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more." He contrasts the overstructured, overscheduled, oversupervised suburban life of the child in the suburban 1950's with reminiscences of his own childhood. He concludes "I guess what I am saying is that people who don't have nightmares don't have dreams. If you will excuse me, I have an appointment with myself to sit on the front steps and watch some grass growing."
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is a nostalgic evocation of the inner life of childhood. It advocates the value of privacy to children; the importance of unstructured time; the joys of boredom; and the virtues of freedom from adult supervision. He opens by saying "The thing is, I don't understand what kids do with themselves any
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magazine. The first, "Translations from the
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109:. A classic example of the "battle-of-the-sexes" comedy, it revolves around the mutual envy of a bachelor living in New York City and a settled family man living in the New York suburbs.
141:. It gives step-by-step directions on how to: play mumbly-peg; build a spool tank; make polly-noses; construct an indoor boomerang, etc. It was republished in 2010 by Tin House Books.
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29:(April 16, 1915 – January 30, 1977) was an American author, most famous for his classic evocation of childhood,
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Crank: A Book of
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Robert Paul Smith was born in
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and Robert Paul Smith (first
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208:, illus Elinor Goulding Smith (1958) Republished by Tin House Books (2010)
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in the leading role. It was later made into a movie starring
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How To Do
Nothing With No One All Alone By Yourself
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How to Do
Nothing With Nobody All Alone By Yourself
175:Got to Stop Draggin’ that Little Red Wagon Around
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155:Where Did You Go? Out. What Did You Do? Nothing
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