1722:, and for three days throngs gathered to mourn Stalin, making it impossible to hold Prokofiev's funeral service at the headquarters of the Soviet Composers' Union. Because the hearse was not allowed near Prokofiev's house, his coffin had to be moved by hand through back streets in the opposite direction of the masses of people going to visit Stalin's body. About 30 people attended the funeral, Shostakovich among them. Although they had not seemed to get along when they met, in the later years their interactions had become far more amicable, with Shostakovich writing to Prokofiev, "I wish you at least another hundred years to live and create. Listening to such works as your Seventh Symphony makes it much easier and more joyful to live." Prokofiev is buried in Moscow's
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1139:(RAPM) about the work: he was asked whether the factory portrayed "a capitalist factory, where the worker is a slave, or a Soviet factory, where the worker is the master? If it is a Soviet factory, when and where did Prokofiev examine it, since from 1918 to the present he has been living abroad and came here for the first time in 1927 for two weeks ?" Prokofiev replied, "That concerns politics, not music, and therefore I won't answer." The RAPM condemned the ballet as a "flat and vulgar anti-Soviet anecdote, a counter-revolutionary composition bordering on Fascism". The Bolshoi had no option but to reject the ballet.
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970:, so he could consider it for a possible production. Stravinsky, who was present at the audition, refused to listen to more than the first act. When he then accused Prokofiev of "wasting time composing operas", Prokofiev retorted that Stravinsky "was in no position to lay down a general artistic direction, since he is himself not immune to error". According to Prokofiev, Stravinsky "became incandescent with rage" and "we almost came to blows and were separated only with difficulty". As a result, "our relations became strained and for several years Stravinsky's attitude toward me was critical."
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582:. Unable to arrange that, Taneyev instead arranged for composer and pianist Reinhold Glière to spend the summer of 1902 in Sontsovka teaching Prokofiev. The first series of lessons culminated, at the 11-year-old Prokofiev's insistence, with the budding composer making his first attempt to write a symphony. The following summer, Glière revisited Sontsovka to give further tuition. When, decades later, Prokofiev wrote about his lessons with Glière, he gave due credit to his teacher's sympathetic method but complained that Glière had introduced him to "square"
1658:, and had not been registered with Soviet officials, thus making it null and void. After a second judge upheld the verdict, he and his partner Mira wed on 13 January 1948. On 20 February 1948, Prokofiev's first wife Lina was arrested and charged with espionage for trying to send money to her mother in Spain. After nine months of interrogation, she was sentenced by a three-member Military Collegium of the Supreme Court of the USSR to 20 years of hard labor. She was released eight years later on 30 June 1956 and in 1974 left the Soviet Union.
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385:, with whom he had two sons; they divorced in 1947. In the early 1930s, the Great Depression diminished opportunities for Prokofiev's ballets and operas to be staged in America and Western Europe. Prokofiev, who regarded himself as a composer foremost, resented the time taken by touring as a pianist, and increasingly turned to the Soviet Union for commissions of new music; in 1936, he finally returned to his homeland with his family. His greatest Soviet successes included
907:, a "Chaldean invocation" for chorus and orchestra, Prokofiev was "left with nothing to do and time hung heavily on my hands". Believing that Russia "had no use for music at the moment", Prokofiev decided to try his fortunes in America until the turmoil in his homeland had passed. He set out for Moscow and Petersburg in March 1918 to sort out financial matters and to arrange for his passport. In May, he headed for the US, having obtained official permission to do so from
528:, Prokofiev's first composition teacher, as "a tall woman with beautiful, clever eyes … who knew how to create an atmosphere of warmth and simplicity about her." After their wedding in the summer of 1877, the Prokofievs moved to a small estate in the Smolensk governorate. Eventually, Sergei Alekseyevich found employment as a soil engineer, employed by one of his former fellow-students, Dmitri Sontsov, to whose estate in the Ukrainian steppes the Prokofievs moved.
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1127:, Op. 5/48, a work started in his days at the Conservatory. In October of that year, he had a car crash while driving his family back to Paris from their holiday: as the car turned over, Prokofiev pulled some muscles on his left hand. Prokofiev was therefore unable to perform in Moscow during his tour shortly after the accident, but he was able to enjoy watching performances of his music from the audience. Prokofiev also attended the
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1185:, which inhibited both new opera and ballet productions, though audiences for Prokofiev's appearances as a pianist were, in Europe at least, undiminished. But Prokofiev saw himself as a composer first and foremost, and increasingly resented the time lost to composition through his appearances as a pianist. Having been homesick for some time, Prokofiev began to build substantial bridges with the Soviet Union.
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difficult for her; she left them incomplete at her death. Mendelson died of a heart attack in Moscow in 1968, 15 years after
Prokofiev. Inside her purse a message dated February 1950 and signed by Prokofiev and Mendelson instructed: "We wish to be buried next to each other." Their remains are buried together at Novodevichy Cemetery.
943:, but due to Campanini's illness and death, the premiere was postponed. The delay was another example of Prokofiev's bad luck in operatic matters. The failure also cost him his American solo career since the opera took too much time and effort. He soon found himself in financial difficulties, and in April 1920, he left for
315:, Prokofiev initially made his name as an iconoclastic composer-pianist, achieving notoriety with a series of ferociously dissonant and virtuosic works for his instrument, including his first two piano concertos. In 1915, Prokofiev made a decisive break from the standard composer-pianist category with his orchestral
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wrote of
Prokofiev's "gift, virtually unparalleled among 20th-century composers, for writing distinctively original diatonic melodies". Yet for some time Prokofiev's reputation in the West suffered as a result of Cold War antipathies, and his music has never won from Western academics and critics the
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in the title role, the audience and critics were particularly struck by the final scene, in which the prodigal son drags himself across the stage on his knees to be welcomed by his father. Diaghilev had recognised that in the music to the scene, Prokofiev had "never been more clear, more simple, more
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In 1910, Prokofiev's father died and Sergei's financial support ceased. Fortunately, he had started making a name for himself as a composer and pianist outside the
Conservatory, making appearances at the St Petersburg Evenings of Contemporary Music. There he performed several of his more adventurous
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originally intended for performance during the anniversary year but effectively blocked by
Kerzhentsev, who demanded at the work's audition before the Committee on Arts Affairs, "Just what do you think you're doing, Sergey Sergeyevich, taking texts that belong to the people and setting them to such
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and Sergei Radlov following the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov to replace works based primarily on choreographic display and innovation). Following Radlov's acrimonious resignation from the Kirov in June 1934, a new agreement was signed with the
Bolshoi
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and others, Prokofiev gave no speech. His silence set off rumors that he had been deliberately defiant and uncooperative. There is no official record, but according to a variety of witnesses, Prokofiev did not attend on the first day, and had to be fetched, arriving on day two wearing a brown suit
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By the time of
Prokofiev's birth, Maria—having previously lost two daughters—had devoted her life to music; during her son's early childhood, she spent two months a year in Moscow or St Petersburg taking piano lessons. Sergei Prokofiev was inspired by hearing his mother practicing the piano in the
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Prokofiev's wife Mira
Mendelson spent her final years living in the Moscow apartment they had shared. She occupied her time organizing her husband's papers, promoting his music, and writing her memoirs, having been strongly encouraged by Prokofiev to embark on the latter. Work on the memoirs was
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heard that
Prokofiev was chatting to the person next to him when a senior figure sitting nearby warned him to be quiet. Prokofiev asked: "Who are you?" The official said that his name did not matter, but that Prokofiev had better pay attention to him, to which Prokofiev retorted: "I never pay
661:(though when Rimsky-Korsakov died in 1908, Prokofiev noted that he had only studied with him "after a fashion"—he was just one of many students in a heavily attended class—and regretted that he otherwise "never had the opportunity to study with him"). He also shared classes with the composers
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As a member of the Saint
Petersburg music scene, Prokofiev developed a reputation as a musical rebel, while getting praise for his original compositions, which he performed himself on the piano. In 1909, he graduated from his class in composition with unimpressive marks. He continued at the
787:("The Buffoon"). (The original Russian-language full title was Сказка про шута, семерых шутов перешутившего, meaning "The Tale of the Buffoon who Outwits Seven Other Buffoons".) Under Diaghilev's guidance, Prokofiev chose his subject from a collection of folk tales by the ethnographer
1376:): its words translate, "I can sometimes sing as if I were glad, yet secretly tears well and so free my heart. Nightingales … sing their song of longing from their dungeon's depth … everyone delights, yet no one feels the pain, the deep sorrow in the song." Sonata No. 7 received a
1650:, and Piano Sonatas Nos. 6 and 8. Such was the perceived threat behind the banning of the works that even works that had avoided censure were no longer programmed. By August 1948, Prokofiev was in severe financial straits, his personal debt amounting to 180,000 rubles.
1626:, in that order—for the crime of "formalism", described as a "renunciation of the basic principles of classical music" in favor of "muddled, nerve-racking" sounds that "turned music into cacophony". Eight of Prokofiev's works were banned from performance:
1178:—thinking of its potential audience in the Soviet Union—told him "isn't quite for us… it lacks that which we mean by monumentalism—a familiar simplicity and broad contours, of which you are extremely capable, but temporarily are carefully avoiding."
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Despite his growing talent, Prokofiev's parents hesitated over starting their son on a musical career at such an early age, and considered the possibility of his attending a good high school in Moscow. By 1904, his mother had decided instead on
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Following the dissolution of the RAPM in 1932, he acted increasingly as a musical ambassador between his homeland and western Europe, and his premieres and commissions were increasingly under the auspices of the Soviet Union. One such was
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In 1914, Prokofiev finished his career at the
Conservatory by entering the 'battle of the pianos', a competition open to the five best piano students for which the prize was a Schroeder grand piano; Prokofiev won by performing his own
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visited him in hospital and found him semi-conscious, and "with a heavy heart, I left him, I thought it was the end." He never fully recovered from the injury, and, following medical advice, restricted his composing activity.
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caused a scandal at its premiere (23 August 1913, Pavlovsk). According to one account, the audience left the hall with exclamations of "'To hell with this futuristic music! The cats on the roof make better music!'", but the
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Several years younger than most of his class, Prokofiev was viewed as eccentric and arrogant and annoyed a number of his classmates by keeping statistics on their errors. During that period, he studied under, among others,
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Prokofiev has the rare distinction for a composer of having won a game against a future world chess champion, albeit in the context of a simultaneous match: his win over Capablanca of 16 May 1914 can be played through at
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1217:) provoked controversy among Soviet cultural officials, and the ballet's production was postponed indefinitely when the staff of the Bolshoi was overhauled at the behest of the chairman of the Committee on Arts Affairs,
1671:. The snub, in combination with his declining health, caused Prokofiev to progressively withdraw from public life and from various activities, even chess, and increasingly devote himself to his own work. After he had a
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helped Prokofiev to shape it into a ballet scenario. Prokofiev's inexperience with ballet led him to revise the work extensively in the 1920s, following Diaghilev's detailed critique, prior to its first production.
2876:"Diaghilev pointed out a number of places which had to be rewritten. He was a subtle and discerning critic and he argued his point with great conviction. ... we had no difficulty in agreeing on the changes."
911:, the People's Commissar for Education, who told him: "You are a revolutionary in music, we are revolutionaries in life. We ought to work together. But if you want to go to America I shall not stand in your way."
781:; but when Prokofiev brought the work in progress to him in Italy in 1915 he rejected it as "non-Russian". Urging Prokofiev to write "music that was national in character", Diaghilev then commissioned the ballet
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On 22 November 1947, Prokofiev filed a petition in court to begin divorce proceedings against his estranged wife. Five days later the court ruled that the marriage had no legal basis since it had taken place in
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during the Second World War. He revised it in the late forties and early fifties, during the period of the 1948 Zhdanov Decree, which attacked obscurantist tendencies in the music of leading Soviet composers."
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had finally led to his separation from his wife Lina. Despite their acrimonious separation, Prokofiev tried to persuade Lina and their sons to accompany him as evacuees out of Moscow, but Lina opted to stay.
894:, Op. 19, which was scheduled to premiere in November 1917. The first performances of both works had to wait until 21 April 1918 and 18 October 1923, respectively. Prokofiev stayed briefly with his mother in
347:—which, at the time of their original production, all caused a sensation among both critics and colleagues. But Prokofiev's greatest interest was opera, and he composed several works in that genre, including
1354:(No. 8: Moscow, 30 December 1944), they were subsequently championed in particular by Richter. Biographer Daniel Jaffé argued that Prokofiev, "having forced himself to compose a cheerful evocation of the
2921:. If God is the unique source of creation and of reason, and man is his reflection, it is abundantly clear that the works of man will be better the more closely they reflect the works of the Creator".
735:(son of publishing-firm founder Peter Jurgenson ); thus a contract was offered to the composer. Prokofiev made his first foreign trip in 1913, travelling to Paris and London where he first encountered
1023:. He began to practice its teachings, which he believed to be beneficial to his health and to his fiery temperament and to which he remained faithful for the rest of his life, according to biographer
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With his left hand healed, Prokofiev toured the United States successfully at the start of 1930, propped up by his recent European success. That year, Prokofiev began his first non-Diaghilev ballet
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The decree followed a three-day conference of more than 70 composers, musicians and music lecturers convened on 10 January, presided over by Zhdanov. Prokofiev was berated by a minor composer,
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outlived her ex-husband by many years, dying in London in early 1989. Royalties from his music provided her with a modest income, and she acted as storyteller for a recording of her husband's
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During the war years, restrictions on style and the demand that composers write in a 'socialist realist' style were slackened, and Prokofiev was generally able to compose in his own way. The
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The leading Soviet musical periodical reported Prokofiev's death as a brief item on page 116 (the first 115 pages were devoted to Stalin's death). Prokofiev's death is usually attributed to
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While Sergei Prokofiev himself believed 11/23 April to be his birth date, the posthumous discovery of his birth certificate showed that he was actually born four days later, on 15/27 April.
1362:) then subsequently, in the three sonatas, "expressed his true feelings". As evidence, Jaffé has pointed out that the central movement of Sonata No. 7 opens with a theme based on the
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1006:, were performed, but their reception was lukewarm and Prokofiev sensed that he "was evidently no longer a sensation". Still, the Symphony appeared to prompt Diaghilev to commission
1502:(Op. 100) at a composer's colony outside Moscow. He conducted its first performance on 13 January 1945, just a fortnight after the triumphant premieres on 30 December 1944 of his
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995:. His later music had acquired a following in Russia, and he received invitations to return there, but decided to stay in Europe. In 1923, Prokofiev married the Spanish singer
633:. Glazunov was so impressed that he urged Prokofiev's mother to have her son apply for admission to the Conservatory. He passed the introductory tests and enrolled that year.
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and dissonant Etudes, Op. 2 (1909). His performance of it impressed the organisers of the Evenings sufficiently for them to invite Prokofiev to give the Russian premiere of
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1562:". On the day before the decree was published, 10 February 1948, Prokofiev was at a ceremony in the Kremlin to mark his elevation to the status of People's Artist of the
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Quote: "I decided a long time ago that I must compose in a quite different style, and that I would set about it as soon as I had extricated myself from the revisions of
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Prokofiev wrote in his autobiography that he could never understand why the Sinfonietta was so rarely performed, whereas the "Classical" Symphony was played everywhere.
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to members of the Bolshoi Theatre collective, but the Soviet government had opinions about the opera that resulted in many revisions. In 1944, Prokofiev composed his
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rhythms and almost having boycotted the production, the ballet was an instant success and became recognised as the crowning achievement of Soviet dramatic ballet.
1291:, composing some of his most inventive and dramatic music. Although the film had very poor sound recording, Prokofiev adapted much of his score into a large-scale
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finally premièred in Chicago, under the composer's baton, on 30 December 1921. Diaghilev became sufficiently interested in the opera to request Prokofiev play the
1016:), a "modernist" ballet score intended to portray the industrialisation of the Soviet Union. It was enthusiastically received by Parisian audiences and critics.
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The All-Ukrainian open pianists' competition named after Prokofiev is held annually in Kyiv and comprises three categories: piano, composition, and conducting.
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on 22 June 1941 made the subject seem all the more timely. Because of the war, he was evacuated together with a large number of other artists, initially to the
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1262:. Sats also persuaded him to write two songs for children, "Sweet Song", and "Chatterbox"; they were eventually joined by "The Little Pigs" and published as
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attention to comments from people who haven't been introduced to me." This possibly apocryphal story was corroborated by the head of the composers' union,
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381:, and resided in the United States, then Germany, then Paris, making his living as a composer, pianist and conductor. In 1923 he married a Spanish singer,
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544:(a major scale with a raised 4th scale degree), as the young Prokofiev felt "reluctance to tackle the black notes". By seven, he had also learned to play
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ballet; this performance was later released on LP and CD. A short sound film has been discovered of Prokofiev playing some of the music from his opera
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in June 1932. Prokofiev also recorded some of his solo piano music for HMV in Paris in February 1935; these recordings were issued on CD by Pearl and
1062:. Over more than two months, he spent time in Moscow and Leningrad (as St Petersburg had been renamed), where he enjoyed a very successful staging of
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In 1936, Prokofiev and his family settled permanently in Moscow, after shifting back and forth between Moscow and Paris for the previous four years.
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Soon afterwards, he journeyed to London where he made contact with the impresario Sergei Diaghilev. Diaghilev commissioned Prokofiev's first ballet,
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1690:, a landmark in the cello and orchestra repertory today. The last public performance he attended, on 11 October 1952, was the première of the
815:. Stravinsky called the ballet "the single piece of modern music he could listen to with pleasure", while Ravel called it "a work of genius".
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1586:, who was not in the hall, claimed in his memoirs that Prokofiev fell asleep, woke up suddenly and loudly asked who Zhdanov was. The cellist
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That is not to say that Prokofiev approved of simplistic music: when in June 1926 he arranged "a simplified version of the March from
540:, and wrote his first piano composition at the age of five, an "Indian Gallop", which was written down by his mother: it was in the F
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931:. His debut solo concert in New York led to several further engagements. He also received a contract from the music director of the
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The ballet's premiere in Paris on 17 May 1921 was a huge success and was greeted with great admiration by an audience that included
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as a crowd-pleaser", Prokofiev observed in his diary, "The process of denuding for the sake of simplicity is highly disagreeable".
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Theatre in Moscow on the understanding that Piotrovsky would remain involved. But the ballet's original happy ending (contrary to
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562:, as well as an overture and various other pieces. Opera remained thereafter as the genre Prokofiev was most fond of working in.
250:, he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from
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Fear and the Muse Kept Watch, The Russian Masters – from Akhmatova and Pasternak to Shostakovich and Eisenstein – Under Stalin
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incomprehensible music?" The Cantata was not performed until 5 April 1966, just over 13 years after the composer's death.
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1395:, on 11 January 1940. To the surprise of all of its participants, the dancers having struggled to cope with the music's
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Prokofiev and Stravinsky restored their friendship, though Prokofiev particularly disliked Stravinsky's "stylization of
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Forced to adapt to the new circumstances (whatever private misgivings he had about them), Prokofiev wrote a series of "
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Sergei Prokofiev and his wife (front center) at the inauguration for the First All-Union Congress of Composers at the
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1763:(1928–1998), an artist, painter, sculptor and poet, dedicated much of their lives to promoting their father's work.
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15 April] 1891 – 5 March 1953) was a Russian composer, pianist, and conductor who later worked in the
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791:; the story, concerning a buffoon and a series of confidence tricks, had been previously suggested to Diaghilev by
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1346:, Opp. 82–84, widely known today as the "War Sonatas". Premiered respectively by Prokofiev (No. 6: 8 April 1940),
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family, under whose patronage serf-children were taught theatre and arts from an early age. She was described by
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Another commission, from the Kirov Theatre (as the Mariinsky had now been renamed) in Leningrad, was the ballet
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1494:(Op. 87), one of his most melodious and celebrated compositions. Early that year, he also played excerpts from
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447:". Nevertheless, he enjoyed personal and artistic support from a new generation of Russian performers, notably
443:, his longtime companion and later second wife. In 1948, Prokofiev was attacked for producing "anti-democratic
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Layton, Robert: "Prokofiev's Demonic Opera" Found in the introductory notes to the Philips Label recording of
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said that Prokofiev would "remain for us the greatest figure of contemporary music", and the American scholar
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863:, but rehearsals were plagued by problems, and the scheduled 1917 première had to be cancelled because of the
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1042:. For his part, Stravinsky described Prokofiev as the greatest Russian composer of his day, after himself.
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Prokofiev's latest opera projects, among them his desperate attempt to appease the cultural authorities,
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That summer, Prokofiev completed the Divertimento, Op. 43 (which he had started in 1925) and revised his
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in a series of short piano pieces he called "ditties" (after the so-called "song form", more accurately
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The decree, published on 11 February, denounced six artists—Shostakovich, Prokofiev, Khachaturian,
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556:, with whom he played several matches in the 1930s. At age nine, he was composing his first opera,
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from 11 November 1941 until 29 June 1942. While there he began to compose the original version of
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required). For extracts from Prokofiev's notebooks recounting his games against Capablanca, see:
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2574:. Translated by Phillips, Anthony. London / Ithaca: Faber and Faber/Cornell University Press.
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2593:. Translated by Phillips, Anthony. London/ Ithaca: Faber and Faber/Cornell University Press.
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5521:"IV ВСЕУКРАЇНСЬКИЙ ВІДКРИТИЙ КОНКУРС ІМЕНІ С.С. ПРОКОФ'ЄВА ВІДБУДЕТЬСЯ 11-16 КВІТНЯ 2020 Р."
2555:. Translated by Phillips, Anthony. London/Ithaca: Faber and Faber/Cornell University Press.
578:, who initially suggested that Prokofiev should start lessons in piano and composition with
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6045:
Sergei Prokofiev on the 110th anniversary of his birth: letters, reminiscences and articles
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1313:. The opera's première was postponed because Meyerhold was arrested on 20 June 1939 by the
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spurred Prokofiev to compose his most ambitious work, an operatic version of Leo Tolstoy's
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from a mercantile family in Moscow. Prokofiev's mother, Maria (née Zhitkova), came from a
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1943:
1694:, his last completed work. The symphony was written for the Children's Radio Division.
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on 11 August 1918, Prokofiev was soon compared to other famous Russian exiles, such as
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548:. Chess remained a passion of his, and he became acquainted with world chess champions
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875:. The name was Prokofiev's own; the music is in a style that, according to Prokofiev,
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are named in Prokofiev's honor. The latter facility was destroyed in 2014 during the
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1299:, orchestra and chorus, which was extensively performed and recorded. In the wake of
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1058:'s Paris apartment in 1924. In 1927, Prokofiev made his first concert tour in the
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1928:(1946), 1st degree – for the music for the film "Ivan the Terrible" Part 1 (1944)
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on 7 July 1949, his doctors ordered him to limit his composing to an hour a day.
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Of the established forms and genres in which he worked, he created—excluding
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Creative Union: The Professional Organization of Soviet Composers, 1939–1953
5716:. Translated by Rose Prokofieva. Moscow: Foreign Languages Publishing House.
5685:
1474:, Op. 93 all came from this period. In 1943, Prokofiev joined Eisenstein in
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6041:Сергей Прокофьев: к 110-летию со дня рождения: письма, воспоминания, статьи
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The death is announced in Moscow of Sergei Prokofiev, the Russian composer.
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1510:. With the premiere of his Fifth Symphony, which was programmed alongside
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1955:
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605:, on which they were based), laying the basis for his own musical style.
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247:
5291:
1595:, who said that the person Prokofiev snubbed was the Stalinist official
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after having been released from questioning by immigration officials on
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would have used if he were alive at the time. The music is more or less
795:
as a possible subject for a ballet, and Diaghilev and his choreographer
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During World War I, Prokofiev returned to the Conservatory and studied
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321:, compiled from music originally composed for a ballet commissioned by
3713:& Joyce Kennedy: Oxford: Oxford University Press, 5th edition 2007
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6744:
5523:[All-Ukrainian Open Competition named after S.S. Prokofiev].
3660:
Prokofiev's Piano Sonatas: A Guide for the Listener and the Performer
2889:
It has been suggested that Prokofiev's use of text from Stravinsky's
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1319:
1278:
954:. He also completed some of his older, unfinished works, such as his
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277:
84:
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2895:
to characterise the invading Teutonic knights in the film score for
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By the early 1930s, both Europe and America were suffering from the
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to him in June 1922, while they were both in Paris for a revival of
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5327:
1475:
281:
7277:
7134:
5639:О Сергее Сергеевиче Прокофьеве. Воспоминания. Дневники (1938–1967)
999:(1897–1989, stage name Lina Llubera) before moving back to Paris.
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2829:
1437:
1355:
1292:
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Alps, where for over a year he concentrated on an opera project,
978:
594:
5520:
4533:"Sergei Prokofiev Was One of the Soviet Union's Great Composers"
1776:
1120:
melodious, and more tender". Only months later, Diaghilev died.
5457:"A Tale of Three Cities: Petrograd, Paris, Moscow." Lecture at
1672:
552:, whom he beat in a simultaneous exhibition match in 1914, and
533:
7088:
6209:
2904:(1938) was intended as a dig at Stravinsky's "pseudo-Bachism".
1925:(1946), 1st degree – for Symphony No. 5 and Piano Sonata No. 8
1454:. His relationship with the 25-year-old writer and librettist
1170:
piano concertos. The following year saw the completion of the
1111:. When first staged in Paris on 21 May 1929, choreographed by
973:
In March 1922, Prokofiev moved with his mother to the town of
508:, Ukraine). His father, Sergei Alekseyevich Prokofiev, was an
367:
and performed over the following decade in Europe and Russia.
329:. Diaghilev commissioned three further ballets from Prokofiev—
246:. As the creator of acknowledged masterpieces across numerous
6356:
5697:. Sergei Syrovatkin (translator). Moscow: Raduga Publishers.
5476:
reuses information from other sources but does not name them.
3662:. New Haven, Connecticut: Yale University Press. p. 35.
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974:
950:
In Paris, Prokofiev reaffirmed his contacts with Diaghilev's
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517:
331:
7754:
2113:, Op. 39, for oboe, clarinet, violin, viola, and double-bass
1865:(1919), performed by members of the Advent Chamber Orchestra
1248:
That year, Prokofiev composed one of his most famous works,
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in style but incorporates more modern musical elements (see
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2713:
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Stalin wanted everyone to believe he had created" (i.e. in
1314:
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The symphony was also an exact contemporary of Prokofiev's
484:
Prokofiev was born in 1891 in a rural estate in Sontsovka,
359:. Prokofiev's one operatic success during his lifetime was
6710:
Cantata for the 20th Anniversary of the October Revolution
3008:(2003) , Peter Roach; James Hartmann; Jane Setter (eds.),
2665:
2460:. Guy Daniels (translator). New York: Doubleday & Co.
2271:, Op. 78, cantata for mezzo-soprano, chorus, and orchestra
1714:
Prokofiev died at age 61 on 5 March 1953, the same day as
1525:
On 20 January 1945, Prokofiev suffered a concussion after
1269:
Cantata for the 20th Anniversary of the October Revolution
6196:
3970:. Cal Performances (University of California). p. 8.
2731:
2719:
1334:
Later in 1939, Prokofiev composed his Piano Sonatas Nos.
1093:
In the meantime, under the influence of the teachings of
459:
for the former and his Symphony-Concerto for the latter.
5489:"A Year of War Completely Destroyed the Donetsk Airport"
5315:
5271:
Hingtgen, CM (1999). "The tragedy of Sergei Prokofiev".
5215:
5155:
4962:
4950:
4920:
2486:
Sergei Prokofiev: Autobiography, Articles, Reminiscences
1809:
Donetsk State Music Academy Named After Sergei Prokofiev
1082:
characterized the Third as "the greatest symphony since
677:
and continuing his conducting lessons under Tcherepnin.
5819:
Swans of the Kremlin: Ballet and Power in Soviet Russia
3110:
1931:(1946), 1st degree – for the ballet "Cinderella" (1944)
1759:. Their sons Sviatoslav (1924–2010), an architect, and
1380:(Second Class) and No. 8 a Stalin Prize (First Class).
7882:
Emigrants from the Russian Empire to the United States
3450:
Sergei Prokofiev: Soviet Diary 1927 and Other Writings
2263:, Op. 67, a children's tale for narrator and orchestra
1800:'s, which had greater influence on younger musicians.
1418:
Prokofiev had been considering making an opera out of
1303:
s success, Prokofiev composed his first Soviet opera,
693:. Prokofiev's harmonic experimentation continued with
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and baggy-kneed trousers tucked into his felt boots.
1506:
and, on the same day, the first part of Eisenstein's
867:. In the summer of that year, Prokofiev composed his
6972:
Three Pieces & Six Pieces & Ten Pieces from
5636:
5578:"Prokofiev plays and talks about his music ..."
5333:
5309:
5297:
3922:
As detailed in Prokofiev's autobiography. Listen to
3289:
3239:
Sergei Prokofiev, 62, world famous Russian composer
2737:
2686:
2683:
2653:
2650:
2488:. Translated by Rose Prokofieva. The Minerva Group.
1780:
A Soviet stamp marking Prokofiev's centenary in 1991
1309:, which was intended to be produced by the director
374:, Prokofiev left Russia with the approval of Soviet
7847:
Recipients of the Order of the Red Banner of Labour
7192:
David Bowie Narrates Prokofiev's Peter and the Wolf
7044:
Lina and Serge: The Love and Wars of Lina Prokofiev
5744:. Oxford, UK and New York: Oxford University Press.
5461:
penthouse, Lincoln Center, New York, 24 March 2009.
5250:"How Josef Stalin Stole Sergei Prokofiev's Flowers"
4750:
4748:
2707:
2695:
2659:
2200:, Op. 60, suite for orchestra, includes the famous
1074:, which was broadly based on his unperformed opera
1045:
731:, who wrote a supportive letter to music publisher
669:, the latter becoming a close and lifelong friend.
467:
6114:
6077:
5750:
5373:
4820:
4414:
3255:. US: Rowman & Littlefield. pp. 584–585.
3253:Historical Dictionary of Russian and Soviet Cinema
2453:
1995:Important works include (in chronological order):
5714:Prokofiev: Autobiography, Articles, Reminiscences
5470:Dorothea Redepenning. "Grove Music Online."
3926:from 1:00 to 3:02, particularly from 1:45 to 2:39
1446:. While in the Georgian SSR he also composed his
818:
7793:
7061:Shostakovich v. Twentieth Century-Fox Film Corp.
5810:
5666:. New York: Farrar, Straus and Giroux. pp.
4745:
4256:Kerr, M. G. (1994) "Prokofiev and His Cymbals",
3448:Autobiography by Sergey Prokofiev: reprinted in
2484:Prokofiev, Sergei (2000) . S. Shlifstein (ed.).
2452:Prokofiev, Sergei (1979). David H. Appel (ed.).
1640:Cantata for the Thirtieth Anniversary of October
947:, not wanting to return to Russia as a failure.
269:—from which "Dance of the Knights" is taken—and
30:"Prokofiev" redirects here. For other uses, see
4991:
4989:
3724:The New Grove Dictionary of Music and Musicians
2781:[sʲɪˈrɡʲejsʲɪˈrɡʲe(j)ɪvʲɪtɕprɐˈkofʲjɪf]
1976:In 2011, his 120th birthday was honored with a
1937:(1951), 2nd degree – for vocal-symphonic suite
1733:. He had been chronically ill for eight years.
1266:, Op. 68. Prokofiev also composed the gigantic
5556:"Prokofiev and Stravinsky – Composers Conduct"
4116:
4114:
4101:
4099:
4097:
3964:The complete piano sonatas of Sergei Prokoviev
3250:
1820:Donetsk Sergei Prokofiev International Airport
1710:. His wife Mira's gravestone is at the bottom.
1323:(literally "Cheers!", but sometimes subtitled
1002:In Paris, several of his works, including the
7293:
7120:
6236:
5742:The People's Artist: Prokofiev's Soviet Years
4292:
4268:"Alexander Nevsky and the Symphony of Psalms"
4227:Journal of the American Musicological Society
3899:"The Week Ahead: 8–14 March March: Classical"
2758:
5924:Baker's Biographical Dictionary of Musicians
5777:Prokofiev: From Russia to the West 1891–1935
5244:
5242:
4986:
3875:, pp. 26–27: diary entry 6–9 March 1915
3070:
3068:
1934:(1947), 1st degree – for Violin Sonata No. 1
1896:in a recording of the second suite from his
1137:Russian Association of Proletarian Musicians
720:In 1911, help arrived from renowned Russian
565:
7877:Emigrants from the Russian Empire to France
5849:
4937:
4935:
4212:[Diary]. Serge Prokofiev Foundation
4111:
4094:
3507:
3495:
3169:"Sergei Prokofiev, 62, Russ Composer, Dead"
2456:Prokofiev by Prokofiev: A Composer's Memoir
2427:for Cello and Orchestra in E minor, Op. 125
1922:(1943), 2nd degree – for Piano Sonata No. 7
1195:, which was commissioned as the score to a
7857:Royal Philharmonic Society Gold Medallists
7300:
7286:
7127:
7113:
6243:
6229:
6153:: CS1 maint: location missing publisher (
6121:. New York: New York, Funk & Wagnalls.
6104:: CS1 maint: location missing publisher (
6067:: CS1 maint: location missing publisher (
6039:Rakhmanova, Marina Pavlovna, ed. (1991).
6030:: CS1 maint: location missing publisher (
6005:: CS1 maint: location missing publisher (
5975:: CS1 maint: location missing publisher (
5927:(8th ed.). New York: Schirmer Books.
5901:: CS1 maint: location missing publisher (
5841:: CS1 maint: location missing publisher (
5711:
4204:
3937:"Sergei Sergeyevich Prokofiev 1891 - 1953"
3791:. Sprkfv.net. Retrieved on 28 August 2010.
3486:All references retrieved 19 December 2011.
3394:
2527:: CS1 maint: location missing publisher (
1529:in his apartment due to untreated chronic
56:
6598:Sinfonietta in A major (orig. & rev.)
6173:International Music Score Library Project
5916:
5766:. Florence Jonas (translator). Stanford:
5239:
4471:
4447:
4423:
4372:
4360:
4348:
4336:
4324:
4192:
4180:
4156:
4132:
4120:
4105:
4088:
4076:
4064:
4052:
4040:
4028:
4016:
4004:
3992:
3980:
3960:
3872:
3848:
3836:
3812:
3735:
3682:
3594:
3570:
3558:
3546:
3534:
3461:
3275:
3116:
3065:
3012:, Cambridge: Cambridge University Press,
2922:
2877:
2588:
2569:
2550:
2483:
2474:
2451:
1135:, and was interrogated by members of the
1019:Around 1924, Prokofiev was introduced to
302:symphony-concerto for cello and orchestra
5941:
5783:
5748:
5736:
5630:
5545:Pearl Records, Naxos Records, amazon.com
5442:
5321:
5270:
5233:
5161:
5113:
5098:
5086:
5071:
5056:
5044:
5007:
4995:
4968:
4956:
4932:
4926:
4894:. New York: The New Press. p. 272.
4877:
4853:
4841:
4829:
4754:
4739:
4703:
4691:
4616:
4604:
4592:
3530:
3528:
2107:, Op. 34, for clarinet and piano quintet
1991:List of compositions by Sergei Prokofiev
1775:
1701:
1601:
1546:Prokofiev had time to write his postwar
1472:Ballade for the Boy Who Remained Unknown
1406:
1228:
822:
750:
471:
27:Russian composer and pianist (1891–1953)
7962:Soviet expatriates in the United States
5761:
5732:(2008 ed.). London: Phaidon Press.
5604:"120th of Birthday of Sergey Prokofiev"
5430:
5209:
5197:
5185:
5173:
5149:
5125:
4889:
3316:
3295:
3279:
2163:in C major, Op. 47 (revised as Op. 112)
1040:Concerto for Piano and Wind Instruments
480:, Prokofiev's first composition teacher
14:
7794:
6570:Symphony-Concerto for Cello in E minor
5910:
5876:
5816:
5580:YouTube. 24 March 2009. Archived from
5486:
5371:
5347:"Sergei Prokofiev: Peter and the Wolf"
4980:
4814:
4580:
3722:Rita McAllister "Sergey Prokofiev" in
3654:
2956:"Prokofiev wrote the first version of
939:, for the production of his new opera
7281:
7108:
6224:
5727:
5558:. Parnassus Classical CDs and Records
5501:from the original on 30 November 2022
5137:
4914:
4865:
4802:
4790:
4778:
4766:
4727:
4715:
4679:
4655:
4628:
4459:
4384:
4286:
3916:
3896:
3884:
3860:
3759:
3747:
3642:
3525:
3004:
2779:
1907:
1350:(No. 7: Moscow, 18 January 1943) and
1162:. In 1931 and 1932, he completed his
6250:
5774:
5692:
5664:: Listening to the Twentieth Century
5655:
5404:
5386:from the original on 11 January 2022
5372:Norris, Geoffrey (23 January 2003).
5221:
4667:
4568:
4556:
4519:
4507:
4495:
4483:
4435:
4408:
4396:
4244:
4210:"Dnevnik 1907–1933 (review, part 2)"
4168:
4144:
3824:
3800:
3726:: London: Macmillan Publishers, 1980
3694:
3630:
3618:
3582:
3519:
3406:
3393:Reinhold Glière. "First Steps" from
3370:"Sergei Prokofiev by Paul Shoemaker"
3307:Vishnevetskiy (2009): pp. 15–16
3283:
2477:Soviet Diary 1927 and Other Writings
2065:, Op. 22, set of twenty piano pieces
1678:In spring 1949, Prokofiev wrote his
1237:with their two sons, Sviatoslav and
1208:, composed to a scenario created by
7822:20th-century Russian male musicians
7307:
6866:No. 5 in C major (orig. & rev.)
5779:. New Haven: Yale University Press.
5753:The Love and Wars of Lina Prokofiev
5637:Mendelson-Prokofieva, Mira (2012).
4941:
3789:The Many faces of Prokofiev. Part 2
2553:Diaries 1907–1914: Prodigious Youth
1430:German invasion of the Soviet Union
1224:
1174:, Op. 57, which Prokofiev's friend
1097:, Prokofiev had turned against the
1070:. In 1928, Prokofiev completed his
673:Conservatory, studying piano under
24:
7200:Wolf Tracks and Peter and the Wolf
6188:Works by or about Sergei Prokofiev
6117:Sergei Prokofiev: A Soviet Tragedy
5984:
5641:(in Russian). Москва: Композитор.
4645:"Prokofiev, Prisoner of the State"
3707:Oxford Concise Dictionary of Music
2572:Diaries 1915–1923: Behind the Mask
2344:, Op. 91, opera in thirteen scenes
1327:in English) (Op. 85) to celebrate
462:
25:
7998:
7922:Pupils of Nikolai Rimsky-Korsakov
7892:Russian male film score composers
6807:Sonata for Two Violins in C major
6162:
5952:The New Grove Dictionary of Opera
5487:Taylor, Alan (26 February 2015).
4265:, 608–09. Text also available at
3897:Wakin, Daniel J. (8 March 2009).
3209:"Prokofiev, noted composer, dies"
2979:, 4 March 2002, via Ross's blog.
1972:Order of the Red Banner of Labour
1872:Prokofiev was a soloist with the
1148:, Op. 51, a work commissioned by
849:. Shortly after this he composed
629:, and was working on his fourth,
175:
7817:20th-century classical composers
7777:
7765:
7753:
7741:
7715:
7706:
7705:
7087:
7076:
7075:
6560:Violin Concerto No. 2 in G minor
6555:Violin Concerto No. 1 in D major
5945:(1992). "Prokofiev, Sergei". In
5712:Shlifstein, Semyon, ed. (1956).
5596:
5570:
5548:
5539:
5513:
5480:
5464:
5448:
5424:
5398:
5365:
5339:
5264:
5227:
5203:
5191:
5179:
5167:
5143:
5131:
5119:
5107:
5092:
5080:
5065:
5050:
5038:
5016:
5001:
4974:
4908:
4883:
4871:
4859:
4847:
4835:
4808:
4796:
4784:
4772:
4760:
4733:
4721:
4709:
4697:
4685:
4673:
4661:
4649:
4634:
4622:
4610:
4598:
4586:
4574:
4562:
4550:
4525:
4513:
4501:
4489:
4477:
4465:
4453:
4441:
3452:. London: Faber and Faber, 1991.
3317:Sidorov, Yuriy (2 August 2012).
2950:
2646:
2356:in D, Op. 94 (later arranged as
2157:, Op. 46, ballet in three scenes
1880:, in the first recording of his
1850:
1828:Second Battle of Donetsk Airport
1680:Cello Sonata in C major, Op. 119
1667:, were quickly cancelled by the
1101:style and the subject matter of
1046:First visits to the Soviet Union
892:Violin Concerto No. 1 in D major
746:
681:piano works, such as his highly
570:In 1902, Prokofiev's mother met
468:Childhood and first compositions
439:; he co-wrote the libretto with
225:
7982:Burials at Novodevichy Cemetery
7972:Soviet male classical composers
7887:Russian male classical pianists
6169:Free scores by Sergei Prokofiev
5850:Guillaumier, Christine (2020).
5405:Mann, Noelle (26 August 1998).
4429:
4402:
4390:
4378:
4366:
4354:
4342:
4330:
4318:
4250:
4238:
4198:
4186:
4174:
4162:
4150:
4138:
4126:
4082:
4070:
4058:
4046:
4034:
4022:
4010:
3998:
3986:
3974:
3954:
3929:
3890:
3878:
3866:
3854:
3842:
3830:
3818:
3806:
3794:
3782:
3765:
3753:
3741:
3729:
3716:
3700:
3688:
3676:
3648:
3636:
3624:
3612:
3600:
3588:
3576:
3564:
3552:
3540:
3513:
3501:
3489:
3480:
3467:
3455:
3442:
3412:
3400:
3387:
3362:
3337:
3310:
3301:
3269:
3244:
3201:
3161:
3122:
2941:
2928:
2907:
2883:
2870:
2848:
2591:Diaries 1924–1933: Prodigal Son
1904:and then explaining the music.
1411:Prokofiev and his second wife,
700:, which makes extensive use of
280:—seven completed operas, seven
195:
171:
7852:Recipients of the Stalin Prize
7579:Modes of limited transposition
6197:The Serge Prokofiev Foundation
5852:The Operas of Sergei Prokofiev
5721:
3221:. 9 March 1953. Archived from
3181:. 9 March 1953. Archived from
3138:. 9 March 1953. Archived from
3093:"Sergei Sergeyevich Prokofiev"
3085:
3058:Merriam-Webster.com Dictionary
3045:
3025:
3010:English Pronouncing Dictionary
2998:
2839:
2639:
2626:
2336:, Op. 87, ballet in three acts
2217:, Op. 64, ballet in four acts
2135:, Op. 41, ballet in two scenes
2079:in D major "Classical", Op. 25
2057:, Op. 21, ballet in six scenes
1482:, to compose more film music (
1369:"Wehmut" ("Sadness", from the
1034:" in such recent works as the
914:
901:After completing the score of
819:First World War and Revolution
645:for harmony and counterpoint,
424:
13:
1:
7987:Musicians from Donetsk Oblast
7957:Soviet expatriates in Germany
7842:Recipients of the Lenin Prize
7837:People's Artists of the RSFSR
5811:Other monographs and articles
2818:Eastern Slavic naming customs
2615:
2413:, Op. 118, ballet in two acts
2049:, Op. 20, suite for orchestra
2015:in D minor, Op. 11, for piano
1894:Moscow Philharmonic Orchestra
1836:
1771:
828:
619:Saint Petersburg Conservatory
313:Saint Petersburg Conservatory
115:Saint Petersburg Conservatory
63:
7952:Soviet expatriates in France
7937:Russian film score composers
7897:Russian male opera composers
7832:People from Bakhmutsky Uyezd
6575:Cello Concertino in G minor
6406:The Tale of the Stone Flower
6047:] (in Russian). Moscow.
3475:"Sergei Prokofiev and Chess"
3130:"Obituary: Sergei Prokofiev"
2992:
2816:. In this name that follows
2772:Sergey Sergeyevich Prokofiev
2410:The Tale of the Stone Flower
2358:Violin Sonata No. 2, Op. 94a
2121:, Op. 37, opera in five acts
2101:, Op. 33, opera in four acts
2073:, Op. 24, opera in four acts
1966:People's Artist of the RSFSR
1892:. In 1938, he conducted the
1402:
1131:'s "audition" of his ballet
704:. He composed his first two
236:Sergei Sergeyevich Prokofiev
7:
7967:Soviet film score composers
7629:Quartal and quintal harmony
7318:List of modernist composers
6942:Tales of an Old Grandmother
6017:Prokofiev, his Musical Life
2771:
2505:Dnyevnik 1907–1933 (3 vols)
2444:
2093:, Op. 31, four piano pieces
2090:Tales of an Old Grandmother
1757:Scottish National Orchestra
627:The Feast during the Plague
10:
8003:
7932:Russian classical pianists
7827:People from Donetsk Oblast
6950:The Love for Three Oranges
6817:Sonata for Solo Cello in C
6297:The Love for Three Oranges
5817:Ezrahi, Christina (2012).
5625:
5407:"Obituary: Oleg Prokofiev"
5028:Dictionnaire de la musique
4234:(1): 233–243. Spring 2005.
2760:Сергей Сергеевич Прокофьев
2589:Prokofiev, Sergei (2012).
2570:Prokofiev, Sergei (2008).
2551:Prokofiev, Sergei (2006).
2503:Prokofiev, Sergei (2002).
2479:. London: Faber and Faber.
2475:Prokofiev, Sergei (1991).
2248:Ten Pieces for Piano from
2098:The Love for Three Oranges
1988:
1541:
1260:Central Children's Theatre
1064:The Love for Three Oranges
960:The Love for Three Oranges
941:The Love for Three Oranges
843:. In 1916, he debuted his
691:Drei Klavierstücke, Op. 11
532:evenings, mostly works by
520:who had been owned by the
490:Yekaterinoslav Governorate
361:The Love for Three Oranges
253:The Love for Three Oranges
32:Prokofiev (disambiguation)
29:
7947:Soviet classical pianists
7693:
7672:
7542:
7502:
7331:
7324:
7315:
7237:
7218:
7175:
7148:
7070:
6995:
6914:
6838:
6831:
6762:Overture on Hebrew Themes
6754:
6694:
6655:
6590:
6565:Cello Concerto in E minor
6547:
6490:
6483:
6415:
6341:
6267:
6258:
5768:Stanford University Press
5757:. London: Harvill Secker.
5349:. Chandos. Archived from
5334:Mendelson-Prokofieva 2012
5310:Mendelson-Prokofieva 2012
5298:Mendelson-Prokofieva 2012
3941:www.sueyounghistories.com
3038:Dictionary.com Unabridged
2759:
2105:Overture on Hebrew Themes
1874:London Symphony Orchestra
1862:Overture on Hebrew Themes
1846:Overture on Hebrew Themes
1766:
1632:Ode to the End of the War
1152:, who had been appointed
933:Chicago Opera Association
566:Education and early works
431:Nazi invasion of the USSR
224:
219:
208:
150:
140:
120:
110:
94:
73:
55:
48:
41:
7927:Russian ballet composers
7912:Pupils of Anatoly Lyadov
7862:Ballets Russes composers
6981:Fantasia on Scheherazade
6318:Betrothal in a Monastery
6040:
6014:Nestyev, Israel (1946).
5991:Dorigné, Michel (1994).
5762:Nestyev, Israel (1961).
5749:Morrison, Simon (2013).
3961:Nisnevich, Anna (2015).
2620:
2325:Betrothal in a Monastery
1984:
1884:, recorded in London by
1697:
1644:Ballad of an Unknown Boy
1558:) before the so-called "
698:for piano, Op. 17 (1912)
7942:Russian opera composers
7917:Pupils of Anna Yesipova
6948:March and Scherzo from
6802:Cello Sonata in C major
6797:Flute Sonata in D major
6332:The Story of a Real Man
6210:"Discovering Prokofiev"
6202:2 November 2010 at the
6113:Seroff, Victor (1968).
6076:Samuel, Claude (1971).
5922:The Concise Edition of
3777:Encyclopædia Britannica
3319:"ОТЕЧЕСТВЕННЫЕ ЗАПИСКИ"
3251:Peter Rollberg (2016).
3080:Encyclopædia Britannica
2983:27 October 2017 at the
1664:The Story of a Real Man
1646:, the 1934 piano cycle
1518:Symphony (conducted by
1285:on the historical epic
755:Prokofiev, as drawn by
655:Nikolai Rimsky-Korsakov
425:Piano Sonatas Nos. 6–8.
81:15 April] 1891
7977:Soviet opera composers
7907:Neoclassical composers
7680:Second Viennese School
7673:Schools of composition
6812:Sonata for Solo Violin
6133:(in Russian). Moscow.
5877:Tomoff, Kiril (2006).
5789:Prokofiev: A Biography
5728:Jaffé, Daniel (1998).
5693:Sats, Natalia (1979).
4890:McSmith, Andy (2015).
3374:MusicWeb International
3214:Los Angeles Daily News
1962:) – for Symphony No. 7
1781:
1711:
1682:, for the 22-year-old
1611:
1478:, the largest city in
1415:
1264:Three Children's Songs
1242:
861:novel of the same name
832:
766:
580:Alexander Goldenweiser
481:
383:Carolina (Lina) Codina
7664:Twelve-tone technique
7023:Mstislav Rostropovich
6731:Seven, They Are Seven
6717:Flourish, Mighty Land
5695:Sketches From My Life
5631:Memoirs, essays, etc.
5375:"My father was naïve"
5273:Seminars in Neurology
4224:"Dnevnik 1907–1933".
4195:, p. 635, p. 647
3473:See: Winter, Edward.
2507:(in Russian). Paris.
2398:, Op. 116, music for
2207:Violin Concerto No. 2
2039:Violin Concerto No. 1
1779:
1706:Prokofiev's grave in
1705:
1684:Mstislav Rostropovich
1605:
1588:Mstislav Rostropovich
1448:Second String Quartet
1410:
1232:
904:Seven, They Are Seven
826:
754:
617:, a professor at the
475:
453:Mstislav Rostropovich
304:, and nine completed
7867:Christian Scientists
7165:Peter & the Wolf
6782:String Quartet No. 2
6777:String Quartet No. 1
6261:List of compositions
5775:Nice, David (2003).
4298:"First among equals"
3349:Music Academy Online
3225:on 28 September 2022
3185:on 28 September 2022
3142:on 27 September 2022
2796:of his name include
2348:String Quartet No. 2
2182:String Quartet No. 1
2173:Four Portraits from
2083:Piano Concerto No. 3
2025:Piano Concerto No. 2
2001:Piano Concerto No. 1
1882:Piano Concerto No. 3
1724:Novodevichy Cemetery
1718:. He had lived near
1708:Novodevichy Cemetery
1436:, where he lived in
956:Third Piano Concerto
772:Piano Concerto No. 1
759:for the premiere of
550:José Raúl Capablanca
238:(27 April [
174: 1921;
145:List of compositions
105:Moscow, Soviet Union
7902:Modernist composers
7872:Composers for piano
7208:Petr & the Wulf
6792:Violin Sonata No. 2
6787:Violin Sonata No. 1
6685:The Queen of Spades
5911:Dictionary articles
5380:The Daily Telegraph
5300:, pp. 577–579.
5224:, pp. 282–283.
3477:, chesshistory.com.
3430:on 12 November 2013
3135:Manchester Guardian
2378:in C major, Op. 103
2280:The "War Sonatas":
2275:Violin Sonata No. 1
2035:, Op. 17, for piano
1747:(released on CD by
1731:cerebral hemorrhage
1608:House of the Unions
1575:Dmitri Shostakovich
1504:Eighth Piano Sonata
1464:Violin Sonata No. 1
1428:, when news of the
1391:, choreographed by
937:Cleofonte Campanini
929:Sergei Rachmaninoff
909:Anatoly Lunacharsky
865:February Revolution
789:Alexander Afanasyev
576:Moscow Conservatory
379:Anatoly Lunacharsky
363:, composed for the
77:27 April [
7227:Peter and the Wolf
7184:Peter and the Wolf
7157:Peter and the Wolf
7141:Peter and the Wolf
7033:Prokofiev (crater)
7028:Nikolai Myaskovsky
7018:Sviatoslav Richter
6956:Three Pieces from
6922:Toccata in D minor
6767:Quintet in G minor
6724:On Guard for Peace
6632:Peter and the Wolf
6423:No. 1 in D major (
6127:Vishnevetsky, Igor
5918:Slonimsky, Nicolas
5584:on 30 October 2021
5353:on 29 October 2007
5279:(Suppl 1): 59–61.
4946:. pp. 273–74.
4327:, pp. 407–569
3903:The New York Times
3345:"Sergei Prokofiev"
3325:on 1 February 2014
3278:, pp. 8, 10;
3061:. Merriam-Webster.
2892:Symphony of Psalms
2632:Marriage declared
2610:, Prokofiev Center
2418:On Guard for Peace
2376:Piano Sonata No. 9
2350:in F major, Op. 92
2302:Piano Sonata No. 8
2290:Piano Sonata No. 7
2286:in A major, Op. 82
2284:Piano Sonata No. 6
2277:in F minor, Op. 80
2260:Peter and the Wolf
2209:in G minor, Op. 63
2184:in B minor, Op. 50
2149:in C minor, Op. 44
2127:in D minor, Op. 40
2085:in C major, Op. 26
2041:in D major, Op. 19
2027:in G minor, Op. 16
2021:in D minor, Op. 14
2019:Piano Sonata No. 2
1944:On Guard for Peace
1908:Honours and awards
1886:His Master's Voice
1782:
1745:Peter and the Wolf
1712:
1612:
1556:Sviatoslav Richter
1552:Ninth Piano Sonata
1512:Peter and the Wolf
1488:), and the ballet
1470:, Op. 90, and the
1452:Piano Sonata No. 7
1416:
1387:was staged by the
1348:Sviatoslav Richter
1331:'s 60th birthday.
1311:Vsevolod Meyerhold
1251:Peter and the Wolf
1243:
1219:Platon Kerzhentsev
1080:Serge Koussevitzky
857:Fyodor Dostoyevsky
833:
827:Sergei Prokofiev (
767:
733:Boris P. Jurgenson
729:Alexander Ossovsky
667:Nikolai Myaskovsky
647:Nikolai Tcherepnin
615:Alexander Glazunov
574:, director of the
482:
457:Ninth Piano Sonata
449:Sviatoslav Richter
420:On Guard for Peace
391:Peter and the Wolf
376:People's Commissar
372:Revolution of 1917
311:A graduate of the
272:Peter and the Wolf
7729:
7728:
7538:
7537:
7275:
7274:
7245:1988 parody album
7102:
7101:
7013:George Balanchine
6991:
6990:
6935:Visions fugitives
6906:
6738:Songs of Our Days
6671:Ivan the Terrible
6586:
6585:
6578:
6539:
6140:978-5-235-03212-5
6091:978-0-7145-0490-2
6054:978-5-201-14607-8
5971:cite encyclopedia
5962:978-0-333-73432-2
5943:Taruskin, Richard
5934:978-0-02-872416-4
5888:978-0-8014-4411-1
5869:978-1-78327-448-2
5828:978-1-85273-158-8
5704:978-5-05-001099-5
5677:978-0-374-24939-7
5662:The Rest Is Noise
5477:
5459:Stanley H. Kaplan
5188:, pp. 426–29
5176:, pp. 412–13
5140:, pp. 205–06
5128:, pp. 408–09
5032:Éditions Larousse
5024:"Serge Prokofiev"
4944:Fear and the Muse
4901:978-1-59558-056-6
4868:, pp. 182–84
4805:, pp. 160–61
4670:, pp. 225–26
4631:, pp. 143–44
4510:, pp. 294–95
4387:, pp. 110–11
4339:, pp. 487–90
4274:on 9 January 2009
4259:The Musical Times
4147:, pp. 196–97
4079:, pp. 270–71
4055:, pp. 267–68
3983:, pp. 259–61
3924:Discovering Music
3827:, pp. 99–100
3815:, pp. 424–56
3738:, pp. 240–41
3669:978-0-300-11490-4
3282:, p. 1; and
3262:978-1-4422-6842-5
3019:978-3-12-539683-8
2865:The Game (part 2)
2769:
2600:978-0-571-23405-9
2581:978-0-571-22630-6
2562:978-0-8014-4540-8
2546:978-2-9518138-2-3
2538:978-2-9518138-1-6
2514:978-2-9518138-0-9
2495:978-0-89875-149-9
2467:978-0-385-09960-8
2425:Symphony-Concerto
2395:Ivan the Terrible
2239:Suite No. 3 from
2230:Suite No. 2 from
2221:Suite No. 1 from
2062:Visions fugitives
1941:and the oratorio
1855:
1798:Arnold Schoenberg
1688:Symphony-Concerto
1597:Matvei Shkiryatov
1593:Tikhon Khrennikov
1579:Aram Khachaturian
1535:Dmitry Kabalevsky
1508:Ivan the Terrible
1485:Ivan the Terrible
1301:Alexander Nevsky'
1210:Adrian Piotrovsky
1113:George Balanchine
1095:Christian Science
1068:Mariinsky Theatre
1054:in the violinist
1021:Christian Science
898:in the Caucasus.
717:were in rapture.
708:around then, the
687:Arnold Schoenberg
639:Alexander Winkler
586:and conventional
554:Mikhail Botvinnik
516:family of former
233:
232:
16:(Redirected from
7994:
7802:Sergei Prokofiev
7782:
7781:
7780:
7770:
7769:
7768:
7758:
7757:
7746:
7745:
7744:
7737:
7719:
7709:
7708:
7685:Darmstadt School
7619:Post-romanticism
7329:
7328:
7302:
7295:
7288:
7279:
7278:
7251:Once Upon a Time
7136:Sergei Prokofiev
7129:
7122:
7115:
7106:
7105:
7091:
7079:
7078:
7008:Sergei Diaghilev
6996:Related articles
6966:Romeo and Juliet
6964:Ten Pieces from
6904:
6898:No. 9 in C major
6892:
6891:
6881:
6880:
6871:No. 6 in A major
6861:No. 4 in C minor
6856:No. 3 in A minor
6851:No. 2 in D minor
6846:No. 1 in F minor
6836:
6835:
6822:
6821:
6703:Alexander Nevsky
6664:Alexander Nevsky
6618:Russian Overture
6591:Orchestral works
6576:
6537:
6531:No. 5 in G major
6524:
6523:
6514:No. 3 in C major
6509:No. 2 in G minor
6503:
6502:
6488:
6487:
6474:
6473:
6463:
6462:
6452:
6451:
6442:No. 4 in C major
6437:No. 3 in C minor
6432:No. 2 in D minor
6392:Romeo and Juliet
6252:Sergei Prokofiev
6245:
6238:
6231:
6222:
6221:
6217:
6192:Internet Archive
6179:Sergei Prokofiev
6158:
6152:
6144:
6131:Sergei Prokofiev
6122:
6120:
6109:
6103:
6095:
6083:
6072:
6066:
6058:
6035:
6029:
6021:
6010:
6004:
5996:
5980:
5974:
5966:
5938:
5906:
5900:
5892:
5873:
5846:
5840:
5832:
5806:
5785:Robinson, Harlow
5780:
5771:
5758:
5756:
5745:
5733:
5730:Sergey Prokofiev
5717:
5708:
5689:
5652:
5620:
5619:
5617:
5615:
5600:
5594:
5593:
5591:
5589:
5574:
5568:
5567:
5565:
5563:
5552:
5546:
5543:
5537:
5536:
5534:
5532:
5517:
5511:
5510:
5508:
5506:
5484:
5478:
5471:
5468:
5462:
5452:
5446:
5440:
5434:
5428:
5422:
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5417:
5402:
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5369:
5363:
5362:
5360:
5358:
5343:
5337:
5331:
5325:
5319:
5313:
5307:
5301:
5295:
5289:
5288:
5268:
5262:
5261:
5259:
5257:
5246:
5237:
5231:
5225:
5219:
5213:
5207:
5201:
5195:
5189:
5183:
5177:
5171:
5165:
5159:
5153:
5147:
5141:
5135:
5129:
5123:
5117:
5111:
5105:
5096:
5090:
5084:
5078:
5069:
5063:
5054:
5048:
5042:
5036:
5035:
5020:
5014:
5005:
4999:
4993:
4984:
4978:
4972:
4966:
4960:
4954:
4948:
4947:
4939:
4930:
4924:
4918:
4912:
4906:
4905:
4887:
4881:
4875:
4869:
4863:
4857:
4851:
4845:
4839:
4833:
4827:
4818:
4812:
4806:
4800:
4794:
4788:
4782:
4776:
4770:
4764:
4758:
4752:
4743:
4737:
4731:
4725:
4719:
4713:
4707:
4701:
4695:
4689:
4683:
4677:
4671:
4665:
4659:
4653:
4647:
4638:
4632:
4626:
4620:
4614:
4608:
4607:, pp. 36–37
4602:
4596:
4595:, pp. 32–33
4590:
4584:
4578:
4572:
4566:
4560:
4554:
4548:
4547:
4545:
4543:
4529:
4523:
4517:
4511:
4505:
4499:
4493:
4487:
4481:
4475:
4469:
4463:
4457:
4451:
4445:
4439:
4433:
4427:
4421:
4412:
4406:
4400:
4394:
4388:
4382:
4376:
4370:
4364:
4358:
4352:
4346:
4340:
4334:
4328:
4322:
4316:
4315:
4313:
4311:
4296:(21 July 2006).
4290:
4284:
4283:
4281:
4279:
4270:. Archived from
4254:
4248:
4242:
4236:
4235:
4221:
4219:
4217:
4202:
4196:
4190:
4184:
4178:
4172:
4166:
4160:
4154:
4148:
4142:
4136:
4130:
4124:
4118:
4109:
4103:
4092:
4086:
4080:
4074:
4068:
4062:
4056:
4050:
4044:
4038:
4032:
4026:
4020:
4014:
4008:
4002:
3996:
3990:
3984:
3978:
3972:
3971:
3969:
3958:
3952:
3951:
3949:
3947:
3933:
3927:
3920:
3914:
3913:
3911:
3909:
3894:
3888:
3882:
3876:
3870:
3864:
3858:
3852:
3846:
3840:
3834:
3828:
3822:
3816:
3810:
3804:
3798:
3792:
3786:
3780:
3769:
3763:
3757:
3751:
3750:, pp. 29–30
3745:
3739:
3733:
3727:
3720:
3714:
3704:
3698:
3692:
3686:
3680:
3674:
3673:
3652:
3646:
3640:
3634:
3633:, pp. 28–29
3628:
3622:
3616:
3610:
3604:
3598:
3592:
3586:
3580:
3574:
3568:
3562:
3561:, pp. 53–54
3556:
3550:
3549:, pp. 51–53
3544:
3538:
3532:
3523:
3517:
3511:
3508:Guillaumier 2020
3505:
3499:
3496:Guillaumier 2020
3493:
3487:
3484:
3478:
3471:
3465:
3459:
3453:
3446:
3440:
3439:
3437:
3435:
3426:. Archived from
3416:
3410:
3404:
3398:
3391:
3385:
3384:
3382:
3380:
3366:
3360:
3359:
3357:
3355:
3341:
3335:
3334:
3332:
3330:
3321:. Archived from
3314:
3308:
3305:
3299:
3293:
3287:
3273:
3267:
3266:
3248:
3242:
3241:
3232:
3230:
3205:
3199:
3198:
3192:
3190:
3165:
3159:
3158:
3149:
3147:
3126:
3120:
3114:
3108:
3107:
3105:
3103:
3097:Encyclopedia.com
3089:
3083:
3075:Sergey Prokofiev
3072:
3063:
3062:
3049:
3043:
3042:
3029:
3023:
3022:
3002:
2987:
2954:
2948:
2945:
2939:
2932:
2926:
2911:
2905:
2901:Alexander Nevsky
2887:
2881:
2874:
2868:
2852:
2846:
2843:
2837:
2794:transliterations
2791:
2790:
2789:
2783:
2778:
2774:
2764:
2762:
2761:
2756:
2755:
2752:
2751:
2748:
2745:
2740:
2739:
2736:
2733:
2728:
2727:
2724:
2721:
2716:
2715:
2712:
2709:
2704:
2703:
2700:
2697:
2692:
2691:
2688:
2685:
2680:
2679:
2676:
2673:
2670:
2667:
2664:
2661:
2658:
2655:
2652:
2643:
2637:
2630:
2604:
2585:
2566:
2532:
2526:
2518:
2499:
2480:
2471:
2459:
2438:
2437:
2389:
2388:
2371:
2370:
2309:
2308:
2297:
2296:
2268:Alexander Nevsky
2250:Romeo and Juliet
2241:Romeo and Juliet
2232:Romeo and Juliet
2223:Romeo and Juliet
2214:Romeo and Juliet
2154:The Prodigal Son
2008:
2007:
1898:Romeo and Juliet
1857:
1856:
1817:
1789:Richard Taruskin
1692:Seventh Symphony
1560:Zhdanov Doctrine
1393:Leonid Lavrovsky
1385:Romeo and Juliet
1288:Alexander Nevsky
1225:Return to Russia
1205:Romeo and Juliet
1183:Great Depression
1155:maitre de ballet
1108:The Prodigal Son
1078:. The conductor
830:
737:Sergei Diaghilev
611:Saint Petersburg
584:phrase structure
514:Saint Petersburg
415:Sixth Symphonies
406:Alexander Nevsky
395:Romeo and Juliet
344:The Prodigal Son
323:Sergei Diaghilev
294:violin concertos
266:Romeo and Juliet
229:
199:
197:
179:
177:
173:
101:
87:, Russian Empire
68:
65:
60:
51:
50:Сергей Прокофьев
43:Sergei Prokofiev
39:
38:
21:
18:Sergey Prokofiev
8002:
8001:
7997:
7996:
7995:
7993:
7992:
7991:
7792:
7791:
7788:
7778:
7776:
7766:
7764:
7752:
7748:Classical music
7742:
7740:
7732:
7730:
7725:
7702:
7689:
7668:
7594:New Objectivity
7547:
7545:
7534:
7498:
7320:
7311:
7309:Modernist music
7306:
7276:
7271:
7233:
7214:
7171:
7144:
7133:
7103:
7098:
7066:
6987:
6910:
6889:
6888:
6878:
6877:
6827:
6819:
6818:
6750:
6690:
6678:Lieutenant Kijé
6651:
6639:Pushkin Waltzes
6582:
6543:
6521:
6520:
6500:
6499:
6479:
6471:
6470:
6460:
6459:
6449:
6448:
6411:
6337:
6304:The Fiery Angel
6263:
6254:
6249:
6208:
6204:Wayback Machine
6165:
6146:
6145:
6141:
6125:
6112:
6097:
6096:
6092:
6075:
6060:
6059:
6055:
6042:
6038:
6023:
6022:
6013:
5998:
5997:
5993:Serge Prokofiev
5990:
5987:
5985:Further reading
5968:
5967:
5963:
5935:
5913:
5894:
5893:
5889:
5870:
5834:
5833:
5829:
5813:
5803:
5738:Morrison, Simon
5724:
5705:
5678:
5649:
5633:
5628:
5623:
5613:
5611:
5610:. 23 April 2011
5602:
5601:
5597:
5587:
5585:
5576:
5575:
5571:
5561:
5559:
5554:
5553:
5549:
5544:
5540:
5530:
5528:
5519:
5518:
5514:
5504:
5502:
5485:
5481:
5474:tertiary source
5469:
5465:
5453:
5449:
5441:
5437:
5429:
5425:
5415:
5413:
5411:The Independent
5403:
5399:
5389:
5387:
5370:
5366:
5356:
5354:
5345:
5344:
5340:
5332:
5328:
5320:
5316:
5308:
5304:
5296:
5292:
5269:
5265:
5255:
5253:
5252:. 11 April 2011
5248:
5247:
5240:
5232:
5228:
5220:
5216:
5208:
5204:
5196:
5192:
5184:
5180:
5172:
5168:
5160:
5156:
5148:
5144:
5136:
5132:
5124:
5120:
5112:
5108:
5097:
5093:
5085:
5081:
5070:
5066:
5055:
5051:
5043:
5039:
5022:
5021:
5017:
5006:
5002:
4994:
4987:
4979:
4975:
4967:
4963:
4955:
4951:
4940:
4933:
4925:
4921:
4913:
4909:
4902:
4888:
4884:
4876:
4872:
4864:
4860:
4852:
4848:
4840:
4836:
4828:
4821:
4813:
4809:
4801:
4797:
4789:
4785:
4777:
4773:
4765:
4761:
4753:
4746:
4738:
4734:
4726:
4722:
4714:
4710:
4702:
4698:
4690:
4686:
4678:
4674:
4666:
4662:
4654:
4650:
4639:
4635:
4627:
4623:
4615:
4611:
4603:
4599:
4591:
4587:
4579:
4575:
4567:
4563:
4555:
4551:
4541:
4539:
4531:
4530:
4526:
4518:
4514:
4506:
4502:
4494:
4490:
4482:
4478:
4470:
4466:
4458:
4454:
4446:
4442:
4434:
4430:
4422:
4415:
4407:
4403:
4395:
4391:
4383:
4379:
4371:
4367:
4359:
4355:
4347:
4343:
4335:
4331:
4323:
4319:
4309:
4307:
4291:
4287:
4277:
4275:
4266:
4255:
4251:
4243:
4239:
4223:
4215:
4213:
4203:
4199:
4191:
4187:
4179:
4175:
4167:
4163:
4155:
4151:
4143:
4139:
4131:
4127:
4119:
4112:
4104:
4095:
4087:
4083:
4075:
4071:
4063:
4059:
4051:
4047:
4039:
4035:
4027:
4023:
4015:
4011:
4003:
3999:
3991:
3987:
3979:
3975:
3967:
3959:
3955:
3945:
3943:
3935:
3934:
3930:
3921:
3917:
3907:
3905:
3895:
3891:
3883:
3879:
3871:
3867:
3859:
3855:
3847:
3843:
3835:
3831:
3823:
3819:
3811:
3807:
3799:
3795:
3787:
3783:
3770:
3766:
3758:
3754:
3746:
3742:
3734:
3730:
3721:
3717:
3711:Michael Kennedy
3705:
3701:
3693:
3689:
3681:
3677:
3670:
3653:
3649:
3641:
3637:
3629:
3625:
3617:
3613:
3608:The Fiery Angel
3605:
3601:
3593:
3589:
3581:
3577:
3569:
3565:
3557:
3553:
3545:
3541:
3533:
3526:
3518:
3514:
3506:
3502:
3494:
3490:
3485:
3481:
3472:
3468:
3460:
3456:
3447:
3443:
3433:
3431:
3418:
3417:
3413:
3405:
3401:
3395:Shlifstein 1956
3392:
3388:
3378:
3376:
3368:
3367:
3363:
3353:
3351:
3343:
3342:
3338:
3328:
3326:
3315:
3311:
3306:
3302:
3294:
3290:
3274:
3270:
3263:
3249:
3245:
3228:
3226:
3207:
3206:
3202:
3188:
3186:
3167:
3166:
3162:
3145:
3143:
3128:
3127:
3123:
3115:
3111:
3101:
3099:
3091:
3090:
3086:
3073:
3066:
3051:
3050:
3046:
3031:
3030:
3026:
3020:
3003:
2999:
2995:
2990:
2985:Wayback Machine
2955:
2951:
2946:
2942:
2933:
2929:
2912:
2908:
2888:
2884:
2875:
2871:
2853:
2849:
2844:
2840:
2785:
2784:
2776:
2757:; Russian:
2742:
2730:
2718:
2706:
2694:
2682:
2649:
2645:
2644:
2640:
2631:
2627:
2623:
2618:
2613:
2601:
2582:
2563:
2520:
2519:
2515:
2502:
2496:
2468:
2447:
2442:
2435:
2434:
2386:
2385:
2368:
2367:
2328:, Op. 86, opera
2306:
2305:
2294:
2293:
2197:Lieutenant Kije
2118:The Fiery Angel
2005:
2004:
1993:
1987:
1910:
1876:, conducted by
1870:
1869:
1868:
1867:
1866:
1858:
1851:
1848:
1839:
1811:
1794:Igor Stravinsky
1792:same esteem as
1785:Arthur Honegger
1774:
1769:
1755:conducting the
1749:Chandos Records
1700:
1544:
1533:. The composer
1405:
1364:Robert Schumann
1227:
1192:Lieutenant Kijé
1129:Bolshoi Theatre
1103:The Fiery Angel
1076:The Fiery Angel
1048:
1004:Second Symphony
997:Carolina Codina
984:The Fiery Angel
917:
821:
809:Igor Stravinsky
797:Léonide Massine
793:Igor Stravinsky
749:
710:latter of which
706:piano concertos
599:time signatures
568:
526:Reinhold Glière
478:Reinhold Glière
470:
465:
463:Life and career
455:: he wrote his
387:Lieutenant Kijé
356:The Fiery Angel
290:piano concertos
260:Lieutenant Kijé
204:
201:
198: 1948)
193:
189:
181:
178: 1941)
169:
165:
162:
160:Carolina Codina
136:
106:
103:
99:
90:
88:
82:
69:
66:
49:
44:
35:
28:
23:
22:
15:
12:
11:
5:
8000:
7990:
7989:
7984:
7979:
7974:
7969:
7964:
7959:
7954:
7949:
7944:
7939:
7934:
7929:
7924:
7919:
7914:
7909:
7904:
7899:
7894:
7889:
7884:
7879:
7874:
7869:
7864:
7859:
7854:
7849:
7844:
7839:
7834:
7829:
7824:
7819:
7814:
7809:
7804:
7787:
7786:
7774:
7762:
7750:
7727:
7726:
7724:
7723:
7713:
7699:Romantic music
7695:
7694:
7691:
7690:
7688:
7687:
7682:
7676:
7674:
7670:
7669:
7667:
7666:
7661:
7656:
7651:
7646:
7641:
7636:
7631:
7626:
7621:
7616:
7611:
7606:
7604:Pandiatonicism
7601:
7596:
7591:
7589:New Complexity
7586:
7581:
7576:
7571:
7566:
7561:
7556:
7550:
7548:
7543:
7540:
7539:
7536:
7535:
7533:
7532:
7531:
7530:
7525:
7520:
7515:
7509:United States
7506:
7504:
7500:
7499:
7497:
7496:
7495:
7494:
7489:
7484:
7476:
7475:
7474:
7466:
7465:
7464:
7456:
7455:
7454:
7446:
7445:
7444:
7439:
7431:
7430:
7429:
7424:
7419:
7414:
7409:
7404:
7396:
7395:
7394:
7386:
7385:
7384:
7376:
7375:
7374:
7366:
7365:
7364:
7359:
7354:
7349:
7344:
7335:
7333:
7326:
7322:
7321:
7316:
7313:
7312:
7305:
7304:
7297:
7290:
7282:
7273:
7272:
7270:
7269:
7263:
7262:
7261:
7247:
7241:
7239:
7235:
7234:
7232:
7231:
7222:
7220:
7216:
7215:
7213:
7212:
7204:
7196:
7188:
7179:
7177:
7173:
7172:
7170:
7169:
7161:
7152:
7150:
7146:
7145:
7132:
7131:
7124:
7117:
7109:
7100:
7099:
7097:
7096:
7084:
7071:
7068:
7067:
7065:
7064:
7057:
7055:Oleg Prokofiev
7052:
7050:Mira Mendelson
7047:
7040:
7038:Lina Prokofiev
7035:
7030:
7025:
7020:
7015:
7010:
7005:
7003:Ballets Russes
6999:
6997:
6993:
6992:
6989:
6988:
6986:
6985:
6977:
6969:
6961:
6953:
6945:
6938:
6931:
6924:
6918:
6916:
6912:
6911:
6909:
6908:
6900:
6895:
6884:
6873:
6868:
6863:
6858:
6853:
6848:
6842:
6840:
6833:
6829:
6828:
6826:
6825:
6814:
6809:
6804:
6799:
6794:
6789:
6784:
6779:
6774:
6772:Divertissement
6769:
6764:
6758:
6756:
6752:
6751:
6749:
6748:
6741:
6734:
6727:
6720:
6713:
6706:
6698:
6696:
6692:
6691:
6689:
6688:
6681:
6674:
6667:
6659:
6657:
6653:
6652:
6650:
6649:
6642:
6635:
6628:
6621:
6614:
6611:Symphonic Song
6607:
6600:
6594:
6592:
6588:
6587:
6584:
6583:
6581:
6580:
6572:
6567:
6562:
6557:
6551:
6549:
6545:
6544:
6542:
6541:
6533:
6528:
6516:
6511:
6506:
6494:
6492:
6485:
6481:
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6478:
6477:
6466:
6455:
6444:
6439:
6434:
6429:
6419:
6417:
6413:
6412:
6410:
6409:
6402:
6395:
6388:
6385:On the Dnieper
6381:
6374:
6371:Le pas d'acier
6367:
6360:
6353:
6345:
6343:
6339:
6338:
6336:
6335:
6328:
6321:
6314:
6307:
6300:
6293:
6286:
6279:
6271:
6269:
6265:
6264:
6259:
6256:
6255:
6248:
6247:
6240:
6233:
6225:
6219:
6218:
6206:
6194:
6185:
6176:
6164:
6163:External links
6161:
6160:
6159:
6139:
6123:
6110:
6090:
6073:
6053:
6036:
6011:
5986:
5983:
5982:
5981:
5961:
5939:
5933:
5920:, ed. (1993).
5912:
5909:
5908:
5907:
5887:
5874:
5868:
5847:
5827:
5821:. Pittsburgh.
5812:
5809:
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5703:
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5653:
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5632:
5629:
5627:
5624:
5622:
5621:
5608:www.google.com
5595:
5569:
5547:
5538:
5527:(in Ukrainian)
5512:
5479:
5463:
5447:
5435:
5423:
5397:
5364:
5338:
5326:
5324:, p. 311.
5314:
5312:, p. 573.
5302:
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5190:
5178:
5166:
5164:, p. 357.
5154:
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4971:, p. 299.
4961:
4959:, p. 461.
4949:
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4919:
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4621:
4609:
4597:
4585:
4573:
4561:
4549:
4524:
4512:
4500:
4488:
4476:
4472:Prokofiev 1991
4464:
4452:
4448:Prokofiev 1991
4440:
4428:
4424:Prokofiev 1991
4413:
4401:
4389:
4377:
4373:Prokofiev 2012
4365:
4361:Prokofiev 2012
4353:
4349:Prokofiev 2012
4341:
4337:Prokofiev 2012
4329:
4325:Prokofiev 2012
4317:
4285:
4249:
4237:
4206:Simon Morrison
4197:
4193:Prokofiev 2012
4185:
4181:Prokofiev 2012
4173:
4161:
4157:Prokofiev 1991
4149:
4137:
4133:Prokofiev 2008
4125:
4121:Prokofiev 2008
4110:
4106:Prokofiev 1991
4093:
4089:Prokofiev 2008
4081:
4077:Prokofiev 1991
4069:
4065:Prokofiev 1991
4057:
4053:Prokofiev 1991
4045:
4041:Prokofiev 1991
4033:
4029:Prokofiev 2008
4021:
4017:Prokofiev 2008
4009:
4005:Prokofiev 2000
3997:
3993:Prokofiev 1991
3985:
3981:Prokofiev 1991
3973:
3953:
3928:
3915:
3889:
3877:
3873:Prokofiev 2008
3865:
3853:
3849:Prokofiev 2008
3841:
3837:Prokofiev 2008
3829:
3817:
3813:Prokofiev 2006
3805:
3793:
3781:
3764:
3752:
3740:
3736:Prokofiev 2000
3728:
3715:
3699:
3687:
3683:Prokofiev 2006
3675:
3668:
3647:
3635:
3623:
3611:
3599:
3595:Prokofiev 1979
3587:
3575:
3571:Prokofiev 1979
3563:
3559:Prokofiev 1979
3551:
3547:Prokofiev 1979
3539:
3535:Prokofiev 1979
3524:
3512:
3500:
3488:
3479:
3466:
3462:Prokofiev 1979
3454:
3441:
3411:
3399:
3386:
3361:
3336:
3309:
3300:
3288:
3276:Prokofiev 1979
3268:
3261:
3243:
3235:Newspapers.com
3200:
3195:Newspapers.com
3160:
3152:Newspapers.com
3121:
3119:, p. 793.
3117:Slonimsky 1993
3109:
3084:
3064:
3044:
3041:(Online). n.d.
3024:
3018:
2996:
2994:
2991:
2989:
2988:
2976:The New Yorker
2949:
2940:
2927:
2923:Prokofiev 2012
2906:
2882:
2878:Prokofiev 2000
2869:
2857:chessgames.com
2847:
2838:
2792:; alternative
2638:
2624:
2622:
2619:
2617:
2614:
2612:
2611:
2605:
2599:
2586:
2580:
2567:
2561:
2548:
2513:
2500:
2494:
2481:
2472:
2466:
2448:
2446:
2443:
2441:
2440:
2439:minor, Op. 131
2431:Symphony No. 7
2428:
2422:
2414:
2406:
2391:
2390:minor, Op. 111
2382:Symphony No. 6
2379:
2373:
2372:major, Op. 100
2364:Symphony No. 5
2361:
2351:
2345:
2337:
2329:
2321:
2313:
2312:
2311:
2299:
2287:
2278:
2272:
2264:
2256:
2255:
2254:
2245:
2236:
2227:
2210:
2204:
2193:
2189:Symphonic Song
2185:
2179:
2170:
2164:
2161:Symphony No. 4
2158:
2150:
2147:Symphony No. 3
2144:
2140:Divertissement
2136:
2132:Le pas d'acier
2128:
2125:Symphony No. 2
2122:
2114:
2108:
2102:
2094:
2086:
2080:
2077:Symphony No. 1
2074:
2066:
2058:
2050:
2046:Scythian Suite
2042:
2036:
2028:
2022:
2016:
2010:
1997:
1989:Main article:
1986:
1983:
1982:
1981:
1974:
1969:
1963:
1952:
1951:
1949:Samuil Marshak
1939:Winter Bonfire
1935:
1932:
1929:
1926:
1923:
1919:
1918:
1909:
1906:
1859:
1849:
1844:
1843:
1842:
1841:
1840:
1838:
1835:
1805:Donetsk Oblast
1773:
1770:
1768:
1765:
1741:Lina Prokofiev
1699:
1696:
1610:; 1 April 1948
1584:Ilya Ehrenburg
1548:Sixth Symphony
1543:
1540:
1520:Nikolai Anosov
1500:Fifth Symphony
1456:Mira Mendelson
1422:'s epic novel
1413:Mira Mendelson
1404:
1401:
1325:Hail to Stalin
1235:Lina Prokofiev
1226:
1223:
1172:Symphonic Song
1145:On the Dnieper
1133:Le pas d'acier
1072:Third Symphony
1056:Joseph Szigeti
1050:Prokofiev met
1047:
1044:
1025:Simon Morrison
1014:The Steel Step
1009:Le pas d'acier
993:Valery Bryusov
952:Ballets Russes
916:
913:
869:first symphony
820:
817:
748:
745:
741:Ballets Russes
643:Anatoly Lyadov
623:Desert Islands
572:Sergei Taneyev
567:
564:
506:Donetsk Oblast
502:Pokrovsk Raion
496:(now known as
494:Russian Empire
469:
466:
464:
461:
441:Mira Mendelson
338:Le pas d'acier
327:Ballets Russes
318:Scythian Suite
298:cello concerto
231:
230:
222:
221:
217:
216:
210:
206:
205:
203:
202:
191:
187:Mira Mendelson
185:
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138:
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131:
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118:
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112:
108:
107:
104:
102:(aged 61)
96:
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53:
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26:
9:
6:
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7570:
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7565:
7564:Expressionism
7562:
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6998:
6994:
6983:
6982:
6978:
6976:
6975:
6970:
6968:
6967:
6962:
6960:
6959:
6958:War and Peace
6954:
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6946:
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6932:
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6929:
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6783:
6780:
6778:
6775:
6773:
6770:
6768:
6765:
6763:
6760:
6759:
6757:
6755:Chamber music
6753:
6747:
6746:
6742:
6740:
6739:
6735:
6733:
6732:
6728:
6726:
6725:
6721:
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6712:
6711:
6707:
6705:
6704:
6700:
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6697:
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6687:
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6679:
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6666:
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6658:
6654:
6648:
6647:
6643:
6641:
6640:
6636:
6634:
6633:
6629:
6627:
6626:
6625:The Year 1941
6622:
6620:
6619:
6615:
6613:
6612:
6608:
6606:
6605:
6601:
6599:
6596:
6595:
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6507:
6505:
6496:
6495:
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6489:
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6476:
6467:
6465:
6456:
6454:
6445:
6443:
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6438:
6435:
6433:
6430:
6428:
6426:
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6418:
6414:
6408:
6407:
6403:
6401:
6400:
6396:
6394:
6393:
6389:
6387:
6386:
6382:
6380:
6379:
6375:
6373:
6372:
6368:
6366:
6365:
6361:
6359:
6358:
6354:
6352:
6351:
6347:
6346:
6344:
6340:
6334:
6333:
6329:
6327:
6326:
6325:War and Peace
6322:
6320:
6319:
6315:
6313:
6312:
6308:
6306:
6305:
6301:
6299:
6298:
6294:
6292:
6291:
6287:
6285:
6284:
6280:
6278:
6277:
6273:
6272:
6270:
6266:
6262:
6257:
6253:
6246:
6241:
6239:
6234:
6232:
6227:
6226:
6223:
6215:
6211:
6207:
6205:
6201:
6198:
6195:
6193:
6189:
6186:
6184:
6180:
6177:
6174:
6170:
6167:
6166:
6156:
6150:
6142:
6136:
6132:
6128:
6124:
6119:
6118:
6111:
6107:
6101:
6093:
6087:
6082:
6081:
6074:
6070:
6064:
6056:
6050:
6046:
6037:
6033:
6027:
6019:
6018:
6012:
6008:
6002:
5994:
5989:
5988:
5978:
5972:
5964:
5958:
5954:
5953:
5948:
5947:Stanley Sadie
5944:
5940:
5936:
5930:
5926:
5925:
5919:
5915:
5914:
5904:
5898:
5890:
5884:
5880:
5875:
5871:
5865:
5861:
5860:Boydell Press
5857:
5853:
5848:
5844:
5838:
5830:
5824:
5820:
5815:
5814:
5804:
5802:0-670-80419-3
5798:
5794:
5790:
5786:
5782:
5778:
5773:
5769:
5765:
5760:
5755:
5754:
5747:
5743:
5739:
5735:
5731:
5726:
5725:
5715:
5710:
5706:
5700:
5696:
5691:
5687:
5683:
5679:
5673:
5669:
5665:
5663:
5658:
5654:
5650:
5648:9785425400468
5644:
5640:
5635:
5634:
5609:
5605:
5599:
5583:
5579:
5573:
5557:
5551:
5542:
5526:
5522:
5516:
5500:
5496:
5495:
5490:
5483:
5475:
5467:
5460:
5456:
5451:
5444:
5443:Taruskin 1992
5439:
5433:, p. 439
5432:
5427:
5412:
5408:
5401:
5385:
5381:
5376:
5368:
5352:
5348:
5342:
5336:, p. 26.
5335:
5330:
5323:
5322:Morrison 2009
5318:
5311:
5306:
5299:
5294:
5286:
5282:
5278:
5274:
5267:
5251:
5245:
5243:
5236:, p. 388
5235:
5234:Morrison 2009
5230:
5223:
5218:
5212:, p. 429
5211:
5206:
5200:, p. 430
5199:
5194:
5187:
5182:
5175:
5170:
5163:
5162:Morrison 2009
5158:
5152:, p. 409
5151:
5146:
5139:
5134:
5127:
5122:
5116:, p. 293
5115:
5114:Morrison 2009
5110:
5104:
5100:
5099:Morrison 2013
5095:
5089:, p. 310
5088:
5087:Morrison 2009
5083:
5077:
5073:
5072:Morrison 2013
5068:
5062:
5058:
5057:Morrison 2013
5053:
5047:, p. 306
5046:
5045:Morrison 2009
5041:
5033:
5029:
5025:
5019:
5013:
5009:
5008:Morrison 2013
5004:
4998:, p. 314
4997:
4996:Morrison 2009
4992:
4990:
4983:, p. 123
4982:
4977:
4970:
4969:Morrison 2009
4965:
4958:
4957:Morrison 2009
4953:
4945:
4938:
4936:
4928:
4927:Morrison 2009
4923:
4917:, p. 186
4916:
4911:
4903:
4897:
4893:
4886:
4880:, p. 252
4879:
4878:Morrison 2009
4874:
4867:
4862:
4856:, p. 211
4855:
4854:Morrison 2009
4850:
4844:, p. 530
4843:
4842:Robinson 1987
4838:
4832:, p. 177
4831:
4830:Morrison 2009
4826:
4824:
4816:
4811:
4804:
4799:
4793:, p. 161
4792:
4787:
4781:, p. 172
4780:
4775:
4769:, p. 160
4768:
4763:
4757:, p. 164
4756:
4755:Morrison 2009
4751:
4749:
4742:, p. 163
4741:
4740:Morrison 2009
4736:
4730:, p. 159
4729:
4724:
4718:, p. 158
4717:
4712:
4705:
4704:Morrison 2009
4700:
4693:
4692:Morrison 2009
4688:
4682:, p. 222
4681:
4676:
4669:
4664:
4658:, p. 141
4657:
4652:
4646:
4642:
4641:Ian MacDonald
4637:
4630:
4625:
4618:
4617:Morrison 2009
4613:
4606:
4605:Morrison 2009
4601:
4594:
4593:Morrison 2009
4589:
4582:
4577:
4571:, p. 304
4570:
4565:
4559:, p. 303
4558:
4553:
4538:
4534:
4528:
4522:, p. 284
4521:
4516:
4509:
4504:
4498:, p. 310
4497:
4492:
4486:, p. 279
4485:
4480:
4474:, p. 290
4473:
4468:
4462:, p. 118
4461:
4456:
4450:, p. 289
4449:
4444:
4438:, p. 271
4437:
4432:
4426:, p. 288
4425:
4420:
4418:
4411:, p. 267
4410:
4405:
4399:, p. 259
4398:
4393:
4386:
4381:
4375:, p. 341
4374:
4369:
4363:, p. 779
4362:
4357:
4351:, p. 826
4350:
4345:
4338:
4333:
4326:
4321:
4305:
4304:
4299:
4295:
4294:Martin Kettle
4289:
4273:
4269:
4264:
4261:
4260:
4253:
4247:, p. 200
4246:
4241:
4233:
4229:
4228:
4222:; originally
4211:
4207:
4201:
4194:
4189:
4182:
4177:
4171:, p. 245
4170:
4165:
4159:, p. 277
4158:
4153:
4146:
4141:
4135:, p. 428
4134:
4129:
4123:, p. 680
4122:
4117:
4115:
4108:, p. 273
4107:
4102:
4100:
4098:
4091:, p. 654
4090:
4085:
4078:
4073:
4067:, p. 268
4066:
4061:
4054:
4049:
4043:, p. 266
4042:
4037:
4031:, p. 364
4030:
4025:
4019:, p. 321
4018:
4013:
4006:
4001:
3995:, p. 261
3994:
3989:
3982:
3977:
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3826:
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3809:
3802:
3797:
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3779:
3778:
3773:
3768:
3761:
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3749:
3744:
3737:
3732:
3725:
3719:
3712:
3708:
3703:
3696:
3691:
3684:
3679:
3671:
3665:
3661:
3657:
3656:Berman, Boris
3651:
3644:
3639:
3632:
3627:
3620:
3615:
3609:
3603:
3596:
3591:
3584:
3579:
3572:
3567:
3560:
3555:
3548:
3543:
3536:
3531:
3529:
3521:
3516:
3510:, p. 248
3509:
3504:
3497:
3492:
3483:
3476:
3470:
3463:
3458:
3451:
3445:
3429:
3425:
3421:
3415:
3408:
3403:
3397:, p. 144
3396:
3390:
3375:
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3350:
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3340:
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3304:
3297:
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3272:
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3254:
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3210:
3204:
3196:
3184:
3180:
3176:
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3164:
3157:
3153:
3141:
3137:
3136:
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3125:
3118:
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3098:
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3059:
3054:
3048:
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3039:
3034:
3028:
3021:
3015:
3011:
3007:
3006:Jones, Daniel
3001:
2997:
2986:
2982:
2978:
2977:
2972:
2968:
2966:
2965:War and Peace
2963:"Prokofiev's
2959:
2958:War and Peace
2953:
2944:
2937:
2931:
2925:, p. 699
2924:
2920:
2916:
2910:
2903:
2902:
2898:
2894:
2893:
2886:
2879:
2873:
2867:, sprkfv.net.
2866:
2862:
2858:
2851:
2842:
2835:
2831:
2828: and the
2827:
2823:
2819:
2815:
2811:
2807:
2803:
2799:
2795:
2788:
2782:
2773:
2767:
2754:
2642:
2635:
2634:null and void
2629:
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2343:
2342:
2341:War and Peace
2338:
2335:
2334:
2330:
2327:
2326:
2322:
2319:
2318:
2314:
2310:major, Op. 84
2303:
2300:
2298:major, Op. 83
2291:
2288:
2285:
2282:
2281:
2279:
2276:
2273:
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2269:
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2043:
2040:
2037:
2034:
2033:
2029:
2026:
2023:
2020:
2017:
2014:
2011:
2009:major, Op. 10
2002:
1999:
1998:
1996:
1992:
1979:
1978:Google Doodle
1975:
1973:
1970:
1967:
1964:
1961:
1957:
1954:
1953:
1950:
1946:
1945:
1940:
1936:
1933:
1930:
1927:
1924:
1921:
1920:
1916:
1915:Stalin Prizes
1912:
1911:
1905:
1903:
1902:War and Peace
1899:
1895:
1891:
1887:
1883:
1879:
1878:Piero Coppola
1875:
1864:
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1847:
1834:
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1721:
1717:
1716:Joseph Stalin
1709:
1704:
1695:
1693:
1689:
1685:
1681:
1676:
1674:
1670:
1669:Kirov Theatre
1666:
1665:
1659:
1657:
1651:
1649:
1645:
1641:
1637:
1633:
1629:
1628:The Year 1941
1625:
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1600:
1598:
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1501:
1497:
1496:War and Peace
1493:
1492:
1487:
1486:
1481:
1477:
1473:
1469:
1468:The Year 1941
1465:
1460:
1457:
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1449:
1445:
1444:
1443:War and Peace
1439:
1435:
1431:
1427:
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1425:War and Peace
1421:
1414:
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1400:
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1332:
1330:
1329:Joseph Stalin
1326:
1322:
1321:
1316:
1312:
1308:
1307:
1302:
1298:
1297:mezzo-soprano
1294:
1290:
1289:
1284:
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1275:
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1270:
1265:
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1257:
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1186:
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1169:
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1140:
1138:
1134:
1130:
1126:
1121:
1118:
1114:
1110:
1109:
1104:
1100:
1099:expressionist
1096:
1091:
1089:
1085:
1081:
1077:
1073:
1069:
1065:
1061:
1057:
1053:
1043:
1041:
1037:
1033:
1028:
1026:
1022:
1017:
1015:
1011:
1010:
1005:
1000:
998:
994:
990:
986:
985:
980:
976:
971:
969:
965:
961:
957:
953:
948:
946:
942:
938:
934:
930:
926:
922:
921:San Francisco
912:
910:
906:
905:
899:
897:
893:
888:
886:
885:Neoclassicism
882:
878:
874:
870:
866:
862:
858:
854:
853:
848:
847:
842:
838:
825:
816:
814:
813:Maurice Ravel
810:
806:
801:
798:
794:
790:
786:
785:
780:
779:Ala and Lolli
775:
773:
764:
763:
758:
757:Henri Matisse
753:
747:First ballets
744:
742:
738:
734:
730:
727:
723:
718:
716:
711:
707:
703:
699:
697:
692:
688:
684:
678:
676:
675:Anna Yesipova
670:
668:
664:
663:Boris Asafyev
660:
659:orchestration
656:
652:
648:
644:
640:
634:
632:
628:
624:
620:
616:
612:
606:
604:
600:
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560:
555:
551:
547:
543:
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535:
529:
527:
523:
519:
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503:
499:
495:
491:
487:
479:
474:
460:
458:
454:
450:
446:
442:
438:
437:
436:War and Peace
432:
427:
426:
422:
421:
416:
412:
408:
407:
402:
401:
396:
392:
388:
384:
380:
377:
373:
368:
366:
365:Chicago Opera
362:
358:
357:
352:
351:
346:
345:
340:
339:
335:
333:
328:
324:
320:
319:
314:
309:
307:
306:piano sonatas
303:
299:
295:
291:
287:
283:
279:
275:
273:
268:
267:
263:, the ballet
262:
261:
256:
254:
249:
245:
241:
237:
228:
223:
218:
215:
212:2, including
211:
207:
188:
183:
161:
156:
155:
153:
149:
146:
143:
139:
132:
129:
126:
125:
123:
119:
116:
113:
109:
97:
93:
89:(now Ukraine)
86:
80:
76:
72:
59:
54:
47:
40:
37:
33:
19:
7789:
7697:
7659:Tone cluster
7614:Polytonality
7559:Experimental
7481:
7266:Big Bad Wolf
7249:
7230:(TV special)
7225:
7206:
7198:
7190:
7182:
7163:
7155:
7139:
7135:
7086:
7074:
7059:
7042:
6979:
6973:
6965:
6957:
6949:
6940:
6933:
6926:
6905:(unfinished)
6743:
6736:
6729:
6722:
6715:
6708:
6701:
6683:
6676:
6669:
6662:
6644:
6637:
6630:
6623:
6616:
6609:
6604:Summer Night
6602:
6577:(unfinished)
6538:(unfinished)
6424:
6404:
6397:
6390:
6383:
6378:Prodigal Son
6376:
6369:
6362:
6355:
6348:
6330:
6323:
6316:
6311:Semyon Kotko
6309:
6302:
6295:
6288:
6281:
6274:
6251:
6130:
6116:
6079:
6044:
6016:
5992:
5950:
5921:
5878:
5851:
5818:
5791:. New York:
5788:
5776:
5763:
5752:
5741:
5729:
5713:
5694:
5660:
5638:
5612:. Retrieved
5607:
5598:
5586:. Retrieved
5582:the original
5572:
5560:. Retrieved
5550:
5541:
5529:. Retrieved
5524:
5515:
5503:. Retrieved
5494:The Atlantic
5492:
5482:
5466:
5455:Robinson, H.
5450:
5438:
5431:Nestyev 1961
5426:
5414:. Retrieved
5410:
5400:
5388:. Retrieved
5379:
5367:
5355:. Retrieved
5351:the original
5341:
5329:
5317:
5305:
5293:
5276:
5272:
5266:
5254:. Retrieved
5229:
5217:
5210:Nestyev 1961
5205:
5198:Nestyev 1961
5193:
5186:Nestyev 1961
5181:
5174:Nestyev 1961
5169:
5157:
5150:Nestyev 1961
5145:
5133:
5126:Nestyev 1961
5121:
5109:
5094:
5082:
5067:
5052:
5040:
5027:
5018:
5003:
4976:
4964:
4952:
4943:
4922:
4910:
4891:
4885:
4873:
4861:
4849:
4837:
4817:, p. 54
4810:
4798:
4786:
4774:
4762:
4735:
4723:
4711:
4706:, p. 66
4699:
4694:, p. 65
4687:
4675:
4663:
4651:
4636:
4624:
4619:, p. 37
4612:
4600:
4588:
4583:, p. 43
4576:
4564:
4552:
4540:. Retrieved
4536:
4527:
4515:
4503:
4491:
4479:
4467:
4455:
4443:
4431:
4404:
4392:
4380:
4368:
4356:
4344:
4332:
4320:
4308:. Retrieved
4303:The Guardian
4301:
4288:
4278:18 September
4276:. Retrieved
4272:the original
4262:
4257:
4252:
4240:
4231:
4225:
4214:. Retrieved
4200:
4188:
4183:, p. 65
4176:
4164:
4152:
4140:
4128:
4084:
4072:
4060:
4048:
4036:
4024:
4012:
4007:, p. 50
4000:
3988:
3976:
3963:
3956:
3944:. Retrieved
3940:
3931:
3918:
3906:. Retrieved
3902:
3892:
3887:, p. 75
3880:
3868:
3863:, p. 44
3856:
3851:, p. 23
3844:
3839:, p. 22
3832:
3820:
3808:
3803:, p. 74
3796:
3784:
3775:
3772:Polytonality
3767:
3762:, p. 30
3755:
3743:
3731:
3723:
3718:
3706:
3702:
3697:, p. 43
3690:
3685:, p. 57
3678:
3659:
3650:
3645:, p. 16
3638:
3626:
3621:, p. 22
3614:
3607:
3602:
3597:, p. 85
3590:
3585:, p. 21
3578:
3573:, p. 63
3566:
3554:
3542:
3537:, p. 46
3522:, p. 15
3515:
3503:
3491:
3482:
3469:
3464:, p. xi
3457:
3449:
3444:
3432:. Retrieved
3428:the original
3423:
3414:
3402:
3389:
3377:. Retrieved
3373:
3364:
3352:. Retrieved
3348:
3339:
3327:. Retrieved
3323:the original
3312:
3303:
3298:, p. 2.
3296:Nestyev 1961
3291:
3280:Nestyev 1961
3271:
3252:
3246:
3238:
3233:– via
3229:27 September
3227:. Retrieved
3223:the original
3212:
3203:
3193:– via
3189:27 September
3187:. Retrieved
3183:the original
3174:Windsor Star
3172:
3163:
3155:
3150:– via
3146:27 September
3144:. Retrieved
3140:the original
3133:
3124:
3112:
3102:21 September
3100:. Retrieved
3096:
3087:
3078:
3056:
3047:
3036:
3027:
3009:
3000:
2974:
2964:
2957:
2952:
2943:
2935:
2930:
2918:
2914:
2909:
2899:
2897:Eisenstein's
2890:
2885:
2880:, p. 56
2872:
2850:
2841:
2833:
2825:
2813:
2809:
2805:
2801:
2797:
2641:
2628:
2608:Bibliography
2590:
2571:
2552:
2504:
2485:
2476:
2455:
2416:
2409:
2394:
2354:Flute Sonata
2340:
2332:
2323:
2315:
2267:
2258:
2249:
2240:
2231:
2222:
2213:
2201:
2196:
2188:
2174:
2153:
2138:
2130:
2117:
2096:
2088:
2069:
2060:
2052:
2044:
2030:
1994:
1947:on poems by
1942:
1938:
1901:
1897:
1871:
1860:
1832:
1802:
1783:
1744:
1739:
1735:
1728:
1713:
1677:
1662:
1660:
1652:
1647:
1643:
1639:
1636:Festive Poem
1635:
1631:
1627:
1613:
1568:
1545:
1531:hypertension
1524:
1515:
1511:
1507:
1495:
1489:
1483:
1471:
1467:
1461:
1441:
1434:Georgian SSR
1423:
1417:
1389:Kirov Ballet
1384:
1382:
1378:Stalin Prize
1371:
1359:
1333:
1324:
1318:
1306:Semyon Kotko
1304:
1300:
1286:
1276:
1267:
1263:
1256:Natalya Sats
1249:
1247:
1244:
1203:
1201:
1190:
1187:
1180:
1153:
1143:
1141:
1132:
1122:
1106:
1102:
1092:
1075:
1063:
1060:Soviet Union
1052:Boris Krasin
1049:
1029:
1018:
1013:
1007:
1001:
982:
972:
967:
959:
949:
940:
925:Angel Island
919:Arriving in
918:
902:
900:
889:
877:Joseph Haydn
872:
850:
844:
841:conscription
834:
805:Jean Cocteau
802:
782:
778:
776:
768:
760:
722:musicologist
719:
702:polytonality
695:
679:
671:
635:
630:
626:
622:
607:
603:ternary form
597:and unusual
569:
557:
530:
486:Bakhmut uezd
483:
435:
428:
418:
404:
398:
394:
390:
386:
369:
360:
354:
348:
342:
336:
330:
316:
310:
270:
265:
259:
251:
248:music genres
244:Soviet Union
235:
234:
100:(1953-03-05)
98:5 March 1953
36:
7812:1953 deaths
7807:1891 births
7609:Polyrhythms
7584:Neotonality
7472:Szymanowski
7268:(character)
6832:Piano music
6695:Vocal music
6646:Waltz Suite
6527:(left-hand)
6425:"Classical"
6350:Ala i Lolli
6290:The Gambler
6214:BBC Radio 3
6020:. New York.
5722:Biographies
5505:30 November
5256:26 November
4981:Tomoff 2006
4815:Ezrahi 2012
4581:Ezrahi 2012
4537:jacobin.com
3498:, p. 9
3420:"Prokofiev"
3409:, p. 6
3286:, p. 6
3053:"Prokofiev"
3033:"Prokofiev"
2919:The Gambler
2915:Fiery Angel
2830:family name
2826:Sergeyevich
2235:, Op. 64ter
2226:, Op. 64bis
2175:The Gambler
2167:Sinfonietta
2070:The Gambler
1956:Lenin Prize
1812: [
1753:Neeme Järvi
1571:Viktor Bely
1420:Leo Tolstoy
1383:Meanwhile,
1372:Liederkreis
1352:Emil Gilels
1233:Sergei and
1215:Shakespeare
1197:Soviet film
1160:Paris Opéra
1150:Serge Lifar
1125:Sinfonietta
1117:Serge Lifar
1084:Tchaikovsky
987:, based on
964:vocal score
915:Life abroad
852:The Gambler
641:for piano,
588:modulations
542:Lydian mode
350:The Gambler
121:Occupations
67: 1918
62:Prokofiev,
7796:Categories
7654:Surrealism
7649:Stochastic
7639:Sound mass
7574:Microtonal
7546:techniques
7544:Genres and
7492:Stravinsky
7452:Skalkottas
7357:Schoenberg
7258:Red-Handed
6974:Cinderella
6887:No. 8 in B
6876:No. 7 in B
6656:Film music
6519:No. 4 in B
6498:No. 1 in D
6469:No. 7 in C
6458:No. 6 in E
6447:No. 5 in B
6416:Symphonies
6399:Cinderella
6084:. London.
5955:. London.
5881:. Ithaca.
5856:Woodbridge
5657:Ross, Alex
5382:. London.
5138:Jaffé 1998
5101:, p.
5074:, p.
5059:, p.
5010:, p.
4915:Jaffé 1998
4866:Jaffé 1998
4803:Jaffé 1998
4791:Jaffé 1998
4779:Jaffé 1998
4767:Jaffé 1998
4728:Jaffé 1998
4716:Jaffé 1998
4680:Jaffé 1998
4656:Jaffé 1998
4629:Jaffé 1998
4460:Jaffé 1998
4385:Jaffé 1998
3885:Jaffé 1998
3861:Jaffé 1998
3760:Jaffé 1998
3748:Jaffé 1998
3643:Jaffé 1998
3424:Ballet Met
2822:patronymic
2810:Prokofieff
2616:References
2400:Eisenstein
2333:Cinderella
2169:, Op. 5/48
1960:posthumous
1837:Recordings
1772:Reputation
1720:Red Square
1624:Myaskovsky
1491:Cinderella
1480:Kazakhstan
1466:, Op. 80,
1397:syncopated
1283:Eisenstein
1279:mass songs
1176:Myaskovsky
896:Kislovodsk
715:modernists
651:conducting
522:Sheremetev
510:agronomist
423:, and the
400:Cinderella
370:After the
282:symphonies
257:the suite
7772:Biography
7634:Serialism
7554:Atonality
7482:Prokofiev
7325:Composers
6745:Zdravitsa
6484:Concertos
6283:Maddalena
6276:The Giant
6149:cite book
6100:cite book
6080:Prokofiev
6063:cite book
6026:cite book
6001:cite book
5897:cite book
5837:cite book
5764:Prokofiev
5222:Ross 2007
4942:McSmith.
4668:Sats 1979
4569:Nice 2003
4557:Nice 2003
4520:Nice 2003
4508:Nice 2003
4496:Nice 2003
4484:Nice 2003
4436:Nice 2003
4409:Nice 2003
4397:Nice 2003
4245:Nice 2003
4216:27 August
4169:Nice 2003
4145:Nice 2003
3825:Nice 2003
3801:Nice 2003
3695:Nice 2003
3631:Nice 2003
3619:Nice 2003
3583:Nice 2003
3520:Nice 2003
3407:Nice 2003
3284:Nice 2003
2993:Citations
2971:Alex Ross
2834:Prokofiev
2814:Prokofyev
2806:Prokofief
2766:romanized
2523:cite book
2421:, Op. 124
2317:Zdravitsa
2244:, Op. 101
1516:Classical
1403:War years
1360:Zdravitsa
1320:Zdravitsa
989:the novel
881:Classical
873:Classical
855:based on
839:to avoid
683:chromatic
595:harmonies
592:dissonant
559:The Giant
538:Beethoven
498:Sontsivka
476:Composer
445:formalism
278:juvenilia
220:Signature
133:conductor
111:Education
85:Sontsovka
7711:Category
7644:Spectral
7569:Futurism
7503:Americas
7487:Scriabin
7458:Hungary
7433:Germany
7417:Messiaen
7412:Koechlin
7388:Finland
7378:Czechia
7372:Pousseur
7368:Belgium
7338:Austria
7081:Category
6928:Sarcasms
6890:♭
6879:♭
6820:♯
6522:♭
6501:♭
6472:♯
6461:♭
6450:♭
6200:Archived
6129:(2009).
5995:. Paris.
5787:(1987).
5740:(2009).
5686:82172875
5659:(2007).
5614:13 April
5531:9 August
5525:piano.ua
5499:Archived
5384:Archived
5357:7 August
5285:10718530
4306:. London
3658:(2008).
3434:23 March
3379:23 March
3354:23 March
3329:7 August
2981:Archived
2636:in 1948.
2445:Writings
2436:♯
2387:♭
2369:♭
2320:, Op. 85
2307:♭
2295:♭
2253:, Op. 75
2192:, Op. 57
2178:, Op. 49
2143:, Op. 43
2032:Sarcasms
2006:♭
1958:(1957 –
1648:Thoughts
1616:Shebalin
1550:and his
1527:fainting
1514:and the
1476:Alma-Ata
1374:, Op. 39
1038:and the
979:Bavarian
696:Sarcasms
284:, eight
209:Children
127:Composer
7734:Portals
7696: ←
7624:Process
7513:Antheil
7478:Russia
7468:Poland
7448:Greece
7442:Strauss
7422:Milhaud
7407:Jolivet
7398:France
7392:Bergman
7238:Related
6903:No. 10
6839:Sonatas
6364:Trapèze
6342:Ballets
6190:at the
6175:(IMSLP)
6171:at the
5949:(ed.).
5668:282–283
5626:Sources
5588:10 June
4542:14 June
3946:14 June
3774:at the
3179:Reuters
3077:at the
2936:Oranges
2111:Quintet
2013:Toccata
1796:'s and
1751:) with
1656:Germany
1542:Postwar
1438:Tbilisi
1356:nirvana
1293:cantata
1241:in 1936
1158:at the
1066:in the
977:in the
846:Toccata
325:of the
288:, five
286:ballets
200:
192:
180:
168:
164:
151:Spouses
130:pianist
7721:Portal
7523:Cowell
7518:Carter
7462:Bartók
7427:Varèse
7362:Webern
7352:Mahler
7347:Krenek
7332:Europe
7211:(2010)
7203:(2005)
7195:(1978)
7187:(1975)
7176:Albums
7168:(2006)
7160:(1946)
6984:(1926)
6536:No. 6
6268:Operas
6137:
6088:
6051:
5959:
5931:
5885:
5866:
5825:
5799:
5793:Viking
5701:
5684:
5674:
5645:
5562:1 June
5416:7 June
5390:29 May
5283:
4898:
4643:1995,
4310:29 May
3908:23 May
3666:
3259:
3016:
2820:, the
2804:, and
2798:Sergey
2597:
2578:
2559:
2544:
2536:
2511:
2492:
2464:
2202:Troika
1968:(1947)
1807:, the
1767:Legacy
1673:stroke
1622:, and
1342:, and
1254:, for
1164:fourth
871:, the
765:(1921)
726:critic
653:, and
631:Undina
534:Chopin
409:, the
292:, two
7784:Music
7760:Opera
7599:Noise
7437:Reger
7402:Henry
7219:Other
7149:Films
7093:Audio
6915:Other
6893:major
6882:major
6823:minor
6548:Other
6525:major
6504:major
6491:Piano
6475:minor
6464:minor
6453:major
6357:Chout
6043:[
5472:This
3968:(PDF)
2812:, or
2802:Serge
2621:Notes
2054:Chout
1985:Works
1890:Naxos
1824:First
1816:]
1698:Death
1620:Popov
1564:RSFSR
1554:(for
1168:fifth
1115:with
1088:Sixth
1036:Octet
975:Ettal
968:Chout
945:Paris
837:organ
831:1918)
784:Chout
762:Chout
546:chess
518:serfs
411:Fifth
332:Chout
194:(
190:
170:(
166:
141:Works
7528:Ives
7382:Hába
7342:Berg
7138:'s
6183:IMDb
6155:link
6135:ISBN
6106:link
6086:ISBN
6069:link
6049:ISBN
6032:link
6007:link
5977:link
5957:ISBN
5929:ISBN
5903:link
5883:ISBN
5864:ISBN
5843:link
5823:ISBN
5797:ISBN
5699:ISBN
5682:OCLC
5672:ISBN
5643:ISBN
5616:2023
5590:2012
5564:2014
5533:2024
5507:2022
5418:2013
5392:2014
5359:2014
5281:PMID
5258:2018
4896:ISBN
4544:2024
4312:2014
4280:2008
4218:2019
3948:2024
3910:2010
3664:ISBN
3436:2014
3381:2014
3356:2014
3331:2014
3257:ISBN
3231:2022
3191:2022
3148:2022
3104:2018
3014:ISBN
2917:and
2861:Java
2777:IPA:
2595:ISBN
2576:ISBN
2557:ISBN
2542:ISBN
2534:ISBN
2529:link
2509:ISBN
2490:ISBN
2462:ISBN
2433:in C
2404:film
2384:in E
2366:in B
2304:in B
2292:in B
2003:in D
1913:Six
1826:and
1818:and
1761:Oleg
1450:and
1367:lied
1315:NKVD
1295:for
1239:Oleg
1166:and
1032:Bach
811:and
724:and
665:and
657:for
649:for
625:and
536:and
451:and
429:The
413:and
353:and
341:and
300:, a
296:, a
240:O.S.
214:Oleg
176:sep.
95:Died
79:O.S.
74:Born
6181:at
5103:289
5076:254
5012:244
4263:135
3219:UPI
2969:by
2832:is
2824:is
2800:or
2717:-,-
2705:-,-
2693:-,-
2402:'s
1803:In
1090:".
1086:'s
991:by
887:).
859:'s
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689:'s
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4300:.
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1199:.
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500:,
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196:m.
172:m.
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6427:)
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