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646:“Baidehisha Bilasa” is the pioneer work of Upendra Bhanja as declared by the poet."Rasika Harabali" was written on the basis of his own experience at the early part of his young life.His contemporary poet of Bhakta Kabi, Dina Krushna Das as described in his work “Kala Koutuka”. The socio-cultural way of contemporary Odias are vividly described in his literature .Upendra Bhanja is not only eminent poet of
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343:
together.Strangely, without any deep appreciation of human value and literary appreciation with standard principles of study literature as prescribed in the research methodology and literary criticism with reference to classical Indian poetics, the poet
Upendra Bhanja is being misunderstood by some pseudo critics/scholars and writers with biased opinions and unscrupulous baseless manners.
268:
for every line), Labanyabati, Premasudhanidhi, Rasika
Harabali, Subhadra Parinaya and Chitrakabya Bandodhya, Labanyabati, Koti Brahmanda Sundari, Kala Koutuka (with "Ka" initial for every line), Satisha Bilasa" (with initial 'Sa' initial every line), "Damayanti Bilasa" (with 'Da' initial each line) and "Padmabati Parinaya" (starts with 'Pa') etc.
666:, Upendra Bhanja was criticised by some modernist for the obscenity in his kabyas. There was a war of words between two literary periodicals The Indradhanu and The Bijuli. The two periodicals kept their support in favour of two poets Kabisamrat Upendra Bhanja and Radhanath Ray. It was also a war between conservatives and modernist in
640:
all. Whether it is shringara, viraha, bhakti or karuna rasa, Upendra Bhanja is the poet of unsurpassed rhetorical excellence. We may venture to say that, apart from
Sanskrit, no other language has a poet to compare with him. Upendra Bhanja had practiced his great poetic talents in using "upama","alankara", "rasas"in all his kabyas.
231:(The Ramayana), Ratna Manjari (a poetical romance) etc., which provided models to the prince for writing. But unlike his grandfather, he preferred his entire life to poetry rather than to ruling over a kingdom. He had a thorough training in Sanskrit classical literature and mastered Sanskrit dictionaries such as
267:
Upendra Bhanja wrote some 52 books of which only 22 are available now. Due to the absence of a printing press, many of the hand-copied books have been lost. Some of his eminent kabyas are
Baidehisha Bilasa (with "Ba" initial for each line), Rasalila, Brajaleela, Subhadra Parinaya(with "Sa" initial
639:
wrote in the last decade of seventeenth and the early decades of eighteenth century and championed a style of poetry called 'Reeti' and 'Deena' in
Sanskrit poetics. Though many poets in the seventeenth and eighteenth centaurs write in reeti style, Upendra Bhanja is decided by the greatest of them
342:
On the other hand, his writings are being popularised by the commoners because of sensible, emotional touch with sympathetic unusual feelings of the human kind in the context of aesthetic sense and sensibility along with love and lovability of the mankind as experienced through the ages of time
620:
Bangalasri, Baradi, Basanta, Basanta Baradi, Bibhasa
Gujjari, Chinta Bhairaba, Ghantaraba, Kalahansa Kedara, Kali, Kamodi, Khanda Kamodi, Kousika, Kumbha Kamodi, Malaba, Mangala Baradi, Mangala Gujjari, Natanarayana, Nalinigouda, Pahadia Kedara, Panchama Baradi, Pattaha Manjari (Pattamanjari),
334:
So, study of
Upendra Bhanja requires high academic pursuits as well as sensible appreciation of art and literary value of the reader along with wide study range in the field of classical Indian literature and appreciable order of morality and spiritual thought. So for Upendra Bhanja, plot and
346:
The first Ph.D thesis on Bhanja was submitted by Dr. Satyanarayan
Acharya, the First Researcher on Upendra Bhanja, in the year 1978 under UGC sponsorship. Consequently, in the year 1988 Dr. Abhimanyu Baral submitted the thesis "Odia reetikabya paramparare Baidehisha Bilasa" to
661:
Upendra Bhanja had a poetic excellence and he has written all his Kabyas as the rules of
Alankarshastra of that time, but his kabyas have made some critiques irritated for the sexuality he used in his imagery descriptions. During the beginning of modern period or age of
331:, may be attributed to the lack of proper research. Plot and character in Bhanja literature plays negligible role but imaginary ornamental expression by way of literary techniques of the classical Indian literature dominates with magnetic, lovable, intellectual manner.
677:) wrote "Upendra Bhanja means a woman and a Dictionary". Though he was criticised by the modernists, he can be comparable with Kalidas in using simile (Upama) in his kabyas. But above all, the role of Upendra Bhanja can not be denied during the Riti Yuga period of
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character are not important but momentous feeling influences the character as well as the plot in the structural poetic forms and techniques with explosive reason and emotion in a way of synthetic, stylistic approach in almost all aspects of his expression through
582:
623:
among others. Bhanja belonged to a family that was rooted in literature and music of the times, and his grandfather
Dhananjaya Bhanja was an eminent composer of Odissi songs and the writer of a Ramayana
606:. He uses ragas and talas unique to the Odissi tradition and has thereby enriched the repertoire. His compositions are well-known across the state of Odisha and are frequently employed in
227:
was his second wife, who was an erudite princess and gave Upendra Bhanja poetical inspiration in an abundant measure. His grandfather King Dhananjaya Bhanja was a great poet and wrote
643:
The greatness of Upendra Bhanja was in his "Alankara" use such as: Anuprasa, Jamak, etc. The style of presenting facts with comparable factors (upama) is very distinguishable in his
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275:. 'Kabi Samrata' was not the first title of Upendra Bhanja. He was rather entitled as "Birabara" as written by Bhanja himself in his kabyas.
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The first published work of Upendra Bhanja is "Rasapanchaka". The first dictionary "Gita Abidhan" was written by Upendra Bhanja in
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is found only in the early part of 19th century in a book written by Mahendra Patnaik. Upendra Bhanja contributed 32,300 words to
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339:, literature, culture, socio-cultural behaviour, with high moral order and thoughts of superior human being.
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Upendra Bhanja was also criticised for his obscure words. Once a modern poet Guru Prasad (See
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but also his writings will be explained through all classical contemporary music systems of
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185:. He is most known for his Odissi songs and kabyas written in the Odia language, primarily
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and Bhanja is widely respected as one of the greatest Odissi composers of all time.
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He was born during 1670 (opinions differ between 1670 and 1688) in
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is named after him. The music of Upendra Bhanja is central to
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804:] (in Odia). Bhubaneswar, Odisha: Kaishikee Prakashani.
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Rajabije (Ranabije), Ramakeri, Sankarabharana, Soka Kamodi
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and literature.The obscurity of this incomparable poet of
737:. India: Maxcurious Publications Pvt. Ltd. p. 383.
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By serving Sita and Rama have I received their grace.
255:, the traditional classical music of the state of
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219:His first wife was the sister of the king of
216:and died during 1740 (again opinions vary).
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843:: CS1 maint: location missing publisher (
775:: CS1 maint: location missing publisher (
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602:The works of Upendra Bhanja are based on
802:The tradition and method of Odissi music
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247:in Odia for helping poets. The town of
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795:Odissi Sangeetara Parampara O Prayoga
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723:: Publisher, Sahitya Akademi, Delhi
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733:Parhi, Dr. Kirtan Narayan (2017).
299:is the epithet, my name is Upendra
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735:The Classicality of Orissi Music
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287:ବାରେ ବାରେ ସେବାରେ ମନାଇଁ ସୀତାରାମ ।
223:and the daughter of the king of
39:
862:orissadiary.com: Upendra Bhanja
798:ଓଡ଼ିଶୀ ସଙ୍ଗୀତର ପରମ୍ପରା ଓ ପ୍ରୟୋଗ
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243:. He even wrote a dictionary
187:Baidehisa Bilasa, Labanyabati
212:, 80 kms from the Silk City
7:
2388:People from Ganjam district
1115:Sadananda Kabisurjya Brahma
721:History of Oriya Literature
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285:ବୀରବର ପଦ ଉପଇନ୍ଦ୍ର ମୋର ନାମ ।
181:poet-composer of classical
156:
10:
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2019:Bhagabati Charan Panigrahi
166:[upend̪ɾɔbʰɔɲd͡ʒɔ]
2413:17th-century Indian poets
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2312:Krishna Chandra Panigrahi
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1123:Abhimanyu Samantasinghara
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825:(in Hindi). Bhubaneswar.
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38:
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2139:Mohapatra Nilamani Sahoo
1996:Kalindi Charan Panigrahi
1827:Gopalakrusna Pattanayaka
1817:Abhimanyu Samantasinhara
1495:Singhari Shyamsundar Kar
1339:Singhari Shyamsundar Kar
1323:Nimai Charan Harichandan
1294:Mohan Sundar Deb Goswami
1136:Gopalakrusna Pattanayaka
822:
816:Panda, Pt. Gopal Chandra
797:
759:Panda, Pt. Gopal Chandra
631:
358:
51:
1905:Gopala Chandra Praharaj
1281:Gobinda Chandra Suradeo
1167:Gadadhara Singhasamanta
765:(in Odia). Bhubaneswar.
2408:Odissi music composers
2134:Shantanu Kumar Acharya
2079:Rajendra Kishore Panda
1566:Koti Brahmanda Sundari
1344:Nrusingha Nath Khuntia
604:Odissi classical music
294:
281:
191:Koti Brahmanda Sundari
63:Kulagarh (present-day
2348:Nikhilanand Panigrahy
2338:Ramesh Chandra Parida
2328:Gokulananda Mahapatra
2296:Ramesh Chandra Bhanja
2279:Children's literature
2270:Karttika Chandra Rath
2074:Soubhagya Kumar Misra
1991:Baikunthnath Pattnaik
1232:Sangitarnavachandrika
1162:Benudhara Pattanayaka
1157:Gauracharana Adhikari
719:Mansingha, Mayadhar:
177:) was a 17th-century
2343:Prana Krushna Parija
2149:Jagannath Prasad Das
2114:Kanhu Charan Mohanty
2049:Sachidananda Routray
2024:Sachidananda Routray
1930:Kuntala Kumari Sabat
1925:Laxmikanta Mohapatra
1870:Fakir Mohan Senapati
1374:Biswanatha Pujapanda
1354:Markandeya Mahapatra
1286:Upendranath Tripathy
867:17 July 2012 at the
820:Odisi Raga Ratnabali
696:List of Odia writers
79:1740 (Not Confirmed)
2403:Odia-language poets
2170:Guru Prasad Mohanty
2129:Chandra Sekhar Rath
2059:Sitakanta Mahapatra
1910:Kalicharan Pattnaik
1738:Viswanatha Kaviraja
1581:Bidagdha Chintamani
1461:Bhubaneswari Mishra
1456:Gopal Chandra Panda
1425:Raghunath Panigrahi
1417:Radhamani Mahapatra
1369:Kashinath Pujapanda
1331:Tarini Charan Patra
1328:Astabadhani Acharya
1310:Kali Charan Patnaik
1261:Seikh Khan Mohammed
1225:Sangita Kalpalatika
1180:Kalicharan Pattnaik
1152:Raghunatha Parichha
1128:Bhakta Charana Dasa
2230:Manorama Mohapatra
2210:Ramachandra Behera
2001:Annada Shankar Ray
1968:Krupasindhu Mishra
1890:Chintamani Mohanty
1847:Bhakta Charana Das
1842:Brajanath Badajena
1799:Madhavi Pattanayak
1451:Bhikari Charan Bal
1172:Lokanatha Pattnaik
1144:Gourahari Parichha
1110:Jadumani Mahapatra
1089:Brajanath Badajena
1084:Biswanatha Khuntia
823:ओडिसी राग रत्नावली
763:Odisi Raga Darpana
202:Ghumusar Zamindari
2398:Poets from Odisha
2393:Indian male poets
2365:
2364:
2361:
2360:
2286:Ramakrushna Nanda
2238:
2237:
2225:Yashodhara Mishra
2069:Pratibha Satpathy
2064:Jayanta Mahapatra
1986:Mayadhar Mansingh
1963:Godabarish Mishra
1895:Nanda Kishore Bal
1779:Achyutananda Dasa
1655:
1654:
1627:Prahallada Nataka
1576:Bichitra Ramayana
1530:Satchidananda Das
1520:Banamali Maharana
1435:Akhil Kumar Lenka
1384:Sangita Sudhakara
1359:Paschimeswar Jena
1276:Harihara Rayaguru
1266:Basudeb Mahapatra
1218:Sangita Muktabalī
1060:Achyutananda Dasa
761:(December 2011).
616:Prahallada Nataka
600:
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471:Sangita Muktabali
317:
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310:Baidehisha Bilasa
229:Raghunatha Bilasa
214:Brahmapur, Odisha
154:
135:
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130:Baidehisha Bilasa
2420:
2353:Kamalakanta Jena
2195:Jagadish Mohanty
2119:Surendra Mohanty
2109:Gopinath Mohanty
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2039:
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1832:Dinakrushna Dasa
1682:
1675:
1668:
1659:
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1632:Radha Prema Lila
1561:Baidehisa Bilasa
1515:Kashinath Muduli
1505:Padmanabha Panda
1402:Binapani Mohanty
1387:Balakrushna Dash
1315:Shyamsundar Dhir
1302:Apanna Panigrahi
1271:Lokenath Kanungo
1256:Gokul Srichandan
1211:Sangita Narayana
1071:Dinakrushna Dasa
989:Mrudanga (Khola)
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464:Sangita Narayana
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2185:Bibhuti Patnaik
2180:Akshaya Mohanty
2158:
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2028:
2005:
1972:
1939:
1920:Chintamani Dash
1915:Acharya Harihar
1880:Gangadhar Meher
1856:
1803:
1766:Panchasakha era
1760:
1742:
1719:
1691:
1689:Odia literature
1686:
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1600:Allied artforms
1595:
1586:Mathura Mangala
1534:
1525:Dhaneswar Swain
1500:Chakradhar Sahu
1481:
1448:Bhajana Samrata
1430:Shyamamani Devi
1412:Binapani Mishra
1349:Jagabandhu Sahu
1299:Gayaka Siromani
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1239:Sangita Koumudi
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1042:Jagannatha Dasa
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668:Odia Literature
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329:Odia literature
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273:Odia literature
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87:King & Poet
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2255:Manoranjan Das
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2250:Gopal Chhotray
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2220:Sarojini Sahoo
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1958:Nilakantha Das
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1953:Gopabandhu Das
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1789:Jasobanta Dasa
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337:Odia language
332:
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325:Odia language
322:
313:
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308:—Chhanda 52,
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245:Geetabhidhana
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167:
158:
149:ଉପେନ୍ଦ୍ର ଭଞ୍ଜ
146:
142:
139:
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128:
126:Notable works
124:
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107:
104:
100:
97:
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90:
86:
82:
78:
74:
70:
66:
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58:
54:
53:ଉପେନ୍ଦ୍ର ଭଞ୍ଜ
50:
46:
42:
37:
22:
19:
2291:Sarala Patri
2265:Bijay Mishra
2260:Biswajit Das
2215:Padmaja Pala
2205:Satya Mishra
2190:Pratibha Ray
1837:Baladev Rath
1821:
1642:Bharata Lila
1607:Odissi dance
1546:Gita Govinda
1510:Mahadev Rout
1466:Sudha Mishra
1447:
1443:Damodar Hota
1439:
1421:
1383:
1335:
1327:
1319:
1306:
1298:
1290:
1238:
1231:
1224:
1217:
1210:
1204:Gita Prakasa
1203:
1197:Sangita Sara
1196:
1176:
1148:
1141:Sadhaka Kabi
1140:
1132:
1119:
1106:
1098:
1078:
1076:Kabi Samrata
1075:
1051:
1038:
1014:
949:Gita Govinda
912:Compositions
905:Odissi music
819:
810:
801:
794:
791:Das, Ramhari
785:
762:
753:
734:
728:
720:
672:
660:
645:
642:
635:
625:
619:
608:Odissi dance
601:
488:Gita Govinda
480:Compositions
470:
463:
457:Gita Prakasa
456:
450:Sangita Sara
449:
433:Gopalakrusna
426:
410:
372:Odissi music
345:
341:
333:
321:Kabi Samrata
320:
319:The epithet
318:
309:
296:
295:
282:
270:
266:
253:Odissi music
244:
241:Medini Kosha
228:
218:
197:
195:
190:
186:
183:Odissi music
140:
138:Kabi Samrata
137:
136:
129:
120:Odissi music
109:
105:
52:
25:Kabi Samrāṭa
18:
2383:Odia people
2378:1740 deaths
2154:Faturananda
2084:Mamata Dash
2011:Pragati era
1774:Ananta Dasa
1571:Labanyabati
1556:Rasakallola
1477:Ramhari Das
1440:Padmakesari
1307:Kabichandra
1177:Kabichandra
1149:Kabichandra
1055:Ananta Dasa
1023:Bachha Dasa
977:Instruments
657:Controversy
610:as well as
541:Instruments
533:Charjyapada
384:Mahāprabhu
353:Bhubaneswar
249:Bhanjanagar
233:Amara Kosha
210:Bhanjanagar
110:Bhanja juga
48:Native name
2372:Categories
2034:Modern era
1978:Sabuja era
1852:Bhima Bhoi
1756:Sarala Das
1748:Sarala era
1697:Charya era
1637:Dasakathia
1551:Usabhilasa
1320:Banikantha
1291:Prabhupada
1099:Kabisurjya
959:Charyapada
702:References
427:Kabisurjya
406:Dinakrusna
386:Jagannātha
84:Occupation
2163:Post 1970
2124:Manoj Das
2093:Story and
1809:Reeti era
1407:Bina Debi
1189:Treatises
1008:Composers
839:cite book
831:225908458
771:cite book
664:Radhanath
421:Abhimanyu
393:Composers
106:Riti juga
16:Odia poet
2305:Research
2102:Pre 1970
1733:Jayadeva
1422:Suramani
1066:Salabega
1018:Jayadeva
1015:Kabirāja
994:Khanjani
934:Chautisa
865:Archived
818:(2004).
793:(2004).
685:See also
508:Chautisa
441:Shāstras
416:Banamali
401:Jayadeva
297:Birabara
221:Nayagarh
198:Kulagarh
92:Language
71:, India)
33:Bīrabara
1710:Kanhupa
1617:Goṭipua
1487:Mardala
1336:Adiguru
1039:Atibadi
984:Mardala
954:Malasri
939:Bhajana
924:Chhanda
612:Gotipua
549:Mardala
528:Pallabi
523:Malasri
518:Bhajana
498:Chhanda
225:Banapur
2042:Poetry
1715:Saraha
1612:Mahari
1539:Kabyas
1473:(Bina)
944:Janana
929:Champu
919:Odissi
829:
741:
648:Odisha
513:Janana
503:Champu
411:Bhanja
263:Kabyas
257:Odisha
206:Kulada
189:&
102:Period
69:Odisha
2243:Drama
2095:Novel
1705:Luipa
1249:Gurus
800:[
652:India
632:Style
626:kabya
359:Music
208:near
162:Odia:
116:Genre
1622:Pala
1052:Sisu
999:Bina
845:link
827:OCLC
777:link
739:ISBN
564:Khol
559:Bina
554:Benu
239:and
179:Odia
145:Odia
96:Odia
76:Died
60:Born
108:or
2374::
841:}}
837:{{
773:}}
769:{{
710:^
681:.
670:.
628:.
355:.
351:,
235:,
200:,
193:.
160:,
151:,
147::
67:,
1681:e
1674:t
1667:v
1062:)
897:e
890:t
883:v
847:)
833:.
779:)
747:.
591:e
584:t
577:v
143:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
