425:
rambling, disjointed fashion, and the dialogue is so childishly stiff and melodramatic that even the most docile audience is fidgeting and giggling before the end. The cast is full of those stage types that went out with the appearance of Pinero – the red-eyed village maiden, who murmurs "Justice will prevail", the moustached French villain, who cannot speak without leering, smirking and kissing his finger-tips, and the stalwart
British policeman, who arrests the wrong man with the noble words, "Duty is duty." The spirit of the piece seems to have possessed the cast completely, but perhaps the stiffness of the acting is due to their ignorance of the difference between stage and screen technique.
252:, John Lee works for wealthy spinster Emma Keys. On the night he is engaged to be married, Keys is murdered and Lee is arrested on circumstantial evidence and is convicted of murder. He is condemned to death but when the authorities try to execute him the trap doors will not open. They fail a second time and his sentence is commuted to life imprisonment. There is a sub-plot about smuggling and secret service agents.
406:
atmosphere; and if these results look amateurish they are highly professional by comparison with the acting and dialogue... The one possible exception is Ronald
Roberts... If Australian production is to establish itself firmly with Australian picture-goers, it never can be by virtue of such offerings.
440:
said "It would be too hard to say that the cast is not capable, because the dialogue is so stilted that a brilliant and most experienced group of players could make but little of It. That Ronald
Roberts, as John Lee, comes through as a human being, proves that he is one of the most promising of
424:
than to the realism of the better films of to-day. The story... doubtless contains good dramatic material, but
Invicta Films, an Australian company, have so disguised it that it appears sillier than the creations of the hack scenario writer's fancy. The complicated story has been unwound in a
405:
As a production it is a retrogres-sive step in
Australian effort. The old story of John Lee... has been amplified with a smuggling plot and much confusing mystery that leads nowhere and only serves to slow down the action. In dress and settings an effort has been made to preserve the English
455:
However, by the end of 1934 a trade paper reported it as having earned only £2,200 at the
Australian box office with the possibility of this going up to £3,000 ("although it's doubtful") and the sale to England giving it a chance to recoup the budget. It is unclear whether this happened.
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Purely antiquarian. The very language of the characters is far-off and unreal... could have been directed in a more convincing way.. The one bright spot in the whole melancholy chronicle is the acting of Mr. Ron
Roberts... Given better material, this young man could do some excellent
560:
463:
observed a cinema in Perth reported the film "is once more demanding patronage... Well, well, there are some pictures that will never die." The film also reportedly did "big business" in
Newcastle. BEF said it did well in Melbourne and Brisbane.
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said "The latest action has dealt a further blow to the confidence of local producers, who are emphatic that the gamut of censorial deliberations their pictures have to run is severe to a point of injustice."
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A few days prior to the film's premiere, the New South Wales police requested a number of cuts be made to the film regarding its depiction of the police. This was done, even though the film was set in
England.
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summarised it as "A poor effort, prejudicial to the advancement of
Australian production." A more detailed review stated it was unlikely to repeat the success of the silent versions:
319:
and produced the film under the name of 'Rigby C. Tearle'. The story had been filmed twice before to great box office success. Eric Bedford wrote the scenario.
240:. These silent films were called "one of the greatest box-office features that ever came out of this country." The sound film was not as successful.
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The production company responsible for the film, Invicta, was formed by J.A. Lipman, in 1933 with capital of £5,000. Lipman hired
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1117:"Interstate Topics...N.Z. News THE LATEST FROM EVERYWHERE... BY "EVERYONES" CORRESPONDENTS West Australia."
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Some reels of the film were almost destroyed in a fire but survived. "The fellow always was lucky" quipped
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Longford was unable to attend the premiere due to illness. In Sydney is screened on a double bill with
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594:. Peterborough, South Australia: National Library of Australia. 16 November 1934. p. 3
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did say "the prison scenes are realistically done, and at times the tension is strong."
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827:. National Library of Australia. 31 May 1934. p. 9 Supplement: Women's Supplement
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339:, who exhibited the 1912 film version of the story and directed the 1921 version.
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The film obtained a small release in England where it also received bad reviews.
561:"The most profitable Australian film of all time – The Man They Could Not Hang"
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The scene of Lee being releaed from prison was shot at Parramatta Gaol.
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650:. Brisbane: National Library of Australia. 4 February 1934. p. 12
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1021:. Melbourne: National Library of Australia. 10 June 1936. p. 11
993:. No. 1627. New South Wales, Australia. 3 June 1934. p. 15
1097:(761 (26 September 1934)), Sydney: Everyones Ltd, nla.obj-577510733
967:. Brisbane: National Library of Australia. 7 June 1934. p. 21
939:. Melbourne: National Library of Australia. 9 July 1934. p. 5
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78:
dramatisation by Rigby C. Tearle of the autobiography of John Lee
1067:(751 (18 July 1934)), Sydney: Everyones Ltd, nla.obj-577446215
885:(745 (6 June 1934)), Sydney: Everyones Ltd, nla.obj-582813013
773:(744 (30 May 1934)), Sydney: Everyones Ltd, nla.obj-582801733
750:
Australian Film 1900–1977: A Guide to Feature Film Production
622:. National Library of Australia. 14 November 1933. p. 11
1123:, Sydney: Everyones Ltd, 27 February 1935, nla.obj-559628979
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540:, Sydney: Everyones Ltd, 31 January 1934, nla.obj-579019624
1695:
The Life Story of John Lee, or The Man They Could Not Hang
1687:
The Life Story of John Lee, or The Man They Could Not Hang
704:, Sydney: Everyones Ltd, 11 April 1934, nla.obj-582494117
678:. National Library of Australia. 3 March 1934. p. 10
332:. Shooting started on 12 March 1934 with Cinesound crew.
1175:, Sydney: Everyones Ltd, 18 July 1934, nla.obj-577446215
1149:, Sydney: Everyones Ltd, 25 July 1934, nla.obj-577453038
911:, Sydney: Everyones Ltd, 6 June 1934, nla.obj-582812398
855:. National Library of Australia. 4 June 1934. p. 3
799:, Sydney: Everyones Ltd, 30 May 1934, nla.obj-582801733
730:, Sydney: Everyones Ltd, 6 June 1934, nla.obj-582811190
493:. National Library of Australia. 1 June 1934. p. 3
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385:The film was given a poor critical reception, the
467:Longford never made another feature as director.
326:at Rushcutters Bay, which had just been used for
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752:, Melbourne: Oxford University Press, 1998, 166
698:"'Man They Could Not Hang' Production Progress"
452:The movie performed solidly in country areas.
16:For the 1939 film starring Boris Karloff, see
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724:""Man They Couldn't Hang" Won't Burn, Either"
1143:""Man They Could Not Hang" Big at Newcastle"
232:, whose story had been filmed previously in
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1395:We'll Take Her Children in Amongst Our Own
1274:
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1001:– via National Library of Australia.
510:
508:
36:
1307:The Romantic Story of Margaret Catchpole
1169:""Man They Could Not Hang" Big in Melb."
1057:""Man They Could Not Hang" Big in Melb."
516:"Counting the Cash in Australian Films"
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418:Closer to the far-fetched melodrama of
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534:"To Film "The Life Story of John Lee""
224:is a 1934 Australian film directed by
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322:Lipman leased the No. 2 studios of
13:
1776:Films directed by Raymond Longford
559:Vagg, Stephen (3 September 2024).
14:
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591:The Times and Northern Advertiser
586:"TERRIBLE MISCARRIAGE OF JUSTICE"
279:Patricia Minchin as Eliza Parrish
1771:Australian black-and-white films
1040:"The Lyceum A POOR PRODUCTION."
306:W. Newton Carroll as Ned Sawkins
303:Bobbie Beaumont as Polly Sanders
300:Nugent Harrington as Tim Sanders
1801:Australian films based on plays
1228:National Film and Sound Archive
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522:. 12 December 1934. p. 19.
931:"The Lyceum A POOR PRODUCTION"
793:"Another Local Film Censored."
763:"Another Local Film Censored."
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1:
905:"Reviews of Recent Releases."
748:Andrew Pike and Ross Cooper,
642:"THE MAN THEY COULD NOT HANG"
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441:Australia's younger actors."
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310:
294:George Doran as Captain Giles
1796:1930s English-language films
1363:The Silence of Dean Maitland
875:"EVERYONE at the BOX OFFICE"
285:Claire Barnes as Kate Farmer
276:Olive Sinclair as Miss Keyse
7:
1720:The Man They Could Not Hang
1703:The Man They Could Not Hang
1668:The Man They Could Not Hang
1609:The Man They Could Not Hang
1245:The Man They Could Not Hang
1234:The Man They Could Not Hang
1223:The Man They Could Not Hang
1212:The Man They Could Not Hang
1046:. Retrieved 7 December 2011
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282:Ethel Gabriel as Jane Allen
243:
221:The Man They Could Not Hang
31:The Man They Could Not Hang
18:The Man They Could Not Hang
10:
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1486:The Blue Mountains Mystery
1347:Pommy Arrives in Australia
1013:"SCREEN NOTES: By Preview"
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297:Leo Starke as Captain Hill
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1510:An Australian by Marriage
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675:The Sydney Morning Herald
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490:The Sydney Morning Herald
273:Ethel Bashford as Mrs Lee
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1411:The Mutiny of the Bounty
987:"ALTERNATIVE TO HANGING"
414:said that the film was:
1604:(1934) (assoc director)
1596:(1933) (assoc director)
1588:(1933) (assoc director)
1580:(1933) (assoc director)
1315:Sweet Nell of Old Drury
291:Les Warton as Ted Meeks
255:
1806:1930s Australian films
1766:Australian drama films
1534:Peter Vernon's Silence
1403:Ma Hogan's New Boarder
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1653:John "Babbacombe" Lee
1443:The Sentimental Bloke
1042:The Argus (Melbourne)
421:The Streets of London
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387:Sydney Morning Herald
324:Cinesound Productions
288:Sam Stern as Bertrand
169:1 June 1934
1478:Rudd's New Selection
1355:'Neath Austral Skies
1331:The Midnight Wedding
1193:"Raymond Longford",
959:"THE REGENT THEATRE"
329:When the Kellys Rode
155:British Empire Films
25:1934 Australian film
1786:John Babbacombe Lee
1419:A Maori Maid's Love
1371:The Swagman's Story
614:"NEW REGISTRATIONS"
374:Cinesound Varieties
263:John Babbacombe Lee
230:John Babbacombe Lee
145:Invicta Productions
1791:Films set in Devon
1585:Diggers in Blighty
1282:Films directed by
1197:, January 1974 p51
670:"AUSTRALIAN FILMS"
335:The cast included
261:Ronald Roberts as
228:about the life of
213:£2,200 (Australia)
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1619:
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1435:The Woman Suffers
1379:Taking his Chance
1323:The Tide of Death
1299:The Fatal Wedding
1183:– via Trove
1157:– via Trove
1131:– via Trove
1105:– via Trove
1075:– via Trove
919:– via Trove
893:– via Trove
807:– via Trove
781:– via Trove
738:– via Trove
712:– via Trove
548:– via Trove
459:In February 1935
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86:Rigby C. Tearle (
1813:
1781:1934 drama films
1736:"Babbacombe" Lee
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1601:Splendid Fellows
1577:Waltzing Matilda
1526:The Bushwhackers
1494:The Dinkum Bloke
1462:On Our Selection
1387:Trooper Campbell
1284:Raymond Longford
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1087:"Queensland"
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1044:9 Jul 1934:5
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185:Running time
162:Release date
111:George Heath
67:Eric Bedford
22:
1470:Ginger Mick
1025:1 September
943:1 September
647:Sunday Mail
598:1 September
570:3 September
129:Terry Banks
88:J.A. Lipman
83:Produced by
64:Lorrie Webb
48:Directed by
1761:1934 films
1755:Categories
1173:Everyones.
1121:Everyones.
1091:Everyones.
1061:Everyones.
879:Everyones.
831:8 December
819:"PERSONAL"
797:Everyones.
767:Everyones.
728:Everyones.
702:Everyones.
471:References
448:Box office
438:Sydney Sun
358:Censorship
311:Production
250:Devonshire
210:Box office
189:78 minutes
173:1934-06-01
138:Production
58:Written by
1179:29 August
1153:29 August
1147:Everyones
1127:29 August
1018:The Argus
997:27 August
936:The Argus
915:29 August
909:Everyones
859:26 August
803:29 August
734:29 August
708:29 August
682:10 August
626:10 August
544:29 August
538:Everyones
520:Everyones
497:10 August
461:Everyones
412:The Argus
399:Everyones
365:Everyones
347:Everyones
197:Australia
117:Edited by
381:Critical
244:Synopsis
202:Language
95:Starring
75:Based on
1550:Sunrise
1239:AustLit
1101:1 March
1071:1 March
991:The Sun
889:1 March
777:1 March
565:Filmink
353:Release
205:English
194:Country
171: (
140:company
1706:(1934)
1698:(1921)
1690:(1912)
1671:(1911)
1612:(1934)
1561:(1926)
1553:(1926)
1545:(1926)
1537:(1926)
1529:(1925)
1521:(1924)
1513:(1923)
1505:(1923)
1497:(1923)
1489:(1921)
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1473:(1920)
1465:(1920)
1446:(1919)
1438:(1918)
1430:(1917)
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1374:(1914)
1366:(1914)
1358:(1913)
1350:(1913)
1342:(1913)
1334:(1912)
1326:(1912)
1318:(1911)
1310:(1911)
1302:(1911)
1728:Other
1714:Books
1679:Films
1660:Plays
1569:1930s
1454:1920s
1291:1910s
394:work.
1217:IMDb
1181:2024
1155:2024
1129:2024
1103:2024
1073:2024
1027:2013
999:2024
973:2013
945:2013
917:2024
891:2024
861:2013
833:2012
805:2024
779:2024
736:2024
710:2024
684:2012
656:2013
628:2012
600:2013
572:2024
546:2024
499:2012
436:The
429:The
256:Cast
238:1921
236:and
234:1912
1237:at
1226:at
1215:at
248:In
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
