648:, the artists get the music division, a good part returns to the influences of moda de viola or "moda" as the artists are choosing to call the new segment is emerging, and CDS with the caption "just fashion". Yet another part follows the trends of the past romantic sertão that is the case of artists like Eduardo Costa e Léo Magalhães. In the fourth era, the lyrics no longer talk only about failed relationships, but also about women, drinking, love affairs and sex, and there is influence from funk and samba/
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754:, very popular between the decades of the 1980s and 1990s. Simple songs dominate the style, and those sung by two singers of the genre, who are overwhelmingly young and considered "College Kids (Universitario)." Instead of traditional accordions and violins, synthesizers and electric guitars started to be used more frequently in this style of music. This variation differentiates itself from sertanejo as it has more elements of pop, and informal language.
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336:, Alvarenga and Ranchinho, and Florencio Torres, Tonico and Tinoco, Vieira and Vieirinha, among others, and popular songs like "Sergio Forero", by Cornelio Pires, "Bonde Camarão" by Cornelio Pires and Mariano, "Sertão do Laranjinha" by Pires and Ariovaldo and "Cabocla Teresa", by João Pires and Ariovaldo Pacifico.
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The initial result was a new twist to the old and classic sertaneja roots, which over the course of the years starting distancing themselves from their earlier styles, and acquiring their own identity. In this new century the musical influences of the youth in the interior also gradually became mixed
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At that time, sertanejo music was usually performed in circuses, rodeos, and AM radio stations. Early as the 1980s, this penetration extended to FM radio and also on television – either in weekly programs on Sunday morning or even making it into soap operas soundtracks or special one-off TV programs.
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The interaction between the countryside and the cities in the academic sphere contributed to the surge of an individual style. Having violas and guitars disseminated on campuses and student residences, the old sertaneja music ending up joining the violas and guitars with modern instruments such as
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Sertanejo
Universitario found young people in their search for growth, bringing focus to music that speaks of love and ballads. Today, new singers emerge as other adopt the style, and every day the genre becomes more and more popular. Examples of this expansion of Sertanejo Universitario is music
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Due to its rise after the second evolution of sertanejo (Romantic
Sertanejo), this style does not come with regional lyrics and situations lived by rural people (like in Sertanejo roots). Usually, the lyrics talk about situations that ordinarily occur in the lives of young people, having a strong
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Rocked by great popular appeal among the youth of both sexes, the new segment has won a lot of attention in the media. Simple music and lyrics, dance beats, and refrains that are easily memorized automatically, generating a large "boom" in style, causing it to leave the restricted
University
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During the 1980s, there was a mass commercial exploitation of sertanejo, coupled in some cases, to a rereading of international hits and even the Jovem Guarda's. In this new romantic trend of country music countless artists emerged, almost always in pairs, among which,
226:" (college sertanejo), has developed from the mid-2000s on, consisting of a more stripped-down, acoustic-oriented use of the guitars influenced by Western pop music. It has grown very popular among Brazilian youth nationwide and has dominated the sertanejo scene.
174:) is a music style that had its origins in the countryside of Brazil in the 1920s. Its contemporary developments made it the most popular genre in the country, particularly throughout the southern, southeastern, and center-western interior. Subgenres include
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Sertanejo songs have been, since the 1990s, the most played music genre on
Brazilian radio, constantly topping the Brazilian music charts. Additionally, from 2000 to 2003 and since 2009, música sertaneja albums have been granted a specific category at the
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484:. Some of the successes of this phase are "Fio de Cabelo", by Marciano and Darci Rossi, "Apartmento 37 ", Leo Canhoto, "Pense em Mim, " Douglas in May, "Entre Tapas e Beijos", Nilton Lamas and Antonio Bueno and "Evidências", by Jose Augusto and
328:, whose lyrics evoke the lifestyle of the country man (often in opposition to man's life in the city) and the bucolic beauty of the landscape and romantic countryside (currently this type of composition is classified as "sertanejo de raiz" (
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The style had surged during the middle of the first decade of 2000, through the experience of sertanejo singers that had fused the traditional rhythms with other musical elements. One of the first duos to develop the style were
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systematized the use of elements of traditional
Mexican mariachi with violin and trumpet flourishes to fill spaces between sentences and strokes of the glottis which produces a sobbing voice. Other names, such as duo
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547:. As this movement wins more supporters, the market formerly focused on that the advent of sertanejo artists and duos in Goias state, has today elected new idols in the state of Mato Grosso do Sul such as
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This subgenre is sung, and is more popular with, people attending college, this being the reason behind the name of this variation. This is the style of music played at university parties, like "
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Against this trend of more commercial country music, names like the duo Pena Branca e
Xavantinho reappeared, adapting to the language of MPB success of guitars, and new artists emerged like
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A new phase in the history of sertanejo music began after the Second World War, with the addition of new styles (of duets with various intervals and the mariachi-style), genres (initially
508:
260:, a general term for rural backlands away from coastal metropolitan regions, although sertão itself is also often used in a narrow sense referring to the interior away from the
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environment and spread to radios and festivals all over Brazil. The repercussions and success of the genre is seen as every day new duos and sertanejo groups are on the rise.
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Traditional
Instruments:Guitar, Electric Guitar, Country Violin, Twelve-String Guitar, Double Bass (4 or 6 cord), Accordion, Keyboard, Piano, Drums, Percussion and Saxophone
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332:), with emphasized words in daily life and manner of singing). Beyond Cornelio Pires and his "Caipira Gang" stood out in this trend, recording at a later time, duo
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UOL: Com cachês de até R$ 300 mil, Michel Teló, Paula
Fernandes e outros cantores sertanejos provam que 2011 foi dos artistas solo – Top 10 according to website:
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495:, a sophisticated guitar player, who moved among the styles of guitar and the blues. In the following decade, a new generation of sertanejo artists, including
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356:) and instruments (such as the accordion and harp). The theme gradually shifted to love and romance, however, a certain autobiographical character was kept.
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It was at the end of the 1920s that
Brazilian country music as we know it today came into being. It was born from recordings made by journalist and writer
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with "Sogrão
Caprichou", Munhoz & Mariano with the music Camaro Amarelo, Cristiano Araujo with "Efeitos" and Thaeme & Thiago with "Hoje Não".
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288:. "Música caipira" or "música sertaneja" refers to the music that is composed and performed in rural areas, like the old '
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Stylistic Origins: Sertanejo, Caipira Music, Arrocha, Forro, Brega, Tecnobrega, Pop, Embolada, and Vanerao.
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Many sertanejo artists are duos, at times formed by siblings, typically singing vocal harmonies, especially
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Popularity: In all of Brazil, and in various parts of Europe, Latin America, and the United States.
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switched from pop to sertanejo in the 1970, which contributed to a wider acceptance of the genre.
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1200:"Música Sertaneja – Dados Artísticos – Dicionário Cravo Albin da Música Popular Brasileira"
772:" on many charts, hits that have found commercial success in Europe and elsewhere include "
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This specific style has found favour internationally. Besides the massive success of "
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Cultural Context: Interior of the South-East, Center-West, and South of Brazil.
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in the late 1960s marked the start of modern sertanejo music. One member of the
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electric guitars, bass guitars, batteries, brass instruments, and percussion.
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southeast. At the time of these pioneering recordings, the genre was known as
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of "tales" and fragments of traditional songs in the interior of the state of
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is a Brazilian musical style that comes from a mix of Sertanejo, segments of
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207:. Men have traditionally dominated the scene, although some women such as
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Music genre that had its origins in the countryside of Brazil in the 1920s
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The introduction of the electric guitar and pop music influences by duo
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with the hit, that became an international fever, "Ai Se Eu Te Pego",
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is one of the best known names in Sertanejo Universitario in Brazil.
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and vanerão. It is considered the third segment in the evolution of
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innovated by fusing the genre with samba, coco and calango de roda.
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culture, specifically originating in the area that comprises the
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Pantanal Escapes – Music and Culture of Brazil's Pantanal Region
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appeal towards themes of betrayal, drunkenness, ostentation.
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387:(adapter guarânia ~ Brazil) . Throughout the 1970s, the duo
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are an example of romantic sertanejo duos made of siblings.
245:
241:, one of the most successful sertanejo musicians in Brazil
476:, Alan e Aladim, along with some female singers, such as
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have achieved mainstream success in the 21st century.
1302:– Dicionário Cravo Albin da Música Popular Brasileira
1189:– Dicionário Cravo Albin da Música Popular Brasileira
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1153:Latin Grammy Award for Best Sertaneja Music Album
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424:was another important artist in this period.
348:and Paraguayan polka, and later, the Mexican
1306:Fazenda Country website (on Música sertaneja
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610:. There might be a discussion about this on
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359:Some highlights of this era were the duos
630:Learn how and when to remove this message
383:(launchers of music campeira) and singer
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1317:(includes links to selected video clips)
818:with other styles, especially with pop,
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738:with touches of beats coming from
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137:Sertanejo Raiz or Música Caipira
84:, most strongly in the states of
910:Sertanejo Pop, Sertanejo Arrocha
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123:, violin, keyboard instruments,
920:(selective, alphabetical order)
509:Chico Lobo e Miltinho Edilberto
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1:
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1070:Zezé Di Camargo & Luciano
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339:
264:. Sertanejo differs from the
229:
1321:Sertanejo page on 1wxrld.com
1127:Eu Quero Tchu, Eu Quero Tcha
1077:International sertanejo hits
1055:Tião Carreiro & Pardinho
904:Caipira (or Sertanejo Roots)
782:Eu Quero Tchu, Eu Quero Tcha
403:
394:Pena Branca & Xavantinho
299:
256:"Sertanejo" is derived from
7:
2340:Newfoundland & Labrador
1158:List of Brazilian musicians
1146:
1040:Maria Cecília & Rodolfo
553:Maria Cecilia & Rodolfo
525:César Menotti & Fabiano
381:Luizinho, Limeira e Zezinha
158:[ˈmuzikɐseʁtaˈneʒɐ]
72:Late 1920s, countryside of
10:
2462:
1163:Música sertaneja musicians
808:
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389:Milionário & Jose Rico
23:Sertanejo (disambiguation)
20:
2426:Brazilian styles of music
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2238:Traditional country music
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1577:Música popular brasileira
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1254:João Bosco & Vinícius
1141:João Neto & Frederico
915:List of sertanejo artists
862:João Neto & Frederico
833:
709:
667:
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545:João Neto & Frederico
521:Joao Bosco & Vinicius
462:João Mineiro and Marciano
446:Zeze Di Camargo e Luciano
416:musical movement, singer
203:, and employing frequent
154:Portuguese pronunciation:
141:Sertanejo Universitário
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35:
30:
1310:Fazenda Country Facebook
1204:www.dicionariompb.com.br
1019:João Lucas & Marcelo
1004:Chitãozinho & Xororó
860:with "Amo Noite e Dia",
856:with the song "Balada",
565:Guilherme & Santiago
438:Chitãozinho & Xororó
410:Leo Canhoto e Robertinho
250:Chitãozinho & Xororó
127:, percussion instruments
2446:Brazilian country music
2086:Christian country music
1242:Fernando & Sorocaba
1009:Fernando & Sorocaba
732:Sertanejo Universitário
663:Sertanejo universitário
656:Sertanejo universitário
645:sertanejo universitário
537:Fernando & Sorocaba
513:sertanejo universitário
454:João Paulo & Daniel
224:sertanejo universitário
185:sertanejo universitário
2203:Neotraditional country
1692:Fusion genres of Samba
1451:Brazilian thrash metal
1111:" – Three versions by
728:
458:Chico Rey & Parana
312:in the countryside of
253:
242:
78:Central-Western Brazil
2243:Truck-driving country
1989:São Tomé and Príncipe
1602:Música Sertaneja Raiz
1210:on 21 September 2010.
1024:João Neto e Frederico
726:
713:Early 2000s, Brazil (
561:João Neto e Frederico
334:Mandi and Sorocabinha
248:
237:
139:Sertanejo Romântico
2441:Country music genres
1280:20 July 2012 at the
600:confusing or unclear
541:Marcos & Belutti
450:Chrystian & Ralf
316:, north and west of
222:A subgenre, called "
217:Simone & Simaria
171:[seʁtaˈneʒu]
21:For other uses, see
2268:Texas country music
2218:Progressive country
2128:Alternative country
1358:Lusophone countries
1109:Bara Bará Bere Berê
1060:Tonico & Tinoco
1050:Thaeme & Thiago
774:Bara Bará Bere Berê
752:sertanejo romântico
715:Central-West Region
608:clarify the section
569:Bruno & Marrone
480:, Aula Miranda and
361:Cascatinha e Inhana
262:Brazilian Northeast
194:Latin Grammy Awards
180:sertanejo romântico
115:, electric guitar,
109:Typical instruments
74:Southeastern Brazil
2323:Cape Breton fiddle
2091:Country en Español
1224:Jorge & Mateus
1035:Leandro e Leonardo
1030:Jorge & Mateus
1014:Henrique e Juliano
907:Romantic Sertanejo
858:Jorge & Mateus
729:
573:Edson & Hudson
557:Jorge & Mateus
529:Jorge & Mateus
515:, with names like
486:Paulo Sérgio Valle
442:Leandro e Leonardo
373:Sulino e Marrueiro
282:Mato Grosso do Sul
254:
243:
102:Mato Grosso do Sul
2431:Culture of Brazil
2413:
2412:
2385:Appalachian music
2308:Bakersfield sound
2096:Country and Irish
2018:
2017:
1843:
1842:
1839:
1838:
1835:
1834:
1752:
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1748:
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1735:Samba de Gafieira
1419:Brazilian hip hop
1379:Batidão romântico
1131:Flavel & Neto
1083:
1045:Rick & Renner
925:
921:
889:Derivative forms
864:with "Le Le Le",
843:Singers and songs
770:Ai se eu te pego!
759:Ai se eu te pego!
721:
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668:Stylistic origins
642:Starts recycling
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639:
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474:Gilberto e Gilmar
470:Rick & Renner
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36:Stylistic origins
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2253:New Mexico music
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1918:Cante Alentejano
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1300:Música Sertaneja
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1206:. Archived from
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1187:Música Sertaneja
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1089:Ai Se Eu Te Pego
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1065:Victor & Leo
946:Marília Mendonça
936:Cristiano Araújo
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727:Michel Teló live
710:Cultural origins
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517:Marcos & Leo
505:Pereira da Viola
466:Gian and Giovani
434:Trio Parada Dura
377:Palmeira and Biá
276:, Minas Gerais,
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150:Música sertaneja
69:Cultural origins
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2436:Lusophone music
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2395:Classic country
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2352:Nashville sound
2318:Canadian fiddle
2284:Regional scenes
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2223:Sertanejo music
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1953:Portuguese rock
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1587:Sertanejo music
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1285:(in Portuguese)
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1282:Wayback Machine
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1257:(R$ 150-180m),
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1236:Paula Fernandes
1233:(R$ 250-300m),
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999:Bruno e Marrone
980:Paula Fernandes
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209:Paula Fernandes
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2186:
2181:
2179:Heartland rock
2171:
2170:
2169:
2164:
2154:
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2150:Gothic Western
2145:Gothic country
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2016:
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1728:Ballroom dance
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1634:Main subgenres
1628:
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1606:
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1604:
1599:
1597:Música Caipira
1594:
1584:
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1494:
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1465:
1453:
1446:Brazilian rock
1443:
1441:Brazilian jazz
1438:
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1416:
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1295:
1294:External links
1292:
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1178:
1177:
1175:
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1171:
1170:
1168:Pagode (music)
1165:
1160:
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1123:
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1095:
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908:
905:
898:
897:
894:
844:
841:
835:
832:
810:
807:
793:
790:
748:sertanejo raíz
719:
718:
711:
707:
706:
704:
703:
698:
693:
688:
685:
680:
677:
671:
669:
665:
664:
657:
654:
638:
637:
595:
593:
586:
580:
577:
497:Roberto Correa
405:
402:
341:
338:
326:música caipira
306:Cornélio Pires
301:
298:
231:
228:
176:sertanejo raiz
145:
144:
134:
133:
129:
128:
113:classic guitar
110:
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105:
70:
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39:
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33:
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17:
9:
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2434:
2432:
2429:
2427:
2424:
2423:
2421:
2406:
2405:Rock and roll
2403:
2401:
2400:Country radio
2398:
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2388:
2386:
2383:
2382:
2380:
2376:
2368:
2365:
2364:
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2360:
2358:
2355:
2353:
2350:
2348:
2347:Lubbock sound
2345:
2341:
2338:
2334:
2333:Quebec fiddle
2331:
2329:
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2321:
2320:
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2274:
2273:Western swing
2271:
2269:
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2261:
2259:
2256:
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2251:
2250:
2249:
2248:Western music
2246:
2244:
2241:
2239:
2236:
2234:
2233:Talking blues
2231:
2229:
2228:Southern soul
2226:
2224:
2221:
2219:
2216:
2214:
2211:
2209:
2206:
2204:
2201:
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2196:
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2187:
2185:
2184:Southern rock
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2056:
2053:
2052:Country music
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2041:
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2027:
2026:
2023:
2011:
2008:
2007:
2005:
2001:
1995:
1992:
1990:
1987:
1985:
1982:
1980:
1979:Guinea-Bissau
1977:
1975:
1972:
1970:
1967:
1966:
1964:
1960:
1954:
1951:
1949:
1946:
1944:
1941:
1939:
1936:
1934:
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1924:
1921:
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1911:
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1820:
1818:
1817:Bahian pagode
1815:
1814:
1812:
1808:
1802:
1799:
1797:
1794:
1792:
1789:
1787:
1786:Samba de roda
1784:
1782:
1781:Samba-corrido
1779:
1777:
1776:Samba-chulado
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1656:Bahian pagode
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1434:Vigilante rap
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1307:
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1301:
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1283:
1279:
1273:
1272:Eduardo Costa
1267:
1266:Gusttavo Lima
1261:
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1128:
1124:
1122:
1118:
1117:Leo Rodriguez
1114:
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1106:
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1103:Gusttavo Lima
1100:
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984:
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968:Leo Rodriguez
966:
964:
961:
958:
957:Gusttavo Lima
955:
952:
949:
947:
944:
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939:
937:
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872:Gusttavo Lima
869:
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859:
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854:Gusttavo Lima
851:
840:
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631:
623:
613:
612:the talk page
609:
603:
601:
596:This section
594:
585:
584:
576:
574:
570:
566:
562:
558:
554:
550:
546:
542:
538:
534:
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423:
419:
415:
411:
401:
399:
398:Tião Carreiro
395:
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386:
382:
378:
374:
370:
366:
362:
357:
355:
351:
347:
337:
335:
331:
327:
323:
319:
315:
311:
307:
297:
295:
294:viola caipira
291:
290:moda de viola
287:
283:
279:
275:
271:
267:
263:
259:
251:
247:
240:
236:
227:
225:
220:
218:
214:
213:Maria Cecília
210:
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202:
197:
195:
189:
187:
186:
181:
177:
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135:
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126:
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118:
117:viola caipira
114:
111:
107:
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99:
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91:
87:
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79:
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71:
67:
60:
57:
55:
52:
49:
46:
44:
41:
40:
38:
34:
29:
24:
16:
2328:Métis fiddle
2222:
2123:Country rock
1943:Hip hop tuga
1827:Samba reggae
1801:Samba-raiado
1796:Samba junino
1771:Samba-batido
1757:Bahian samba
1714:Samba reggae
1683:Samba-enredo
1673:Samba-canção
1668:Partido alto
1586:
1497:Electrobrega
1230:Luan Santana
1216:
1208:the original
1203:
1194:
1182:
1113:Alex Ferrari
1080:
974:Luan Santana
951:Alex Ferrari
918:
899:
888:
885:
882:
879:
876:
870:
866:Luan Santana
846:
837:
828:
824:funk carioca
816:
812:
795:
767:
756:
751:
747:
743:
731:
730:
649:
643:
641:
626:
617:
606:Please help
597:
549:Luan Santana
512:
490:
482:Nalva Aguiar
430:
426:
414:Jovem Guarda
407:
385:José Fortuna
369:Irmãs Castro
365:Irmãs Galvão
358:
353:
349:
345:
343:
329:
325:
320:, Goiás and
314:Minas Gerais
303:
255:
221:
201:major thirds
198:
190:
183:
179:
175:
162:
149:
148:
86:Minas Gerais
15:
2390:Cajun music
2167:Psychobilly
2118:Country rap
2106:Bro-country
2101:Country pop
2079:Traditional
2074:Progressive
2010:Latin music
1810:Urban sambo
1764:Rural sambo
1699:Samba-choro
1568: [
1558:Rasteirinha
1548:Funk melody
1509:Tecno brega
1500: [
1471: [
1459: [
1356:Music from
1269:(R$ 150m),
1263:(R$ 150m),
1260:Michel Teló
1251:(R$ 180m),
1245:(R$ 200m),
1239:(R$ 200m),
1121:Michel Teló
1093:Michel Teló
986:Michel Teló
963:Sérgio Reis
850:Michel Telo
763:Michel Teló
501:Ivan Vilela
493:Almir Sater
418:Sergio Reis
379:, the trio
322:Mato Grosso
296:(guitar) .
239:Sérgio Reis
2420:Categories
2296:Australian
2198:Honky-tonk
2189:Swamp rock
2174:Roots rock
2162:Gothabilly
2157:Rockabilly
2111:Cowboy pop
1969:East Timor
1933:Desgarrada
1928:Chamarrita
1900:Marrabenta
1892:Mozambique
1849:Cape Verde
1822:Samba afro
1791:Samba duro
1740:Samba rock
1709:Samba-jazz
1704:Samba-funk
1646:Bossa nova
1565:Guitarrada
1523:Chamarrita
1492:Brega funk
1480:Samba rock
1468:Rock Rural
1174:References
1082:(selected)
900:Subgenres
799:João Bosco
602:to readers
579:Fourth era
340:Second era
230:Background
167:pronounced
2301:Bush band
2133:Americana
2069:Bluegrass
1994:Sri Lanka
1867:Coladeira
1456:Forrocore
1275:(R$ 120m)
893:Sertanejo
736:freestyle
701:freestyle
675:Sertanejo
620:July 2020
404:Third era
310:São Paulo
300:First era
274:São Paulo
163:sertanejo
132:Subgenres
121:accordion
90:São Paulo
58:Recortado
31:Sertanejo
2357:Nigerian
2313:Canadian
2291:Atlantan
2258:Red dirt
1910:Portugal
1641:Batucada
1592:Funknejo
1553:Funknejo
1278:Archived
1147:See also
1137:Lê Lê Lê
803:Vinícius
786:Lê Lê Lê
354:ranchera
346:guarânia
143:Funknejo
125:drum set
54:Fandango
50:Embolada
2378:Related
2208:Norteño
2140:Cowpunk
2003:Related
1882:Tabanka
1857:Batuque
1719:Sambass
1609:Vanerão
1582:Seresta
1518:Calypso
1429:Stronda
1374:Kizomba
896:Arrocha
820:arrocha
809:History
792:Origins
784:" and "
740:arrocha
687:vanerão
683:arrocha
598:may be
350:corrido
266:caipira
205:vibrato
43:Country
2263:Tejano
2062:Genres
2055:genres
1872:Funaná
1651:Pagode
1401:Brazil
1386:Kuduro
1366:Angola
1099:Balada
1091:!" by
941:Daniel
834:Themes
822:, and
778:Balada
650:pagode
507:, and
318:Paraná
286:Paraná
270:states
258:sertão
215:, and
211:, and
182:, and
98:Paraná
47:Cururu
1984:Macau
1962:Other
1948:Pimba
1923:Chula
1877:Morna
1619:Samba
1572:]
1543:Frevo
1538:Forró
1533:Chula
1528:Choro
1504:]
1487:Brega
1475:]
1463:]
1414:Baião
1391:Semba
1139:" by
1129:" by
1101:" by
930:Solos
848:like
761:" by
696:brega
691:forró
278:Goias
161:) or
94:Goiás
61:Toada
1938:Fado
1862:Colá
1119:and
993:Duos
801:and
780:", "
750:and
571:and
559:and
551:and
352:and
284:and
100:and
80:and
1974:Goa
1409:Axé
788:".
776:, "
679:pop
272:of
2422::
2362:UK
1570:pt
1502:pt
1473:pt
1461:pt
1308:/
1202:.
1115:,
652:.
575:.
567:,
543:,
539:,
535:,
531:,
527:,
523:,
519:,
503:,
499:,
488:.
472:,
468:,
464:,
460:,
456:,
452:,
448:,
444:,
440:,
436:,
375:,
371:,
367:,
363:,
196:.
188:.
178:,
119:,
96:,
92:,
88:,
76:,
2044:e
2037:t
2030:v
1349:e
1342:t
1335:v
1135:"
1125:"
1107:"
1097:"
1087:"
1026:*
988:*
982:*
976:*
970:*
959:*
953:*
717:)
633:)
627:(
622:)
618:(
614:.
604:.
165:(
152:(
104:.
25:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.