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It originally stood on the side altar dedicated to St
Margaret in the same church, where it was recorded in 1630 by Bernardino Faino, who called it a "beautiful and delicate thing". It was also recorded in its original location in 1660 by
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73:". The last source to record it on this site is an 1834 guidebook by Alessandro Sala, whilst the first to record it in its present position is
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Catalogo Delle Chiese riuerite in
Brescia, et delle Pitture et Scolture memorabili, che si uedono in esse in questi tempi
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182:, in "Commentari dell'Ateneo di Brescia per l'anno 1954 - Supplemento", Brescia 1954
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69:, with the latter calling it an "incomparible panel in the taste of
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which had transferred to the Lechi collection and is now in Milan's
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on display on the side-altar of St Jerome in the church of
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This article about a sixteenth-century painting is a
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Joseph Archer Crowe, Giovanni
Battista Cavalcaselle,
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Storie
Bresciane dai primi tempi sino all'età nostra
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Le scelte pitture di
Brescia additate al forestiere
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236:Alessandro Bonvicino - Il Moretto da Brescia
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30:St Margaret of Antioch with Two Saints
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217:, in "L'arte", anno 29, Brescia 1926
210:, in "L'arte", anno 20, Brescia 1917
187:A history of painting in North Italy
33:is a 1530 oil on panel painting by
16:1530 painting by Moretto da Brescia
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238:, Editrice La Scuola, Brescia 1988
201:Dizionario degli artisti bresciani
107:Pier Virgilio Begni Redona, p. 246
81:. There it replaced a painting by
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344:Paintings of Margaret the Virgin
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334:Paintings by Moretto da Brescia
324:Paintings of Francis of Assisi
208:Cose bresciane del Cinquecento
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134:Giulio Antonio Averoldi, p. 99
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89:, which acquired it in 1829.
272:. You can help Knowledge by
234:Pier Virgilio Begni Redona,
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349:16th-century painting stubs
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255:
247:La pittura del Cinquecento
152:Federico Odorici, pag. 107
125:Francesco Paglia, pag. 148
243:Storia dell'arte italiana
229:Il Giardino della Pittura
215:Per un libro sul Romanino
164:Giulio Antonio Averoldi,
159:Bibliography (in Italian)
116:Bernardino Faino, pag. 90
53:, whilst to the right is
67:Giulio Antonio Averoldi
173:Nuova Guida di Brescia
143:Alessandro Sala, p. 93
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180:Il Moretto, 1498-1554
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329:Paintings in Brescia
319:Paintings of Jerome
87:Pinacoteca di Brera
47:Margaret of Antioch
227:Francesco Paglia,
220:Federico Odorici,
213:Giorgio Nicodemi,
199:Stefano Fenaroli,
192:Bernardino Faino,
35:Moretto da Brescia
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178:Camillo Boselli,
55:Francis of Assisi
45:. To the left of
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241:Adolfo Venturi,
206:Roberto Longhi,
171:Paolo Brognoli,
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75:Federico Odorici
63:Francesco Paglia
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83:Callisto Piazza
65:and in 1700 by
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339:1530 paintings
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39:San Francesco
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274:expanding it
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51:Saint Jerome
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313:Categories
93:References
49:is shown
71:Raphael
43:Brescia
270:stub
79:1853
77:in
41:in
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100:^
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301:e
294:t
287:v
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