2001: A Space Odyssey

1804:, mostly for still photography or television production, using small still images and projectors. The expansive backdrops for the African scenes required a screen 40 feet (12 m) tall and 110 feet (34 m) wide, far larger than had been used before. When the reflective material was applied to the backdrop in 100-foot (30 m) strips, variations at the seams of the strips led to visual artefacts; to solve this, the crew tore the material into smaller chunks and applied them in a random "camouflage" pattern on the backdrop. The existing projectors using 4-by-5-inch (10 cm × 13 cm) transparencies resulted in grainy images when projected that large, so the crew worked with MGM's special-effects supervisor 1634:

float. For the shot of Poole floating into the pod's arms during Bowman's recovery of him, a stuntman on a wire portrayed the movements of an unconscious man and was shot in slow motion to enhance the illusion of drifting through space. The scene showing Bowman entering the emergency airlock from the EVA pod was done similarly: an off-camera stagehand, standing on a platform, held the wire suspending Dullea above the camera positioned at the bottom of the vertically oriented airlock. At the proper moment, the stage-hand first loosened his grip on the wire, causing Dullea to fall toward the camera, then, while holding the wire firmly, jumped off the platform, causing Dullea to ascend back toward the hatch.

1248:, where the live-action and special-effects filming was done, starting with the scenes involving Floyd on the Orion spaceplane; it was described as a "huge throbbing nerve center ... with much the same frenetic atmosphere as a Cape Kennedy blockhouse during the final stages of Countdown." The only scene not filmed in a studio—and the last live-action scene shot for the film—was the skull-smashing sequence, in which Moonwatcher (Richter) wields his newfound bone "weapon-tool" against a pile of nearby animal bones. A small elevated platform was built in a field near the studio so that the camera could shoot upward with the sky as background, avoiding cars and trucks passing by in the distance. The 1127:, the actual relationship between Clarke and Kubrick was more complex, involving an extended interaction of Kubrick's multiple requests for Clarke to write new plot lines for various segments of the film, which Clarke was expected to withhold from publication until after the release of the film while receiving advances on his salary from Kubrick during film production. Clarke agreed to this, though apparently he did make several requests for Kubrick to allow him to develop his new plot lines into separate publishable stories while film production continued, which Kubrick consistently denied based on Clarke's contractual obligation to withhold publication until release of the film. 42: 1641:'s life in danger. Weston recalled that he filmed one sequence without air-holes in his suit, risking asphyxiation. "Even when the tank was feeding air into the suit, there was no place for the carbon dioxide Weston exhaled to go. So it simply built up inside, incrementally causing a heightened heart rate, rapid breathing, fatigue, clumsiness, and eventually, unconsciousness." Weston said Kubrick was warned "we've got to get him back" but reportedly replied, "Damn it, we just started. Leave him up there! Leave him up there!" When Weston lost consciousness, filming ceased, and he was brought down. "They brought the tower in, and I went looking for Stanley, 2049: 1540: 4910: 11751: 11733: 11717: 11701: 11685: 2875: 1775:, a type of cut in which two shots are matched by action or subject matter. After Moonwatcher uses a bone to kill another ape at the watering hole, he throws it triumphantly into the air; as the bone spins in the air, the film cuts to an orbiting satellite, marking the end of the prologue. The match cut draws a connection between the two objects as exemplars of primitive and advanced tools respectively, and demonstrates humanity's technological progress since the time of early hominids. 932: 15553: 1896: 2978:

monolith's straight edges and square corners among the weathered rocks", and the apes warily circling it as prefiguring man reaching "for the stars". Patrick Webster suggests the final line relates to how the film should be approached as a whole: "The line appends not merely to the discovery of the monolith on the Moon, but to our understanding of the film in the light of the ultimate questions it raises about the mystery of the universe."

1148:, rather than depict it. He attended the premiere and was "pleased to see that I had been of some help". Sagan had met with Clarke and Kubrick only once, in 1964; and Kubrick subsequently directed several attempts to portray credible aliens, only to abandon the idea near the end of post-production. Benson asserts it is unlikely that Sagan's advice had any direct influence. Kubrick hinted at the nature of the mysterious unseen alien race in 451:. During a stopover at Space Station Five, he meets Russian scientists who are concerned that Clavius seems to be unresponsive. He refuses to discuss rumours of an epidemic at the base. At Clavius, Floyd addresses a meeting of personnel to whom he stresses the need for secrecy regarding their newest discovery. His mission is to investigate a recently found artefact, a monolith buried four million years earlier near the lunar crater 15541: 3063: 1942:: additional space walks, Bowman retrieving a spare part from an octagonal corridor, elements from the Poole murder sequence—including space-walk preparation and HAL turning off radio contact with Poole—and a close-up of Bowman picking up a slipper during his walk in the alien room. Jerome Agel describes the cut scenes as comprising "Dawn of Man, Orion, Poole exercising in the centrifuge, and Poole's pod exiting from 41: 2947: 3147:, discussing Kubrick's attitude toward human aggression and instinct, observes: "The bone cast into the air by the ape (now become a man) is transformed at the other extreme of civilization, by one of those abrupt ellipses characteristic of the director, into a spacecraft on its way to the moon." In contrast to Ciment's reading of a cut to a serene "other extreme of civilization", science fiction novelist 15565: 2871:, most of them regarding the film—in particular the ending—as an optimistic statement about humanity, which is seen to be born and reborn. The film's reviewers and academic critics, by contrast, have tended to understand the film as a pessimistic account of human nature and humanity's future. The most extreme of these interpretations state that the foetus floating above the Earth will destroy it." 1722:, printed circuits, and electron-microscope photographs of molecular and crystal structures. Known to staff as "Manhattan Project", the shots of various nebula-like phenomena, including the expanding star field, were coloured paints and chemicals swirling in a pool-like device known as a cloud tank, shot in slow motion in a dark room. The live-action landscape shots were filmed in the 1973:, we had thousands of cans of negative outtakes and print, which we had stored in an area at his house where we worked out of, which he personally supervised the loading of it to a truck and then I went down to a big industrial waste lot and burned it. That's what he wanted." However, in December 2010, Douglas Trumbull, the film's visual effects supervisor, announced that 1793:

behind the actors could reflect light from the projected image 100 times more efficiently than the foreground subject did. The lighting of the foreground subject had to be balanced with the image from the screen, so that the part of the scenery image that fell on the foreground subject was too faint to show on the finished film. The exception was the eyes of the

1225:. What dialogue remains is notable for its banality (making the computer HAL seem to have more emotion than the humans) when juxtaposed with the epic space scenes. Vincent LoBrutto wrote that Clarke's novel has its own "strong narrative structure" and precision, while the narrative of the film remains symbolic, in accord with Kubrick's final intentions. 1165:... hen they get finished with him, as happens in so many myths of all cultures in the world, he is transformed into some kind of super being and sent back to Earth, transformed and made some kind of superman. We have to only guess what happens when he goes back. It is the pattern of a great deal of mythology, and that is what we were trying to suggest. 1144:. While acknowledging Kubrick's desire to use actors to portray humanoid aliens for convenience's sake, Sagan argued that alien life forms were unlikely to bear any resemblance to terrestrial life, and that to do so would introduce "at least an element of falseness" to the film. Sagan proposed that the film should simply suggest extraterrestrial 3155:, says he sees it as a cut from a bone to a nuclear weapons platform, explaining that "what we see is not how far we've leaped ahead, what we see is that today, '2001', and four million years ago on the African veldt, it's exactly the same—the power of mankind is the power of its weapons. It's a continuation, not a discontinuity in that jump." 3140:. In a book he wrote with Kubrick's assistance, Alexander Walker states that Kubrick eventually decided that nuclear weapons had "no place at all in the film's thematic development", being an "orbiting red herring" that would "merely have raised irrelevant questions to suggest this as a reality of the twenty-first century". 2090:" "Will someone tell me what the hell this is about?" "But a few months into the release, they realised a lot of people were watching it while smoking funny cigarettes. Someone in San Francisco even ran right through the screen screaming: 'It's God!' So they came up with a new poster that said: '2001 – the ultimate trip! 2902:. These interpretations were challenged by Clarke, who said: "Many readers have interpreted the last paragraph of the book to mean that he (the foetus) destroyed Earth, perhaps for the purpose of creating a new Heaven. This idea never occurred to me; it seems clear that he triggered the orbiting nuclear bombs harmlessly 2035:$ 800,000 in the red; but the successful re-release in 1971 made it profitable. By June 1974, the film had rentals from the United States and Canada of $ 20.3 million (gross of $ 58 million) and international rentals of $ 7.5 million. The film had a reissue on a test basis on 24 July 1974 at the 1901: 1897: 3723:

Between the two lines large red letters reading at top "CAUTION" and at bottom "EXPLOSIVE BOLTS" are smaller black lines reading "MAINTENANCE AND REPLACEMENT INSTRUCTIONS" followed by even smaller lines of four instructions beginning "(1) SELF TEST EXPLOSIVE BOLTS PER INST 14 PARA 3 SEC 5D AFTER EACH

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illustrates how our quest for space is motivated by two contradictory desires, a "desire for the sublime" characterised by a need to encounter something totally other than ourselves—"something numinous"—and the conflicting desire for a beauty that makes us feel no longer "lost in space", but at home.

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as oriented toward the creation of "a new heaven" provided by the Star Child. His view was corroborated in a posthumously released interview with Kubrick. Kubrick says that Bowman is elevated to a higher level of being that represents the next stage of human evolution. The film also conveys what some

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The monolith is the subject of the film's final line of dialogue (spoken at the end of the "Jupiter Mission" segment): "Its origin and purpose still a total mystery." Reviewers McClay and Roger Ebert wrote that the monolith is the main element of mystery in the film; Ebert described "the shock of the

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For some readers, Clarke's more straightforward novel based on the script is key to interpreting the film. The novel explicitly identifies the monolith as a tool created by an alien race who have been through many stages of evolution, moving from organic form to biomechanical, and finally achieving a

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in Los Angeles and grossed $ 53,000 in its first week, which led to an expanded reissue. Further re-releases followed, giving a cumulative gross of over $ 60 million in the United States and Canada. Taking its re-releases into account, it is the highest-grossing film of 1968 in the United States

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Another rotating set appeared in an earlier sequence on board the Aries trans-lunar shuttle. A stewardess is shown preparing in-flight meals, then carrying them into a circular walkway. Attached to the set as it rotates 180 degrees, the camera's point of view remains constant, and she appears to walk

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Some shots required exposing the film again to record previously filmed live-action shots of the people appearing in the windows of the spacecraft or structures. This was achieved by projecting the window action onto the models in a separate camera pass or, when two-dimensional photographs were used,

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bedroom where he sees, and then becomes, older versions of himself: first standing in the bedroom, middle-aged and still in his spacesuit, then dressed in leisure attire and eating dinner, and finally as an old man lying in bed. A monolith appears at the foot of the bed, and as Bowman reaches for it,

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In July 2020, a silver space suit was sold at auction in Los Angeles for $ 370,000, exceeding its estimate of $ 200,000–300,000. Four layers of paint indicate it was used in multiple scenes, including the Clavius Moon base sequence. The helmet had been painted green at one stage, leading to a belief

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s blogger Stephen Cass, discussing the film's considerable impact on subsequent science fiction, writes that "the balletic spacecraft scenes set to sweeping classical music, the tarantula-soft tones of HAL 9000 and the ultimate alien artefact, the monolith, have all become enduring cultural icons in

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review describes a parallel between the monolith's first appearance in which tool usage is imparted to the apes (thus 'beginning' mankind) and the completion of "another evolution" in the fourth and final encounter with the monolith. In a similar vein, Tim Dirks ends his synopsis saying "he cyclical

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range from uncertainty about its implications for humanity's origins and destiny in the universe to interpreting elements of the film's more enigmatic scenes, such as the meaning of the monolith, or the fate of astronaut David Bowman. There are also simpler and more mundane questions about the plot,

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disliked the film's feeling of sterility and blandness in the human encounters amidst the technological wonders, while both praised the pictorial element of the film. Reporting that "half the audience had left by intermission", Del Rey described the film as dull, confusing, and boring ("the first of

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from roadshow engagements throughout 1968, contributing to North American rentals of $ 16.4 million and worldwide rentals of $ 21.9 million during its original release. The film's high costs, of approximately $ 10.5 million, meant that the initial returns from the 1968 release left it

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Kubrick made further changes to make the film more nonverbal, to communicate on a visual and visceral level rather than through conventional narrative. By the time shooting began, Kubrick had removed much of the dialogue and narration. Long periods without dialogue permeate the film: the film has no

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Humanity's first and second encounters with the monolith have visual elements in common; both the apes, and later the astronauts, touch it gingerly with their hands, and both sequences conclude with near-identical images of the Sun appearing directly over it (the first with a crescent moon adjacent

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wrote that it was "the picture that science fiction fans of every age and in every corner of the world have prayed (sometimes forlornly) that the industry might some day give them. It is an ultimate statement of the science fiction film, an awesome realization of the spatial future ... it is a

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As was typical of many high-budget films of the era, it was released both in a "roadshow" 70 mm version and a later 35 mm general release version. The entrance music, intermission music (and intermission altogether), and exit music were cut from most prints of the latter version, although

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Kubrick told Clarke he wanted to make a film about "Man's relationship to the universe", and was, in Clarke's words, "determined to create a work of art which would arouse the emotions of wonder, awe ... even, if appropriate, terror". Clarke offered Kubrick six of his short stories, and by May

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and withhold confidential information from them, namely the confidentially programmed mission priority over expendable human life, despite being constructed for "the accurate processing of information without distortion or concealment". This would not be addressed on film until the 1984 follow-up,

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According to other scholars, "the monolith is a representation of the actual wideframe cinema screen, rotated 90 degrees ... a symbolic cinema screen". "It is at once a screen and the opposite of a screen, since its black surface only absorbs, and sends nothing out. ... and leads us ... to project

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In a subsequent discussion of the film with Joseph Gelmis, Kubrick said his main aim was to avoid "intellectual verbalization" and reach "the viewer's subconscious". But he said he did not strive for ambiguity—it was simply an inevitable outcome of making the film nonverbal. Still, he acknowledged

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The realistic-looking effects of the astronauts floating weightless in space and inside the spacecraft were accomplished by suspending the actors from wires attached to the top of the set and placing the camera beneath them. The actors' bodies blocked the camera's view of the wires and appeared to

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The shots where the actors appear on opposite sides of the wheel required one of the actors to be strapped securely into place at the "top" of the wheel as it moved to allow the other actor to walk to the "bottom" of the wheel to join him. The most notable case is when Bowman enters the centrifuge

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centrifuge were shot by securing set pieces within the wheel, then rotating it while the actor walked or ran in sync with its motion, keeping him at the bottom of the wheel as it turned. The camera could be fixed to the inside of the rotating wheel to show the actor walking completely "around" the

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spacecraft, in order to keep the entire model in focus (and preserve its sense of scale), the camera's aperture was stopped down for maximum depth-of-field, and each frame was exposed for several seconds. Many matting techniques were tried to block out the stars behind the models, with film makers

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techniques. Although this technique, known as "held takes", resulted in a much better image, it meant exposed film would be stored for long periods of time between shots, sometimes as long as a year. In March 1968, Kubrick finished the "pre-premiere" editing of the film, making his final cuts just

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novel, released shortly after the film, was attributed to Clarke alone. Clarke wrote later that "the nearest approximation to the complicated truth" is that the screenplay should be credited to "Kubrick and Clarke" and the novel to "Clarke and Kubrick". Early reports about tensions involved in the

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creates a "numinous sense of wonder" by portraying a universe that inspires a sense of awe but that at the same time we feel we can understand. Christopher Palmer wrote that "the sublime and the banal" coexist in the film, as it implies that to get into space, people had to suspend the "sense of

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Carolyn Geduld writes that what "structurally unites all four episodes of the film" is the monolith, the film's largest and most unresolvable enigma. Vincent LoBrutto's biography of Kubrick says that for many, Clarke's novel supplements the understanding of the monolith which is more ambiguously

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Kubrick and editor Ray Lovejoy edited the film between 5 and 9 April 1968. Kubrick's rationale for trimming the film was to tighten the narrative. Reviews suggested the film suffered from its departure from traditional cinematic storytelling. Kubrick said, "I didn't believe that the trims made a

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The technique consisted of a separate scenery projector set at a right angle to the camera and a half-silvered mirror placed at an angle in front that reflected the projected image forward in line with the camera lens onto a backdrop of retroreflective material. The reflective directional screen

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Everyone recalls one early sequence in the film, the space hotel, primarily because the custom-made Olivier Mourgue furnishings, those foam-filled sofas, undulant and serpentine, are covered in scarlet fabric and are the first stabs of colour one sees. They resemble Rorschach "blots" against the

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advises the astronauts that results from their backup 9000 computer indicate that HAL has made an error, but HAL blames it on human error. Concerned about HAL's behaviour, Bowman and Poole enter an EVA pod so they can talk in private without HAL overhearing. They agree to disconnect HAL if he is

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Shots where the spacecraft had parts in motion or the perspective changed were shot by directly filming the model. For most shots the model was stationary and camera was driven along a track on a special mount, the motor of which was mechanically linked to the camera motor—making it possible to

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was impressed by how the film undercuts the audience's normal sense of space and orientation in several ways. Like Bradbury, Delany noticed the banality of the dialogue (he stated that characters say nothing meaningful), but regarded this as a dramatic strength, a prelude to the rebirth at the

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Filming of actors was completed in September 1967, and from June 1966 until March 1968, Kubrick spent most of his time working on the 205 special-effects shots in the film. He ordered the special-effects technicians to use the painstaking process of creating all visual effects seen in the film

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The idea was supposed to be that he is taken in by godlike entities, creatures of pure energy and intelligence with no shape or form. They put him in what I suppose you could describe as a human zoo to study him, and his whole life passes from that point on in that room. And he has no sense of

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first, free of the constraints of film, and then write the screenplay. They planned the writing credits to be "Screenplay by Stanley Kubrick and Arthur C. Clarke, based on a novel by Arthur C. Clarke and Stanley Kubrick" to reflect their preeminence in their respective fields. In practice, the

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In the end, Clarke and Kubrick wrote parts of the novel and screenplay simultaneously, with the film version being released before the book version was published. Clarke opted for clearer explanations of the mysterious monolith and Star Gate in the novel; Kubrick made the film more cryptic by

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functions of the crewmen in suspended animation, killing them. When Bowman returns to the ship with Poole's body, HAL refuses to let him back in, stating that their plan to deactivate him jeopardises the mission. Bowman releases Poole's body and opens the ship's emergency airlock with his

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cinema, and in which music would play a vital role in evoking particular moods. About half the music in the film appears either before the first line of dialogue or after the final line. Almost no music is heard during scenes with dialogue. The film is notable for its innovative use of

3085:. Film critic Roger Ebert wrote that HAL, as the supposedly perfect computer, is actually the most human of the characters. In an interview with Joseph Gelmis in 1969, Kubrick said that HAL "had an acute emotional crisis because he could not accept evidence of his own fallibility". 1093:

There are a number of differences between the book and the movie. The novel, for example, attempts to explain things much more explicitly than the film does, which is inevitable in a verbal medium. The novel came about after we did a 130-page prose treatment of the film at the very

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to build a custom projector using 8-by-10-inch (20 cm × 25 cm) transparencies, which required the largest water-cooled arc lamp available. The technique was used widely in the film industry thereafter until it was replaced by blue/green screen systems in the 1990s.

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this ambiguity was an invaluable asset to the film. He was willing then to give a fairly straightforward explanation of the plot on what he called the "simplest level", but unwilling to discuss the film's metaphysical interpretation, which he felt should be left up to viewers.

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Detailed instructions in relatively small print for various technological devices appear at several points in the film, the most visible of which are the lengthy instructions for the zero-gravity toilet on the Aries Moon shuttle. Similar detailed instructions for replacing the

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had written at the bottom of the canvas: "This lady is smiling slightly because she has rotten teeth"—or "because she's hiding a secret from her lover"? It would shut off the viewer's appreciation and shackle him to a reality other than his own. I don't want that to happen to

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polarised critical opinion, receiving both praise and derision, with many New York-based critics being especially harsh. Kubrick called them "dogmatically atheistic and materialistic and earthbound". Some critics viewed the original 161-minute cut shown at premieres in

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pyramid, and due to construction constraints they recommended a flat slab shape. Kubrick approved, but was disappointed with the glassy appearance of the transparent prop on set, leading art director Anthony Masters to suggest making the monolith's surface matte black.

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Dirks says that, in the ape encounter, "With the mysterious monolith in the foreground, the glowing Sun rises over the black slab, directly beneath the crescent of the Moon" and that on the Moon "Again, the glowing Sun, Moon and Earth have formed a conjunctive orbital

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on 12 May. The new 70 mm print is a photochemical recreation made from the original camera negative, for the first time since the film's original theatrical run. Further, an exhibit entitled "Envisioning 2001: Stanley Kubrick's Space Odyssey" presented at the

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While Poole is floating away from his pod to replace the antenna unit, HAL takes control of the pod and attacks him, sending Poole tumbling away from the ship with a severed air line. Bowman takes another pod to rescue Poole. While he is outside, HAL turns off the

1649:... And the thing is, Stanley had left the studio and sent Victor to talk to me." Weston claimed Kubrick fled the studio for "two or three days. ... I know he didn't come in the next day, and I'm sure it wasn't the day after. Because I was going to do him." 3316:

was the unbeatable film that in a sense killed the science fiction genre. Similarly, film critic Michel Ciment in his essay "Odyssey of Stanley Kubrick" wrote, "Kubrick has conceived a film which in one stroke has made the whole science fiction cinema obsolete."

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and begins disconnecting most of HAL's circuits, ignoring HAL's pleas to stop. When he is finished, a prerecorded video by Heywood Floyd plays, revealing that the mission's actual objective is to investigate the radio signal sent from the monolith to Jupiter.

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The film was re-released in 1974, 1977, 1980 and 1993. In 2001, a restoration of the 70 mm version was screened at the Ebert's Overlooked Film Festival, and the production was also reissued to selected film houses in North America, Europe and Asia.

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critical difference. ... The people who like it like it no matter what its length, and the same holds true for the people who hate it." The cut footage is reported as being 19 or 17 minutes long. It includes scenes revealing details about life on

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To heighten the reality of the film, intricate models of the various spacecraft and locations were built. Their sizes ranged from about two-foot-long models of satellites and the Aries translunar shuttle up to the 55-foot (17 m)-long model of the

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from the central hub on a ladder and joins Poole, who is eating on the other side of the centrifuge. This required Gary Lockwood to be strapped into a seat while Keir Dullea walked toward him from the opposite side of the wheel as it turned with him.

988:" as the source material for the film. In search of more material to expand the film's plot, the two spent the rest of 1964 reading books on science and anthropology, screening science fiction films, and brainstorming ideas. They created the plot for 1044:

as both a model of literary merit and a source of inspiration for the title. Kubrick said, "It occurred to us that for the Greeks the vast stretches of the sea must have had the same sort of mystery and remoteness that space has for our generation."

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The revised version was ready for the expansion of the roadshow release to four other US cities (Chicago, Denver, Detroit and Houston), on 10 April 1968, and internationally in five cities the following day, where the shortened version was shown in

1201:, and a different and more explicitly explained breakdown for HAL. Other changes include a different monolith for the "Dawn of Man" sequence, discarded when early prototypes did not photograph well; the use of Saturn as the final destination of the 1098:... Arthur took all the existing material, plus an impression of some of the rushes, and wrote the novel. As a result, there's a difference between the novel and the film ... I think that the divergences between the two works are interesting. 3736:

put the cumulative global gross of the film at $ 138 million as of 2006, although it has had several limited releases since then. The combined takings of the 2010, 2013, 2014, 2017 and 2018 reissues added a further $ 7.9 million to the

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deemed the film "morally pretentious, intellectually obscure and inordinately long ... a film out of control". In a 2001 review, the BBC said that its slow pacing often alienates modern audiences more than it did upon its initial release.

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A spectrum of diverse interpretative opinions would form after the film's release, appearing to divide theatre audiences from the opinions of critics. Krämer writes: "Many people sent letters to Kubrick to tell him about their responses to

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because, like all scores, it attempts to underline the action—to give us emotional cues. The classical music chosen by Kubrick exists outside the action. It uplifts. It wants to be sublime; it brings a seriousness and transcendence to the

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s astronauts were to survive the journey; by 3 October, Clarke and Kubrick had decided to make Bowman the sole survivor and have him regress to infancy. By 17 October, Kubrick had come up with what Clarke called a "wild idea of slightly

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Stanley Kubrick made the ultimate science fiction movie, and it is going to be very hard for someone to come along and make a better movie, as far as I'm concerned. On a technical level, it can be compared, but personally I think that

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by suggesting that given millions of years of evolution, they progressed from biological beings to "immortal machine entities" and then into "beings of pure energy and spirit" with "limitless capabilities and ungraspable intelligence".

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repeat camera moves and match speeds exactly. Elements of the scene were recorded on the same piece of film in separate passes to combine the lit model, stars, planets, or other spacecraft in the same shot. In moving shots of the long

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Kubrick originally planned a voice-over to reveal that the satellites seen after the prologue are nuclear weapons, and that the Star Child would detonate the weapons at the end of the film but felt this would create associations with

2262:, the film has a rating of 92% based on 118 reviews, with an average rating of 9.2/10. The website's critical consensus reads: "One of the most influential of all sci-fi films – and one of the most controversial – Stanley Kubrick's 1559:

In shots where there was no perspective change, still shots of the models were photographed and positive paper prints were made. The image of the model was cut out of the photographic print and mounted on glass and filmed on an

3187:, calling him "a force of supernatural intelligence, appearing at great intervals amid high-pitched shrieks, who gives the world a violent kick up the next rung of the evolutionary ladder". By the start of the 21st century, 10451: 962:. Although convinced that Clarke was "a recluse, a nut who lives in a tree", Kubrick allowed Caras to cable the film proposal to Clarke. Clarke's cabled response stated that he was "frightfully interested in working with 1584:

All of the shots required multiple takes so that some film could be developed and printed to check exposure, density, alignment of elements, and to supply footage used for other photographic effects, such as for matting.

1397:. During post-production, Kubrick chose to abandon North's music in favour of the classical pieces which he had earlier chosen to guide North's score. North did not know that his score had been abandoned in favour of the 2973:

seen at the very beginning of the film. The second encounter also suggests the triggering of the monolith's radio signal to Jupiter by the presence of humans, echoing the premise of Clarke's source story "The Sentinel".

332:, and ambiguous imagery. Kubrick avoided conventional cinematic and narrative techniques; dialogue is used sparingly, and there are long sequences accompanied only by music. The soundtrack incorporates numerous works of 2009:, was advertised as being in "Cinerama" in cinemas equipped with special projection optics and a deeply curved screen. In standard cinemas, the film was identified as a 70-millimetre production. The original release of 1685: 3201:

ranked the film at number 11 in its Top 250 "Best Films of the Century" list in 1999, based on a poll of critics. In January 2002, the film was included on the list of the "Top 100 Essential Films of All Time" by the

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review called it "the world's most extraordinary film. Nothing like it has ever been shown in Boston before or, for that matter, anywhere ... The film is as exciting as the discovery of a new dimension in life."

1218: 10544:"The Making of '2001: A Space Odyssey' Was as Far Out as the Movie – A jumble of memorabilia, storyboards and props, an exhibit illustrates the whirl of influences behind Stanley Kubrick's groundbreaking 1968 film" 1330:

The film was edited before it was publicly screened, cutting out, among other things, a painting class on the lunar base that included Kubrick's daughters, additional scenes of life on the base, and Floyd buying a

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Kubrick's decision to avoid the fanciful portrayals of space found in standard popular science fiction films of the time led him to seek more realistic and accurate depictions of space travel. Illustrators such as

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in an EVA pod to investigate. He is pulled into a vortex of coloured light and observes bizarre astronomical phenomena and strange landscapes of unusual colours as he passes by. Finally he finds himself in a large

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received diverse critical responses, ranging from those who saw it as darkly apocalyptic to those who saw it as an optimistic reappraisal of the hopes of humanity. Critics noted its exploration of themes such as

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The script went through many stages. In early 1965, when backing was secured for the film, Clarke and Kubrick still had no firm idea of what would happen to Bowman after the Star Gate sequence. Initially all of

3397:, David G. Stork. In March 2015, a model of the Aries 1B Trans-Lunar Space Shuttle used in the film was sold at auction for $ 344,000 in the United States. In 2012, Lockheed engineer Adam Johnson, working with 1423:

Kubrick involved himself in every aspect of production, even choosing the fabric for his actors' costumes, and selecting notable pieces of contemporary furniture for use in the film. When Floyd exits the Space

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depicted in the film. Similarly, Geduld observes that "the monolith ... has a very simple explanation in Clarke's novel", though she later asserts that even the novel does not fully explain the ending.

1687: 2625: 4722: 3292:, included in the 2007 DVD release of the film. Spielberg calls it his film generation's "big bang", while Lucas says it was "hugely inspirational", calling Kubrick "the filmmaker's filmmaker". Director 2237:

felt it was "a regrettable failure, although not a total one. This film is fascinating when it concentrates on apes or machines ... and dreadful when it deals with the in-betweens: humans ...

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by integrating several different short story plots written by Clarke, along with new plot segments requested by Kubrick for the film development, and then combined them all into a single script for

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minimising dialogue and explanation. Kubrick said the film is "basically a visual, nonverbal experience" that "hits the viewer at an inner level of consciousness, just as music does, or painting".

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In its first nine weeks from 22 locations, it grossed $ 2 million—equivalent to $ 20.15 million in 2023—in the United States and Canada. The film earned $ 8.5 million in theatrical

14952: 10487: 1953:, Kubrick was adamant that the trims were never to be seen and had the negatives, which he had kept in his garage, burned shortly before his death. This was confirmed by former Kubrick assistant 1617:

set, or mounted in such a way that the wheel rotated independently of the stationary camera, as in the jogging scene where the camera appears to alternately precede and follow the running actor.

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liked the film but complained that the ending did not make any sense to him, leading to a bet about whether he could write something better: "I stole Arthur's plot idea shamelessly and produced

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said it was "some kind of great film, and an unforgettable endeavor ... The film is hypnotically entertaining, and it is funny without once being gaggy, but it is also rather harrowing."

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In a 1980 interview (not released during Kubrick's lifetime), Kubrick explains one of the film's closing scenes, where Bowman is depicted in old age after his journey through the Star Gate:

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writing of the film script appeared to reach a point where Kubrick was allegedly so dissatisfied with the collaboration that he approached other writers who could replace Clarke, including

781:, a UK tax on box-office receipts used at the time to fund the production of films in Britain. In a draft version of a contract with Kubrick's production company in May 1965, MGM suggested 6055: 2172:

provided at least seven different mini-reviews in various issues in 1968, each slightly more positive than the preceding one; in the final review of 27 December 1968, the magazine called

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During the "Jupiter and Beyond the Infinite" sequence, Bowman takes a trip through the "Star Gate" that involves the innovative use of slit-scan photography to create the visual effects.

14506: 1027:. Expressing his high expectations for the thematic importance which he associated with the film, in April 1965, eleven months after they began working on the project, Kubrick selected 8847: 6792: 3808: 1758:

Not one foot of this film was made with computer-generated special effects. Everything you see in this film or saw in this film was done physically or chemically, one way or the other.

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in his advertising; a frame from the film's space station sequence and three production stills appear on the homepage of Mourgue's website. Shortly before Kubrick's death, film critic

9456:"'2001: A Space Odyssey' Is Still the 'Ultimate Trip' – The rerelease of Stanley Kubrick's masterpiece encourages us to reflect again on where we're coming from and where we're going" 4154: 10443: 3772: 3210:

magazine ranked the film twelfth in its greatest films of all-time list in 1982, tenth in 1992 critics' poll of greatest films, sixth in the top ten films of all time in its 2002,

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Regarding the film as a whole, Kubrick encouraged people to make their own interpretations and refused to offer an explanation of "what really happened". In a 1968 interview with

2381:-Thing movies, with the usual empty symbols"), predicting "t will probably be a box-office disaster, too, and thus set major science-fiction movie making back another ten years". 1612:

Engineering Group at a cost of $ 750,000 (equivalent to $ 6,600,000 in 2023). The set was 38 feet (12 m) in diameter and 10 feet (3.0 m) wide. Various scenes in the

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described it as "a film that is so dull, it even dulls our interest in the technical ingenuity for the sake of which Kubrick has allowed it to become dull". The Soviet director

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spacecraft. "In-camera" techniques were again used as much as possible to combine models and background shots together to prevent degradation of the image through duplication.

1507:

world. Computer displays show high-resolution fonts, colour, and graphics that were far in advance of what most computers were capable of in the 1960s, when the film was made.

1308:. The production was $ 4.5 million over the initial $ 6 million budget and 16 months behind schedule. For the opening sequence involving tribes of apes, professional 7351: 3219: 1683: 8273: 5634: 3957: 2921:

meaning of the film—and such speculation is one indication that it has succeeded in gripping the audience at a deep level—but I don't want to spell out a verbal road map for

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in New York on 22 April 1964, the two began discussing the project that would take up the next four years of their lives. Clarke kept a diary throughout his involvement with

893:. It was filmed in Cinerama 360 and shown in the "Moon Dome". Kubrick hired the company that produced it, Graphic Films Corporation—which had been making films for NASA, the 15735: 10875: 10810: 4193: 3223: 3354:, proving that big-budget "serious" science-fiction films can be commercially successful, and establishing the "sci-fi blockbuster" as a Hollywood staple. Science magazine 1883:

CDs shortly after Telarc's first theme release and before North's death. Eventually, a mono mix-down of North's original recordings was released as a limited-edition CD by

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for its realistic portrayal of outer space, met "the standard of dynamic visionary realism that he was looking for". Wally Gentleman, one of the special-effects artists on

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was "a brilliant intergalactic satire on modern technology. It's also a dazzling 160-minute tour on the Kubrick filmship through the universe out there beyond our earth."

1031:; Clarke said the title was "entirely" Kubrick's idea. Intending to set the film apart from the "monsters-and-sex" type of science-fiction films of the time, Kubrick used 10421: 6431: 6078: 3126: 1564:. The undeveloped film was re-wound to film the star background with the silhouette of the model photograph acting as a matte to block out where the spaceship image was. 759:

Kubrick obtained financing and distribution from the American studio Metro-Goldwyn-Mayer with the selling point that the film could be marketed in their ultra-widescreen

509:. Lacking a helmet for his spacesuit, he positions his pod carefully so that when he jettisons the pod's door, he is propelled by the escaping air across the vacuum into 3988: 3588:

introduced by Nolan, the film had a limited worldwide release at select 70 mm-equipped theatres in the summer of 2018, followed by a one-week run in North American

3405:, which for the first time featured many of the blueprints of the spacecraft and film sets that previously had been thought destroyed. Clarke wrote three sequel novels: 3136:

and decided not to make it obvious that they were "war machines". A few weeks before the film's release, the US and Soviet governments had agreed not to put any nuclear

7475: 12340: 2778: 806:, Roy Carnon, and Richard McKenna were hired to produce concept drawings, sketches, and paintings of the space technology seen in the film. Two educational films, the 6902: 4277: 10014: 3379:), he ordered all sets, props, miniatures, production blueprints, and prints of unused scenes destroyed. Most of these materials were lost, with some exceptions: a 3179:. It is considered one of the major artistic works of the 20th century, with many critics and filmmakers considering it Kubrick's masterpiece. In the 1980s, critic 1209:; and the finale of the Star Child exploding nuclear weapons carried by Earth-orbiting satellites, which Kubrick discarded for its similarity to his previous film, 8020: 708:, and resolved to make "the proverbial good science fiction movie". How Kubrick became interested in creating a science fiction film is far from clear. Biographer 10553: 14938: 14499: 12366: 7985: 6645: 5793: 1996:

By the end of May, the film had opened in 22 cities in the United States and Canada and in another 36 in June. The general release of the film in its 35 mm

9879: 7626: 4714: 8880: 8346: 2217:'s Robert B. Frederick ('Robe') believed it was a "ig, beautiful, but plodding sci-fi epic ... A major achievement in cinematography and special effects, 3097:

have been proposed. The symbolism of life and death can be seen through the final moments of the film, which are defined by the image of the "Star Child", an

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released a new soundtrack on CD that included the film's rendition of "Aventures", the version of "Zarathustra" used in the film, and the shorter version of

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To commemorate the 50th anniversary of the film's release, an exhibit called "The Barmecide Feast" opened on 8 April 2018, in the Smithsonian Institution's

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Kubrick did not envision a sequel. Fearing the later exploitation and recycling of his material in other productions (as was done with the props from MGM's

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From early in production, Kubrick decided that he wanted the film to be a primarily nonverbal experience that did not rely on the traditional techniques of

10104: 2906:...". In response to Jeremy Bernstein's dark interpretation of the film's ending, Kubrick said: "The book does not end with the destruction of the Earth." 2372:

praised the film's photography but disliked the banality of most of the dialogue and believed that the audience does not care when Poole dies. Both he and

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and Canada. Worldwide, it has grossed $ 146 million across all releases, although some estimates place the gross higher, at over $ 190 million.

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How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda

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has appeared in their midst. The tribe then learn how to use a bone as a weapon and, after their first hunt, return to drive their rivals away with it.

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for his daughter from a department store via videophone. A ten-minute black-and-white opening sequence featuring interviews with scientists, including

10952: 10709: 9610: 7318: 6671: 3242:'s 2015 list of the 100 greatest American films. In 1991, it was deemed "culturally, historically, or aesthetically significant" by the United States 1315:

played the lead ape and choreographed the movements of the other man-apes, who were mostly portrayed by his mime troupe. Kubrick and Clarke consulted

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wrote in 1971 that because the novel differs in many key aspects from the film, it perhaps should not be regarded as the skeleton key to unlock it.

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gave the film four stars in his original review, saying the film "succeeds magnificently on a cosmic scale". He later put it on his Top 10 list for

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essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010

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The film was originally scheduled for a Christmas 1966 release, but was later delayed to spring 1967, then later October 1967. The film's world

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informed Kubrick of Mourgue's use of the film, joking to him "You're keeping the price up." Commenting on their use in the film, Walker writes:

15765: 14961: 14587: 13072: 10478:"2001 in 70 mm: Pod bay doors look better than ever, still won't open – Stanley Kubrick's sci-fi opus looks better than it has in decades" 8310: 7227: 5234: 4794: 2229:

is a disaster because it is much too abstract to make its abstract points." (Sarris reversed his opinion upon a second viewing, and declared, "

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notes possible inspirations in the late 1950s, including British productions featuring dramas on satellites and aliens modifying early humans,

8837: 6788: 3926: 15655: 14056: 13984: 12153: 10686: 8509: 3798: 1296:(which uses a 65 mm negative combined with spherical lenses to create an aspect ratio of 2.20:1). It would eventually be released in a " 7154: 2013:

in 70-millimetre Cinerama with six-track sound played continually for more than a year in several venues, and for 103 weeks in Los Angeles.

15630: 9957: 5573: 4530: 4146: 3442:. The exhibit features a fully realised, full-scale reflection of the neo-classical hotel room from the film's penultimate scene. Director 2804: 1240:, England. The studio was chosen because it could house the 60-by-120-by-60-foot (18 m × 37 m × 18 m) pit for the 10991:

George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success

9770: 5948: 5603: 5025: 3105:. The Star Child signifies a "great new beginning", and is depicted naked and ungirded but with its eyes wide open. Leonard F. Wheat sees 1734:. The colouring and negative-image effects were achieved with different colour filters in the process of making duplicate negatives in an 10757: 8460: 8278: 8246: 8055: 6404: 4223: 3764: 3672:'s biography of Kubrick also describes how he frequently favoured voice-over narration. Only three of Kubrick's 13 films lack narration: 2579: 11042: 10624: 4375: 15805: 15665: 15660: 14442: 14104: 13556: 10510: 9983: 7959: 6969: 5202: 3633: 3057: 2455: 926: 7841: 6757: 2176:"an epic film about the history and future of mankind, brilliantly directed by Stanley Kubrick. The special effects are mindblowing." 483:

computer with a human-like personality. When HAL reports the imminent failure of an antenna control device, Bowman retrieves it in an

15770: 15715: 15640: 14515: 14231: 14135: 12653: 12118: 7694: 5467: 3618: 2645: 2365: 1300:" 70 mm version and a later general release 35 mm version. Colour processing and 35 mm release prints were done using 10842: 10180: 9740: 8489: 7341: 6871: 5626: 5542: 4832: 15610: 13844: 13840: 12358: 12173: 12043: 12027: 10802: 9116: 8283: 7757: 7731: 6509: 3949: 3164: 2833: 2605: 2471: 1515:

Kubrick was personally involved in the design of the monolith and its form for the film. The first design for the monolith for the

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Burfoot, Annette (2006). "The Fetal Voyager: Women in Modern Medical Visual Discourse". In Shteir, Ann; Lightman, Bernard (eds.).

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How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States

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prints from printing elements made directly from the original film negative. This was done under the supervision of film director

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state of pure energy. These aliens travel the cosmos assisting lesser species to take evolutionary steps. Conversely, film critic

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on the old MGM soundtrack album, an unaltered performance of "Aventures", and a nine-minute compilation of all of HAL's dialogue.

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matting. Kubrick used the technique to produce the backdrops in the Africa scenes and the scene when astronauts walk on the Moon.

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screenplay developed in parallel with the novel, with only some elements being common to both. In a 1970 interview, Kubrick said:

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also appear on the hatches of the EVA pods, most visibly in close-up just before Bowman's pod leaves the ship to rescue Poole.

24: 11781: 10325: 9280: 8184: 8164: 6233: 5143: 4931: 4443: 4261: 3980: 3599:

version of the film was reported to have been broadcast in select theatres and shopping-mall demonstration stations in Japan.

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named it one of the 45 best films ever made (and included it in a sub-list of the "Top Ten Art Movies" of all time). In 1998,

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listed it as the 19th best-edited film of all time based on a survey of its membership. Other lists that include the film are

1817:

The initial MGM soundtrack album release contained none of the material from the altered and uncredited rendition of Ligeti's

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in the "Dawn of Man" sequence, which glowed due to the projector illumination. Kubrick described this as "a happy accident".

1410: 487:(EVA) pod, but finds nothing wrong. HAL suggests reinstalling the device and letting it fail so the problem can be verified. 380: 11364: 11250: 9588: 9166: 8759: 8723: 8662: 8590: 8554: 7871: 7128: 6815: 6537: 5970: 4761: 3070:

The reasons for HAL's malfunction and subsequent malignant behaviour have elicited much discussion. He has been compared to

15710: 15590: 14414: 14075: 13604: 13536: 13517: 8687: 6910: 3288:, and others—including many special effects technicians—discuss the impact the film has had on them in a featurette titled 2849:

for BFI analysing the film, Peter Krämer summarised the diverse interpretations as ranging from those who saw it as darkly

2845:

has been analysed and interpreted by professional critics and theorists, amateur writers, and science fiction fans. In his

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crater excavation scene, the first to be shot. In January 1966, the production moved to the smaller MGM-British Studios in

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or songs written specially for them by professional composers. In the early stages of production, Kubrick commissioned a

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community for the writing of the script, Kubrick was advised by a mutual acquaintance, Columbia Pictures staff member

468:, with mission pilots and scientists Dr Dave Bowman and Dr Frank Poole on board, along with three other scientists in 443:

Millions of years later, Dr Heywood Floyd, Chairman of the United States National Council of Astronautics, travels to

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format took place in autumn 1968 and used either a four-track magnetic stereo soundtrack or an optical monaural one.

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North's score, which is available on a recording, is a good job of film composition, but would have been wrong for

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to it in the sky, the second with a near-identical crescent Earth in the same position), echoing the Sun–Earth–Moon

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is important as the high-water mark of science-fiction movie making, or at least of the genre's futuristic branch."

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taken from existing commercial recordings. Most feature films, then and now, are typically accompanied by elaborate

905:

airmailed research-based concept sketches and notes covering the mechanics and physics of space travel, and created

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up the "side" of the circular walkway, and steps, now in an "upside-down" orientation, into a connecting hallway.

769:. It would be filmed and edited almost entirely in southern England, where Kubrick lived, using the facilities of 15635: 15048: 14600: 14371: 14211: 12768: 9688: 3427:, released in 1984, was based on Clarke's 1982 novel. Kubrick was not involved; it was directed as a spin-off by 2783: 2660: 2438: 2082:, New York, and Los Angeles. Keir Dullea says that during the New York premiere, 250 people walked out; in L.A., 1876: 1727: 1205:

mission rather than Jupiter, discarded when the special effects team could not develop a convincing rendition of

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Multiple interpretations of the meaning of the monolith have been examined in the critical reception of the film

874:, was cast as the voice of HAL. For the role of Heywood Floyd, MGM suggested casting a well-known actor such as 15695: 15620: 15235: 15203: 15075: 14910: 14836: 14815: 14740: 14595: 14582: 13293: 13277: 13257: 13002: 12398: 11980: 11900: 11667: 9901: 9455: 9031: 8998: 7189: 3480: 3081: 2940: 2853:

in tone to those who saw it as an optimistic reappraisal of the hopes of mankind and humanity. Questions about

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Palmer, Christopher (Spring 2006). "Big Dumb Objects in Science Fiction: Sublimity, Banality, and Modernity".

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reviewer Bob McClay sees the film as like a four-movement symphony, its story told with "deliberate realism".

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EVA", et cetera. The instructions are generally legible on Blu-ray editions but not DVD editions of the film.

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Movie awards: the ultimate, unofficial guide to the Oscars, Golden Globes, critics, Guild & Indie honors

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in particular the causes of HAL's breakdown (explained in earlier drafts but kept mysterious in the film).

2484: 2293: 1805: 552: 6672:"It's Official: Warner Bros. Has No Plans for Deleted <cite>2001: A Space Odyssey</cite> [ 1852:

from the film. As additional "bonus tracks" at the end, the CD includes the versions of "Zarathustra" and

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narration (a feature in all of Kubrick's previous films), a stronger emphasis on the prevailing Cold War

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in a more conventional style. The other two novels have not been adapted for the screen, although actor

455:. As he and others examine the object and are taking photographs, it emits a high-powered radio signal. 15685: 15680: 15531: 14930: 14807: 14641: 14027: 13927: 13685: 13469: 12438: 12381: 11867: 8373: 8207: 4510: 3456: 2555: 2378: 2251: 1661: 1120: 985: 282: 8119: 853:

about animation camerawork, with Low recommending British mathematician Brian Salt, with whom Low and

777:. MGM had subcontracted the production of the film to Kubrick's production company to qualify for the 15016: 14764: 14633: 14080: 12254: 7523: 6456: 3451: 3071: 2512: 2048: 1977:

had found 17 minutes of lost footage from the post-premiere cuts, "perfectly preserved", in a Kansas

1927: 1868: 1468: 530: 10803:"Christopher Nolan returns Kubrick sci-fi masterpiece '2001: A Space Odyssey' to its original glory" 10511:"Cannes: Christopher Nolan To Present 70 mm Print Of Stanley Kubrick's '2001: A Space Odyssey'" 6617:"Kubrick Trims '2001' by 19 Mins., Adds Titles to Frame Sequences; Chi, Houston, Hub Reviews Good". 5226: 4909: 4786: 1193:

Early drafts included a prologue containing interviews with scientists about extraterrestrial life,

15745: 15430: 14447: 13661: 13230: 12898: 12104: 11997: 11814: 10650: 5566:"2001: A Space Odyssey – Modern Chairs & Products by Arne Jacobsen Bows at Gibraltar Furniture" 5088: 3918: 3541: 3520: 2886:

Some of the critics' cataclysmic interpretations were informed by Kubrick's prior direction of the

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dialogue for roughly the first and last twenty minutes, as well as for the 10 minutes from Floyd's

859: 437: 318: 10676: 8517: 7476:"BFI | Sight & Sound | Top Ten Poll 2002 – How the directors and critics voted" 15350: 15342: 14772: 14716: 14708: 14255: 13613: 13449: 13414: 12138: 11962: 11943: 11565: 11183: 11084: 9506: 9497: 9240: 8550: 7150: 3693:

Examples of the Action Office desk and "Propst Perch" chair appearing in the film can be seen in

3419: 3398: 3389: 3226:. The film was voted no. 43 on the list of "100 Greatest Films" by the prominent French magazine 3137: 2773: 2396: 1823: 1782: 976: 484: 368: 9961: 5565: 1871:. All of the music North originally wrote was recorded commercially by his friend and colleague 15790: 15569: 15446: 15382: 15008: 13266: 13037: 12879: 12834: 12790: 12642: 12551: 11822: 11652: 10765: 9935: 9784: 9780: 9215:

The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders, Volume 2

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Murphy, A.D. (31 July 1974). "'Odyssey' Test Run Revival Here Turns into Surprise B.O. Smash".

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is a delicate, poetic meditation on the ingenuity – and folly – of mankind." Review aggregator

2005: 1523:

pyramid. This was taken from the short story "The Sentinel" that the first story was based on.

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100 Best Films of the 20th century (#11), and Roger Ebert's Top Ten (1968) (#2). In 1995, the

1981:

vault used by Warners for storage. No plans have been announced for the rediscovered footage.

15760: 15243: 15211: 15040: 15000: 14854: 14032: 13901: 13302: 13282: 13114: 12845: 12068: 11874: 11728: 11620:"50 years of 2001: A Space Odyssey – 5 films that influenced Kubrick's giant leap for sci-fi" 11592: 11026: 10616: 9649: 9148: 8824: 7197: 7051: 6872:"1968: A Roadshow Odyssey- The Original Reserved Seat Engagements Of '2001: A Space Odyssey'" 6464: 5773: 5329: 5073: 1711: 1233: 1186:

environment to put our heroes at their ease". HAL 9000 was originally named Athena after the

1136: 997: 850: 705: 599: 372: 14484: 9991: 9106: 7955: 6977: 4376:"Behind the Scenes of 2001: A Space Odyssey, the Strangest Blockbuster in Hollywood History" 4303:

In the national interest: a chronicle of the National Film Board of Canada from 1949 to 1989

15478: 15398: 15275: 15195: 15163: 15115: 14828: 14681: 13975: 13951: 13923: 13733: 13504: 13362: 13194: 12939: 12757: 10911: 10105:"This Day in Science Fiction History – 2001: A Space Odyssey | Discover Magazine" 7829: 7686: 4147:"The Weirdest, Most Wonderful 2001: A Space Odyssey Secrets in the Stanley Kubrick Archive" 4072: 3669: 3585: 2996: 2322: 2221:

lacks dramatic appeal to a large degree and only conveys suspense after the halfway mark."

2003:

The original 70-millimetre release, like many Super Panavision 70 films of the era such as

1990: 1837: 890: 812: 742: 709: 452: 270: 9958:"The Moving Arts Film Journal | TMA's 100 Greatest Films of All Time | web site" 4715:"'Close to tears, he left at the intermission': how Stanley Kubrick upset Arthur C Clarke" 3228: 2132:

wrote that the film was "perhaps the first multi-million-dollar supercolossal movie since

1213:. The finale and many of the other discarded screenplay ideas survived in Clarke's novel. 833:

was a visual inspiration to Kubrick. The 29-minute film, which had also proved popular at

8: 15785: 15585: 15462: 15358: 15326: 15307: 15179: 15131: 15024: 14992: 14799: 14649: 14248: 14224: 13829: 13134: 13027: 13022: 12918: 12726: 12622: 11935: 11602: 10832: 10170: 9939: 9748: 8486: 7271: 6879: 5532: 4822: 3553: 3413: 3368:

he made a scene without dialogue because of "something I really learned with Kubrick and

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magazine's readers' poll ranked it 21st on its list of "The 100 Greatest Movies". In the

2312: 2234: 1907: 1828: 1293: 770: 713: 469: 388: 152: 13064: 11750: 11732: 11716: 11700: 11690: 7771: 7716: 6493: 3074:. In Clarke's novel, HAL malfunctions because it has been ordered to lie to the crew of 1880: 15227: 15083: 14748: 14732: 14657: 14471: 14351: 14187: 14128: 14019: 13999: 13493: 13297: 13146: 12996: 12801: 12494: 12470: 12270: 12230: 12206: 11684: 11547: 11138: 11125: 10787: 10548: 10515: 10416: 9510: 9460: 8875: 7671:

Joyce, Paul (director) Doran, Jamie (producer) Bizony, Piers (assoc. producer) (2001).

6993: 6619: 6590: 6428:"Stanley Kubrick & '2001': Over Budget and Behind Schedule — but a Radical Classic" 6357: 4823:"Stanley Kubrick Explains The '2001: A Space Odyssey' Ending in Rediscovered Interview" 4348: 4301: 3803: 3505: 2970: 2820: 2599: 2212: 2207: 2138: 1605: 1573:

sometimes resorting to hand-tracing frame by frame around the image of the spacecraft (

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See especially the essay "Auteur with a Capital A", by James Gilbert, anthologized in

7807: 5744: 3889:""Two days turned into four weeks": an interview with Maggie D'Abo, hostess in '2001'" 2056:

drew this cartoon to illustrate his favorable review in the Seattle underground paper

1604:

For spacecraft interior shots, ostensibly containing a giant centrifuge that produces

1539: 1526:

A London firm was approached by Kubrick to provide a 12-foot (3.7 m) transparent

1304:'s dye transfer process. The 70 mm prints were made by MGM Laboratories, Inc. on 524:

At Jupiter, Bowman finds a third, much larger monolith orbiting the planet. He leaves

15510: 15454: 15366: 15251: 15155: 14320: 14315: 14272: 14267: 14200: 14195: 14115: 13764: 13748: 13709: 13560: 13210: 12823: 12544: 12430: 12278: 11927: 11738: 11679: 11663: 11606: 11577: 11551: 11515: 11496: 11477: 11458: 11428: 11404: 11385: 11354: 11325: 11319: 11304: 11273: 11240: 11219: 11212: 11187: 11164: 11145: 11109: 11090: 11066: 11032: 10999: 10989: 10962: 10934: 10915: 10904: 10658: 10266: 10074: 10053: 10046: 9653: 9642: 9578: 9335: 9310: 9257: 9218: 9193: 9156: 9082: 8435: 8087: 7863: 6561: 6394: 6324: 6276: 5389: 5378: 5347: 4965: 4884: 4751: 4555: 4520: 4312: 4267: 4086: 4076: 3574: 3531: 3489: 3443: 3407: 3197: 2898:, which resulted in dark speculation about the nuclear weapons orbiting the Earth in 2545: 2401: 2184: 2113: 2104: 2063: 2058: 1609: 1493: 1269: 1257: 1198: 1145: 1057: 966:", and added "what makes Kubrick think I'm a recluse?" Meeting for the first time at 897:, and various aerospace clients—as a design consultant. Graphic Films' Con Pederson, 803: 701: 566: 416: 345: 341: 302: 116: 8368: 7562: 6758:"Warner Bros. Responds: 17 Minutes of 'Lost' '2001: A Space Odyssey' Footage Found?" 2874: 1859:

Alex North's unused music was first released in Telarc's issue of the main theme on

1339:

discussing off-Earth life, was removed after an early screening for MGM executives.

15486: 15470: 15422: 15406: 15123: 14984: 14673: 14462: 14454: 14423: 14364: 14344: 14191: 14183: 14067: 14023: 13820: 13728: 13704: 13584: 13464: 13330: 13158: 13048: 12964: 12959: 12923: 12664: 12600: 12589: 12454: 12305: 12222: 12198: 11845: 11080: 10317: 9775: 9276: 9249: 8180: 8160: 8104: 7898: 7762: 6726: 6680: 6221: 5927: 5907: 5135: 4923: 4871:"Incorporating Monsters: Music as Context, Character and Construction in Kubrick's 4435: 3733: 3545: 3492:" in this film. Clarke called Campbell's book "very stimulating" in a diary entry. 3308:

is "the grandfather of all such films". At the 2007 Venice film festival, director

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that every viewer will feel obligated to pursue or else fear he's missed the point.

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Samuel R. Delany's and Lester del Rey's reviews both appear in the 1968 anthology

7675:(Television production). UK: Channel Four Television Corp. Event occurs at 15:56. 6932: 1719: 1260:

left to work on other projects. The still photographs used as backgrounds for the

349: 15283: 14883: 14574: 14434: 14383: 14287: 14243: 14123: 14119: 14063: 13676: 13528: 13440: 13409: 13273: 13261: 13189: 13177: 13153: 13121: 12779: 12238: 12190: 12127: 11791: 11696: 11657: 11597: 11340: 11267: 11234: 10833:"Experience Stanley Kubrick's '2001: A Space Odyssey' in IMAX for the First Time" 10654: 9572: 9142: 8975: 8838:"In Lost Interview, Stanley Kubrick Explains The Ending of 2001: A Space odyssey" 8767: 8734: 8651: 8579: 8539: 8493: 8465: 7120: 7112: 6823: 6531: 6501: 5978: 4745: 4516:

Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece

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The "centrifuge" set used for filming scenes depicting interior of the spaceship

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Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece

967: 947: 879: 697: 692: 665: 647: 587: 488: 360: 337: 333: 329: 274: 58: 13032: 10044:

Ciment, Michel (1972). "Odyssey of Stanley Kubrick". In Johnson, William (ed.).

8698: 8237: 8081: 7982:"'2001: A Space Odyssey' named the greatest movie of all time by 480 filmmakers" 3238:

named it "the best sci-fi and fantasy film of all time". The film ranked 4th in

2965:

evolution from ape to man to spaceman to angel-starchild-superman is complete."

733: 436:

is driven away from its water hole by a rival tribe. The next day, they find an

15494: 15438: 15291: 15187: 14867: 14466: 14458: 14379: 14235: 14143: 14139: 13868: 13824: 13700: 13508: 13476: 13456: 13432: 13401: 13373: 13353: 13341: 13325: 13317: 13289: 13221: 13129: 13125: 12512: 12500: 12406: 12286: 12214: 12079: 11756: 11541: 11529: 11450: 10685:. Vol. 73, no. 1–4. Hachette Filipacchi Magazines. 2008. p. 24. 9943: 9710: 9451: 8242: 7653: 6505: 5468:"The music of 2001: A Space Odyssey is justifiably famous. The studio hated it" 5207: 5020: 3471:

that it may have been worn during the scene where Bowman disconnects HAL 9000.

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had become recognised as among the best films ever made by such sources as the

2373: 2099: 1241: 951: 737: 656: 517: 376: 309:

and follows a voyage by astronauts, scientists, and the sentient supercomputer

11474:

The 2001 File: Harry Lange and the Design of the Landmark Science Fiction Film

11324:. foreword by Arthur C. Clarke. New York City: Carroll & Graf Publishers. 10866:"2001: A Space Odyssey's 8K TV broadcast doesn't quite go beyond the infinite" 10134: 9253: 7798:

Named the Greatest Sci-Fi Film of All Time By the Online Film Critics Society"

6160: 3830: 3592:

theatres (including five locations equipped with 70 mm IMAX projectors).

2274:, has assigned the film a score of 84 out of 100, based on 25 critic reviews. 2118:

milestone, a landmark for a spacemark, in the art of film." Louise Sweeney of

1011:. On 23 February 1965, Kubrick issued a press release announcing the title as 289:, in part written concurrently with the screenplay, after the film's release. 15579: 15502: 15299: 15171: 15099: 14756: 14410: 14359: 14339: 14335: 14279: 14219: 14167: 14163: 14159: 13995: 13888: 13812: 13680: 13632: 13580: 13565: 13548: 13541: 13385: 13253: 13241: 13201: 13109: 12969: 12913: 12376: 12321: 12003: 11850: 11610: 11569: 11533: 11058: 10995: 10948: 10741: 9261: 7151:"All Time Box Office: Domestic Grosses – Adjusted for Ticket Price Inflation" 7094: 6850: 6727:"Kubrick Questions Finally Answered – An in Depth Talk with Leon Vitali" 6280: 6161:"2001: A SPACE ODYSSEY Q&A | Keir Dullea & Gary Lockwood | TIFF 2014" 5373: 3866: 3549: 3538: 3464: 3144: 2960: 2692: 2352: 2222: 2133: 2129: 2036: 1845: 1456: 1441: 1437: 1336: 1327:

For cuts made after the film premiered, see the Theatrical run section below.

1319:

on plans for HAL, though plans to use the company's logo never materialised.

1183: 1116: 898: 854: 593: 570: 557: 460: 448: 298: 103: 10444:"Cannes Classics to celebrate the 50th anniversary of 2001: A Space Odyssey" 3765:"The Original Reserved-Seat Roadshow Engagements Of "2001: A Space Odyssey"" 2197:

found the film to be an inadequate addition to the science fiction genre of

1428:

5 elevator, he is greeted by an attendant seated behind a slightly modified

1292:

The film was announced in 1965 as a "Cinerama" film and was photographed in

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called it "one of the grimmest films I have ever seen in my life ...

1926:

in Washington, D.C., with a 160-minute cut. It opened the next day at the

1832: 1608:, Kubrick had a 30-short-ton (27 t) rotating "ferris wheel" built by 538:

enclosed in a transparent orb of light floating in space above the Earth.

15545: 15390: 14430: 14418: 14307: 14283: 14176: 14111: 14095: 14091: 14015: 13971: 13947: 13864: 13816: 13796: 13781: 13740: 13696: 13692: 13644: 13596: 13524: 13484: 13381: 13369: 13309: 13141: 13012: 12990: 12524: 12518: 12073: 5011: 4655: 3552:

scan of the original camera negative and audio remixed and remastered in

3428: 3180: 2242:, for all its lively visual and mechanical spectacle, is a kind of space- 2157: 2083: 1954: 1638: 1574: 1520: 1452: 1373: 1301: 1253: 1245: 1040: 875: 717: 561: 548: 493: 325: 294: 126: 98: 14960: 11796: 11673: 9514: 9488: 7893: 6079:"Stanley Kubrick 'risked stuntman's life' filming 2001: A Space Odyssey" 3218:

critics' polls editions; it also tied for second and first place in the

2946: 931: 14291: 14215: 14207: 14147: 14087: 14043: 14039: 13979: 13967: 13955: 13943: 13919: 13877: 13860: 13836: 13656: 13648: 13589: 13345: 13217: 13017: 12506: 12462: 11624: 10662: 10015:"Ridley Scott: 'After 2001 – A Space Odyssey, Science Fiction is Dead'" 8152:

edited by Harry Harrison and Brian W. Aldiss. Both are also printed on

7724: 6110:"Dangling on a Wire: A Tale from the Making Of '2001: A Space Odyssey'" 6048:"Stanley Kubrick 'risked stuntman's life' making 2001: A Space Odyssey" 3701:" would eventually occupy 70 per cent of office space by the mid-2000s. 3570: 3537:

In 2018, Warner Bros. Home Entertainment re-released it on Blu-ray and

2850: 2640: 2267: 2198: 1997: 1950: 1750:

A bone-club and orbiting satellite are juxtaposed in the film's famous

1702: 1527: 1497: 1398: 1384: 1305: 1281: 1265: 1237: 1194: 1131: 906: 790: 747: 635: 408:

s decennial critics' poll, and topped their directors' poll. A sequel,

364: 141: 11805: 11706: 10710:"'2001: A Space Odyssey' 4K Blu-ray Review – A Monolithic Achievement" 9680: 2142:

fifty years ago which can be regarded as the work of one man ...

1593: 281:, and it was inspired by multiple short stories by Clarke, including " 14862: 14849: 14626: 14152: 13637: 13349: 13337: 12974: 11346: 10870: 9644:

The A List: The National Society of Film Critics' 100 Essential Films

9332:

Shadows of Doubt: Negotiations of Masculinity in American Genre Films

7925: 7864:"USCCB – (Film and Broadcasting) – Vatican Best Films List" 4827: 3524: 3432: 3110: 2846: 2211:

wrote that it was "somewhere between hypnotic and immensely boring".

2086:

not only left early but "was heard to mutter, 'What is this bullshit?

1978: 1772: 1751: 1489: 1364: 1052: 778: 726:, and the slick widescreen cinematography and set design of Japanese 267: 14575:

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

11844: 10378:"Smithsonian celebrates 50th anniversary of '2001: A Space Odyssey'" 10209: 9872:"2001: A Space Odessy: the best sci-fi and fantasy film of all time" 9021: 8988: 15219: 13872: 13436: 12567: 12446: 12085: 12009: 11712: 10288:"The $ 344,000 movie item: Academy buys ship from Kubrick's '2001'" 9102: 8842: 3435:

in June 1999 expressed a passing interest in possible adaptations.

3000: 2918: 2887: 1919: 1723: 1710:

The coloured lights in the Star Gate sequence were accomplished by

1581:

projecting from the backside through a hole cut in the photograph.

1500: 1119:. But they felt it would be disloyal to accept Kubrick's offer. In 760: 609: 480: 433: 310: 12096: 8400: 8305: 4878: 4870: 1451:

Other examples of modern furniture in the film are the bright red

10958: 10175: 10140: 7124: 6816:"A Taste of Blue Food in Stanley Kubrick's 2001: A Space Odyssey" 6789:"WB Uncovers Lost Footage From Kubrick's '2001: A Space Odyssey'" 5668: 3835: 3698: 3513: 3393:

and one of HAL's eyepieces is in the possession of the author of

2917:

You're free to speculate as you wish about the philosophical and

2292:

list of greatest science fiction films of all time. In 2012, the

1794: 1179: 1072: 465: 314: 5086:

Lightman, Herb A. (June 1968). "Filming 2001: A Space Odyssey".

4307:(Repr. ed.). Toronto: University of Toronto Press. p. 3697:, pp. 66–71. First introduced in 1968, the Action Office-st 2320:

was voted as ninth on the list of "greatest films of all time".

1221:

landing near the monolith until Poole watches a BBC newscast on

889:, a film shown in the Transportation and Travel building at the 8086:. Internet Archive. New York: St. Martin's Press. p. 179. 6636:"Weird, Unseen Images from the Making of 2001: A Space Odyssey" 5946: 5786:"Weird, Unseen Images from the Making of 2001: A Space Odyssey" 4747:

Carl Sagan's cosmic connection: an extraterrestrial perspective

3098: 3062: 1934:

in Los Angeles. The original version was also shown in Boston.

1715: 1332: 1187: 1007:, a reference to how it was a follow-on to MGM's Cinerama epic 959: 535: 324:

The film is noted for its scientifically accurate depiction of

11772: 9072:

Love and Death in Kubrick: A Critical Study of the Films from

6999:

This figure refers to rental revenue accruing to distributors.

857:

had previously worked on the 1957 still-animation documentary

15564: 14514: 9681:"100 Essential Films by The National Society of Film Critics" 9611:"Take One: The First Annual Village Voice Film Critics' Poll" 7687:"BBC – Films – review – 2001: A Space Odyssey" 5203:""2001: A Space Odyssey": What It Means, and How It Was Made" 3383:

spacesuit backpack appeared in the "Close Up" episode of the

3016: 2808:

list. The film was voted the 47th most inspiring film on the

1236:

began on 29 December 1965, in Stage H at Shepperton Studios,

1032: 728: 10739:

Klady, Leonard (23 March 1993). "'Turtles' Fans Shell Out".

3950:"What Made '2001, A Space Odyssey' Such An Influential Film" 793:

as possible replacements for Kubrick if he was unavailable.

12536: 12341:

Stanley Kubrick: Drama & Shadows: Photographs 1945-1950

11764: 10837: 7601: 5889: 5887: 5874: 5872: 5838:(6): 412–413, 420–422, 416–419, 441–447, 451–454, 459–461. 3589: 3584:

s influence on his career. Following a showing at the 2018

2456:

Best Story and Screenplay – Written Directly for the Screen

1986: 1746: 1309: 834: 429: 10412:"Christopher Nolan's Version of Vinyl: Unrestoring '2001'" 7372:

Gilliatt, Penelope (5 April 1968). "After Man", review of

6318: 6316: 6314: 3799:"Home video; New cassettes: From Kubrick To Saint-Exupery" 3109:

as a multi-layered allegory, commenting simultaneously on

1800:

Front projection had been used in smaller settings before

1463:, designer of the Djinn chair, has used the connection to 1252:

sequence that opens the film was shot at Borehamwood with

13094: 11269:

Sir Arthur C. Clarke: Odyssey of a Visionary: A Biography

11136:

Geduld, Carolyn (1973). "4. The Production: A Calendar".

10263:

The Complete Gerry Anderson: The Authorised Episode Guide

8926:

Houston, Penelope (Spring 1971). "Skeleton Key to 2001".

5669:"Olivier Mourgue, Designer: (born 1939 in Paris, France)" 5537: 4750:(2nd ed.). Cambridge University Press. p. 183. 3569:

For the film's 50th anniversary, Warner Bros. struck new

3509: 3296:

has listed it as one of his favourite films of all time.

3250:. In 2010, it was named the greatest film of all time by 3239: 3041:

The Greenwood Encyclopedia of Science Fiction and Fantasy

1316: 1140:

that Clarke and Kubrick had asked him how to best depict

669: 7926:"Entertainment Weekly's 100 Greatest Movies of All Time" 7524:"How I Learned To Stop Worrying And Love 'Barry Lyndon'" 6362:

Cinezik web site (French film magazine on music in film)

5884: 5869: 5627:"Public Eye; 30 Years After '2001': A Furniture Odyssey" 3863:"The Underview on 2001: A Space Odyssey – Cast and Crew" 3290:

Standing on the Shoulders of Kubrick: The Legacy of 2001

2990:

Clarke indicated his preferred reading of the ending of

2882:

and Kubrick's sardonic fulfilment of a nuclear nightmare

2395:

spoke well of it in his autobiography and other essays.

1890: 1714:

of thousands of high-contrast images on film, including

1081:

Originally, Kubrick and Clarke had planned to develop a

1003:

Kubrick and Clarke privately referred to the project as

15741:

Hugo Award for Best Dramatic Presentation winning works

11457:. AAS History Series. Vol. 5. San Diego: Univelt. 11028:

Projecting Tomorrow: Science Fiction and Popular Cinema

8766:. American Film Institute. 17 June 2008. Archived from 8733:. American Film Institute. 16 June 1998. Archived from 8697:. American Film Institute. 16 June 1998. Archived from 8625:. American Film Institute. 16 June 1998. Archived from 6536:. Palmer Publications, Incorporated. 1988. p. 19. 6311: 5348:"2001's Pre- and Post-Premiere Edits by Thomas E Brown" 4656:"What did Kubrick have to say about what 2001 "means"?" 3527:

edition with the transfer monitored by Kubrick himself.

1835:) from that heard in the film, and a longer excerpt of 11321:

Moonwatcher's Memoir: A Diary of 2001: A Space Odyssey

10136:

DOUGLAS TRUMBULL – Lighting the Enterprise – Star Trek

5990: 5988: 5169:"2001: A Space Odyssey – The Dawn of Front Projection" 3034:

In a book on architecture, Gregory Caicco writes that

2626:

Outstanding Directorial Achievement in Motion Pictures

2062:, in which he accused mainstream critics of "approach 1637:

The methods used were alleged to have placed stuntman

1289:

days before the film's general release in April 1968.

641:

Maggie d'Abo as stewardess (Space Station 5 elevator)

19:"A Space Odyssey" redirects here. For other uses, see 15529: 11025:

Chapman, James; Cull, Nicholas J. (5 February 2013).

10232:"Starship Modeler: Modeling 2001 and 2010 Spacecraft" 6024: 4344:"Colin Low: A gentleman genius of documentary cinema" 4266:. Newark: University of Delaware Press. p. 114. 4180: 4178: 4176: 4174: 4172: 3362:

their own right." Trumbull said that when working on

2344:

was voted as the Greatest Film of All Time, ahead of

1280:", avoiding degraded picture quality from the use of 379:, winning Kubrick the award for his direction of the 15736:

Films that won the Best Visual Effects Academy Award

14962:

David di Donatello Award for Best International Film

13053: 11455:

Science fiction and space futures – past and present

11303:. Pennsylvania, United States: Schiffer Publishing. 11205:. BFI Film Classics. London: British Film Institute. 9380: 9378: 9307:

Figuring it out: science, gender, and visual culture

6232:. The Kubrick Site: Slavoj Zizek on Eyes Wide Shut. 4505: 4503: 4501: 4499: 4497: 3488:. There are allegorical archetypal patterns of the " 11574:

2001 The Heritage & Legacy of the Space Odyssey

11180:

Stanley Kubrick's 2001: A Space Odyssey: New Essays

10988:Block, Alex Ben; Wilson, Lucy Autrey, eds. (2010). 10605:. Rowman & Littlefield Publishing. p. 252. 9491:

Stanley Kubrick's 2001: A Space Odyssey: New Essays

9300: 9298: 8208:"R.I.P. hard science fiction writer James P. Hogan" 5985: 5163: 5161: 4126: 4099: 3831:"Stanley Kubrick Wins Special Effects: 1969 Oscars" 3088: 2802:was selected as the 13th greatest villain on AFI's 1946:." The new cut was approximately 139 minutes long. 11211: 11137: 11124: 10903: 10045: 9641: 8369:"Awards / History / 1968 – 21st Annual DGA Awards" 8306:"Premios del CEC a la producción española de 1968" 5377: 4983: 4981: 4697: 4695: 4693: 4300: 4243: 4241: 4169: 3372:: Stop talking for a while, and let it all flow". 2340:poll of 480 directors published in December 2022, 1455:seen prominently throughout the space station and 913:. Trumbull became a special effects supervisor on 14919:The Lord of the Rings: The Fellowship of the Ring 13937:The Lord of the Rings: The Fellowship of the Ring 9375: 9190:Architecture, ethics, and the personhood of place 8871:"Sometimes a Broken Glass Is Just a Broken Glass" 8083:Future tense : the cinema of science fiction 6352: 6350: 5817: 5815: 5813: 5811: 5596:"2001: A Space Odyssey-Products by Arne Jacobsen" 4883:. London, U.K.: Equinox Press. pp. 137–170. 4494: 3113:, Homer, and the relationship of man to machine. 1993:and used a six-track stereo magnetic soundtrack. 1652: 15577: 10405: 10403: 10171:"The Making of "2010: The Year We Make Contact"" 9295: 7022: 7020: 5971:"The Special Effects of '2001: A Space Odyssey'" 5342: 5340: 5338: 5158: 3710:Cubicles had earlier appeared in Jacques Tati's 2183:called it "a monumentally unimaginative movie". 1821:used in the film, used a different recording of 492:proven wrong. HAL follows their conversation by 387:. In 1991, it was selected by the United States 383:. The film is now widely regarded as one of the 15439:Birdman or (The Unexpected Virtue of Ignorance) 10857: 10471: 10469: 10195: 9804: 9802: 9440:(television). Canada: Discovery Channel Canada. 8688:"AFI's 100 Years ... 100 Heroes & Villains" 8510:"6th Moscow International Film Festival (1969)" 8007: 8005: 8003: 5723: 5721: 5106: 5104: 4978: 4955: 4953: 4951: 4949: 4916: 4880:Terror Tracks: Music and Sound in Horror Cinema 4690: 4238: 3919:"2001: A Space Odyssey – 50 facts for 50 years" 3668:analyses Kubrick's use of narration in detail. 3474:Stanley Kubrick introduced Arthur C. Clarke to 2532:Anthony Masters, Harry Lange and Ernest Archer 2017:these have been restored to most DVD releases. 1106:The screenplay credits were shared whereas the 458:Eighteen months later, the American spacecraft 8829: 7546: 7181: 7035: 6814:Brown, Thomas E.; Vendy, Phil (2 March 2000). 6665: 6663: 6393:. Northeastern University Press. p. 126. 6347: 6325:"Front Projection for '2001: A Space Odyssey'" 6158: 5808: 5745:"2001: A Space Odyssey: Typeset in the Future" 4816: 4814: 4812: 3500:The film has been released in numerous forms: 1401:pieces until he saw the film at its premiere. 1000:" inspired the film's "Dawn of Man" sequence. 974:, excerpts of which were published in 1972 as 935:Arthur C. Clarke in 1965, photographed in the 14946: 14500: 13985:The Lord of the Rings: The Return of the King 13080: 12552: 12112: 11830: 10535: 10400: 10348:"2001: A Space Odyssey Immersive Art Exhibit" 10202:Mark Stetson (model shop supervisor) (1984). 10127: 9444: 9334:. Wayne State University Press. p. 135. 8980: 8862: 8336: 8111: 7017: 6579: 6577: 5335: 3947: 3401:, science adviser to Kubrick, wrote the book 2798:(no. 78 "Open the pod bay doors, HAL."), and 385:greatest and most influential films ever made 15801:Films set in pre-colonial sub-Saharan Africa 15646:Films based on science fiction short stories 10466: 10265:(4th ed.). London: Reynolds and Hearn. 9799: 9711:"Sight & Sound Greatest Films Poll 1982" 8928:Sight and Sound International Film Quarterly 8000: 7393:Champlin, Charles (5 April 1968). Review of 7044:"Behind the Camera on 2001: A Space Odyssey" 6260: 6031:Jan Harlan, Stanley Kubrick (October 2007). 5899: 5718: 5101: 5079: 4946: 4852: 4850: 3978: 3792: 3790: 2233:is indeed a major work by a major artist.") 1404: 885:After pre-production had begun, Kubrick saw 277:. The screenplay was written by Kubrick and 11024: 10987: 10576:"Hollywood: Legends and Explorers, Lot 897" 9217:. Greenwood Publishing Group. p. 707. 8502: 8461:National Board of Review of Motion Pictures 8279:British Academy of Film and Television Arts 8247:Academy of Motion Picture Arts and Sciences 7087: 7085: 7026: 7008: 6660: 6183: 5618: 5432: 5430: 5306: 5196: 5194: 4809: 4132: 4105: 4046: 3324:with opening up a market for films such as 3048:wonder" that motivated them to explore it. 2985: 414:, was released in 1984, based on the novel 15821:Films with screenplays by Arthur C. Clarke 15796:United States National Film Registry films 14953: 14939: 14507: 14493: 14057:Pirates of the Caribbean: Dead Man's Chest 13087: 13073: 12559: 12545: 12119: 12105: 11837: 11823: 11749: 11731: 11715: 11699: 11683: 11236:Arthur C. Clarke. The Authorized Biography 10541: 9407: 9405: 9277:"An Interview with Stanley Kubrick (1969)" 8429: 6865: 6863: 6861: 6813: 6807: 6574: 5136:"Alcott, John (1931–1986) Cinematographer" 4781: 4779: 3634:List of incomplete or partially lost films 3280:on subsequent filmmakers is considerable. 3043:, titled "Sense of Wonder", describes how 2933: 2359: 2278:was the only science fiction film to make 1418: 927:Differences between the film and the novel 829:According to biographer Vincent LoBrutto, 617:Edwina Carroll as lunar shuttle stewardess 40: 15671:Films with screenplays by Stanley Kubrick 14516:Hugo Award for Best Dramatic Presentation 12654:The Wonderful World of the Brothers Grimm 11593:"How They Filmed '2001: A Space Odyssey'" 10208:(DVD). ZM Productions/MGM. Archived from 10052:. Englewood Cliffs, N.J.: Prentice-Hall. 9112:2001: A Space Odyssey – in-depth analysis 8943: 8941: 8791: 8789: 8787: 8785: 8661:. American Film Institute. 16 June 1998. 8589:. American Film Institute. 16 June 1998. 7552: 7439:reprinted from an unnamed publication in 7387: 7366: 6709: 6707: 6705: 6703: 6583: 6380: 6266: 5649: 5317: 5315: 4924:"The Kubrick Site: Fred Ordway on '2001'" 4847: 4638: 4636: 4634: 4418: 4416: 4067: 4065: 4063: 4061: 4021: 3787: 3758: 3756: 3754: 3619:List of films featuring extraterrestrials 2995:viewers have described as a sense of the 2366:Hugo Award for Best Dramatic Presentation 1930:in New York and the following day at the 1645:... I was going to shove MGM right up his 1510: 1476:pristine purity of the rest of the lobby. 650:as Mrs Turner, Space Station 5 reception 15601:American science fiction adventure films 15596:Adaptations of works by Arthur C. Clarke 11209: 10568: 9845:"Cahiers du cinéma's 100 Greatest Films" 9820:. British Film Institute. Archived from 9763: 9212: 9107:"Chapter 2. The Meaning Of The Monolith" 8959: 8040: 8038: 7752: 7746: 7494: 7408: 7082: 6960: 6958: 6903:"2001: A Space Odyssey (Blu-Ray review)" 6848:"$ 2 Mil 'Odyssey' B.O. Gross To Date". 6843: 6841: 6755: 6226:: A Critical Analysis of the Film Score" 5926: 5906: 5821: 5563: 5455:(CD Booklet). Telarc. Release# CD-80106. 5436: 5427: 5219: 5200: 5191: 5085: 5046: 5006: 5004: 5002: 5000: 4998: 4996: 4247: 3093:Multiple allegorical interpretations of 3061: 3015: 2945: 2873: 2861: 2047: 1894: 1745: 1592: 1538: 930: 336:, including pieces by composers such as 15606:British science fiction adventure films 11384:. New York: Harcourt Brace Jovanovich. 11317: 11265: 11232: 10508: 10475: 10260: 9633: 9486: 9450: 9429: 9402: 9304: 9069: 8925: 8835: 8423: 8117: 8076: 7590: 7521: 7429: 7259: 7255: 7253: 7222: 7107: 7105: 6970:"Introduction to 2001: A Space Odyssey" 6858: 6786: 6557: 6555: 6451: 6449: 6273:The Journal of Film, Art and Aesthetics 6045: 5949:"Consumer Price Index (estimate) 1800–" 5255: 5110: 4820: 4776: 4609: 4607: 4404: 4117: 3981:"Broadcaster Kenneth Kendall, 88, dies" 3450:for the film's 50th anniversary at the 2020: 1628: 15831:English-language science fiction films 15578: 11416: 11398: 11379: 11338: 11200: 11177: 11158: 11135: 11122: 11079: 11057: 10947: 10928: 10863: 10780:"Press Reviews: 2001: A Space Odyssey" 10707: 10285: 10043: 9869: 9574:Stanley Kubrick: Visual Poet 1928–1999 9570: 9423: 9411: 9396: 9384: 9366: 9237: 9187: 9054: 8971: 8947: 8938: 8913: 8901: 8820: 8808: 8795: 8782: 8652:"AFI's 100 Years ... 100 Movie Quotes" 8311:Círculo de Escritores Cinematográficos 8254:from the original on 10 September 2016 8205: 8178: 8158: 7641: 7569: 7446: 7175: 7091: 7076: 6900: 6700: 6688:from the original on 26 September 2022 6488: 6486: 6305: 6213: 6116:from the original on 28 September 2018 6107: 6076: 6006: 5994: 5893: 5878: 5860: 5769: 5712: 5697: 5624: 5564:Friedman, Bradley (27 February 2008). 5496: 5421: 5354:from the original on 26 September 2011 5325: 5321: 5312: 5294: 5282: 5267: 5122: 5095: 5069: 5065: 5061: 4987: 4959: 4868: 4701: 4684: 4666:from the original on 27 September 2010 4648: 4642: 4631: 4586: 4574: 4543: 4509: 4476: 4464: 4422: 4413: 4330:In the National Interest City of Gold. 4259: 4253: 4226:from the original on 20 September 2016 4196:from the original on 21 September 2016 4071: 4058: 4052: 3796: 3751: 3624:List of films featuring space stations 3183:compared Kubrick to the monolith from 3127:Military nature of orbiting satellites 3120: 2764:6th Moscow International Film Festival 2391:Without analysing the film in detail, 1488:The film features an extensive use of 1190:and had a feminine voice and persona. 479:s operations are controlled by HAL, a 25:2001: A Space Odyssey (disambiguation) 15766:Prehistoric people in popular culture 14934: 14488: 13961:The Lord of the Rings: The Two Towers 13096:Academy Award for Best Visual Effects 13068: 13052: 12540: 12100: 11818: 11422: 11403:. New York: W.W. Norton and Company. 11367:from the original on 14 November 2020 11103: 11012:from the original on 18 December 2019 10845:from the original on 6 September 2018 10800: 10755: 10738: 10732: 10720:from the original on 15 November 2018 10627:from the original on 14 November 2020 10012: 9870:Shoard, Catherine (21 October 2010). 9842: 9521:from the original on 27 December 2022 9354: 9329: 9137: 8868: 8480: 8218:from the original on 27 February 2014 8206:Anders, Charlie Jane (13 July 2010). 8150:The Year's Best Science Fiction No. 2 8035: 7697:from the original on 25 December 2011 7664: 7308: 7204:from the original on 12 February 2012 7157:from the original on 1 September 2019 6955: 6838: 6633: 6610: 6584:Frederick, Robert B. (2 April 1968). 6471:from the original on 27 November 2022 5968: 5947:Federal Reserve Bank of Minneapolis. 5751:from the original on 22 February 2014 5742: 5655: 5508: 5465: 5372: 5215:from the original on 26 October 2022. 5146:from the original on 13 December 2018 5010: 4993: 4743: 4547:Collected Stories of Arthur C. Clarke 4341: 4335: 4298: 4292: 4280:from the original on 14 November 2020 4144: 4022:Bernstein, Jeremy (4 November 1966). 3629:List of artificial intelligence films 3246:and selected for preservation in the 3020:The Star Child looking upon the Earth 2782:list from 2007 (up from #22 on AFI's 2743:Stanley Kubrick and Arthur C. Clarke 2659: 2650:Stanley Kubrick and Arthur C. Clarke 2506: 2432: 2408: 1957:: "I'll tell you right now, okay, on 1891:Theatrical run and post-premiere cuts 732:(monster movie) productions (such as 704:that his next project would be about 16:1968 film directed by Stanley Kubrick 15656:Films based on British short stories 13518:Indiana Jones and the Temple of Doom 11799:many observations on the meaning of 11298: 11253:from the original on 14 January 2023 11131:. New York: Doubleday & Company. 11045:from the original on 28 January 2016 10901: 10689:from the original on 31 January 2023 10600: 10556:from the original on 24 January 2020 10328:from the original on 13 October 2007 10151:from the original on 30 January 2020 9912:from the original on 14 January 2021 9741:"Sight and Sound Poll 1992: Critics" 9639: 9552:from the original on 4 November 2012 9539: 9101: 8934:(2). London: British Film Institute. 8381:from the original on 28 January 2016 8023:from the original on 1 December 2022 7988:from the original on 5 December 2022 7658: 7605: 7584: 7534:from the original on 27 January 2013 7509: 7500:Unknown reviewer. Capsule review of 7461: 7440: 7423: 7402: 7381: 7339: 7311:"2001: A Space Odyssey movie review" 7296: 7250: 7234:. No. v.3, no. 10. p. 16. 7131:from the original on 4 November 2019 7102: 7058:from the original on 28 January 2016 6964: 6943:from the original on 1 February 2011 6933:"2001: A Space Odyssey (Remastered)" 6901:Robley, Les Paul (1 February 2008). 6756:Sciretta, Peter (20 December 2010). 6713: 6669: 6552: 6446: 6434:from the original on 8 November 2023 6425: 6407:from the original on 28 January 2016 6386: 6368:from the original on 23 October 2009 6322: 6267:Duckworth, A. R. (27 October 2008). 6254: 6236:from the original on 7 February 2018 6171:from the original on 7 November 2020 6146: 6134: 6058:from the original on 21 October 2018 6018: 5727: 5409: 5227:""2001: A Space Odyssey": Locations" 5016:"2001: A Space Odyssey Movie Review" 4856: 4787:"Stanley Kubrick: Playboy Interview" 4725:from the original on 7 February 2018 4625: 4613: 4604: 4598: 4533:from the original on 31 August 2018. 4488: 4009: 3694: 2805:100 Years... 100 Heroes and Villains 2043: 946:Searching for a collaborator in the 763:format, recently debuted with their 15631:Films about artificial intelligence 14105:The Curious Case of Benjamin Button 12423:Stanley Kubrick: A Life in Pictures 12126: 11576:. Burlington Canada: Apogee Prime. 11514:. Burlington Canada: Apogee Prime. 11495:. Burlington Canada: Apogee Prime. 11415:Note: This is a revised edition of 11342:The Making of 2001: A Space Odyssey 10701: 10623:. No. 22 November 1980. 1980. 10578:. Julien's Auctions. 17 July 2020. 10542:Kenigsberg, Ben (23 January 2020). 10409: 10242:from the original on 20 August 2006 10145:Toronto International Film Festival 9942:). 13 December 2011. Archived from 9938:(National Film Preservation Board, 9843:Heron, Ambrose (23 November 2008). 9836: 9591:from the original on 26 August 2016 9169:from the original on 2 January 2023 9119:from the original on 24 August 2017 8187:from the original on 19 August 2011 8181:"A Review of 2001: A Space Odyssey" 7902:. American Movie Classics Company. 7758:"The 50 Greatest Films of All Time" 7342:"How we made 2001: A Space Odyssey" 6795:from the original on 16 August 2011 6768:from the original on 13 August 2011 6483: 6335:from the original on 2 January 2013 6219: 6159:TIFF Originals (12 November 2014). 4263:Canadian film technology, 1896–1986 4034:from the original on 6 January 2021 3960:from the original on 30 August 2019 3899:from the original on 24 August 2019 3597:8K Ultra-high definition television 3177:greatest and most influential films 1718:paintings, architectural drawings, 1015:. Other titles considered included 996:. Clarke said that his 1953 story " 810:'s 1960 animated short documentary 13: 15140:Close Encounters of the Third Kind 14792:Indiana Jones and the Last Crusade 12069:Poole versus HAL 9000 (chess game) 11140:Filmguide to 2001: A Space Odyssey 10878:from the original on 27 March 2019 10523:from the original on 28 March 2018 10509:Wiseman, Andreas (28 March 2018). 10183:from the original on 22 March 2024 10115:from the original on 28 March 2010 10085:from the original on 26 April 2011 9960:. 13 November 2010. Archived from 9745:California Institute of Technology 9436:Michael Lennick (7 January 2001). 9283:from the original on 19 April 2010 9274: 8668:from the original on 13 March 2011 8596:from the original on 12 April 2019 8318:from the original on 25 April 2012 8130:from the original on 30 March 2019 7936:from the original on 31 March 2014 7874:from the original on 18 April 2007 7734:from the original on 7 August 2020 7238:from the original on 16 April 2024 7190:"2001: A Space Odyssey – Articles" 7187: 7041: 6787:Sneider, Jeff (16 December 2010). 6737:from the original on 1 August 2010 6512:from the original on 7 August 2020 6467:. Nash Information Services, LLC. 6269:"Basic Film Techniques: Match-Cut" 6089:from the original on 24 April 2018 5637:from the original on 30 April 2011 5576:from the original on 25 April 2011 5517:. pp. 132–139. Archived from 4897:from the original on 4 August 2017 4764:from the original on 30 March 2019 4386:from the original on 24 March 2023 4356:from the original on 17 March 2016 4157:from the original on 20 March 2023 3991:from the original on 13 April 2019 3843:from the original on 12 March 2024 3327:Close Encounters of the Third Kind 3051: 2827: 1322: 909:for the space flight sequences in 614:Frank Miller as mission controller 285:" (1951). Clarke also published a 14: 15842: 15806:Films shot at MGM-British Studios 15666:Films produced by Stanley Kubrick 15661:Films directed by Stanley Kubrick 11640: 11425:Kubrick's 2001: A Triple Allegory 11286:from the original on 18 July 2020 11163:. London: Virgin Publishing Ltd. 10603:Kubrick's Story, Spielberg's Film 10582:from the original on 13 July 2020 10490:from the original on 21 July 2018 10454:from the original on 5 April 2018 10388:from the original on 6 April 2018 10358:from the original on 8 April 2018 10298:from the original on 2 April 2024 10072: 10048:Focus on the Science Fiction Film 9902:"The 100 Greatest American Films" 9882:from the original on 18 July 2021 9851:from the original on 16 July 2018 9691:from the original on 16 July 2021 9034:from the original on 3 March 2011 9019: 9001:from the original on 3 March 2011 8986: 8883:from the original on 7 April 2018 8836:Slayton, Nicholas (5 July 2018). 8616:"AFI's 100 Years ... 100 Thrills" 8464:. 10 January 1969. Archived from 8349:from the original on 10 July 2019 8161:"2001: A Space Odyssey: A Review" 7906:from the original on 18 July 2014 7844:from the original on 4 March 2016 7629:from the original on 23 June 2012 7553:Kauffmann, Stanley (4 May 1968). 7522:Hofsess, John (11 January 1976). 7473: 7321:from the original on 9 April 2013 6869: 6586:"Review: '2001: A Space Odyssey'" 6540:from the original on 6 April 2023 6287:from the original on 18 July 2011 6201:from the original on 23 July 2014 5842:from the original on 13 June 2016 5625:Patton, Phil (19 February 1998). 5466:James, Emily St (26 April 2018). 5237:from the original on 25 July 2023 5179:from the original on 15 June 2018 5028:from the original on 4 April 2019 4934:from the original on 23 June 2012 4797:from the original on 15 July 2018 4145:Handy, Bruce (14 February 2018). 4081:. New York: Basic Books. p. 3979:Higham, Nick (14 December 2012). 3811:from the original on 15 July 2023 3775:from the original on 23 July 2023 3762: 3640:Voyage to the End of the Universe 3609:List of films considered the best 3101:foetus that draws on the work of 2756:United States Department of State 2740:Best British Original Screenplay 2621:Directors Guild of America Awards 2326:voted it no. 26 on their list of 1949:According to his brother-in-law, 1861:Hollywood's Greatest Hits, Vol. 2 1741: 1444:designed the cutlery used by the 796: 578:as Moonwatcher, the chief man-ape 15771:Films shot at Shepperton Studios 15716:Films shot in the Outer Hebrides 15641:Films about technological impact 15563: 15551: 15539: 11618:Wigley, Samuel (28 March 2018). 11591:Shuldiner, Herbert (June 1968). 11339:Schwam, Stephanie, ed. (2010) . 11089:. London: Sidgwick and Jackson. 10933:. London: Sidgwick and Jackson. 10825: 10813:from the original on 10 May 2018 10794: 10772: 10749: 10708:Archer, John (30 October 2018). 10669: 10639: 10609: 10594: 10502: 10436: 10424:from the original on 11 May 2018 10370: 10340: 10310: 10279: 10254: 10224: 10163: 10097: 10075:"The Search for Meaning in 2001" 10066: 10037: 10006: 9976: 9950: 9924: 9894: 9863: 9733: 9721:from the original on 3 June 2021 9703: 9673: 9603: 9577:. Taschen GmbH. pp. 10–11. 9564: 9542:"Stanley Kubrick, at a Distance" 9533: 9480: 9468:from the original on 11 May 2018 9417: 9390: 9360: 9348: 9323: 9268: 9231: 9206: 9181: 9131: 9095: 9063: 9048: 9013: 8965: 8953: 8919: 8907: 8895: 8850:from the original on 6 July 2018 8814: 8801: 8760:"AFI's 10 Top 10: Top 10 Sci-Fi" 8752: 8724:"AFI's 100 Years ... 100 Cheers" 8716: 8680: 8644: 8608: 8580:"AFI's 100 Years ... 100 Movies" 8572: 8560:from the original on 6 June 2013 8540:"AFI's 100 Years ... 100 Movies" 8532: 8448: 8393: 8361: 8330: 8298: 8266: 8238:"The 41st Academy Awards | 1969" 8230: 8199: 8167:from the original on 9 July 2011 8142: 8070: 8058:from the original on 3 July 2013 7974: 7962:from the original on 6 July 2018 7948: 7918: 7886: 7856: 7822: 7786: 7709: 7679: 7611: 7515: 7467: 7354:from the original on 22 May 2018 7333: 7302: 7290: 7216: 7169: 7143: 7070: 7002: 6984: 6925: 6894: 6780: 6749: 6719: 6648:from the original on 6 July 2017 6627: 6598:from the original on 12 May 2018 6524: 6419: 6299: 6248: 6152: 6140: 6128: 6108:Benson, Michael (3 April 2018). 6101: 6070: 6039: 5796:from the original on 6 July 2017 5743:Addey, Dave (11 February 2014). 5679:from the original on 13 May 2011 5545:from the original on 26 May 2019 5478:from the original on 16 May 2023 4908: 4835:from the original on 6 July 2018 4446:from the original on 10 May 2015 3929:from the original on 2 June 2021 3727: 3614:List of films featuring eclipses 3446:presented a 70 mm print of 3423:(1997). The only filmed sequel, 3204:National Society of Film Critics 3175:is widely regarded as among the 2818:1 science fiction film on AFI's 1701:Problems playing this file? See 1680: 1588: 1387:, who had written the score for 15611:Films about suspended animation 14601:The City on the Edge of Forever 12716:It's a Mad, Mad, Mad, Mad World 12169:Political and religious beliefs 11427:. Lanham, MD: Scarecrow Press. 10864:Byford, Sam (3 December 2018). 10476:Opaskar, Peter (21 July 2018). 9990:. 29 March 2013. Archived from 8497:Writers' Guild of Great Britain 8411:from the original on 3 May 2012 8405:Kansas City Film Critics Circle 8314:(in Spanish). 29 January 2019. 8282:. 28 March 1968. Archived from 7278:from the original on 8 May 2018 6670:Hart, Hugh (20 December 2010). 6461:(1968) — Financial Information" 6046:Alberge, Dalya (5 April 2018). 6012: 6000: 5962: 5854: 5822:Trumbull, Douglas (June 1968). 5778: 5763: 5736: 5706: 5691: 5661: 5606:from the original on 1 May 2011 5588: 5557: 5525: 5502: 5490: 5459: 5445: 5415: 5402: 5366: 5300: 5288: 5276: 5261: 5249: 5201:Chiasson, Dan (16 April 2018). 5128: 5116: 5055: 5040: 4862: 4737: 4707: 4678: 4619: 4592: 4580: 4568: 4537: 4482: 4470: 4458: 4428: 4398: 4368: 4208: 4138: 4111: 4015: 3797:Maslin, Janet (14 April 1985). 3717: 3704: 3687: 3664:Jason Sperb's study of Kubrick 3658: 3300:calls it "groundbreaking", and 3003:. Ebert writes in his essay on 2735:Writers' Guild of Great Britain 2713:National Board of Review Awards 2661:Kansas City Film Critics Circle 2328:100 Greatest Movies of All Time 2286:2012 list of the ten best films 2246:and, more pretentious still, a 1877:National Philharmonic Orchestra 1771:contains a famous example of a 15781:American space adventure films 14911:Crouching Tiger, Hidden Dragon 14837:Star Trek: The Next Generation 14816:Star Trek: The Next Generation 14741:2010: The Year We Make Contact 13003:Cinerama Releasing Corporation 11901:2010: The Year We Make Contact 11512:2001 The Lost Science Volume 2 11472:Frayling, Christopher (2015). 11266:McAleer, Neil (1 April 2013). 11127:The Film Director As Superstar 10786:. 4 April 2001. Archived from 10286:Hamedy, Saba (29 March 2015). 9984:"Scorsese's 12 favorite films" 8337:madebycat.com (7 April 2019). 8013:"2001: A Space Odyssey (1968)" 7806:. 12 June 2002. Archived from 7309:Ebert, Roger (27 March 1997). 6077:Kaplan, Ilana (5 April 2018). 5969:DeMet, George D. (July 1999). 5824:"Creating Special Effects for 4042:– via www.newyorker.com. 4003: 3972: 3948:Mondello, Bob (4 April 2018). 3941: 3911: 3881: 3855: 3823: 3560: 3481:The Hero with a Thousand Faces 3425:2010: The Year We Make Contact 3151:, in the Canadian documentary 3082:2010: The Year We Make Contact 2316:conducted a reader's poll and 2299:50 Films to See Before You Die 1844:In 1996, Turner Entertainment/ 1728:mountains of northern Scotland 685: 659:as Floyd's daughter, "Squirt" 411:2010: The Year We Make Contact 21:Space Odyssey (disambiguation) 1: 11601:. Vol. 192, no. 6. 11065:. New York: Faber and Faber. 10801:Turan, Kenneth (3 May 2018). 10677:"Top 10 DVDs and CDs of 2007" 10013:Kazan, Casey (10 July 2009). 9487:Parrett, Aaron (March 2008). 8869:Handy, Bruce (5 April 2018). 8549:(10th Anniversary ed.). 8434:. Perigee Book. p. 306. 8118:del Rey, Lester (July 1968). 8051:World Science Fiction Society 7420:The Christian Science Monitor 6997:. 8 January 1969. p. 15. 6358:"1968: La révolution Kubrick" 5324:, p. 27, reproduced in: 4342:Lacey, Liam (11 March 2016). 4024:"Stanley Kubrick: The Master" 3646: 3534:released the film on Blu-ray. 3495: 3440:National Air and Space Museum 3365:Star Trek: The Motion Picture 2762:as the American entry at the 2121:The Christian Science Monitor 2025: 1812: 1142:extraterrestrial intelligence 1050:How much would we appreciate 808:National Film Board of Canada 680: 626:Heather Downham as stewardess 46:Theatrical release poster by 15626:1960s English-language films 15049:Guess Who's Coming to Dinner 14532:The Incredible Shrinking Man 12747:The Greatest Story Ever Told 12695:Cinerama's Russian Adventure 12566: 12415:A.I. Artificial Intelligence 11746:AFI Catalog of Feature Films 11178:Kolker, Robert, ed. (2006). 11144:. Indiana University Press. 10954:The Stanley Kubrick Archives 10906:The Making of Kubrick's 2001 10758:"2001: A Re-Release Odyssey" 9540:Rose, Lloyd (28 June 1987). 8499:. Retrieved 20 October 2023. 7340:Hoad, Phil (12 March 2018). 7260:Higgins, Bill (7 May 2018). 7153:. Box Office Mojo. IMDbPro. 6991:"Big Rental Films of 1968". 6634:Handy, Bruce (9 July 2014). 6569:AFI Catalog of Feature Films 6191:"The Film Buff's Dictionary" 5941:American Antiquarian Society 5921:American Antiquarian Society 5511:"The Moral Life of Cubicles" 5509:Franz, David (Winter 2008). 5064:, p. 24, reproduced in 4964:. UK: New American Library. 4821:Pearson, Ben (6 July 2018). 4436:"Arthur Clarke's 2001 Diary" 4078:Stanley Kubrick: A Biography 3523:released a two-disc special 3253:The Moving Arts Film Journal 3158: 3066:One of HAL 9000's interfaces 2294:Motion Picture Editors Guild 1922:was on 2 April 1968, at the 1005:How the Solar System Was Won 375:. It was nominated for four 7: 15711:Films shot in Hertfordshire 15591:1960s science fiction films 14977:The Prince and the Showgirl 11651:essay by James Verniere at 11218:. London: Faber and Faber. 10205:2010: The Odyssey Continues 9771:"Critics Top Ten Poll 2002" 9330:Grant, Barry Keith (2010). 7803:Online Film Critics Society 7452:Adams, Marjorie. Review of 7414:Sweeney, Louise. Review of 3602: 2508:British Academy Film Awards 2495:Best Special Visual Effects 2290:Online Film Critics Society 1268:mountains in what was then 1264:sequence were taken at the 516:s airlock. He enters HAL's 142:Stanley Kubrick Productions 10: 15847: 15776:Hard science fiction films 15751:Metaphysical fiction films 14808:Terminator 2: Judgment Day 13686:Terminator 2: Judgment Day 13470:E.T. the Extra-Terrestrial 12612:Seven Wonders of the World 11797:The Alt.Movies.Kubrick FAQ 11760:Script on dailyscripts.com 11476:. London: Reel Art Press. 11423:Wheat, Leonard F. (2000). 11399:Walker, Alexander (2000). 11380:Walker, Alexander (1971). 11210:LoBrutto, Vincent (1998). 10902:Agel, Jerome, ed. (1970). 10410:Deb, Sopan (11 May 2018). 10109:Blogs.discovermagazine.com 8487:WRITERS' GUILD AWARDS 1968 8374:Directors Guild of America 8179:Delany, Samuel R. (1968). 8019:. British Film Institute. 7830:"The 75 Best Edited Films" 7673:2001: The Making of a Myth 7619:"Hail the Conquering Hero" 7596:Sarris, Andrew. Review of 7435:French, Philip. Review of 6426:Gray, Tim (26 July 2016). 5533:"2001: A Flatware Odyssey" 4744:Sagan, Carl (2000). "25". 4544:Clarke, Arthur C. (2001). 4260:Graham, Gerald G. (1989). 4186:"Sloan Science & Film" 3457:Museum of the Moving Image 3162: 3124: 3055: 2982:ourselves, our emotions." 2831: 2646:Best Dramatic Presentation 2252:Arthur M. Schlesinger, Jr. 1503:as design elements of the 1440:" series. Danish designer 1408: 1346: 1326: 1228: 984:1964, Kubrick had chosen " 924: 920: 818:1964 New York World's Fair 18: 15756:Metro-Goldwyn-Mayer films 15651:Films adapted into comics 15318: 15260:In the Name of the Father 15067: 15033:The Agony and the Ecstasy 14968: 14893: 14782: 14691: 14618: 14541: 14522: 14399: 13912: 13425: 13102: 13062: 12983: 12952: 12932: 12906: 12897: 12870: 12707: 12581: 12574: 12481: 12390: 12351: 12332: 12297: 12182: 12134: 12020: 11990: 11972: 11954: 11911: 11884: 11859: 11768:Internet Resource Archive 11401:Stanley Kubrick, director 11106:1,000 Chairs (Taschen 25) 11104:Fiell, Charlotte (2005). 10318:"3001: The Final Odyssey" 9648:. Da Capo Press. p. 9254:10.3828/extr.2006.47.1.10 9081:. McFarland. p. 66. 9070:Webster, Patrick (2010). 7956:"The 100 Greatest Movies" 7894:"Top 100 Films (Readers)" 7575:Adler, Renata. Review of 6854:. 7 June 1968. p. 3. 6623:. 16 May 2020. p. 7. 5850:– via Cinetropolis. 5309:, p. 97, footnote 18 3452:2018 Cannes Film Festival 3039:Similarly, an article in 2733: 2711: 2691: 2676: 2639: 2619: 2598: 2578: 2522: 2450: 2427: 2424: 2421: 2418: 2415: 2179:Others were unimpressed. 1869:Cincinnati Pops Orchestra 1863:, a compilation album by 1534: 1459:'s 1956 pedestal tables. 1405:Design and visual effects 1256:as cinematographer after 826:, were major influences. 534:he is transformed into a 399:placed in the top ten of 371:, and the possibility of 273:produced and directed by 251: 243: 235: 218: 208: 158: 148: 132: 122: 112: 91: 83: 64: 54: 39: 34: 15706:Films set in outer space 15431:The Grand Budapest Hotel 15335:The Man Who Wasn't There 14448:Avatar: The Way of Water 13231:Bedknobs and Broomsticks 11808:including many works on 11318:Richter, Daniel (2002). 11299:Pina, Leslie A. (2002). 10651:The Criterion Collection 9932:"National Film Registry" 9188:Caicco, Gregory (2007). 9144:Kubrick's Cinema Odyssey 8159:Lester, del Rey (1968). 6329:American Cinematographer 5832:American Cinematographer 5089:American Cinematographer 3521:The Criterion Collection 3467:opened in January 2020. 3138:weapons into outer space 2789:100 Years... 100 Thrills 2388:conclusion of the film. 1932:Warner Hollywood Theatre 1448:astronauts in the film. 1432:Action Office desk from 1383:from Hollywood composer 1342: 1013:Journey Beyond The Stars 901:, and background artist 391:for preservation in the 287:novelisation of the film 15701:Films set on spacecraft 15691:Films set in the future 15676:Films set in prehistory 15351:The Barbarian Invasions 14773:Who Framed Roger Rabbit 14717:Raiders of the Lost Ark 14709:The Empire Strikes Back 14625:1970: News coverage of 14256:Mark Williams Ardington 13614:Who Framed Roger Rabbit 13450:Raiders of the Lost Ark 13415:The Empire Strikes Back 12439:Stanley Kubrick's Boxes 12399:World Assembly of Youth 11963:The Lost Worlds of 2001 11944:3001: The Final Odyssey 11782:Roger Ebert's Essay on 11775:2001: The Space Odyssey 11382:Stanley Kubrick Directs 11184:Oxford University Press 11123:Gelmis, Joseph (1970). 11086:The Lost Worlds of 2001 10931:2001 Filming the Future 10617:"MGM/CBS Home Video ad" 10261:Bentley, Chris (2008). 9498:Science Fiction Studies 9213:Westfahl, Gary (2005). 9022:"2001: A Space Odyssey" 8989:"2001: A Space Odyssey" 8551:American Film Institute 8492:21 October 2023 at the 8430:O'Neil, Thomas (2003). 8339:"2001: A Space Odyssey" 8274:"Film Nominations 1968" 8120:"2001: A Space Odyssey" 7670: 7647:Simon, John. Review of 7027:Block & Wilson 2010 7009:Block & Wilson 2010 5380:Disturbing the Universe 5307:Chapman & Cull 2013 4960:Clarke, Arthur (1968). 4216:"The Art of Roy Carnon" 4133:Chapman & Cull 2013 4106:Chapman & Cull 2013 3595:On 3 December 2018, an 3420:3001: The Final Odyssey 3399:Frederick I. Ordway III 2934:Meaning of the monolith 2811:100 Years... 100 Cheers 2795:100 Years... 100 Quotes 2784:original list from 1998 2779:100 Years... 100 Movies 2774:American Film Institute 2360:Science fiction writers 1969:, some little parts of 1841:than that in the film. 1824:Also sprach Zarathustra 1577:) to create the matte. 1519:film was a transparent 1419:Costumes and set design 1393:and also had worked on 1188:Greek goddess of wisdom 1134:wrote in his 1973 book 977:The Lost Worlds of 2001 541: 485:extravehicular activity 423: 369:artificial intelligence 15636:Films about astronauts 15383:No Country for Old Men 15108:Jesus Christ Superstar 13247:The Poseidon Adventure 13038:Waller Gunnery Trainer 12881:To the Moon and Beyond 12835:Krakatoa, East of Java 12367:Recurring cast members 11653:National Film Registry 11510:Johnson, Adam (2016). 11491:Johnson, Adam (2012). 11239:. Contemporary Books. 11233:McAleer, Neil (1992). 11201:Krämer, Peter (2010). 11159:Hughes, David (2000). 10929:Bizony, Piers (2001). 9936:National Film Registry 9781:British Film Institute 9617:. 1999. Archived from 8124:Galaxy Science Fiction 7834:Editors Guild Magazine 7768:British Film Institute 7267:The Hollywood Reporter 6907:Audio-Video Revolution 5570:Free-Press-Release.com 4869:Barham, J. M. (2009). 4519:. Simon and Schuster. 3484:during the writing of 3403:2001: The Lost Science 3268: 3248:National Film Registry 3193:British Film Institute 3089:"Star Child" symbolism 3072:Frankenstein's monster 3067: 3032: 3021: 2951: 2927: 2883: 2792:, was included on its 2772:is ranked 15th on the 2071: 1915: 1766: 1754: 1601: 1548: 1543:Modern replica of the 1511:Design of the monolith 1478: 1167: 1100: 1067: 943: 887:To the Moon and Beyond 823:To the Moon and Beyond 700:told a publicist from 393:National Film Registry 182:3 April 1968 167:2 April 1968 15696:Films set on the Moon 15621:Films about evolution 15244:Raise the Red Lantern 15212:Au revoir les enfants 15092:The French Connection 15057:2001: A Space Odyssey 15001:Judgment at Nuremberg 14855:The Coming of Shadows 14609:2001: A Space Odyssey 13183:2001: A Space Odyssey 13056:2001: A Space Odyssey 12813:2001: A Space Odyssey 12737:Mediterranean Holiday 12247:2001: A Space Odyssey 12062:2001: A Space Odyssey 12053:2001: A Space Odyssey 12045:2001: A Space Odyssey 12038:2001: A Space Odyssey 12030:2001: A Space Odyssey 11981:2001: A Space Odyssey 11920:2001: A Space Odyssey 11893:2001: A Space Odyssey 11875:Encounter in the Dawn 11766:2001: A Space Odyssey 11758:2001: A Space Odyssey 11740:2001: A Space Odyssey 11724:2001: A Space Odyssey 11708:2001: A Space Odyssey 11692:2001: A Space Odyssey 11675:2001: A Space Odyssey 11659:2001: A Space Odyssey 11648:2001: A Space Odyssey 11538:2001: A Space Odyssey 11493:2001 The Lost Science 11203:2001: A Space Odyssey 10647:2001: A Space Odyssey 10601:Rice, Julian (2017). 9812:2001: A Space Odyssey 9571:Duncan, Paul (2003). 9309:. UPNE. p. 339. 9192:. UPNE. p. 137. 9149:Bloomsbury Publishing 7796:2001: A Space Odyssey 7719:2001: A Space Odyssey 7228:""My Favorite Movie"" 7198:Turner Classic Movies 7115:2001: A Space Odyssey 7052:Turner Classic Movies 6563:2001: A Space Odyssey 6496:2001: A Space Odyssey 6459:2001: A Space Odyssey 6390:The Art of Film Music 6387:Burt, George (1995). 6224:2001: A Space Odyssey 5826:2001: A Space Odyssey 5658:, p. un-numbered 5408:The text survives in 4962:2001: A Space Odyssey 4550:. Macmillan. p. 3508:released the film on 3486:2001: A Space Odyssey 3259: 3189:2001: A Space Odyssey 3185:2001: A Space Odyssey 3173:2001: A Space Odyssey 3166:2001: A Space Odyssey 3065: 3023: 3019: 2949: 2915: 2894:, immediately before 2877: 2862:Audiences vs. critics 2843:2001: A Space Odyssey 2836:2001: A Space Odyssey 2786:), was no. 40 on its 2723:2001: A Space Odyssey 2701:2001: A Space Odyssey 2670:2001: A Space Odyssey 2588:2001: A Space Odyssey 2580:Cinema Writers Circle 2568:United Nations Award 2342:2001: A Space Odyssey 2318:2001: A Space Odyssey 2258:On review aggregator 2051: 2011:2001: A Space Odyssey 1989:format in the 2.21:1 1912:2001: A Space Odyssey 1905: 1781:pioneered the use of 1756: 1749: 1712:slit-scan photography 1664:2001: A Space Odyssey 1596: 1542: 1473: 1413:2001: A Space Odyssey 1357:2001: A Space Odyssey 1350:2001: A Space Odyssey 1234:Principal photography 1158: 1137:The Cosmic Connection 1091: 1048: 1029:2001: A Space Odyssey 998:Encounter in the Dawn 934: 845:. Kubrick also asked 706:extraterrestrial life 596:as Dr Ralph Halvorsen 397:2001: A Space Odyssey 373:extraterrestrial life 356:2001: A Space Odyssey 291:2001: A Space Odyssey 263:2001: A Space Odyssey 201: (United Kingdom) 35:2001: A Space Odyssey 15811:1960s American films 15726:Films shot in Surrey 15399:Inglourious Basterds 15276:Nelly and Mr. Arnaud 15116:The Towering Inferno 13976:Randall William Cook 13952:Randall William Cook 13924:Randall William Cook 13854:What Dreams May Come 13505:Michael J. McAlister 12940:Indian Hills Theater 12758:The Hallelujah Trail 12686:The Best of Cinerama 12676:How the West Was Won 12633:South Seas Adventure 12521:(personal assistant) 12515:(personal assistant) 11790:7 April 2013 at the 11301:Herman Miller Office 11161:The Complete Kubrick 10912:New American Library 8407:. 18 December 1968. 8126:. pp. 193–194. 6676:] Vault Footage" 6033:2001:A Space Odyssey 5521:on 23 February 2011. 4719:www.newstatesman.com 4382:. 14 February 2018. 4299:Evans, Gary (1991). 3586:Cannes Film Festival 3577:, who has spoken of 3224:2022 directors' poll 2841:Since its premiere, 2460:Stanley Kubrick and 2323:Entertainment Weekly 2021:Reception and legacy 1653:"Star Gate" sequence 1629:Zero-gravity effects 1182:robots who create a 1009:How the West Was Won 954:, to talk to writer 841:, worked briefly on 766:How the West Was Won 584:as Dr Andrei Smyslov 271:science fiction film 193:1 May 1968 190: (United States) 15816:1960s British films 15721:Films shot in Spain 15616:American epic films 15359:Million Dollar Baby 15327:The Taste of Others 15308:All About My Mother 15180:Fanny and Alexander 14800:Edward Scissorhands 14642:Slaughterhouse-Five 13028:Ultra Panavision 70 13023:Super Panavision 70 12919:Pictureville Cinema 12769:Battle of the Bulge 12623:Search for Paradise 12359:Interpretations of 12174:Unrealized projects 12028:Interpretations of 11936:2061: Odyssey Three 11603:Bonnier Corporation 11566:Ordway, Frederick I 10790:on 4 December 2014. 10655:The Voyager Company 10238:. 19 October 2005. 10147:. 27 October 2016. 9994:on 26 December 2013 9940:Library of Congress 9546:The Washington Post 8962:, pp. 310, 606 8468:on 25 November 2010 8377:. 2 February 1969. 7984:. 2 December 2022. 7810:on 26 November 2006 7604:radio broadcast in 7555:"Lost in the Stars" 7482:on 3 September 2009 7443:, pp. 237–239. 7426:, pp. 227–231. 7405:, pp. 213–215. 7384:, pp. 209–213. 7272:Eldridge Industries 6230:Visual-memory.co.uk 6035:(DVD). Warner Bros. 5541:. 15 January 2008. 5231:Movie-Locations.com 4928:Visual-memory.co.uk 3839:. 7 November 2012. 3652:Informational notes 3414:2061: Odyssey Three 3271:—George Lucas, 1977 3244:Library of Congress 3121:Military satellites 2913:magazine, he said: 2834:Interpretations of 2541:Best Cinematography 1829:Berlin Philharmonic 1662:Special effects in 1294:Super Panavision 70 1021:Tunnel to the Stars 771:MGM-British Studios 714:Metro-Goldwyn-Mayer 507:remote manipulators 470:suspended animation 389:Library of Congress 153:Metro-Goldwyn-Mayer 15826:British epic films 15731:Films shot in Utah 15236:Cyrano de Bergerac 15228:Dead Poets Society 15204:A Room with a View 15076:The Lion in Winter 15017:Lawrence of Arabia 14842:All Good Things... 14765:The Princess Bride 14749:Back to the Future 14733:Return of the Jedi 14658:Young Frankenstein 14634:A Clockwork Orange 14472:Godzilla Minus One 14352:Guillaume Rocheron 14188:Guillaume Rocheron 14081:The Golden Compass 14000:Anthony LaMolinara 13494:Return of the Jedi 13298:Frank Van der Veer 12997:Cinerama Adventure 12802:Custer of the West 12495:Christiane Kubrick 12471:Kubrick by Kubrick 12255:A Clockwork Orange 12047:in popular culture 11729:TCM Movie Database 11605:. pp. 62–67. 11548:Palgrave Macmillan 11345:. Introduction by 10756:Silverman, Jason. 10682:Sound & Vision 10549:the New York Times 10516:Deadline Hollywood 10448:Festival de Cannes 10417:The New York Times 9824:on 1 December 2018 9640:Carr, Jay (2002). 9461:The New York Times 9387:, pp. 181–182 8916:, pp. 293–294 8876:The New York Times 8520:on 16 January 2013 8054:. 28 August 1969. 8046:"1969 Hugo Awards" 7756:(7 August 2017) . 7581:The New York Times 7528:The New York Times 6826:on 21 January 2011 6323:Lightman, Herb A. 6220:Roberte, Dariusz. 6137:, pp. 143–146 6021:, pp. 129–135 5997:, pp. 138–144 5896:, pp. 113–117 5881:, pp. 112–113 5631:The New York Times 5602:. 4 October 2007. 4793:. September 1968. 4721:. 8 January 2017. 4616:, pp. 328–329 4349:The Globe and Mail 4190:scienceandfilm.org 3869:on 8 November 2016 3804:The New York Times 3666:The Kubrick Facade 3506:MGM/CBS Home Video 3232:in 2008. In 2010, 3168:in popular culture 3068: 3022: 2952: 2884: 2600:David di Donatello 2584:Best Foreign Film 2528:Best Art Direction 2472:Best Art Direction 2409:Awards and honours 2208:The New York Times 2072: 1916: 1827:(performed by the 1763:Keir Dullea (2014) 1755: 1606:artificial gravity 1602: 1549: 1070:—Stanley Kubrick, 944: 870:s narrator, actor 775:Shepperton Studios 753:Warning from Space 602:as Dr Roy Michaels 447:Base, an American 317:to investigate an 255:$ 146 million 15686:Films set in 2001 15681:Films set in 1999 15527: 15526: 15521: 15520: 15511:Anatomy of a Fall 15455:Nocturnal Animals 15252:A Heart in Winter 15156:Kramer vs. Kramer 14928: 14927: 14666:A Boy and His Dog 14567:The Twilight Zone 14559:The Twilight Zone 14551:The Twilight Zone 14482: 14481: 14321:Blade Runner 2049 14316:Richard R. Hoover 14268:Andrew Whitehurst 14196:Donald R. Elliott 14116:Stephen Rosenbaum 13765:Scott E. Anderson 13749:Stephen Rosenbaum 13710:Death Becomes Her 13561:Suzanne M. Benson 13211:Tora! Tora! Tora! 13046: 13045: 12948: 12947: 12893: 12892: 12824:Ice Station Zebra 12534: 12533: 12431:Colour Me Kubrick 12333:Photography books 12279:Full Metal Jacket 12094: 12093: 11928:2010: Odyssey Two 11583:978-1-926837-32-1 11557:978-1-84457-571-8 11521:978-1-926837-35-2 11502:978-1-926837-19-2 11483:978-0-9572610-2-0 11360:978-0-307-75760-9 11349:. New York City: 11310:978-0-7643-1650-0 11279:978-0-9848118-0-9 11151:978-0-253-39305-0 11115:978-3-8228-4103-7 11081:Clarke, Arthur C. 11038:978-1-78076-410-8 11005:978-0-06-177889-6 10968:978-3-8228-2284-5 10807:Los Angeles Times 10450:. 28 March 2018. 10352:aiandspace.si.edu 10324:. November 2002. 10292:Los Angeles Times 10272:978-1-905287-74-1 10212:on 24 August 2007 10073:DeMet, George D. 10059:978-0-13-795179-6 9964:on 6 January 2011 9946:on 28 March 2013. 9818:Sight & Sound 9787:on 16 August 2002 9776:Sight & Sound 9659:978-0-306-81096-1 9621:on 26 August 2007 9615:The Village Voice 9584:978-3-8365-2775-0 9493:by Robert Kolker" 9341:978-0-8143-3457-7 9316:978-1-58465-603-6 9224:978-0-313-32952-4 9199:978-1-58465-653-1 9162:978-1-83871-665-3 9088:978-0-7864-5916-2 8456:"Awards for 1968" 8441:978-0-399-52922-1 8286:on 6 October 2013 8250:. 14 April 1969. 8093:978-0-312-31488-0 8017:Sight & Sound 7763:Sight & Sound 7693:. 29 March 2001. 7608:, pp. 242–3. 7587:, pp. 207–8. 7399:Los Angeles Times 6400:978-1-55553-270-3 5113:, pp. 133–35 5014:(12 April 1968). 4890:978-1-84553-202-4 4561:978-0-312-87821-4 4526:978-1-5011-6395-1 4220:www.2001italia.it 3575:Christopher Nolan 3532:Warner Home Video 3444:Christopher Nolan 3408:2010: Odyssey Two 3312:said he believed 3276:The influence of 3266:is far superior. 3229:Cahiers du cinéma 3208:Sight & Sound 3198:The Village Voice 2878:Closing scene of 2752: 2751: 2606:Best Foreign Film 2546:Geoffrey Unsworth 2402:Inherit the Stars 2364:The film won the 2338:Sight & Sound 2304:The Village Voice 2280:Sight & Sound 2185:Stanley Kauffmann 2163:Sight & Sound 2114:Los Angeles Times 2105:Penelope Gilliatt 2044:Critical response 1903: 1724:Hebridean islands 1688: 1610:Vickers-Armstrong 1270:South West Africa 1258:Geoffrey Unsworth 1199:balance of terror 1146:superintelligence 891:1964 World's Fair 804:Chesley Bonestell 702:Columbia Pictures 696:(1964), director 690:After completing 638:as Poole's mother 632:as Poole's father 567:William Sylvester 428:In a prehistoric 417:2010: Odyssey Two 402:Sight & Sound 346:Aram Khachaturian 342:Johann Strauss II 303:William Sylvester 259: 258: 117:Geoffrey Unsworth 15838: 15568: 15567: 15556: 15555: 15554: 15544: 15543: 15542: 15535: 15423:Django Unchained 15148:The Wishing Tree 14955: 14948: 14941: 14932: 14931: 14509: 14502: 14495: 14486: 14485: 14463:Masaki Takahashi 14455:Takashi Yamazaki 14192:Erik-Jan de Boer 14184:Bill Westenhofer 14068:Bill Westenhofer 14024:Christian Rivers 13845:Stuart Robertson 13821:Thomas L. Fisher 13806:Independence Day 13729:Michael Lantieri 13705:Tom Woodruff Jr. 13601:Richard Williams 13585:Kenneth F. Smith 13465:Kenneth F. Smith 13159:Fantastic Voyage 13089: 13082: 13075: 13066: 13065: 13050: 13049: 12965:Hazard E. Reeves 12960:Merian C. Cooper 12924:Seattle Cinerama 12904: 12903: 12886: 12863: 12852: 12841: 12830: 12819: 12808: 12797: 12786: 12775: 12764: 12753: 12742: 12733: 12722: 12700: 12691: 12682: 12671: 12665:Holiday in Spain 12660: 12649: 12638: 12629: 12618: 12607: 12601:Cinerama Holiday 12596: 12590:This Is Cinerama 12579: 12578: 12561: 12554: 12547: 12538: 12537: 12509:(brother-in-law) 12455:S Is for Stanley 12306:Day of the Fight 12121: 12114: 12107: 12098: 12097: 12036:Technologies in 11846:Arthur C. Clarke 11839: 11832: 11825: 11816: 11815: 11806:The Kubrick Site 11753: 11735: 11719: 11703: 11687: 11636: 11634: 11632: 11614: 11587: 11561: 11525: 11506: 11487: 11468: 11438: 11414: 11395: 11376: 11374: 11372: 11335: 11314: 11295: 11293: 11291: 11272:. RosettaBooks. 11262: 11260: 11258: 11229: 11217: 11206: 11197: 11174: 11155: 11143: 11132: 11130: 11119: 11100: 11076: 11054: 11052: 11050: 11021: 11019: 11017: 10984: 10982: 10980: 10971:. Archived from 10944: 10925: 10909: 10888: 10887: 10885: 10883: 10861: 10855: 10854: 10852: 10850: 10841:. 31 July 2018. 10829: 10823: 10822: 10820: 10818: 10798: 10792: 10791: 10776: 10770: 10769: 10764:. Archived from 10753: 10747: 10746: 10736: 10730: 10729: 10727: 10725: 10705: 10699: 10698: 10696: 10694: 10673: 10667: 10666: 10643: 10637: 10636: 10634: 10632: 10613: 10607: 10606: 10598: 10592: 10591: 10589: 10587: 10572: 10566: 10565: 10563: 10561: 10539: 10533: 10532: 10530: 10528: 10506: 10500: 10499: 10497: 10495: 10473: 10464: 10463: 10461: 10459: 10440: 10434: 10433: 10431: 10429: 10407: 10398: 10397: 10395: 10393: 10384:. 6 April 2018. 10374: 10368: 10367: 10365: 10363: 10354:. 3 April 2018. 10344: 10338: 10337: 10335: 10333: 10314: 10308: 10307: 10305: 10303: 10283: 10277: 10276: 10258: 10252: 10251: 10249: 10247: 10236:Starship Modeler 10228: 10222: 10221: 10219: 10217: 10199: 10193: 10192: 10190: 10188: 10167: 10161: 10160: 10158: 10156: 10131: 10125: 10124: 10122: 10120: 10111:. 2 April 2009. 10101: 10095: 10094: 10092: 10090: 10079:The 2001 Archive 10070: 10064: 10063: 10051: 10041: 10035: 10034: 10032: 10030: 10025:on 21 March 2011 10021:. Archived from 10010: 10004: 10003: 10001: 9999: 9980: 9974: 9973: 9971: 9969: 9954: 9948: 9947: 9928: 9922: 9921: 9919: 9917: 9908:. 20 July 2015. 9898: 9892: 9891: 9889: 9887: 9867: 9861: 9860: 9858: 9856: 9840: 9834: 9833: 9831: 9829: 9806: 9797: 9796: 9794: 9792: 9783:. Archived from 9767: 9761: 9760: 9758: 9756: 9747:. Archived from 9737: 9731: 9730: 9728: 9726: 9707: 9701: 9700: 9698: 9696: 9677: 9671: 9670: 9668: 9666: 9647: 9637: 9631: 9630: 9628: 9626: 9607: 9601: 9600: 9598: 9596: 9568: 9562: 9561: 9559: 9557: 9537: 9531: 9530: 9528: 9526: 9484: 9478: 9477: 9475: 9473: 9448: 9442: 9441: 9433: 9427: 9421: 9415: 9409: 9400: 9394: 9388: 9382: 9373: 9364: 9358: 9352: 9346: 9345: 9327: 9321: 9320: 9302: 9293: 9292: 9290: 9288: 9275:Gelmis, Joseph. 9272: 9266: 9265: 9248:(1). Kent: 103. 9235: 9229: 9228: 9210: 9204: 9203: 9185: 9179: 9178: 9176: 9174: 9135: 9129: 9128: 9126: 9124: 9099: 9093: 9092: 9067: 9061: 9052: 9046: 9043: 9041: 9039: 9017: 9011: 9010: 9008: 9006: 8984: 8978: 8969: 8963: 8957: 8951: 8945: 8936: 8935: 8923: 8917: 8911: 8905: 8899: 8893: 8892: 8890: 8888: 8866: 8860: 8859: 8857: 8855: 8833: 8827: 8818: 8812: 8805: 8799: 8793: 8780: 8779: 8777: 8775: 8770:on 28 March 2014 8756: 8750: 8749: 8747: 8745: 8740:on 21 April 2015 8739: 8728: 8720: 8714: 8713: 8711: 8709: 8704:on 28 March 2014 8703: 8692: 8684: 8678: 8677: 8675: 8673: 8667: 8656: 8648: 8642: 8641: 8639: 8637: 8632:on 28 March 2014 8631: 8620: 8612: 8606: 8605: 8603: 8601: 8595: 8584: 8576: 8570: 8569: 8567: 8565: 8559: 8553:. 16 June 1998. 8544: 8536: 8530: 8529: 8527: 8525: 8516:. Archived from 8506: 8500: 8484: 8478: 8477: 8475: 8473: 8452: 8446: 8445: 8427: 8421: 8420: 8418: 8416: 8401:"Winners: 1960s" 8397: 8391: 8390: 8388: 8386: 8365: 8359: 8358: 8356: 8354: 8334: 8328: 8327: 8325: 8323: 8302: 8296: 8295: 8293: 8291: 8270: 8264: 8263: 8261: 8259: 8234: 8228: 8227: 8225: 8223: 8203: 8197: 8196: 8194: 8192: 8176: 8174: 8172: 8154:The Kubrick Site 8146: 8140: 8139: 8137: 8135: 8115: 8109: 8108: 8105:Internet Archive 8102: 8100: 8074: 8068: 8067: 8065: 8063: 8042: 8033: 8032: 8030: 8028: 8009: 7998: 7997: 7995: 7993: 7978: 7972: 7971: 7969: 7967: 7952: 7946: 7945: 7943: 7941: 7922: 7916: 7915: 7913: 7911: 7899:AMC Filmsite.org 7890: 7884: 7883: 7881: 7879: 7860: 7854: 7853: 7851: 7849: 7826: 7820: 7819: 7817: 7815: 7790: 7784: 7783: 7781: 7779: 7770:. Archived from 7750: 7744: 7743: 7741: 7739: 7713: 7707: 7706: 7704: 7702: 7683: 7677: 7676: 7668: 7662: 7645: 7639: 7638: 7636: 7634: 7615: 7609: 7594: 7588: 7573: 7567: 7566: 7565:on 3 April 2005. 7561:. Archived from 7559:The New Republic 7550: 7544: 7543: 7541: 7539: 7519: 7513: 7498: 7492: 7491: 7489: 7487: 7478:. Archived from 7471: 7465: 7450: 7444: 7433: 7427: 7412: 7406: 7391: 7385: 7370: 7364: 7363: 7361: 7359: 7337: 7331: 7330: 7328: 7326: 7306: 7300: 7294: 7288: 7287: 7285: 7283: 7257: 7248: 7247: 7245: 7243: 7226:(20 June 1968). 7220: 7214: 7213: 7211: 7209: 7185: 7179: 7173: 7167: 7166: 7164: 7162: 7147: 7141: 7140: 7138: 7136: 7109: 7100: 7099: 7089: 7080: 7074: 7068: 7067: 7065: 7063: 7039: 7033: 7024: 7015: 7006: 7000: 6998: 6988: 6982: 6981: 6976:. Archived from 6968:(9 April 2011). 6962: 6953: 6952: 6950: 6948: 6929: 6923: 6922: 6920: 6918: 6909:. Archived from 6898: 6892: 6891: 6889: 6887: 6882:on 30 April 2011 6878:. Archived from 6870:Coate, Michael. 6867: 6856: 6855: 6845: 6836: 6835: 6833: 6831: 6822:. Archived from 6811: 6805: 6804: 6802: 6800: 6784: 6778: 6777: 6775: 6773: 6753: 6747: 6746: 6744: 6742: 6723: 6717: 6711: 6698: 6697: 6695: 6693: 6667: 6658: 6657: 6655: 6653: 6631: 6625: 6624: 6614: 6608: 6607: 6605: 6603: 6581: 6572: 6559: 6550: 6549: 6547: 6545: 6528: 6522: 6521: 6519: 6517: 6508:. 2 April 1968. 6490: 6481: 6480: 6478: 6476: 6453: 6444: 6443: 6441: 6439: 6423: 6417: 6416: 6414: 6412: 6384: 6378: 6377: 6375: 6373: 6354: 6345: 6344: 6342: 6340: 6320: 6309: 6303: 6297: 6296: 6294: 6292: 6264: 6258: 6252: 6246: 6245: 6243: 6241: 6217: 6211: 6210: 6208: 6206: 6187: 6181: 6180: 6178: 6176: 6156: 6150: 6144: 6138: 6132: 6126: 6125: 6123: 6121: 6105: 6099: 6098: 6096: 6094: 6074: 6068: 6067: 6065: 6063: 6043: 6037: 6036: 6028: 6022: 6016: 6010: 6004: 5998: 5992: 5983: 5982: 5977:. Archived from 5966: 5960: 5959: 5957: 5955: 5944: 5938: 5924: 5918: 5903: 5897: 5891: 5882: 5876: 5867: 5858: 5852: 5851: 5849: 5847: 5819: 5806: 5805: 5803: 5801: 5782: 5776: 5767: 5761: 5760: 5758: 5756: 5740: 5734: 5725: 5716: 5710: 5704: 5695: 5689: 5688: 5686: 5684: 5665: 5659: 5653: 5647: 5646: 5644: 5642: 5622: 5616: 5615: 5613: 5611: 5592: 5586: 5585: 5583: 5581: 5561: 5555: 5554: 5552: 5550: 5529: 5523: 5522: 5515:The New Atlantis 5506: 5500: 5494: 5488: 5487: 5485: 5483: 5463: 5457: 5456: 5449: 5443: 5434: 5425: 5419: 5413: 5406: 5400: 5399: 5383: 5370: 5364: 5363: 5361: 5359: 5344: 5333: 5319: 5310: 5304: 5298: 5292: 5286: 5285:, pp. 32–33 5280: 5274: 5265: 5259: 5253: 5247: 5246: 5244: 5242: 5223: 5217: 5216: 5198: 5189: 5188: 5186: 5184: 5173:The Prop Gallery 5165: 5156: 5155: 5153: 5151: 5140:BFI Screenonline 5132: 5126: 5120: 5114: 5108: 5099: 5093: 5083: 5077: 5059: 5053: 5044: 5038: 5037: 5035: 5033: 5008: 4991: 4985: 4976: 4975: 4957: 4944: 4943: 4941: 4939: 4920: 4914: 4913: 4912: 4906: 4904: 4902: 4866: 4860: 4854: 4845: 4844: 4842: 4840: 4818: 4807: 4806: 4804: 4802: 4783: 4774: 4773: 4771: 4769: 4741: 4735: 4734: 4732: 4730: 4711: 4705: 4704:, pp. 31–38 4699: 4688: 4682: 4676: 4675: 4673: 4671: 4652: 4646: 4640: 4629: 4628:, pp. 24–25 4623: 4617: 4611: 4602: 4596: 4590: 4584: 4578: 4572: 4566: 4565: 4541: 4535: 4534: 4507: 4492: 4486: 4480: 4479:, pp. 32–35 4474: 4468: 4462: 4456: 4455: 4453: 4451: 4432: 4426: 4420: 4411: 4402: 4396: 4395: 4393: 4391: 4372: 4366: 4365: 4363: 4361: 4339: 4333: 4332: 4327: 4325: 4306: 4296: 4290: 4289: 4287: 4285: 4257: 4251: 4245: 4236: 4235: 4233: 4231: 4212: 4206: 4205: 4203: 4201: 4182: 4167: 4166: 4164: 4162: 4142: 4136: 4130: 4124: 4115: 4109: 4103: 4097: 4096: 4069: 4056: 4050: 4044: 4043: 4041: 4039: 4019: 4013: 4007: 4001: 4000: 3998: 3996: 3976: 3970: 3969: 3967: 3965: 3945: 3939: 3938: 3936: 3934: 3915: 3909: 3908: 3906: 3904: 3885: 3879: 3878: 3876: 3874: 3865:. Archived from 3859: 3853: 3852: 3850: 3848: 3827: 3821: 3820: 3818: 3816: 3794: 3785: 3784: 3782: 3780: 3763:Coate, Michael. 3760: 3738: 3731: 3725: 3721: 3715: 3708: 3702: 3691: 3685: 3662: 3583: 3546:Ultra HD Blu-ray 3377:Forbidden Planet 3360: 3302:William Friedkin 3282:Steven Spielberg 3272: 3143:Kubrick scholar 3010:The Great Movies 2941:Penelope Houston 2905: 2817: 2814:list and the no. 2758:committee chose 2684:Stanley Kubrick 2630:Stanley Kubrick 2610:Stanley Kubrick 2571:Stanley Kubrick 2556:Best Sound Track 2517:Stanley Kubrick 2499:Stanley Kubrick 2462:Arthur C. Clarke 2413: 2412: 2385:Samuel R. Delany 2284: 2272:weighted average 2248:shaggy God story 2195:Andrei Tarkovsky 2190:The New Republic 2154: 2149:The Boston Globe 2109:Charles Champlin 2093: 2089: 1959:Clockwork Orange 1904: 1881:Varèse Sarabande 1879:and released on 1783:front projection 1764: 1690: 1689: 1676: 1675: 1671: 1648: 1644: 1469:Alexander Walker 1427: 1411:Technologies in 1286:travelling matte 1176: 1164: 1113:Michael Moorcock 1097: 1077: 1037: 956:Arthur C. Clarke 941: 903:Douglas Trumbull 869: 783:Alfred Hitchcock 723:Forbidden Planet 608:as the voice of 582:Leonard Rossiter 515: 478: 407: 279:Arthur C. Clarke 200: 198: 189: 187: 174: 172: 75:Arthur C. Clarke 44: 32: 31: 15846: 15845: 15841: 15840: 15839: 15837: 15836: 15835: 15746:Jupiter in film 15576: 15575: 15574: 15570:Science fiction 15562: 15552: 15550: 15540: 15538: 15530: 15528: 15523: 15522: 15517: 15447:Bridge of Spies 15314: 15084:Ryan's Daughter 15063: 15009:The Longest Day 14964: 14959: 14929: 14924: 14889: 14884:The Truman Show 14821:The Inner Light 14778: 14687: 14614: 14537: 14518: 14513: 14483: 14478: 14435:Richard Baneham 14395: 14384:Scott R. Fisher 14297:The Jungle Book 14288:Andrew R. Jones 14244:Scott R. Fisher 14124:Andrew R. Jones 14120:Richard Baneham 14064:Michael L. Fink 14020:Brian Van't Hul 13908: 13841:Nicholas Brooks 13677:Gene Warren Jr. 13557:John Richardson 13529:Ralph McQuarrie 13441:Bruce Nicholson 13421: 13410:Bruce Nicholson 13274:Albert Whitlock 13262:Albert Whitlock 13190:Robie Robertson 13178:Stanley Kubrick 13171:Doctor Dolittle 13154:Art Cruickshank 13122:Peter Ellenshaw 13098: 13093: 13058: 13047: 13042: 13033:Todd-AO process 12979: 12944: 12928: 12889: 12884: 12866: 12861: 12857:The Great Waltz 12850: 12839: 12828: 12817: 12806: 12795: 12784: 12773: 12762: 12751: 12740: 12731: 12720: 12703: 12698: 12689: 12680: 12669: 12658: 12647: 12636: 12627: 12616: 12605: 12594: 12570: 12565: 12535: 12530: 12477: 12386: 12347: 12328: 12293: 12239:Dr. Strangelove 12191:Fear and Desire 12178: 12130: 12128:Stanley Kubrick 12125: 12095: 12090: 12016: 11986: 11968: 11950: 11907: 11880: 11855: 11843: 11792:Wayback Machine 11697:Rotten Tomatoes 11670:, pages 635–636 11643: 11630: 11628: 11617: 11598:Popular Science 11590: 11584: 11564: 11558: 11530:Mathijs, Ernest 11528: 11522: 11509: 11503: 11490: 11484: 11471: 11465: 11451:Emme, Eugene M. 11449: 11444:Further reading 11441: 11435: 11411: 11392: 11370: 11368: 11361: 11332: 11311: 11289: 11287: 11280: 11256: 11254: 11247: 11226: 11214:Stanley Kubrick 11194: 11171: 11152: 11116: 11097: 11073: 11048: 11046: 11039: 11031:. 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Tauris. 11015: 11013: 11006: 10978: 10976: 10969: 10941: 10922: 10892: 10891: 10881: 10879: 10862: 10858: 10848: 10846: 10831: 10830: 10826: 10816: 10814: 10799: 10795: 10778: 10777: 10773: 10754: 10750: 10737: 10733: 10723: 10721: 10706: 10702: 10692: 10690: 10675: 10674: 10670: 10645: 10644: 10640: 10630: 10628: 10615: 10614: 10610: 10599: 10595: 10585: 10583: 10574: 10573: 10569: 10559: 10557: 10540: 10536: 10526: 10524: 10507: 10503: 10493: 10491: 10474: 10467: 10457: 10455: 10442: 10441: 10437: 10427: 10425: 10408: 10401: 10391: 10389: 10376: 10375: 10371: 10361: 10359: 10346: 10345: 10341: 10331: 10329: 10316: 10315: 10311: 10301: 10299: 10284: 10280: 10273: 10259: 10255: 10245: 10243: 10230: 10229: 10225: 10215: 10213: 10201: 10200: 10196: 10186: 10184: 10169: 10168: 10164: 10154: 10152: 10133: 10132: 10128: 10118: 10116: 10103: 10102: 10098: 10088: 10086: 10071: 10067: 10060: 10042: 10038: 10028: 10026: 10019:Dailygalaxy.com 10011: 10007: 9997: 9995: 9982: 9981: 9977: 9967: 9965: 9956: 9955: 9951: 9930: 9929: 9925: 9915: 9913: 9900: 9899: 9895: 9885: 9883: 9868: 9864: 9854: 9852: 9841: 9837: 9827: 9825: 9808: 9807: 9800: 9790: 9788: 9769: 9768: 9764: 9754: 9752: 9751:on 18 June 2015 9739: 9738: 9734: 9724: 9722: 9709: 9708: 9704: 9694: 9692: 9679: 9678: 9674: 9664: 9662: 9660: 9638: 9634: 9624: 9622: 9609: 9608: 9604: 9594: 9592: 9585: 9569: 9565: 9555: 9553: 9538: 9534: 9524: 9522: 9485: 9481: 9471: 9469: 9454:(10 May 2018). 9452:Overbye, Dennis 9449: 9445: 9438:2001 and Beyond 9435: 9434: 9430: 9422: 9418: 9410: 9403: 9395: 9391: 9383: 9376: 9365: 9361: 9353: 9349: 9342: 9328: 9324: 9317: 9303: 9296: 9286: 9284: 9273: 9269: 9236: 9232: 9225: 9211: 9207: 9200: 9186: 9182: 9172: 9170: 9163: 9136: 9132: 9122: 9120: 9100: 9096: 9089: 9068: 9064: 9053: 9049: 9045:configuration." 9037: 9035: 9018: 9014: 9004: 9002: 8985: 8981: 8970: 8966: 8958: 8954: 8946: 8939: 8924: 8920: 8912: 8908: 8900: 8896: 8886: 8884: 8867: 8863: 8853: 8851: 8834: 8830: 8819: 8815: 8806: 8802: 8794: 8783: 8773: 8771: 8758: 8757: 8753: 8743: 8741: 8737: 8726: 8722: 8721: 8717: 8707: 8705: 8701: 8690: 8686: 8685: 8681: 8671: 8669: 8665: 8654: 8650: 8649: 8645: 8635: 8633: 8629: 8618: 8614: 8613: 8609: 8599: 8597: 8593: 8582: 8578: 8577: 8573: 8563: 8561: 8557: 8542: 8538: 8537: 8533: 8523: 8521: 8508: 8507: 8503: 8494:Wayback Machine 8485: 8481: 8471: 8469: 8454: 8453: 8449: 8442: 8428: 8424: 8414: 8412: 8399: 8398: 8394: 8384: 8382: 8367: 8366: 8362: 8352: 8350: 8335: 8331: 8321: 8319: 8304: 8303: 8299: 8289: 8287: 8272: 8271: 8267: 8257: 8255: 8236: 8235: 8231: 8221: 8219: 8204: 8200: 8190: 8188: 8177: 8170: 8168: 8157: 8147: 8143: 8133: 8131: 8116: 8112: 8098: 8096: 8094: 8075: 8071: 8061: 8059: 8044: 8043: 8036: 8026: 8024: 8011: 8010: 8001: 7991: 7989: 7980: 7979: 7975: 7965: 7963: 7954: 7953: 7949: 7939: 7937: 7924: 7923: 7919: 7909: 7907: 7892: 7891: 7887: 7877: 7875: 7862: 7861: 7857: 7847: 7845: 7840:(3). May 2012. 7828: 7827: 7823: 7813: 7811: 7792: 7791: 7787: 7777: 7775: 7774:on 1 March 2017 7751: 7747: 7737: 7735: 7715: 7714: 7710: 7700: 7698: 7685: 7684: 7680: 7669: 7665: 7651:reprinted from 7646: 7642: 7632: 7630: 7623:FilmComment.com 7617: 7616: 7612: 7595: 7591: 7579:reprinted from 7574: 7570: 7551: 7547: 7537: 7535: 7520: 7516: 7504:reprinted from 7499: 7495: 7485: 7483: 7472: 7468: 7456:reprinted from 7451: 7447: 7434: 7430: 7418:reprinted from 7413: 7409: 7397:reprinted from 7392: 7388: 7376:reprinted from 7371: 7367: 7357: 7355: 7338: 7334: 7324: 7322: 7307: 7303: 7295: 7291: 7281: 7279: 7270:. Los Angeles: 7258: 7251: 7241: 7239: 7221: 7217: 7207: 7205: 7188:Miller, Frank. 7186: 7182: 7174: 7170: 7160: 7158: 7149: 7148: 7144: 7134: 7132: 7121:Box Office Mojo 7111: 7110: 7103: 7090: 7083: 7075: 7071: 7061: 7059: 7042:Miller, Frank. 7040: 7036: 7025: 7018: 7007: 7003: 6990: 6989: 6985: 6980:on 26 May 2011. 6963: 6956: 6946: 6944: 6931: 6930: 6926: 6916: 6914: 6899: 6895: 6885: 6883: 6868: 6859: 6847: 6846: 6839: 6829: 6827: 6812: 6808: 6798: 6796: 6785: 6781: 6771: 6769: 6754: 6750: 6740: 6738: 6725: 6724: 6720: 6712: 6701: 6691: 6689: 6668: 6661: 6651: 6649: 6632: 6628: 6616: 6615: 6611: 6601: 6599: 6582: 6575: 6560: 6553: 6543: 6541: 6530: 6529: 6525: 6515: 6513: 6502:Rotten Tomatoes 6492: 6491: 6484: 6474: 6472: 6455: 6454: 6447: 6437: 6435: 6424: 6420: 6410: 6408: 6401: 6385: 6381: 6371: 6369: 6356: 6355: 6348: 6338: 6336: 6321: 6312: 6304: 6300: 6290: 6288: 6265: 6261: 6253: 6249: 6239: 6237: 6218: 6214: 6204: 6202: 6189: 6188: 6184: 6174: 6172: 6157: 6153: 6145: 6141: 6133: 6129: 6119: 6117: 6106: 6102: 6092: 6090: 6083:The Independent 6075: 6071: 6061: 6059: 6044: 6040: 6030: 6029: 6025: 6017: 6013: 6005: 6001: 5993: 5986: 5967: 5963: 5953: 5951: 5936: 5928:McCusker, J. J. 5916: 5908:McCusker, J. J. 5904: 5900: 5892: 5885: 5877: 5870: 5859: 5855: 5845: 5843: 5820: 5809: 5799: 5797: 5792:. 9 July 2014. 5784: 5783: 5779: 5768: 5764: 5754: 5752: 5741: 5737: 5726: 5719: 5711: 5707: 5696: 5692: 5682: 5680: 5673:Olivier Mourgue 5667: 5666: 5662: 5654: 5650: 5640: 5638: 5623: 5619: 5609: 5607: 5594: 5593: 5589: 5579: 5577: 5562: 5558: 5548: 5546: 5531: 5530: 5526: 5507: 5503: 5495: 5491: 5481: 5479: 5464: 5460: 5451: 5450: 5446: 5435: 5428: 5420: 5416: 5407: 5403: 5396: 5371: 5367: 5357: 5355: 5346: 5345: 5336: 5320: 5313: 5305: 5301: 5293: 5289: 5281: 5277: 5266: 5262: 5254: 5250: 5240: 5238: 5225: 5224: 5220: 5199: 5192: 5182: 5180: 5167: 5166: 5159: 5149: 5147: 5134: 5133: 5129: 5121: 5117: 5109: 5102: 5084: 5080: 5060: 5056: 5045: 5041: 5031: 5029: 5009: 4994: 4986: 4979: 4972: 4958: 4947: 4937: 4935: 4922: 4921: 4917: 4907: 4900: 4898: 4891: 4867: 4863: 4855: 4848: 4838: 4836: 4819: 4810: 4800: 4798: 4785: 4784: 4777: 4767: 4765: 4758: 4742: 4738: 4728: 4726: 4713: 4712: 4708: 4700: 4691: 4683: 4679: 4669: 4667: 4654: 4653: 4649: 4641: 4632: 4624: 4620: 4612: 4605: 4597: 4593: 4585: 4581: 4573: 4569: 4562: 4542: 4538: 4527: 4511:Benson, Michael 4508: 4495: 4487: 4483: 4475: 4471: 4463: 4459: 4449: 4447: 4434: 4433: 4429: 4421: 4414: 4403: 4399: 4389: 4387: 4374: 4373: 4369: 4359: 4357: 4340: 4336: 4323: 4321: 4319: 4297: 4293: 4283: 4281: 4274: 4258: 4254: 4246: 4239: 4229: 4227: 4214: 4213: 4209: 4199: 4197: 4184: 4183: 4170: 4160: 4158: 4143: 4139: 4131: 4127: 4116: 4112: 4104: 4100: 4093: 4070: 4059: 4051: 4047: 4037: 4035: 4020: 4016: 4008: 4004: 3994: 3992: 3977: 3973: 3963: 3961: 3946: 3942: 3932: 3930: 3917: 3916: 3912: 3902: 3900: 3887: 3886: 3882: 3872: 3870: 3861: 3860: 3856: 3846: 3844: 3829: 3828: 3824: 3814: 3812: 3795: 3788: 3778: 3776: 3761: 3752: 3742: 3741: 3732: 3728: 3722: 3718: 3709: 3705: 3692: 3688: 3663: 3659: 3649: 3605: 3581: 3563: 3498: 3476:Joseph Campbell 3461:Astoria, Queens 3358: 3294:Martin Scorsese 3274: 3270: 3220:magazine's 2012 3170: 3161: 3153:2001 and Beyond 3134:Dr. Strangelove 3129: 3123: 3103:Lennart Nilsson 3091: 3060: 3054: 3052:HAL's breakdown 2988: 2936: 2903: 2892:Dr. Strangelove 2880:Dr. Strangelove 2864: 2839: 2830: 2828:Interpretations 2815: 2697:Best Road Show 2477:Anthony Masters 2444:Stanley Kubrick 2411: 2362: 2288:, and tops the 2282: 2270:, which uses a 2260:Rotten Tomatoes 2152: 2091: 2087: 2080:Washington D.C. 2068:Norman Rockwell 2052:Seattle writer 2046: 2028: 2023: 1895: 1893: 1885:Intrada Records 1873:Jerry Goldsmith 1815: 1787:retroreflective 1765: 1762: 1744: 1736:optical printer 1732:Monument Valley 1708: 1707: 1699: 1697: 1696: 1695: 1694: 1691: 1681: 1678: 1673: 1669: 1668: 1655: 1646: 1642: 1631: 1591: 1562:animation stand 1547:spaceship model 1537: 1513: 1492:Bold Extended, 1483:explosive bolts 1461:Olivier Mourgue 1425: 1421: 1416: 1407: 1399:temporary music 1395:Dr. Strangelove 1370:classical music 1361: 1345: 1328: 1325: 1323:Post-production 1231: 1211:Dr. Strangelove 1174: 1162: 1095: 1079: 1069: 1035: 964:enfant terrible 958:, who lived in 948:science fiction 939: 929: 923: 880:George C. Scott 867: 799: 698:Stanley Kubrick 693:Dr. Strangelove 688: 683: 678: 666:Kenneth Kendall 648:Chela Matthison 588:Margaret Tyzack 544: 513: 489:Mission Control 476: 426: 405: 361:human evolution 338:Richard Strauss 334:classical music 330:special effects 275:Stanley Kubrick 231: 211: 204: 196: 194: 185: 183: 170: 168: 161: 144: 137: 135: 108: 87:Stanley Kubrick 79: 71:Stanley Kubrick 59:Stanley Kubrick 50: 28: 17: 12: 11: 5: 15844: 15834: 15833: 15828: 15823: 15818: 15813: 15808: 15803: 15798: 15793: 15788: 15783: 15778: 15773: 15768: 15763: 15758: 15753: 15748: 15743: 15738: 15733: 15728: 15723: 15718: 15713: 15708: 15703: 15698: 15693: 15688: 15683: 15678: 15673: 15668: 15663: 15658: 15653: 15648: 15643: 15638: 15633: 15628: 15623: 15618: 15613: 15608: 15603: 15598: 15593: 15588: 15573: 15572: 15560: 15548: 15525: 15524: 15519: 15518: 15516: 15515: 15507: 15499: 15491: 15483: 15475: 15467: 15459: 15451: 15443: 15435: 15427: 15419: 15411: 15403: 15395: 15387: 15379: 15371: 15363: 15355: 15347: 15339: 15331: 15322: 15320: 15316: 15315: 15313: 15312: 15304: 15296: 15292:The Full Monty 15288: 15280: 15272: 15264: 15256: 15248: 15240: 15232: 15224: 15216: 15208: 15200: 15192: 15184: 15176: 15168: 15160: 15152: 15144: 15136: 15128: 15120: 15112: 15104: 15096: 15088: 15080: 15071: 15069: 15065: 15064: 15062: 15061: 15053: 15045: 15041:Doctor Zhivago 15037: 15029: 15021: 15013: 15005: 14997: 14989: 14981: 14972: 14970: 14966: 14965: 14958: 14957: 14950: 14943: 14935: 14926: 14925: 14923: 14922: 14914: 14906: 14897: 14895: 14891: 14890: 14888: 14887: 14879: 14871: 14868:Severed Dreams 14858: 14845: 14832: 14824: 14811: 14803: 14795: 14786: 14784: 14780: 14779: 14777: 14776: 14768: 14760: 14752: 14744: 14736: 14728: 14720: 14712: 14704: 14695: 14693: 14689: 14688: 14686: 14685: 14677: 14669: 14661: 14653: 14645: 14637: 14629: 14622: 14620: 14616: 14615: 14613: 14612: 14604: 14591: 14578: 14570: 14562: 14554: 14545: 14543: 14539: 14538: 14536: 14535: 14526: 14524: 14520: 14519: 14512: 14511: 14504: 14497: 14489: 14480: 14479: 14477: 14476: 14467:Tatsuji Nojima 14459:Kiyoko Shibuya 14452: 14443:Daniel Barrett 14428: 14403: 14401: 14397: 14396: 14394: 14393: 14380:Andrew Lockley 14372:Andrew Jackson 14369: 14349: 14325: 14301: 14277: 14253: 14236:Andrew Lockley 14229: 14212:Chris Lawrence 14205: 14181: 14157: 14144:Andrew Lockley 14140:Chris Corbould 14133: 14109: 14085: 14061: 14048:Charles Gibson 14037: 14028:Richard Taylor 14013: 13989: 13965: 13941: 13928:Richard Taylor 13916: 13914: 13910: 13909: 13907: 13906: 13882: 13869:Steve Courtley 13858: 13834: 13825:Michael Kanfer 13810: 13786: 13769:Charles Gibson 13762: 13738: 13714: 13701:Douglas Smythe 13690: 13666: 13642: 13618: 13594: 13570: 13546: 13522: 13509:Lorne Peterson 13498: 13477:Richard Edlund 13474: 13457:Carlo Rambaldi 13454: 13433:Richard Edlund 13429: 13427: 13423: 13422: 13420: 13419: 13402:Richard Edlund 13395: 13374:Carlo Rambaldi 13367: 13354:Derek Meddings 13342:Colin Chilvers 13335: 13326:Robert Blalack 13318:Richard Edlund 13307: 13290:Carlo Rambaldi 13287: 13283:The Hindenburg 13271: 13251: 13235: 13222:Eustace Lycett 13215: 13199: 13187: 13175: 13163: 13151: 13139: 13130:Hamilton Luske 13126:Eustace Lycett 13119: 13106: 13104: 13100: 13099: 13092: 13091: 13084: 13077: 13069: 13063: 13060: 13059: 13044: 13043: 13041: 13040: 13035: 13030: 13025: 13020: 13015: 13010: 13005: 13000: 12993: 12987: 12985: 12981: 12980: 12978: 12977: 12972: 12967: 12962: 12956: 12954: 12950: 12949: 12946: 12945: 12943: 12942: 12936: 12934: 12930: 12929: 12927: 12926: 12921: 12916: 12910: 12908: 12901: 12895: 12894: 12891: 12890: 12888: 12887: 12876: 12874: 12868: 12867: 12865: 12864: 12853: 12846:Song of Norway 12842: 12831: 12820: 12809: 12798: 12787: 12776: 12765: 12754: 12743: 12734: 12723: 12711: 12709: 12705: 12704: 12702: 12701: 12692: 12683: 12672: 12661: 12650: 12639: 12630: 12619: 12608: 12597: 12585: 12583: 12576: 12572: 12571: 12564: 12563: 12556: 12549: 12541: 12532: 12531: 12529: 12528: 12522: 12516: 12513:Anthony Frewin 12510: 12504: 12501:Vivian Kubrick 12498: 12492: 12485: 12483: 12479: 12478: 12476: 12475: 12467: 12459: 12451: 12443: 12435: 12427: 12419: 12411: 12407:Strangers Kiss 12403: 12394: 12392: 12388: 12387: 12385: 12384: 12379: 12374: 12369: 12364: 12355: 12353: 12349: 12348: 12346: 12345: 12336: 12334: 12330: 12329: 12327: 12326: 12318: 12310: 12301: 12299: 12295: 12294: 12292: 12291: 12287:Eyes Wide Shut 12283: 12275: 12267: 12259: 12251: 12243: 12235: 12227: 12219: 12215:Paths of Glory 12211: 12203: 12195: 12186: 12184: 12180: 12179: 12177: 12176: 12171: 12166: 12161: 12156: 12151: 12146: 12141: 12135: 12132: 12131: 12124: 12123: 12116: 12109: 12101: 12092: 12091: 12089: 12088: 12083: 12080:A Time Odyssey 12076: 12071: 12066: 12057: 12049: 12041: 12033: 12024: 12022: 12018: 12017: 12015: 12014: 12013: 12012: 12000: 11994: 11992: 11988: 11987: 11985: 11984: 11976: 11974: 11970: 11969: 11967: 11966: 11958: 11956: 11952: 11951: 11949: 11948: 11940: 11932: 11924: 11915: 11913: 11909: 11908: 11906: 11905: 11897: 11888: 11886: 11882: 11881: 11879: 11878: 11871: 11863: 11861: 11857: 11856: 11842: 11841: 11834: 11827: 11819: 11813: 11812: 11803: 11794: 11779: 11770: 11762: 11754: 11748: 11736: 11720: 11704: 11688: 11671: 11655: 11642: 11641:External links 11639: 11638: 11637: 11615: 11588: 11582: 11570:Godwin, Robert 11562: 11556: 11543:100 Cult Films 11534:Mendik, Xavier 11526: 11520: 11507: 11501: 11488: 11482: 11469: 11463: 11453:, ed. (1982). 11440: 11439: 11433: 11420: 11409: 11396: 11390: 11377: 11359: 11336: 11330: 11315: 11309: 11296: 11278: 11263: 11245: 11230: 11224: 11207: 11198: 11192: 11175: 11169: 11156: 11150: 11133: 11120: 11114: 11101: 11095: 11077: 11071: 11059:Ciment, Michel 11055: 11037: 11022: 11004: 10985: 10975:on 7 July 2007 10967: 10951:, ed. (2005). 10949:Castle, Alison 10945: 10939: 10926: 10920: 10898: 10890: 10889: 10856: 10824: 10793: 10771: 10768:on 1 May 2008. 10748: 10731: 10700: 10668: 10638: 10608: 10593: 10567: 10534: 10501: 10465: 10435: 10399: 10369: 10339: 10309: 10278: 10271: 10253: 10223: 10194: 10162: 10126: 10096: 10065: 10058: 10036: 10005: 9975: 9949: 9923: 9893: 9862: 9835: 9798: 9762: 9732: 9702: 9672: 9658: 9632: 9602: 9583: 9563: 9532: 9479: 9443: 9428: 9416: 9401: 9389: 9374: 9359: 9347: 9340: 9322: 9315: 9294: 9267: 9230: 9223: 9205: 9198: 9180: 9161: 9130: 9094: 9087: 9078:Eyes Wide Shut 9062: 9047: 9012: 8979: 8964: 8952: 8937: 8918: 8906: 8894: 8861: 8828: 8813: 8800: 8781: 8751: 8715: 8679: 8643: 8607: 8571: 8531: 8501: 8479: 8447: 8440: 8422: 8392: 8360: 8329: 8297: 8265: 8243:Academy Awards 8229: 8198: 8141: 8110: 8092: 8069: 8034: 7999: 7973: 7947: 7917: 7885: 7868:USCCB web site 7855: 7821: 7785: 7745: 7708: 7678: 7663: 7661:, p. 244. 7654:The New Leader 7640: 7625:. 1 May 2005. 7610: 7600:quoted from a 7589: 7568: 7545: 7514: 7512:, p. 248. 7493: 7474:Ebert, Roger. 7466: 7464:, p. 240. 7445: 7428: 7407: 7386: 7378:The New Yorker 7365: 7332: 7315:RogerEbert.com 7301: 7289: 7249: 7215: 7180: 7168: 7142: 7101: 7081: 7069: 7034: 7016: 7001: 6983: 6954: 6924: 6913:on 14 May 2011 6893: 6857: 6837: 6806: 6779: 6748: 6718: 6699: 6659: 6626: 6609: 6573: 6571: 6551: 6523: 6506:Fandango Media 6482: 6445: 6418: 6399: 6379: 6346: 6310: 6298: 6259: 6247: 6212: 6195:All Movie Talk 6182: 6151: 6139: 6127: 6100: 6069: 6038: 6023: 6011: 6009:, p. 144. 5999: 5984: 5981:on 9 May 2008. 5961: 5945:1800–present: 5898: 5883: 5868: 5853: 5807: 5777: 5762: 5735: 5717: 5705: 5690: 5660: 5648: 5617: 5587: 5556: 5524: 5501: 5489: 5458: 5444: 5426: 5414: 5401: 5394: 5374:Dyson, Freeman 5365: 5334: 5311: 5299: 5287: 5275: 5260: 5248: 5218: 5208:The New Yorker 5190: 5157: 5127: 5115: 5100: 5078: 5054: 5039: 5021:RogerEbert.com 4992: 4977: 4970: 4945: 4915: 4889: 4861: 4846: 4808: 4775: 4756: 4736: 4706: 4689: 4677: 4647: 4630: 4618: 4603: 4591: 4579: 4567: 4560: 4536: 4525: 4493: 4481: 4469: 4457: 4427: 4412: 4397: 4367: 4334: 4317: 4291: 4272: 4252: 4237: 4207: 4168: 4137: 4125: 4110: 4098: 4091: 4057: 4045: 4028:The New Yorker 4014: 4002: 3971: 3940: 3910: 3880: 3854: 3822: 3786: 3749: 3748: 3740: 3739: 3726: 3716: 3703: 3686: 3682:Eyes Wide Shut 3656: 3655: 3648: 3645: 3644: 3643: 3636: 3631: 3626: 3621: 3616: 3611: 3604: 3601: 3562: 3559: 3558: 3557: 3535: 3528: 3517: 3497: 3494: 3490:hero's journey 3385:Gerry Anderson 3320:Others credit 3298:Sydney Pollack 3258: 3160: 3157: 3122: 3119: 3090: 3087: 3053: 3050: 2987: 2986:"A new heaven" 2984: 2935: 2932: 2863: 2860: 2832:Main article: 2829: 2826: 2750: 2749: 2747: 2744: 2741: 2738: 2731: 2730: 2728: 2725: 2720: 2715: 2709: 2708: 2706: 2703: 2698: 2695: 2689: 2688: 2685: 2682: 2681:Best Director 2678: 2677: 2675: 2672: 2667: 2664: 2657: 2656: 2654: 2651: 2648: 2643: 2637: 2636: 2634: 2631: 2628: 2623: 2617: 2616: 2614: 2611: 2608: 2603: 2596: 2595: 2593: 2590: 2585: 2582: 2576: 2575: 2572: 2569: 2565: 2564: 2561: 2560:Winston Ryder 2558: 2552: 2551: 2548: 2543: 2537: 2536: 2533: 2530: 2524: 2523: 2521: 2518: 2515: 2510: 2504: 2503: 2500: 2497: 2491: 2490: 2487: 2474: 2468: 2467: 2464: 2458: 2452: 2451: 2449: 2446: 2441: 2436: 2434:Academy Awards 2430: 2429: 2426: 2423: 2420: 2417: 2410: 2407: 2397:James P. Hogan 2374:Lester del Rey 2361: 2358: 2100:The New Yorker 2045: 2042: 2027: 2024: 2022: 2019: 1928:Loew's Capitol 1924:Uptown Theater 1892: 1889: 1814: 1811: 1760: 1743: 1742:Visual effects 1740: 1720:Moiré patterns 1698: 1692: 1679: 1660: 1659: 1658: 1657: 1656: 1654: 1651: 1630: 1627: 1590: 1587: 1536: 1533: 1512: 1509: 1420: 1417: 1406: 1403: 1344: 1341: 1324: 1321: 1313:Daniel Richter 1230: 1227: 1207:Saturn's rings 1121:Michael Benson 1047: 922: 919: 798: 797:Pre-production 795: 738:Eiji Tsuburaya 716:'s big budget 687: 684: 682: 679: 677: 676: 663: 657:Vivian Kubrick 654: 645: 639: 633: 627: 624: 618: 615: 612: 603: 597: 591: 585: 579: 576:Daniel Richter 573: 564: 555: 545: 543: 540: 518:processor core 438:alien monolith 425: 422: 381:visual effects 377:Academy Awards 319:alien monolith 257: 256: 253: 249: 248: 247:$ 10.5 million 245: 241: 240: 237: 233: 232: 230: 229: 226: 225:United Kingdom 222: 220: 216: 215: 212: 209: 206: 205: 203: 202: 191: 180: 177:Uptown Theater 164: 162: 159: 156: 155: 150: 149:Distributed by 146: 145: 140: 138: 133: 130: 129: 124: 120: 119: 114: 113:Cinematography 110: 109: 107: 106: 101: 95: 93: 89: 88: 85: 81: 80: 78: 77: 72: 68: 66: 62: 61: 56: 52: 51: 45: 37: 36: 15: 9: 6: 4: 3: 2: 15843: 15832: 15829: 15827: 15824: 15822: 15819: 15817: 15814: 15812: 15809: 15807: 15804: 15802: 15799: 15797: 15794: 15792: 15791:Space Odyssey 15789: 15787: 15784: 15782: 15779: 15777: 15774: 15772: 15769: 15767: 15764: 15762: 15759: 15757: 15754: 15752: 15749: 15747: 15744: 15742: 15739: 15737: 15734: 15732: 15729: 15727: 15724: 15722: 15719: 15717: 15714: 15712: 15709: 15707: 15704: 15702: 15699: 15697: 15694: 15692: 15689: 15687: 15684: 15682: 15679: 15677: 15674: 15672: 15669: 15667: 15664: 15662: 15659: 15657: 15654: 15652: 15649: 15647: 15644: 15642: 15639: 15637: 15634: 15632: 15629: 15627: 15624: 15622: 15619: 15617: 15614: 15612: 15609: 15607: 15604: 15602: 15599: 15597: 15594: 15592: 15589: 15587: 15584: 15583: 15581: 15571: 15566: 15561: 15559: 15549: 15547: 15537: 15536: 15533: 15513: 15512: 15508: 15505: 15504: 15503:The Fabelmans 15500: 15497: 15496: 15492: 15489: 15488: 15484: 15481: 15480: 15476: 15473: 15472: 15468: 15465: 15464: 15460: 15457: 15456: 15452: 15449: 15448: 15444: 15441: 15440: 15436: 15433: 15432: 15428: 15425: 15424: 15420: 15417: 15416: 15412: 15409: 15408: 15404: 15401: 15400: 15396: 15393: 15392: 15388: 15385: 15384: 15380: 15377: 15376: 15372: 15369: 15368: 15364: 15361: 15360: 15356: 15353: 15352: 15348: 15345: 15344: 15340: 15337: 15336: 15332: 15329: 15328: 15324: 15323: 15321: 15317: 15310: 15309: 15305: 15302: 15301: 15300:Train of Life 15297: 15294: 15293: 15289: 15286: 15285: 15281: 15278: 15277: 15273: 15270: 15269: 15265: 15262: 15261: 15257: 15254: 15253: 15249: 15246: 15245: 15241: 15238: 15237: 15233: 15230: 15229: 15225: 15222: 15221: 15217: 15214: 15213: 15209: 15206: 15205: 15201: 15198: 15197: 15196:Out of Africa 15193: 15190: 15189: 15185: 15182: 15181: 15177: 15174: 15173: 15169: 15166: 15165: 15161: 15158: 15157: 15153: 15150: 15149: 15145: 15142: 15141: 15137: 15134: 15133: 15129: 15126: 15125: 15121: 15118: 15117: 15113: 15110: 15109: 15105: 15102: 15101: 15100:The Godfather 15097: 15094: 15093: 15089: 15086: 15085: 15081: 15078: 15077: 15073: 15072: 15070: 15066: 15059: 15058: 15054: 15051: 15050: 15046: 15043: 15042: 15038: 15035: 15034: 15030: 15027: 15026: 15022: 15019: 15018: 15014: 15011: 15010: 15006: 15003: 15002: 14998: 14995: 14994: 14990: 14987: 14986: 14982: 14979: 14978: 14974: 14973: 14971: 14967: 14963: 14956: 14951: 14949: 14944: 14942: 14937: 14936: 14933: 14921: 14920: 14915: 14913: 14912: 14907: 14905: 14904: 14899: 14898: 14896: 14892: 14886: 14885: 14880: 14878: 14877: 14872: 14869: 14865: 14864: 14859: 14856: 14852: 14851: 14846: 14843: 14839: 14838: 14833: 14831: 14830: 14829:Jurassic Park 14825: 14822: 14818: 14817: 14812: 14810: 14809: 14804: 14802: 14801: 14796: 14794: 14793: 14788: 14787: 14785: 14781: 14775: 14774: 14769: 14767: 14766: 14761: 14759: 14758: 14753: 14751: 14750: 14745: 14743: 14742: 14737: 14735: 14734: 14729: 14727: 14726: 14721: 14719: 14718: 14713: 14711: 14710: 14705: 14703: 14702: 14697: 14696: 14694: 14690: 14684: 14683: 14678: 14676: 14675: 14670: 14668: 14667: 14662: 14660: 14659: 14654: 14652: 14651: 14646: 14644: 14643: 14638: 14636: 14635: 14630: 14628: 14624: 14623: 14621: 14617: 14611: 14610: 14605: 14602: 14598: 14597: 14592: 14589: 14588:The Menagerie 14585: 14584: 14579: 14577: 14576: 14571: 14569: 14568: 14563: 14561: 14560: 14555: 14553: 14552: 14547: 14546: 14544: 14540: 14534: 14533: 14528: 14527: 14525: 14521: 14517: 14510: 14505: 14503: 14498: 14496: 14491: 14490: 14487: 14474: 14473: 14468: 14464: 14460: 14456: 14453: 14450: 14449: 14444: 14440: 14436: 14432: 14429: 14426: 14425: 14420: 14416: 14412: 14411:Tristan Myles 14408: 14405: 14404: 14402: 14398: 14391: 14390: 14385: 14381: 14377: 14373: 14370: 14367: 14366: 14361: 14360:Dominic Tuohy 14357: 14353: 14350: 14347: 14346: 14341: 14340:J. D. Schwalm 14337: 14336:Tristan Myles 14333: 14329: 14326: 14323: 14322: 14317: 14313: 14309: 14305: 14302: 14299: 14298: 14293: 14289: 14285: 14281: 14280:Robert Legato 14278: 14275: 14274: 14269: 14265: 14261: 14257: 14254: 14251: 14250: 14245: 14241: 14237: 14233: 14232:Paul Franklin 14230: 14227: 14226: 14221: 14220:Neil Corbould 14217: 14213: 14209: 14206: 14203: 14202: 14197: 14193: 14189: 14185: 14182: 14179: 14178: 14173: 14169: 14168:Ben Grossmann 14165: 14164:Joss Williams 14161: 14160:Robert Legato 14158: 14155: 14154: 14149: 14145: 14141: 14137: 14136:Paul Franklin 14134: 14131: 14130: 14125: 14121: 14117: 14113: 14110: 14107: 14106: 14101: 14097: 14093: 14089: 14086: 14083: 14082: 14077: 14073: 14069: 14065: 14062: 14059: 14058: 14053: 14049: 14045: 14041: 14038: 14035: 14034: 14029: 14025: 14021: 14017: 14014: 14011: 14010: 14005: 14001: 13997: 13996:Scott Stokdyk 13993: 13990: 13987: 13986: 13981: 13977: 13973: 13969: 13966: 13963: 13962: 13957: 13953: 13949: 13945: 13942: 13939: 13938: 13933: 13929: 13925: 13921: 13918: 13917: 13915: 13911: 13904: 13903: 13898: 13894: 13890: 13889:Neil Corbould 13886: 13883: 13880: 13879: 13874: 13870: 13866: 13862: 13859: 13856: 13855: 13850: 13846: 13842: 13838: 13835: 13832: 13831: 13826: 13822: 13818: 13814: 13813:Robert Legato 13811: 13808: 13807: 13802: 13798: 13794: 13793:Douglas Smith 13790: 13787: 13784: 13783: 13778: 13774: 13770: 13766: 13763: 13760: 13759: 13754: 13750: 13746: 13745:George Murphy 13742: 13739: 13736: 13735: 13734:Jurassic Park 13730: 13726: 13722: 13718: 13715: 13712: 13711: 13706: 13702: 13698: 13694: 13691: 13688: 13687: 13682: 13681:Robert Skotak 13678: 13674: 13670: 13667: 13664: 13663: 13658: 13654: 13650: 13646: 13643: 13640: 13639: 13634: 13633:Dennis Skotak 13630: 13626: 13622: 13619: 13616: 13615: 13610: 13606: 13602: 13598: 13595: 13592: 13591: 13586: 13582: 13581:Harley Jessup 13578: 13574: 13571: 13568: 13567: 13562: 13558: 13554: 13550: 13549:Robert Skotak 13547: 13544: 13543: 13538: 13534: 13530: 13526: 13523: 13520: 13519: 13514: 13510: 13506: 13502: 13499: 13496: 13495: 13490: 13486: 13482: 13478: 13475: 13472: 13471: 13466: 13462: 13458: 13455: 13452: 13451: 13446: 13442: 13438: 13434: 13431: 13430: 13428: 13424: 13417: 13416: 13411: 13407: 13403: 13399: 13398:Brian Johnson 13396: 13393: 13392: 13387: 13386:Dennis Ayling 13383: 13379: 13378:Brian Johnson 13375: 13371: 13368: 13365: 13364: 13359: 13358:Zoran Perisic 13355: 13351: 13347: 13343: 13339: 13336: 13333: 13332: 13327: 13323: 13319: 13315: 13311: 13308: 13305: 13304: 13299: 13295: 13294:Glen Robinson 13291: 13288: 13285: 13284: 13279: 13278:Glen Robinson 13275: 13272: 13269: 13268: 13263: 13259: 13258:Glen Robinson 13255: 13254:Frank Brendel 13252: 13249: 13248: 13243: 13242:A. D. Flowers 13239: 13236: 13233: 13232: 13227: 13223: 13219: 13216: 13213: 13212: 13207: 13203: 13202:A. D. Flowers 13200: 13197: 13196: 13191: 13188: 13185: 13184: 13179: 13176: 13173: 13172: 13167: 13164: 13161: 13160: 13155: 13152: 13149: 13148: 13143: 13140: 13137: 13136: 13131: 13127: 13123: 13120: 13117: 13116: 13111: 13110:Emil Kosa Jr. 13108: 13107: 13105: 13101: 13097: 13090: 13085: 13083: 13078: 13076: 13071: 13070: 13067: 13061: 13057: 13051: 13039: 13036: 13034: 13031: 13029: 13026: 13024: 13021: 13019: 13016: 13014: 13011: 13009: 13006: 13004: 13001: 12999: 12998: 12994: 12992: 12989: 12988: 12986: 12982: 12976: 12973: 12971: 12970:Lowell Thomas 12968: 12966: 12963: 12961: 12958: 12957: 12955: 12951: 12941: 12938: 12937: 12935: 12931: 12925: 12922: 12920: 12917: 12915: 12914:Cinerama Dome 12912: 12911: 12909: 12905: 12902: 12900: 12896: 12883: 12882: 12878: 12877: 12875: 12873: 12869: 12859: 12858: 12854: 12848: 12847: 12843: 12837: 12836: 12832: 12826: 12825: 12821: 12815: 12814: 12810: 12804: 12803: 12799: 12793: 12792: 12788: 12782: 12781: 12777: 12771: 12770: 12766: 12760: 12759: 12755: 12749: 12748: 12744: 12738: 12735: 12729: 12728: 12724: 12718: 12717: 12713: 12712: 12710: 12706: 12696: 12693: 12687: 12684: 12678: 12677: 12673: 12667: 12666: 12662: 12656: 12655: 12651: 12645: 12644: 12640: 12634: 12631: 12625: 12624: 12620: 12614: 12613: 12609: 12603: 12602: 12598: 12592: 12591: 12587: 12586: 12584: 12580: 12577: 12573: 12569: 12562: 12557: 12555: 12550: 12548: 12543: 12542: 12539: 12526: 12523: 12520: 12517: 12514: 12511: 12508: 12505: 12502: 12499: 12496: 12493: 12491:(second wife) 12490: 12487: 12486: 12484: 12480: 12473: 12472: 12468: 12465: 12464: 12460: 12457: 12456: 12452: 12449: 12448: 12444: 12441: 12440: 12436: 12433: 12432: 12428: 12425: 12424: 12420: 12417: 12416: 12412: 12409: 12408: 12404: 12401: 12400: 12396: 12395: 12393: 12391:Related films 12389: 12383: 12380: 12378: 12377:Kubrick stare 12375: 12373: 12370: 12368: 12365: 12363: 12362: 12357: 12356: 12354: 12350: 12343: 12342: 12338: 12337: 12335: 12331: 12324: 12323: 12322:The Seafarers 12319: 12316: 12315: 12311: 12308: 12307: 12303: 12302: 12300: 12296: 12289: 12288: 12284: 12281: 12280: 12276: 12273: 12272: 12268: 12265: 12264: 12260: 12257: 12256: 12252: 12249: 12248: 12244: 12241: 12240: 12236: 12233: 12232: 12228: 12225: 12224: 12220: 12217: 12216: 12212: 12209: 12208: 12204: 12201: 12200: 12199:Killer's Kiss 12196: 12193: 12192: 12188: 12187: 12185: 12183:Feature films 12181: 12175: 12172: 12170: 12167: 12165: 12164:Personal life 12162: 12160: 12157: 12155: 12152: 12150: 12147: 12145: 12142: 12140: 12137: 12136: 12133: 12129: 12122: 12117: 12115: 12110: 12108: 12103: 12102: 12099: 12087: 12084: 12082: 12081: 12077: 12075: 12072: 12070: 12067: 12065: 12063: 12060:Alex North's 12058: 12056: 12054: 12050: 12048: 12046: 12042: 12040: 12039: 12034: 12032: 12031: 12026: 12025: 12023: 12019: 12011: 12008: 12007: 12006: 12005: 12004:Discovery One 12001: 11999: 11996: 11995: 11993: 11989: 11983: 11982: 11978: 11977: 11975: 11971: 11965: 11964: 11960: 11959: 11957: 11953: 11946: 11945: 11941: 11938: 11937: 11933: 11930: 11929: 11925: 11922: 11921: 11917: 11916: 11914: 11910: 11903: 11902: 11898: 11895: 11894: 11890: 11889: 11887: 11883: 11876: 11872: 11869: 11865: 11864: 11862: 11860:Short stories 11858: 11853: 11852: 11851:Space Odyssey 11847: 11840: 11835: 11833: 11828: 11826: 11821: 11820: 11817: 11811: 11807: 11804: 11802: 11798: 11795: 11793: 11789: 11786: 11785: 11780: 11778: 11776: 11771: 11769: 11767: 11763: 11761: 11759: 11755: 11752: 11747: 11744: 11742: 11741: 11737: 11734: 11730: 11726: 11725: 11721: 11718: 11714: 11710: 11709: 11705: 11702: 11698: 11694: 11693: 11689: 11686: 11681: 11677: 11676: 11672: 11669: 11665: 11661: 11660: 11656: 11654: 11650: 11649: 11645: 11644: 11627: 11626: 11621: 11616: 11612: 11608: 11604: 11600: 11599: 11594: 11589: 11585: 11579: 11575: 11571: 11567: 11563: 11559: 11553: 11550:. p. 6. 11549: 11545: 11544: 11539: 11535: 11531: 11527: 11523: 11517: 11513: 11508: 11504: 11498: 11494: 11489: 11485: 11479: 11475: 11470: 11466: 11464:0-87703-172-X 11460: 11456: 11452: 11448: 11447: 11446: 11445: 11436: 11434:0-8108-3796-X 11430: 11426: 11421: 11418: 11412: 11410:0-393-32119-3 11406: 11402: 11397: 11393: 11391:0-393-32119-3 11387: 11383: 11378: 11366: 11362: 11356: 11352: 11348: 11344: 11343: 11337: 11333: 11331:0-7867-1073-X 11327: 11323: 11322: 11316: 11312: 11306: 11302: 11297: 11285: 11281: 11275: 11271: 11270: 11264: 11252: 11248: 11246:0-8092-4324-5 11242: 11238: 11237: 11231: 11227: 11225:0-571-19393-5 11221: 11216: 11215: 11208: 11204: 11199: 11195: 11193:0-19-517453-4 11189: 11185: 11181: 11176: 11172: 11170:0-7535-0452-9 11166: 11162: 11157: 11153: 11147: 11142: 11141: 11134: 11129: 11128: 11121: 11117: 11111: 11107: 11102: 11098: 11096:0-283-97903-8 11092: 11088: 11087: 11082: 11078: 11074: 11072:0-571-21108-9 11068: 11064: 11060: 11056: 11044: 11040: 11034: 11030: 11029: 11023: 11011: 11007: 11001: 10997: 10996:HarperCollins 10993: 10992: 10986: 10974: 10970: 10964: 10960: 10956: 10955: 10950: 10946: 10942: 10940:1-85410-706-2 10936: 10932: 10927: 10923: 10921:0-451-07139-5 10917: 10913: 10908: 10907: 10900: 10899: 10897: 10896: 10877: 10873: 10872: 10867: 10860: 10844: 10840: 10839: 10834: 10828: 10812: 10808: 10804: 10797: 10789: 10785: 10781: 10775: 10767: 10763: 10759: 10752: 10744: 10743: 10742:Daily Variety 10735: 10719: 10715: 10711: 10704: 10688: 10684: 10683: 10678: 10672: 10664: 10660: 10656: 10652: 10649:(Laserdisc). 10648: 10642: 10626: 10622: 10618: 10612: 10604: 10597: 10581: 10577: 10571: 10555: 10551: 10550: 10545: 10538: 10522: 10518: 10517: 10512: 10505: 10489: 10485: 10484: 10479: 10472: 10470: 10453: 10449: 10445: 10439: 10423: 10419: 10418: 10413: 10406: 10404: 10387: 10383: 10379: 10373: 10357: 10353: 10349: 10343: 10327: 10323: 10322:Yahoo! Movies 10319: 10313: 10297: 10293: 10289: 10282: 10274: 10268: 10264: 10257: 10241: 10237: 10233: 10227: 10211: 10207: 10206: 10198: 10182: 10178: 10177: 10172: 10166: 10150: 10146: 10142: 10138: 10137: 10130: 10114: 10110: 10106: 10100: 10084: 10080: 10076: 10069: 10061: 10055: 10050: 10049: 10040: 10024: 10020: 10016: 10009: 9993: 9989: 9985: 9979: 9963: 9959: 9953: 9945: 9941: 9937: 9933: 9927: 9911: 9907: 9903: 9897: 9881: 9877: 9873: 9866: 9850: 9846: 9839: 9823: 9819: 9815: 9813: 9805: 9803: 9786: 9782: 9778: 9777: 9772: 9766: 9750: 9746: 9742: 9736: 9720: 9716: 9712: 9706: 9690: 9686: 9682: 9676: 9661: 9655: 9651: 9646: 9645: 9636: 9620: 9616: 9612: 9606: 9590: 9586: 9580: 9576: 9575: 9567: 9551: 9547: 9543: 9536: 9520: 9516: 9512: 9508: 9504: 9500: 9499: 9494: 9492: 9483: 9467: 9463: 9462: 9457: 9453: 9447: 9439: 9432: 9426:, p. 128 9425: 9420: 9414:, p. 151 9413: 9408: 9406: 9399:, p. 192 9398: 9393: 9386: 9381: 9379: 9372: 9368: 9363: 9356: 9351: 9343: 9337: 9333: 9326: 9318: 9312: 9308: 9301: 9299: 9282: 9278: 9271: 9263: 9259: 9255: 9251: 9247: 9243: 9242: 9241:Extrapolation 9234: 9226: 9220: 9216: 9209: 9201: 9195: 9191: 9184: 9168: 9164: 9158: 9154: 9150: 9146: 9145: 9140: 9139:Chion, Michel 9134: 9118: 9114: 9113: 9108: 9104: 9098: 9090: 9084: 9080: 9077: 9073: 9066: 9060: 9056: 9051: 9033: 9029: 9028: 9023: 9016: 9000: 8996: 8995: 8990: 8983: 8977: 8973: 8968: 8961: 8960:LoBrutto 1998 8956: 8949: 8944: 8942: 8933: 8929: 8922: 8915: 8910: 8903: 8898: 8882: 8878: 8877: 8872: 8865: 8849: 8845: 8844: 8839: 8832: 8826: 8822: 8817: 8810: 8804: 8797: 8792: 8790: 8788: 8786: 8769: 8765: 8761: 8755: 8736: 8732: 8725: 8719: 8700: 8696: 8689: 8683: 8664: 8660: 8653: 8647: 8628: 8624: 8617: 8611: 8592: 8588: 8581: 8575: 8556: 8552: 8548: 8541: 8535: 8519: 8515: 8511: 8505: 8498: 8495: 8491: 8488: 8483: 8467: 8463: 8462: 8457: 8451: 8443: 8437: 8433: 8426: 8410: 8406: 8402: 8396: 8380: 8376: 8375: 8370: 8364: 8348: 8344: 8340: 8333: 8317: 8313: 8312: 8307: 8301: 8285: 8281: 8280: 8275: 8269: 8253: 8249: 8248: 8244: 8239: 8233: 8217: 8213: 8209: 8202: 8186: 8182: 8166: 8162: 8155: 8151: 8145: 8129: 8125: 8121: 8114: 8106: 8095: 8089: 8085: 8084: 8079: 8078:Brosnan, John 8073: 8057: 8053: 8052: 8047: 8041: 8039: 8022: 8018: 8014: 8008: 8006: 8004: 7987: 7983: 7977: 7961: 7957: 7951: 7935: 7931: 7927: 7921: 7905: 7901: 7900: 7895: 7889: 7873: 7869: 7865: 7859: 7843: 7839: 7835: 7831: 7825: 7809: 7805: 7804: 7799: 7797: 7789: 7773: 7769: 7765: 7764: 7759: 7755: 7754:Christie, Ian 7749: 7733: 7730: 7726: 7722: 7720: 7712: 7696: 7692: 7688: 7682: 7674: 7667: 7660: 7656: 7655: 7650: 7644: 7628: 7624: 7620: 7614: 7607: 7603: 7599: 7593: 7586: 7582: 7578: 7572: 7564: 7560: 7556: 7549: 7533: 7529: 7525: 7518: 7511: 7507: 7503: 7497: 7481: 7477: 7470: 7463: 7459: 7455: 7449: 7442: 7438: 7432: 7425: 7421: 7417: 7411: 7404: 7400: 7396: 7390: 7383: 7379: 7375: 7369: 7353: 7349: 7348: 7343: 7336: 7320: 7316: 7312: 7305: 7299:, p. 169 7298: 7293: 7277: 7273: 7269: 7268: 7263: 7256: 7254: 7237: 7233: 7229: 7225: 7224:Crowley, Walt 7219: 7203: 7199: 7195: 7191: 7184: 7177: 7172: 7156: 7152: 7146: 7130: 7126: 7122: 7118: 7116: 7108: 7106: 7097: 7096: 7095:Daily Variety 7088: 7086: 7078: 7073: 7057: 7053: 7049: 7045: 7038: 7032: 7028: 7023: 7021: 7014: 7010: 7005: 6996: 6995: 6987: 6979: 6975: 6971: 6967: 6966:Hall, Sheldon 6961: 6959: 6942: 6938: 6934: 6928: 6912: 6908: 6904: 6897: 6881: 6877: 6873: 6866: 6864: 6862: 6853: 6852: 6851:Daily Variety 6844: 6842: 6825: 6821: 6820:Underview.com 6817: 6810: 6794: 6790: 6783: 6767: 6763: 6762:slashfilm.com 6759: 6752: 6736: 6732: 6728: 6722: 6716:, p. 170 6715: 6710: 6708: 6706: 6704: 6687: 6683: 6682: 6677: 6675: 6666: 6664: 6647: 6643: 6642: 6637: 6630: 6622: 6621: 6613: 6597: 6593: 6592: 6587: 6580: 6578: 6570: 6567: 6565: 6564: 6558: 6556: 6539: 6535: 6534: 6527: 6511: 6507: 6503: 6499: 6497: 6489: 6487: 6470: 6466: 6462: 6460: 6452: 6450: 6433: 6429: 6422: 6406: 6402: 6396: 6392: 6391: 6383: 6367: 6364:(in French). 6363: 6359: 6353: 6351: 6334: 6330: 6326: 6319: 6317: 6315: 6308:, p. 133 6307: 6302: 6286: 6282: 6278: 6274: 6270: 6263: 6257:, p. 196 6256: 6251: 6235: 6231: 6227: 6225: 6216: 6200: 6196: 6192: 6186: 6170: 6166: 6162: 6155: 6149:, p. 150 6148: 6143: 6136: 6131: 6115: 6112:. space.com. 6111: 6104: 6088: 6084: 6080: 6073: 6057: 6053: 6049: 6042: 6034: 6027: 6020: 6015: 6008: 6003: 5996: 5991: 5989: 5980: 5976: 5972: 5965: 5950: 5942: 5935: 5934: 5929: 5922: 5915: 5914: 5909: 5902: 5895: 5890: 5888: 5880: 5875: 5873: 5866: 5862: 5857: 5841: 5837: 5833: 5829: 5827: 5818: 5816: 5814: 5812: 5795: 5791: 5787: 5781: 5775: 5771: 5766: 5750: 5746: 5739: 5733: 5729: 5724: 5722: 5715:, p. 224 5714: 5709: 5703: 5699: 5694: 5678: 5674: 5670: 5664: 5657: 5652: 5636: 5632: 5628: 5621: 5605: 5601: 5597: 5591: 5575: 5571: 5567: 5560: 5544: 5540: 5539: 5534: 5528: 5520: 5516: 5512: 5505: 5499:, p. 159 5498: 5493: 5477: 5473: 5469: 5462: 5454: 5448: 5442: 5438: 5437:LoBrutto 1998 5433: 5431: 5423: 5418: 5412:, p. 27. 5411: 5405: 5397: 5395:0-330-26324-2 5391: 5387: 5382: 5381: 5375: 5369: 5353: 5349: 5343: 5341: 5339: 5331: 5327: 5323: 5318: 5316: 5308: 5303: 5296: 5291: 5284: 5279: 5273: 5269: 5264: 5258:, p. 135 5257: 5252: 5236: 5232: 5228: 5222: 5214: 5210: 5209: 5204: 5197: 5195: 5178: 5174: 5170: 5164: 5162: 5145: 5141: 5137: 5131: 5124: 5119: 5112: 5107: 5105: 5097: 5094:Excerpted in 5091: 5090: 5082: 5075: 5071: 5067: 5063: 5058: 5052: 5048: 5047:LoBrutto 1998 5043: 5027: 5023: 5022: 5017: 5013: 5007: 5005: 5003: 5001: 4999: 4997: 4990:, p. 251 4989: 4984: 4982: 4973: 4971:0-453-00269-2 4967: 4963: 4956: 4954: 4952: 4950: 4933: 4929: 4925: 4919: 4911: 4896: 4892: 4886: 4882: 4881: 4876: 4874: 4865: 4859:, p. 48. 4858: 4853: 4851: 4834: 4830: 4829: 4824: 4817: 4815: 4813: 4796: 4792: 4788: 4782: 4780: 4763: 4759: 4757:0-521-78303-8 4753: 4749: 4748: 4740: 4724: 4720: 4716: 4710: 4703: 4698: 4696: 4694: 4687:, p. 302 4686: 4681: 4665: 4661: 4657: 4651: 4645:, p. 308 4644: 4639: 4637: 4635: 4627: 4622: 4615: 4610: 4608: 4600: 4595: 4588: 4583: 4577:, p. 135 4576: 4571: 4563: 4557: 4553: 4549: 4548: 4540: 4532: 4528: 4522: 4518: 4517: 4512: 4506: 4504: 4502: 4500: 4498: 4490: 4485: 4478: 4473: 4466: 4461: 4445: 4441: 4440:visual-memory 4437: 4431: 4424: 4419: 4417: 4410: 4406: 4401: 4385: 4381: 4377: 4371: 4355: 4351: 4350: 4345: 4338: 4331: 4320: 4318:0-8020-6833-2 4314: 4310: 4305: 4304: 4295: 4279: 4275: 4273:0-87413-347-5 4269: 4265: 4264: 4256: 4250:, p. 257 4249: 4248:LoBrutto 1998 4244: 4242: 4225: 4221: 4217: 4211: 4195: 4191: 4187: 4181: 4179: 4177: 4175: 4173: 4156: 4152: 4148: 4141: 4134: 4129: 4123: 4119: 4114: 4107: 4102: 4094: 4092:0-7867-0485-3 4088: 4084: 4080: 4079: 4074: 4068: 4066: 4064: 4062: 4054: 4049: 4033: 4029: 4025: 4018: 4011: 4006: 3990: 3986: 3982: 3975: 3959: 3955: 3951: 3944: 3928: 3924: 3920: 3914: 3898: 3894: 3893:2001italia.it 3890: 3884: 3868: 3864: 3858: 3842: 3838: 3837: 3832: 3826: 3810: 3806: 3805: 3800: 3793: 3791: 3774: 3770: 3766: 3759: 3757: 3755: 3750: 3747: 3746: 3735: 3734:Robert Kolker 3730: 3720: 3713: 3707: 3700: 3696: 3690: 3683: 3679: 3675: 3674:Space Odyssey 3671: 3667: 3661: 3657: 3654: 3653: 3642: 3641: 3637: 3635: 3632: 3630: 3627: 3625: 3622: 3620: 3617: 3615: 3612: 3610: 3607: 3606: 3600: 3598: 3593: 3591: 3587: 3580: 3576: 3572: 3567: 3555: 3554:DTS-HD MA 5.1 3551: 3548:, based on a 3547: 3543: 3540: 3536: 3533: 3529: 3526: 3522: 3518: 3515: 3511: 3507: 3503: 3502: 3501: 3493: 3491: 3487: 3483: 3482: 3478:'s 1949 book 3477: 3472: 3468: 3466: 3465:New York City 3462: 3458: 3453: 3449: 3445: 3441: 3436: 3434: 3430: 3426: 3422: 3421: 3416: 3415: 3410: 3409: 3404: 3400: 3396: 3392: 3391: 3386: 3382: 3378: 3373: 3371: 3367: 3366: 3357: 3353: 3352: 3347: 3346: 3341: 3340: 3335: 3334: 3329: 3328: 3323: 3318: 3315: 3311: 3307: 3303: 3299: 3295: 3291: 3287: 3283: 3279: 3273: 3267: 3265: 3257: 3255: 3254: 3249: 3245: 3241: 3237: 3236: 3231: 3230: 3225: 3221: 3217: 3213: 3209: 3205: 3200: 3199: 3194: 3190: 3186: 3182: 3178: 3174: 3169: 3167: 3156: 3154: 3150: 3149:Robert Sawyer 3146: 3145:Michel Ciment 3141: 3139: 3135: 3128: 3118: 3116: 3115:Rolling Stone 3112: 3108: 3104: 3100: 3096: 3086: 3084: 3083: 3077: 3073: 3064: 3059: 3049: 3046: 3042: 3037: 3036:Space Odyssey 3031: 3028: 3018: 3014: 3012: 3011: 3006: 3002: 2998: 2993: 2983: 2979: 2975: 2972: 2966: 2963: 2962: 2961:Rolling Stone 2958:Bob McClay's 2956: 2948: 2944: 2942: 2931: 2926: 2924: 2920: 2914: 2912: 2907: 2901: 2897: 2893: 2889: 2881: 2876: 2872: 2870: 2859: 2856: 2852: 2848: 2844: 2838: 2837: 2825: 2823: 2822: 2813: 2812: 2807: 2806: 2801: 2797: 2796: 2791: 2790: 2785: 2781: 2780: 2775: 2771: 2767: 2765: 2761: 2757: 2748: 2745: 2742: 2739: 2736: 2732: 2729: 2726: 2724: 2721: 2719: 2716: 2714: 2710: 2707: 2704: 2702: 2699: 2696: 2694: 2693:Laurel Awards 2690: 2686: 2683: 2680: 2679: 2673: 2671: 2668: 2665: 2662: 2658: 2655: 2652: 2649: 2647: 2644: 2642: 2638: 2635: 2632: 2629: 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Historian 2249: 2245: 2241: 2236: 2232: 2228: 2224: 2223:Andrew Sarris 2220: 2216: 2215: 2210: 2209: 2204: 2200: 2196: 2192: 2191: 2186: 2182: 2177: 2175: 2171: 2170: 2165: 2164: 2159: 2151: 2150: 2145: 2144:Space Odyssey 2141: 2140: 2135: 2134:D.W. Griffith 2131: 2130:Philip French 2127: 2123: 2122: 2116: 2115: 2110: 2106: 2102: 2101: 2095: 2085: 2081: 2076: 2069: 2065: 2061: 2060: 2055: 2050: 2041: 2038: 2037:Cinerama Dome 2033: 2032:gross rentals 2018: 2014: 2012: 2008: 2007: 2001: 1999: 1994: 1992: 1988: 1982: 1980: 1976: 1972: 1968: 1964: 1960: 1956: 1952: 1947: 1945: 1941: 1935: 1933: 1929: 1925: 1921: 1913: 1909: 1888: 1886: 1882: 1878: 1874: 1870: 1866: 1862: 1857: 1855: 1851: 1847: 1846:Rhino Records 1842: 1840: 1839: 1834: 1831:conducted by 1830: 1826: 1825: 1820: 1810: 1807: 1803: 1798: 1796: 1790: 1788: 1784: 1780: 1776: 1774: 1770: 1759: 1753: 1748: 1739: 1737: 1733: 1729: 1725: 1721: 1717: 1713: 1706: 1704: 1666: 1665: 1650: 1640: 1635: 1626: 1622: 1618: 1615: 1611: 1607: 1600: 1595: 1589:Rotating sets 1586: 1582: 1578: 1576: 1571: 1570:Discovery One 1565: 1563: 1557: 1555: 1554:Discovery One 1546: 1545:Discovery One 1541: 1532: 1529: 1524: 1522: 1518: 1508: 1506: 1502: 1499: 1495: 1491: 1486: 1484: 1477: 1472: 1470: 1466: 1462: 1458: 1457:Eero Saarinen 1454: 1449: 1447: 1443: 1442:Arne Jacobsen 1439: 1438:Action Office 1435: 1434:Herman Miller 1431: 1430:George Nelson 1415: 1414: 1402: 1400: 1396: 1392: 1391: 1386: 1382: 1381: 1375: 1371: 1366: 1360: 1358: 1353: 1351: 1340: 1338: 1337:Freeman Dyson 1334: 1320: 1318: 1314: 1311: 1307: 1303: 1299: 1295: 1290: 1287: 1283: 1279: 1273: 1271: 1267: 1263: 1259: 1255: 1251: 1247: 1243: 1239: 1235: 1226: 1224: 1220: 1214: 1212: 1208: 1204: 1200: 1196: 1191: 1189: 1185: 1181: 1173: 1166: 1157: 1154: 1151: 1147: 1143: 1139: 1138: 1133: 1128: 1126: 1123:'s 2018 book 1122: 1118: 1117:J. 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Ballard 1114: 1109: 1104: 1099: 1090: 1087: 1085: 1078: 1075: 1074: 1066: 1064: 1059: 1055: 1054: 1046: 1043: 1042: 1034: 1030: 1026: 1022: 1018: 1014: 1010: 1006: 1001: 999: 995: 991: 987: 981: 979: 978: 973: 969: 965: 961: 957: 953: 949: 938: 933: 928: 918: 916: 912: 908: 904: 900: 899:Lester Novros 896: 892: 888: 883: 881: 877: 873: 866: 862: 861: 856: 855:Roman Kroitor 852: 848: 844: 840: 836: 832: 827: 825: 824: 819: 815: 814: 809: 805: 794: 792: 788: 784: 780: 776: 772: 768: 767: 762: 757: 755: 754: 749: 745: 744: 739: 735: 731: 730: 725: 724: 719: 715: 711: 707: 703: 699: 695: 694: 675: 671: 667: 664: 662: 658: 655: 653: 649: 646: 644: 640: 637: 634: 631: 628: 625: 623:as stewardess 622: 619: 616: 613: 611: 607: 604: 601: 600:Sean Sullivan 598: 595: 594:Robert Beatty 592: 589: 586: 583: 580: 577: 574: 572: 571:Heywood Floyd 568: 565: 563: 559: 558:Gary Lockwood 556: 554: 550: 547: 546: 539: 537: 532: 527: 522: 519: 512: 508: 503: 497: 495: 490: 486: 482: 475: 471: 467: 464:is bound for 463: 462: 461:Discovery One 456: 454: 450: 449:lunar outpost 446: 441: 439: 435: 432:, a tribe of 431: 421: 419: 418: 413: 412: 404: 403: 398: 394: 390: 386: 382: 378: 374: 370: 366: 362: 357: 353: 351: 350:György Ligeti 347: 343: 339: 335: 331: 328:, pioneering 327: 322: 320: 316: 312: 308: 304: 300: 299:Gary Lockwood 296: 292: 288: 284: 280: 276: 272: 269: 265: 264: 254: 250: 246: 242: 238: 234: 228:United States 227: 224: 223: 221: 217: 213: 207: 192: 181: 178: 166: 165: 163: 160:Release dates 157: 154: 151: 147: 143: 139: 131: 128: 125: 121: 118: 115: 111: 105: 104:Gary Lockwood 102: 100: 97: 96: 94: 90: 86: 82: 76: 73: 70: 69: 67: 65:Screenplay by 63: 60: 57: 53: 49: 48:Robert McCall 43: 38: 33: 30: 26: 22: 15761:Moon in film 15509: 15501: 15493: 15485: 15477: 15469: 15461: 15453: 15445: 15437: 15429: 15421: 15415:A Separation 15413: 15405: 15397: 15389: 15381: 15373: 15365: 15357: 15349: 15341: 15333: 15325: 15319:2001–present 15306: 15298: 15290: 15282: 15274: 15268:Pulp Fiction 15266: 15258: 15250: 15242: 15234: 15226: 15218: 15210: 15202: 15194: 15186: 15178: 15170: 15162: 15154: 15146: 15138: 15132:Marathon Man 15130: 15122: 15114: 15106: 15098: 15090: 15082: 15074: 15055: 15047: 15039: 15031: 15025:My Fair Lady 15023: 15015: 15007: 14999: 14991: 14983: 14975: 14917: 14909: 14903:Galaxy Quest 14901: 14882: 14874: 14861: 14848: 14835: 14827: 14814: 14806: 14798: 14790: 14771: 14763: 14755: 14747: 14739: 14731: 14725:Blade Runner 14723: 14715: 14707: 14699: 14680: 14672: 14664: 14656: 14648: 14640: 14632: 14608: 14607: 14594: 14581: 14573: 14565: 14557: 14549: 14530: 14470: 14446: 14439:Eric Saindon 14422: 14415:Brian Connor 14407:Paul Lambert 14400:2021–present 14387: 14363: 14343: 14328:Paul Lambert 14319: 14312:Paul Lambert 14295: 14271: 14260:Sara Bennett 14249:Interstellar 14247: 14223: 14199: 14175: 14172:Alex Henning 14151: 14127: 14103: 14100:Craig Barron 14079: 14055: 14031: 14009:Spider-Man 2 14007: 14004:John Frazier 13992:John Dykstra 13983: 13959: 13935: 13932:Mark Stetson 13900: 13876: 13852: 13828: 13804: 13801:Joe Viskocil 13789:Volker Engel 13780: 13773:Neal Scanlan 13758:Forrest Gump 13756: 13732: 13725:Phil Tippett 13721:Stan Winston 13717:Dennis Muren 13708: 13684: 13673:Stan Winston 13669:Dennis Muren 13662:Total Recall 13660: 13653:Tim McGovern 13636: 13629:Hoyt Yeatman 13625:Dennis Muren 13612: 13609:George Gibbs 13605:Edward Jones 13588: 13573:Dennis Muren 13564: 13553:Stan Winston 13540: 13533:Scott Farrar 13516: 13513:George Gibbs 13501:Dennis Muren 13492: 13489:Phil Tippett 13481:Dennis Muren 13468: 13461:Dennis Muren 13448: 13445:Joe Johnston 13413: 13406:Dennis Muren 13389: 13361: 13329: 13322:Grant McCune 13314:John Dykstra 13301: 13281: 13265: 13245: 13238:L. 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