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music to enhance the reaction, typically a new edit would be repeatedly created, pressed on acetates and supplied until a good response was had from nightclubs, so creating a buzz which would drive the eventual commercial sales. To better feed those reactions back record pools were established, the first in New York in June 1975 for better distribution of pre-release records to bona fide DJs as record labels began to appreciate their role in breaking and selling records. A further development began to see the labels tailor the records specifically towards DJs as a result, with for example
Scepter Records publicly announcing via both publications that they were to start servicing '12-inch 45s' to DJs in pools and their national promotional mailouts from June 1975. promoting the format earlier in distributor roadshows they hosted in late May, citing a key benefit of high volume levels being maintained with lengthier tracks. Billboard magazine reported that Atlantic Records were the first major label to issue 12-inch 33 rpm vinyl promos to DJs in July, under the watchful eye of a DJ as their promotions director Doug Riddick, who took up the post in May 1975.
532:, soon-to-be famed disco mixer Tom Moulton went to record labels for material. At Scepter Records, Cheren recalls playing Tom a previously released Scepter single by singer Don Downing called "Dream World". He had an extra copy of the master tape and let Moulton take it home to experiment. When Moulton brought it back a few days later, Cheren writes, "We were amazed: a so-so record was suddenly snappy, upbeat, and ten times better". But the biggest surprise, Cheren continues, was something "so radical I could hardly believe my ears". Moulton had stretched the original track, not even three minutes long, to almost double its time, and in the process debuted what would become known as the disco break. This innovation would eventually be issued on the song's re-release on a 7-inch 45 in July 1974, and earn Scepter a
303:. While one to two short playing songs being sold to the public were more suited for the sevenâinch 45 rpm record, the LP could be anything from 1 track per side, and if in that simplistic configuration it technically could be classed as a twelveâinch single. Over the ensuing years some works, particularly in the classical and jazz genres, and the relatively few tracks on an occasional album could blur the boundaries of what would become considered a twelveâinch single, an EP and an album, with the price, catalogue number, any stylistic aims of the performing artist, marketing by the record label, as well as record industry sales charts rules regulating the differences between formats.
1486:" in 1958), acetates were also used by the record labels to quality control the eventual product, and not for servicing single songs or exclusive remixes, and then not in the 12-inch format. The usage of the 12-inch vinyl as a medium followed the US promos introduction but was initially seen as a marketing tool to help promote an artist more uniquely. Another emphasis with the new format was the louder sound and better audio quality afforded to the release. It therefore was not exclusively used for disco songs but included pop artists, however it eventually came into its own in the later 1970s with the lengthened versions of US disco songs being promoted in the UK.
655:". Again, it was a disco mix prepared by Moulton, pressed by RodrĂguez, with only a handful (around 10) cut and handed out to local DJs. These would have plain white labels, or very sparse printing or typed text. In many cases there would be no logos, and many contained handwritten text only. Test pressings being tried out at discos were reported on in Moulton's weekly column in Billboard during early April 1975. Moulton's effort was eventually issued for commercial release by Scepter in June 1975, but on seven-inch vinyl as a 5:35 min mix. Moulton subsequently created a lengthier 7:15 min mix for the album which appeared in late October.
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Companies came to appreciate the place of the nightclub and how they helped to break a record, but still considered an extended remix to ultimately facilitate sales of the original 7-inch single version or the artist's album, and not as a sale item in its own right. Pop orientated labels began to use the format to promote commercial artists with dance elements to their music, but not necessarily lengthening their tracks, concentrating instead on its novel aspects. The costs for the format were also still prohibitive; one label reported 12-inch singles cost more than it did to press an album.
612:, brother of Don Downing. As no 7-inch (18 cm) acetates could be found, a 10-inch (25 cm) blank was used. Upon completion, Moulton found that such a large disc with only a couple of inches worth of grooves on it made him feel silly wasting all that space. He asked RodrĂguez to re-cut it so that the grooves looked more spread out and ran to the normal center of the disc. Rodriguez told him that for it to be viable, the level would have to be increased considerably. Because of the wider spacing of the grooves, not only was a louder sound possible but also a wider overall
508:, which the instrumental naturally was. This was in comparison to the then occasionally found 'Part 2' B-side of a record, while similar, tended to be the latter half of a lengthy album track, split for seven-inch release, but in many cases this wasn't the full instrumental, so could be more awkward to use. Scepter, from this single onward began to regularly add a non-vocal side, helping to make it an industry standard practice, with several other labels following suit particularly for dance records, and DJs embracing these as a useful tool during their sets.
1656:" (15:00). The broad visual spacing of the grooves on the twelve-inch records made it easy for the DJ in locating the approximate area of the "breaks" on the disc's surface in dim club light (without having to listen while dropping and re-dropping the stylus to find the right point). A quick study of any DJs favorite discs will reveal mild wear in the "break points" on the discs' surfaces that can clearly be seen by the naked eye, which further eases the "cueing" task (a club DJs tone-arm cartridge will be heavily weighted and mild wear will seldom spoil the
1664:, such as Ultimix and Hot Tracks, issued sets with deliberately visualised groove separations (i.e., the record was cut with narrow and wider spacings that could be seen on the surface, marking the mix points on the often multi-song discs). Motown were one of the first to "eye cue" their 12-inch disco discs, giving DJs the track's BPM and info on the exact length of the various sections of the song - one of the earliest examples of a record company recognising how important the DJ was to become by making their product more user-friendly.
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titles. Record companies also deleted many record titles from production and distribution, or simply did not make 12-inch singles for many pop artists, further undermining the availability of the format and leading to the closure of pressing plants. This rapid decline in the availability of records accelerated the format's decline in popularity, and was seen by some as a deliberate ploy to make consumers switch to CDs which were at the time more profitable for the record companies, and more latterly,
44:
192:. During the 1910s discs became the standard sound reproduction format, although the speeds used could vary between manufacturers until 78 rpm became the norm from around 1925. An album would consist of several of these single discs packaged together. These brittle shellac discs remained a popular medium through the first attempt to introduce vinyl records in 1931, the subsequent move towards microgroove formats from 1948, and would survive until the early 1960s.
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1723:", selling about 800,000 copies on the format and over a million copies in total (not counting later remixes). It was somewhat helped by the fact that Factory did not release a seven-inch version of the single until 1988, five years after the single was originally released as a twelve-inch-only release. Besides, the seven-inch version that was released was not the original 1983 version released on twelve-inch, but a re-recording called "Blue Monday 1988".
317:
662:. Mentioned in his Billboard column in mid April as being 'out soon', a known 10-inch acetate had a date of 8 May 1975, with twelve-inch acetates and promos also appearing at some stage. It eventually was issued commercially in August on seven-inch 45 only. A sometimes mentioned candidate among these first acetates is Moment of Truth "So Much For Love", but this effort was commercially released a year later, the band having been signed to
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were presented with
Billboard awards at the 1976 Disco Forum event for disco disk sales to consumers and best record label as a result of the push into the marketplace with the new format. The issue did not contain the 3 min 5 secs 7-inch edit or the 6 mins 51 mins album version; the A side contained the Gibbons 9 min 43 secs remix, while Cayre himself created an extended 7 min 31 secs mix for the B side.
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1603:'s Contempo Records from 8 October 1976, these songs having been previously released in either 7-inch format or as album tracks. Abbey likely had the nod from Scepter Records about the use of the twelve-inch single format, as both had released all these titles on their labels and Contempo had cross-licensed the tracks with Moulton mixes. This was closely followed with a single containing re-issues of
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offering a new option for consumers who had stopped buying traditional singles. The record was pressed at 33 rpm, with identical run times to the seven-inch 45 rpm pressing of the single and album, but with a large runoff area. Several hundred copies were made available for sale for 98 cents each at two
2361:"Keepin Up with the Joneses:" the album by the Joneses, has the group's current hit "Sugar Pie Guy" as well as their previous hit "Hey Babe." Both singles,which had part 1 & 2 versions, .... who have played both records sometimes have difficulty in putting them together where they sound as one record.
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However, demand was being driven by record shops, particularly those serving disco product, with feedback from buyers. It was particularly noticed that many of the previously released promotional 12-inch singles were attracting a premium in the resellers marketplace, with them in some cases changing
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Moulton's position as the premiere mixer and "fix it man" for pop singles ensured that this fortunate accident would instantly become industry practice. This would perhaps have been a natural evolution: as dance tracks became much longer than had been the average for a pop song, and as the DJ in the
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An early test pressing was Bobby Moore "(Call Me Your) Anything Man", on
Scepter. Twelve-inch acetates for this single were pressed in April 1975, and was subsequently produced as twelve-inch vinyl promotional singles with typed labels in June. Moulton, now a regular in-house remixer for the label,
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in the latter from
November 1974. The DJs would increasingly be expected to report back, much like with radio, with what songs worked on their dancefloors to the record company and mixers such as Moulton and others so that a strategic decision would be made whether to further fine tune or remix the
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surpassed the gramophone record in unit sales. Vinyl records experienced a sudden decline in popularity in the U.S. between 1988 and 1991, when the major label distributors restricted their return policies, which retailers had been relying on to maintain and swap out stocks of relatively unpopular
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music weekly paper, with him notably indicating the approximate BPM of late 1970s disco tracks onwards. Increasingly in the 1980s, many pop and even rock artists released twelve-inch singles that included longer, extended, or remixed versions of the actual track being promoted by the single. These
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remix for dancers who would hear that version in nightclubs but not be satisfied with the shorter versions sold on the 7-inch vinyl or the album. The seven-inch edit had been released a month earlier but sales of this were slow. With renewed interest and high sales weeks after the release, Salsoul
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of the Ultra High
Frequency "We're on the Right Track" seven-inch single in 1973. This issuing of the backing track enabled DJ's to use two turntables and mix between the vocal and instrumental versions of popular dance records, seguing them so that dancing patrons could enjoy the overall song for
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all-in-one decks have in later times become the norm which take up less space than a pair of turntables, reducing DJs dependence on the physical format even further. There is however, a dedicated DJ sub-community that has maintained their usage of the format, with retro styled "vinyl only" nights
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As time went on, a growing number of record labels became aware of the 12-inch format as a useful promotional tool, the benefits it gave for sound fidelity, and started to issue product in response. However, into early 1976 none considered them at first as suitable for sale to the general public.
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discs for sound replay from 1889, with 10-inch records appearing in 1901. In 1903 12-inch discs were introduced by Victor, on their Deluxe label, these able to play for up to four minutes, so increasing what were non-achievable times of the length of a song or speech on the earlier formats. These
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Twelve-inch singles typically have much shorter playing time than full-length LPs, and thus require fewer grooves per inch. This extra space permits a broader dynamic range or louder recording level as the grooves' excursions (i.e., the width of the groove waves and distance traveled from side to
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started a line of 12-inch promos in
November 1975, with the first being Ruan O'Lochlainn "Another Street Gang". Disco singles started to appear in earnest months later, Brass Construction "Changin'" was promoted around March 1976 by United Artists. A later 12-inch promo issue was a double sider
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The
Jamaican reggae and US disco trend also hit London, reggae being popular along with uptempo forms of music such as Motown and northern soul, the seven-inch record being the primary medium in the early 1970s for this material, with the UK following up a little later than the US with 12-inch
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test-marketed a twelve-inch single by jazz-pop guitarist Buddy Fite, featuring "Glad Rag Doll" backed with "For Once in My Life", both from his self-titled debut album issued in 1969. Subtitled 'The world's first 12-inch single!', the experiment aimed to energize the struggling singles market,
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singles. The reasons were different, the UK jocks did not have the same need to extend records like the US pioneers who wanted longer records for the dancefloor. Although the use of larger temporary singles (primarily 10-inch) started from the
Jamaican influence and before (such as the pre-
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Although as previously mentioned regarding the
Jamaican dub influence on the use of 10-inch acetates, the 12-inch single was only born once imports of US disco singles were established from 1976 onwards. The issued twelve-inch-single trend spread to Jamaica quickly, where hundreds of
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The first wide-scale record company promotional twelve-inch single according to
Moulton (considering his then position with Billboard at the time as disco product reviewer, and that most of the very limited 12-inch records up to this point involved his own remixes), was
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released a double headed single by the Chicago Gangsters "Gangster Love" / "Feel Like Making Love" in early July 1976 on their Gold Plate subsidiary. A clutch of releases including Jakki "Sun... Sun... Sun" and Four Below Zero "My Baby's Got E.S.P.", amongst others on
79:(long play) which have several songs on each side. It is named for its 12-inch (300 mm) diameter that was intended for LPs. This technical adaptation allows for louder levels to be cut on the disc by the mastering engineer, which in turn gives a wider
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for sale to the general public, but only on a standard-issue 7-inch record for sale in October 1974. Further 10-inch acetates featuring the extended versions would be created by Moulton and Rodriguez from late 1974 such as Moment of Truth's "Your Love" on
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respectively in 1948 and 1949. Intriguingly, although there is a scientific basis behind 45 rpm being an ideal speed for sound quality which was touted by RCA, conveniently the 45 rpm number can also be derived by subtracting 33 from 78.
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play. It also meant that these extended versions being created by Moulton could be given to fellow DJs and tested within a nightclub environment to see how well it worked the dancefloor, with adjustments subsequently made to the remix.
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Twelve-inch singles production continued for dance acts or for dance remixes of commercial artists as there was a continued high regard of the format from DJs into the 2000s and 2010s. A growing number of DJs eventually began to use
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versions were frequently labeled with the parenthetical designation "12-inch version", "12-inch mix", "extended remix", "dance mix", or "club mix", before its usage becoming commonplace in the early/mid 1980s developing alongside
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Many of the above disco era timelines were driven by the DJ necessity to give a better nightclub dancefloor experience to patrons, and as the scene grew, it began to be chronicled in trade press publications such as
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1793:, although many sales take place online. There is also a notable second-hand trade business on online sale and auction marketplaces for collectors, of which some titles are still in demand and can be of some value.
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hands for the price of an album. Along with research done by labels to get a feel of the interest for the proposed format, a push was finally made by a self-proclaimed 'pioneer' label of the disco business.
747:, co-writer and producer, personally presented 10-inch test pressings to DJs in April 1975 after high pre-release demand. It was then issued commercially as a 7-inch at the end of April/start of May 1975.
230:. It was marketed initially as being more robust than shellac, with a duration of up to twenty minutes playing time per side. The first twelve-inch LP (containing only one track per side), was Beethoven's
576:) were not presented as separate pieces of music, but as an uninterrupted, 18-minute-plus, side-long composition optimised for dancing. There were previous albums that had side-long tracks or suites, and
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At first, these special remixed or extended versions were only available as promotional copies to DJs, either given directly to them or issued by record pools who obtained these from record companies'
249:. Because of financial hardships that plagued the recording industry during that period (and RCA's own parched revenues), Victor's long-playing records were discontinued for public sale by early 1933.
1595:"Chinese Kung Fu" both as Tom Moulton mixes, along with another disc containing the Armada Orchestra "For the Love of Money" / Ultrafunk "Sting Your Jaws (Part 1)". Bush and the latter two acts had
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scene. Later musical styles took advantage of this new format and recording levels on vinyl twelve-inch "maxi-singles" have steadily increased, culminating in the extremely loud (or "hot") cuts of
245:. RCA's early introduction of a long-play disc was a commercial failure for several reasons including the lack of affordable, reliable consumer playback equipment and consumer wariness during the
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in October and the aforementioned Don Downing "Dream World". "I'll be Holding On" would eventually be cut onto a twelve-inch acetate, as chronicled by its usage on the music compilation album
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487:) were involved in several of these pioneering steps due to their artists and heavy bass-range and strong uptempo song material, forward-thinking company executives and innovative remixing.
1461:" to catch on the disco hype. An early 12-inch pressing, reputedly the first was by the Jayes "Truly" in 1977 on the Channel One label, which was run by the Hoo Kim brothers from their
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757:'s Calhoon "(Do You Wanna) Dance, Dance, Dance" had a 10-inch acetate from May, given out as a one sided 10-inch vinyl promo in the same month, and as a 12-inch promo in July 1975.
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wanted sufficient dynamic range, the format would likely have enlarged from the seven-inch single eventually. Ironically, Moulton's mix of Downing would be eventually released by
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launched the first commercially available vinyl long-playing record, marketed under their Program Transcription series. These revolutionary discs were designed for playback at 33â
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to help boost morale. Vinyl as a material for records sold to the public was reintroduced after World War II, first for 78s in 1945 (the Bolshoi Theatre Orchestra and Chorus's
1583:, however some of these were not UK pressed vinyl but US promos sent over to the UK and distributed through club promotions businesses and record company A&R departments.
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r.p.m.), with distribution by Jamie/Guyden Distribution Corporation. It was manufactured by Jamie Record Co. of Philadelphia, Pennsylvania. The B-side of the record is blank.
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being a unique selling point. In addition, there have been some new titles being pressed on the format and available at physical record shops alongside an ongoing cultural
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Longer tracks could be accommodated on each side of the 12âinch disc, or shorter but more numerous tracks per side. Indeed, the first 12âinch vinyl album in 1948,
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using the instrumental or backing track with the vocal version to create an extended version, and later on combining outtakes, adlibs and other unused material;
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which were usually cover versions or re-recordings, but here was a new piece of music composed out of already recorded pieces of music (albeit containing two
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584:), making it the first "DJ mix" committed to vinyl, with Moulton admitting it was conceived as a tool for dancefloors. A followup was the Motown compilation
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1987:
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produced mainly twelve-inch singles (in addition to albums) during the 1980s, lots being mostly regular A and B-sides, not remixes. Certain labels such as
1559:. These early issues usually containing the original 7-inch edit, It took a little later for lengthened versions to begin appearing, with 1970s UK club DJ
294:(EP) in appearance, rather than a typical album with multiple tracks each being on average 2â4 minutes such as the first 10âinch vinyl album, a reissue of
163:
Gramophone records had been introduced in the latter portion of the 19th century, with several pioneers involved in sound reproduction development such as
727:
This was issued in mid February 1975 and was subtitled 'Specially Prepared For Disco Use', but it held same length versions of the selected album tracks.
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438:. Twelve-inch promotional copies of "Straight From My Heart" were released on his own Swamp Dogg Presents label (Swamp Dogg Presents #501/SDP-SD01, 33+â
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1988:"University of Wisconsin / Milwaukee - UWM Digital Commons - Theses and Dissertations - Sound and Vision: Marketing Recorded Music in the Age of Radio"
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soundtrack discs from 1926) and pressed on ten and twelve-inch diameter flexible Victrolac discs, using a polyvinyl chloride (PVC) compound called
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616:(distinction between loud and soft) as well. This was immediately noticed by them to give a more favorable, 'hotter' sound which would appeal to
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1518:", both at 33 rpm and issued in approximately June 1975 (based on the catalogue numbers used), but rumoured to be as late as October.
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imprints, these included pop releases such as Paul McCartney's first ever extended single internationally, credited as Wings "Let 'Em In"
753:"Mellow Blow" became the first 33 rpm Atlantic promo to be released in July, but eventually commercially only on an 7" in September.
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evidently liked the format enough to use it a few times to promote artists in the US and Australia - they serviced a test pressing of
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featured only three tracks (one 11-minute long suite on side one, and two tracks on side two taking up 14 minutes in total) and was
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1397:. Salsoul's second 12-inch record for retail was by Moment of Truth "So Much For Love" / "Helplessly" released in early July 1976.
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that has wider groove spacing and shorter playing time with a "single" or a few related sound tracks on each surface, compared to
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Calhoon single "Dance Dance Dance" released by Warner Bros. after manager Ron Samuels seeded New York discos with acetate copies
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Following the lead of the US club DJs, using 12-inch extended versions in the UK as a mixing tool was advocated particularly by
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However, vinyl continued to be used, notably with broadcasters, on larger 16âinch radio transcription discs, and later with the
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Another early twelve-inch single was released in 1973 by soul/R&B musician/songwriter/producer Jerry Williams, Jr. a.k.a.
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in the middle of April 1976, however both were released commercially and individually on seven-inch 45s only, in April 1976.
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2308:"SWAMP DOGG - JERRY WILLIAMS, JR. DISCOGRAPHY Updated 2016.January.5 Compiled, researched and annotated by David E. Chance"
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411:'s "It's A Hard Rain's Gonna Fall" backed with "Me And Baby Jane" to radio stations in July 1971, the first track from his
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usually holds three or four minutes of music at full volume. The 12-inch LP sacrifices volume for extended playing time.
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progressively increasing the awareness and availability of the format through trade publications, record shops and DJ
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The first song found on a twelve-inch single commercially issued for public purchase from the disco era onwards was "
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The gramophone records cut especially for dance-floor DJs came into existence with the advent of recorded Jamaican
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series released mid May 1975, which put together some of the label's most danceable hits onto a number of albums.
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Singles in general have followed wider gramophone record sales, withstanding competition from the 1960s and 70s
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604:(JosĂ© RodrĂguez) in need of a Friday-night test copy for a remix created by Tom Moulton in 1974. The song was "
528:" in 1973), in early 1974, during his quest to adapt songs beyond the radio-friendly three-minute mark for his
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1567:"Jaws" being his first one, which was in extended form. This was followed by disco acts such as James Wells,
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on Salsoul Records in mid May 1976. This was due to the label co-owner Ken Cayre's decision to release the
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for their convenience, and later along with a crossover period where turntables could be combined with
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The first large-format single made specifically for discotheque DJs was a ten-inch acetate used by a
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Notable 1970s and 1980s releases making use of the new length opportunities of the format included
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however, specifically focused on blending a number of their disco releases into a non-stop medley.
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was again given label credit for the remix. This was released commercially on 7-inch in May 1975.
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creating a segued mix of different tracks, the length of which was less suited to a 7-inch record;
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1381:" / Sweet Music "I Get Lifted" on Scepter/Wand in mid June 1976. Third was a disc containing two
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Another record remixed by Moulton was the Philly Devotions "I Just Can't Make It Without You" on
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4601:"FEATURE: Forty Years of the Sony Walkman: 1st July, 1979: An Historic and Iconic Day for Music"
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award in December 1974 for 'being the first label to make specialized mixes for discotheques'.
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album. Shelter later issued another promotional single "Lowdown in Lodi"/"Me and My Guitar" by
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owners to give their "selecter" DJs acetate or flexi disc dubs of exclusive mento and Jamaican
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272: rpm LPs (with a narrower "microgroove") and 7âinch 45 rpm singles being marketed by
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Spinners are also happy about the flip side having a 4:10 instrumental version of the song.
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in June 1976, and the song only appearing in disco charts at the end of July of that year.
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artists were serviced to radio stations in April 1972 by local distributor Tempo Records:
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2101:"Indies Get There First with Plastics; Dealers See Extra Plus in Unbreakable Diskings".
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turntables existed, so DJ's would only blend into a track with the same drum tempo or
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3858:"New Labels Add 12 -Inch Singles/New Labels Flock To Board 12 -Inch Disk Bandwagon".
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2595:
2165:
1940:
1899:
1744:
1740:
1712:
1017:
640:
496:
242:
158:
130:. Many record companies in the 1970s began producing 12-inch (30 cm) singles at
72:
4576:"The story behind New Order's Blue Monday - the UK's biggest-selling 12-inch single"
2227:
5829:
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5645:
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5000:
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1932:
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was a key factor that contributed to fewer record sales in the 1980s. In 1988, the
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1716:
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1403:
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An acetate twelve-inch test pressing single hailed as being a first by Moulton was
635:
484:
381:
273:
246:
3797:
3651:
764:
departments. Examples of these promos, released from spring/summer 1975, include:
376:
music in the 1950s. By at least 1956 it was already standard practice by Jamaican
5697:
5690:
5418:
5339:
5256:
5226:
5211:
5206:
4430:
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3223:
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1023:
663:
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476:
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48:
5181:
4336:
3773:"Ken Cayre on the History of Salsoul and Working with Disco's Greatest Remixers"
3525:
3160:"Frankie Valli and the Four Seasons (and connected)-Downloadable Discographies-"
3159:
2812:
201:
6137:
5569:
5525:
5489:
5405:
5381:
5344:
5276:
5093:
4823:
4527:
4380:
4358:
4215:
2120:"Columbia Diskery, CBS Show Microgroove Platters to Press; Tell how It Began".
1948:
1719:, produced the biggest-selling twelve-inch record ever in the United Kingdom, "
1591:
The first commercially released twelve-inch vinyl was Ernie Bush "Breakaway" /
1544:
1527:
1523:
1366:
1267:
1039:
577:
548:
168:
110:
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556:
521:
517:
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291:
227:
188:
first twelve-inch releases were all by the Victor Grand Concert Band, led by
164:
2269:
Link, Geoffrey; "Tower Test-Markets 12-Inch Single in Sacramento and L.A.";
1776:
and used with encoded 12 inch discs and DJ software, which could manipulate
450:
The disco twelve-inch record came into being from several key developments:
6132:
6097:
5866:
5845:
5711:
5582:
5540:
5515:
5474:
5464:
5438:
5364:
5334:
5261:
5113:
5061:
5009:
4861:
2874:
2077:"V-Disc : The story of the American military record label during WWII"
1756:
1700:
1637:
1612:
1548:
1536:
1511:
1494:
Atlantic Records was an early front runner with two 12-inch promo singles:
1106:
1081:
949:
690:
681:
601:
464:
424:
408:
393:
265:
257:
80:
555:, released in October 1974. Tom Moulton created one for the A side of the
43:
34:" redirects here. For the unit of measurement equal to twelve inches, see
6142:
6077:
5894:
5669:
5548:
5449:
5426:
5374:
5369:
5324:
5297:
5266:
5236:
5231:
5191:
5163:
5133:
5128:
5046:
4674:
4554:"50 Years Of Record Cutting And Stereo Bass For Vinyl | RPM's Vinyl Blog"
1846:
1689:
1677:
1645:
1596:
1563:
recalling promotional 12-inch product being mailed out from August 1976,
1503:
1495:
1475:
1394:
1246:
931:
581:
565:
472:
127:
84:
35:
4694:"Romancing the Record: The Vinyl De-Evolution and Subcultural Evolution"
4512:
WHITE, ADAM (27 May 1978). "Motown Adapts For Disco DJs in the Groove".
3566:
Catalog of Copyright Entries: Third series - Music - June-September 1975
3028:
Love Saves the Day: A History of American Dance Music Culture, 1970-1979
2591:
Love Saves the Day: A History of American Dance Music Culture, 1970-1979
2051:
1962:
750:
685:. Tom Moulton began to write for the former from 26 October 1974 in the
5803:
5725:
5630:
5319:
5302:
5158:
5108:
4951:
4405:
3088:
2496:
MELANSON, JIM (26 October 1974). "Non -Stop' Disco Album Springs Out".
1735:
Close-up shot of a 12-inch (30 cm) single showing the wide grooves
480:
435:
277:
211:
180:
4314:
4292:
2435:"Tom Moulton and his extended disco remix forever changed dance music"
2327:
6062:
5758:
5676:
5422:
5271:
5143:
5056:
2763:
1761:
1063:
744:
626:
516:
While not his first production work (his first mixing effort was the
219:
123:
76:
5838:
5788:
5683:
5312:
5307:
4042:
2876:
The disco files 1973-78 : New York's underground, week by week
1936:
1458:
1443:
223:
5587:
5510:
5484:
5442:
5025:
4792:
4253:"Nine Times - The Moments / Do What You Feel - The Rimshots - 12"
1752:
1604:
1457:
singles were pressed in this format, and commercially issued as "
529:
184:
5612:
5148:
4382:
12" Single: The Armada Orchestra - For The Love Of Money (1976)
3228:. Nielsen Business Media, Inc. 2 October 1976. pp. 35, 53.
1773:
1454:
1118:
253:
4191:"SAM Prefix - Warner Bros / WEA promo and bonus discs - 45cat"
4170:"The most collectable 12" singles - Record Collector Magazine"
1731:
1688:
genres, but was regularised with the advent of the late 1980s
1599:
production involvement, and these two releases were issued by
144: rpm, although 45 rpm gives better treble response.
5433:
5083:
2941:"Success of Young Midland Intl Operation Attributed To Clubs"
1093:
568:. As a development from his mixtapes, three songs (Honey Bee/
505:
373:
3568:. Library of Congress. Copyright Office. 1977. p. 1787.
2027:"1931 Leopold Stokowski - Philadelphia Orchestra Recordings"
1373:
The second twelve-inch release was the double artist single
5783:
5635:
5123:
5015:
4891:
2410:"The Carstairs - It Really Hurt Me Girl â Unearthed Sounds"
4772:"How the great vinyl revival has got music fans in a spin"
4217:
12" Single: Robert Palmer - Which Of Us Is The Fool (1975)
1784:
music files but still allow for a turntablism experience.
715:
A very early disco prototype vinyl 12-inch pressing was a
87:, is commonly used in disco and dance music genres, where
5808:
5778:
5704:
5479:
5020:
4472:"The Sole Track That Launched Commercial Hip-Hop in 1979"
1822:"The Joy of 45 Collecting: Why 45s Sound Better Than LPs"
1781:
1777:
1769:
4745:"A Brief History of the 12-inch Single Format | Discogs"
3154:
3152:
3090:
Bobby Moore [70s] - (Call Me Your) Anything Man
2963:. Nielsen Business Media, Inc. 14 June 1975. p. 3.
2052:"RCA Program Transcription Album Discography (1931-33)"
1963:"RCA Program Transcription Album Discography (1931-33)"
1810:
https://oe1.orf.at/player/20240928/769858/1727540612000
1414:
Two twelve-inch promotional vinyl issues for rock/folk
710:
256:
program that sent records overseas to US troops during
88:
768:
Selected promotional vinyl 12-inch US singles in 1975
4360:
12" Single: Ernie Bush - Breakaway (Disco Mix) (1976)
4119:"The Chantelles | Biography & History | AllMusic"
3874:"GEORGE BENSON singing and playing SUMMERTIME / 2001"
3149:
2765:
Philly Devotions - I Just Can't Make It (Without You)
2670:"Tom Moulton â A Tom Moulton Mix | Soul Jazz Records"
2185:
Thompson, Dave. "45s - The Greatest Sound on Earth".
2105:. Vol. 57, no. 39. 6 October 1945. p.
701:
595:
460:
using physically larger and audibly "hotter" records;
183:, USA and perfected the use of 5 and 7-inch rotating
175:
merged their efforts within the industry to form the
122:
side by the turntable stylus) can be much greater in
91:
use them to play in clubs. They are played at either
4626:
Browne, David (4 October 1991). "A Vinyl Farewell".
4017:"The first twelve single | Part 7/11. 12" in FranŚe"
2479:"Billboard names 11 Trendsetters - Talent in Action"
2143:. Vol. 61, no. 2. 8 January 1949. p.
1887:
1885:
1619:" on the flip, all originally from 1966 and 1967 by
3550:Aletti, Vincent (20 September 1975). "Disco File".
2124:. Vol. 60, no. 26. 26 June 1948. p.
1502:" backed with Osiris "Warsaw Concerto", along with
689:column (which changed name as time went on), while
126:, especially in the bass frequencies important for
4642:
1925:Journal of the Society of Motion Picture Engineers
1586:
669:
2287:12" Single: Freddie King - Lowdown In Lodi (1972)
1882:
384:recordings before they were issued commercially.
6189:
3132:"Newsletter 56 - 1974/75 single and LP releases"
2993:"Large And Small Labels Push For Disco Exposure"
195:
4724:"Music streaming is fueling vinyl's resurgence"
4435:. Nielsen Business Media, Inc. 16 October 1976.
2158:Osborne, Richard (17 February 2016). "The 45".
1726:
1334:
500:longer. A key reason of the time was that few
3712:Office, Library of Congress Copyright (1976).
106:
4808:
3980:. Nielsen Business Media, Inc. 15 April 1972.
3242:"Barrabas 'Disco Disc' planned by Atlantic".
2935:
2933:
2872:
1751:formats. The widespread popularity of Sony's
1339:
4447:"Classic Tracks: Donna Summer 'I Feel Love'"
3891:Aletti, Vince (10 July 1975). "Disco File".
2228:"Is Vinyl and LP The Same: Vinyl LP Meaning"
2201:"Mendelssohn and Richard Rodgers the record"
2187:The Music Lover's Guide to Record Collecting
1489:
743:in June 1975 with a 10:32 min running time.
3755:"Club DJs Blend Cuts For Cos.' Disco Disks"
1426:Early titles first appeared in 1976 on the
218: rpm (the speed first used on 16âinch
4815:
4801:
4645:The World of DJs and the Turntable Culture
4640:
4497:"Spring Label Markets a Won-Stop' Album".
4092:Vibes, Teacher at Reggae (30 March 2020).
3992:"MILESAGO - Record Labels - Tempo Records"
3715:Catalog of Copyright Entries: Third series
2930:
2907:: CS1 maint: location missing publisher (
1522:"Which of Us Is the Fool" was released by
547:The first genre-themed set was created by
490:
340:. Please do not remove this message until
5290:
4691:
4241:. The Record Press. pp. 61, 81, 125.
3906:Moulton, Tom (4 July 1976). "Disco Mix".
360:Learn how and when to remove this message
4769:
3822:"Salsoul 12" Disco Mix a Retail Smash".
3024:
2587:
2495:
2253:"JAMAICA - RHYTHM & BLUES 1956-1961"
1865:"Fred Hager tangles with Victor Herbert"
1730:
1448:Twelve-inch single § Jamaican roots
336:Relevant discussion may be found on the
42:
4739:
4737:
4679:"Shiny, Aluminum, Plastic, and Digital"
4673:
3905:
3737:"A New 12 -Inch 45 Salsoul Disco Label"
2813:"Tom Moulton Tribute @ Disco-Disco.com"
2788:Vinyl: A History of the Analogue Record
2784:
2161:Vinyl: A History of the Analogue Record
2157:
1895:Vinyl: A History of the Analogue Record
1891:
427:in 1972 with the tracks taken from his
268:catalog number M-800), with 12âinch 33â
14:
6190:
4625:
4400:
4398:
3890:
3853:
3851:
3731:
3729:
3727:
3725:
3711:
3595:
3593:
3580:"Scepter Marketing U.K. Contempo Line"
3549:
3526:"Motown Promotional Album Discography"
3520:
3518:
3315:
3313:
3276:
3274:
3255:
3253:
3237:
3235:
3218:
3216:
3182:
3180:
3108:
3106:
3068:
3066:
3031:. Duke University Press. p. 212.
2631:
2629:
2594:. Duke University Press. p. 212.
2002:"Victor Program Transcription Records"
1918:
1696:records of the 1990s and early 2000s.
1437:
719:promo distributed by RCA - this was a
511:
4796:
4511:
4236:
4091:
3613:
3611:
3499:
3497:
3412:
3410:
3126:
3124:
2785:Osborne, Richard (17 February 2016).
2583:
2581:
2579:
2577:
2551:
2549:
2547:
2463:"Labels Mix Records For Club Scene".
2458:
2456:
2322:
2320:
2225:
1892:Osborne, Richard (17 February 2016).
1862:
1626:
866:"(Do You Wanna) Dance, Dance, Dance"
542:
116:
4734:
4649:. Hal Leonard Corporation. pp.
4316:Rimshots - Do What You Feel (Part 1)
3922:"Amherst Disco Bid By the Gangsters"
3136:Four Seasons UK Appreciation Society
2255:. fremeaux.com. 2012. Archived from
2184:
1631:
711:First wide scale promotional 12-inch
495:This was released by Scepter to the
310:
6042:Global Recording Artist of the Year
6010:Highest-grossing live music artists
4395:
4094:"Burning Rockers 1 | The 12" Mixes"
3848:
3798:"Salsoul Records @ Disco-Disco.com"
3722:
3590:
3515:
3450:"Ace Spectrum's Disco Rendezvous".
3310:
3271:
3250:
3232:
3213:
3177:
3103:
3063:
2626:
1447:
417:album, with the flip side from his
414:Leon Russell and the Shelter People
206:Single (music) § 7-inch format
152:
24:
4822:
4770:Harrison, Emma (3 December 2023).
3652:"Buddah Records @ Disco-Disco.com"
3644:
3608:
3494:
3407:
3336:"12" DISCO RECORDS - 20th CENTURY"
3121:
2574:
2557:"Million Dollar Disco: Tom Mouton"
2544:
2485:. 28 December 1974. pp. 1, 4.
2453:
2317:
1921:"Victrolac Motion Picture Records"
1863:Baker, R. S. (24 September 2019).
702:Early vinyl test pressings 12-inch
596:Early acetates 10-inch and 12-inch
25:
6219:
4239:The Virgin Discography: the 1970s
3940:"Amherst Markets Big Disco Disks"
3025:Lawrence, Tim (2 February 2004).
2879:(Second ed.). New York, NY.
2588:Lawrence, Tim (2 February 2004).
1468:
483:(later co-founder of dance label
306:
287:Mendelssohn's Concerto in E Minor
6171:
6170:
6157:
5187:Artists and repertoire (A&R)
4918:Universal Music Publishing Group
4763:
4716:
4710:10.1111/j.0022-3840.1992.00109.x
4685:
4667:
4634:
4619:
4593:
4568:
4546:
4520:
4505:
4490:
4464:
4439:
4423:
4373:
4351:
4329:
4307:
4285:
4270:
4245:
4230:
4208:
4183:
4162:
4136:
4111:
4085:
4060:
4035:
4009:
3984:
3968:
3950:
3932:
3914:
3899:
3884:
3866:
3511:. 13 September 1975. p. 64.
3490:. 20 September 1975. p. 60.
3472:. 20 September 1975. p. 57.
3203:"Disco Action, Top Single Picks"
2947:. 13 September 1975. p. 40.
2734:. 27 September 1975. p. 47.
2380:. 21 December 1974. p. 16.
2359:. 16 November 1974. p. 20.
2226:Vinyl, Legend (29 August 2022).
1898:. Routledge. pp. 155, 156.
723:one sided EP with 4 tracks from
479:along with its production chief
315:
5608:Entertainment Monitoring Africa
3862:. 26 June 1976. pp. 1, 18.
3830:
3815:
3790:
3765:
3747:
3705:
3701:. 29 November 1975. p. 30.
3687:
3683:. 15 November 1975. p. 39.
3669:
3640:. 22 November 1975. p. 38.
3626:
3572:
3558:
3543:
3476:
3458:
3443:
3428:
3389:
3371:
3353:
3328:
3295:
3195:
3081:
3045:
3018:
3003:
2985:
2967:
2951:
2915:
2866:
2848:
2830:
2805:
2778:
2756:
2738:
2720:
2705:
2687:
2662:
2647:
2608:
2529:
2504:
2489:
2471:
2427:
2402:
2387:
2366:
2345:
2300:
2278:
2263:
2245:
2219:
2193:
2178:
2151:
2132:
2113:
2094:
2069:
2044:
2019:
1587:First UK 12-inch retail singles
670:Promotion through media and DJs
27:Type of vinyl phonograph record
6108:Largest recorded music markets
6015:Highest-grossing concert tours
4501:. 26 October 1974. p. 10.
3761:. 15 May 1976. pp. 1, 39.
3743:. 15 May 1976. pp. 3, 38.
3209:. 3 May 1975. pp. 20, 54.
2999:. 1 November 1975. p. 50.
2873:Aletti, Vince (October 2018).
2658:. 2 November 1974. p. 10.
2643:. 26 October 1974. p. 22.
2622:. 9 November 1974. p. 20.
2467:. 2 November 1974. p. 10.
1994:
1980:
1955:
1912:
1856:
1839:
1814:
1803:
831:"(Call Me Your) Anything Man"
177:Victor Talking Machine Company
13:
1:
4043:"Paul McCartney - Let 'em In"
3844:. 9 October 1976. p. 36.
3777:daily.redbullmusicacademy.com
3586:. 4 October 1975. p. 34.
3424:. 16 August 1975. p. 51.
1796:
1406:was sold from mid July 1976.
1298:Jimmy James and the Vagabonds
196:Vinyl and microgroove formats
6164:Record production portal
4980:Independent UK record labels
4337:"Time Capsule - August 1976"
4019:. 4 May 2003. Archived from
3403:. 2 August 1975. p. 29.
3288:. 28 June 1975. p. 86.
2752:. 19 April 1975. p. 32.
2701:. 12 April 1975. p. 52.
1919:Barton, F. C. (April 1932).
1727:Decline and ongoing interest
1555:" in the middle of May from
1409:
1335:First 12-inch retail singles
445:
387:
264:a 12âinch 5-record set from
7:
6032:Most-attended concert tours
4681:– via urbigenous.net.
4532:James Hamilton's Disco Page
3964:. 17 July 1976. p. 58.
3946:. 17 July 1976. p. 10.
3928:. 26 June 1976. p. 50.
3880:. 26 June 1976. p. 21.
3367:. 28 June 1975. p. 47.
3267:. 19 July 1975. p. 82.
2981:. 19 July 1975. p. 78.
2862:. 31 July 1976. p. 38.
2844:. 26 June 1976. p. 32.
2654:"Mix Special Disco Disks".
2139:"Lowdown on New RCA Disk".
1352:
342:conditions to do so are met
202:LP Record § RCA Victor
10:
6224:
6047:Wealthiest musical artists
5900:Best-selling music artists
4698:Journal of Popular Culture
4692:Plasketes, George (1992).
3385:. 5 July 1975. p. 28.
3059:. 7 June 1975. p. 16.
3014:. 31 May 1975. p. 86.
2791:. Routledge. p. 155.
1990:. August 2016. p. 32.
1484:In Spite of All the Danger
1441:
1340:Motivation for public sale
1224:"Tornado" / "Disco Queen"
564:album, in January 1975 on
199:
156:
147:
29:
6151:
6055:
5887:
5822:
5751:
5742:
5654:
5618:New Zealand singles chart
5539:
5503:
5394:
5172:
5074:
5039:
4993:
4936:
4900:
4839:
4830:
4641:Souvignier, Todd (2004).
1490:Promo UK 12-inch releases
1421:
1243:"Never Gonna Let You Go"
1156:Sound of Washington D.C.
1022:"Always Another Girl" / "
6088:Christian music industry
5603:GfK Entertainment charts
5247:Professional audio store
4605:Music Musings & Such
4294:The Moments - Nine Times
1644:" (16 min 50 seconds), "
1391:Theme From Good King Bad
1221:The Wiz / Hot Chocolate
725:The Carol Douglas Album.
574:Reach Out, I'll Be There
226:which was licensed from
5495:Music streaming service
4928:Disney Music Publishing
3454:: 17. 6 September 1975.
3439:: 35. 6 September 1975.
3164:UK Appreciation Society
3117:: 20. 15 February 1975.
2674:soundsoftheuniverse.com
2516:redbullmusicacademy.com
1847:"Victor Deluxe history"
1393:" in late June 1976 on
1261:& the Midnight Sun
1044:"You'd Be Good For Me"
916:"I Just Can't Make It"
821:April (10-inch) / June
794:The Carol Douglas Album
537:Trendsetter of the Year
526:It Really Hurts Me Girl
491:First instrumental side
6037:Most-attended concerts
6005:Highest-paid musicians
3622:: 34. 25 October 1975.
3604:: 92. 8 November 1975.
3010:"ExecutiveTurntable".
1736:
1539:"Do What You Feel" on
1526:also in October 1975.
1516:The Bertha Butt Boogie
1029:Midland International
1007:Midland International
649:South Shore Commission
401:stores in California.
300:Voice of Frank Sinatra
239:Philadelphia Orchestra
171:. Berliner along with
67:) is a type of vinyl (
52:
6118:Most valuable records
6113:Most expensive albums
6068:Album-equivalent unit
5598:Italian singles chart
5455:Promotional recording
4923:Warner Chappell Music
4913:Sony Music Publishing
4908:BMG Rights Management
2414:unearthedsounds.co.uk
2205:www.yourclassical.org
1734:
1642:Love To Love You Baby
1553:Young Hearts Run Free
872:May (10-inch) / July
800:Midland International
741:Private Stock Records
717:Midland International
570:Never Can Say Goodbye
561:Never Can Say Goodbye
392:In March 1970, Cycle/
46:
6093:Environmental impact
5993:Best-selling singles
5006:Digital music stores
4628:Entertainment Weekly
4451:www.soundonsound.com
4281:: 21. 24 April 1976.
4237:Jones, Mark (2013).
4068:"Trojan 12" Box Set"
3246:: 291. 19 June 1975.
2716:: 44. 26 April 1975.
1869:The Syncopated Times
1623:on 22 October 1976.
1581:the Undisputed Truth
1541:All Platinum Records
807:4 track disco EP/LP
6123:Music certification
6103:Largest music deals
5981:Best-selling albums
5814:The Country Network
5593:Irish Singles Chart
5242:Musical instruments
4339:. Six Million Steps
4257:Oxfam's Online Shop
4072:www.savagejaw.co.uk
3077:: 98. 14 June 1975.
2398:: 30. 8 March 1975.
1463:Channel One Studios
1438:Jamaican discomixes
1113:Walk Away From Love
769:
512:First extended edit
329:of this section is
173:Eldridge R. Johnson
109:. The conventional
5636:SNEP singles chart
5411:Extended play (EP)
5182:Album cover design
4730:. 4 December 2018.
4556:. 14 November 2020
3958:"Top Single Picks"
3826:: 3. 19 June 1976.
3340:21centurymusic.com
3324:: 30. 5 July 1975.
3306:: 27. 10 May 1975.
2926:: 3. 14 June 1975.
1737:
1627:Later developments
1512:Jimmy Castor Bunch
1500:Supernatural Thing
1482:with the one-off "
1239:Vicki Sue Robinson
1208:"I Want To Dance"
1204:The Ritchie Family
954:"Keep Holdin' On"
936:"Hooked For Life"
895:The Eleventh Hour
850:"Chinese Kung Fu"
815:"Swearin' To God"
767:
606:I'll Be Holding On
543:First segued mixes
190:Frederick W. Hager
117:Technical features
69:polyvinyl chloride
59:(often written as
57:twelve-inch single
53:
6185:
6184:
6128:Parental Advisory
6083:Bootleg recording
6073:A-side and B-side
5930:
5883:
5882:
5799:The Music Factory
5641:Sverigetopplistan
5565:Argentina Hot 100
5531:Music competition
5521:Concert residency
5460:Phonograph record
5430:
5390:
5389:
5217:Music and fashion
5202:Entertainment law
5070:
5069:
5031:Virgin Megastores
4833:and organizations
4660:978-0-634-05833-2
4580:www.musicweek.com
4534:. 27 January 1979
4478:. 10 October 2006
3038:978-0-8223-8511-0
2886:978-1-942884-30-9
2798:978-1-317-00181-2
2601:978-0-8223-8511-0
2189:. Backbeat Books.
2171:978-1-317-00180-5
1905:978-1-317-00180-5
1745:8-track cartridge
1741:reel-to-reel tape
1632:Core sales period
1428:Pathe Marconi EMI
1332:
1331:
1172:Scepter-Contempo
1135:"Soul Train '75"
1018:Silver Convention
986:"Undecided Love"
970:"(Baby) Save Me"
913:Philly Devotions
641:A Tom Moulton Mix
370:
369:
362:
243:Leopold Stokowski
159:Phonograph record
73:gramophone record
51:gramophone record
16:(Redirected from
6215:
6174:
6173:
6162:
6161:
6160:
5928:
5749:
5748:
5646:UK singles chart
5578:Canadian Hot 100
5470:Compact cassette
5408:
5355:Session musician
5330:Hip hop producer
5288:
5287:
5222:Music journalism
5154:Rhythm and blues
4872:IFPI (worldwide)
4837:
4836:
4817:
4810:
4803:
4794:
4793:
4787:
4786:
4784:
4782:
4767:
4761:
4760:
4758:
4756:
4741:
4732:
4731:
4720:
4714:
4713:
4689:
4683:
4682:
4671:
4665:
4664:
4648:
4638:
4632:
4631:
4623:
4617:
4616:
4614:
4612:
4597:
4591:
4590:
4588:
4586:
4572:
4566:
4565:
4563:
4561:
4550:
4544:
4543:
4541:
4539:
4524:
4518:
4517:
4509:
4503:
4502:
4494:
4488:
4487:
4485:
4483:
4468:
4462:
4461:
4459:
4457:
4443:
4437:
4436:
4427:
4421:
4420:
4418:
4416:
4402:
4393:
4392:
4391:
4389:
4377:
4371:
4370:
4369:
4367:
4355:
4349:
4348:
4346:
4344:
4333:
4327:
4326:
4325:
4323:
4311:
4305:
4304:
4303:
4301:
4289:
4283:
4282:
4274:
4268:
4267:
4265:
4263:
4249:
4243:
4242:
4234:
4228:
4227:
4226:
4224:
4212:
4206:
4205:
4203:
4201:
4187:
4181:
4180:
4178:
4176:
4166:
4160:
4159:
4157:
4155:
4148:Electrofunkroots
4140:
4134:
4133:
4131:
4129:
4115:
4109:
4108:
4106:
4104:
4089:
4083:
4082:
4080:
4078:
4064:
4058:
4057:
4055:
4053:
4039:
4033:
4032:
4030:
4028:
4013:
4007:
4006:
4004:
4002:
3988:
3982:
3981:
3972:
3966:
3965:
3954:
3948:
3947:
3936:
3930:
3929:
3918:
3912:
3911:
3903:
3897:
3896:
3888:
3882:
3881:
3870:
3864:
3863:
3855:
3846:
3845:
3838:"Disco Forum II"
3834:
3828:
3827:
3819:
3813:
3812:
3810:
3808:
3794:
3788:
3787:
3785:
3783:
3769:
3763:
3762:
3751:
3745:
3744:
3733:
3720:
3719:
3709:
3703:
3702:
3691:
3685:
3684:
3673:
3667:
3666:
3664:
3662:
3648:
3642:
3641:
3630:
3624:
3623:
3615:
3606:
3605:
3597:
3588:
3587:
3576:
3570:
3569:
3562:
3556:
3555:
3547:
3541:
3540:
3538:
3536:
3522:
3513:
3512:
3501:
3492:
3491:
3480:
3474:
3473:
3462:
3456:
3455:
3447:
3441:
3440:
3432:
3426:
3425:
3414:
3405:
3404:
3393:
3387:
3386:
3375:
3369:
3368:
3357:
3351:
3350:
3348:
3346:
3332:
3326:
3325:
3317:
3308:
3307:
3299:
3293:
3292:
3278:
3269:
3268:
3257:
3248:
3247:
3239:
3230:
3229:
3220:
3211:
3210:
3199:
3193:
3192:
3191:. 19 April 1975.
3187:"Disco Action".
3184:
3175:
3174:
3172:
3170:
3156:
3147:
3146:
3145:on 18 June 2020.
3144:
3138:. Archived from
3128:
3119:
3118:
3110:
3101:
3100:
3099:
3097:
3085:
3079:
3078:
3070:
3061:
3060:
3049:
3043:
3042:
3022:
3016:
3015:
3007:
3001:
3000:
2989:
2983:
2982:
2971:
2965:
2964:
2955:
2949:
2948:
2937:
2928:
2927:
2919:
2913:
2912:
2906:
2898:
2870:
2864:
2863:
2852:
2846:
2845:
2834:
2828:
2827:
2825:
2823:
2809:
2803:
2802:
2782:
2776:
2775:
2774:
2772:
2760:
2754:
2753:
2742:
2736:
2735:
2724:
2718:
2717:
2709:
2703:
2702:
2691:
2685:
2684:
2682:
2680:
2666:
2660:
2659:
2651:
2645:
2644:
2633:
2624:
2623:
2612:
2606:
2605:
2585:
2572:
2571:
2569:
2567:
2553:
2542:
2541:
2533:
2527:
2526:
2524:
2522:
2508:
2502:
2501:
2493:
2487:
2486:
2475:
2469:
2468:
2460:
2451:
2450:
2448:
2446:
2431:
2425:
2424:
2422:
2420:
2406:
2400:
2399:
2391:
2385:
2384:
2370:
2364:
2363:
2349:
2343:
2342:
2340:
2338:
2324:
2315:
2314:
2312:
2304:
2298:
2297:
2296:
2294:
2282:
2276:
2273:; 14 March 1970.
2267:
2261:
2260:
2249:
2243:
2242:
2240:
2238:
2223:
2217:
2216:
2214:
2212:
2197:
2191:
2190:
2182:
2176:
2175:
2155:
2149:
2148:
2136:
2130:
2129:
2117:
2111:
2110:
2098:
2092:
2091:
2089:
2087:
2073:
2067:
2066:
2064:
2062:
2048:
2042:
2041:
2039:
2037:
2023:
2017:
2016:
2014:
2012:
1998:
1992:
1991:
1984:
1978:
1977:
1975:
1973:
1959:
1953:
1952:
1947:. Archived from
1916:
1910:
1909:
1889:
1880:
1879:
1877:
1875:
1860:
1854:
1853:
1851:
1843:
1837:
1836:
1834:
1832:
1818:
1812:
1807:
1749:compact cassette
1709:alternative rock
1660:). Many DJ-only
1654:Rapper's Delight
1617:Pictures of Lily
1404:Roulette Records
1320:"Consideration"
1302:"I Am Somebody"
1259:Papa John Creach
1233:Acetate reissue
1183:Gary Toms Empire
1004:"I'm in Heaven"
898:"Hollywood Hot"
770:
766:
553:Disco Par-r-r-ty
485:West End Records
429:Texas Cannonball
382:rhythm and blues
365:
358:
354:
351:
345:
319:
318:
311:
274:Columbia Records
247:Great Depression
210:In August 1931,
153:Pre-vinyl period
143:
142:
138:
135:
108:
104:
103:
99:
96:
33:
21:
6223:
6222:
6218:
6217:
6216:
6214:
6213:
6212:
6188:
6187:
6186:
6181:
6158:
6156:
6147:
6051:
5879:
5818:
5738:
5733:Top of the Pops
5698:Musica e dischi
5650:
5535:
5499:
5419:Cassette single
5397:
5386:
5340:Record producer
5286:
5257:Radio promotion
5227:Music publisher
5212:Music executive
5207:Music education
5174:
5168:
5066:
5035:
4989:
4932:
4896:
4840:Representatives
4832:
4831:Major companies
4826:
4821:
4791:
4790:
4780:
4778:
4768:
4764:
4754:
4752:
4743:
4742:
4735:
4722:
4721:
4717:
4690:
4686:
4672:
4668:
4661:
4639:
4635:
4624:
4620:
4610:
4608:
4599:
4598:
4594:
4584:
4582:
4574:
4573:
4569:
4559:
4557:
4552:
4551:
4547:
4537:
4535:
4526:
4525:
4521:
4510:
4506:
4496:
4495:
4491:
4481:
4479:
4470:
4469:
4465:
4455:
4453:
4445:
4444:
4440:
4429:
4428:
4424:
4414:
4412:
4404:
4403:
4396:
4387:
4385:
4379:
4378:
4374:
4365:
4363:
4357:
4356:
4352:
4342:
4340:
4335:
4334:
4330:
4321:
4319:
4313:
4312:
4308:
4299:
4297:
4291:
4290:
4286:
4277:"DJ Hot Line".
4276:
4275:
4271:
4261:
4259:
4251:
4250:
4246:
4235:
4231:
4222:
4220:
4214:
4213:
4209:
4199:
4197:
4189:
4188:
4184:
4174:
4172:
4168:
4167:
4163:
4153:
4151:
4150:. 5 August 2011
4142:
4141:
4137:
4127:
4125:
4117:
4116:
4112:
4102:
4100:
4090:
4086:
4076:
4074:
4066:
4065:
4061:
4051:
4049:
4041:
4040:
4036:
4026:
4024:
4015:
4014:
4010:
4000:
3998:
3990:
3989:
3985:
3974:
3973:
3969:
3956:
3955:
3951:
3938:
3937:
3933:
3920:
3919:
3915:
3904:
3900:
3889:
3885:
3872:
3871:
3867:
3857:
3856:
3849:
3836:
3835:
3831:
3821:
3820:
3816:
3806:
3804:
3802:disco-disco.com
3796:
3795:
3791:
3781:
3779:
3771:
3770:
3766:
3753:
3752:
3748:
3735:
3734:
3723:
3710:
3706:
3693:
3692:
3688:
3675:
3674:
3670:
3660:
3658:
3656:disco-disco.com
3650:
3649:
3645:
3632:
3631:
3627:
3617:
3616:
3609:
3599:
3598:
3591:
3578:
3577:
3573:
3564:
3563:
3559:
3548:
3544:
3534:
3532:
3524:
3523:
3516:
3503:
3502:
3495:
3482:
3481:
3477:
3464:
3463:
3459:
3449:
3448:
3444:
3434:
3433:
3429:
3416:
3415:
3408:
3395:
3394:
3390:
3377:
3376:
3372:
3359:
3358:
3354:
3344:
3342:
3334:
3333:
3329:
3319:
3318:
3311:
3301:
3300:
3296:
3280:
3279:
3272:
3259:
3258:
3251:
3241:
3240:
3233:
3222:
3221:
3214:
3201:
3200:
3196:
3186:
3185:
3178:
3168:
3166:
3158:
3157:
3150:
3142:
3130:
3129:
3122:
3112:
3111:
3104:
3095:
3093:
3087:
3086:
3082:
3072:
3071:
3064:
3051:
3050:
3046:
3039:
3023:
3019:
3009:
3008:
3004:
2991:
2990:
2986:
2973:
2972:
2968:
2957:
2956:
2952:
2939:
2938:
2931:
2921:
2920:
2916:
2900:
2899:
2887:
2871:
2867:
2854:
2853:
2849:
2836:
2835:
2831:
2821:
2819:
2817:disco-disco.com
2811:
2810:
2806:
2799:
2783:
2779:
2770:
2768:
2762:
2761:
2757:
2744:
2743:
2739:
2726:
2725:
2721:
2711:
2710:
2706:
2693:
2692:
2688:
2678:
2676:
2668:
2667:
2663:
2653:
2652:
2648:
2635:
2634:
2627:
2614:
2613:
2609:
2602:
2586:
2575:
2565:
2563:
2555:
2554:
2545:
2535:
2534:
2530:
2520:
2518:
2510:
2509:
2505:
2494:
2490:
2477:
2476:
2472:
2462:
2461:
2454:
2444:
2442:
2433:
2432:
2428:
2418:
2416:
2408:
2407:
2403:
2393:
2392:
2388:
2372:
2371:
2367:
2351:
2350:
2346:
2336:
2334:
2326:
2325:
2318:
2310:
2306:
2305:
2301:
2292:
2290:
2284:
2283:
2279:
2268:
2264:
2259:on 6 July 2017.
2251:
2250:
2246:
2236:
2234:
2224:
2220:
2210:
2208:
2199:
2198:
2194:
2183:
2179:
2172:
2156:
2152:
2138:
2137:
2133:
2119:
2118:
2114:
2100:
2099:
2095:
2085:
2083:
2075:
2074:
2070:
2060:
2058:
2050:
2049:
2045:
2035:
2033:
2025:
2024:
2020:
2010:
2008:
2000:
1999:
1995:
1986:
1985:
1981:
1971:
1969:
1961:
1960:
1956:
1951:on 3 June 2018.
1917:
1913:
1906:
1890:
1883:
1873:
1871:
1861:
1857:
1849:
1845:
1844:
1840:
1830:
1828:
1820:
1819:
1815:
1808:
1804:
1799:
1729:
1705:Factory Records
1680:in use for the
1648:" (15:45), and
1634:
1629:
1621:Polydor Records
1589:
1573:Mass Production
1551:followed with "
1535:"Nine Times" /
1492:
1471:
1450:
1442:Main articles:
1440:
1424:
1416:Shelter Records
1412:
1399:Amherst Records
1363:Double Exposure
1355:
1342:
1337:
1187:"Drive My Car"
1131:Soul Train Gang
1024:Fly, Robin, Fly
869:Warner-Spector
737:Swearin' To God
713:
704:
672:
664:Salsoul Records
598:
545:
514:
493:
477:Scepter Records
448:
441:
405:Shelter Records
390:
366:
355:
349:
346:
335:
320:
316:
309:
271:
266:Asch Recordings
217:
208:
200:Main articles:
198:
169:Emilie Berliner
161:
155:
150:
140:
136:
133:
131:
119:
101:
97:
94:
92:
49:Capitol Records
39:
31:
28:
23:
22:
18:12" single
15:
12:
11:
5:
6221:
6211:
6210:
6205:
6200:
6183:
6182:
6180:
6179:
6167:
6152:
6149:
6148:
6146:
6145:
6140:
6138:Surprise album
6135:
6130:
6125:
6120:
6115:
6110:
6105:
6100:
6095:
6090:
6085:
6080:
6075:
6070:
6065:
6059:
6057:
6053:
6052:
6050:
6049:
6044:
6039:
6034:
6029:
6028:
6027:
6022:
6012:
6007:
6002:
6001:
6000:
5990:
5989:
5988:
5978:
5977:
5976:
5975:
5974:
5969:
5964:
5959:
5954:
5946:
5945:
5944:
5936:
5931:
5926:United Kingdom
5923:
5918:
5913:
5908:
5897:
5891:
5889:
5885:
5884:
5881:
5880:
5878:
5877:
5870:
5863:
5856:
5849:
5842:
5835:
5826:
5824:
5820:
5819:
5817:
5816:
5811:
5806:
5801:
5796:
5791:
5786:
5781:
5776:
5771:
5766:
5761:
5755:
5753:
5746:
5740:
5739:
5737:
5736:
5729:
5722:
5715:
5708:
5701:
5694:
5687:
5680:
5673:
5666:
5658:
5656:
5652:
5651:
5649:
5648:
5643:
5638:
5633:
5628:
5620:
5615:
5610:
5605:
5600:
5595:
5590:
5585:
5580:
5575:
5573:Brasil Hot 100
5567:
5559:
5551:
5545:
5543:
5537:
5536:
5534:
5533:
5528:
5526:Music festival
5523:
5518:
5513:
5507:
5505:
5501:
5500:
5498:
5497:
5492:
5490:Music download
5487:
5482:
5477:
5472:
5467:
5462:
5457:
5452:
5447:
5446:
5445:
5431:
5402:
5400:
5392:
5391:
5388:
5387:
5385:
5384:
5382:Sound engineer
5379:
5378:
5377:
5372:
5367:
5362:
5352:
5347:
5345:Rhythm section
5342:
5337:
5332:
5327:
5322:
5317:
5316:
5315:
5310:
5300:
5294:
5292:
5285:
5284:
5279:
5277:Talent manager
5274:
5269:
5264:
5259:
5254:
5249:
5244:
5239:
5234:
5229:
5224:
5219:
5214:
5209:
5204:
5199:
5194:
5189:
5184:
5178:
5176:
5170:
5169:
5167:
5166:
5161:
5156:
5151:
5146:
5141:
5136:
5131:
5126:
5121:
5116:
5111:
5106:
5101:
5096:
5094:Easy listening
5091:
5086:
5080:
5078:
5072:
5071:
5068:
5067:
5065:
5064:
5059:
5054:
5049:
5043:
5041:
5037:
5036:
5034:
5033:
5028:
5023:
5018:
5013:
5003:
4997:
4995:
4991:
4990:
4988:
4987:
4982:
4977:
4964:
4959:
4954:
4940:
4938:
4934:
4933:
4931:
4930:
4925:
4920:
4915:
4910:
4904:
4902:
4898:
4897:
4895:
4894:
4889:
4884:
4879:
4874:
4869:
4864:
4859:
4854:
4849:
4843:
4841:
4834:
4828:
4827:
4824:Music industry
4820:
4819:
4812:
4805:
4797:
4789:
4788:
4762:
4733:
4715:
4704:(1): 110,112.
4684:
4666:
4659:
4633:
4630:. No. 86.
4618:
4592:
4567:
4545:
4528:"January 1979"
4519:
4504:
4489:
4463:
4438:
4422:
4394:
4372:
4350:
4328:
4306:
4284:
4269:
4244:
4229:
4207:
4182:
4161:
4135:
4110:
4084:
4059:
4047:www.jpgr.co.uk
4034:
4008:
3983:
3967:
3949:
3931:
3913:
3898:
3883:
3865:
3847:
3829:
3814:
3789:
3764:
3746:
3721:
3704:
3695:"Disco Action"
3686:
3677:"Disco Action"
3668:
3643:
3634:"Disco Action"
3625:
3618:"Disco File".
3607:
3600:"Disco File".
3589:
3571:
3557:
3542:
3514:
3493:
3484:"Single Picks"
3475:
3457:
3442:
3435:"Disco File".
3427:
3418:"Disco Action"
3406:
3397:"Disco Action"
3388:
3379:"Disco Action"
3370:
3361:"Disco Action"
3352:
3327:
3320:"Disco File".
3309:
3302:"Disco File".
3294:
3282:"Inside Track"
3270:
3261:"Inside Track"
3249:
3231:
3212:
3194:
3176:
3148:
3120:
3113:"Disco File".
3102:
3080:
3073:"Disco File".
3062:
3053:"Disco Action"
3044:
3037:
3017:
3002:
2984:
2975:"Inside Track"
2966:
2950:
2929:
2922:"Disco File".
2914:
2885:
2865:
2856:"Disco Action"
2847:
2829:
2804:
2797:
2777:
2755:
2746:"Disco Action"
2737:
2719:
2712:"Disco File".
2704:
2695:"Disco Action"
2686:
2661:
2646:
2637:"Disco Action"
2625:
2616:"Disco Action"
2607:
2600:
2573:
2543:
2540:. 17 May 1975.
2536:"Disco File".
2528:
2503:
2488:
2470:
2452:
2441:. 28 June 2013
2426:
2401:
2394:"Disco File".
2386:
2374:"Disco Action"
2365:
2353:"Disco Action"
2344:
2316:
2299:
2277:
2262:
2244:
2218:
2207:. 20 June 2023
2192:
2177:
2170:
2150:
2131:
2112:
2093:
2081:Save The Vinyl
2068:
2043:
2018:
1993:
1979:
1954:
1937:10.5594/J01337
1931:(4): 452â460.
1911:
1904:
1881:
1855:
1838:
1826:classic45s.com
1813:
1801:
1800:
1798:
1795:
1728:
1725:
1669:James Hamilton
1662:remix services
1650:Sugarhill Gang
1633:
1630:
1628:
1625:
1588:
1585:
1524:Island Records
1491:
1488:
1470:
1469:United Kingdom
1467:
1439:
1436:
1423:
1420:
1411:
1408:
1367:Walter Gibbons
1354:
1351:
1341:
1338:
1336:
1333:
1330:
1329:
1327:
1324:
1321:
1318:
1314:
1313:
1311:
1308:
1303:
1300:
1294:
1293:
1291:
1288:
1283:
1282:"Extra Extra"
1280:
1276:
1275:
1273:
1270:
1265:
1262:
1255:
1254:
1252:
1249:
1244:
1241:
1235:
1234:
1231:
1228:
1225:
1222:
1218:
1217:
1215:
1212:
1209:
1206:
1200:
1199:
1197:
1194:
1188:
1185:
1179:
1178:
1176:
1173:
1170:
1167:
1163:
1162:
1160:
1157:
1154:
1151:
1150:Natural Order
1147:
1146:
1144:
1141:
1136:
1133:
1127:
1126:
1124:
1121:
1116:
1109:
1103:
1102:
1100:
1097:
1091:
1084:
1078:
1077:
1075:
1072:
1070:United Artists
1067:
1060:
1054:
1053:
1051:
1048:
1045:
1042:
1040:Ronnie Spector
1036:
1035:
1033:
1030:
1027:
1020:
1014:
1013:
1011:
1008:
1005:
1002:
1000:Touch of Class
996:
995:
993:
990:
987:
984:
980:
979:
977:
974:
971:
968:
964:
963:
961:
958:
955:
952:
946:
945:
943:
940:
937:
934:
928:
927:
925:
922:
917:
914:
910:
909:
907:
904:
899:
896:
892:
891:
889:
886:
883:
882:"Mellow Blow"
880:
876:
875:
873:
870:
867:
864:
860:
859:
857:
854:
851:
848:
842:
841:
840:Test pressing
838:
835:
832:
829:
825:
824:
822:
819:
818:Private Stock
816:
813:
812:Frankie Valli
809:
808:
805:
802:
797:
791:
790:Carol Douglas
787:
786:
783:
782:Release month
780:
777:
774:
755:Warner-Spector
712:
709:
703:
700:
671:
668:
597:
594:
590:Disc-O-Tech #2
549:Spring Records
544:
541:
513:
510:
492:
489:
469:
468:
461:
458:
455:
447:
444:
439:
389:
386:
368:
367:
323:
321:
314:
308:
307:Jamaican roots
305:
269:
233:Symphony No. 5
215:
197:
194:
157:Main article:
154:
151:
149:
146:
118:
115:
47:A twelve-inch
26:
9:
6:
4:
3:
2:
6220:
6209:
6206:
6204:
6201:
6199:
6198:Audio storage
6196:
6195:
6193:
6178:
6177:
6168:
6166:
6165:
6154:
6153:
6150:
6144:
6141:
6139:
6136:
6134:
6131:
6129:
6126:
6124:
6121:
6119:
6116:
6114:
6111:
6109:
6106:
6104:
6101:
6099:
6096:
6094:
6091:
6089:
6086:
6084:
6081:
6079:
6076:
6074:
6071:
6069:
6066:
6064:
6061:
6060:
6058:
6054:
6048:
6045:
6043:
6040:
6038:
6035:
6033:
6030:
6026:
6023:
6021:
6018:
6017:
6016:
6013:
6011:
6008:
6006:
6003:
5999:
5996:
5995:
5994:
5991:
5987:
5984:
5983:
5982:
5979:
5973:
5970:
5968:
5965:
5963:
5960:
5958:
5955:
5953:
5950:
5949:
5948:Nationality:
5947:
5943:
5940:
5939:
5937:
5935:
5934:United States
5932:
5927:
5924:
5922:
5919:
5917:
5914:
5912:
5909:
5907:
5903:
5902:
5901:
5898:
5896:
5893:
5892:
5890:
5886:
5876:
5875:
5871:
5869:
5868:
5864:
5862:
5861:
5857:
5855:
5854:
5850:
5848:
5847:
5843:
5841:
5840:
5836:
5834:
5832:
5828:
5827:
5825:
5821:
5815:
5812:
5810:
5807:
5805:
5802:
5800:
5797:
5795:
5792:
5790:
5787:
5785:
5782:
5780:
5777:
5775:
5772:
5770:
5767:
5765:
5762:
5760:
5757:
5756:
5754:
5750:
5747:
5745:
5741:
5735:
5734:
5730:
5728:
5727:
5723:
5721:
5720:
5719:Rolling Stone
5716:
5714:
5713:
5709:
5707:
5706:
5702:
5700:
5699:
5695:
5693:
5692:
5688:
5686:
5685:
5681:
5679:
5678:
5674:
5672:
5671:
5667:
5665:
5664:
5660:
5659:
5657:
5653:
5647:
5644:
5642:
5639:
5637:
5634:
5632:
5629:
5627:
5625:
5624:Rolling Stone
5621:
5619:
5616:
5614:
5613:Oricon charts
5611:
5609:
5606:
5604:
5601:
5599:
5596:
5594:
5591:
5589:
5588:G-Music chart
5586:
5584:
5581:
5579:
5576:
5574:
5572:
5568:
5566:
5564:
5560:
5558:
5556:
5552:
5550:
5547:
5546:
5544:
5542:
5538:
5532:
5529:
5527:
5524:
5522:
5519:
5517:
5514:
5512:
5509:
5508:
5506:
5502:
5496:
5493:
5491:
5488:
5486:
5483:
5481:
5478:
5476:
5473:
5471:
5468:
5466:
5463:
5461:
5458:
5456:
5453:
5451:
5448:
5444:
5440:
5437:
5436:
5435:
5432:
5428:
5424:
5420:
5416:
5412:
5407:
5404:
5403:
5401:
5399:
5393:
5383:
5380:
5376:
5373:
5371:
5368:
5366:
5363:
5361:
5360:Backup singer
5358:
5357:
5356:
5353:
5351:
5348:
5346:
5343:
5341:
5338:
5336:
5333:
5331:
5328:
5326:
5323:
5321:
5318:
5314:
5311:
5309:
5306:
5305:
5304:
5301:
5299:
5296:
5295:
5293:
5289:
5283:
5282:Tour promoter
5280:
5278:
5275:
5273:
5270:
5268:
5265:
5263:
5260:
5258:
5255:
5253:
5250:
5248:
5245:
5243:
5240:
5238:
5235:
5233:
5230:
5228:
5225:
5223:
5220:
5218:
5215:
5213:
5210:
5208:
5205:
5203:
5200:
5198:
5195:
5193:
5190:
5188:
5185:
5183:
5180:
5179:
5177:
5171:
5165:
5162:
5160:
5157:
5155:
5152:
5150:
5147:
5145:
5142:
5140:
5137:
5135:
5132:
5130:
5127:
5125:
5122:
5120:
5117:
5115:
5112:
5110:
5107:
5105:
5102:
5100:
5097:
5095:
5092:
5090:
5087:
5085:
5082:
5081:
5079:
5077:
5073:
5063:
5060:
5058:
5055:
5053:
5050:
5048:
5045:
5044:
5042:
5038:
5032:
5029:
5027:
5024:
5022:
5019:
5017:
5014:
5011:
5007:
5004:
5002:
4999:
4998:
4996:
4992:
4986:
4983:
4981:
4978:
4976:
4972:
4971:
4970:
4965:
4963:
4960:
4958:
4955:
4953:
4949:
4948:
4947:
4942:
4941:
4939:
4937:Record labels
4935:
4929:
4926:
4924:
4921:
4919:
4916:
4914:
4911:
4909:
4906:
4905:
4903:
4899:
4893:
4890:
4888:
4885:
4883:
4880:
4878:
4875:
4873:
4870:
4868:
4865:
4863:
4860:
4858:
4855:
4853:
4850:
4848:
4845:
4844:
4842:
4838:
4835:
4829:
4825:
4818:
4813:
4811:
4806:
4804:
4799:
4798:
4795:
4777:
4773:
4766:
4751:. 7 July 2020
4750:
4746:
4740:
4738:
4729:
4725:
4719:
4711:
4707:
4703:
4699:
4695:
4688:
4680:
4676:
4670:
4662:
4656:
4652:
4647:
4646:
4637:
4629:
4622:
4607:. 26 May 2019
4606:
4602:
4596:
4581:
4577:
4571:
4555:
4549:
4533:
4529:
4523:
4516:. p. 12.
4515:
4508:
4500:
4493:
4477:
4473:
4467:
4452:
4448:
4442:
4434:
4433:
4426:
4411:
4407:
4401:
4399:
4384:
4383:
4376:
4362:
4361:
4354:
4338:
4332:
4318:
4317:
4310:
4296:
4295:
4288:
4280:
4279:Record Mirror
4273:
4258:
4254:
4248:
4240:
4233:
4219:
4218:
4211:
4196:
4192:
4186:
4171:
4165:
4149:
4145:
4139:
4124:
4120:
4114:
4099:
4095:
4088:
4073:
4069:
4063:
4048:
4044:
4038:
4023:on 4 May 2003
4022:
4018:
4012:
3997:
3993:
3987:
3979:
3978:
3971:
3963:
3959:
3953:
3945:
3941:
3935:
3927:
3923:
3917:
3910:. p. 37.
3909:
3902:
3894:
3887:
3879:
3875:
3869:
3861:
3854:
3852:
3843:
3839:
3833:
3825:
3818:
3803:
3799:
3793:
3778:
3774:
3768:
3760:
3756:
3750:
3742:
3738:
3732:
3730:
3728:
3726:
3717:
3716:
3708:
3700:
3696:
3690:
3682:
3678:
3672:
3657:
3653:
3647:
3639:
3635:
3629:
3621:
3614:
3612:
3603:
3596:
3594:
3585:
3581:
3575:
3567:
3561:
3553:
3546:
3531:
3527:
3521:
3519:
3510:
3506:
3505:"Club Dialog"
3500:
3498:
3489:
3485:
3479:
3471:
3467:
3466:"Club Dialog"
3461:
3453:
3446:
3438:
3431:
3423:
3419:
3413:
3411:
3402:
3398:
3392:
3384:
3380:
3374:
3366:
3362:
3356:
3341:
3337:
3331:
3323:
3316:
3314:
3305:
3298:
3291:
3287:
3283:
3277:
3275:
3266:
3262:
3256:
3254:
3245:
3238:
3236:
3227:
3226:
3219:
3217:
3208:
3204:
3198:
3190:
3183:
3181:
3165:
3161:
3155:
3153:
3141:
3137:
3133:
3127:
3125:
3116:
3109:
3107:
3092:
3091:
3084:
3076:
3069:
3067:
3058:
3054:
3048:
3040:
3034:
3030:
3029:
3021:
3013:
3006:
2998:
2994:
2988:
2980:
2976:
2970:
2962:
2961:
2954:
2946:
2942:
2936:
2934:
2925:
2918:
2910:
2904:
2896:
2892:
2888:
2882:
2878:
2877:
2869:
2861:
2857:
2851:
2843:
2839:
2833:
2818:
2814:
2808:
2800:
2794:
2790:
2789:
2781:
2767:
2766:
2759:
2751:
2747:
2741:
2733:
2729:
2728:"Club Dialog"
2723:
2715:
2708:
2700:
2696:
2690:
2675:
2671:
2665:
2657:
2650:
2642:
2638:
2632:
2630:
2621:
2617:
2611:
2603:
2597:
2593:
2592:
2584:
2582:
2580:
2578:
2562:
2558:
2552:
2550:
2548:
2539:
2532:
2517:
2513:
2512:"Tom Moulton"
2507:
2499:
2492:
2484:
2480:
2474:
2466:
2459:
2457:
2440:
2436:
2430:
2415:
2411:
2405:
2397:
2390:
2383:
2379:
2375:
2369:
2362:
2358:
2354:
2348:
2333:
2329:
2323:
2321:
2309:
2303:
2289:
2288:
2281:
2275:
2272:
2266:
2258:
2254:
2248:
2233:
2229:
2222:
2206:
2202:
2196:
2188:
2181:
2173:
2167:
2164:. Routledge.
2163:
2162:
2154:
2146:
2142:
2135:
2127:
2123:
2116:
2108:
2104:
2097:
2082:
2078:
2072:
2057:
2053:
2047:
2032:
2031:stokowski.org
2028:
2022:
2007:
2006:stokowski.org
2003:
1997:
1989:
1983:
1968:
1964:
1958:
1950:
1946:
1942:
1938:
1934:
1930:
1926:
1922:
1915:
1907:
1901:
1897:
1896:
1888:
1886:
1870:
1866:
1859:
1848:
1842:
1827:
1823:
1817:
1811:
1806:
1802:
1794:
1792:
1791:vinyl revival
1787:
1786:DJ controller
1783:
1779:
1775:
1771:
1765:
1763:
1758:
1754:
1750:
1746:
1742:
1733:
1724:
1722:
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1714:
1710:
1706:
1702:
1701:record labels
1697:
1695:
1694:drum and bass
1691:
1687:
1683:
1679:
1674:
1673:Record Mirror
1670:
1665:
1663:
1659:
1658:sound quality
1655:
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1610:
1606:
1602:
1598:
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1584:
1582:
1578:
1574:
1571:, Ultrafunk,
1570:
1569:the Originals
1566:
1565:Lalo Schifrin
1562:
1558:
1554:
1550:
1546:
1542:
1538:
1534:
1529:
1525:
1521:
1520:Robert Palmer
1517:
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1509:
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1497:
1487:
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1481:
1480:the Quarrymen
1477:
1466:
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1456:
1449:
1445:
1435:
1433:
1432:Disques Vogue
1429:
1419:
1417:
1407:
1405:
1400:
1396:
1392:
1388:
1384:
1383:George Benson
1380:
1379:Nice And Slow
1376:
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1368:
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1325:
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1281:
1279:Ralph Carter
1278:
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1219:
1216:
1213:
1211:20th Century
1210:
1207:
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1198:
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1189:
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1016:
1015:
1012:
1009:
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1003:
1001:
998:
997:
994:
991:
988:
985:
983:The Chequers
982:
981:
978:
975:
972:
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966:
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962:
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953:
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948:
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772:
771:
765:
763:
758:
756:
752:
748:
746:
742:
739:", issued by
738:
734:
733:Frankie Valli
728:
726:
722:
721:Carol Douglas
718:
708:
699:
696:
692:
688:
684:
683:
678:
667:
665:
661:
656:
654:
650:
645:
644:
642:
637:
632:
631:Chess Records
628:
622:
619:
615:
614:dynamic range
611:
607:
603:
593:
591:
587:
583:
579:
575:
571:
567:
563:
562:
558:
557:Gloria Gaynor
554:
550:
540:
538:
535:
531:
527:
523:
522:the Carstairs
519:
518:northern soul
509:
507:
503:
498:
488:
486:
482:
478:
474:
466:
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456:
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451:
443:
437:
432:
430:
426:
422:
421:
416:
415:
410:
406:
402:
400:
399:Tower Records
395:
394:Ampex Records
385:
383:
379:
378:sound systems
375:
364:
361:
353:
350:February 2017
343:
339:
333:
332:
328:
322:
313:
312:
304:
302:
301:
298:
293:
292:extended play
289:
288:
282:
279:
275:
267:
263:
259:
255:
250:
248:
244:
241:conducted by
240:
236:
234:
229:
228:Union Carbide
225:
221:
213:
207:
203:
193:
191:
186:
182:
178:
174:
170:
166:
165:Thomas Edison
160:
145:
129:
125:
114:
112:
111:7-inch single
90:
86:
82:
81:dynamic range
78:
74:
70:
66:
62:
58:
50:
45:
41:
37:
19:
6203:Single types
6169:
6155:
6133:Record sales
6098:Hidden track
5888:Achievements
5872:
5867:The X Factor
5865:
5858:
5851:
5846:Star Academy
5844:
5837:
5830:
5731:
5724:
5717:
5710:
5703:
5696:
5689:
5682:
5675:
5668:
5661:
5655:Publications
5623:
5583:Circle Chart
5570:
5562:
5554:
5516:Concert tour
5439:Double album
5414:
5365:Ghost singer
5350:Orchestrator
5335:Horn section
5262:Record label
5197:Distribution
5104:Experimental
5076:Major genres
5062:Ticketmaster
5010:iTunes Store
4967:
4966:
4944:
4943:
4862:Music Canada
4779:. Retrieved
4775:
4765:
4753:. Retrieved
4749:Discogs Blog
4748:
4727:
4718:
4701:
4697:
4687:
4669:
4644:
4636:
4627:
4621:
4609:. Retrieved
4604:
4595:
4583:. Retrieved
4579:
4570:
4558:. Retrieved
4548:
4536:. Retrieved
4531:
4522:
4513:
4507:
4498:
4492:
4480:. Retrieved
4475:
4466:
4454:. Retrieved
4450:
4441:
4431:
4425:
4413:. Retrieved
4409:
4386:, retrieved
4381:
4375:
4364:, retrieved
4359:
4353:
4341:. Retrieved
4331:
4320:, retrieved
4315:
4309:
4298:, retrieved
4293:
4287:
4278:
4272:
4260:. Retrieved
4256:
4247:
4238:
4232:
4221:, retrieved
4216:
4210:
4198:. Retrieved
4194:
4185:
4173:. Retrieved
4164:
4152:. Retrieved
4147:
4138:
4126:. Retrieved
4122:
4113:
4101:. Retrieved
4098:Reggae Vibes
4097:
4087:
4075:. Retrieved
4071:
4062:
4050:. Retrieved
4046:
4037:
4025:. Retrieved
4021:the original
4011:
3999:. Retrieved
3996:milesago.com
3995:
3986:
3976:
3970:
3961:
3952:
3943:
3934:
3925:
3916:
3907:
3901:
3893:Record World
3892:
3886:
3877:
3868:
3859:
3841:
3832:
3824:Record World
3823:
3817:
3805:. Retrieved
3801:
3792:
3780:. Retrieved
3776:
3767:
3758:
3749:
3740:
3714:
3707:
3698:
3689:
3680:
3671:
3659:. Retrieved
3655:
3646:
3637:
3628:
3620:Record World
3619:
3602:Record World
3601:
3583:
3574:
3565:
3560:
3552:Record World
3551:
3545:
3533:. Retrieved
3529:
3508:
3487:
3478:
3469:
3460:
3452:Record World
3451:
3445:
3437:Record World
3436:
3430:
3421:
3400:
3391:
3382:
3373:
3364:
3355:
3343:. Retrieved
3339:
3330:
3322:Record World
3321:
3304:Record World
3303:
3297:
3289:
3285:
3264:
3244:Record World
3243:
3224:
3206:
3197:
3188:
3167:. Retrieved
3163:
3140:the original
3135:
3115:Record World
3114:
3094:, retrieved
3089:
3083:
3075:Record World
3074:
3056:
3047:
3027:
3020:
3011:
3005:
2996:
2987:
2978:
2969:
2959:
2953:
2944:
2924:Record World
2923:
2917:
2875:
2868:
2859:
2850:
2841:
2832:
2820:. Retrieved
2816:
2807:
2787:
2780:
2769:, retrieved
2764:
2758:
2749:
2740:
2731:
2722:
2714:Record World
2713:
2707:
2698:
2689:
2677:. Retrieved
2673:
2664:
2655:
2649:
2640:
2619:
2610:
2590:
2564:. Retrieved
2561:alkent.co.uk
2560:
2538:Record World
2537:
2531:
2519:. Retrieved
2515:
2506:
2500:. p. 1.
2497:
2491:
2482:
2473:
2464:
2443:. Retrieved
2438:
2429:
2417:. Retrieved
2413:
2404:
2396:Record World
2395:
2389:
2381:
2377:
2368:
2360:
2356:
2347:
2335:. Retrieved
2331:
2328:"Disco Gold"
2302:
2291:, retrieved
2286:
2280:
2270:
2265:
2257:the original
2247:
2235:. Retrieved
2232:Legend Vinyl
2231:
2221:
2209:. Retrieved
2204:
2195:
2186:
2180:
2160:
2153:
2140:
2134:
2121:
2115:
2102:
2096:
2084:. Retrieved
2080:
2071:
2059:. Retrieved
2055:
2046:
2034:. Retrieved
2030:
2021:
2009:. Retrieved
2005:
1996:
1982:
1970:. Retrieved
1966:
1957:
1949:the original
1928:
1924:
1914:
1894:
1872:. Retrieved
1868:
1858:
1841:
1829:. Retrieved
1825:
1816:
1805:
1766:
1757:compact disc
1738:
1698:
1678:turntabalism
1666:
1638:Donna Summer
1635:
1590:
1549:Candi Staton
1537:the Rimshots
1493:
1472:
1451:
1425:
1413:
1372:
1356:
1347:
1343:
1169:"Breakaway"
1107:David Ruffin
1088:Love Machine
1082:The Miracles
950:Ace Spectrum
902:20th Century
828:Bobby Moore
793:
759:
749:
729:
724:
714:
705:
694:
691:Vince Aletti
687:Disco Action
686:
682:Record World
680:
676:
673:
657:
646:
639:
623:
602:mix engineer
599:
589:
585:
560:
552:
546:
536:
515:
494:
470:
465:record pools
449:
433:
428:
425:Freddie King
419:
412:
409:Leon Russell
403:
391:
371:
356:
347:
325:
299:
296:
286:
283:
261:
258:World War II
251:
231:
209:
162:
120:
64:
60:
56:
54:
40:
6208:12 (number)
6143:White label
6078:Backmasking
5895:Music award
5874:Rising Star
5670:HitQuarters
5549:ARIA Charts
5465:Eight-track
5450:Music video
5427:Maxi single
5375:Ghostwriter
5370:Vocal coach
5325:Disc jockey
5298:Arrangement
5267:Record shop
5237:Music venue
5232:Music store
5192:Disc jockey
5052:Live Nation
5047:CTS Eventim
4969:Independent
4781:30 December
4675:Negativland
4585:30 December
4560:30 December
4538:30 December
4482:30 December
4476:Vanity Fair
4456:30 December
4410:7tt77.co.uk
3530:bsnpubs.com
2679:30 December
2439:Wax Poetics
2332:Ace Records
2237:30 December
2211:30 December
2086:30 December
2056:bsnpubs.com
1967:bsnpubs.com
1721:Blue Monday
1690:house music
1646:I Feel Love
1597:Gerry Shury
1561:Greg Wilson
1557:Warner Bros
1533:the Moments
1504:Herbie Mann
1496:Ben E. King
1395:CTI Records
1375:Jesse Green
1359:Ten Percent
1166:Ernie Bush
1153:"Jealousy"
932:The Trammps
618:discothĂšque
586:Disc-O-Tech
582:cover songs
566:MGM Records
473:Tom Moulton
262:Prince Igor
128:dance music
85:Tom Moulton
36:Foot (unit)
6192:Categories
5998:by country
5986:by country
5744:Television
5726:Smash Hits
5631:Sino Chart
5504:Live shows
5415:12" single
5303:Songwriter
5291:Production
5099:Electronic
5040:Live music
4901:Publishers
4882:PROMUSICAE
4406:"CONTEMPO"
2895:1028843369
2838:"Signings"
1797:References
1747:, and the
1609:Substitute
1601:John Abbey
1459:discomixes
1387:Summertime
1159:September
1143:September
1139:Soul Train
1123:September
1099:September
1074:September
1050:September
1032:September
1010:September
992:September
695:Disco File
610:Al Downing
481:Mel Cheren
436:Swamp Dogg
327:neutrality
278:RCA Victor
235:In C Minor
212:RCA Victor
181:New Jersey
6063:Album era
5957:Brazilian
5929:(Females)
5860:The Voice
5833:franchise
5794:MuchMusic
5759:Channel V
5677:Hot Press
5663:Billboard
5571:Billboard
5563:Billboard
5555:Billboard
5423:CD single
5320:Conductor
5272:Road crew
5252:Promotion
5175:and roles
5057:LiveStyle
4994:Retailers
4957:Universal
4514:Billboard
4499:Billboard
4432:Billboard
4195:45cat.com
4144:"12 x 12"
3977:Billboard
3962:Billboard
3944:Billboard
3926:Billboard
3908:Billboard
3895:: 26, 44.
3878:Billboard
3860:Billboard
3842:Billboard
3759:Billboard
3741:Billboard
3699:Billboard
3681:Billboard
3638:Billboard
3584:Billboard
3509:Billboard
3488:Billboard
3470:Billboard
3422:Billboard
3401:Billboard
3383:Billboard
3365:Billboard
3286:Billboard
3265:Billboard
3225:Billboard
3207:Billboard
3189:Billboard
3057:Billboard
3012:Billboard
2997:Billboard
2979:Billboard
2960:Billboard
2945:Billboard
2903:cite book
2860:Billboard
2842:Billboard
2750:Billboard
2732:Billboard
2699:Billboard
2656:Billboard
2641:Billboard
2620:Billboard
2498:Billboard
2483:Billboard
2465:Billboard
2378:Billboard
2357:Billboard
2271:Billboard
2141:Billboard
2122:Billboard
2103:Billboard
1945:0097-5834
1762:streaming
1717:New Order
1613:I'm A Boy
1545:Phonogram
1410:Australia
1389:2001" / "
1326:December
1310:November
1290:November
1272:November
1251:November
1227:Atlantic
1096:(Motown)
1064:Low Rider
957:Atlantic
939:Atlantic
885:Atlantic
879:Barrabas
804:February
745:Bob Crewe
677:Billboard
534:Billboard
520:track by
502:varispeed
497:flip side
471:Notably,
446:Disco era
388:Pre-disco
338:talk page
220:Vitaphone
124:amplitude
6176:Category
6020:by women
5853:The Four
5839:Popstars
5752:Channels
5684:Kerrang!
5313:Lyricist
5308:Composer
4728:Engadget
4123:AllMusic
1715:quartet
1611:" with "
1444:Discomix
1402:Pyramid/
1353:Releases
1264:"Joyce"
1230:October
1214:October
1196:October
1192:Pickwick
1175:October
1047:Tom Cat
989:Scepter
973:Scepter
967:Secrets
920:Columbia
863:Calhoon
853:Scepter
834:Scepter
796:sampler
751:Barrabas
660:Columbia
653:Free Man
636:Roulette
530:mixtapes
331:disputed
224:vinylite
71:or PVC)
5972:Swedish
5967:Italian
5962:British
5952:Belgian
5938:Genre:
5916:Germany
5911:Finland
5626:Top 100
5557:Hot 100
5511:Concert
5485:Airplay
5443:Mixtape
5398:formats
5396:Release
5173:Sectors
5139:New Age
5119:Hip hop
5089:Country
5026:Kaspien
4975:Concord
4200:16 June
4154:14 June
2521:30 June
1774:laptops
1753:Walkman
1686:hip-hop
1682:electro
1671:of the
1605:the Who
1593:Banzaii
1577:Deodato
1476:Beatles
1385:sides "
1286:Mercury
976:August
960:August
942:August
924:August
846:Banzaii
773:Artist
762:A&R
578:medleys
237:by the
185:shellac
148:History
139:⁄
100:⁄
61:12-inch
5906:Brazil
5823:Series
5541:Charts
5406:Single
5149:Reggae
5114:Gospel
5001:Amazon
4962:Warner
4657:
4415:20 May
4388:10 May
4366:10 May
4343:10 May
4322:18 May
4300:18 May
4262:17 May
4223:8 June
4001:15 May
3807:27 May
3782:11 May
3661:4 June
3535:7 June
3345:11 May
3169:2 June
3096:17 May
3035:
2893:
2883:
2822:24 May
2795:
2771:6 June
2598:
2566:15 May
2445:21 May
2419:21 May
2337:21 May
2293:15 May
2168:
2061:6 June
2036:6 June
2011:6 June
1972:20 May
1943:
1902:
1874:16 May
1831:20 May
1743:, the
1528:Virgin
1510:" b/w
1508:Hijack
1455:reggae
1422:France
1268:Buddah
1119:Motown
785:Notes
779:Label
776:Title
693:wrote
475:, and
420:Carney
254:V-Disc
204:, and
105:or 45
6056:Other
6025:Latin
5942:Latin
5921:Japan
5434:Album
5164:World
5134:Metal
5129:Latin
5084:Blues
4946:Major
4776:Metro
4755:3 May
4651:41â42
4611:3 May
4175:3 May
4128:3 May
4103:2 May
4077:2 May
4052:3 May
4027:3 May
3554:: 39.
3143:(PDF)
2311:(PDF)
1850:(PDF)
1713:dance
1699:Many
1615:" / "
1478:band
1361:" by
1317:Gail
1094:Tamla
906:July
888:July
856:June
837:June
608:" by
374:mento
5904:In:
5831:Idol
5804:Viva
5789:Tr3s
5784:MTV2
5774:Mnet
5769:Fuse
5691:Mojo
5159:Rock
5124:Jazz
5109:Folk
5016:Fnac
4985:AAMG
4952:Sony
4892:SNEP
4887:RIAA
4867:FIMI
4852:BVMI
4847:ARIA
4783:2023
4757:2021
4655:ISBN
4613:2021
4587:2023
4562:2023
4540:2023
4484:2023
4458:2023
4417:2020
4390:2020
4368:2020
4345:2020
4324:2020
4302:2020
4264:2020
4225:2020
4202:2020
4177:2021
4156:2020
4130:2021
4105:2021
4079:2021
4054:2021
4029:2021
4003:2020
3809:2020
3784:2020
3663:2020
3537:2020
3347:2020
3171:2020
3098:2020
3033:ISBN
2909:link
2891:OCLC
2881:ISBN
2824:2020
2793:ISBN
2773:2020
2681:2023
2596:ISBN
2568:2020
2523:2020
2447:2020
2421:2020
2339:2020
2295:2020
2239:2023
2213:2023
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