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1273:) which mixed the film's action and violence with generous doses of humor and Bond's post-bloodshed quips and sexual banter. The Bond films generally distanced themselves with apolitical villains, that toned down the cold war elements of the original novels and spy films of the past, locating their films in Jamaica, Istanbul and Miami over Cuba, Berlin or Israel. Rubin found that the Bond films important to the development of the thriller, but their own thriller dimensions was limited due to the Bond stories gravitating towards adventures, suspense sequences being moderate, and tensions kept simple compared to the films of Hitchcock or Lang. Following the success of the Bond films, the character became the standard which all other spy films of the era were defined by within their similarities or dissimilarities. These included having the spy being suave hero, colorful locations, attractive women and flamboyant decors. Many pre-1970s spy films were predominantly comedies with spy film elements, such as 762:(1938). Along with Lang's output of the period, Rubin stated that Hitchcock became a "top rank" filmmaker specialising in the classical film thrillers, opposed to his prior output, which only sporadically included films that could be considered thrillers. Compared to Lang, Hitchcock approach to the spy thriller was described by Rubin as "less abstract, less epic" with "a greater emphasis on individual psychology and subjective points of view" while Lang's primary focus was on "the structure of the trap", Hitchcock's was on the "mental state of the entrapped." The first major American spy thriller of the World War II era was 410:(1797). Rubin noted that the extended vulnerability of the enthralled protagonists and victims in the thriller anticipated the thriller genre, a statement echoed by Robert D. Hume's 1969 essay which asserts that the Gothic novel involved a reader in a new way, with increased emphasis on suspense, sensation and emotion opposed to moral and intellectual focuses. The gothics being considered thrillers is problematic as they are set in antiquated decaying worlds and fail the tradition of being considered "modern". The second literary form that predated thrillers was the Victorian 1027:(1958) as another major film of this flawed-cop style. Rubin found that these late noirs collectively represent a peak of character development and moral complexity in the film thriller that was closer to the psychology films of Alfred Hitchcock than the action or mystery-oriented forms of the police thriller. Syndicate gangster films of the era had similarities to the anti-communist spy films and alien-invasion science fiction films of the era with films like 7901: 130:. Thriller films are typically hybridized with other super-genres; hybrids commonly including: action thrillers, fantasy and science fiction thrillers. Thriller films also share a close relationship with horror films, both eliciting tension. In plots about crime, thriller films focus less on the criminal or the detective and more on generating suspense. Common themes include terrorism, political conspiracy, pursuit and romantic triangles leading to murder. 7911: 159:"suspense, fright, mystery, exhilaration, excitement, speed, movement" over more sensitive, cerebral, or emotionally heavy feelings. Rubin described thrillers as being both quantitative and qualitative as virtually all narrative films could be considered thrilling to some degree, while they could contain suspense to some degree, but at "a certain hazy point", the films become thrilling enough to be considered part of the genre. For 1602:(1974) about a group of troubled people in Los Angeles. The films often featured all-star casts and often had the disaster happening early or mid-way into the story rather than at the climax with the narrative focusing on the group of survivors. The genre ended following overt sequels, television films and parodies. The genre had a brief revival in the late 1990s through the science-fiction and disaster hybrid 714: 38: 726:, the police film and the science fiction thriller. The horror films of the early 1930s with their Europeanized settings and villains led to what Rubin described as a "growing uneasiness towards Europe" Such anxieties were directly registered with spy thriller films, that were previously marginalised but grew as the tensions of the 1930s and the outbreak of 1112:(1960). During this period, Anglo-American critics of the era preferred Hitchcock's lighter-hearted British classics of the 1930s, these films were declared as "more ambitious and mature works" by Rubin, which became the focus of a major reevaluation of Hitchcock's artistic stature, which included with the first full-length books study of his work: 479:
narrative. The sensation of motion in these early films was later input into a framework known as the "chase film" which came into prominence in 1903.These films were often produced in Britain and France and employed minimal narrative for an extended chase scene that led to one of the most commercially celebrated American films of the period with
248:'s "A Defence of Detective Stories", stating that the world of the thriller is in an urban world, opposed to bygone eras of knights, pirates and cowboys which assists with the concept that "one normally does not think of Westerns as thrillers, even though they often contain a great deal of action, adventures chases and suspense." Similarly, the 1285:(1966) and their sequels. Another style of spy films attempted to differentiate themselves from the Bond films, while still differentiating themselves from the patriotic and Anti-Nazi and anti-communist spy films of the past. These films deglamorized the nature of the Bond films while still remaining thrillers, such as 1220:, a movement which arose in the late 1950s. The style of these films were generally more self-conscious and intrusive than that of Hollywood films. When these films had thriller aspects, these aspects of their story had a throwaway quality. The influence of the French New Wave was seen on American thrillers such as 598:(1928), had Lang make extensive use of crosscutting to not only enhance suspense and draw thematic parallels but also to develop what Rubin described as a "paranoid vision of a world where everything seems to together as an ever-widening web of conspiracy". This type of editing was later applied to several 478:
At these same fair grounds, is where the earliest venues for film exhibitions with peep-show arcades which film historian Tom Gunning described as "the cinema of attractions". These films provided early novelty-oriented shorts that provided surprise, amazement, laughter, or sexual stimulation with no
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which had recognizable iconography (cowboys, saloons, southwestern landscapes), the thriller lacks such unique iconography. Rubin went on to state that thrillers involve an excess of certain qualities beyond the narratives: they tend emphasize action, suspense and atmosphere and emphasize feelings of
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defined the genre by literary roots, ideology and sociological backgrounds and that thrillers could be reduced to just two components: a hero and a conspiracy. Palmer noted the hero in a thriller must be professional and competitive and not an amateur or an average citizen and suggested and declared
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of important information from the viewer, and fight and chase scenes are common methods. Life is typically threatened in a thriller film, such as when the protagonist does not realize that they are entering a dangerous situation. Thriller films' characters conflict with each other or with an outside
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film is a psychological type of film (until the often violent resolution), the conflict between the main characters is mental and emotional rather than physical. Characters, either by accident or their own curiousness, are dragged into a dangerous conflict or situation that they are not prepared to
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Crime was the significant focus of thrillers in the 1950s. The more realistic crime films of the 1940s and film noir merged into films about police detectives thrillers. Unlike the more clean-cut police officers of the 1940s realistic films, these films often had the police officer following darker
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that lacked a traditional detective figure and featured non-professional criminals or innocent victims as protagonists and excluded films that are often labeled as thrillers such as hard-boiled detective stories, horror films, heist films and spy films. Derry found the non-professional or victim
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generated "the kind of curiosity that is void of emotion, and emotion is essential ingredient of suspense" and thus for Hitchcock, "mystery is seldom suspenseful" In their discussions on the political thriller, Pablo Castrillo and Pablo Echart stated in 2015 that the concept of a thriller as an
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and thriller film in which the protagonist confronts dangerous adversaries, obstacles, or situations which he/she must conquer, normally in an action setting. Action thrillers usually feature a race against the clock, weapons and explosions, frequent violence, and a clear antagonist. Examples
1444:, in which an avenger in an urban setting throws off the restraints of the super cop of the police thrillers to operate as a loner without a badge or uniform. The main characters usually revolve around personal revenge and desire to cleanse society of its evil doers. Examples include the 592:(1922) was described by Rubin as an important part of the development of the thriller with its "duplicitous, labyrinthine network of decadent nightspots and secret dens that are linked together by murky thorough fares, twisting back alleys and subterranean passages." Lang's later film 217:
to be "quintessential thriller heroes". Palmer also noted that audiences must approve of the hero's actions and adopt their moral perspective. Palmer included styles such as detective films as part of the genre. Rubin argued against Palmer's definition, noting that it would include
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and American filmmaker's participation in making war documentaries and the audience's growing familiarity with these documentaries gritty and fact-based style led to Hollywood developing crime films that were shot in actual locations opposed to studio sets. These films included
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in the audience. The suspense element found in most films' plots is particularly exploited by the filmmaker in this genre. Tension is created by delaying what the audience sees as inevitable, and is built through situations that are menacing or where escape seems impossible.
288:. Derry also suggested this, stating that the film was an "umbrella genre" that cuts across several more clearly defined genres. Rubin went as far to suggest that there was possibly no such thing as a pure "thriller thriller" as it was easier to apply it as a quality as a 149:
In his book on the genre, Martin Rubin stated that the label "Thriller" was "highly problematic" declaring that "the very breadth and vagueness of the thriller category understandably discourage efforts to define it precisely.". This was echoed by Charles Derry in his book
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is a genre in which the protagonist is generally a government agent who must take violent action against agents of a rival government or (in recent years) terrorists. The subgenre often deals with the subject of espionage in a realistic way (as in the adaptations of
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was active from 1905 onward. These films featured distorted sets and stylized gestures which had an influence on filmmaking all over the world, including the United States. The style has been particularly relevant to the thriller, combining psychology and spectacle.
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are seen in the film, with its depictions of ingeniously planned robberies, as well as the thriller's central emphasis on accelerated motion. Chase films were limited in scope, but their emphasis on the chase sequence would extended into film in the future such as
1320:. The police-centered were much less critical in their treatment of their justice obsessed lawmen and were showcased fighting to protect society where official institutions have failed them. The police thriller returned in 1967 with the multiple-Oscar winning film 260:
discussed location being related to thrillers as well, stating that crime films as emphasized broad, socially symbolic characters such as the criminal, the Law, and society while thrillers were more concerned with violence or disturbances within a private sphere.
1386:(1973) as car chases became staple to modern police thrillers. These police thrillers also featured a harsher more conflict-riddled world closer to those of the anti-Bond spy films. These films were also harsher and more violent, mostly due to the demise of the 796:
Like the spy film, another genre that grew popular due to the war-generated phenomena in the early to mid-1940s saw the rise of thrillers centered around various phases of crime films such as the rise in popularity of detective films. These ranged from
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Around 1960, Rubin described that key thriller categories went through major overhauls. This led to closing what he described as "subversive debunking" that nearly closed the doors on genres like the detective film, re-contextualizing genres like the
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The roots of the thriller also generally associated with the rise of the urban-industrial society in the 19th century which created new and expanded mass audience, along with new forms of entertainment. This included stage play melodramas such as
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which was even more successful. Serials often ended with cliffhangers, an element that led to thrillers tendencies to break up into a series of self-enclosed set pieces. Film serials were later produced in Europe, with French directors such as
462:(1890) which features a heroine who unties the hero just before he is cut by and advancing buzz saw. Other forms of entertainment arrived in the 19th century at fairgrounds and amusements parks with thrill-oriented rides and attractions such as 154:, which found that the terms "suspense thriller", "thriller" and "suspense film" are used continuously in popular press, academic writings and the film industry with no clear agreement of what the definition is. Unlike other genres such as the 2317:. It deals with an unknown killer murdering people, with the protagonist having to find out who the killer is. The genre was popular during the late 1960s-late 1970s and is still being produced today, albeit less commonly. Examples include 1045:
which contained borderline breakdowns of the criminal world and the lawful world. The gangsters of these films do not resemble conventional criminals of the past, they dressed casually while being non-confrontational with muted violence.
424:(1859–1860) which stripped the gothic genre of its mysticism and brought to a contemporary time closer to everyday life. These sensation novels often were published in serialized form, sometimes concluding their installments with 141:. The 400 nominated films had to be American-made films whose thrills have "enlivened and enriched America's film heritage". AFI also asked jurors to consider "the total adrenaline-inducing impact of a film's artistry and craft". 706:(1932). These films centered on the rise of and fall of the criminal with Rubin noting that suspense in these films was "relatively slight", with both genres leaving an imprint on subsequent forms of the thriller with mid-1930s 1071:(1956) which Rubin described as being between "science-fiction mundaneness and film-noir moodiness". The science fiction thrillers of the era are not set on far off planets or but featured in present-day locales such as in 8108: 2388:
is a suspense film in which the major characters are lawyers and their employees. The system of justice itself is always a major part of these works, at times almost functioning as one of the characters. Examples include
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In the early 1990s, thrillers had recurring elements of obsession and trapped protagonists who must find a way to escape the clutches of the villain—these devices influenced a number of thrillers in the following years.
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featured much of the mystique as the James Bond series, with his stylish lifestyle and being an elite specialist working with a larger organization and is granted considerable autonomy on the course of his assignments.
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being placed in unfamiliar situations enhanced their vulnerability and thus increased greater suspense. Derry specifically noted the "innocent-on-the-run" theme a coherent in the genre, presenting them in films such as
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Rubin described the mid-1930s as when the thriller entered its "classical period" with the emergence of key genres that were previously either non-existent or minor. These included the spy film, detective film, the
531:, featuring stories broken up into a number regularly scheduled episodes expanded on the suspense-educing devices of the earlier chase films. Originally published in newspapers, as fictional story installments, the 370:
Due to what Rubin describe as a "wide, imprecise scope", it is unwieldy to attempt a comprehensive history of individual genres, including the thriller, and suggests it better to view the style in terms of cycles.
677:(1931). Rubin noted that both films lacked the thriller's fundamental tension between the familiar and exotic or adventurous. Also in the early 1930s, the gangster film arrived with early major films including 2106:
and thrillers, which offers a suspenseful account of a successful or failed crime or crimes. Such films often focus on the criminal(s) rather than a policeman. Central topics include serial killers/murders,
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In recent years, thrillers have often overlapped with the horror genre, having more gore/sadistic violence, brutality, terror and frightening scenes. The recent films in which this has occurred include
950:(1948). These titles drew on 1930s gangster film conventions, with the American branch of the communist parties being depicted like a gangster organization. This cycle continued into the 1950s with 296:, and that there is possibly no such thing as a pure "thriller thriller". Rubin further expanded on the problematic usage of the genre due to its wide usage in media, such as the American magazine 1259:
The spy film had been what Rubin described as "stagnating" for several years due to the limitations of post-war anti-communist films. The genre was dramatically revitalized by the surprised hit
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The 1950s also launched what Rubin called "a run of Hitchcock masterpieces", following an uneven part of experimentation in the late 1940s. Rubin noted as Hitchcock hitting his stride with
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overarching, broad category is "traditionally unclear" due to the varied definitions between authors, with its "boundaries often blurred, overlapped, and hybridized with other genres."
1326:(1967), which was more about social issues than being a straight thriller, the films' use of racial epithets and strong-arm methods paved the way for films featuring characters like 374:
Prior to the development of films, the genre has its connections to broadly-based fiction of the 18th century. Elements of the thriller are traced to the earliest gothic novel with
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films, the early detective films of the 1940s, and the gangster films of the 1950s. The gangster film itself imbued the modern urban environment with larger-than-life overtones.
4934: 847:(1946). These detective films drew upon thriller and thriller-related genres with their nocturnal atmosphere and style influenced by expressionism. They often overlapped with 1190:
The expansion of foreign-film exhibition in the United States of highly regarded thrillers was an influence on the American thriller film. Among the earliest of these was
436:" (1841), which is widely considered the first detective story. The detective story drew upon the previously mentioned forms, and is shown through stories such as the 1312:
Police thrillers returned to popularity around the period of law-and-order issues between 1968 and 1972 presidential campaigns through a general swing towards the
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that uses suspense to augment attention to abuses of power and instances of oppression in society. This new subgenre gained notoriety in 2017 with the release of
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style was not acknowledge by American filmmakers, critics or audiences until the 1970s. Early films considered as harbingers of the movement include Fritz Lang's
937:(1949). Rubin found that placing these films in actual locations increased the tension of the ordinary world opposed to the limited confines of the studio sets. 2519:
resolve. To overcome their brutish enemies characters are reliant not on physical strength but on their mental resources. This subgenre usually has elements of
1584:(1970), about an airplane crippled by a bomb that struggles to land in a snowstorm. Similar films about a group of survivors escape several locations, such as 252:
is predominantly set in an environment that is already exotic and primitive, and removed form the realm of mundane and modern-day urban existence. In his book
4949: 1309:(1966). These films featured spies who seemed less invincible than James Bond and other super spies, and often featured a more paranoid edge to their plots. 515:'s films which Rubin described as refining for "enhancing suspense, psychological depth, and spatial orientation." Griffith's applied techniques such as 1216:(1955) which influenced the 1960s thrillers with their sordid atmosphere. Another cross-fertilization between American and European thrillers was the 2226:
plays an important role in the plot. It has become popular since the 1980s and the rise of VCR market penetration. The genre includes such films as
1571:(1979). Unlike other films of the past, the paranoia of these films often focused on American institutions opposed to gangsterism or communists. 8331: 4744: 915:(1948) which re-created a police manhunt for a brutal killer. These films eventually began toning down their factuality to be applied to more 7719: 470:, which Rubin described as offering a "departure from humdrum reality that is merely a heightened version of that same humdrum reality.". 4827: 4931: 1265:(1962), which led to increasingly expensive and lucrative sequels as well as spearheading a 1960s spy craze in cinema and mass media. 8306: 6467: 4771: 1187:, and enhancing the popularity of some genres such as the spy film briefly and other genres like the police film for longer periods. 1053:
thriller, which previously was a relatively minor genre. The most prevalent was a hybrid of science fiction and horror in films like
999:(1954). A smaller wave of similar police thrillers had the police detective having moral weakness, but excessiveness. These included 665:
was the leader of the horror genre in the early 1930s with its expressionist-derived atmosphere that started with two big hits film:
492: 4853: 7947: 7255: 4902: 780:(1942). Despite having these films exist beyond the cityscapes of the thriller genre, they do not deploy the adventure nature of 4801: 4670: 8234: 6654: 2319: 1765: 788:
usually lacking in exaggerated methods of transport, such as parachute drops, safaris, submarines, or even high-speed chases.
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called "climax and curtain". The third of the proto-types to the thriller was early detective and mystery fiction, such as
8321: 8316: 8311: 8042: 6115: 5904: 1747:(2010), in which a U.S. Marshal must investigate a psychiatric facility after one of the patients inexplicably disappears. 667: 94:, claiming that all feature length narrative films can be classified by these super-genres. The other ten super-genres are 2023:
a genre in which the hero/heroine confronts a large, powerful group of enemies whose true extent only she/he recognizes.
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The period between 1907 and 1913 solidified the film industry's domination of narrative filmmaking, predominantly with
342: 3120: 730:. The genre grew into popularity in Great Britain in the mid-1930s with the output of the countries leading filmmaker 8370: 8296: 5244: 5165: 4684: 2932:
is a suspenseful film in which the manipulation of sophisticated technology plays a prominent part. Examples include
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A common theme in thrillers involves innocent victims dealing with deranged adversaries, as seen in Hitchcock's film
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Castrillo, Pablo; Echart, Pablo (2015). "Towards a narrative definition of the American political thriller film".
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who previously worked making chase films to later making serials based on novels about master criminals, such as
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Detectives/FBI agents hunting down a serial killer was another popular motif in the 1990s. A famous example is
1170: 1067: 1001: 859: 827: 768:(1939). After relocating to the United States, Hitchcock continued his attachment to spy films with films like 79:
force, which can sometimes be abstract. The protagonist is usually set against a problem, such as an escape, a
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came upon the idea in 1913 to by running serialized stories in both newspapers and film versions. This led to
8358: 8276: 8241: 7438: 7165: 6782: 6090: 5634: 5457: 2875: 2131: 2002: 1428: 1358:(1968), the latter being more successful financially than any the previously mentioned thrillers. Like Bond, 952: 645: 442: 433: 406: 8182: 8032: 7940: 7821: 7053: 7028: 5879: 5859: 2723: 2137: 2057: 1604: 1376: 1079: 770: 8209: 8152: 8037: 7583: 7155: 6708: 6573: 6262: 5590: 2735: 2551: 2486: 2343: 2258: 1331: 1148: 1088: 1065:(1955) while the films more attuned to the thriller occasionally saw an alien invasion theme, such as in 983: 865: 498: 8397: 8392: 8027: 8022: 7978: 7593: 7200: 7043: 5688: 5236: 5044: 2690: 2436:
is a type of film in which the protagonist must ensure the stability of the government. The success of
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and disillusionment about the Vietnam War led to conspiracy thrillers. A cycle of these films included
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stories having him battle Nazis. These smaller budget films led to more major productions such as
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The early 1930s saw the rise of two film genre movements: the gothic styled horror film and the
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arrived with the 1970s. The films predominantly feature loose-cannon private eyes such as in
1191: 1160: 1035: 958: 380: 316: 7588: 1132:(1965). The plots and themes of these films would be re-worked into later directors such as 8430: 8343: 8261: 8202: 8076: 8005: 7904: 7801: 7697: 7360: 7063: 6928: 6740: 6674: 6085: 6022: 6017: 5894: 5708: 5661: 5543: 5494: 5393: 5348: 2940: 2911: 2905: 2846: 2810: 2782: 2702: 2696: 2597: 2591: 2498: 2421: 2325: 2314: 1930: 1913: 1901: 1793:(2018). Action scenes have also gotten more elaborate in the thriller genre. Films such as 1788: 1592: 1467: 1281: 752: 702: 683: 452: 277: 200: 155: 127: 115: 5282:
Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear
4779: 582:(1919). Lang would later make films similar to those of Feuillade with his films based on 139:
the top 100 greatest American "heart-pounding" and "adrenaline-inducing" films of all time
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was conceived as a series of action set pieces (called "bumps" by the series co-producer
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featuring black leads that came from the police thriller, vigilante films, and
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began encompassing anti-communist themes. This was inaugurated with films like
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is a genre that combines elements of humor with suspense. Such films include
1721: 1717: 1658: 1641: 1575: 1382: 1275: 1261: 1165: 1023: 963: 853:, a style coined by French critics in 1946 which arose in the mid-1940s. The 658: 516: 512: 463: 395: 310: 228: 7100: 4903:"Get Out's Jordan Peele Brings the 'Social Thriller' to BAM | Village Voice" 4537: 3087:. New York, NY: Routledge Studies in Media Theory and Practice. p. 21. 8187: 8071: 7662: 7645: 7598: 7448: 7392: 6923: 6918: 6849: 6725: 6669: 6620: 6595: 6583: 6314: 6046: 6041: 5978: 5941: 5919: 5909: 5787: 5718: 5698: 5600: 5558: 5464: 5447: 3116: 3060: 2917: 2838: 2752: 2306: 2298: 1984: 1859: 1705: 1698: 1646: 1463: 1207: 1138: 1018: 1013: 880: 727: 698: 678: 635: 625: 562: 348: 332: 327: 111: 103: 5130: 3082: 1402:
film series and attaching itself to other genres such as science fiction (
264:
Rubin declared that thrillers attached itself to other genres such as the
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The screenwriters taxonomy : a roadmap to collaborative storytelling
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featured even more elaborate variations in his later productions such as
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Psycho Thrillers: Cinematic Explorations of the Mysteries of the Mind
5285: 2958: 1966: 1771: 1759: 1691: 1387: 849: 600: 285: 219: 164: 6339: 163:, a director very associated with the genre, he proclaimed that the 7563: 7225: 7120: 6906: 6896: 6844: 6534: 5993: 5745: 5422: 4582:"The Asphalt Jungle – Cast, Reviews, Summary, and Awards – AllRovi" 2988: 2934: 2746: 2714: 2331: 2112: 1843: 1496: 1184: 892:
During the 1940s, the influence of other foreign movements such as
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Geoffrey Macnab, "Spy movies – The guys who came in from the cold"
1500:(1973). The films were often derivations of earlier films such as 525:(1912), which also applied psychological context for the actions. 7886: 7568: 7511: 6529: 5022:"The Skeleton Key – Cast, Reviews, Summary, and Awards – AllRovi" 4494:"Edge of Darkness – Cast, Reviews, Summary, and Awards – AllRovi" 2842: 2678: 2219: 2108: 1422: 1404: 1354: 1336: 1334:
for the upcoming police cycle. Early films in the cycle included
314:(1990) was a comedy and that films as diverse as the horror film 37: 4701:"The Interpreter – Cast, Reviews, Summary, and Awards – AllRovi" 4450:"The Hurt Locker – Cast, Reviews, Summary, and Awards – AllRovi" 2171:. Examples of crime thrillers involving heists or robberies are 734:. Between 1934 and 1938, Hitchcock directed five spy thrillers: 7841: 7038: 6963: 6615: 6551: 6524: 6187: 6000: 5854: 4648:"Basic Instinct – Cast, Reviews, Summary, and Awards – AllRovi" 2294: 2185: 1730:(1995), about the search for a serial killer who re-enacts the 1458: 1212: 798: 594: 90:
identifies thriller films as one of eleven super-genres in his
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The Suspense Thriller: Films in the Shadow of Alfred Hitchcock
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films include an otherworldly element (such as fantasy or the
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as an unbalanced fan who terrorizes an incapacitated author (
1484: 1055: 707: 5093:"Daniel Radcliffe to Grow 'Horns' for Supernatural Thriller" 4880:"Funny Games – Cast, Reviews, Summary, and Awards – AllRovi" 7957: 6578: 5371: 5045:"Spoiler alert: The Sixth Sense voted film with best twist" 4626:"Entrapment – Cast, Reviews, Summary, and Awards – AllRovi" 2123:. Some examples of crime thrillers involving murderers are 1825:
The thriller film genre includes the following sub-genres:
80: 5000:"In Dreams – Cast, Reviews, Summary, and Awards – AllRovi" 4604:"The Score – Cast, Reviews, Summary, and Awards – AllRovi" 1536:(1958). The cycle generally slowed down by the mid 1970s. 5071:"The Gift – Cast, Reviews, Summary, and Awards – AllRovi" 3768: 3766: 4560:"Copycat – Cast, Reviews, Summary, and Awards – AllRovi" 4316: 4283: 4230: 4206: 4179: 4167: 4131: 4056: 4017: 4005: 3981: 3969: 3909: 3897: 3858: 2734:
making notable contributions, and many films set in the
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as well as the first English-language assessment, with
7955: 4538:"Seven – Cast, Reviews, Summary, and Awards – AllRovi" 4414:"Taken – Cast, Reviews, Summary, and Awards – AllRovi" 3836: 3834: 3795: 3785: 3783: 3781: 3763: 3753: 3751: 3738: 3736: 3734: 3721: 3719: 3704: 3682: 3680: 3629: 3485: 3475: 3473: 3448: 3446: 3431: 3409: 3407: 3394: 3392: 3377: 3367: 3365: 3352: 3350: 3272: 3260: 3238: 3236: 3234: 3221: 3219: 2297:
is an Italian thriller film that contains elements of
1539:
During the 1970s, contemporary situations such as the
4828:"The River Wild – Cast, Reviews, Summary, and Awards" 3313: 3311: 4772:"'The Machinist': a haunting psychological thriller" 4516:"JFK – Cast, Reviews, Summary, and Awards – AllRovi" 4328: 4295: 4271: 4259: 4242: 4218: 4191: 4155: 4143: 4119: 4107: 4092: 4080: 4068: 4041: 4029: 3993: 3957: 3945: 3933: 3921: 3882: 3870: 3323: 3170: 3168: 3166: 875:(1941) and the first universally acknowledged major 3846: 3831: 3819: 3807: 3778: 3748: 3731: 3716: 3692: 3677: 3665: 3653: 3641: 3617: 3605: 3593: 3581: 3569: 3557: 3545: 3533: 3521: 3509: 3497: 3470: 3458: 3443: 3419: 3404: 3389: 3362: 3347: 3335: 3284: 3248: 3231: 3216: 3127: 3308: 3296: 3204: 3180: 3139: 2466:established this subgenre. Other examples include 232:(1941) into the genre and eliminate such films as 4854:"Panic Room – Cast, Reviews, Summary, and Awards" 3163: 3151: 3080: 1578:, which came with the great financial success of 1574:A thriller-related movement in the 1970s was the 8412: 1811:(2004) have crossed over into the action genre. 5116: 3198: 586:which were sent in a contemporary time. Lang's 5214:Overkill: The Rise And Fall of Thriller Cinema 5068: 4802:"Red Eye – Cast, Reviews, Summary, and Awards" 4472:"Hollywood readying new wave action thrillers" 909:(1947) and the most acclaimed of these films, 346:(1972), and the science fiction monster movie 7941: 5356: 4959: 2037:fall into this category, as do films such as 1701:) engages in a psychological conflict with a 5305:Writing the Thriller Film: The Terror Within 4894: 2527:who must deal with emotional struggles. The 4830:. AllRovi. October 24, 2011. Archived from 4747:. AllRovi. October 24, 2011. Archived from 2565:, are notable examples of the type, as are 2218:is a thriller film that has an emphasis on 244:(1960) from the genre. Rubin borrowed from 192:(1959) and conspiracy thriller films like 7948: 7934: 5363: 5349: 5174: 4804:. AllRovi. August 19, 2005. Archived from 3037: 3025: 2722:'s novels). It is a significant aspect of 1657:) who is in her care. Other films include 1551:assassination of President John F. Kennedy 576:(1919) and later directorial efforts like 27:Film genre evoking excitement and suspense 5138: 4856:. AllRovi. March 29, 2002. Archived from 4769: 2738:. Thrillers within this subgenre include 2726:, with leading British directors such as 2510: 4668: 4370:"Thriller/Suspense Subgenre Definitions" 3050: 3048: 3046: 2829: 1440:Offshoots of the police thriller is the 841:to film. Marlowe would appear again in 712: 352:(1979) can all be considered thrillers. 36: 4770:Oksenhorn, Stewart (December 7, 2004). 1684:'s Best Picture–winning crime thriller 1049:The 1950s also saw the movement of the 940:Further spy films were made, including 308:(1982) as a thriller, while its sequel 14: 8413: 5321: 5284:. Routledge Advances in Film Studies. 5279: 5042: 2015: 7929: 5344: 5302: 5260: 5230: 5211: 5192: 5155: 4900: 4334: 4322: 4310: 4289: 4277: 4265: 4253: 4236: 4224: 4212: 4200: 4185: 4173: 4161: 4149: 4137: 4125: 4113: 4101: 4086: 4074: 4062: 4050: 4035: 4023: 4011: 3999: 3987: 3975: 3963: 3951: 3939: 3927: 3915: 3903: 3891: 3876: 3864: 3852: 3840: 3825: 3813: 3801: 3789: 3772: 3757: 3742: 3725: 3710: 3698: 3686: 3671: 3659: 3647: 3635: 3623: 3611: 3599: 3587: 3575: 3563: 3551: 3539: 3527: 3515: 3503: 3491: 3479: 3464: 3452: 3437: 3425: 3413: 3398: 3383: 3371: 3356: 3341: 3329: 3317: 3302: 3290: 3278: 3266: 3254: 3242: 3225: 3210: 3186: 3174: 3157: 3145: 3133: 3123:from the original on January 1, 2017. 3043: 2428: 2102:as an genre is a hybrid type of both 644:. During this silent era in Germany, 5263:Frank's 500: The Thriller Film Guide 5195:Historical Dictionary of Crime Films 519:to enhance suspense in film such as 254:Crime Movies: An Illustrated History 5043:Shoard, Catherine (July 26, 2010). 2525:development of realistic characters 1741:'s neo-noir psychological thriller 1629: 24: 7703:List of American independent films 5254: 5179:(Second ed.). Penguin Group. 4901:Ebiri, Bilge (February 14, 2017). 2924: 2664: 2368: 2210: 1920: 1828: 144: 25: 8442: 3119:. American Film Institute. 2001. 3054: 2380: 2094: 717:Fritz Lang (on the left) in 1938. 7909: 7900: 7899: 5085: 5062: 5036: 5014: 5002:. Allmovie.com. January 15, 1999 4992: 4980:. Allmovie.com. October 24, 2011 4970: 4943: 4920: 4872: 4846: 4820: 4794: 4763: 4737: 4725:. Allmovie.com. December 8, 2000 4715: 4693: 4669:Benshoff, Harry M., ed. (2014). 4662: 4640: 4618: 4596: 4574: 4562:. Allmovie.com. October 24, 2011 4552: 4540:. Allmovie.com. October 24, 2011 4530: 4508: 4496:. Allmovie.com. January 29, 2010 4486: 4464: 4442: 4428: 4406: 4384: 4362: 4340: 1316:in the United States due to the 837:(1944) introduced the character 336:(1923), the Hitchcock spy film 5370: 5024:. Allmovie.com. August 12, 2005 3117:"AFI's 100 YEARS...100 THRILLS" 2338:The Red Queen Kills Seven Times 1238:(1967) as well as later films ( 493:On Her Majesty's Secret Service 4882:. Allmovie.com. March 14, 2008 4703:. Allmovie.com. April 22, 2005 4672:A Companion to the Horror Film 4650:. Allmovie.com. March 20, 1992 3109: 3074: 3031: 3019: 1664:The Hand That Rocks the Cradle 1608:(1996), which was followed by 1488:(1973) or hustlers such as in 1068:Invasion of the Body Snatchers 13: 1: 5307:. Michael Wiese Productions. 5110: 4606:. Allmovie.com. July 13, 2001 4348:"Thriller and Suspense Films" 3008:AFI's 100 Years...100 Thrills 1814: 953:I Was a Communist for the FBI 473: 443:The Hound of the Baskervilles 434:The Murders in the Rue Morgue 360: 198:(1974) and the comedy-tinged 5177:The Complete Film Dictionary 5095:. Screen Rant. March 9, 2014 4584:. Allmovie.com. June 8, 1950 1080:The Incredible Shrinking Man 137:(AFI) made its selection of 7: 5326:. McFarland & Company. 5216:. McFarland & Company. 5160:. McFarland & Company. 5119:Communication & Society 3199:Castrillo & Echart 2015 3057:"Thriller – Suspense Films" 3001: 2709: 2559:'s bizarre and influential 1737:Another notable example is 1645:(1990), based on a book by 984:The Man Who Cheated Himself 866:Stranger on the Third Floor 365: 320:(1978), the detective film 66:that evokes excitement and 10: 8447: 7594:Classical Hollywood cinema 6783:Commedia sexy all'italiana 5691:Exploitation film template 5635:Commedia sexy all'italiana 5237:Cambridge University Press 3081:Williams, Eric R. (2017). 2523:, as there is an in-depth 2320:The Girl Who Knew Too Much 1818: 1766:The Last House on the Left 546:The Million Dollar Mystery 355: 340:(1959), the disaster film 272:and various sub-genres of 29: 7969: 7895: 7498: 7416: 7161:German underground horror 7116:Documentary Film Movement 7024:American eccentric cinema 7009: 6255: 5381: 2765:Tinker Tailor Soldier Spy 2682:. Other examples include 2481:The Man Who Knew Too Much 2289: 2031:The Aquitaine Progression 2026:The Chancellor Manuscript 782:The Adventures of Kathlyn 765:Confessions of a Nazi Spy 737:The Man Who Knew Too Much 573:The Mistress of the World 540:The Adventures of Kathlyn 86:Screenwriter and scholar 5322:Indick, William (2006). 5175:Konigsberg, Ira (1997). 3013: 2823:Three Days of the Condor 2459:The Manchurian Candidate 2344:Don't Torture a Duckling 2144:The Silence Of The Lambs 1687:The Silence of the Lambs 1435: 1323:In the Heat of the Night 1177: 1074:It Came from Outer Space 975: 942:The House on 92nd Street 900:The House on 92nd Street 791: 652: 401:The Mysteries of Udolpho 7096:Cinema of Transgression 6230:Cinema of Transgression 5303:Hicks, Neil D. (2002). 5280:Hanich, Julian (2010). 5197:. The Scarecrow Press. 5156:Derry, Charles (1988). 4928:Cambridge Film Festival 2568:The Talented Mr. Ripley 2156:To Live and Die in L.A. 1821:Lists of thriller films 1017:(1953). Rubin declared 1002:Where the Sidewalk Ends 928:The Street with No Name 570:who wrote serials like 482:The Great Train Robbery 209:characters such as spy 135:American Film Institute 92:screenwriters' taxonomy 7316:The Prague film school 7181:Hollywood on the Tiber 5231:Rubin, Martin (1999). 4937:July 20, 2011, at the 2736:British Secret Service 2516:Psychological thriller 2511:Psychological thriller 2311:psychological thriller 2132:No Country for Old Men 1716:) while tracking down 1690:(1991)—in which young 1587:The Poseidon Adventure 1527:Black Mama, White Mama 1306:The Quiller Memorandum 981:paths. These included 969:Pickup on South Street 817:as well as modernized 718: 589:Dr. Mabuse the Gambler 522:The Girl and Her Trust 343:The Poseidon Adventure 292:, detective thriller, 48: 7171:Grupo Cine LiberaciĂłn 7111:Czechoslovak New Wave 7106:Commedia all'italiana 5453:Commedia all'italiana 5193:Mayer, Geoff (2012). 5131:10.15581/003.28.35944 4782:on September 18, 2016 2835:Supernatural thriller 2830:Supernatural thriller 2449:The Day of the Jackal 2373:A subgenre involving 2138:The French Connection 1377:The French Connection 1192:Henri-Georges Clouzot 1036:The Phenix City Story 919:styles, such as with 771:Foreign Correspondent 716: 485:(1903). Elements of 381:The Castle of Otranto 173:The Suspense Thriller 152:The Suspense Thriller 40: 7698:Guerrilla filmmaking 7361:Kitchen sink realism 7246:New French Extremity 7156:German Expressionist 7064:Kitchen sink realism 6929:Contemporary Western 6709:Environmental issues 6240:New French Extremity 6198:New French Extremity 6023:Softcore pornography 6018:Hardcore pornography 5885:New French Extremity 5261:Frank, Alan (1997). 5212:Mesce, Bill (2007). 5069:Billy Bob Thornton. 4808:on December 25, 2011 2941:The Thirteenth Floor 2783:The Tailor of Panama 2703:The Constant Gardner 2552:Strangers on a Train 2326:Blood and Black Lace 2315:psychological horror 1593:The Towering Inferno 1506:(1972), a remake of 1468:blaxploitation films 1332:Jimmy "Popeye" Doyle 1089:Strangers on a Train 646:German Expressionism 384:(1765) which led to 7434:Children and family 7408:Yugoslav Black Wave 7281:Nuevo Cine Mexicano 7166:Nigerian Golden Age 7131:European art cinema 7034:Australian New Wave 4860:on January 20, 2012 4751:on November 2, 2011 4436:The Fugitive (1993) 2849:. Examples include 2691:Dirty Pretty Things 2652:10 Cloverfield Lane 2283:Single White Female 2224:sexual relationship 2076:In the Line of Fire 2021:Conspiracy thriller 2016:Conspiracy thriller 1961:Kiss Kiss Bang Bang 1836:is a blend of both 1530:(1973) a remake of 1518:(1972) a remake of 1462:(1981). A cycle of 1008:On Dangerous Ground 894:Italian neo-realism 872:I Wake Up Screaming 863:(1937), the b-film 801:detectives such as 7984:Mixed martial arts 7732:Major film studios 7326:Pure Film Movement 7306:Polish Film School 7206:Italian neorealist 7186:Hong Kong New Wave 6788:Mexican sex comedy 5845:German underground 4956:, October 2, 2009. 4932:festival brochure. 4930:, pp.54-57 of the 4325:, p. 149-150. 4292:, p. 148-149. 4239:, p. 139-140. 4215:, p. 137-138. 4188:, p. 135-136. 4176:, p. 133-134. 4140:, p. 130-131. 4065:, p. 120-121. 4026:, p. 116-117. 4014:, p. 113-114. 3990:, p. 111-112. 3978:, p. 110-111. 3918:, p. 103-104. 3906:, p. 102-103. 3867:, p. 100-101. 2789:Mission Impossible 2434:Political thriller 2429:Political thriller 2416:The Lincoln Lawyer 2174:The Asphalt Jungle 1979:Grosse Point Blank 1973:Mr. and Mrs. Smith 1724:'s crime thriller 1509:The Asphalt Jungle 1271:Albert R. Broccoli 1171:The Bedroom Window 1106:North by Northwest 934:He Walked by Night 906:Call Northside 777 860:You Only Live Once 828:The Maltese Falcon 719: 689:William A. Wellman 663:Universal Pictures 641:The Usual Suspects 421:The Woman in White 338:North by Northwest 189:North by Northwest 49: 8408: 8407: 8307:Extraterrestrials 8131:Sword and sorcery 7923: 7922: 7862:Socialist realist 7574:Behind-the-scenes 7351:Socialist realist 7346:Spaghetti Western 7336:Romanian New Wave 7211:Japanese New Wave 6877:Sword and sorcery 6793:Nazi exploitation 6375:Mumbai underworld 6131:Planetary romance 5333:978-0-7864-2371-2 5314:978-0-941188-46-3 5295:978-0-415-87139-6 5272:978-0-7134-2728-8 5223:978-0-7864-2751-2 5204:978-0-8108-6769-7 5186:978-0-670-10009-5 4392:"Action Thriller" 3094:978-1-315-10864-3 2888:What Lies Beneath 2817:The Good Shepherd 2777:The Parallax View 2540:Shadow of a Doubt 2505:The Ghost Writer. 2454:Frederick Forsyth 2439:Seven Days in May 2398:Presumed Innocent 2392:The Pelican Brief 2052:The Da Vinci Code 2003:The Lady Vanishes 1872:Snakes on a Plane 1732:seven deadly sins 1720:Buffalo Bill—and 1673:(1992), starring 1556:The Parallax View 1549:(1973) about the 1541:Watergate scandal 1429:Beverly Hills Cop 1294:Funeral in Berlin 1197:The Wages of Fear 1130:Hitchcock's Films 1042:The Brothers Rico 759:The Lady Vanishes 453:Uncle Tom's Cabin 195:The Parallax View 118:, slice of life, 60:suspense thriller 16:(Redirected from 8438: 7950: 7943: 7936: 7927: 7926: 7913: 7903: 7902: 7882:Vulgar auteurism 7710:Interstitial art 7688:Hyperlink cinema 7403:Vulgar auteurism 7398:Toronto New Wave 7388:Telefoni Bianchi 7383:Sword-and-sandal 7201:Italian futurist 7196:Iranian New Wave 7059:British New Wave 6872:Sword-and-sandal 6753:Rape and revenge 6694:Mouth of Garbage 6540:Tentacle erotica 6488:Goona-goona epic 6468:Extraterrestrial 6355:Heroic bloodshed 5989:Occult detective 5820:Christmas horror 5672:Sword-and-sandal 5404:Hong Kong action 5399:Heroic bloodshed 5365: 5358: 5351: 5342: 5341: 5337: 5318: 5299: 5276: 5250: 5227: 5208: 5190: 5171: 5152: 5142: 5105: 5104: 5102: 5100: 5089: 5083: 5082: 5080: 5078: 5066: 5060: 5059: 5057: 5055: 5040: 5034: 5033: 5031: 5029: 5018: 5012: 5011: 5009: 5007: 4996: 4990: 4989: 4987: 4985: 4974: 4968: 4963: 4957: 4947: 4941: 4924: 4918: 4917: 4915: 4913: 4898: 4892: 4891: 4889: 4887: 4876: 4870: 4869: 4867: 4865: 4850: 4844: 4843: 4841: 4839: 4834:on July 28, 2011 4824: 4818: 4817: 4815: 4813: 4798: 4792: 4791: 4789: 4787: 4778:. Archived from 4767: 4761: 4760: 4758: 4756: 4741: 4735: 4734: 4732: 4730: 4719: 4713: 4712: 4710: 4708: 4697: 4691: 4690: 4666: 4660: 4659: 4657: 4655: 4644: 4638: 4637: 4635: 4633: 4622: 4616: 4615: 4613: 4611: 4600: 4594: 4593: 4591: 4589: 4578: 4572: 4571: 4569: 4567: 4556: 4550: 4549: 4547: 4545: 4534: 4528: 4527: 4525: 4523: 4512: 4506: 4505: 4503: 4501: 4490: 4484: 4483: 4481: 4479: 4468: 4462: 4461: 4459: 4457: 4446: 4440: 4432: 4426: 4425: 4423: 4421: 4410: 4404: 4403: 4401: 4399: 4388: 4382: 4381: 4379: 4377: 4366: 4360: 4359: 4357: 4355: 4344: 4338: 4332: 4326: 4320: 4314: 4308: 4293: 4287: 4281: 4275: 4269: 4263: 4257: 4251: 4240: 4234: 4228: 4222: 4216: 4210: 4204: 4198: 4189: 4183: 4177: 4171: 4165: 4159: 4153: 4147: 4141: 4135: 4129: 4123: 4117: 4111: 4105: 4099: 4090: 4084: 4078: 4072: 4066: 4060: 4054: 4048: 4039: 4033: 4027: 4021: 4015: 4009: 4003: 3997: 3991: 3985: 3979: 3973: 3967: 3961: 3955: 3949: 3943: 3937: 3931: 3925: 3919: 3913: 3907: 3901: 3895: 3889: 3880: 3874: 3868: 3862: 3856: 3850: 3844: 3838: 3829: 3823: 3817: 3811: 3805: 3804:, p. 89-90. 3799: 3793: 3787: 3776: 3775:, p. 86-87. 3770: 3761: 3755: 3746: 3740: 3729: 3723: 3714: 3713:, p. 73-74. 3708: 3702: 3696: 3690: 3684: 3675: 3669: 3663: 3657: 3651: 3645: 3639: 3638:, p. 64-65. 3633: 3627: 3621: 3615: 3609: 3603: 3597: 3591: 3585: 3579: 3573: 3567: 3561: 3555: 3549: 3543: 3537: 3531: 3525: 3519: 3513: 3507: 3501: 3495: 3494:, p. 47–48. 3489: 3483: 3477: 3468: 3462: 3456: 3450: 3441: 3440:, p. 44–45. 3435: 3429: 3423: 3417: 3411: 3402: 3396: 3387: 3386:, p. 41–42. 3381: 3375: 3369: 3360: 3354: 3345: 3339: 3333: 3327: 3321: 3315: 3306: 3300: 3294: 3288: 3282: 3281:, p. 14–15. 3276: 3270: 3269:, p. 12–13. 3264: 3258: 3252: 3246: 3240: 3229: 3223: 3214: 3208: 3202: 3196: 3190: 3184: 3178: 3172: 3161: 3155: 3149: 3143: 3137: 3131: 3125: 3124: 3113: 3107: 3106: 3078: 3072: 3071: 3069: 3067: 3052: 3041: 3035: 3029: 3023: 2882:The Skeleton Key 2728:Alfred Hitchcock 2622:Fatal Attraction 2529:Alfred Hitchcock 2058:Edge of Darkness 1911:series, and the 1695:Clarice Starling 1630:1990s to present 1605:Independence Day 1562:The Conversation 1546:Executive Action 1533:The Defiant Ones 1369: 1288:The Ipcress File 1235:Bonnie and Clyde 947:The Iron Curtain 886:Double Indemnity 834:Murder, My Sweet 732:Alfred Hitchcock 694:The Public Enemy 468:Shoot the Chutes 414:, starting with 246:G. K. Chesterton 224:courtroom dramas 161:Alfred Hitchcock 88:Eric R. Williams 83:, or a mystery. 54:, also known as 32:Thriller (genre) 21: 8446: 8445: 8441: 8440: 8439: 8437: 8436: 8435: 8411: 8410: 8409: 8404: 8287:Science fiction 8277:Romantic comedy 7965: 7954: 7924: 7919: 7891: 7832:Semidocumentary 7757:Minimalist film 7747:Message picture 7742:Maximalist film 7636:Database cinema 7619:Computer screen 7579:Black-and-white 7504: 7502: 7500: 7494: 7412: 7368:Soviet parallel 7291:Parallel cinema 7286:Pan-Indian film 7216:Kammerspielfilm 7151:French New Wave 7071:Budapest school 7054:Brighton School 7029:New Objectivity 7011: 7005: 6974:Science fiction 6606:Bruceploitation 6515:Girls with guns 6461:Turksploitation 6335:Gentleman thief 6251: 6086:Science fiction 5932:Minimalist film 5927:Maximalist film 5905:Science fiction 5865:Japanese horror 5662:Social guidance 5377: 5369: 5334: 5315: 5296: 5273: 5257: 5255:Further reading 5247: 5224: 5205: 5187: 5168: 5113: 5108: 5098: 5096: 5091: 5090: 5086: 5076: 5074: 5067: 5063: 5053: 5051: 5041: 5037: 5027: 5025: 5020: 5019: 5015: 5005: 5003: 4998: 4997: 4993: 4983: 4981: 4976: 4975: 4971: 4964: 4960: 4954:The Independent 4948: 4944: 4939:Wayback Machine 4925: 4921: 4911: 4909: 4899: 4895: 4885: 4883: 4878: 4877: 4873: 4863: 4861: 4852: 4851: 4847: 4837: 4835: 4826: 4825: 4821: 4811: 4809: 4800: 4799: 4795: 4785: 4783: 4776:The Aspen Times 4768: 4764: 4754: 4752: 4743: 4742: 4738: 4728: 4726: 4721: 4720: 4716: 4706: 4704: 4699: 4698: 4694: 4687: 4679:. p. 172. 4667: 4663: 4653: 4651: 4646: 4645: 4641: 4631: 4629: 4624: 4623: 4619: 4609: 4607: 4602: 4601: 4597: 4587: 4585: 4580: 4579: 4575: 4565: 4563: 4558: 4557: 4553: 4543: 4541: 4536: 4535: 4531: 4521: 4519: 4514: 4513: 4509: 4499: 4497: 4492: 4491: 4487: 4477: 4475: 4470: 4469: 4465: 4455: 4453: 4448: 4447: 4443: 4433: 4429: 4419: 4417: 4412: 4411: 4407: 4397: 4395: 4390: 4389: 4385: 4375: 4373: 4368: 4367: 4363: 4353: 4351: 4346: 4345: 4341: 4333: 4329: 4321: 4317: 4309: 4296: 4288: 4284: 4276: 4272: 4264: 4260: 4252: 4243: 4235: 4231: 4223: 4219: 4211: 4207: 4199: 4192: 4184: 4180: 4172: 4168: 4160: 4156: 4148: 4144: 4136: 4132: 4124: 4120: 4112: 4108: 4100: 4093: 4085: 4081: 4073: 4069: 4061: 4057: 4049: 4042: 4034: 4030: 4022: 4018: 4010: 4006: 3998: 3994: 3986: 3982: 3974: 3970: 3962: 3958: 3950: 3946: 3938: 3934: 3926: 3922: 3914: 3910: 3902: 3898: 3890: 3883: 3875: 3871: 3863: 3859: 3851: 3847: 3839: 3832: 3824: 3820: 3812: 3808: 3800: 3796: 3788: 3779: 3771: 3764: 3756: 3749: 3741: 3732: 3724: 3717: 3709: 3705: 3697: 3693: 3685: 3678: 3670: 3666: 3658: 3654: 3646: 3642: 3634: 3630: 3622: 3618: 3610: 3606: 3598: 3594: 3586: 3582: 3574: 3570: 3562: 3558: 3550: 3546: 3538: 3534: 3526: 3522: 3514: 3510: 3502: 3498: 3490: 3486: 3478: 3471: 3463: 3459: 3451: 3444: 3436: 3432: 3424: 3420: 3412: 3405: 3397: 3390: 3382: 3378: 3370: 3363: 3355: 3348: 3340: 3336: 3328: 3324: 3316: 3309: 3301: 3297: 3289: 3285: 3277: 3273: 3265: 3261: 3253: 3249: 3241: 3232: 3224: 3217: 3209: 3205: 3197: 3193: 3185: 3181: 3173: 3164: 3156: 3152: 3144: 3140: 3132: 3128: 3115: 3114: 3110: 3095: 3079: 3075: 3065: 3063: 3053: 3044: 3038:Konigsberg 1997 3036: 3032: 3026:Konigsberg 1997 3024: 3020: 3016: 3004: 2930:Techno-thriller 2927: 2925:Techno-thriller 2900:The Sixth Sense 2832: 2712: 2670:Social thriller 2667: 2665:Social thriller 2513: 2487:The Interpreter 2444:Fletcher Knebel 2431: 2383: 2371: 2369:Horror thriller 2292: 2259:Dressed to Kill 2216:Erotic thriller 2213: 2211:Erotic thriller 2097: 2018: 1955:Malamaal Weekly 1937:Dr. Strangelove 1926:Comedy thriller 1923: 1921:Comedy thriller 1890:The Hurt Locker 1884:The Dark Knight 1834:Action thriller 1831: 1829:Action thriller 1823: 1817: 1739:Martin Scorsese 1714:Anthony Hopkins 1710:Hannibal Lecter 1632: 1438: 1420:), and comedy ( 1372:Philip D'Antoni 1367: 1218:French New Wave 1203:Les Diaboliques 1180: 1149:Dressed to Kill 1051:science fiction 978: 819:Sherlock Holmes 794: 655: 616:Stanley Kubrick 552:Louis Feuillade 534:Chicago Tribune 499:Vanishing Point 476: 438:Sherlock Holmes 430:Edgar Allan Poe 412:sensation novel 368: 363: 358: 294:horror thriller 213:or private eye 147: 145:Characteristics 116:science fiction 35: 28: 23: 22: 15: 12: 11: 5: 8444: 8434: 8433: 8428: 8426:Thriller films 8423: 8406: 8405: 8403: 8402: 8401: 8400: 8395: 8385: 8384: 8383: 8378: 8368: 8367: 8366: 8361: 8351: 8346: 8341: 8336: 8335: 8334: 8329: 8324: 8319: 8314: 8309: 8304: 8299: 8294: 8284: 8279: 8274: 8269: 8264: 8259: 8254: 8249: 8244: 8239: 8238: 8237: 8232: 8222: 8217: 8212: 8207: 8206: 8205: 8200: 8195: 8190: 8185: 8180: 8175: 8170: 8165: 8160: 8155: 8150: 8145: 8135: 8134: 8133: 8123: 8118: 8117: 8116: 8111: 8106: 8096: 8091: 8086: 8085: 8084: 8074: 8069: 8068: 8067: 8062: 8052: 8047: 8046: 8045: 8035: 8033:Blaxploitation 8030: 8025: 8020: 8015: 8014: 8013: 8008: 7998: 7997: 7996: 7991: 7986: 7981: 7970: 7967: 7966: 7953: 7952: 7945: 7938: 7930: 7921: 7920: 7918: 7917: 7907: 7896: 7893: 7892: 7890: 7889: 7884: 7879: 7874: 7869: 7864: 7859: 7854: 7849: 7844: 7839: 7834: 7829: 7824: 7819: 7817:Reverse motion 7814: 7809: 7804: 7799: 7794: 7789: 7784: 7779: 7774: 7769: 7767:Modernist film 7764: 7759: 7754: 7749: 7744: 7739: 7734: 7729: 7724: 7723: 7722: 7712: 7707: 7706: 7705: 7700: 7690: 7685: 7680: 7675: 7670: 7665: 7660: 7659: 7658: 7648: 7643: 7638: 7633: 7632: 7631: 7629:midnight movie 7621: 7616: 7611: 7606: 7601: 7596: 7591: 7586: 7581: 7576: 7571: 7566: 7561: 7556: 7555: 7554: 7549: 7544: 7539: 7534: 7529: 7519: 7514: 7508: 7506: 7496: 7495: 7493: 7492: 7491: 7490: 7485: 7475: 7474: 7473: 7468: 7458: 7457: 7456: 7451: 7443: 7442: 7441: 7431: 7426: 7420: 7418: 7417:By demographic 7414: 7413: 7411: 7410: 7405: 7400: 7395: 7390: 7385: 7380: 7375: 7370: 7365: 7364: 7363: 7356:Social realist 7353: 7348: 7343: 7338: 7333: 7328: 7323: 7318: 7313: 7311:Poliziotteschi 7308: 7303: 7301:Poetic realist 7298: 7293: 7288: 7283: 7278: 7273: 7268: 7263: 7258: 7256:New generation 7253: 7248: 7243: 7238: 7233: 7231:Modernist film 7228: 7223: 7221:L.A. Rebellion 7218: 7213: 7208: 7203: 7198: 7193: 7188: 7183: 7178: 7173: 7168: 7163: 7158: 7153: 7148: 7143: 7138: 7133: 7128: 7123: 7118: 7113: 7108: 7103: 7098: 7093: 7088: 7086:CinĂ©ma du look 7083: 7078: 7073: 7068: 7067: 7066: 7056: 7051: 7046: 7041: 7036: 7031: 7026: 7021: 7015: 7013: 7007: 7006: 7004: 7003: 7002: 7001: 6999:Zapata Western 6996: 6991: 6986: 6981: 6979:Singing cowboy 6976: 6971: 6966: 6961: 6956: 6951: 6946: 6941: 6936: 6934:Dacoit Western 6931: 6926: 6916: 6915: 6914: 6909: 6904: 6894: 6889: 6884: 6879: 6874: 6869: 6864: 6859: 6854: 6853: 6852: 6842: 6837: 6832: 6827: 6822: 6817: 6815:Shoshimin-eiga 6812: 6811: 6810: 6805: 6803:Nunsploitation 6800: 6798:Pornochanchada 6795: 6790: 6785: 6780: 6770: 6765: 6760: 6755: 6750: 6745: 6744: 6743: 6733: 6728: 6723: 6718: 6713: 6712: 6711: 6701: 6696: 6691: 6686: 6685: 6684: 6683: 6682: 6672: 6667: 6662: 6657: 6647: 6646: 6645: 6635: 6634: 6633: 6628: 6623: 6618: 6613: 6608: 6598: 6593: 6588: 6587: 6586: 6581: 6571: 6566: 6565: 6564: 6554: 6549: 6544: 6543: 6542: 6537: 6532: 6522: 6517: 6512: 6511: 6510: 6505: 6500: 6490: 6485: 6480: 6475: 6473:Food and drink 6470: 6465: 6464: 6463: 6458: 6453: 6451:Blaxploitation 6443: 6438: 6433: 6428: 6423: 6422: 6421: 6416: 6406: 6405: 6404: 6394: 6389: 6388: 6387: 6382: 6380:Poliziotteschi 6377: 6372: 6367: 6362: 6357: 6352: 6347: 6342: 6337: 6332: 6327: 6317: 6312: 6307: 6302: 6297: 6292: 6291: 6290: 6285: 6275: 6270: 6265: 6259: 6257: 6253: 6252: 6250: 6249: 6244: 6243: 6242: 6237: 6235:Extreme cinema 6232: 6222: 6221: 6220: 6215: 6210: 6205: 6200: 6195: 6190: 6185: 6180: 6175: 6165: 6160: 6155: 6154: 6153: 6148: 6143: 6138: 6133: 6128: 6123: 6118: 6113: 6108: 6103: 6098: 6093: 6083: 6082: 6081: 6076: 6071: 6066: 6061: 6060: 6059: 6044: 6039: 6034: 6033: 6032: 6025: 6020: 6010: 6005: 6004: 6003: 5998: 5997: 5996: 5991: 5976: 5975: 5974: 5969: 5964: 5959: 5954: 5949: 5939: 5934: 5929: 5924: 5923: 5922: 5917: 5912: 5907: 5902: 5897: 5892: 5887: 5882: 5877: 5872: 5867: 5862: 5857: 5852: 5847: 5842: 5837: 5832: 5827: 5822: 5817: 5815:Chinese horror 5812: 5807: 5802: 5792: 5791: 5790: 5785: 5780: 5775: 5770: 5760: 5759: 5758: 5753: 5748: 5738: 5737: 5736: 5731: 5726: 5721: 5716: 5711: 5706: 5696: 5695: 5694: 5681: 5676: 5675: 5674: 5664: 5659: 5654: 5653: 5652: 5647: 5642: 5637: 5627: 5626: 5625: 5624: 5623: 5613: 5608: 5603: 5598: 5588: 5587: 5586: 5581: 5576: 5571: 5566: 5561: 5556: 5551: 5546: 5536: 5535: 5534: 5524: 5523: 5522: 5517: 5512: 5507: 5502: 5497: 5492: 5487: 5482: 5477: 5472: 5467: 5462: 5461: 5460: 5450: 5445: 5435: 5430: 5425: 5420: 5419: 5418: 5408: 5407: 5406: 5401: 5396: 5385: 5383: 5379: 5378: 5368: 5367: 5360: 5353: 5345: 5339: 5338: 5332: 5319: 5313: 5300: 5294: 5277: 5271: 5256: 5253: 5252: 5251: 5245: 5228: 5222: 5209: 5203: 5185: 5172: 5166: 5153: 5125:(4): 109–121. 5112: 5109: 5107: 5106: 5084: 5073:. Allmovie.com 5061: 5035: 5013: 4991: 4969: 4958: 4942: 4919: 4893: 4871: 4845: 4819: 4793: 4762: 4736: 4714: 4692: 4685: 4661: 4639: 4628:. Allmovie.com 4617: 4595: 4573: 4551: 4529: 4518:. Allmovie.com 4507: 4485: 4463: 4452:. Allmovie.com 4441: 4427: 4416:. Allmovie.com 4405: 4383: 4361: 4350:. Filmsite.org 4339: 4337:, p. 150. 4327: 4315: 4313:, p. 149. 4294: 4282: 4280:, p. 146. 4270: 4268:, p. 145. 4258: 4256:, p. 144. 4241: 4229: 4227:, p. 138. 4217: 4205: 4203:, p. 137. 4190: 4178: 4166: 4164:, p. 133. 4154: 4152:, p. 132. 4142: 4130: 4128:, p. 130. 4118: 4116:, p. 128. 4106: 4104:, p. 127. 4091: 4089:, p. 125. 4079: 4077:, p. 124. 4067: 4055: 4053:, p. 119. 4040: 4038:, p. 117. 4028: 4016: 4004: 4002:, p. 113. 3992: 3980: 3968: 3966:, p. 109. 3956: 3954:, p. 108. 3944: 3942:, p. 107. 3932: 3930:, p. 105. 3920: 3908: 3896: 3894:, p. 102. 3881: 3879:, p. 101. 3869: 3857: 3845: 3830: 3818: 3806: 3794: 3777: 3762: 3747: 3730: 3715: 3703: 3691: 3676: 3664: 3652: 3640: 3628: 3616: 3604: 3592: 3580: 3568: 3556: 3544: 3532: 3520: 3508: 3496: 3484: 3469: 3457: 3442: 3430: 3418: 3403: 3388: 3376: 3361: 3346: 3334: 3332:, p. 3-4. 3322: 3307: 3295: 3283: 3271: 3259: 3247: 3230: 3215: 3203: 3201:, p. 110. 3191: 3179: 3162: 3150: 3138: 3136:, p. 3–4. 3126: 3108: 3093: 3073: 3042: 3030: 3017: 3015: 3012: 3011: 3010: 3003: 3000: 2926: 2923: 2876:Jacob's Ladder 2831: 2828: 2741:Berlin Express 2724:British cinema 2711: 2708: 2666: 2663: 2628:The River Wild 2580:Shutter Island 2512: 2509: 2464:Richard Condon 2430: 2427: 2404:A Time to Kill 2386:Legal thriller 2382: 2381:Legal thriller 2379: 2370: 2367: 2291: 2288: 2265:Eyes Wide Shut 2241:Basic Instinct 2212: 2209: 2121:double-crosses 2100:Crime thriller 2096: 2095:Crime thriller 2093: 2064:Absolute Power 2017: 2014: 1997:Pocket Listing 1922: 1919: 1896:The Terminator 1830: 1827: 1816: 1813: 1744:Shutter Island 1682:Jonathan Demme 1670:Unlawful Entry 1631: 1628: 1442:vigilante film 1437: 1434: 1349:Coogan's Bluff 1253:Reservoir Dogs 1179: 1176: 1144:Brian de Palma 1134:Jonathan Demme 1122:Claude Chabrol 977: 974: 959:The Red Menace 912:The Naked City 839:Philip Marlowe 811:Boston Blackie 803:Michael Shayne 793: 790: 654: 651: 606:Robert Siodmak 475: 472: 416:Wilkie Collins 376:Horace Walpole 367: 364: 362: 359: 357: 354: 258:Carlos Clarens 250:adventure film 146: 143: 26: 18:Thriller movie 9: 6: 4: 3: 2: 8443: 8432: 8429: 8427: 8424: 8422: 8419: 8418: 8416: 8399: 8396: 8394: 8391: 8390: 8389: 8386: 8382: 8379: 8377: 8374: 8373: 8372: 8369: 8365: 8362: 8360: 8357: 8356: 8355: 8352: 8350: 8347: 8345: 8342: 8340: 8337: 8333: 8330: 8328: 8325: 8323: 8322:Sci-fi horror 8320: 8318: 8317:Sci-fi comedy 8315: 8313: 8312:Sci-fi action 8310: 8308: 8305: 8303: 8300: 8298: 8295: 8293: 8290: 8289: 8288: 8285: 8283: 8280: 8278: 8275: 8273: 8270: 8268: 8265: 8263: 8260: 8258: 8255: 8253: 8250: 8248: 8245: 8243: 8240: 8236: 8235:Giant-monster 8233: 8231: 8228: 8227: 8226: 8223: 8221: 8218: 8216: 8213: 8211: 8208: 8204: 8201: 8199: 8196: 8194: 8191: 8189: 8186: 8184: 8181: 8179: 8176: 8174: 8171: 8169: 8166: 8164: 8161: 8159: 8156: 8154: 8153:Comedy horror 8151: 8149: 8146: 8144: 8141: 8140: 8139: 8136: 8132: 8129: 8128: 8127: 8124: 8122: 8119: 8115: 8112: 8110: 8107: 8105: 8102: 8101: 8100: 8097: 8095: 8092: 8090: 8087: 8083: 8080: 8079: 8078: 8075: 8073: 8070: 8066: 8063: 8061: 8058: 8057: 8056: 8053: 8051: 8048: 8044: 8041: 8040: 8039: 8036: 8034: 8031: 8029: 8026: 8024: 8021: 8019: 8016: 8012: 8009: 8007: 8004: 8003: 8002: 7999: 7995: 7992: 7990: 7987: 7985: 7982: 7980: 7977: 7976: 7975: 7972: 7971: 7968: 7963: 7959: 7951: 7946: 7944: 7939: 7937: 7932: 7931: 7928: 7916: 7912: 7908: 7906: 7898: 7897: 7894: 7888: 7885: 7883: 7880: 7878: 7875: 7873: 7870: 7868: 7865: 7863: 7860: 7858: 7855: 7853: 7850: 7848: 7845: 7843: 7840: 7838: 7835: 7833: 7830: 7828: 7825: 7823: 7820: 7818: 7815: 7813: 7812:Postmodernist 7810: 7808: 7805: 7803: 7802:Participatory 7800: 7798: 7795: 7793: 7790: 7788: 7785: 7783: 7780: 7778: 7775: 7773: 7772:Musical short 7770: 7768: 7765: 7763: 7760: 7758: 7755: 7753: 7750: 7748: 7745: 7743: 7740: 7738: 7735: 7733: 7730: 7728: 7725: 7721: 7718: 7717: 7716: 7713: 7711: 7708: 7704: 7701: 7699: 7696: 7695: 7694: 7691: 7689: 7686: 7684: 7683:Found footage 7681: 7679: 7676: 7674: 7671: 7669: 7666: 7664: 7661: 7657: 7654: 7653: 7652: 7649: 7647: 7644: 7642: 7639: 7637: 7634: 7630: 7627: 7626: 7625: 7622: 7620: 7617: 7615: 7612: 7610: 7607: 7605: 7602: 7600: 7597: 7595: 7592: 7590: 7589:CinĂ©ma vĂ©ritĂ© 7587: 7585: 7582: 7580: 7577: 7575: 7572: 7570: 7567: 7565: 7562: 7560: 7557: 7553: 7550: 7548: 7545: 7543: 7540: 7538: 7535: 7533: 7530: 7528: 7525: 7524: 7523: 7520: 7518: 7515: 7513: 7510: 7509: 7507: 7505:or production 7497: 7489: 7486: 7484: 7481: 7480: 7479: 7476: 7472: 7469: 7467: 7464: 7463: 7462: 7459: 7455: 7452: 7450: 7447: 7446: 7444: 7440: 7437: 7436: 7435: 7432: 7430: 7427: 7425: 7422: 7421: 7419: 7415: 7409: 7406: 7404: 7401: 7399: 7396: 7394: 7391: 7389: 7386: 7384: 7381: 7379: 7376: 7374: 7371: 7369: 7366: 7362: 7359: 7358: 7357: 7354: 7352: 7349: 7347: 7344: 7342: 7339: 7337: 7334: 7332: 7329: 7327: 7324: 7322: 7321:Prussian film 7319: 7317: 7314: 7312: 7309: 7307: 7304: 7302: 7299: 7297: 7294: 7292: 7289: 7287: 7284: 7282: 7279: 7277: 7274: 7272: 7269: 7267: 7266:New Nollywood 7264: 7262: 7261:New Hollywood 7259: 7257: 7254: 7252: 7249: 7247: 7244: 7242: 7239: 7237: 7234: 7232: 7229: 7227: 7224: 7222: 7219: 7217: 7214: 7212: 7209: 7207: 7204: 7202: 7199: 7197: 7194: 7192: 7189: 7187: 7184: 7182: 7179: 7177: 7174: 7172: 7169: 7167: 7164: 7162: 7159: 7157: 7154: 7152: 7149: 7147: 7144: 7142: 7139: 7137: 7134: 7132: 7129: 7127: 7124: 7122: 7119: 7117: 7114: 7112: 7109: 7107: 7104: 7102: 7099: 7097: 7094: 7092: 7089: 7087: 7084: 7082: 7081:Cannibal boom 7079: 7077: 7076:Calligrafismo 7074: 7072: 7069: 7065: 7062: 7061: 7060: 7057: 7055: 7052: 7050: 7047: 7045: 7044:Berlin School 7042: 7040: 7037: 7035: 7032: 7030: 7027: 7025: 7022: 7020: 7017: 7016: 7014: 7008: 7000: 6997: 6995: 6994:Weird Western 6992: 6990: 6987: 6985: 6982: 6980: 6977: 6975: 6972: 6970: 6967: 6965: 6962: 6960: 6957: 6955: 6952: 6950: 6947: 6945: 6942: 6940: 6937: 6935: 6932: 6930: 6927: 6925: 6922: 6921: 6920: 6917: 6913: 6910: 6908: 6905: 6903: 6900: 6899: 6898: 6895: 6893: 6890: 6888: 6885: 6883: 6880: 6878: 6875: 6873: 6870: 6868: 6865: 6863: 6860: 6858: 6855: 6851: 6848: 6847: 6846: 6843: 6841: 6838: 6836: 6833: 6831: 6828: 6826: 6825:Slice of life 6823: 6821: 6818: 6816: 6813: 6809: 6806: 6804: 6801: 6799: 6796: 6794: 6791: 6789: 6786: 6784: 6781: 6779: 6778:Bavarian porn 6776: 6775: 6774: 6773:Sexploitation 6771: 6769: 6766: 6764: 6761: 6759: 6756: 6754: 6751: 6749: 6746: 6742: 6739: 6738: 6737: 6734: 6732: 6731:Partisan film 6729: 6727: 6724: 6722: 6719: 6717: 6714: 6710: 6707: 6706: 6705: 6702: 6700: 6699:Muslim social 6697: 6695: 6692: 6690: 6687: 6681: 6680:Zombie comedy 6678: 6677: 6676: 6673: 6671: 6668: 6666: 6663: 6661: 6658: 6656: 6655:Giant monster 6653: 6652: 6651: 6648: 6644: 6641: 6640: 6639: 6636: 6632: 6629: 6627: 6624: 6622: 6619: 6617: 6614: 6612: 6609: 6607: 6604: 6603: 6602: 6599: 6597: 6594: 6592: 6589: 6585: 6582: 6580: 6577: 6576: 6575: 6572: 6570: 6567: 6563: 6560: 6559: 6558: 6555: 6553: 6550: 6548: 6545: 6541: 6538: 6536: 6533: 6531: 6528: 6527: 6526: 6523: 6521: 6518: 6516: 6513: 6509: 6506: 6504: 6501: 6499: 6496: 6495: 6494: 6491: 6489: 6486: 6484: 6481: 6479: 6476: 6474: 6471: 6469: 6466: 6462: 6459: 6457: 6456:Mexploitation 6454: 6452: 6449: 6448: 6447: 6444: 6442: 6439: 6437: 6434: 6432: 6429: 6427: 6424: 6420: 6417: 6415: 6412: 6411: 6410: 6407: 6403: 6400: 6399: 6398: 6395: 6393: 6390: 6386: 6383: 6381: 6378: 6376: 6373: 6371: 6368: 6366: 6363: 6361: 6358: 6356: 6353: 6351: 6348: 6346: 6343: 6341: 6338: 6336: 6333: 6331: 6328: 6326: 6323: 6322: 6321: 6318: 6316: 6313: 6311: 6310:Coming-of-age 6308: 6306: 6303: 6301: 6298: 6296: 6293: 6289: 6286: 6284: 6281: 6280: 6279: 6276: 6274: 6271: 6269: 6266: 6264: 6261: 6260: 6258: 6254: 6248: 6245: 6241: 6238: 6236: 6233: 6231: 6228: 6227: 6226: 6225:Transgressive 6223: 6219: 6216: 6214: 6211: 6209: 6208:Psychological 6206: 6204: 6201: 6199: 6196: 6194: 6191: 6189: 6186: 6184: 6181: 6179: 6176: 6174: 6171: 6170: 6169: 6166: 6164: 6161: 6159: 6158:Slice of life 6156: 6152: 6149: 6147: 6144: 6142: 6139: 6137: 6134: 6132: 6129: 6127: 6124: 6122: 6119: 6117: 6114: 6112: 6109: 6107: 6104: 6102: 6099: 6097: 6094: 6092: 6089: 6088: 6087: 6084: 6080: 6077: 6075: 6072: 6070: 6067: 6065: 6062: 6058: 6055: 6054: 6053: 6050: 6049: 6048: 6045: 6043: 6040: 6038: 6035: 6030: 6026: 6024: 6021: 6019: 6016: 6015: 6014: 6011: 6009: 6006: 6002: 5999: 5995: 5992: 5990: 5987: 5986: 5985: 5982: 5981: 5980: 5977: 5973: 5970: 5968: 5965: 5963: 5960: 5958: 5955: 5953: 5950: 5948: 5945: 5944: 5943: 5940: 5938: 5935: 5933: 5930: 5928: 5925: 5921: 5918: 5916: 5913: 5911: 5908: 5906: 5903: 5901: 5898: 5896: 5895:Psychological 5893: 5891: 5888: 5886: 5883: 5881: 5878: 5876: 5873: 5871: 5870:Korean horror 5868: 5866: 5863: 5861: 5858: 5856: 5853: 5851: 5848: 5846: 5843: 5841: 5840:Found footage 5838: 5836: 5833: 5831: 5828: 5826: 5823: 5821: 5818: 5816: 5813: 5811: 5808: 5806: 5803: 5801: 5798: 5797: 5796: 5793: 5789: 5786: 5784: 5781: 5779: 5776: 5774: 5771: 5769: 5766: 5765: 5764: 5761: 5757: 5754: 5752: 5749: 5747: 5744: 5743: 5742: 5739: 5735: 5732: 5730: 5729:Magic realism 5727: 5725: 5722: 5720: 5717: 5715: 5712: 5710: 5707: 5705: 5702: 5701: 5700: 5697: 5693: 5692: 5687: 5686: 5685: 5682: 5680: 5677: 5673: 5670: 5669: 5668: 5665: 5663: 5660: 5658: 5655: 5651: 5648: 5646: 5645:Sexploitation 5643: 5641: 5638: 5636: 5633: 5632: 5631: 5628: 5622: 5619: 5618: 5617: 5614: 5612: 5609: 5607: 5604: 5602: 5599: 5597: 5596:Calligrafismo 5594: 5593: 5592: 5589: 5585: 5582: 5580: 5577: 5575: 5572: 5570: 5567: 5565: 5562: 5560: 5557: 5555: 5552: 5550: 5549:City symphony 5547: 5545: 5542: 5541: 5540: 5537: 5533: 5530: 5529: 5528: 5525: 5521: 5518: 5516: 5513: 5511: 5508: 5506: 5503: 5501: 5498: 5496: 5493: 5491: 5488: 5486: 5483: 5481: 5478: 5476: 5473: 5471: 5468: 5466: 5463: 5459: 5456: 5455: 5454: 5451: 5449: 5446: 5444: 5441: 5440: 5439: 5436: 5434: 5431: 5429: 5426: 5424: 5421: 5417: 5414: 5413: 5412: 5409: 5405: 5402: 5400: 5397: 5395: 5392: 5391: 5390: 5387: 5386: 5384: 5380: 5376: 5373: 5366: 5361: 5359: 5354: 5352: 5347: 5346: 5343: 5335: 5329: 5325: 5320: 5316: 5310: 5306: 5301: 5297: 5291: 5287: 5283: 5278: 5274: 5268: 5264: 5259: 5258: 5248: 5246:0-521-58183-4 5242: 5238: 5234: 5229: 5225: 5219: 5215: 5210: 5206: 5200: 5196: 5188: 5182: 5178: 5173: 5169: 5167:0-7864-1208-9 5163: 5159: 5154: 5150: 5146: 5141: 5136: 5132: 5128: 5124: 5120: 5115: 5114: 5094: 5088: 5072: 5065: 5054:September 10, 5050: 5046: 5039: 5023: 5017: 5001: 4995: 4979: 4973: 4967: 4962: 4955: 4951: 4946: 4940: 4936: 4933: 4929: 4923: 4908: 4907:Village Voice 4904: 4897: 4881: 4875: 4859: 4855: 4849: 4833: 4829: 4823: 4807: 4803: 4797: 4786:September 10, 4781: 4777: 4773: 4766: 4750: 4746: 4740: 4724: 4718: 4702: 4696: 4688: 4686:9781118883495 4682: 4678: 4674: 4673: 4665: 4649: 4643: 4627: 4621: 4605: 4599: 4583: 4577: 4561: 4555: 4539: 4533: 4517: 4511: 4495: 4489: 4473: 4467: 4451: 4445: 4438: 4437: 4431: 4415: 4409: 4393: 4387: 4371: 4365: 4349: 4343: 4336: 4331: 4324: 4319: 4312: 4307: 4305: 4303: 4301: 4299: 4291: 4286: 4279: 4274: 4267: 4262: 4255: 4250: 4248: 4246: 4238: 4233: 4226: 4221: 4214: 4209: 4202: 4197: 4195: 4187: 4182: 4175: 4170: 4163: 4158: 4151: 4146: 4139: 4134: 4127: 4122: 4115: 4110: 4103: 4098: 4096: 4088: 4083: 4076: 4071: 4064: 4059: 4052: 4047: 4045: 4037: 4032: 4025: 4020: 4013: 4008: 4001: 3996: 3989: 3984: 3977: 3972: 3965: 3960: 3953: 3948: 3941: 3936: 3929: 3924: 3917: 3912: 3905: 3900: 3893: 3888: 3886: 3878: 3873: 3866: 3861: 3855:, p. 98. 3854: 3849: 3843:, p. 97. 3842: 3837: 3835: 3828:, p. 91. 3827: 3822: 3816:, p. 90. 3815: 3810: 3803: 3798: 3792:, p. 88. 3791: 3786: 3784: 3782: 3774: 3769: 3767: 3760:, p. 85. 3759: 3754: 3752: 3745:, p. 80. 3744: 3739: 3737: 3735: 3728:, p. 79. 3727: 3722: 3720: 3712: 3707: 3701:, p. 73. 3700: 3695: 3689:, p. 72. 3688: 3683: 3681: 3674:, p. 71. 3673: 3668: 3662:, p. 70. 3661: 3656: 3650:, p. 65. 3649: 3644: 3637: 3632: 3626:, p. 64. 3625: 3620: 3614:, p. 62. 3613: 3608: 3602:, p. 60. 3601: 3596: 3590:, p. 59. 3589: 3584: 3578:, p. 58. 3577: 3572: 3566:, p. 57. 3565: 3560: 3554:, p. 54. 3553: 3548: 3542:, p. 53. 3541: 3536: 3530:, p. 52. 3529: 3524: 3518:, p. 51. 3517: 3512: 3506:, p. 50. 3505: 3500: 3493: 3488: 3482:, p. 47. 3481: 3476: 3474: 3467:, p. 46. 3466: 3461: 3455:, p. 45. 3454: 3449: 3447: 3439: 3434: 3428:, p. 44. 3427: 3422: 3416:, p. 43. 3415: 3410: 3408: 3401:, p. 42. 3400: 3395: 3393: 3385: 3380: 3374:, p. 41. 3373: 3368: 3366: 3359:, p. 40. 3358: 3353: 3351: 3344:, p. 39. 3343: 3338: 3331: 3326: 3319: 3314: 3312: 3304: 3299: 3293:, p. 16. 3292: 3287: 3280: 3275: 3268: 3263: 3257:, p. 12. 3256: 3251: 3245:, p. 11. 3244: 3239: 3237: 3235: 3228:, p. 10. 3227: 3222: 3220: 3212: 3207: 3200: 3195: 3188: 3183: 3176: 3171: 3169: 3167: 3159: 3154: 3148:, p. 13. 3147: 3142: 3135: 3130: 3122: 3118: 3112: 3104: 3100: 3096: 3090: 3086: 3085: 3077: 3062: 3058: 3051: 3049: 3047: 3040:, p. 404 3039: 3034: 3028:, p. 421 3027: 3022: 3018: 3009: 3006: 3005: 2999: 2997: 2996: 2991: 2990: 2985: 2984: 2979: 2978: 2973: 2972: 2967: 2966: 2961: 2960: 2955: 2954: 2949: 2948: 2943: 2942: 2937: 2936: 2931: 2922: 2920: 2919: 2914: 2913: 2912:The Dead Zone 2908: 2907: 2902: 2901: 2896: 2895: 2890: 2889: 2884: 2883: 2878: 2877: 2872: 2871: 2866: 2865: 2860: 2859: 2854: 2853: 2848: 2844: 2840: 2836: 2827: 2825: 2824: 2819: 2818: 2813: 2812: 2807: 2803: 2802: 2797: 2796: 2791: 2790: 2785: 2784: 2779: 2778: 2773: 2772: 2767: 2766: 2761: 2760: 2755: 2754: 2749: 2748: 2743: 2742: 2737: 2733: 2729: 2725: 2721: 2720:John Le CarrĂ© 2716: 2707: 2705: 2704: 2699: 2698: 2693: 2692: 2687: 2686: 2681: 2680: 2675: 2671: 2662: 2661: 2659: 2654: 2653: 2648: 2647: 2642: 2641: 2636: 2635: 2630: 2629: 2624: 2623: 2618: 2617: 2612: 2611: 2606: 2605: 2600: 2599: 2594: 2593: 2588: 2587: 2582: 2581: 2576: 2575: 2574:The Machinist 2570: 2569: 2564: 2563: 2558: 2555:, as well as 2554: 2553: 2548: 2547: 2542: 2541: 2536: 2535: 2530: 2526: 2522: 2517: 2508: 2507: 2506: 2501: 2500: 2499:State of Play 2495: 2494: 2493:Proof of Life 2489: 2488: 2483: 2482: 2477: 2476: 2471: 2470: 2465: 2461: 2460: 2455: 2451: 2450: 2445: 2441: 2440: 2435: 2426: 2424: 2423: 2418: 2417: 2412: 2411: 2406: 2405: 2400: 2399: 2394: 2393: 2387: 2378: 2376: 2366: 2364: 2363: 2358: 2357: 2352: 2351: 2346: 2345: 2340: 2339: 2334: 2333: 2328: 2327: 2322: 2321: 2316: 2312: 2308: 2304: 2303:crime fiction 2300: 2296: 2287: 2285: 2284: 2279: 2278: 2277:Lust, Caution 2273: 2272: 2267: 2266: 2261: 2260: 2255: 2254: 2249: 2248: 2243: 2242: 2237: 2236: 2231: 2230: 2225: 2221: 2217: 2208: 2206: 2205: 2200: 2199: 2194: 2193: 2188: 2187: 2182: 2181: 2176: 2175: 2170: 2169: 2164: 2163: 2158: 2157: 2152: 2151: 2146: 2145: 2140: 2139: 2134: 2133: 2128: 2127: 2122: 2118: 2114: 2110: 2105: 2101: 2092: 2090: 2089: 2084: 2083: 2082:Capricorn One 2078: 2077: 2072: 2071: 2066: 2065: 2060: 2059: 2054: 2053: 2048: 2047: 2042: 2041: 2036: 2035:Robert Ludlum 2032: 2028: 2027: 2022: 2013: 2011: 2010: 2005: 2004: 1999: 1998: 1993: 1992: 1987: 1986: 1981: 1980: 1975: 1974: 1969: 1968: 1963: 1962: 1957: 1956: 1951: 1950: 1945: 1944: 1939: 1938: 1933: 1932: 1931:Silver Streak 1927: 1918: 1916: 1915: 1910: 1909: 1904: 1903: 1902:The Equalizer 1898: 1897: 1892: 1891: 1886: 1885: 1880: 1879: 1874: 1873: 1868: 1867: 1862: 1861: 1856: 1855: 1850: 1846: 1845: 1839: 1835: 1826: 1822: 1812: 1810: 1809: 1804: 1803: 1798: 1797: 1792: 1791: 1790:A Quiet Place 1786: 1785: 1780: 1779: 1774: 1773: 1768: 1767: 1762: 1761: 1756: 1755: 1748: 1746: 1745: 1740: 1735: 1733: 1729: 1728: 1723: 1722:David Fincher 1719: 1718:serial killer 1715: 1711: 1707: 1704: 1703:cannibalistic 1700: 1696: 1693: 1689: 1688: 1683: 1678: 1676: 1672: 1671: 1666: 1665: 1660: 1659:Curtis Hanson 1656: 1652: 1648: 1644: 1643: 1638: 1627: 1625: 1624: 1619: 1618: 1613: 1612: 1607: 1606: 1601: 1600: 1595: 1594: 1589: 1588: 1583: 1582: 1577: 1576:disaster film 1572: 1570: 1569: 1564: 1563: 1558: 1557: 1552: 1548: 1547: 1542: 1537: 1535: 1534: 1529: 1528: 1523: 1522: 1517: 1516: 1511: 1510: 1505: 1504: 1499: 1498: 1493: 1492: 1487: 1486: 1481: 1480: 1475: 1474: 1469: 1465: 1461: 1460: 1455: 1454: 1450:film series, 1449: 1448: 1443: 1433: 1431: 1430: 1425: 1424: 1419: 1418: 1413: 1412: 1407: 1406: 1401: 1400: 1399:Lethal Weapon 1395: 1394: 1389: 1385: 1384: 1383:The Seven-Ups 1379: 1378: 1373: 1366: 1361: 1357: 1356: 1351: 1350: 1345: 1344: 1343:The Detective 1339: 1338: 1333: 1329: 1325: 1324: 1319: 1315: 1310: 1308: 1307: 1302: 1301: 1296: 1295: 1290: 1289: 1284: 1283: 1282:The Silencers 1278: 1277: 1276:Our Man Flint 1272: 1268: 1264: 1263: 1257: 1255: 1254: 1249: 1248: 1243: 1242: 1237: 1236: 1231: 1230: 1225: 1224: 1219: 1215: 1214: 1209: 1205: 1204: 1199: 1198: 1193: 1188: 1186: 1175: 1173: 1172: 1167: 1166:Curtis Hanson 1163: 1162: 1157: 1156: 1151: 1150: 1145: 1141: 1140: 1135: 1131: 1127: 1123: 1119: 1115: 1111: 1107: 1103: 1102: 1097: 1096: 1091: 1090: 1084: 1082: 1081: 1076: 1075: 1070: 1069: 1064: 1063: 1058: 1057: 1052: 1047: 1044: 1043: 1038: 1037: 1033:(1951) while 1032: 1031: 1026: 1025: 1024:Touch of Evil 1020: 1016: 1015: 1010: 1009: 1004: 1003: 998: 997: 992: 991: 986: 985: 973: 971: 970: 965: 964:Samuel Fuller 961: 960: 955: 954: 949: 948: 943: 938: 936: 935: 930: 929: 924: 923: 922:Kiss of Death 918: 914: 913: 908: 907: 902: 901: 895: 890: 888: 887: 882: 878: 874: 873: 868: 867: 862: 861: 856: 852: 851: 846: 845: 844:The Big Sleep 840: 836: 835: 831:(1941) while 830: 829: 824: 820: 816: 812: 808: 804: 800: 789: 787: 783: 779: 778: 773: 772: 767: 766: 761: 760: 755: 754: 749: 748: 743: 739: 738: 733: 729: 725: 715: 711: 709: 705: 704: 700: 696: 695: 690: 686: 685: 684:Little Caesar 680: 676: 675: 670: 669: 664: 660: 659:gangster film 650: 647: 643: 642: 637: 633: 632: 627: 623: 622: 617: 613: 612: 607: 603: 602: 597: 596: 591: 590: 585: 581: 580: 575: 574: 569: 565: 564: 559: 558: 553: 548: 547: 542: 541: 536: 535: 530: 526: 524: 523: 518: 517:cross-cutting 514: 513:D.W. Griffith 509: 507: 506: 501: 500: 495: 494: 488: 484: 483: 471: 469: 465: 464:Ferris wheels 461: 460: 455: 454: 447: 445: 444: 439: 435: 431: 427: 423: 422: 417: 413: 409: 408: 403: 402: 397: 396:Ann Radcliffe 393: 392: 387: 386:Matthew Lewis 383: 382: 377: 372: 353: 351: 350: 345: 344: 339: 335: 334: 329: 325: 324: 323:The Big Sleep 319: 318: 313: 312: 311:Basket Case 2 307: 306: 301: 300: 295: 291: 287: 283: 279: 276:more so than 275: 271: 267: 262: 259: 255: 251: 247: 243: 242: 237: 236: 231: 230: 229:Meet John Doe 225: 221: 216: 212: 207: 203: 202: 201:Silver Streak 197: 196: 191: 190: 185: 184: 178: 174: 169: 166: 162: 157: 153: 142: 140: 136: 133:In 2001, the 131: 129: 125: 121: 117: 113: 109: 105: 101: 97: 93: 89: 84: 82: 77: 72: 69: 65: 62:, is a broad 61: 57: 56:suspense film 53: 52:Thriller film 46: 45: 39: 33: 19: 8220:Mockumentary 8028:Biographical 8011:Swashbuckler 7979:Martial arts 7651:Experimental 7646:Ethnofiction 7393:Third Cinema 7296:Persian Film 7039:Auteur films 7010:By movement 6867:Swashbuckler 6726:Ozploitation 6721:Outlaw biker 6601:Martial arts 6596:Magical girl 6446:Exploitation 6441:Ethnographic 6370:Mafia comedy 6167: 6013:Pornographic 5890:Psycho-biddy 5875:Lovecraftian 5709:Contemporary 5690: 5684:Exploitation 5679:Experimental 5559:Mockumentary 5428:Biographical 5323: 5304: 5281: 5265:. 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2562:Blue Velvet 2557:David Lynch 2546:Rear Window 2235:Sea of Love 2204:The Killing 2104:crime films 1991:The Big Fix 1854:Dirty Harry 1849:Hard Boiled 1667:(1992) and 1651:Kathy Bates 1649:, featured 1620:(1997) and 1596:(1974) and 1565:(1974) and 1503:Cool Breeze 1494:(1972) and 1482:(1972) and 1456:(1976) and 1453:Taxi Driver 1380:(1971) and 1370:s producer 1352:(1968) and 1328:Dirty Harry 1318:Vietnam War 1303:(1966) and 1279:(1966) and 1247:Blue Velvet 1232:(1967) and 1229:Point Blank 1206:(1955) and 1200:(1953) and 1155:Body Double 1118:Eric Rohmer 1116:(1957), by 1095:Rear Window 1059:(1954) and 1039:(1955) and 990:The Prowler 869:(1940) and 823:John Huston 786:The Spiders 774:(1940) and 697:(1932) and 671:(1931) and 634:(1991) and 621:The Killing 614:(1946) and 611:The Killers 579:The Spiders 560:(1913) and 487:heist films 407:The Italian 404:(1794) and 394:(1796) and 305:Basket Case 274:crime films 270:horror film 238:(1960) and 235:Purple Noon 215:Mike Hammer 177:crime films 8415:Categories 8109:Historical 8038:Children's 7964:and themes 7797:Paracinema 7782:Neorealist 7777:Mythopoeia 7762:Mockbuster 7727:Low-budget 7668:Featurette 7501:technique, 7499:By format, 7378:Surrealist 7373:Structural 7251:New German 7241:Neorealist 7236:Mumblecore 7176:Heimatfilm 7136:Film d'art 7101:CinĂ©ma pur 6835:South Seas 6808:Sex report 6074:Paranormal 6037:Propaganda 5937:Mumblecore 5724:Historical 5606:Historical 5495:Remarriage 5485:Mo lei tau 5111:References 4912:August 16, 4335:Rubin 1999 4323:Rubin 1999 4311:Rubin 1999 4290:Rubin 1999 4278:Rubin 1999 4266:Rubin 1999 4254:Rubin 1999 4237:Rubin 1999 4225:Rubin 1999 4213:Rubin 1999 4201:Rubin 1999 4186:Rubin 1999 4174:Rubin 1999 4162:Rubin 1999 4150:Rubin 1999 4138:Rubin 1999 4126:Rubin 1999 4114:Rubin 1999 4102:Rubin 1999 4087:Rubin 1999 4075:Rubin 1999 4063:Rubin 1999 4051:Rubin 1999 4036:Rubin 1999 4024:Rubin 1999 4012:Rubin 1999 4000:Rubin 1999 3988:Rubin 1999 3976:Rubin 1999 3964:Rubin 1999 3952:Rubin 1999 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2995:Virtuosity 2870:Flatliners 2806:James Bond 2732:Carol Reed 2634:Panic Room 2462:(1959) by 2452:(1971) by 2442:(1962) by 2410:The Client 2271:In the Cut 2253:Disclosure 2192:Entrapment 2162:Collateral 2111:, chases, 2046:Snake Eyes 2009:Game Night 1949:Hera Pheri 1819:See also: 1815:Sub-genres 1675:Ray Liotta 1655:James Caan 1637:Rob Reiner 1599:Earthquake 1521:Get Carter 1447:Death Wish 1223:Mickey One 1126:Robin Wood 807:The Falcon 604:, such as 601:film noirs 584:Dr. Mabuse 568:Fritz Lang 474:Silent era 459:Blue Jeans 361:Precursors 220:melodramas 211:James Bond 64:film genre 8421:Thrillers 8398:Spaghetti 8381:Submarine 8327:Superhero 8297:Body swap 8267:Religious 8215:Melodrama 8104:Economics 8065:Slapstick 8050:Christian 8043:Animation 8018:Animation 8001:Adventure 7994:Vigilante 7956:Lists of 7787:No-budget 7752:Meta-film 7720:animation 7678:Film-poem 7614:Composite 7559:Anthology 7522:Animation 7517:Actuality 7503:approach, 7271:New Queer 7191:Indiewood 7141:Film gris 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AllRovi 3103:993983488 2965:Supernova 2959:Eagle Eye 2864:In Dreams 2858:Frequency 2646:Cape Fear 2604:Gone Girl 2534:Suspicion 2475:Notorious 2362:Sleepless 2229:Body Heat 2220:eroticism 2180:The Score 2113:shootouts 2109:robberies 1967:In Bruges 1841:include, 1778:Captivity 1760:Eden Lake 1754:Disturbia 1692:FBI agent 1491:Super Fly 1479:Slaughter 1388:Hays Code 1256:(1992)). 1174:(1987)). 1161:Obsession 1142:(1979)), 1114:Hitchcock 1062:Tarantula 877:film noir 855:film noir 850:film noir 724:film noir 317:Halloween 286:war films 206:Thrillers 165:whodunnit 8376:Anti-war 8354:Thriller 8302:Dystopia 8257:Neo-noir 8158:Disaster 8143:Cannibal 8089:Disaster 7905:Category 7792:One-shot 7656:Abstract 7542:Computer 7226:Lettrist 7121:Dogme 95 7049:Bourekas 7019:Absolute 6959:Northern 6954:Meat pie 6907:Euro War 6902:Anti-war 6768:Rumberas 6689:Mountain 6591:Luchador 6547:Homeland 6535:Shotacon 6508:Suburban 6436:Economic 6397:Disaster 6330:Gangster 6305:Colonial 6295:Cannibal 6256:By theme 6213:Romantic 6168:Thriller 6126:New Wave 6121:Military 6079:Thriller 6047:Romantic 5994:Whodunit 5967:Operetta 5947:Arthouse 5915:Splatter 5810:Cannibal 5800:Arthouse 5783:Suburban 5773:Southern 5746:Neo-noir 5650:Thriller 5544:Animated 5532:Japanese 5500:Romantic 5490:Thriller 5416:Survival 5394:Arthouse 5382:By style 4935:Archived 4474:. ew.com 4439:AllMovie 4376:June 24, 3121:Archived 3066:July 25, 3002:See also 2989:eXistenZ 2947:I, Robot 2935:WarGames 2906:The Gift 2811:The Debt 2747:Spy Game 2715:Spy film 2710:Spy film 2697:Parasite 2674:thriller 2598:Identity 2592:Insomnia 2422:The Firm 2350:Tenebrae 2332:Deep Red 1917:series. 1908:Die Hard 1844:Face/Off 1808:Cellular 1799:(2011), 1781:(2007), 1775:(2007), 1769:(2009), 1763:(2008), 1757:(2007), 1626:(1997). 1614:(1997), 1590:(1972), 1497:The Mack 1476:(1971), 1393:Die Hard 1346:(1968), 1340:(1968), 1297:(1966), 1291:(1965), 1250:(1986), 1244:(1972), 1226:(1965), 1185:neo-noir 1158:(1984), 1152:(1980), 1104:(1958), 1098:(1954), 1092:(1951), 1011:(1952), 1005:(1950), 996:Pushover 993:(1951), 987:(1951), 972:(1953). 956:(1951), 925:(1947), 777:Saboteur 753:Sabotage 750:(1936), 744:(1935), 740:(1934), 703:Scarface 687:(1930), 624:(1956), 557:FantĂ´mas 508:(1994). 496:(1969), 391:The Monk 366:Pre-film 302:listing 299:TV Guide 282:musicals 278:Westerns 266:spy film 226:such as 186:(1935), 76:cover-up 68:suspense 8388:Western 8272:Romance 8247:Mystery 8242:Musical 8225:Monster 8198:Vampire 8188:Satanic 8183:Natural 8173:Holiday 8126:Fantasy 8114:Slavery 8072:Concert 7887:Z movie 7663:Feature 7599:Collage 7569:B movie 7537:Cartoon 7276:No wave 6944:Florida 6939:Fantasy 6919:Western 6862:Surfing 6850:Eurospy 6820:Slavery 6670:Vampire 6650:Monster 6621:Kung fu 6562:Samurai 6530:Lolicon 6498:Romance 6345:Gong'an 6315:Concert 6300:Chicano 6263:Animals 6151:Western 6106:Fantasy 6064:Fantasy 6042:Reality 5979:Mystery 5957:Jukebox 5942:Musical 5920:Satanic 5910:Slasher 5880:Natural 5860:Holiday 5768:Romance 5734:Science 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7847:Short 7604:Color 7527:Anime 7488:Josei 7478:Women 7471:ShĹŤjo 7439:Anime 7429:Black 7424:Adult 6984:Space 6887:Trial 6830:Snuff 6741:Women 6716:Opera 6665:Mummy 6660:Kaiju 6643:Anime 6638:Mecha 6631:Wuxia 6626:Ninja 6574:LGBTQ 6569:KaitĹŤ 6520:Harem 6503:Space 6483:Ghost 6431:Ecchi 6392:Dance 6365:Mafia 6350:Heist 6320:Crime 6278:Buddy 6247:Trick 6193:Legal 5850:Ghost 5788:Urban 5778:Space 5611:Legal 5591:Drama 5564:Mondo 5448:Black 4677:Wiley 3014:Notes 2918:Horns 2753:Hanna 2521:drama 2469:Topaz 2356:Opera 2247:Chloe 2126:Seven 2040:Awake 1878:Speed 1860:Taken 1727:Seven 1485:Coffy 1473:Shaft 1436:1970s 1368:' 1314:right 1178:1960s 1056:Them! 976:1950s 792:1940s 708:G-Man 653:1930s 595:Spies 505:Speed 349:Alien 100:crime 8393:Euro 8349:Teen 8252:Noir 8210:LGBT 8193:Toys 7624:Cult 7461:Teen 7454:Stag 7445:Men 6924:Acid 6758:Road 6748:Race 6584:Yuri 6579:Yaoi 6409:Drug 6360:Hood 5805:Body 5719:High 5689:see 5667:Epic 5640:Pink 5574:Semi 5458:Sexy 5372:Film 5328:ISBN 5309:ISBN 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Index

Thriller movie
Thriller (genre)

Rebecca
film genre
suspense
cover-up
mission
Eric R. Williams
screenwriters' taxonomy
action
crime
fantasy
horror
romance
science fiction
sports
war
western
American Film Institute
the top 100 greatest American "heart-pounding" and "adrenaline-inducing" films of all time
Western
Alfred Hitchcock
whodunnit
crime films
The 39 Steps
North by Northwest
The Parallax View
Silver Streak
James Bond

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