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White Girl (2016 film)

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that can be objectively measured in a work of art. It’s something viewers also feel in their gut, and I don’t feel the film is misogynist at all — not because being a woman myself necessarily gives me the right to make that call. To me it seemed like a brutally honest depiction of how easy it is for a young woman (or any young person really), especially one already inclined toward hedonism and rebellion, to confuse adventure with danger, and end up exposing herself to violence and abusive situations when she thought she was just having fun."
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as in her nascent relationship with Blue, and it is forced upon her, in a horrific rape scene near the end of the film. After her first sexual encounter with Kelly, she continues to hook up with him; sometimes because she needs his help, but also at times because she seems to enjoy it. These dynamics are complicated, and complexity can be hard to reckon with. It’s much easier to dismiss them as cheap
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is the rare film, written and directed by a woman, that shows a young woman’s sex life in its many shades, which acknowledges that sexual agency can be both a blessing and curse. Sex gives Leah pleasure, and it also serves as a bargaining chip in desperate times. It’s given with love and affection,
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David Ehrlich wrote that "Elizabeth Wood’s fire-breathing debut is an adrenalized shot of ecstasy and entitlement, a fully committed cautionary tale that’s able to follow through on its premise because — like the remarkable young actress who plays its heroine — the film is unafraid of being utterly
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designated the film an "NYT Critic's Pick" stating that "we’re all familiar with the term contact high, but not with its antithesis. Because it is so believable, “White Girl” is a contact bummer that’s hard to shake." Holden also made reference to "obligatory tut-tutting from nervous male critics."
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Approaching her boss, Kelly, Leah sells a third of the kilo. Katie and Blue's friends help move the rest, while Blue believes George is representing him pro bono. As her debts pile up, Lloyd finds her, pressuring her for the rest of the money, so she asks Kelly for a $ 17,000 loan. He instead helps
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praised the film as "squalid, shocking, and sexy as hell" and addressed the critical controversy, stating that "after the screening I attended, an indignant fellow journalist argued that if it had been made by a man it would be vilified for its misogyny... Misogyny, unfortunately, is not something
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Afterwards, Leah becomes silent and withdrawn, staying in bed. She is surprised one day by Blue who arrives in her apartment and crawls into bed with her. He reveals that the lawyer managed to free him and credits Leah with saving his life. Getting on one knee he proposes to her, to which she does
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Leah goes to visit Blue in jail and he tells her he may get 20 years in prison due to priors. She decides to help him, telling him that she has the coke, so the police have no evidence. He asks her to return it to Lloyd and explain. As she approaches Lloyd's, she recognizes the same undercover cop
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Emboldened by his success, Blue asks for a kilo of cocaine from his supplier Lloyd. He agrees and Blue and Leah go to a restaurant for breakfast. While there, he is approached by one of his regulars, who sets him up, and he is immediately arrested by an undercover police officer. Leah picks up the
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Walking down the street together, Leah and Blue are surprised when Lloyd attacks them both, wanting his money. Blue first hits him over the head with a broken bottle then beats him to death with a wrench. As Leah looks on, Blue silently realizes she caused the attack by not returning the coke.
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gave the film a scandalized review, bemoaning that the film "plung our faces into a cesspool of reprehensible behavior Debruge himself introduced director Elizabeth Wood as one of "Variety's Ten Directors to Watch" at the Palm Springs International Film Festival.
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Leah promises George she will get the rest of the money, but he tells her to forget it. He takes her to dinner, explaining that the legal system is unequal and white men who commit violent crimes are more likely to get off for their crimes than non-violent
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boys, nor that middle-aged, well-educated white men—like Kelly, like Blue’s lawyer—are the most privileged of all. But to see it dramatized, and in such raw, unremittingly cynical, outrageously graphic detail, is still a disturbing shock to the system."
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Leah tells him he could be making $ 60 compared to the $ 20 he has been selling them for. She invites him to a party thrown by her magazine, where she interns, and Blue is able to mark up his prices to the crowd.
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and Supermarche banners respectively. Wood began writing the feature before attending Columbia University's screenwriting MFA program. She loosely based the film on her own life.
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right outside, and decides to run. She then finds Blue a lawyer named George, intending to deal the coke to pay his fee. He is optimistic that they have a very good case.
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on January 23, 2016. It was acquired by Netflix for worldwide streaming video on demand, and was released in select American theaters nationwide on September 2, 2016, by
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isn't an easy watch, but it adroitly walks the line between exploitation and drama - and marks an admirably assured debut for writer-director Elizabeth Wood". On
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acquired theatrical distribution rights to the film with a planned late summer-fall 2016 release. The film was released on September 2, 2016. It was released on
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in which she deems the movie "a trenchant critique of the privilege afforded young, beautiful, white women, and the wreckage they can leave behind."
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The film received significant media attention for its commentary on issues of sex and race, including an essay by Anna Silman in
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offenders like Blue. The two end up going to Leah's where she passes out, intoxicated. George uses the opportunity to rape her.
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her throw a rave with a cover charge. The party is a success, but Leah takes too many drugs and wakes up alone with no money.
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Blue is arrested, watching Leah coldly as he is driven away. Leah is last seen in a classroom, just before the credits.
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Leah, a student about to enter her second year of college, moves in with her friend Katie into an apartment in
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received positive reviews from film critics. It holds a 70% approval rating on review aggregator website
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and India Menuez starring in the film. Gabriel Nussbaum produced the film for Bank Street Films, while
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not give a clear answer. (However, the next scene they are happily kissing each other.)
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If You Think White Girl’s Sex Scenes Are Shocking, You’re Missing the Point.
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Elizabeth Wood on Her Shockingly Graphic, Controversial New Film White Girl
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distribution rights to the film for a seven figure price. In April 2016,
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praised the film as "the most explosive portrait of NYC youth since
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mentioned that "It won’t be news to anyone that young, middle-class
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How A Movie Filled With Coke And Dicks Explodes White Privilege
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had directed a film from a screenplay she wrote, with
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Shortly after, 1181: 1119:Dubruge, Peter (January 24, 2016). 1100:from the original on April 14, 2016 883:from the original on April 12, 2016 733:from the original on April 24, 2016 721:Lavalee, Eric (November 26, 2015). 702:from the original on April 24, 2016 627:Cirpriani, Casey (March 18, 2016). 273:in her directorial debut. It stars 13: 1432:English-language independent films 1133:from the original on April 8, 2016 915:from the original on July 30, 2016 870:Siegel, Tatiana (April 11, 2016). 851:from the original on April 5, 2016 814:. sundance.org. December 7, 2015. 14: 1443: 1297: 1086:Manning, Emily (March 11, 2016). 1283:from the original on 2023-04-29 1264: 1253:from the original on 2023-04-29 1235: 1224:from the original on 2023-04-29 1205: 1194:from the original on 2022-12-25 1175: 1164:from the original on 2023-06-09 1145: 1112: 1079: 1060: 1049:from the original on 2023-04-05 1022: 990: 958: 927: 895: 751: 1029:Holden, Stephen (2016-09-01). 863: 830: 804: 772: 745: 714: 683: 651: 620: 1: 1402:Films set in Queens, New York 1212:Ehrlich, David (2016-08-29). 614: 427: 269:film written and directed by 1422:2010s English-language films 1417:2016 directorial debut films 487: 289:(in his film acting debut), 7: 1407:Films shot in New York City 466:2016 Sundance Film Festival 201:September 2, 2016 10: 1448: 1392:American independent films 1182:Cox, Gordon (2015-12-29). 459: 186:January 23, 2016 336:kilo and quietly leaves. 250: 242: 234: 226: 216: 177: 163: 132: 124: 116: 64: 56: 48: 38: 33:Theatrical release poster 26: 21: 554:" while Peter Debruge of 423:Jemel Howard as Darnell 366: 319: 1382:2016 independent films 1271:Petersen, Anne Helen. 876:The Hollywood Reporter 844:The Hollywood Reporter 785:Sundance Film Festival 607:wrote an essay titled 567:The Hollywood Reporter 418:Annabelle Dexter-Jones 310:Sundance Film Festival 295:Annabelle Dexter-Jones 196:Sundance Film Festival 99:Annabelle Dexter-Jones 484:on December 2, 2016. 1427:2010s American films 1387:American drama films 1152:Lubell-Ames, DeAnn. 792:on December 22, 2019 535:unavailable to poor 209: (United States) 1397:Films about cocaine 966:"White Girl (2016)" 605:Anne Helen Peterson 564:Leslie Feleprin in 472:acquired worldwide 265:is a 2016 American 1412:Killer Films films 1073:2021-01-08 at the 1035:The New York Times 696:openingcermony.com 378:Brian Marc as Blue 155:Greencard Pictures 16:2016 American film 586:New York Magazine 326:Ridgewood, Queens 258: 257: 144:Bank Street Films 1439: 1377:2016 drama films 1358: 1309: 1308: 1306:Official website 1292: 1291: 1289: 1288: 1268: 1262: 1261: 1259: 1258: 1239: 1233: 1232: 1230: 1229: 1209: 1203: 1202: 1200: 1199: 1179: 1173: 1172: 1170: 1169: 1149: 1143: 1142: 1140: 1138: 1116: 1110: 1109: 1107: 1105: 1083: 1077: 1064: 1058: 1057: 1055: 1054: 1026: 1020: 1019: 1017: 1015: 994: 988: 987: 985: 983: 962: 956: 955: 953: 951: 931: 925: 924: 922: 920: 899: 893: 892: 890: 888: 867: 861: 860: 858: 856: 834: 828: 827: 825: 823: 808: 802: 801: 799: 797: 788:. 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Index


Elizabeth Wood
Morgan Saylor
India Menuez
Adrian Martinez
Anthony Ramos
Ralph Rodriguez
Chris Noth
Justin Bartha
Killer Films
Netflix
FilmRise
Sundance Film Festival
drama
Elizabeth Wood
Morgan Saylor
India Menuez
Adrian Martinez
Anthony Ramos
Ralph Rodriguez
Annabelle Dexter-Jones
Chris Noth
Justin Bartha
Sundance Film Festival
FilmRise
Ridgewood, Queens
PoC
Morgan Saylor
Justin Bartha
Chris Noth

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