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Janis
Tomlinson, an internationally recognized art historian and Goya scholar, recognizes that in plate No. 33, "he eventually published title, identifies the bull fighter as Pepe Illo. A fighter who met end in the ring of Madrid in May 1801". The name, Pepe, is a diminutive for the name Joseph. It
150:
Bullfighting was not politically sensitive, and the series was published at the end of 1816 in an edition of 320—for sale individually or in sets—without incident. It did not meet with critical or commercial success. Goya was always charmed by bullfighting, a theme that obviously inspired him, since
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147:, the series he had created previously, served as visual criticism on subjects concerning war, superstition, and contemporary Spanish society generally, including anticlerical scenes. Because of their sensitive subjects, few people had seen these works during Goya's lifetime.
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in this series. The artist focuses on the violent scenes that take place in the bullring and the daring movements of the bullfighters. The events are not presented as they are viewed by a viewer in the stands, but in a more direct way, in contrast with
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it was the subject of many of his works: in a self-portrait (c 1790–1795) he depicted himself in a bullfighter's suit; in 1793 he completed a series of eight paintings on tinplate, created for the
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a famous bullfighter is depicted sitting on a chair and with feet shackled together while facing the attacking bull. Here, Goya ignores – partly – the laws of
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Los moros establecidos en España, prescindiendo de las supersticiones de su Alcorán, adoptaron esta caza y arte, y lancean un toro en el campo.
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series, Goya presents bullfighting as a way of popular entertainment, and not as a violent event, as he does in
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Carlos V. lanceando un toro en la plaza de
Valladolid" ("Carlos V spearing a bull in the plaza of Valladolid")
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Befallen disgraces in the front seats of the plaza of Madrid, and the death of the Mayor of Torrejón
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purchased a copy. Indicative of his love for bulls is the fact that he signed one of his letters as
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Unfortunate events in the front seats of the ring of Madrid, and the death of the mayor of Torrejón
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scenes. There are also seven extra prints that were not published in the original edition.
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El celebre
Fernando del Toro, barilarguero, obligando a la fiera con su garrocha
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El mismo
Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid
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between 1815 and 1816, at the age of 69, during a break from his famous series
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El diestrisimo estudiante de Falces, embozado, burla al toro con sus quiebros
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Un caballero español en plaza quebrando rejoncillos sin auxilio de los chulos
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El esforzado Rendón picando un toro, de cuya suerte murió en plaza de Madrid
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Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas
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Modo con que los antiguos
Espanoles cazaban los toros a caballo en el campo
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Palenque de los moros hecho con burros para defenderse del toro embolado
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The
Victorious Hannibal Seeing Italy from the Alps for the First Time
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Un caballero español mata un toro después de haber perdido el caballo
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where the events are presented as a means of popular entertainment.
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Un caballero en plaza quebrando un rejoncillo con ayuda de un chulo
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Mariano
Ceballos, alias "El Indio", mata el toro desde su caballo
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Series of prints by
Francisco Goya depicting bullfighting scenes
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Goya - La desgraciada muerte de Pepe Illo en la plaza de Madrid
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Dos grupos de picadores arrollados de seguida por un solo toro
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El animoso moro Gazul es el primero que lanceó toros en regla
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Un varilarguero, montado a hombros de un chulo, pica al toro
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The
Ministry of Time – Episode 25: Time of the Enlightened
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Varilarguero y chulos haciendo el quite a un torero cogido
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639:("A "picador" falls from his horse, and beneath the bull")
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Ligereza y atrevimiento de
Juanito Apiñani en la de Madrid
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Consecration of Aloysius Gonzaga as Patron Saint of Youth
45:, etching and aquatint 24,5 × 35,5 cm. In this work from
751:("The disgraceful death of Pepe Illo in Madrid's plaza")
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La desgraciada muerte de Pepe Illo en la plaza de Madrid
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Valor varonil de la celebre Pajuelera en la de Zaragoza
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Espanto y confusión en la defensa de un chulo cogido
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Museo Goya - Colección Ibercaja - Museo Camón Aznar
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El famoso Martincho poniendo banderillas al quiebro
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Los Moros hacen otro capeo en plaza con su albornoz
959:, Rose-Marie & Rainer Hagen, σ.87, 88, Taschen
637:Caida de un picador de su caballo debajo del toro
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1111:Paintings for the alameda of the Dukes of Osuna
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477:El mismo vuelca un toro en la plaza de Madrid
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910:Exorcising Goya's "The Family of Charles IV"
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39:The Daring of Martincho in the Ring at
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1251:Still Life of a Lamb's Head and Flanks
115:, National Library. In this work from
2125:Goya or the Hard Way to Enlightenment
1923:The Sleep of Reason Produces Monsters
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350:Cogida de un moro estando en la plaza
1805:Witches' Sabbath (The Great He-Goat)
397:El Cid Campeador lanceando otro toro
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334:Origen de los arpones o banderillas
183:Goya used mainly the techniques of
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1553:Charles IV of Spain and His Family
1414:The Family of the Infante Don Luis
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971:Francisco Goya's Prints in Context
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525:Otra locura suya en la misma plaza
256:("Another way of hunting on foot")
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1529:Charles IV in his Hunting Clothes
111:, 1825, lithograph, 30 × 41 εκ.,
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875:List of works by Francisco Goya
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1875:Two Old Ones Eating Soup
1791:Saturn Devouring His Son
1641:The Milkmaid of Bordeaux
1545:The Countess of Chinchon
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288:("Another one is caped")
254:Otro modo de cazar a pie
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1840:Man Mocked by Two Women
1267:Truth, Time and History
947:, Evan S. Connell, p.20
2199:Rosario Weiss Zorrilla
1601:The Duke of Wellington
1521:Ferdinand Guillemardet
1291:The Second of May 1808
908:Edward J. Olszewski -
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169:Francisco de los Toros
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1701:Children in a Chariot
1693:Boys Playing Soldiers
1569:Doña Isabel de Porcel
1299:The Third of May 1808
286:Capean otro encerrado
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195:The Bulls of Bordeaux
161:The Bulls of Bordeaux
117:The Bulls of Bordeaux
108:Spanish entertainment
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2133:Goya: A Life in Song
1953:The Disasters of War
1537:Maria Luisa of Parma
1205:Allegory of Industry
862:Función de mojiganga
717:Banderillas de fuego
621:Echan perros al toro
157:Los toros de Burdeos
134:The Disasters of War
79:) is a series of 33
2261:Bullfighting in art
1731:The Threshing Floor
1593:Doña Antonia Zárate
1585:Doña Antonia Zárate
1513:Bernardo de Iriarte
1315:A Village Bullfight
1847:Fight with Cudgels
1395:Life of the Virgin
1220:Majas on a Balcony
1142:Assault of Thieves
1126:Yard with Lunatics
1080:The Rape of Europa
917:2012-12-24 at the
757:Unpublished prints
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1724:The Grape Harvest
1505:The Black Duchess
1482:The White Duchess
1166:The Bewitched Man
16:(Redirected from
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2189:Quinta del Sordo
2141:Goya in Bordeaux
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177:
99:
96:
88:Francisco Goya
72:La Tauromaquia
47:La Tauromaquia
26:
9:
6:
4:
3:
2:
2283:
2272:
2269:
2267:
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2178:
2174:
2167:
2166:
2162:
2159:
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2157:Goya's Ghosts
2154:
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2138:
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2017:
2016:
2014:
2011:
2010:
2005:
1999:
1997:
1992:
1991:
1989:
1986:
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1980:
1966:
1965:
1964:This is worse
1961:
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1935:The Prisoners
1931:
1925:
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1905:Los Caprichos
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1670:The Boar Hunt
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1028:
1027:List of works
1023:
1019:
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1005:
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989:
973:
972:
965:
958:
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398:
391:
386:
383:
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351:
344:
339:
335:
328:
323:
319:
312:
307:
303:
296:
291:
287:
280:
275:
271:
264:
259:
255:
248:
243:
239:
232:
227:
226:
216:
212:
210:
199:
197:
196:
190:
186:
176:
174:
170:
166:
162:
158:
154:
148:
146:
145:
140:
136:
135:
130:
127:Goya created
122:
118:
114:
110:
109:
104:
95:
93:
89:
86:
82:
78:
74:
73:
65:
64:
63:Self-portrait
59:
52:
48:
44:
43:
42:
34:
30:
19:
2251:1810s prints
2221:
2218:(1915 opera)
2213:
2183:Josefa Bayeu
2163:
2155:
2147:
2139:
2136:(1989 album)
2131:
2123:
2115:
2107:
2038:
2018:
2007:
1993:
1983:
1982:
1962:
1951:
1933:
1921:
1914:
1903:
1896:Print series
1880:
1873:
1866:
1859:
1852:
1845:
1838:
1831:
1824:
1817:
1810:
1803:
1796:
1789:
1761:
1753:
1745:
1737:
1729:
1723:
1717:La novillada
1715:
1707:
1699:
1691:
1676:
1668:
1639:
1631:
1623:
1615:
1609:Josefa Bayeu
1607:
1599:
1591:
1583:
1575:
1567:
1561:Manuel Godoy
1559:
1551:
1543:
1535:
1527:
1519:
1511:
1503:
1488:
1480:
1472:
1464:
1456:
1448:
1433:
1429:
1420:
1412:
1393:
1385:
1366:
1351:
1336:
1321:
1313:
1305:
1297:
1289:
1281:
1275:The Madhouse
1273:
1265:
1262:(after 1808)
1259:The Colossus
1257:
1249:
1241:
1233:
1218:
1203:
1195:
1180:
1172:
1164:
1156:
1148:
1140:
1132:
1124:
1116:
1102:
1094:
1086:
1078:
1070:
1055:
1040:
975:, retrieved
970:
964:
956:
952:
944:
940:
929:
925:
909:
903:
894:
880:La novillada
861:
846:
831:
816:
801:
786:
771:
748:
732:
716:
700:
684:
668:
652:
636:
620:
604:
588:
572:
540:
524:
508:
492:
476:
460:
444:
428:
412:
396:
381:
365:
349:
333:
317:
301:
285:
269:
253:
237:
205:
193:
182:
172:
168:
160:
156:
149:
142:
138:
132:
128:
126:
120:
116:
107:
106:
92:bullfighting
77:Bullfighting
76:
71:
70:
69:
62:
61:
46:
38:
36:
29:
2226:(1942 film)
2209:Goya Awards
2160:(2006 film)
2152:(1999 film)
2144:(1999 film)
2128:(1971 film)
2120:(1971 film)
2112:(1958 film)
2087:Goya Museum
2071:Fuendetodos
2012:(1815–1823)
1956:(1810–1820)
1938:(1810–1815)
1833:Men Reading
1826:Two Old Men
1819:La Leocadia
1762:The Wedding
1750:(1786–1787)
1686: 1777
1678:The Parasol
1644:(1825–1827)
1612:(1814–1816)
1596:(1810–1811)
1572:(1804–1805)
1540:(1799–1800)
1524:(1798–1799)
1498: 1795
1443: 1788
1434:The Red Boy
1361: 1817
1346: 1816
1331: 1816
1318:(1815–1819)
1286:(1812–1819)
1278:(1812–1819)
1270:(1812–1814)
1254:(1808–1812)
1246:(1808–1812)
1238:(1808–1812)
1213: 1805
1200:(1800–1805)
1169:(1797–1798)
1161:(1797–1798)
1145:(1793–1794)
1137:(1793–1794)
1129:(1793–1794)
1113:(1786–1787)
1107:(1786–1787)
1075:(1770–1771)
1065: 1769
1050: 1763
129:Tauromaquia
121:Tauromaquia
51:perspective
18:Tauromaquia
2240:Categories
2204:Birthplace
2149:Volavérunt
2101:Depictions
1490:Charles IV
977:2021-11-16
886:References
98:Background
85:printmaker
2043:(1824–25)
1987:(1815–16)
1908:(1797–98)
1764:(1791–92)
1742:(1786–87)
1709:The Swing
1696:(1778–79)
1556:(1800–18)
1466:La Tirana
1458:La Tirana
1425:(1787–88)
1417:(1783–84)
1406:Portraits
1368:Bullfight
1353:The Forge
1099:(1786–87)
1034:Paintings
179:The works
165:Delacroix
144:Caprichos
2223:Goyescas
2215:Goyescas
2081:Zaragoza
1655:cartoons
1653:Tapestry
915:Archived
912:, σ. 173
869:See also
747:Νο. 33:
731:Νο. 32:
715:Νο. 31:
699:Νο. 30:
683:Νο. 29:
667:Νο. 28:
651:Νο. 27:
635:Νο. 26:
619:Νο. 25:
603:Νο. 24:
587:Νο. 23:
571:Νο. 22:
539:Νο. 20:
523:Νο. 19:
507:Νο. 18:
491:Νο. 17:
475:Νο. 16:
459:Νο. 15:
443:Νο. 14:
427:Νο. 13:
411:Νο. 12:
395:Νο. 11:
380:Νο. 10:
189:aquatint
141:and the
41:Zaragoza
2176:Related
2091:Castres
2060:Museums
1882:The Dog
1868:Asmodea
1861:Atropos
934:Taschen
364:Νο. 9:
348:Νο. 8:
332:Νο. 7:
316:Νο. 6:
300:Νο. 5:
284:Νο. 4:
268:Νο. 3:
252:Νο. 2:
236:Νο. 1:
185:etching
37:Νο.18:
2185:(wife)
2168:(2017)
1758:(1789)
1739:Summer
1734:(1786)
1726:(1786)
1720:(1780)
1712:(1779)
1704:(1779)
1673:(1775)
1636:(1823)
1628:(1820)
1620:(1815)
1604:(1812)
1588:(1805)
1580:(1805)
1564:(1801)
1548:(1800)
1532:(1799)
1516:(1797)
1508:(1797)
1485:(1795)
1477:(1795)
1469:(1794)
1461:(1792)
1398:(1774)
1390:(1772)
1379:Murals
1371:(1824)
1310:(1815)
1302:(1814)
1294:(1814)
1177:(1798)
1153:(1795)
1121:(1787)
1091:(1780)
1083:(1772)
137:. The
113:Madrid
81:prints
223:Works
1660:list
957:Goya
930:Goya
187:and
860:G:
845:F:
830:E:
815:D:
800:C:
785:B:
770:A:
175:).
2242::
2025:c.
1969:c.
1778:c.
1683:c.
1495:c.
1440:c.
1358:c.
1343:c.
1328:c.
1225:c.
1210:c.
1187:c.
1062:c.
1047:c.
559:")
2093:)
2089:(
2083:)
2079:(
2073:)
2069:(
2030:)
2023:(
1974:)
1967:(
1783:)
1776:(
1688:)
1681:(
1662:)
1658:(
1500:)
1493:(
1445:)
1438:(
1436:)
1432:(
1363:)
1356:(
1348:)
1341:(
1333:)
1326:(
1230:)
1223:(
1215:)
1208:(
1192:)
1185:(
1067:)
1060:(
1052:)
1045:(
1010:e
1003:t
996:v
171:(
159:(
123:.
75:(
20:)
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