (1985). "The
Occasion of Paul the Silentiary's Ekphrasis of S. Sophia".
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408:"Paul the Silentiary, Hagia Sophia, Onyx, Lydia, and Breccia Corallina"
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Agathias considered Paul's greatest work to be his long verse
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Epigrammi di Paolo
Silenziario: Testo, traduzione e commento
95:) whose first duty was maintaining order and silence in the
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Plan of the imperial district of
Byzantine Constantinople
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Sex and the Civil
Servant: Poems by Paul the Silentiary
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Paul the Silentiary: The Magnificence of Hagia Sophia
385:
Dictionary of Greek and Roman Biography and Mythology
378:. Translated by Wheeler, Graham John. Felicla Books.
373:
406:Herrmann, John J.; van den Hoek, Annewies (2018).
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396:. Vol. II (New York: Harper and Brothers, 1880)
302:Descriptio Sanctae Sophiae. Descriptio Ambonis
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382:"Paulus Silentiarius", William Smith (ed.)
87:Paul also entered public life and became a
517:Extracts of his eulogy of the Hagia Sophia
107:). He died some time between 575 and 580.
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431:Macrides, Ruth; Magdalino, Paul (1988).
333:. Liverpool: Liverpool University Press
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56:poet and courtier to the emperor
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246:. v. 272. Paton, 1916. p.
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426:(3 supplementum): 88–105.
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140:, with the remainder in
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537:6th-century Greek poets
474:The Classical Quarterly
389:Vol. III (London, 1870)
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35:Paulus Silentiarius
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542:6th-century deaths
216:Bell, 2009. p. 14.
207:Bell, 2009. p. 14.
142:dactylic hexameter
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123:, 6th–13th century
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339:978-1-84631-209-0
320:978-3-11-023907-2
277:978-3-110-36220-6
268:Anthologia Graeca
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