315:), an African-American cocaine dealer, enjoys a luxurious lifestyle in Harlem. He yearns to go straight, despite the fortune he makes. One day, Priest confronts Fat Freddie, one of his dealers, about money that Freddie owes and threatens to force Freddie's wife into prostitution unless he robs a competitor. Although the timid Freddie abhors violence, he agrees and accompanies another member of Priest's "family" of lower-level dealers to commit the robbery.
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That night, Eddie and Priest approach
Scatter, a retired dealer who started Priest in the business. Scatter initially refuses to help Priest. Eddie threatens Scatter, demanding that he reveal his source if he will not supply them, but Scatter holds him at gunpoint. Priest defuses the situation and persuades Scatter to help them, although Scatter warns that it will be the last time.
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initiatives of the civil rights movement were far from fully accomplished. The filmmakers maintain that it was their desire to show the negative and empty aspects of the drug subculture. This is evident in the movie from the beginning, as Priest communicates his desire to leave the business. Nearly every character in the film, with the notable exception of his "
609:
A standard definition DVD was released by Warner
Brothers on January 14, 2004—the day its star, Ron O'Neal, died after battling cancer. The original blue and orange Warner logo is replaced by the updated AOL/Warner logo used at the time of DVD release. The end credits on the original film release and
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Both enraged and scared, Priest gives the information on
Reardon and an envelope of cash to two mafia men and takes out a $ 100,000 contract on "the Man's" life. Priest demands his half of their profits from Eddie. After Priest leaves with the cash, Eddie betrays him by phoning the lieutenant. Priest
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That night, after picking up the kilo from
Scatter, Priest and Eddie are apprehended by several policemen. The lieutenant reveals that he is Scatter's supplier and that they can have as much "weight," as they want, and will be extended both credit and protection. Eddie is elated by the new situation,
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Priest and Eddie are joined by
Freddie, who turns over the money he stole. The next day, Freddie is picked up for fighting, and when he is beaten by the police, he reveals when and where Priest and Eddie are to pick up the first kilo of cocaine from Scatter. Freddie attempts to escape and is killed
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Priest's white mistress, Cynthia, is dismayed to learn that Priest does not return her love and is planning on quitting the business. Their argument is interrupted by the sudden arrival of
Scatter who reveals that the real head of the operation is Deputy Commissioner Reardon, who is trying to kill
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Priest discusses his plan to buy thirty kilos of high-quality cocaine with the $ 300,000 he and his partner Eddie have, which they can sell for $ 1,000,000 within four months. With such a big score, they can retire comfortably. Eddie argues that crime is the only option left to them by "The Man".
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Manthiahas
Diawara suggested that the film's glorification of drug dealers served to subtly critique the civil rights movement's failure to provide better economic opportunities for black America, and that the portrayal of a black community controlled by drug dealers serves to highlight that the
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Reardon threatens Priest that he must continue selling drugs as long as he is ordered to, but when Priest refuses, the policemen begin to beat him. Priest overcomes his foes using karate, then reveals that he knows exactly who
Reardon is. Priest explains that he hired contract killers to murder
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The movie generated roughly $ 4 million in profits. Shore received the bulk of the profits since he put up the most money, 40 percent, while the actors, directors, and scriptwriters split the remaining profits. The soundtrack alone generated about $ 5 million in profits – one of the first film
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After "The End" is displayed, the film fades to black, but
Mayfield's "Superfly" continues to play for a few minutes until the track ends. In the DVD release, Warner Bros. decided to fade out the track midway right as "The End" is shown, and again brings up the AOL/Warner logo.
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from other blaxploitation films was the technical crew, the majority of which was non-white, constituting the largest non-white technical crew in its time. Altogether, such an independently financed film ultimately had unusually large financial backing.
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has anticipated Eddie's duplicity, however, and gives the briefcase carrying the money to a disguised
Georgia in exchange for one full of rags. Priest is then picked up by the lieutenant and taken to the waterfront, where he is confronted by Reardon.
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soundtracks to earn such a sizable return – primarily from the biggest singles "Super Fly" and "Freddie's Dead". As the soundtrack's composer, Mayfield was the only other person in the production who earned revenue approaching Shore's.
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Vincent L. Barnett (2020) Super Fly (1972), Coffy (1973) and The Mack (1973): Under- and Over-Estimating Blaxploitation Box Office, Historical Journal of Film, Radio and Television, 40:2, 373-388, DOI:
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video cassette differ from the DVD. On the original release and videocassette, the film end credits roll with a shot of the top of the Empire State Building and the title track ("Superfly") plays.
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Reardon and his entire family should anything happen to him. The powerless Reardon then watches as Priest walks away free, giving the policemen one final glare before driving off to join Georgia.
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After an initial gross of $ 24.8 million, the film was re-released in 1973 and earned $ 2 million in US and Canada rentals. It was the highest-grossing blaxploitation film at the time.
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generation of African Americans, who saw Youngblood as a new example of how to rise in the American class system. Several California organized crime veterans, including drug trafficker
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stated, "we must insist that our children are not exposed to a steady diet of so-called black movies that glorify black males as pimps, dope pushers, gangsters, and super males."
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him for quitting. Scatter gives Priest a packet of information on Reardon and his family. Scatter is captured by the corrupt policemen, who give him a fatal overdose of drugs.
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claiming that they are set for life, although Priest is still determined to quit after selling the thirty kilos. Soon after, the drugs are sold by Priest and Eddie's "family."
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and had a white producer (Shore). African-Americans were a part of the process as well, with Gordon Parks Jr. as director and Phillip Fenty as screenwriter.
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and other organizations attempted to block the film's distribution, and pushed for more African-American involvement in Hollywood's creative process. The
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In June 2018, The Warner Archive Collection released "Super Fly" on Blu-ray, and has received mostly praise for its video & audio restoration.
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Charles McGregor, who plays Fat Freddie, was released from prison before the film's production. The film was shot by director of photography
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At the time of its release, there were many African-Americans that were displeased with the images of themselves portrayed in films such as
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and played Deputy Commissioner Riordan, or "The Man" in the film. Large companies produced many of the blaxploitation films, and
1109:"Trevor Jackson & Jason Mitchell To Star In Sony's 'Superfly' Remake From Director X; Future & Joel Silver To Produce"
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s drug use, the production of the film made significant advances for African-Americans. The Harlem community backed
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financially, and a number of black businesses helped with the production costs. Another quality that distinguishes
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Diawara, Manthia. “Homeboy Cosmopolitan.” In Search of Africa, 252. Cambridge, MA: Harvard University Press, 1998.
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Nate Adams coordinated the fashion and wardrobe for the film. He had done several fashion shows prior to
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reports that 93% of 28 critics gave the film a positive review, with an average rating of 7.3/10. On
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Verrill, Addison (31 May 1973). "Black Reaction Fear Reputedly Cues W.B. Dropping 'Fly' Sequel".
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Toms, Coons, Mulattoes, Mammies, and Bucks; an Interpretive History of Blacks in American Films
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cocaine dealer who is trying to quit the underworld drug business. The film is well known for
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855:"'Tryin' to Get Over': 'Super Fly', Black Politics, and Post—civil Rights Film Enterprise"
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was well enough received that he was sought for other soundtracks. The songs "
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In 2022, the film was selected for preservation in the United States
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as being "culturally, historically, or aesthetically significant".
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O'Neal reprised his role as Youngblood Priest in the 1973 film
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Power, Politics, and the Decline of the Civil Rights Movement
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Tyrone McCullough as Himself (The Curtis Mayfield Experience)
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National Association for the Advancement of Colored People
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is no exception. The film was acquired and distributed by
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Craig McMullen as Himself (The Curtis Mayfield Experience)
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Lucky Scott as Himself (The Curtis Mayfield Experience)
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Filming took place from January to mid-April 1972 in
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and released in June 2018 with a cast that included
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904:. New York: Viking Press. pp. 231–266.
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402:as Himself (The Curtis Mayfield Experience)
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265:. It was released on August 4, 1972.
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497:Despite the controversy surrounding
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696:from the original on April 22, 2023
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1481:English-language crime drama films
1456:Films directed by Gordon Parks Jr.
1021:from the original on June 17, 2023
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528:Sweet Sweetback’s Baadassssss Song
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1074:Verrill, Addison (May 30, 1973).
763:Ulaby, Neda (December 14, 2022).
434:, who had directed the 1971 film
16:1972 blaxploitation neo-noir film
551:resonated with many of the post-
387:Yvonne Delaine as Freddie's Wife
323:when he runs in front of a car.
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917:Lehman, Christopher P. (2014)
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821:Cavanaugh, Jack (2006-08-25).
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656:List of American films of 1972
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1:
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1107:N’Duka, Amanda (2018-01-16).
1076:"'Fly' Sequel Out Of WB Park"
1046:. 9 January 1974. p. 19.
930:Johnson, Scott (2016-08-15).
753:10.1080/01439685.2019.1697036
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33:Theatrical release poster by
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1182:AFI Catalog of Feature Films
1040:"Big Rental Films of 1973".
689:AFI Catalog of Feature Films
684:"Super Fly (1972) - Credits"
661:List of blaxploitation films
561:Congress for Racial Equality
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1466:Films shot in New York City
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719:"Super Fly (1972) - Notes"
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393:Chris Arnett as Coke Buyer
278:directed a second sequel,
257:, written and produced by
212:<$ 500,000 or $ 150,000
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1421:1972 crime drama films
1303:The Return of Superfly
1250:The Return of Superfly
900:Bogle, Donald (1973).
853:Quinn, Eithne (2010).
384:Polly Niles as Cynthia
297:National Film Registry
292:was released in 2018.
281:The Return of Superfly
724:Turner Classic Movies
553:Civil Rights Movement
1446:Blaxploitation films
1411:1970s American films
627:Superfly (2018 film)
351:as Youngblood Priest
1006:"Super Fly Reviews"
557:"Freeway" Rick Ross
473:Saturday Night Live
406:Master Henry Gibson
311:Youngblood Priest (
301:Library of Congress
231:is a 1972 American
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1383:Aaron Loves Angela
1375:Three the Hard Way
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970:"Super Fly (1972)"
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797:"AFI|Catalog"
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1084:. p. 3
735:November 1,
605:DVD release
60:Produced by
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1406:1972 films
1400:Categories
1123:24 January
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886:2023-12-19
839:2020-06-01
807:2021-02-20
667:References
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597:Box office
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422:Production
369:as Georgia
363:as Scatter
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