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1143:"; taking place, like Christ's death, at three o'clock on a Friday afternoon, it acts as the climax of the religious parallels. Brenner finds the Christian allusions deeply problematic, commenting that the "facile linking of Santiago's name with Christ's" was unnecessary and disrespectful towards the New Testament. Dismissing both Brenner's conclusion and any approach which defines Santiago as a Christ-figure as overly simplistic, Stoneback argues that the figure of Santiago ultimately embodied Hemingway's ideals, and was intended to be esteemed as such.
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essentially finished by
February 17; Mary, who read each day's production in the evenings, commented that she was "prepared to pardon for all the disagreeable things had done." Hemingway was himself struck by the quality of this seemingly simple story, which he had written in little more than six weeks. Over the next few months, he sent copies to trusted friends and associates including his publisher
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power. Sylvester, Grimes, and Hays disagree, viewing
Santiago's approach as wholly respectful. Jeffrey Herlihy comments that Santiago's Spanish heritage must be considered to be a major, and yet invisible, aspect of the novel. Even though Santiago is firmly embedded in Cuban culture, he dreams about Spain every night, and Herlily believes that this
255:, released their first edition a week later on the 8th. Thanks to favorable early reviews and word-of-mouth, popular anticipation was so high that both releases were heavily bootlegged. The magazine sold a record 5.3 million copies in two days, while Scribner's sold tens of thousands of copies. Translated into nine languages by the end of 1952,
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perspective, rejects
Brenner's view of Santiago's sexism; instead, she writes that Santiago is in effect wedded to and at the service of the female sea. Beegel nevertheless characterises Santiago as viewing the feminine sea as tumultuous, cruel, and chaotic, and thus in need of being overcome by male
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for
Manolin, who was himself alternately traumatised and manipulated by Santiago's aggression and duplicity. Brenner's analysis has been strongly criticised: Stoneback terms it a "jejune litany of ... shock-schlock critical fast-food tired old questions", while Sylvester, Grimes, and Hays notes that
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In the morning, Manolin cries when he sees
Santiago's state. He brings coffee and sits with Santiago until he wakes. He insists on accompanying Santiago in the future. A fisherman measures the marlin at eighteen feet long, and a pair of tourists mistake its skeleton for that of a shark. Santiago goes
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is "an inferior
Hemingway novel." Bickford Sylvester comments that most of the errors Weeks outlined were based upon faults in then-current science, and some others were intended to nudge readers towards the work's subtext and deepest details. Sylvester argues that seemingly-implausible narrative
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smells blood in the water and takes a forty-pound bite of the marlin. Killing the shark but losing his harpoon, Santiago lashes his knife to an oar as a makeshift spear and kills three more sharks before the knife blade snaps. Cursing himself for going out too far, he apologises to the mutilated
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Having put off a novelisation for sixteen years, but aided by his love and knowledge of fishing and the sea, Hemingway suddenly found himself writing a thousand words a day—twice as fast as usual. Although
Ivancich's departure on February 7, 1951, caused Hemingway some disquiet, the novella was
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are actually hints. He cites the baseball conversation between
Santiago and Manolin, which subtly indicates not only the precise dates of the novella's events (September 12–16, 1950) but also parallels the fisherman with his hero DiMaggio, also the son of a fisherman, who similarly resurged in
241:. Having completed one book of a planned "sea trilogy", Hemingway began to write as an addendum a story about an old man and a marlin that had originally been told to him fifteen years earlier. He wrote up to a thousand words a day, completing the 26,531-word manuscript in six weeks.
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noted that early scholarship focused upon "the naturalistic tragedy, the
Christian tragedy, the parable of art and the artist, and even the autobiographical mode". Analysis of these themes continued into the 1960s, during which John Killinger connected the novella with
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noted that
Hemingway's "incomparable" work set him apart as "the greatest craftsman in the American novel in this century". Many reviewers, seeing it as "the apex of the Hemingway canon", termed it a "classic". Hemingway's favourite review was from the art historian
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carcass of the marlin. He clubs two more sharks at sunset, but the marlin is now half-eaten. In the third night, the sharks come as a pack and leave only bones behind them. Santiago reaches shore and sleeps in his shack, leaving the skeleton tied to his skiff.
306:(very unlucky). Manolin, who had been trained by Santiago, has been forced by his parents to work on a different, luckier boat; Manolin still helps Santiago prepare his gear every morning and evening and brings him food. They talk about baseball and
1123:. Melvin Backman outlines several, beginning with the Santiago's wish to "rest gently ... against the wood and think of nothing"; Sylvester, Grimes, and Hays also cite the preceding scene, in which Santiago is cut and bleeds from near the eye, as a
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The 26,531-word manuscript was held in temporary abeyance for over a year, during which time Hemingway became increasingly certain he wished to publish it on its own merits, rather than as an addendum to the "sea trilogy". Conversations with
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in 1966 was much less positive than the original edition in 1952, setting the disinterested scholarly tone that would dominate the next decades. Analysis only restarted in earnest with the publication of Gerry Brenner's hyper-critical
1159:. He criticises the fisherman's inability to ignore economic considerations as he loots the sea of its treasures. He further commented that Santiago, portrayed as blatantly sexist and hostile towards all things female, was in fact
212:. Written between December 1950 and February 1951, it was the last major fictional work Hemingway published during his lifetime. It tells the story of Santiago, an aging fisherman, and his long struggle to catch a giant
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in identifying fishes and judging weather patterns. Weeks maintains that Hemingway—previously criticized for his distaste for narrative invention—had instilled insincerity at the heart of his novel. He concluded that
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s melodrama, symbolism, and irony, concluding, like Macdonald, that "Hemingway either deceived himself about the profundity of his art" or expertly satisfied the desires of a pretentious audience.
1135:"Ay," he said aloud. There is no translation for this word and perhaps it is just a noise such as a man might make, involuntarily, feeling the nail go through his hands and into the wood.
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216:. The novella was highly anticipated and was released to record sales; the initial critical reception was equally positive, but attitudes have varied significantly since then.
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critiques, they write that both Brenner and Love dismiss economic realities and ask the uneducated Santiago to consider problems that few outside biology cared about in 1950.
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One of Santiago's credos is that "a man can be destroyed but not defeated", a theme which is present in most of Hemingway's protagonists and stories, from Jake Barnes in
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imagery and symbolism, on the similarity of the novella's themes to its predecessors in the Hemingway canon, and on the character of the fisherman Santiago.
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s negative reception. The acclaim lessened over time, as literary critics began to think the initial reception overblown and over-enthusiastic. Whether
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and Wallace Meyer encouraged him in this direction—Hemingway was delighted when Hayward secured the publication of the entire novella in one issue of
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in 1891 and was consistently retold by fishermen over the next forty years. Significant influence came from Hemingway's own experience with the
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616:'s edition in Britain reached a total of 70,000, and afterwards combined weekly sales in the two countries averaged 5,000. It remained on the
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In the mid-1930s, the Cuban guide Carlos Gutiérrez had related a story involving an old man and a giant marlin to Hemingway, who retold it in
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1017:. In a letter to a Father Brown in 1954, Hemingway wrote "You know about Santiago and you know that the name is no accident"; the academic
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in an essay titled "On the Blue Water: A Gulf Stream Letter". According to Mary Cruz, this tale was likely first told by the Cuban author
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met with popular acclaim. In the three weeks after publication, Hemingway received more than eighty letters a day from well-wishers, and
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called it Hemingway's "most overrated work", a "mock-serious fable" with "radical weaknesses". Despite the cooling critical outlook,
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2499:(2014). "'You Know The Name Is No Accident': Hemingway and the Matter of Santiago". In Sylvester, Bickford; Grimes, Larry (eds.).
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is inferior or equal to Hemingway's other works has since been the subject of scholarly debate. Thematic analysis has focused on
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Over the following year, Hemingway became increasingly convinced that the manuscript would stand on its own as a novella.
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believed that the initial reviewers had prejudiced public opinion in their relief that the novella was not as bad as
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for twenty-one weeks, critical reception was largely negative. Amid a breakdown in marital relations with his wife
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406:(1950). Although the latter, published on September 7, sold 75,000 copies in its first month and remained on the
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on May 4, 1953—this was the first time Hemingway had received the award, having been overlooked previously for
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has been the subject of a significant amount of critical commentary that has changed over the generations.
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Brenner's 1991 critique characterises Santiago as a supremely flawed individual: unintelligent, arrogant,
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Sylvester, Bickford (1996). "The Cuban Context in The Old Man and the Sea". In Donaldson, Scott (ed.).
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when thinking about friends he had lost; Mary generously accepted the new dedication, to Scribner and
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Early reviews were positive, with many hailing what they saw as a return to form for Hemingway after
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Many critics have drawn parallels not only between Santiago and St. James, but between Santiago and
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s highest recognition came on October 28, 1954, as the only work of Hemingway's mentioned by the
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Santiago is an elderly fisherman who has not caught a fish in eighty-four days and is considered
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Robert Weeks notes that the novella abounds in factual impossibilities—he cites Santiago's near-
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as garrulous and repetitive when compared to the "disciplined, businesslike understatement" of
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felt himself "unable to share in the prevailing wild enthusiasm" for the novella. Years later,
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in schools worldwide and continued to earn $ 100,000 per year in royalties. According to the
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in May 1952. As he wrote to Meyer, Hemingway wished to rebuff the idea he should only write
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Fowler learnt enough to "revise the classification of marlin for the whole North Atlantic."
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or "uneasily insistent" killing found in previous novels. Joseph Waldmeir similarly finds
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This passage was characterised by Sylvester, Grimes, and Hays as "a clear reference to a
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837:, Hemingway heartily disliked the final film. Two more adaptations have been produced: a
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for twenty-six weeks and had been translated into nine languages by the start of 1953.
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to contain a better synthesis of Hemingway's views on mortality than works such as
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published the full novella in its September 1, 1952 issue. Hemingway's publisher,
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received many more. Religious figures began to cite the book's themes in their
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had met with negative reviews and, amid a breakdown in relations with his wife
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This article is about the novella by Ernest Hemingway. For other uses, see
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Backman, Melvin (1962) . "Hemingway: The Matador and the Crucified". In
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After the early adulation faded, less positive reviews began to appear.
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Ernest Hemingway A to Z: The Essential Reference to the Life and Work
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Beegel, Susan (1985). "Santiago and the Eternal Feminine: Gendering
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Sylvester, Bickford; Grimes, Larry; Hays, Peter L. (2018).
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Twentieth Century Interpretations of The Old Man and the Sea
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background acts "as a concealed foundation to the novella."
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at number 173. Hemingway was directly involved in making a
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during a tumultuous period in his life. His previous novel
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The Fifth Column and Four Stories of the Spanish Civil War
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Previously the Pulitzer Prize for the Novel from 1917–1947
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On the eighty-fifth day of his streak, Santiago takes his
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criticises the pseudo-archaic prose which pretends it is
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The Cambridge Edition of the Letters of Ernest Hemingway
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Hemingway and Women: Female Critics and the Female Voice
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praised "the best story Hemingway has ever written" and
1611:"Regime Strategic Intent – Central Intelligence Agency"
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back to sleep and dreams of lions on an African beach.
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In Paris or Paname: Hemingway's Expatriate Nationalism
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Ernest Hemingway International Billfishing Tournament
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was Ernest Hemingway's sixth major novel, following
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784:The Old Man and the Sea: The Story of a Common Man
4661:The Fifth Column and the First Forty-Nine Stories
2507:: Kent State University Press. pp. 165–179.
2278:] (in Spanish). Translated by Delpino, Mary.
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598:and Scribner's editions were heavily bootlegged.
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3772:Martin Dressler: The Tale of an American Dreamer
2738:Ernest Hemingway: Critiques of Four Major Novels
2679:Ernest Hemingway: Critiques of Four Major Novels
2582:Ernest Hemingway: Critiques of Four Major Novels
2477:Ernest Hemingway: Critiques of Four Major Novels
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2193:Ernest Hemingway: Critiques of Four Major Novels
2143:Ernest Hemingway: Critiques of Four Major Novels
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469:to record and describe catches on his boat, the
2761:. Englewood Cliffs, New Jersey: Prentice Hall.
2220:". In Broer, Lawrence; Holland, Gloria (eds.).
4695:The Complete Short Stories of Ernest Hemingway
3413:The Collected Stories of Katherine Anne Porter
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2329:. Vol. 27, no. 4. pp. 589–631.
2249:The Old Man and the Sea: Story of a Common Man
646:and equal to Hemingway's earliest works. With
608:printing, containing the first publication of
5517:American novels adapted into television shows
5317:International Imitation Hemingway Competition
4822:Ernest Hemingway: Selected Letters, 1917–1961
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3831:The Amazing Adventures of Kavalier & Clay
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348:
1115:himself, especially with regard to Christ's
813:'s 200 "best-loved novels" conducted by the
1056:
786:in 1991, and has continued unabated since.
777:. However, Philip Young's republication of
417:, Hemingway fell deeper into love with his
15:
4150:
4136:
2838:
2824:
2576:: Ernest Hemingway's Religion of Man". In
2276:Cuba and Hemingway on the Great Blue River
855:Academy Award for Best Animated Short Film
71:
16:
2521:
2495:
2471:(1962) . "With Grace Under Pressure". In
2315:
2287:Kosiba, Sara (2012). "Ernest Hemingway".
2282:: UniĂłn de Escritores y Artistes de Cuba.
1975:
1939:
1827:
1815:
1791:
1779:
1731:
1719:
1127:evocation of the wounds inflicted by the
727:. He also accepted a Medal of Honor from
317:out early, intending to row far into the
266:for six months. In 1953, it received the
5577:Pulitzer Prize for Fiction-winning works
4602:The Short Happy Life of Francis Macomber
2732:: Hemingway's Tragic Vision of Man". In
2635:
2571:
2421:
1903:
1867:
1633:"BBC – The Big Read – Top 200 (150–200)"
1569:
1521:
1497:
1481:
1441:
1413:
1385:
1329:
1317:
1241:
1225:
352:
56:The Old Man and the Sea (disambiguation)
24:This is an accepted version of this page
4703:Ernest Hemingway: The Collected Stories
2677:(1962). "Hemingway's Ancient Mariner".
2467:
2246:
2186:
2093:
1963:
1951:
1927:
1895:
1879:
1855:
1743:
1453:
874:inferior to Hemingway's earlier works.
865:
626:
594:reached such proportions that both the
590:released a highly positive review, and
14:
5499:
3461:The Collected Stories of Jean Stafford
2444:
2371:
2345:
2286:
2211:
2030:
2018:
1899:
1843:
1839:
1803:
1755:
1677:
1665:
1661:
1643:from the original on November 19, 2003
1597:
1553:
1529:
1509:
1493:
1449:
1445:
1409:
1357:
1213:
1029:, which is also heavily drawn upon in
237:, he had fallen in love with his muse
5090:Hemingway's Adventures of a Young Man
4131:
2819:
2600:
2409:from the original on February 9, 2023
2161:
2137:
1767:
1541:
1525:
1477:
1429:
1417:
1397:
1373:
1361:
1345:
1333:
1313:
1297:
1281:
1245:
1229:
1209:
1001:who had previously, according to the
993:. The name "Santiago" is Spanish for
835:Academy Award for Best Original Score
543:, who all responded very positively.
325:in the morning before hooking a huge
5371:Kennedy Library Hemingway collection
5247:Cooper & Hemingway: The True Gen
4157:
3915:The Brief Wondrous Life of Oscar Wao
3724:A Good Scent from a Strange Mountain
2524:The Cambridge Companion to Hemingway
2501:Hemingway, Cuba, and the Cuban Works
2399:"The Nobel Prize in Literature 1954"
2272:Cuba y hemingway en gran rĂo de azul
2269:
2114:from the original on August 17, 2019
2075:from the original on August 17, 2019
1269:
860:
333:it. He lashes the fish to his boat.
321:. He catches nothing except a small
5359:Michael Palin's Hemingway Adventure
5138:Across the River and into the Trees
4574:The Gambler, the Nun, and the Radio
4223:Across the River and into the Trees
1701:from the original on April 17, 2018
789:Writing in 1985, Meyers noted that
779:Ernest Hemingway: A Reconsideration
703:was "only more of the same", while
403:Across the River and Into the Trees
230:Across the River and Into the Trees
48:
5512:American novels adapted into films
3688:The Mambo Kings Play Songs of Love
2667:
2641:The Tragic Art of Ernest Hemingway
457:. He greatly enjoyed the sport of
49:
5588:
2757:Jobes, Katharine T., ed. (1968).
2728:Burhans Jr., Clinton S. (1962). "
2601:Weeks, Robert (1962). "Fakery in
2100:. New York: Rodopi. p. 117.
2007:Sylvester, Grimes & Hays 2018
1992:Sylvester, Grimes & Hays 2018
1980:Sylvester, Grimes & Hays 2018
1916:Sylvester, Grimes & Hays 2018
1884:Sylvester, Grimes & Hays 2018
1586:Sylvester, Grimes & Hays 2018
1574:Sylvester, Grimes & Hays 2018
1466:Sylvester, Grimes & Hays 2018
1302:Sylvester, Grimes & Hays 2018
1286:Sylvester, Grimes & Hays 2018
1258:Sylvester, Grimes & Hays 2018
989:The novella contains significant
4350:The Doctor and the Doctor's Wife
3341:The Travels of Jaimie McPheeters
2964:
2957:
2649:Louisiana State University Press
2351:Hemingway: The Critical Heritage
2333:from the original on May 4, 2023
1637:British Broadcasting Corporation
1090:; it is also a primary theme in
943:
934:
497:
486:
51:1952 novella by Ernest Hemingway
5180:Hotel Ambos Mundos, Havana home
4881:The Select (The Sun Also Rises)
2705:Hemingway: The Writer as Artist
2557:: Kent State University Press.
2087:
1691:"The 72nd Academy Awards, 2000"
1683:
1625:
1603:
1049:the traditional Latin etymology
5332:Hemingway Foundation/PEN Award
2341:– via Boston University.
2299:10.1093/obo/9780199827251-0022
2167:Ernest Hemingway: A Life Story
2043:Herlihy-Mera, Jeffrey (2017).
917:performance during that week.
680:and equal in many ways to the
653:labelling it a "masterpiece",
13:
1:
5532:Charles Scribner's Sons books
4553:A Natural History of the Dead
3437:The Confessions of Nat Turner
2422:Reynolds, Michael S. (1999).
1191:
801:, it was a favourite book of
518:
2290:Oxford Bibliographies Online
1794:, pp. 246–249, 256–261.
1196:
925:
7:
5572:Novels set in the Caribbean
5387:Elizabeth Hadley Richardson
5160:Birthplace and boyhood home
4629:Three Stories and Ten Poems
4560:A Clean, Well-Lighted Place
3993:All the Light We Cannot See
3951:A Visit from the Goon Squad
3556:The Stories of John Cheever
2453:. New York: Facts on File.
2445:Oliver, Charles M. (1999).
2230:University of Alabama Press
1615:Central Intelligence Agency
870:Some literary critics find
10:
5593:
5562:Novels by Ernest Hemingway
4469:Hills Like White Elephants
3222:Tales of the South Pacific
3071:Thomas Sigismund Stribling
3006:The Bridge of San Luis Rey
2847:Pulitzer Prize for Fiction
2711:Princeton University Press
2572:Waldmeir, Joseph (1962). "
2528:Cambridge University Press
2428:W. W. Norton & Company
2424:Hemingway: The Final Years
2321:"Masscult and Midcult: II"
2130:
1086:, and Richard Cantwell in
1027:the pilgrimage to Santiago
717:Pulitzer Prize for Fiction
578:, but changed his mind on
447:Ramón Meza y Suárez Inclán
349:Background and publication
268:Pulitzer Prize for Fiction
146:Pulitzer Prize for Fiction
53:
5527:Books by Ernest Hemingway
5379:
5281:
5274:(2021 documentary series)
5198:
5152:
5057:
5029:
4996:
4954:
4926:
4895:
4855:
4848:
4814:By-Line: Ernest Hemingway
4803:
4784:
4757:
4731:
4713:
4618:
4327:
4268:
4241:
4174:
4165:
3822:
3517:
3260:
3095:Josephine Winslow Johnson
2973:
2955:
2883:The Magnificent Ambersons
2862:
2853:
2802:
2796:Nobel Prize in Literature
2793:
2783:
2778:
2551:: Glossary and Commentary
2094:Herlihy, Jeffrey (2011).
1146:
920:
773:linked its themes to the
744:Nobel Prize in Literature
365:residence where he wrote
272:Nobel Prize in Literature
185:
173:
161:
152:Nobel Prize in Literature
138:
130:
120:
110:
100:
92:
82:
70:
5239:Hemingway & Gellhorn
5170:Hemingway-Pfeiffer House
5082:The Snows of Kilimanjaro
4669:The Snows of Kilimanjaro
4595:The Capital of the World
4588:The Snows of Kilimanjaro
4017:The Underground Railroad
3401:The Keepers of the House
3143:Marjorie Kinnan Rawlings
2779:Awards and achievements
2405:. Nobel Prize Outreach.
2021:, pp. 141–142, 146.
1348:, pp. 492–493, 499.
1175:Susan Beegel, analysing
1037:miraculous catch of fish
1025:has deep connections to
953:Different depictions of
219:Hemingway began writing
31:latest accepted revision
5537:Fish in popular culture
5255:Papa: Hemingway in Cuba
5031:The Old Man and the Sea
4998:For Whom the Bell Tolls
4231:The Old Man and the Sea
4215:For Whom the Bell Tolls
3969:The Orphan Master's Son
3808:Interpreter of Maladies
3580:A Confederacy of Dunces
3485:The Optimist's Daughter
3293:The Old Man and the Sea
3083:Caroline Pafford Miller
2742:Charles Scribner's Sons
2730:The Old Man and the Sea
2683:Charles Scribner's Sons
2603:The Old Man and the Sea
2586:Charles Scribner's Sons
2549:The Old Man and the Sea
2481:Charles Scribner's Sons
2247:Brenner, Gerry (1991).
2218:The Old Man and the Sea
2197:Charles Scribner's Sons
2147:Charles Scribner's Sons
1588:, pp. xxiii–xxvii.
1177:The Old Man and the Sea
1100:The Old Man and the Sea
1084:For Whom the Bell Tolls
1047:in Hemingway's text to
1023:The Old Man and the Sea
1021:argues that this means
914:The Old Man and the Sea
909:The Old Man and the Sea
894:The Old Man and the Sea
884:The Old Man and the Sea
872:The Old Man and the Sea
819:The Old Man and the Sea
809:, a 2003 survey of the
791:The Old Man and the Sea
750:The Old Man and the Sea
733:The Old Man and the Sea
725:For Whom the Bell Tolls
713:The Old Man and the Sea
701:The Old Man and the Sea
668:The Old Man and the Sea
632:The Old Man and the Sea
610:The Old Man and the Sea
572:Charles Scribner's Sons
507:Hemingway on board the
455:The Old Man and the Sea
397:For Whom the Bell Tolls
374:The Old Man and the Sea
367:The Old Man and the Sea
295:
286:The Old Man and the Sea
257:The Old Man and the Sea
221:The Old Man and the Sea
208:by the American author
201:The Old Man and the Sea
115:Charles Scribner's Sons
65:The Old Man and the Sea
5215:Hemingway: On the Edge
5185:Finca VigĂa, Cuba home
5058:Other film adaptations
4687:The Nick Adams Stories
4490:Che Ti Dice La Patria?
4250:Death in the Afternoon
4183:The Torrents of Spring
3568:The Executioner's Song
3131:John Phillips Marquand
2377:Hemingway: A Biography
1137:
1105:Death in the Afternoon
1015:Santiago de Compostela
957:, Santiago's namesake.
742:when awarding him the
370:
5351:Hemingway: A Portrait
5098:Islands in the Stream
4609:Old Man at the Bridge
4581:A Way You'll Never Be
4539:On the Quai at Smyrna
4434:Big Two-Hearted River
4285:Islands in the Stream
4258:Green Hills of Africa
3418:Katherine Anne Porter
3365:To Kill a Mockingbird
3329:A Death in the Family
3126:The Late George Apley
2497:Stoneback, H. R.
2061:10.1353/hem.2017.0001
1332:, pp. 238, 249;
1157:anti-environmentalist
1133:
432:Islands in the Stream
356:
5567:Novels set in Havana
5552:Novels about animals
5507:1952 American novels
5475:Grace Hall Hemingway
5435:Mary Welsh Hemingway
4956:To Have and Have Not
4918:Bukowski short story
4357:The End of Something
4293:The Dangerous Summer
4207:To Have and Have Not
3652:A Summons to Memphis
3549:James Alan McPherson
3047:Margaret Ayer Barnes
2931:The Able McLaughlins
2895:The Age of Innocence
2744:. pp. 150–155.
2685:. pp. 156–173.
2547:Reading Hemingway's
2530:. pp. 243–268.
2483:. pp. 132–134.
2199:. pp. 135–143.
2049:The Hemingway Review
1978:, pp. 167–168;
1902:, pp. 57, 247;
1830:, pp. 173, 176.
1722:, pp. 593, 596.
1664:, pp. 247–248;
1558:Nobel Prize citation
1496:, pp. 487–488;
1452:, pp. 486–487;
1444:, pp. 258–259;
1336:, pp. 490, 492.
1316:, pp. 489–490;
1244:, pp. 250–257;
1228:, pp. 228–229;
1092:To Have and Have Not
1082:to Robert Jordan in
866:Quality and accuracy
839:1990 television film
823:1958 film adaptation
627:Reception and legacy
567:Crime and Punishment
421:, the young Italian
391:To Have and Have Not
5557:Novels about ageing
5483:Leicester Hemingway
5066:The Macomber Affair
4653:Winner Take Nothing
4399:Mr. and Mrs. Elliot
4309:True at First Light
4116:Jayne Anne Phillips
3377:The Edge of Sadness
3346:Robert Lewis Taylor
3239:James Gould Cozzens
3186:Journey in the Dark
3150:The Grapes of Wrath
3018:Scarlet Sister Mary
2270:Cruz, Mary (1981).
2045:"Cuba in Hemingway"
2033:, pp. 141–146.
1942:, pp. 176–177.
1870:, pp. 145–149.
1858:, pp. 142–143.
1818:, pp. 170–173.
1782:, pp. 265–266.
1770:, pp. 188–192.
1734:, pp. 597–598.
1668:, pp. 489–493.
1512:, pp. 488–489.
1420:, pp. 504–505.
1400:, pp. 503–504.
1364:, pp. 499–501.
1272:, pp. 168–170.
1248:, pp. 488–489.
1013:with his shrine at
991:Christian symbolism
767:Friedrich Nietzsche
77:Original book cover
67:
21:Page version status
5522:Angling literature
5362:(1999 documentary)
5354:(1999 documentary)
5250:(2013 documentary)
5130:The Garden of Eden
5049:1999 animated film
4970:The Breaking Point
4928:A Farewell to Arms
4857:The Sun Also Rises
4497:In Another Country
4420:Cross Country Snow
4378:A Very Short Story
4364:The Three-Day Blow
4301:The Garden of Eden
4199:A Farewell to Arms
4191:The Sun Also Rises
4094:Barbara Kingsolver
4065:The Night Watchman
3884:Marilynne Robinson
3801:Michael Cunningham
3729:Robert Olen Butler
3585:John Kennedy Toole
3449:House Made of Dawn
3353:Advise and Consent
3215:Robert Penn Warren
3210:All the King's Men
3114:Gone with the Wind
1468:, pp. xix–xx.
1080:The Sun Also Rises
1032:The Sun Also Rises
966:Saint, painted by
721:A Farewell to Arms
467:Charles Cadwalader
385:A Farewell to Arms
379:The Sun Also Rises
371:
63:
27:
5494:
5493:
5487:
5479:
5471:
5463:
5455:
5451:Margaux Hemingway
5447:
5439:
5431:
5423:
5415:
5411:Patrick Hemingway
5407:
5399:
5391:
5231:Midnight in Paris
5148:
5147:
4830:Dateline: Toronto
4793:The Spanish Earth
4645:Men Without Women
4392:The Revolutionist
4317:Under Kilimanjaro
4125:
4124:
4034:Andrew Sean Greer
4010:Viet Thanh Nguyen
3860:Jeffrey Eugenides
3784:American Pastoral
3777:Steven Millhauser
3748:The Stone Diaries
3736:The Shipping News
3676:Breathing Lessons
3503:The Killer Angels
3251:A. B. Guthrie Jr.
3227:James A. Michener
3119:Margaret Mitchell
3102:Honey in the Horn
3078:Lamb in His Bosom
2814:
2813:
2803:Succeeded by
2787:Winston Churchill
2658:978-0-8071-0884-0
2574:Confiteor Hominem
2564:978-1-6063-5342-4
2514:978-1-6063-5181-9
2460:978-0-8160-3934-0
2437:978-1-8460-3376-6
2390:978-0-0601-5437-0
2364:978-0-0601-5437-0
2317:Macdonald, Dwight
2308:978-0-19-982725-1
2262:978-0-8057-8040-6
2253:Twayne Publishers
2239:978-0-8173-1136-0
1966:, pp. 80–96.
1954:, pp. 54–66.
1930:, pp. 37–38.
1746:, pp. 68–78.
1621:on June 13, 2007.
861:Critical analysis
729:Fulgencio Batista
666:, who wrote that
463:Henry Weed Fowler
357:Hemingway at the
197:
196:
168:978-1-9075-9027-6
131:Publication place
126:September 1, 1952
39:23 September 2024
18:
5584:
5542:Modernist novels
5485:
5477:
5469:
5467:Mariel Hemingway
5461:
5453:
5445:
5443:Lorian Hemingway
5437:
5429:
5421:
5419:Gloria Hemingway
5413:
5405:
5403:Pauline Pfeiffer
5397:
5389:
5366:Hemingway crater
5337:Premio Hemingway
5327:Adriana Ivancich
5165:Michigan cottage
4986:Captain Khorshid
4853:
4852:
4774:The Fifth Column
4682:
4546:Fathers and Sons
4511:A Simple Enquiry
4455:A Canary for One
4277:A Moveable Feast
4159:Ernest Hemingway
4152:
4145:
4138:
4129:
4128:
4089:Demon Copperhead
4058:Colson Whitehead
4022:Colson Whitehead
3932:Elizabeth Strout
3927:Olive Kitteridge
3896:Geraldine Brooks
3760:Independence Day
3712:A Thousand Acres
3604:The Color Purple
3454:N. Scott Momaday
3406:Shirley Ann Grau
3394:William Faulkner
3322:MacKinlay Kantor
3310:William Faulkner
3298:Ernest Hemingway
3281:The Caine Mutiny
3198:A Bell for Adano
3162:In This Our Life
2989:(1926; declined)
2968:
2961:
2912:Booth Tarkington
2888:Booth Tarkington
2840:
2833:
2826:
2817:
2816:
2784:Preceded by
2776:
2775:
2772:
2753:
2724:
2709:(4th ed.).
2708:
2694:
2662:
2632:
2597:
2568:
2541:
2518:
2492:
2464:
2452:
2441:
2418:
2416:
2414:
2394:
2368:
2342:
2340:
2338:
2312:
2283:
2266:
2243:
2208:
2183:
2158:
2124:
2123:
2121:
2119:
2091:
2085:
2084:
2082:
2080:
2040:
2034:
2028:
2022:
2016:
2010:
2004:
1995:
1989:
1983:
1973:
1967:
1961:
1955:
1949:
1943:
1937:
1931:
1925:
1919:
1913:
1907:
1893:
1887:
1877:
1871:
1865:
1859:
1853:
1847:
1837:
1831:
1825:
1819:
1813:
1807:
1801:
1795:
1789:
1783:
1777:
1771:
1765:
1759:
1753:
1747:
1741:
1735:
1729:
1723:
1717:
1711:
1710:
1708:
1706:
1687:
1681:
1675:
1669:
1659:
1653:
1652:
1650:
1648:
1629:
1623:
1622:
1617:. Archived from
1607:
1601:
1595:
1589:
1583:
1577:
1567:
1561:
1551:
1545:
1539:
1533:
1519:
1513:
1507:
1501:
1491:
1485:
1475:
1469:
1463:
1457:
1439:
1433:
1427:
1421:
1407:
1401:
1395:
1389:
1383:
1377:
1371:
1365:
1355:
1349:
1343:
1337:
1327:
1321:
1311:
1305:
1295:
1289:
1279:
1273:
1267:
1261:
1255:
1249:
1239:
1233:
1223:
1217:
1207:
1088:Across the River
1070:
1067:
1064:
1061:
1058:
1051:of "Compostela"—
947:
938:
898:
876:Dwight Macdonald
851:Aleksandr Petrov
763:Jean-Paul Sartre
737:
705:John W. Aldridge
693:Across the River
689:Delmore Schwartz
670:was superior to
664:Bernard Berenson
644:Across the River
588:William Faulkner
537:Charles Scribner
523:
520:
501:
490:
459:big-game fishing
423:Adriana Ivancich
283:
279:Across the River
259:remained on the
239:Adriana Ivancich
210:Ernest Hemingway
189:
122:Publication date
105:Literary fiction
87:Ernest Hemingway
75:
68:
62:
5592:
5591:
5587:
5586:
5585:
5583:
5582:
5581:
5547:Nautical novels
5497:
5496:
5495:
5490:
5470:(granddaughter)
5454:(granddaughter)
5446:(granddaughter)
5427:Martha Gellhorn
5375:
5343:Hello Hemingway
5322:Maxwell Perkins
5277:
5223:In Love and War
5194:
5144:
5122:After the Storm
5053:
5025:
4992:
4978:The Gun Runners
4950:
4922:
4891:
4844:
4805:
4799:
4780:
4766:Today is Friday
4753:
4727:
4714:Story fragments
4709:
4675:
4620:
4614:
4525:An Alpine Idyll
4448:Today is Friday
4406:Cat in the Rain
4323:
4264:
4237:
4170:
4161:
4156:
4126:
4121:
4053:The Nickel Boys
4005:The Sympathizer
3908:Cormac McCarthy
3872:Edward P. Jones
3867:The Known World
3818:
3741:E. Annie Proulx
3628:Foreign Affairs
3621:William Kennedy
3526:Humboldt's Gift
3513:
3478:Wallace Stegner
3473:Angle of Repose
3430:Bernard Malamud
3256:
3107:Harold L. Davis
3090:Now in November
3035:Oliver La Farge
3011:Thornton Wilder
2999:Louis Bromfield
2969:
2963:
2962:
2953:
2936:Margaret Wilson
2858:
2849:
2844:
2810:
2808:
2806:HalldĂłr Laxness
2799:
2791:
2789:
2769:
2756:
2727:
2721:
2697:
2673:
2670:
2668:Further reading
2665:
2659:
2608:College English
2565:
2538:
2515:
2461:
2438:
2412:
2410:
2391:
2373:Meyers, Jeffrey
2365:
2347:Meyers, Jeffrey
2336:
2334:
2326:Partisan Review
2309:
2263:
2240:
2180:
2133:
2128:
2127:
2117:
2115:
2108:
2092:
2088:
2078:
2076:
2041:
2037:
2029:
2025:
2017:
2013:
2005:
1998:
1994:, p. xxvi.
1990:
1986:
1982:, p. xxvi.
1974:
1970:
1962:
1958:
1950:
1946:
1938:
1934:
1926:
1922:
1914:
1910:
1898:, p. 143;
1894:
1890:
1882:, p. 142;
1878:
1874:
1866:
1862:
1854:
1850:
1838:
1834:
1826:
1822:
1814:
1810:
1802:
1798:
1790:
1786:
1778:
1774:
1766:
1762:
1754:
1750:
1742:
1738:
1730:
1726:
1718:
1714:
1704:
1702:
1689:
1688:
1684:
1676:
1672:
1660:
1656:
1646:
1644:
1631:
1630:
1626:
1609:
1608:
1604:
1596:
1592:
1584:
1580:
1572:, p. 173;
1568:
1564:
1556:, p. 246;
1552:
1548:
1540:
1536:
1528:, p. 510;
1524:, p. 263;
1520:
1516:
1508:
1504:
1492:
1488:
1480:, p. 505;
1476:
1472:
1464:
1460:
1448:, p. 412;
1440:
1436:
1428:
1424:
1416:, p. 258;
1412:, p. 485;
1408:
1404:
1396:
1392:
1384:
1380:
1372:
1368:
1360:, p. 485;
1356:
1352:
1344:
1340:
1328:
1324:
1312:
1308:
1300:, p. 489;
1296:
1292:
1284:, p. 264;
1280:
1276:
1268:
1264:
1260:, p. xiii.
1256:
1252:
1240:
1236:
1224:
1220:
1208:
1204:
1199:
1194:
1149:
1129:crown of thorns
1073:James Matamoros
1068:
1065:
1062:
1059:
1019:H. R. Stoneback
987:
986:
985:
984:
977:James Matamoros
971:
958:
950:
949:
948:
940:
939:
928:
923:
896:
868:
863:
847:1999 production
831:Dimitri Tiomkin
795:English lessons
775:Oedipus complex
740:Swedish Academy
735:
672:Herman Melville
629:
621:bestseller list
604:released their
539:and his friend
532:
531:
530:
529:
521:
504:
503:
502:
493:
492:
491:
411:bestseller list
351:
298:
281:
264:bestseller list
178:
157:
123:
78:
59:
52:
47:
46:
45:
44:
43:
42:
26:
12:
11:
5:
5590:
5580:
5579:
5574:
5569:
5564:
5559:
5554:
5549:
5544:
5539:
5534:
5529:
5524:
5519:
5514:
5509:
5492:
5491:
5489:
5488:
5480:
5472:
5464:
5459:John Hemingway
5456:
5448:
5440:
5432:
5424:
5416:
5408:
5400:
5395:Jack Hemingway
5392:
5383:
5381:
5377:
5376:
5374:
5373:
5368:
5363:
5355:
5347:
5339:
5334:
5329:
5324:
5319:
5314:
5309:
5307:Iceberg theory
5304:
5296:
5291:
5285:
5283:
5279:
5278:
5276:
5275:
5267:
5259:
5251:
5243:
5235:
5227:
5219:
5211:
5210:(1946 cartoon)
5207:Bacall to Arms
5202:
5200:
5196:
5195:
5193:
5192:
5187:
5182:
5177:
5172:
5167:
5162:
5156:
5154:
5150:
5149:
5146:
5145:
5143:
5142:
5134:
5126:
5118:
5110:
5106:Soldier's Home
5102:
5094:
5086:
5078:
5070:
5061:
5059:
5055:
5054:
5052:
5051:
5046:
5041:
5035:
5033:
5027:
5026:
5024:
5023:
5018:
5016:1965 TV series
5013:
5008:
5002:
5000:
4994:
4993:
4991:
4990:
4982:
4974:
4966:
4960:
4958:
4952:
4951:
4949:
4948:
4946:1966 TV series
4943:
4938:
4932:
4930:
4924:
4923:
4921:
4920:
4915:
4910:
4905:
4899:
4897:
4893:
4892:
4890:
4889:
4884:
4877:
4872:
4867:
4861:
4859:
4850:
4846:
4845:
4843:
4842:
4834:
4826:
4818:
4809:
4807:
4801:
4800:
4798:
4797:
4788:
4786:
4782:
4781:
4779:
4778:
4770:
4761:
4759:
4755:
4754:
4752:
4751:
4748:Complete Poems
4744:
4735:
4733:
4729:
4728:
4726:
4725:
4717:
4715:
4711:
4710:
4708:
4707:
4699:
4691:
4683:
4673:
4665:
4657:
4649:
4641:
4633:
4624:
4622:
4616:
4615:
4613:
4612:
4605:
4598:
4591:
4584:
4577:
4570:
4563:
4556:
4549:
4542:
4535:
4532:A Pursuit Race
4528:
4521:
4514:
4507:
4500:
4493:
4486:
4483:The Undefeated
4479:
4472:
4465:
4458:
4451:
4444:
4437:
4430:
4423:
4416:
4409:
4402:
4395:
4388:
4385:Soldier's Home
4381:
4374:
4367:
4360:
4353:
4346:
4339:
4336:Up In Michigan
4331:
4329:
4325:
4324:
4322:
4321:
4313:
4305:
4297:
4289:
4281:
4272:
4270:
4266:
4265:
4263:
4262:
4254:
4245:
4243:
4239:
4238:
4236:
4235:
4227:
4219:
4211:
4203:
4195:
4187:
4178:
4176:
4172:
4171:
4166:
4163:
4162:
4155:
4154:
4147:
4140:
4132:
4123:
4122:
4120:
4119:
4107:
4085:
4077:The Netanyahus
4073:
4070:Louise Erdrich
4061:
4049:
4046:Richard Powers
4037:
4025:
4013:
4001:
3989:
3977:
3965:
3962:No award given
3959:
3947:
3935:
3923:
3911:
3899:
3887:
3875:
3863:
3851:
3839:
3836:Michael Chabon
3826:
3824:
3820:
3819:
3817:
3816:
3804:
3792:
3780:
3768:
3756:
3744:
3732:
3720:
3708:
3700:Rabbit at Rest
3696:
3693:Oscar Hijuelos
3684:
3672:
3660:
3648:
3645:Larry McMurtry
3636:
3624:
3612:
3600:
3592:Rabbit Is Rich
3588:
3576:
3564:
3552:
3540:
3537:No award given
3534:
3521:
3519:
3515:
3514:
3512:
3511:
3508:Michael Shaara
3499:
3496:No award given
3493:
3481:
3469:
3457:
3445:
3442:William Styron
3433:
3421:
3409:
3397:
3385:
3382:Edwin O'Connor
3373:
3361:
3349:
3337:
3325:
3313:
3301:
3289:
3277:
3274:Conrad Richter
3264:
3262:
3258:
3257:
3255:
3254:
3242:
3234:Guard of Honor
3230:
3218:
3206:
3194:
3182:
3179:Upton Sinclair
3174:Dragon's Teeth
3170:
3158:
3155:John Steinbeck
3146:
3134:
3122:
3110:
3098:
3086:
3074:
3062:
3054:The Good Earth
3050:
3042:Years of Grace
3038:
3026:
3023:Julia Peterkin
3014:
3002:
2990:
2987:Sinclair Lewis
2977:
2975:
2971:
2970:
2956:
2954:
2952:
2951:
2939:
2927:
2915:
2903:
2891:
2879:
2866:
2864:
2860:
2859:
2854:
2851:
2850:
2843:
2842:
2835:
2828:
2820:
2812:
2811:
2804:
2801:
2792:
2785:
2781:
2780:
2774:
2773:
2767:
2754:
2725:
2719:
2695:
2669:
2666:
2664:
2663:
2657:
2637:Williams, Wirt
2633:
2621:10.2307/373283
2615:(3): 188–192.
2598:
2569:
2563:
2542:
2536:
2519:
2513:
2493:
2465:
2459:
2442:
2436:
2419:
2403:NobelPrize.org
2395:
2389:
2369:
2363:
2343:
2313:
2307:
2284:
2267:
2261:
2244:
2238:
2209:
2184:
2178:
2171:Macmillan Inc.
2159:
2134:
2132:
2129:
2126:
2125:
2107:978-9042034099
2106:
2086:
2035:
2023:
2011:
1996:
1984:
1976:Stoneback 2014
1968:
1956:
1944:
1940:Stoneback 2014
1932:
1920:
1918:, p. 104.
1908:
1906:, p. 144.
1888:
1872:
1860:
1848:
1846:, p. 489.
1832:
1828:Stoneback 2014
1820:
1816:Stoneback 2014
1808:
1806:, p. 246.
1796:
1792:Sylvester 1996
1784:
1780:Sylvester 1996
1772:
1760:
1758:, p. 489.
1748:
1736:
1732:Macdonald 1960
1724:
1720:Macdonald 1960
1712:
1682:
1680:, p. 248.
1670:
1654:
1624:
1602:
1600:, p. 485.
1590:
1578:
1576:, p. xxi.
1562:
1546:
1544:, p. 506.
1534:
1532:, p. 489.
1514:
1502:
1500:, p. 259.
1486:
1484:, p. 259.
1470:
1458:
1456:, p. 134.
1434:
1432:, p. 505.
1422:
1402:
1390:
1388:, p. 250.
1378:
1376:, p. 501.
1366:
1350:
1338:
1322:
1320:, p. 238.
1306:
1304:, p. xiv.
1290:
1288:, p. xiv.
1274:
1262:
1250:
1234:
1232:, p. 486.
1218:
1201:
1200:
1198:
1195:
1193:
1190:
1148:
1145:
1066:field of stars
1053:campus stellae
1041:Gospel of Luke
975:: The warrior
952:
951:
942:
941:
933:
932:
931:
930:
929:
927:
924:
922:
919:
889:The Undefeated
867:
864:
862:
859:
853:which won the
811:United Kingdom
803:Saddam Hussein
709:Jeffrey Meyers
655:Cyril Connolly
628:
625:
619:New York Times
549:Leland Hayward
541:A. E. Hotchner
506:
505:
496:
495:
494:
485:
484:
483:
482:
481:
409:New York Times
350:
347:
297:
294:
262:New York Times
195:
194:
191:
183:
182:
179:
174:
171:
170:
165:
159:
158:
156:
155:
149:
142:
140:
136:
135:
132:
128:
127:
124:
121:
118:
117:
112:
108:
107:
102:
98:
97:
94:
90:
89:
84:
80:
79:
76:
50:
28:
22:
19:
17:
9:
6:
4:
3:
2:
5589:
5578:
5575:
5573:
5570:
5568:
5565:
5563:
5560:
5558:
5555:
5553:
5550:
5548:
5545:
5543:
5540:
5538:
5535:
5533:
5530:
5528:
5525:
5523:
5520:
5518:
5515:
5513:
5510:
5508:
5505:
5504:
5502:
5484:
5481:
5476:
5473:
5468:
5465:
5460:
5457:
5452:
5449:
5444:
5441:
5438:(fourth wife)
5436:
5433:
5428:
5425:
5420:
5417:
5412:
5409:
5406:(second wife)
5404:
5401:
5396:
5393:
5388:
5385:
5384:
5382:
5378:
5372:
5369:
5367:
5364:
5361:
5360:
5356:
5353:
5352:
5348:
5345:
5344:
5340:
5338:
5335:
5333:
5330:
5328:
5325:
5323:
5320:
5318:
5315:
5313:
5310:
5308:
5305:
5303:
5301:
5297:
5295:
5292:
5290:
5287:
5286:
5284:
5280:
5273:
5272:
5268:
5265:
5264:
5260:
5257:
5256:
5252:
5249:
5248:
5244:
5241:
5240:
5236:
5233:
5232:
5228:
5225:
5224:
5220:
5217:
5216:
5212:
5209:
5208:
5204:
5203:
5201:
5197:
5191:
5188:
5186:
5183:
5181:
5178:
5176:
5175:Key West home
5173:
5171:
5168:
5166:
5163:
5161:
5158:
5157:
5155:
5151:
5140:
5139:
5135:
5132:
5131:
5127:
5124:
5123:
5119:
5116:
5115:
5111:
5108:
5107:
5103:
5100:
5099:
5095:
5092:
5091:
5087:
5084:
5083:
5079:
5076:
5075:
5074:Under My Skin
5071:
5068:
5067:
5063:
5062:
5060:
5056:
5050:
5047:
5045:
5042:
5040:
5037:
5036:
5034:
5032:
5028:
5022:
5019:
5017:
5014:
5012:
5009:
5007:
5004:
5003:
5001:
4999:
4995:
4988:
4987:
4983:
4980:
4979:
4975:
4972:
4971:
4967:
4965:
4962:
4961:
4959:
4957:
4953:
4947:
4944:
4942:
4939:
4937:
4934:
4933:
4931:
4929:
4925:
4919:
4916:
4914:
4911:
4909:
4906:
4904:
4901:
4900:
4898:
4896:"The Killers"
4894:
4888:
4885:
4883:
4882:
4878:
4876:
4873:
4871:
4868:
4866:
4863:
4862:
4860:
4858:
4854:
4851:
4847:
4840:
4839:
4835:
4832:
4831:
4827:
4824:
4823:
4819:
4816:
4815:
4811:
4810:
4808:
4802:
4795:
4794:
4790:
4789:
4787:
4783:
4776:
4775:
4771:
4768:
4767:
4763:
4762:
4760:
4756:
4750:
4749:
4745:
4742:
4741:
4737:
4736:
4734:
4730:
4723:
4719:
4718:
4716:
4712:
4705:
4704:
4700:
4697:
4696:
4692:
4689:
4688:
4684:
4680:
4679:
4674:
4671:
4670:
4666:
4663:
4662:
4658:
4655:
4654:
4650:
4647:
4646:
4642:
4639:
4638:
4634:
4631:
4630:
4626:
4625:
4623:
4617:
4610:
4606:
4603:
4599:
4596:
4592:
4589:
4585:
4582:
4578:
4575:
4571:
4568:
4564:
4561:
4557:
4554:
4550:
4547:
4543:
4540:
4536:
4533:
4529:
4526:
4522:
4519:
4515:
4512:
4508:
4505:
4501:
4498:
4494:
4491:
4487:
4484:
4480:
4477:
4473:
4470:
4466:
4463:
4459:
4456:
4452:
4449:
4445:
4442:
4438:
4435:
4431:
4428:
4424:
4421:
4417:
4414:
4413:Out of Season
4410:
4407:
4403:
4400:
4396:
4393:
4389:
4386:
4382:
4379:
4375:
4372:
4368:
4365:
4361:
4358:
4354:
4351:
4347:
4344:
4340:
4337:
4333:
4332:
4330:
4328:Short stories
4326:
4319:
4318:
4314:
4311:
4310:
4306:
4303:
4302:
4298:
4295:
4294:
4290:
4287:
4286:
4282:
4279:
4278:
4274:
4273:
4271:
4267:
4260:
4259:
4255:
4252:
4251:
4247:
4246:
4244:
4240:
4233:
4232:
4228:
4225:
4224:
4220:
4217:
4216:
4212:
4209:
4208:
4204:
4201:
4200:
4196:
4193:
4192:
4188:
4185:
4184:
4180:
4179:
4177:
4173:
4169:
4164:
4160:
4153:
4148:
4146:
4141:
4139:
4134:
4133:
4130:
4117:
4113:
4112:
4108:
4105:
4101:
4100:
4095:
4091:
4090:
4086:
4083:
4079:
4078:
4074:
4071:
4067:
4066:
4062:
4059:
4055:
4054:
4050:
4047:
4043:
4042:
4041:The Overstory
4038:
4035:
4031:
4030:
4026:
4023:
4019:
4018:
4014:
4011:
4007:
4006:
4002:
3999:
3998:Anthony Doerr
3995:
3994:
3990:
3987:
3983:
3982:
3981:The Goldfinch
3978:
3975:
3971:
3970:
3966:
3963:
3960:
3957:
3956:Jennifer Egan
3953:
3952:
3948:
3945:
3941:
3940:
3936:
3933:
3929:
3928:
3924:
3921:
3917:
3916:
3912:
3909:
3905:
3904:
3900:
3897:
3893:
3892:
3888:
3885:
3881:
3880:
3876:
3873:
3869:
3868:
3864:
3861:
3857:
3856:
3852:
3849:
3848:Richard Russo
3845:
3844:
3840:
3837:
3833:
3832:
3828:
3827:
3825:
3821:
3814:
3813:Jhumpa Lahiri
3810:
3809:
3805:
3802:
3798:
3797:
3793:
3790:
3786:
3785:
3781:
3778:
3774:
3773:
3769:
3766:
3762:
3761:
3757:
3754:
3753:Carol Shields
3750:
3749:
3745:
3742:
3738:
3737:
3733:
3730:
3726:
3725:
3721:
3718:
3714:
3713:
3709:
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3669:Toni Morrison
3666:
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3649:
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3640:Lonesome Dove
3637:
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3466:Jean Stafford
3463:
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3317:Andersonville
3314:
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3307:
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3207:
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3200:
3199:
3195:
3192:
3191:Martin Flavin
3188:
3187:
3183:
3180:
3176:
3175:
3171:
3168:
3167:Ellen Glasgow
3164:
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3159:
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3072:
3068:
3067:
3063:
3060:
3059:Pearl S. Buck
3056:
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3044:
3043:
3039:
3036:
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2925:
2921:
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2909:
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2904:
2901:
2900:Edith Wharton
2897:
2896:
2892:
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2880:
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2868:
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2807:
2798:
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2788:
2782:
2777:
2770:
2764:
2760:
2755:
2751:
2747:
2743:
2739:
2735:
2734:Baker, Carlos
2731:
2726:
2722:
2716:
2712:
2707:
2706:
2700:
2699:Baker, Carlos
2696:
2692:
2688:
2684:
2680:
2676:
2675:Baker, Carlos
2672:
2671:
2660:
2654:
2650:
2646:
2642:
2638:
2634:
2630:
2626:
2622:
2618:
2614:
2610:
2609:
2604:
2599:
2595:
2591:
2587:
2583:
2579:
2578:Baker, Carlos
2575:
2570:
2566:
2560:
2556:
2552:
2548:
2543:
2539:
2537:9781139000345
2533:
2529:
2526:. Cambridge:
2525:
2520:
2516:
2510:
2506:
2502:
2498:
2494:
2490:
2486:
2482:
2478:
2474:
2473:Baker, Carlos
2470:
2469:Schorer, Mark
2466:
2462:
2456:
2451:
2450:
2443:
2439:
2433:
2429:
2425:
2420:
2413:September 10,
2408:
2404:
2400:
2396:
2392:
2386:
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2258:
2254:
2250:
2245:
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2235:
2231:
2227:
2223:
2219:
2215:
2210:
2206:
2202:
2198:
2194:
2190:
2189:Baker, Carlos
2185:
2181:
2175:
2172:
2168:
2164:
2163:Baker, Carlos
2160:
2156:
2152:
2148:
2144:
2140:
2139:Baker, Carlos
2136:
2135:
2118:September 21,
2113:
2109:
2103:
2099:
2098:
2090:
2074:
2070:
2066:
2062:
2058:
2054:
2050:
2046:
2039:
2032:
2027:
2020:
2015:
2009:, p. 49.
2008:
2003:
2001:
1993:
1988:
1981:
1977:
1972:
1965:
1960:
1953:
1948:
1941:
1936:
1929:
1924:
1917:
1912:
1905:
1904:Waldmeir 1962
1901:
1897:
1892:
1886:, p. 69.
1885:
1881:
1876:
1869:
1868:Waldmeir 1962
1864:
1857:
1852:
1845:
1841:
1836:
1829:
1824:
1817:
1812:
1805:
1800:
1793:
1788:
1781:
1776:
1769:
1764:
1757:
1752:
1745:
1740:
1733:
1728:
1721:
1716:
1700:
1696:
1692:
1686:
1679:
1674:
1667:
1663:
1658:
1647:September 21,
1642:
1638:
1634:
1628:
1620:
1616:
1612:
1606:
1599:
1594:
1587:
1582:
1575:
1571:
1570:Williams 1981
1566:
1559:
1555:
1550:
1543:
1538:
1531:
1527:
1523:
1522:Reynolds 1999
1518:
1511:
1506:
1499:
1498:Reynolds 1999
1495:
1490:
1483:
1482:Reynolds 1999
1479:
1474:
1467:
1462:
1455:
1451:
1447:
1443:
1442:Reynolds 1999
1438:
1431:
1426:
1419:
1415:
1414:Reynolds 1999
1411:
1406:
1399:
1394:
1387:
1386:Reynolds 1999
1382:
1375:
1370:
1363:
1359:
1354:
1347:
1342:
1335:
1331:
1330:Reynolds 1999
1326:
1319:
1318:Reynolds 1999
1315:
1310:
1303:
1299:
1294:
1287:
1283:
1278:
1271:
1266:
1259:
1254:
1247:
1243:
1242:Reynolds 1999
1238:
1231:
1227:
1226:Reynolds 1999
1222:
1215:
1212:, p. 1;
1211:
1206:
1202:
1189:
1187:
1182:
1178:
1173:
1171:
1166:
1165:secret desire
1162:
1158:
1154:
1144:
1142:
1136:
1132:
1130:
1126:
1122:
1118:
1114:
1109:
1107:
1106:
1101:
1097:
1093:
1089:
1085:
1081:
1076:
1074:
1054:
1050:
1046:
1042:
1038:
1034:
1033:
1028:
1024:
1020:
1016:
1012:
1008:
1004:
1003:New Testament
1000:
996:
992:
982:
979:, painted by
978:
974:
969:
965:
962:: James, the
961:
956:
946:
937:
918:
915:
910:
905:
900:
895:
891:
890:
885:
881:
877:
873:
858:
856:
852:
848:
844:
843:Anthony Quinn
840:
836:
832:
828:
827:Spencer Tracy
824:
820:
816:
812:
808:
804:
800:
796:
792:
787:
785:
780:
776:
772:
771:Richard Hovey
768:
764:
760:
755:
754:Wirt Williams
751:
747:
745:
741:
734:
730:
726:
722:
718:
714:
710:
706:
702:
698:
694:
690:
685:
683:
682:Homeric epics
679:
678:
673:
669:
665:
660:
656:
652:
650:
645:
641:
637:
633:
624:
622:
620:
615:
614:Jonathan Cape
611:
607:
603:
599:
597:
593:
592:word-of-mouth
589:
585:
581:
577:
573:
569:
568:
563:
562:
561:War and Peace
557:
555:
550:
544:
542:
538:
527:
516:
512:
511:
500:
489:
480:
478:
477:ichthyologist
474:
473:
468:
464:
460:
456:
452:
448:
444:
442:
436:
434:
433:
428:
424:
420:
416:
412:
410:
405:
404:
399:
398:
393:
392:
387:
386:
381:
380:
375:
368:
364:
360:
355:
346:
342:
339:
334:
332:
328:
324:
320:
316:
311:
309:
305:
304:
293:
291:
287:
280:
275:
273:
269:
265:
263:
258:
254:
250:
248:
242:
240:
236:
232:
231:
226:
222:
217:
215:
211:
207:
203:
202:
192:
190:
188:LC Class
184:
180:
177:
176:Dewey Decimal
172:
169:
166:
164:
160:
153:
150:
147:
144:
143:
141:
137:
134:United States
133:
129:
125:
119:
116:
113:
109:
106:
103:
99:
95:
91:
88:
85:
81:
74:
69:
66:
61:
57:
40:
36:
32:
25:
20:
5430:(third wife)
5390:(first wife)
5357:
5349:
5341:
5299:
5269:
5261:
5253:
5245:
5237:
5229:
5221:
5213:
5205:
5136:
5128:
5120:
5112:
5104:
5096:
5088:
5080:
5072:
5064:
5030:
5011:1959 TV play
4997:
4984:
4976:
4968:
4955:
4927:
4879:
4856:
4836:
4828:
4820:
4812:
4791:
4772:
4764:
4746:
4738:
4701:
4693:
4685:
4676:
4667:
4659:
4651:
4643:
4635:
4627:
4567:A Day's Wait
4504:Now I Lay Me
4315:
4307:
4299:
4291:
4283:
4275:
4256:
4248:
4230:
4229:
4221:
4213:
4205:
4197:
4189:
4181:
4168:Bibliography
4109:
4097:
4087:
4082:Joshua Cohen
4075:
4063:
4051:
4039:
4027:
4015:
4003:
3991:
3979:
3974:Adam Johnson
3967:
3949:
3944:Paul Harding
3937:
3925:
3913:
3901:
3889:
3877:
3865:
3853:
3843:Empire Falls
3841:
3829:
3823:2001–present
3806:
3794:
3782:
3770:
3765:Richard Ford
3758:
3746:
3734:
3722:
3710:
3698:
3686:
3674:
3662:
3657:Peter Taylor
3650:
3638:
3633:Alison Lurie
3626:
3614:
3609:Alice Walker
3602:
3590:
3578:
3566:
3561:John Cheever
3554:
3542:
3524:
3501:
3490:Eudora Welty
3483:
3471:
3459:
3447:
3435:
3423:
3411:
3399:
3387:
3375:
3363:
3351:
3339:
3327:
3315:
3303:
3292:
3291:
3279:
3267:
3246:The Way West
3244:
3232:
3220:
3208:
3196:
3184:
3172:
3160:
3148:
3138:The Yearling
3136:
3124:
3112:
3100:
3088:
3076:
3064:
3052:
3040:
3030:Laughing Boy
3028:
3016:
3004:
2994:Early Autumn
2992:
2980:
2941:
2929:
2924:Willa Cather
2917:
2905:
2893:
2881:
2876:Ernest Poole
2869:
2855:
2794:
2758:
2740:. New York:
2737:
2729:
2704:
2681:. New York:
2678:
2640:
2612:
2606:
2602:
2584:. New York:
2581:
2573:
2550:
2546:
2523:
2500:
2479:. New York:
2476:
2448:
2426:. New York:
2423:
2411:. Retrieved
2402:
2376:
2350:
2335:. Retrieved
2324:
2288:
2275:
2271:
2251:. New York:
2248:
2221:
2217:
2213:
2195:. New York:
2192:
2179:0-02-0016905
2169:. New York:
2166:
2145:. New York:
2142:
2116:. Retrieved
2096:
2089:
2077:. Retrieved
2052:
2048:
2038:
2026:
2014:
1987:
1971:
1964:Brenner 1991
1959:
1952:Brenner 1991
1947:
1935:
1928:Brenner 1991
1923:
1911:
1896:Backman 1962
1891:
1880:Backman 1962
1875:
1863:
1856:Backman 1962
1851:
1835:
1823:
1811:
1799:
1787:
1775:
1763:
1751:
1744:Brenner 1991
1739:
1727:
1715:
1703:. Retrieved
1694:
1685:
1673:
1657:
1645:. Retrieved
1627:
1619:the original
1605:
1593:
1581:
1565:
1549:
1537:
1517:
1505:
1489:
1473:
1461:
1454:Schorer 1962
1437:
1425:
1405:
1393:
1381:
1369:
1353:
1341:
1325:
1309:
1293:
1277:
1265:
1253:
1237:
1221:
1205:
1176:
1174:
1150:
1138:
1134:
1110:
1103:
1099:
1096:bullfighting
1091:
1087:
1083:
1079:
1077:
1052:
1030:
1022:
1007:patron saint
988:
972:
959:
913:
908:
904:clairvoyance
901:
893:
888:
883:
880:high culture
871:
869:
818:
807:The Big Read
793:was used in
790:
788:
783:
778:
759:Albert Camus
749:
748:
732:
724:
720:
712:
700:
697:Seymour Krim
692:
686:
675:
667:
659:Mark Schorer
648:
643:
635:
631:
630:
618:
609:
601:
600:
595:
580:Memorial Day
565:
559:
553:
545:
533:
525:
514:
508:
471:
454:
440:
437:
431:
408:
401:
400:(1940), and
395:
389:
383:
377:
373:
372:
366:
343:
335:
312:
308:Joe DiMaggio
301:
299:
285:
278:
276:
261:
256:
246:
243:
228:
220:
218:
200:
199:
198:
64:
60:
38:
29:This is the
23:
5346:(1990 film)
5266:(2016 film)
5258:(2015 film)
5242:(2012 film)
5234:(2011 film)
5226:(1996 film)
5218:(1987 play)
4849:Adaptations
4804:Letters and
4796:(1937 film)
4785:Screenplays
4637:In Our Time
4621:collections
4619:Short story
4518:Ten Indians
4476:The Killers
4462:Fifty Grand
4441:Banal Story
4371:The Battler
4343:Indian Camp
4111:Night Watch
4104:Hernan Diaz
3986:Donna Tartt
3789:Philip Roth
3717:Jane Smiley
3705:John Updike
3597:John Updike
3531:Saul Bellow
3389:The Reivers
3358:Allen Drury
3286:Herman Wouk
3203:John Hersey
2948:Edna Ferber
2919:One of Ours
2907:Alice Adams
2645:Baton Rouge
2055:(2): 8–41.
2031:Beegel 1985
2019:Beegel 1985
1900:Oliver 1999
1844:Meyers 1985
1840:Oliver 1999
1804:Oliver 1999
1756:Meyers 1985
1705:October 17,
1678:Oliver 1999
1666:Meyers 1985
1662:Oliver 1999
1598:Meyers 1985
1554:Oliver 1999
1530:Meyers 1985
1510:Meyers 1985
1494:Meyers 1985
1450:Meyers 1985
1446:Meyers 1982
1410:Meyers 1985
1358:Meyers 1985
1214:Kosiba 2012
1181:ecofeminist
1153:paternalist
1141:crucifixion
1121:crucifixion
983:in 1749–50.
912:details in
699:wrote that
584:Max Perkins
522: 1950
451:Gulf Stream
359:Finca VigĂa
319:Gulf Stream
5501:Categories
5462:(grandson)
5422:(daughter)
5289:Nick Adams
5199:Depictions
5190:Idaho home
5114:My Old Man
4806:journalism
4722:On Writing
4427:My Old Man
4269:Posthumous
4242:Nonfiction
3920:Junot DĂaz
3681:Anne Tyler
3544:Elbow Room
3370:Harper Lee
3334:James Agee
2982:Arrowsmith
2871:His Family
2768:0136339174
2720:0691013055
2379:. London:
2353:. London:
2226:Tuscaloosa
2079:January 6,
1768:Weeks 1962
1695:Oscars.org
1542:Baker 1988
1526:Baker 1988
1478:Baker 1988
1430:Baker 1988
1418:Baker 1988
1398:Baker 1988
1374:Baker 1988
1362:Baker 1988
1346:Baker 1988
1334:Baker 1988
1314:Baker 1988
1298:Baker 1988
1282:Baker 1988
1246:Baker 1988
1230:Baker 1988
1210:Baker 1962
1192:References
833:, won the
369:, in 1946.
338:mako shark
253:Scribner's
204:is a 1952
193:PS3515.E37
5486:(brother)
5294:Floridita
5271:Hemingway
5044:1990 film
5039:1958 film
5021:1984 song
5006:1943 film
4964:1944 film
4941:1957 film
4936:1932 film
4913:1964 film
4908:1956 film
4903:1946 film
4870:1984 film
4865:1957 film
3855:Middlesex
3796:The Hours
3518:1976–2000
3425:The Fixer
3261:1951–1975
3066:The Store
2974:1926–1950
2863:1918–1925
2750:564729505
2691:564729505
2594:564729505
2489:564729505
2381:Macmillan
2355:Routledge
2205:564729505
2165:(1988) .
2155:564729505
2069:149158145
1270:Cruz 1981
1197:Citations
1170:ecologist
1161:feminized
1125:stigmatic
995:St. James
968:Rembrandt
955:St. James
926:Classical
841:starring
825:starring
817:, listed
677:Moby-Dick
606:Labor Day
513:in 1935 (
290:Christian
274:in 1954.
111:Publisher
5478:(mother)
4740:88 Poems
4611:" (1938)
4604:" (1936)
4597:" (1936)
4590:" (1936)
4583:" (1933)
4576:" (1933)
4569:" (1933)
4562:" (1933)
4555:" (1932)
4548:" (1932)
4541:" (1930)
4534:" (1927)
4527:" (1927)
4520:" (1927)
4513:" (1927)
4506:" (1927)
4499:" (1927)
4492:" (1927)
4485:" (1927)
4478:" (1927)
4471:" (1927)
4464:" (1927)
4457:" (1927)
4450:" (1926)
4443:" (1926)
4436:" (1925)
4429:" (1925)
4422:" (1925)
4415:" (1925)
4408:" (1925)
4401:" (1925)
4394:" (1925)
4387:" (1925)
4380:" (1925)
4373:" (1925)
4366:" (1925)
4359:" (1925)
4352:" (1925)
4345:" (1924)
4338:" (1921)
3903:The Road
3616:Ironweed
3269:The Town
2701:(1972).
2639:(1981).
2407:Archived
2375:(1985).
2349:(1982).
2331:Archived
2319:(1960).
2141:(1962).
2112:Archived
2073:Archived
1699:Archived
1641:Archived
1179:from an
1108:(1932).
970:in 1661.
845:, and a
715:won the
651:magazine
556:magazine
443:magazine
394:(1937),
388:(1929),
382:(1926),
331:harpoons
323:albacore
249:magazine
93:Language
35:reviewed
5282:Related
3939:Tinkers
3664:Beloved
3305:A Fable
2736:(ed.).
2580:(ed.).
2475:(ed.).
2191:(ed.).
2131:Sources
1186:migrant
1163:by his
1117:Passion
1060:
1039:in the
999:Apostle
981:Tiepolo
964:Pilgrim
640:sermons
441:Esquire
206:novella
96:English
5380:Family
5302:(boat)
5263:Genius
5141:(2022)
5133:(2008)
5125:(2001)
5117:(1979)
5109:(1977)
5101:(1977)
5093:(1962)
5085:(1952)
5077:(1950)
5069:(1947)
4989:(1987)
4981:(1958)
4973:(1950)
4887:Ballet
4841:(2011)
4833:(1985)
4825:(1981)
4817:(1967)
4777:(1938)
4769:(1926)
4743:(1979)
4732:Poetry
4706:(1995)
4698:(1987)
4690:(1972)
4681:(1969)
4672:(1961)
4664:(1938)
4656:(1933)
4648:(1927)
4640:(1925)
4632:(1923)
4320:(2005)
4312:(1999)
4304:(1986)
4296:(1985)
4288:(1970)
4280:(1964)
4261:(1935)
4253:(1932)
4234:(1952)
4226:(1950)
4218:(1940)
4210:(1937)
4202:(1929)
4194:(1926)
4186:(1926)
4175:Novels
4118:(2024)
4106:(2023)
4084:(2022)
4072:(2021)
4060:(2020)
4048:(2019)
4036:(2018)
4024:(2017)
4012:(2016)
4000:(2015)
3988:(2014)
3976:(2013)
3964:(2012)
3958:(2011)
3946:(2010)
3934:(2009)
3922:(2008)
3910:(2007)
3898:(2006)
3886:(2005)
3879:Gilead
3874:(2004)
3862:(2003)
3850:(2002)
3838:(2001)
3815:(2000)
3803:(1999)
3791:(1998)
3779:(1997)
3767:(1996)
3755:(1995)
3743:(1994)
3731:(1993)
3719:(1992)
3707:(1991)
3695:(1990)
3683:(1989)
3671:(1988)
3659:(1987)
3647:(1986)
3635:(1985)
3623:(1984)
3611:(1983)
3599:(1982)
3587:(1981)
3575:(1980)
3563:(1979)
3551:(1978)
3539:(1977)
3533:(1976)
3510:(1975)
3498:(1974)
3492:(1973)
3480:(1972)
3468:(1970)
3456:(1969)
3444:(1968)
3432:(1967)
3420:(1966)
3408:(1965)
3396:(1963)
3384:(1962)
3372:(1961)
3360:(1960)
3348:(1959)
3336:(1958)
3324:(1956)
3312:(1955)
3300:(1953)
3288:(1952)
3276:(1951)
3253:(1950)
3241:(1949)
3229:(1948)
3217:(1947)
3205:(1945)
3193:(1944)
3181:(1943)
3169:(1942)
3157:(1940)
3145:(1939)
3133:(1938)
3121:(1937)
3109:(1936)
3097:(1935)
3085:(1934)
3073:(1933)
3061:(1932)
3049:(1931)
3037:(1930)
3025:(1929)
3013:(1928)
3001:(1927)
2950:(1925)
2943:So Big
2938:(1924)
2926:(1923)
2914:(1922)
2902:(1921)
2890:(1919)
2878:(1918)
2765:
2748:
2717:
2689:
2655:
2629:373283
2627:
2592:
2561:
2534:
2511:
2487:
2457:
2434:
2387:
2361:
2337:May 4,
2305:
2280:Havana
2259:
2236:
2214:La Mar
2203:
2176:
2153:
2104:
2067:
1155:, and
1147:Modern
997:, the
921:Themes
769:, and
765:, and
526:bottom
517:) and
361:, his
327:marlin
214:marlin
181:813.52
154:(1954)
148:(1953)
139:Awards
83:Author
5414:(son)
5398:(son)
5300:Pilar
5153:Homes
4875:Opera
4758:Plays
4099:Trust
3891:March
2800:1954
2625:JSTOR
2274:[
2065:S2CID
1113:Jesus
1045:stars
1011:Spain
973:Right
897:'
736:'
576:Pilar
510:Pilar
472:Pilar
363:Cuban
315:skiff
303:salao
282:'
101:Genre
4029:Less
2809:1955
2790:1953
2763:ISBN
2746:OCLC
2715:ISBN
2687:OCLC
2653:ISBN
2613:XXIV
2590:OCLC
2559:ISBN
2555:Kent
2532:ISBN
2509:ISBN
2505:Kent
2485:OCLC
2455:ISBN
2432:ISBN
2415:2023
2385:ISBN
2359:ISBN
2339:2023
2303:ISBN
2257:ISBN
2234:ISBN
2201:OCLC
2174:ISBN
2151:OCLC
2120:2020
2102:ISBN
2081:2020
1707:2023
1649:2023
1119:and
1057:lit.
960:Left
723:and
649:Time
636:Life
602:Life
596:Life
554:Life
465:and
427:Cuba
419:muse
415:Mary
296:Plot
247:Life
235:Mary
225:Cuba
163:ISBN
4114:by
4102:by
4092:by
4080:by
4068:by
4056:by
4044:by
4032:by
4020:by
4008:by
3996:by
3984:by
3972:by
3954:by
3942:by
3930:by
3918:by
3906:by
3894:by
3882:by
3870:by
3858:by
3846:by
3834:by
3811:by
3799:by
3787:by
3775:by
3763:by
3751:by
3739:by
3727:by
3715:by
3703:by
3691:by
3679:by
3667:by
3655:by
3643:by
3631:by
3619:by
3607:by
3595:by
3583:by
3571:by
3559:by
3547:by
3529:by
3506:by
3488:by
3476:by
3464:by
3452:by
3440:by
3428:by
3416:by
3404:by
3392:by
3380:by
3368:by
3356:by
3344:by
3332:by
3320:by
3308:by
3296:by
3284:by
3272:by
3249:by
3237:by
3225:by
3213:by
3201:by
3189:by
3177:by
3165:by
3153:by
3141:by
3129:by
3117:by
3105:by
3093:by
3081:by
3069:by
3057:by
3045:by
3033:by
3021:by
3009:by
2997:by
2985:by
2946:by
2934:by
2922:by
2910:by
2898:by
2886:by
2874:by
2617:doi
2605:".
2295:doi
2216:in
2057:doi
1009:of
849:by
815:BBC
799:CIA
674:'s
564:or
515:top
223:in
37:on
5503::
4096:/
2713:.
2651:.
2647::
2643:.
2623:.
2611:.
2588:.
2553:.
2503:.
2430:.
2401:.
2383:.
2357:.
2323:.
2301:.
2293:.
2255:.
2232:.
2228::
2224:.
2149:.
2110:.
2071:.
2063:.
2053:36
2051:.
2047:.
1999:^
1842:;
1697:.
1693:.
1639:.
1635:.
1613:.
857:.
761:,
695:.
684:.
519:c.
336:A
33:,
4724:"
4720:"
4607:"
4600:"
4593:"
4586:"
4579:"
4572:"
4565:"
4558:"
4551:"
4544:"
4537:"
4530:"
4523:"
4516:"
4509:"
4502:"
4495:"
4488:"
4481:"
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4467:"
4460:"
4453:"
4446:"
4439:"
4432:"
4425:"
4418:"
4411:"
4404:"
4397:"
4390:"
4383:"
4376:"
4369:"
4362:"
4355:"
4348:"
4341:"
4334:"
4151:e
4144:t
4137:v
2839:e
2832:t
2825:v
2771:.
2752:.
2723:.
2693:.
2661:.
2631:.
2619::
2596:.
2567:.
2540:.
2517:.
2491:.
2463:.
2440:.
2417:.
2393:.
2367:.
2311:.
2297::
2265:.
2242:.
2207:.
2182:.
2157:.
2122:.
2083:.
2059::
1709:.
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1560:.
1216:.
1069:'
1063:'
1055:(
528:)
524:(
58:.
41:.
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