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It transpired that the Space
Theater was still under construction, with equipment months from installation, and there was no way of viewing finished or full format test footage before the theater opened. Beyond that, it was infeasible to film in directly the
71:. The crew were therefore obliged to film in smaller format (65 mm eight-perf) for later optical blowup and projection to a screen image magnification 600 times the size of the camera negative.
52:, and their Spitz Space Transit Simulator (STS). The large format footage was provided by Graphic Films. The presentation was mostly multimedia, with short clips of the planets and spacecraft.
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The production was to portray a crewed mission to the outer planets in the year
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Mary
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Joseph
Herrington, George Marchyshyn, John P. Mulligan, Greg Paris
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238:"The Reuben H. Fleet Space Theater: the Early Years, and Before"
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special effects. The special effects and stills on standard and
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67:format which would be used for
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50:Reuben H. Fleet Space Theater
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21:Voyage to the Outer Planets
16:Early multimedia experiment
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259:American Cinematographer
129:Planetarium Production
48:were provided by the
83:Executive Producer
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110:and George Casey
97:Michael Sullivan
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187:Optical printing
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279:External links
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241:. Retrieved
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207:Surround Mix
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115:Written and
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38:planetarium
300:IMAX films
243:2021-06-19
220:References
148:Don Moore
69:projection
34:70 mm film
26:multimedia
234:Greg Bear
197:Narration
103:Producers
44:equipped
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236:(2017).
145:Artwork
117:directed
166:Camera
75:Credits
30:Omnimax
177:Models
154:Camera
137:Music
32:film,
65:Imax
57:2348
42:zoom
36:and
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