380:
managed by
Ziegler and Company, the first buyer of the carpets from Persian resident Hildebrand Stevens, supposedly using Tabriz or Turkish craftsmen. The second Ardabil had visible changes in its structure, with its borders replaced into a newly woven narrow line while the London Ardabil was thoroughly over-restored. Historians of the time spoke to this, stating 'The highest market value was for complete carpets, rather than damaged ones or fragments. The London carpet was 'a remarkable work of Art', and as Morris has said, of real historical importance, but it had been compromised to suit the market values of 19th century art connoisseurship.' The carpet was for decades displayed hanging on a wall. Since 2006, it has been shown flat in a special glass pavilion in the centre of the Jameel gallery, Room 42 of
269:
257:
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135: in (718.82 cm × 400.05 cm), was made up of the sections in adequate condition unused for the London carpet. Both carpets are now smaller (shorter in particular) than they would have been originally, and there are other fragments in various collections that appear to come from the reconstruction process. The carpets have a typical Tabriz design, with one central medallion and smaller, ornate designs surrounding. Such medallions and shapes were central to the design and reality of Persian gardens, a common symbol of paradise for followers of Islam.
220:
309:
2104:
40:
355:
235:, when looked at from the end with the smaller lamp the two appear the same size. However, a debate exists due to the fact that there is no proof that graphical perspective was used in 1530s Iran and other historians and critics instead believe the lamps are ones found in mosques or shrines at the time. The border is created from
342:
Many specialists are now dubious that the carpets were made for
Ardabil; apart from anything else, they would not fit in the shrine there. They also do not match any carpets described in an inventory of the shrine from 1795. On the other hand, at their presumed original size, the two would fit into
379:
that "it has no counterpart". Gradually, word came out that there was a second
Ardabil carpet. When the Victoria and Albert Museum began to check out the piece in 1914, the historical consensus came to be that the modifications on the current Los Angeles Ardabil to repair the London Ardabil were
362:
This carpet was sold by the dealer Edward
Stebbing of Robinson and Company as "The Holy Carpet of the Mosque at Ardebil", stressing the "exceptionalism of the carpet and its provenance as a product of the Safavid royal atelier of Shah Tahmasp, made for the Safavid dynastic shrine at Ardabil".
423:. Other fragments have appeared on the market from time to time. The knot density is actually higher on the Los Angeles carpet. It is now in the Los Angeles County Museum of Art in Los Angeles. In 2003 it was cleaned and restored by the
439:
The
Ardabil Carpet was an original design, though in the style of some other Persian carpets of the same period. It has been the subject of numerous copies ranging in size from small rugs to full scale carpets. There is an 'Ardabil' at
103:. Originally there were two presumably identical carpets, and the London carpet, as restored and reconstructed in the 19th century, uses sections from both. It now measures 34 ft 3 in × 17 ft
327:, the carpets are considered some of the best of the classical Iranian (Persian) school of carpet creation. According to the traditional story, now rather doubted by historians, when new they were placed in the
472:
Slightly rounded, according to: "Today the London carpet (Inv. 272-1893) measures 34’ 6" by 17’ 6" (10.51 m by 5.35 m), and the shortened Los
Angeles (Inv. No. 53.50.2) 23’ 11" by 13’ 5" (7.28 m by 4.11
242:
Designs for prestige carpet commissions were supplied by the court atelier of artists, who also designed for manuscripts, tiling patterns on buildings and other media, giving a uniform style to elite
749:, pp. 365–368: "Judging from a small-scale plan of the shrine complex the two carpets, end to end, would fit into the sanctuary of the Gowhar-Šād mosque, and possibly elsewhere if used singly."
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The second "secret" carpet, smaller, now borderless and with some of the field missing, made up from the remaining usable sections, was sold to the
American businessmen
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371:, in his capacity as one of the V&A's Art Referees, who persuaded the Museum to raise, with the aid of public subscription, the then vast sum of
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of 300–350 knots per square inch (47–54 knots per square centimetre). The size of the London carpet is 34 ft 3 in × 17 ft
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art. The designs were then copied and adapted for smaller carpets for a wider market. The design of these carpets are not typical of later
403:
saw it, and bought it from Lord Duveen for approximately $ 70,000 several years later. Getty was approached by agents on behalf of King
2149:
977:
922:
Armstrong, Dorothy (2018). "Inventing the
Ardabil Carpet: A Case Study in the Appropriation and Transformation of a Persian Artifact".
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268:
2018:
180: in (1,044 cm × 535.5 cm), which gives its about 26 million knots in total. The carpets have an inscription: a
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carpet dealer who restored one of the carpets using the other and then resold the restored one to the
Victoria and Albert Museum.
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Translating this date into the
Christian calendar shows that the carpet was woven around the years 1539–40 during the reign of
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in Isfahan, with two differently sized lamp motifs surrounding the design, now seen as a deliberate use of
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415:. Getty later donated the carpet to the Los Angeles County Museum of Science, History, and Art in the
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filled with decorations and calligraphy, adding even more details to the already accomplished style.
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384:. The lighting is kept very low to prevent fading, and is increased for a brief period each hour.
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312:
Ardabil Carpet displayed in Room 42, Jameel Gallery of the Victoria & Albert Museum in London
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The design of the central medallion resembles that of the interior side of the dome of the
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Paper presented at Ars Textrina International Textiles Conference, University of Leeds
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456:. Commercial copies of the carpet for sale range from prices of $ 200 to $ 45,000.
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946, or 1539-40, which is thought to be the earliest date on any Persian carpet.
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The Persian Mirror: Reflections of the Safavid Empire in Early Modern France
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117: in (1,044 cm × 535.5 cm). The other carpet, now in the
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and was exchanged by wealthy buyers for years. Passing through the Mackay,
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This article is about a specific carpet. For the general type of rug, see
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2000 to purchase the carpet in March 1893". Morris wrote in a letter to
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The Cambridge History of Iran, Volume 6: The Timurid and Safavid Periods
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who offered $ 250,000 so that it could be given as a wedding present to
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Completed after about four years weaving during the rule of the Safavid
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Encyclopædia Iranica, Volume II/4: Architecture IV–Armenia and Iran IV
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835:. London and New York: Routledge & Kegan Paul. pp. 365–368.
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Spuhler, F. (1986). "Carpets and Textiles". In Lockhart, Laurence;
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He paid £14000 for the piece once declared "not for sale" by Lord
760:"J. Paul Getty buys art in Europe and the Pierre Hotel in New York"
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65:
The carpet in Los Angeles, 23 ft 7 in × 13 ft
43:
The London Ardabil Carpet, 34 ft 3 in × 17 ft
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776:. Years later he turned down an offer of $ 250,000 from King
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The title of a booklet and book by Stebbing of 1892 and 1893
611:. Los Angeles: Getty Trust Publications. pp. 270–271.
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The Ardabil Carpet at the Los Angeles County Museum of Art
924:
Iran: Journal of the British Institute of Persian Studies
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There is no protection for my head other than this door.
121:, and smaller at 23 ft 7 in × 13 ft
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I have no refuge in the world other than thy threshold.
2092:
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335:, but became heavily worn and were sold in 1890 to a
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Reproduction of the Ardabil Carpet in Ardabil, Iran
203:The work of the servant of the threshold Maqsud of
2140:Collection of the Los Angeles County Museum of Art
594:
2116:
858:(49). Victoria and Albert Museum. Archived from
799:
367:advised the V&A in the acquisition: "It was
79: in (718.82 cm × 400.05 cm).
2135:Asian objects in the Victoria and Albert Museum
802:"The Surprising Geometry of the Ardabil Carpet"
609:As I See It: The Autobiography of J. Paul Getty
329:Sheikh Safi al-Din Khānegāh and Shrine Ensemble
216:, one of the great patrons of carpet weaving.
850:Hillyer, Lynda; Pretzel, Boris (Spring 2005).
849:
780:, who wanted the rug as a wedding present for
730:
695:
57: in (1,044 cm × 535.5 cm).
1700:Textile Museum (George Washington University)
971:
27:Name of two different famous Persian carpets
648:Sources: Los Angeles County Museum of Art,
223:The London Carpet sideways (very high res).
978:
964:
663:
657:
921:
95:, the larger and better-known now in the
2019:Oriental carpets in Renaissance painting
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852:"The Ardabil Carpet – a new perspective"
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708:The Editors of Encyclopædia Britannica.
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192:and a signature. The inscription reads:
142:on the London carpet contains the date
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91:) is the name of two different famous
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427:'s Textile Conservation Studios at
24:
452:had an 'Ardabil' in his office in
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1665:Museum of Applied Arts (Budapest)
915:
642:. 31 January 2003. Archived from
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666:"The famous Ardebil Persian rug"
291:
279:
267:
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119:Los Angeles County Museum of Art
1705:Turkish and Islamic Arts Museum
816:
740:
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640:Jozan Magazine on Oriental Rugs
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1982:Early Anatolian animal carpets
1670:Museum of Applied Arts, Vienna
800:Jennifer Wearden (July 1995).
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343:a space in the more important
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1:
2150:Iran–United Kingdom relations
1690:Museum of Islamic Art, Berlin
936:10.1080/05786967.2018.1547984
808:. Victoria and Albert Museum.
489:
494:
7:
2145:Individual rugs and carpets
1675:Museum of Islamic Art, Doha
871:. Oxford University Press.
10:
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1715:Victoria and Albert Museum
1655:Metropolitan Museum of Art
1635:Brukenthal National Museum
1630:Dar al Athar al Islamiyyah
898:Cambridge University Press
731:Hillyer & Pretzel 2005
696:Hillyer & Pretzel 2005
533:Victoria and Albert Museum
303:
286:Border detail, Los Angeles
97:Victoria and Albert Museum
29:
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1969:
1916:
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1810:Ghiordes and Senneh knots
1800:
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1756:Truckmount carpet cleaner
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1685:Museum of Textiles (Lyon)
1612:
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712:. Encyclopedia Britannica
434:
399:. American industrialist
274:Cartouche section, London
149:
2125:Persian rugs and carpets
1876:Madder (Rubia tinctorum)
1620:Azerbaijan Carpet Museum
867:Mokhberi, Susan (2019).
650:The Oriental Rug Lexicon
459:
323:in 1539-40, probably in
1946:DOBAG Carpet Initiative
784:, when she married the
229:Sheikh Lotfollah Mosque
188:by Persian mythic poet
1956:Savonnerie manufactory
1951:A & M Karagheusian
1695:Saint Louis Art Museum
770:on 14 September 2007.
446:British Prime Minister
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210:
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1710:Turkmen Carpet Museum
1625:Carpet Museum of Iran
636:"The Ardabil Carpets"
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233:graphical perspective
222:
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42:
2130:16th century in Iran
1881:Indigofera tinctoria
1751:Hot water extraction
1539:Sir Francis Crossley
856:Conservation Journal
823:Beattie, M. (1986).
646:on 9 February 2007.
529:"The Ardabil Carpet"
514:, pp. 365–368;
429:Hampton Court Palace
2067:Armenian Orphan Rug
1741:Dry carpet cleaning
1680:Museo Poldi Pezzoli
1554:Arshag Karagheusian
1549:Arthur T. Gregorian
862:on 7 February 2007.
737:, pp. 365–368.
591:, pp. 365–368.
518:, pp. 708–709.
2053:Notable individual
2039:Transylvanian rugs
1970:Carpets in culture
1908:Dyes in Uzbekistan
1896:Armenian cochineal
676:on 22 August 2007.
652:by Peter F. Stone.
360:
314:
225:
154:The foundation is
81:
59:
18:The Ardabil Carpet
2090:
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2082:Coronation Carpet
1961:Ziegler & Co.
1926:Axminster Carpets
1604:Charles T. Yerkes
1579:Arthur Upham Pope
842:978-0-71009-104-8
618:978-0-89236-700-9
558:LACMA Collections
442:10 Downing Street
298:Lamp, Los Angeles
16:(Redirected from
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2107:
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2024:Pictorial carpet
1901:Polish cochineal
1803:and installation
1594:Wilhelm von Bode
1534:James F. Ballard
987:Rugs and carpets
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825:"Ardabīl Carpet"
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670:WorldIsRound.com
664:Shahram Razavi.
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554:"Ardabil Carpet"
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262:Corner, London
261:
254:
151:
148:
89:Ardebil Carpet
85:Ardabil Carpet
26:
9:
6:
4:
3:
2:
2162:
2151:
2148:
2146:
2143:
2141:
2138:
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2128:
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2110:
2100:
2099:
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2083:
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2077:Bahar-e Kasra
2075:
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2068:
2065:
2063:
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2015:
2012:
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1918:Manufacturers
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1871:Synthetic dye
1869:
1867:
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1857:
1851:
1850:Warp and weft
1848:
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1640:Kidderminster
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1599:Thomas Whitty
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1559:Latif Karimov
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1345:Uzbek Julkhyr
1343:
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1288:Shahsevan rug
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1091:Shabalyt-Buta
1089:
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981:
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933:
929:
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920:
919:
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907:0-521-20094-6
903:
899:
896:. Cambridge:
895:
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861:
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834:
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826:
821:
820:
807:
803:
796:
789:
787:
783:
779:
775:
774:Joseph Duveen
769:
765:
761:
755:
748:
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711:
704:
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690:
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631:
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579:
577:
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559:
555:
549:
534:
530:
524:
517:
513:
509:
508:Mokhberi 2019
504:
500:
479:
469:
465:
457:
455:
451:
447:
443:
432:
430:
426:
422:
418:
414:
410:
406:
402:
401:J. Paul Getty
398:
394:
390:
385:
383:
378:
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366:
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346:
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338:
334:
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294:
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277:
270:
265:
258:
253:
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251:
249:
245:
240:
238:
234:
230:
221:
217:
215:
209:
208:
206:
200:
193:
191:
190:Hafiz Shirazi
187:
183:
165:
161:
157:
147:
145:
141:
136:
120:
102:
98:
94:
90:
86:
63:
41:
37:
33:
19:
2061:
2014:Magic carpet
2007:Tree of life
1992:Kilim motifs
1815:Knot density
1544:Kurt Erdmann
1320:Scandinavian
1066:Gasimushaghi
927:
923:
892:
868:
860:the original
855:
832:
817:Bibliography
805:
795:
786:Shah of Iran
771:
768:the original
763:
754:
747:Beattie 1986
742:
735:Beattie 1986
726:
714:. Retrieved
703:
674:the original
669:
659:
649:
647:
644:the original
639:
608:
589:Beattie 1986
563:14 September
561:. Retrieved
557:
548:
538:14 September
536:. Retrieved
532:
523:
516:Spuhler 1986
512:Beattie 1986
503:
478:
468:
450:Adolf Hitler
448:), and even
438:
413:Shah of Iran
386:
361:
341:
315:
248:Ardabil rugs
241:
226:
214:Shah Tahmasp
211:
202:
196:
195:
164:knot density
153:
137:
88:
84:
82:
36:
2072:Badding Rug
1866:Natural dye
1830:Rug hooking
1801:Manufacture
1660:Miho Museum
1584:Alois Riegl
1403:Bessarabian
1103:Bessarabian
1056:Demirchilar
1016:Azerbaijani
421:Los Angeles
382:Islamic art
32:Ardabil rug
2119:Categories
2034:Red carpet
2029:Prayer rug
1997:Elibelinde
1941:Dilmaghani
1840:Tack strip
1835:Rug making
1746:Floorcloth
1418:Chiprovtsi
782:his sister
490:References
409:his sister
237:cartouches
162:pile at a
1977:Eagle rug
1891:Cochineal
1413:Caucasian
1383:Axminster
1198:Bakshaish
1193:Bakhtiari
1158:Pakistani
1113:Catalogne
1046:Caucasian
1031:Arraiolos
944:192690324
764:Raken.com
716:1 January
495:Citations
321:Tahmasp I
140:cartouche
2044:War rugs
2002:Evil eye
1931:Brintons
1845:Underlay
1729:Cleaning
1448:Karabakh
1423:Crivelli
1408:Bradford
1378:Armenian
1325:Seychour
1283:Seraband
1233:Karadagh
1208:Borujerd
1153:Oriental
1133:Kashmiri
1076:Karabakh
1041:Borchaly
1021:Absheron
890:(eds.).
607:(2003).
411:and the
2055:carpets
1886:Carmine
1770:Fabrics
1508:Turkish
1503:Swedish
1483:Persian
1473:Memling
1463:Lilihan
1458:Holbein
1398:Bergama
1388:Bellini
1373:Arabian
1366:Carpets
1335:Turkmen
1330:Tibetan
1303:Varamin
1263:Mashhad
1258:Kurdish
1243:Kashmar
1223:Isfahan
1188:Ardabil
1168:Persian
1138:Lilihan
1128:Flokati
1123:Dhurrie
1108:Braided
1026:Aghajly
1011:Alcaraz
1001:Arabian
831:(ed.).
337:British
333:Ardabil
304:History
244:Safavid
184:from a
182:couplet
175:⁄
130:⁄
112:⁄
74:⁄
52:⁄
2095:Portal
1792:Soumak
1777:Frieze
1720:Wilton
1645:Louvre
1613:Places
1527:People
1498:Sarouk
1443:Hereke
1438:Gabbeh
1433:Fitted
1428:Ersari
1393:Berber
1308:Zanjan
1298:Tabriz
1293:Shiraz
1278:Sarouk
1248:Kerman
1238:Kashan
1213:Gabbeh
1203:Bidjar
1173:Abadeh
1163:Petate
1148:Navajo
1143:Mughal
1096:Shedde
1006:Afghan
942:
904:
875:
839:
615:
454:Berlin
435:Copies
397:London
393:Yerkes
349:Mashad
325:Kashan
205:Kashan
186:ghazal
150:Design
101:London
1825:Rubia
1782:Jajim
1518:Yomut
1513:Ushak
1488:Pirot
1478:Milas
1468:Lotto
1453:Konya
1357:Yürük
1340:Uzbek
1253:Kilim
1228:Jozan
1218:Heriz
1118:Chobi
1081:Kilim
1061:Ganja
1036:Arran
940:S2CID
827:. In
460:Notes
158:with
2109:Iran
1859:Dyes
1820:Pile
1787:Shag
1493:Quba
1268:Nain
1183:Arak
1178:Ahar
1086:Quba
1051:Chul
994:Rugs
902:ISBN
873:ISBN
837:ISBN
718:2017
613:ISBN
565:2021
540:2021
473:m)."
318:Shah
160:wool
156:silk
144:A.H.
87:(or
83:The
1987:Gul
1315:Rya
1273:Qom
1071:Jek
932:doi
419:in
351:.
347:at
331:in
99:in
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938:.
928:58
926:.
900:.
854:.
804:.
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373:£
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170:+
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20:)
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