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supposed that was a nearby inn-keeper ". Likewise, the First
Gravedigger is in the same world as the English audience of the time when he jokes "... will not be seen in there ; there the men are as mad as he". This gives enough of a distance from Elsinore to view what the clowns say as discreet parallels, not direct commentaries.
121:
The pair get off the subject of suicide almost as quickly as they began it, however, and soon begins the more witty section of their scene. The First
Gravedigger begins to goad and test the Second, beginning by confusing him with the double meaning of the word "arms" (as in weapons and appendages).
268:
The tone is set from the opening of the scene, during the
Gravediggers' dialogue regarding Ophelia. Simply, they use her death to debate whether suicide is legitimate and forgivable according to religious law. This is not the first time that this question has been raised in the play. Hamlet has
145:
Soon, it is revealed that the
Gravedigger has been digging graves since the day Hamlet was born. The two then briefly discuss Hamlet's insanity (which they are able to do because the Gravedigger does not know Hamlet by sight). It is shortly thereafter that the Gravedigger points out a skull that
117:
The penultimate scene of the play begins with the two clowns digging a grave for the late
Ophelia. They debate whether she should be allowed to have a Christian burial, because she committed suicide. This quickly leads them into a discussion of the impact of politics on the decision, and the two
105:, discussing whether she deserves a Christian burial after having killed herself. Soon, Hamlet enters and engages in a quick dialogue with the first Gravedigger. The beat ends with Hamlet's speech regarding the circle of life prompted by his discovery of the skull of his father's beloved jester,
141:
enter, and the First
Gravedigger begins to sing a song on the topics of love and graves as he digs. He throws a skull (and later a second) up and out of the grave. Hamlet then talks to Horatio about how inappropriate it is to treat what used to be someone's, and possibly an important someone's,
118:
parody lawyer speech. They present
Ophelia's case from both positions: if she jumped into the water, then she killed herself, but if the water effectively jumped on her, then she did not. The First Gravedigger laments the fact that the wealthy have more freedom to commit suicide than the poor.
122:
The dialogue between the two ends when the First
Gravedigger is unsatisfied by the answer to the riddle "What is he that builds stronger than either the mason, the shipwright, or the carpenter?" (V.i.39–40) that the Second Gravedigger gives, and consequently sends him off to bring back alcohol.
260:
For example, although the First
Gravedigger is definitely in the fictional world of the play (he is digging Ophelia's grave), he also asks his fellow to "go, get thee to Yaughan, fetch me a stoup of liquor". This does not appear in all versions and means little to us now, but it is "generally
256:
While the rest of the play is set solely in the fictional world of Hamlet's
Denmark, this scene helps make sense of the themes by simultaneously bringing the focus to the audience's world. "By using recognizable references from contemporary times, the clown can, through the use of the oral
283:
The disintegration of values, morals, and order is a theme discussed at length in "Hamlet". The colloquial tone of the Gravediggers brings this philosophy into the focus of the audience's world. The synthesis of all perspectives used ends in a greater comprehension of the play as a whole.
264:
The literal graveness of the situation (the funeral) subsides to the humor. This makes it possible for the characters to look at the subject of death objectively, giving rise to such speeches as Hamlet's musings over the skull of Yorick.
349:, the part of the First Gravedigger (and at times the Second Gravedigger) is played by an extremely established actor or comedian. The following are the actors that portrayed the Gravedigger in the most notable cinematic productions:
269:
the very same discussion with himself during his "To be, or not to be" soliloquy in Act 3 scene 1. The characters in Act 5 scene 1 approach the topic this time with dark comedy, and in doing so bring up an entirely different theme.
252:
Many important themes of the play are discussed and brought up by the Gravediggers in the short time they are on stage. The manner in which these themes are presented is notably different from the rest of the play.
92:'s plays. Like most Shakespearean fools, the Gravediggers are peasants or commoners that use their great wit and intellect to get the better of their superiors, other people of higher social status, and each other.
146:
used to belong to Yorick, the king's jester and Hamlet's caretaker. Hamlet asks if this could really be so, and the Gravedigger responds with, "E'en that," (V.i.159), marking his last line in the play.
287:
Because Hamlet was written in the midst of England's Reformation, the role of religion was a contentious topic. Shakespeare was able to address religion and its relationship to suicide through
1834:
142:
body in such a way. He decides to ask the Gravedigger whose grave he is digging, but the Gravedigger will not reveal the answer without another witty exchange.
1625:
154:
When together, the Gravediggers speak mainly in riddles and witty banter regarding death, with the first asking the questions and the second answering.
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272:
The parody of legal jargon used by the pair of clowns continues the theme of the corruption of politics, as seen in the usurpation of the throne by
101:, making their only appearance at the beginning of Act V, scene i. They are first encountered as they are digging a grave for the newly deceased
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through characters that have their own intention (i.e. to dig a grave) understood as separate from the author's intention.
1634:
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1708:
606:
Marsden, Jean I. 2002. "Improving Shakespeare: from the Restoration to Garrick". In Wells and Stanton (2002, 21–36).
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tradition, make the audience understand the theme being played out by the court-dominated characters in the play."
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The New Temple Shakespeare "Hamlet", J.M. Dent & Sons Ltd, 1938, London. Notes, p. 184
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Examples of Shakespearean fools, a recurring type of character in Shakespeare's plays
459:"The Aged Lover Renounceth Love by Second Baron Vaux of Harrowden Thomas, Lord Vaux"
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698:
613:
Cambridge Companions to Literature ser. Cambridge: Cambridge University Press.
595:
581:
413:
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603:
Holland, Peter. 2007. "Shakespeare Abbreviated". In Shaughnessy (2007, 26–45).
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were often performed illegally, including one based on the two clowns, called
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While digging Ophelia's grave, the first Gravedigger sings to himself:
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481:. Sheffield Hallam University, Early Modern Literary Studies
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The Cambridge Companion to Shakespeare and Popular Culture.
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What is he that builds stronger than either the mason, the
653:
95:
The Gravediggers appear briefly in Shakespeare's tragedy
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Note: this song is full of reworkings or misquotes from
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this question next, say “A grave-maker.” The houses that
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Oh, methought, there–a–was nothing–a–meet. (V.i.57–58)
1835:
A Performance of Hamlet in the Village of Mrduša Donja
325:
government. Still, during this time playlets known as
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The gallows-maker, for that frame outlives a thousand
1626:
The Complete Works of William Shakespeare (Abridged)
571:
530:. Austin: University of Texas Press, 1981. p. 324.
276:(which should have belonged to prince Hamlet) upon
2254:Polish Hamlet. Portrait of Aleksander Wielopolski
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479:"The Role of the Clown in Shakespeare's Theatre"
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470:
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244:'s poem. "The Aged Lover Renounceth Love"
186:he makes last till doomsday. (V.i., 53–55)
137:The Second Gravedigger exits as Hamlet and
129:"Hamlet, Horatio, and the Gravediggers" by
1258:The Angel of Vengeance – The Female Hamlet
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1671:To Be or Not to Be: That is the Adventure
823:The lady doth protest too much, methinks
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247:
242:Thomas Vaux, 2nd Baron Vaux of Harrowden
205:To contract–o–the time, for–a–my behove,
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1925:Rosencrantz and Guildenstern Are Undead
1855:Rosencrantz & Guildenstern Are Dead
321:, all theatres were closed down by the
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237:(throws up another skull) (V.i.95–98)
2102:Terrance and Phillip: Behind the Blow
1956:Rosencrantz and Guildenstern Are Dead
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345:In most of the movie adaptations of
88:), a recurring type of character in
477:Lori M Culwell (14 December 2005).
201:In youth when I did love, did love,
112:
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14:
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1709:My Robin is to the greenwood gone
218:And hath shipped me into the land
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233:Oh, a pit of clay for to be made
222:(throws up a skull) (V.i.63–64)
214:But age with his stealing steps
2173:Asterix and the Great Crossing
998:Cultural references to Ophelia
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302:"Hamlet's at Yorick's Grave".(
229:A pickax and a spade, a spade,
163:shipwright, or the carpenter?
1:
2401:Male Shakespearean characters
1865:Highlander II: The Quickening
794:What a piece of work is a man
567:
517:Hamlet, Act V, Sc i, line 155
333:, based on Act 5, Scene 1 of
216:Hath clawed me in his clutch,
1680:Tales from the Public Domain
1635:Rosencrantz and Guildenstern
734:Rosencrantz and Guildenstern
499:Hamlet, Act V, Sc i, line 61
220:As if I had never been such.
21:Gravedigger (disambiguation)
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1469:The Story of Edgar Sawtelle
609:Shaughnessy, Robert. 2007.
203:Methought it was very sweet
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2084:The Conscience of the King
231:For and a shrouding sheet,
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1298:Let the Devil Wear Black
528:The Dialogic Imagination
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175:And later in the scene:
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2411:Fictional Danish people
2324:The Chronicles of Amber
2292:Hamlet and His Problems
2034:The Shakespeare Stealer
1585:(BBC 2, animated, 1992)
988:Cultural references to
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172:tenants. (V.i., 38–41)
59:In-universe information
1895:In the Bleak Midwinter
1662:Lyle the Kindly Viking
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182:And when you are asked
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1555:(Australian TV, 1959)
1439:The Dead Fathers Club
1419:Gertrude and Claudius
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248:Analysis of the scene
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2406:Characters in Hamlet
1409:Too, Too Solid Flesh
1278:Hamlet Goes Business
978:Common phrases from
461:. 13 September 2021.
437:(2009), directed by
422:(2000), directed by
407:(1996), directed by
392:(1990), directed by
377:(1969), directed by
362:(1948), directed by
19:For other uses, see
2111:Slings & Arrows
1689:The Skinhead Hamlet
1399:Hamlet Had an Uncle
1208:The Rest Is Silence
1005:Language of flowers
928:Critical approaches
911:The Spanish Tragedy
774:To be, or not to be
655:William Shakespeare
293:legality of suicide
82:Shakespearean fools
53:William Shakespeare
28:Fictional character
2351:Gertrude – The Cry
2283:Hamlet and Oedipus
1986:To Be or Not to Be
1845:To Be or Not to Be
1825:To Be or Not to Be
1808:In popular culture
1785:Die Hamletmaschine
1653:The Klingon Hamlet
1562:Hamlet at Elsinore
1218:The Bad Sleep Well
1032:Moscow Art Theatre
560:Holland (2007, 34)
551:Marsden (2002, 21)
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135:
80:) are examples of
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2369:Something Rotten!
2315:Ostalo je ćutanje
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814:Words and phrases
619:978-0-521-60580-9
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394:Franco Zeffirelli
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2109:
2075:The Producer
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2015:
2005:
1984:
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1964:
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1933:
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1268:Strange Brew
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1023:Performances
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872:Substitution
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483:. Retrieved
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39:
25:
2182:The Seagull
2123:Video games
1966:Stage Blood
1575:(BBC, 1980)
1565:(BBC, 1964)
1308:The Banquet
1191:Adaptations
1034:(1911–1912)
843:Terminology
832:Thy name is
783:Mortal coil
765:Soliloquies
485:12 December
319:Interregnum
317:During the
313:Performance
278:King Hamlet
226:Gravedigger
211:Gravedigger
198:Gravedigger
179:Gravedigger
158:Gravedigger
90:Shakespeare
64:Affiliation
2395:Categories
2066:Television
1935:Three Days
1543:Television
1510:Fortinbras
741:Fortinbras
669:Characters
568:References
280:'s death.
49:Created by
44:characters
2335:" (Haydn)
2307:Hamlet Q1
2227:(Cabanel)
2217:(Millais)
1778:(Berlioz)
1644:I, Hamlet
1328:Karmayogi
1052:On screen
969:Influence
920:Ur-Hamlet
891:Criticism
858:Induction
305:Delacroix
2152:Elsinore
2104:" (2001)
2095:" (1983)
2086:" (1966)
2077:" (1966)
2027:" (1997)
1915:Hamlet 2
1760:(Faccio)
1750:(Thomas)
1729:" (1997)
1720:" (1992)
1608:Parodies
1522:Musicals
865:Quiddity
851:Dumbshow
706:Polonius
692:Gertrude
685:Claudius
274:Claudius
2300:Hebenon
2274:Related
2244:Ophelia
2225:Ophelia
2215:Ophelia
1775:Tristia
1368:Ophelia
1358:Hemanta
1228:Ophelia
886:Sources
727:Horatio
720:Ophelia
713:Laertes
323:Puritan
139:Horatio
103:Ophelia
86:jesters
2155:(2019)
2145:(2010)
2142:Hamlet
2135:(1993)
2114:(2003)
2057:(2020)
2054:Hamnet
2047:(2007)
2037:(1998)
2018:(1994)
2010:(1937)
1998:Novels
1989:(2008)
1979:(1991)
1969:(1974)
1959:(1966)
1938:(2012)
1928:(2009)
1918:(2008)
1908:(2002)
1898:(1995)
1888:(1994)
1878:(1993)
1868:(1991)
1858:(1990)
1848:(1983)
1838:(1973)
1828:(1942)
1798:(Dean)
1795:Hamlet
1788:(Rihm)
1766:Hamlet
1757:Amleto
1747:Hamlet
1592:Hamlet
1582:Hamlet
1552:Hamlet
1534:(1973)
1513:(1991)
1503:(1979)
1493:(1977)
1472:(2008)
1462:(2008)
1452:(2007)
1442:(2006)
1432:(2002)
1422:(2000)
1412:(1989)
1402:(1940)
1390:Novels
1381:(2019)
1371:(2018)
1361:(2016)
1351:(2014)
1341:(2014)
1338:Haider
1331:(2012)
1321:(2009)
1311:(2006)
1301:(1999)
1291:(1994)
1281:(1987)
1271:(1983)
1261:(1977)
1251:(1973)
1241:(1968)
1231:(1963)
1221:(1960)
1211:(1959)
1042:(1964)
990:Hamlet
980:Hamlet
755:Yorick
678:Hamlet
660:Hamlet
617:
540:Hamlet
434:Hamlet
419:Hamlet
404:Hamlet
389:Hamlet
374:Hamlet
359:Hamlet
347:Hamlet
335:Hamlet
327:drolls
289:Hamlet
107:Yorick
98:Hamlet
78:Clowns
41:Hamlet
2164:Books
1947:Plays
1816:Films
1700:Songs
1481:Plays
1318:Doubt
1199:Films
699:Ghost
445:Notes
190:Songs
167:Other
150:Jokes
1180:2011
1173:2000
1166:1996
1159:1990
1152:1974
1145:1969
1138:1964
1131:1961
1124:1954
1117:1948
1110:1935
1103:1921
1096:1917
1089:1913
1082:1912
1075:1908
1068:1907
1061:1900
615:ISBN
487:2010
341:Film
76:(or
2206:Art
1905:War
657:'s
542:5.1
431:in
416:in
401:in
386:in
371:in
356:in
2397::
467:^
337:.
109:.
2331:"
2100:"
2091:"
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2073:"
2023:"
1725:"
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1707:"
1682:"
1678:"
1664:"
1660:"
834:"
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825:"
821:"
805:"
801:"
796:"
792:"
785:"
781:"
776:"
772:"
647:e
640:t
633:v
489:.
308:)
133:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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