329:
998:
shifting perspectives, thereby providing a movable feast for the eyes, for establishing by pointed contrast the somber hues and subdued functionalism of the environment of
General Outram, emphasising by such means the furtive manoeuvring for power; for using the camera to create a visual tapestry, rich in the clash of conflicting events, ideologies and responsibilities.
1425:
For showing how, brutally oppressed by vested socio-economical interests, but now inspired by a new sense of freedom the fisher folk of Chilka lake cast off the shackles of the past and achieve their liberation for presenting with understanding and compassion the conflict between individual needs and
817:
For employing the resources of sacred and folk music with unerring skill and sensitivity so as to create an atmosphere of subdued pain and loneliness and to lead the poignant theme to its tragic denouement through the tortured process of its unfolding; for the modulation of effects in terms of sound,
1475:
For bold experimentation in a conservative milieu; for poetic intensity on a variety of levels; for creating a parable set against the orthodoxies and superstitions of a
Brahmin village community; for its sympathy with the dumb world of animals and the equally dumb world of handicapped human beings;
1378:
For consistently transferring to the film medium a successful fictional work (Thakurwadi by G. N. Dandekar); for high lightening the mutual inconsistencies of love, of the fear of God and of superstition in a simple, innocent community of tribal, for the memorable use of the drum in evoking presence
1168:
For investing a simple, almost uneventful story with tragic poignancies, for presenting the intense loneliness and sense of longing of the individual uprooted from village life by eternal economic pressures and cast back into the stagnation and grinding poverty of rural existence by a society which,
1078:
For thrilling sequences which are evidence of extraordinary editorial virtuosity, establishing pace and tempo, brilliantly orchestrated in relation to the swift, suspenseful action; for cutting and montage of such dexterous facility as to conceal the skill which enables the dramatic power to explode
739:
For a brilliantly sustained performance, powerful and impassioned, of a complex unconventional character; for the poignant portrayal of a confused woman, harassed, importuned and exploited by the men in her life, driven into a bitter self-questioning loneliness; for vividly drawing the dual roles of
466:
For lifting the creative cinema of that region to new levels of artistic excellence, for delicacy of treatment and subtle use of the film medium, for the shifting perspective through which the tragic solution is revealed, for projecting the painful, tremulous transition from innocence to experience,
1325:
For capturing with an unerring eye for detail the trivia of village life; for presenting through its calculated pace and rhythm a true slice of a rural culture in Kerala; for revealing through seemingly insignificant vignettes the gradual transformation of a casual village drifter into a person of
857:
For a golden voice, with resonant timbre and charm, highly cultivated to convey the nuances of melodies based on classical and light classical ragas with as much ease and felicity as tunes set to the lilt of light music; for the sheer brilliance of form and content in his powerful interpretations;
777:
For depicting with rare sensitivity, a child's growth into awareness of the coarseness and brutality of the adult world, for his silent struggle to retain his innocence and his natural sense of justice; for his poetic evocation of the child's response to the slowly unfolding mysteries of life, the
659:
For powerfully recreating the biography of an actress, for its rare, psychological insights and understanding of human relationships, for the complex integration of theme, style and dramatic situation into an engrossing whole, which provokes the spectator into a new awareness of the predicament of
566:
For a film with which a quiet realism evokes the fascination and mystery of the jungle; for its mature emphasis on the harmonious relationship between man and nature; for the personal empathy portrayed between a child and creatures of the forest; for a story of lyrical charm and gripping adventure
1035:
For recording great clarity and precision, creating a beautifully modulated tone poem of the various elements; of human speech, of atmospheric effects, of natural sound and vision which makes one live within the film; for superb technical quality which helps to enhance the meaning and impact of a
997:
For capturing in meticulous detail the opulent splendor of the court of Wajid Ali Shah; for using colour with discrimination and taste to evoke the distinctive decadent flavor of the period and to provide psychological insights into the characters; for projecting the action through a framework of
608:
For its courageous and uncompromising exploration of an ancient epic through a pronouncedly new cinematic language, for making the camera speak more eloquently than the introspective characters of the
Ramayana, for projecting the interior landscape of the protagonists against the vast backdrop of
1218:
For the skilful juxtaposing and interweaving of two parallel destinies, the personal and the political; for the setting these against the decadent splendor of the court of Avadh, recreated with a sense of great pictorial beauty and musical charm; for presenting vividly the clash of two cultures,
903:
For purity of diction and melodic excellence; for emotive suggestiveness and lyrical appeal; for a quality of expression which is intensely moving; for rendering the theme song "Senthoora Poove" with deep feeling, reflecting the romantic dreams of youth, slowly merging into the shadows of tragic
699:
For an uncanny, truthful and subtle portrayal of a nondescript village character, carrying almost imperceptibly his slow inner transformation through normal tribulations of life into new awakening of consciousness, of feeling and of responsibility, for the artless unfolding of character which is
1525:
For successfully transforming
Premchand's story "Kafan" into a scathing commentary on rural destitution and social injustice; for projecting through powerful performances of its leading characters, the degradation and brutalisation of human beings, for its sincere commitment to the cause of the
1275:
For exploring the conflict between tradition and change in an Indian and
Western cultures, for employing the symbol of the sacred cow as a bridge between two civilisations, for the bucolic charm projected through the film's austere setting and particularly through the behaviour of its elderly
513:
For a taut script, for restrained, mature and dignified performances (especially by Girish Karnad), for meticulous attention to detail, for maintaining the spirit of the original story and translating it into the film medium with effectiveness and grace, for giving an old theme a contemporary
948:
For smooth, crisp and immaculate camera work; for the clear, sensitive and discreet portrayal of beings in the first flush of youth; for seizing with a certain lyrical grace their romantic yearnings, their gay abandon, their zest and effervescence, their charming
1609:
For an objective account of the national struggle for
Independence as reflected in the personal life of India first President. The film is an excellent example of historical documentation, while it portrays with much sensitivity Rajendra Prasad as a human
1693:
For a sensitive presentation of the generation gap and of the interrelationships of family welfare literacy, self-reliance and modernisation of social attitudes. It is a simple, quiet and compelling story and avoids strident
2707:
1747:
For achieving a mellifluous blending of the spirit and philosophy of Yoga, with a wealth of detail of practical exercises in an atmosphere of calm contemplation, ennobling music and recitations from the sacred
1659:
For its remarkable precision in describing the cause and effect relationship of tobacco habits and oral cancer. It gives a systematic and telling account of a scientific phenomenon and produces an overwhelming
2812:
2817:
1169:
having used him up; now discards him; for portraying the characters with subtlety and insight and a quiet wry humor lacerating in its irony - all this through actors facing the camera for the first time.
2144:
473:
2513:
2702:
2587:
1616:
2722:
2508:
2455:
2440:
2450:
2420:
2410:
2395:
2385:
2360:
2762:
2717:
2645:
2523:
2425:
2415:
1917:
2475:
2405:
2390:
2757:
2692:
2630:
2498:
2445:
2435:
2400:
2370:
1822:
2677:
2470:
2465:
2460:
2430:
2380:
2365:
1700:
1851:
For the breathtaking sweep of his camerawork portraying the faith and emotions of the pilgrims on the hazardous route to the
Amarnath Cave, culminating in the final Darshan.
2682:
2655:
2650:
2533:
2752:
1857:
2747:
818:
covering music in all its variegated range within their span, for heightening the mood in each sequence, almost imperceptibly; for creating art at its concealed best.
2582:
2263:
2528:
2338:
2503:
1912:
1476:
for the memorable impression it leaves on the minds of the viewers through the striking visual use of the verses of
Subramanya Bharati, the first Tamil modernist.
1426:
the welfare of the community, for portraying with vigor and intensity the role of Chilka lake as a mother of the people, sharing with them their joys and sorrows.
2712:
2635:
2258:
1754:
2253:
1282:
2154:
1952:
1139:
2248:
1957:
1942:
1937:
1332:
1225:
2640:
2518:
2293:
2208:
1922:
1482:
864:
2804:
2742:
2669:
2485:
2352:
2213:
2188:
2178:
1947:
1932:
1432:
1385:
1175:
2375:
2288:
2228:
2218:
2203:
2198:
2183:
824:
1379:
of the God and expressing the inexorable demands of love for a cinematic form which captures the lyricism, the cadence and the lilt of folk culture.
953:; for using the camera creatively to project their languid world of gossamer dreams out of which they are roused by the bitter harshness of reality.
3468:
2493:
2238:
2083:
1907:
1890:
For a vivid, visual documentation of the havoc wrought by the cyclonic storm which hit the coastal districts of Andhra
Pradesh on 19 November 1977.
1219:
irreconcilable in their distinctive views of the world; for performances of remarkable depth and range, true to the style and flavor of the period.
185:
2727:
2609:
2318:
2233:
2193:
2149:
520:
2697:
2303:
2223:
2078:
2058:
2732:
2687:
2577:
1666:
1566:
514:
relevance, for providing that it is possible to make a film with popular appeal without surrendering psychological truth or artistic values.
2737:
2543:
2283:
784:
2789:
2617:
2323:
2273:
1998:
959:
910:
2538:
2333:
2313:
2308:
2268:
2159:
2134:
746:
412:
378:
110:
740:
woman and actress, the private life and public visage; with rare sensibility and discrimination and a perpetual sense of the ironic.
2794:
1004:
2622:
2243:
615:
2139:
1714:
573:
467:
for searing intellectual honesty, for the fusion of all the elements into a form so distinctive as to declare it a masterpiece.
1816:
For successfully projecting the case against early marriage through excellent and emotive art work and animation techniques.
2328:
2278:
1042:
706:
2298:
1927:
3483:
2051:
666:
609:
nature, for matching profound philosophical ideas with astonishing evocations of the beauties of the physical world.
3478:
2044:
181:
40:
259: • Swapan Mullick • A. Viswam • R. D. Mathur •
156:
225:
3473:
3440:
3432:
3413:
3405:
3397:
3389:
3381:
3373:
3365:
3357:
3349:
3341:
3333:
3325:
3317:
3309:
3301:
3293:
3285:
3277:
3269:
3261:
3242:
3234:
3226:
3218:
3210:
3202:
3194:
3186:
3178:
3170:
3162:
3154:
3146:
3138:
3130:
3122:
3114:
3106:
3098:
3090:
3071:
3063:
3055:
3039:
3031:
3023:
3015:
3007:
2999:
2991:
2983:
2975:
2967:
2959:
2951:
2943:
2935:
2927:
963:
381:
also winning the maximum number of awards (three). Following were the awards given in each category:
161:
151:
367:
Feature films were awarded at All India as well as regional level. For 25th
National Film Awards, a
2919:
2900:
2892:
2884:
2876:
2868:
2860:
2852:
2844:
1231:
1872:
1771:
1457:
2104:
322:
237:
124:
1991:
1438:
1150:
830:
50:
2067:
1729:
1307:
233:
176:
8:
1181:
970:
368:
251:
247:
1902:
Following were the awards not given as no film was found to be suitable for the award:
1092:
1048:
921:
585:
448:
243:
56:
1108:
712:
621:
479:
84:
1626:
1116:
1100:
1096:
424:
280:
229:
200:
Two different committees were formed for feature films and short films, headed by
2088:
1345:
1112:
914:
499:
339:
328:
189:
1576:
1488:
1391:
1238:
1104:
880:
870:
778:
trivial, the brutal and tragic being inextricable elements of human experience.
631:
485:
474:
Best Feature Film with Mass Appeal, Wholesome Entertainment and Aesthetic Value
256:
242:
Firoze Rangoonwalla • Rita Ray (Kobita Sarkar) •
217:
201:
1526:
downtrodden; for its fervent impassioned appeal to the conscience of humanity.
3462:
1257:
1253:
1058:
930:
839:
799:
790:
752:
641:
636:
579:
444:
429:
418:
373:
343:
116:
1360:
1338:
1200:
979:
681:
590:
526:
347:
721:
548:
272:
260:
205:
2036:
1507:
1288:
950:
672:
334:
129:
885:
88:
2603:
Non Feature Film Promoting National, Social and Environmental Values
1785:
276:
221:
2026:
567:
which educates even as it entertains children and grown-ups alike.
1010:
192:
released in the year 1977. Ceremony took place on 27 April 1978.
294:
Awards were divided into feature films and non-feature films.
1953:
President's Silver Medal for Best Feature Film in Manipuri
379:
President's Gold Medal for the All India Best Feature Film
1958:
President's Silver Medal for Best Feature Film in Punjabi
1943:
President's Silver Medal for Best Feature Film in English
1938:
President's Silver Medal for Best Feature Film in Bengali
1079:
across the screen from time to time with stunning impact.
2175:
Film Promoting National, Social and Environmental Values
2614:
Biographical/Historical Reconstruction/Compilation Film
1948:
President's Silver Medal for Best Feature Film in Hindi
2032:
Official Page for Directorate of Film Festivals, India
2813:
Special Jury Award / Special Mention (Book on Cinema)
2031:
98:
1091:
The awards were given to the best films made in the
700:
evidence of acting ability of high aesthetic order.
2818:Special Jury Award / Special Mention (Film Critic)
3460:
279:) • M. N. Kapur •
246: • K. M. Almadi •
186:Ministry of Information and Broadcasting, India
2145:Popular Film Providing Wholesome Entertainment
2079:National Film Development Corporation of India
2514:Film on Environment Conservation/Preservation
2052:
1119:, award for Best Feature Film was not given.
297:
2703:Educational/Motivational/Instructional Film
1986:
1984:
1982:
1980:
1978:
1976:
1974:
2723:Historical Reconstruction/Compilation Film
2708:Environment/Conservation/Preservation Film
2059:
2045:
1681:Producer and Director: Santi P. Chowdhury
16:Indian ceremony celebrating cinema of 1977
1918:Best Feature Film on National Integration
2084:Ministry of Information and Broadcasting
2066:
1971:
3469:National Film Awards (India) ceremonies
3461:
1715:Film and Television Institute of India
535:Producer: R. A. Jalan, Pratap Agarwal
2040:
1617:Best Educational / Instructional Film
1533:
660:the working woman in Indian society.
2004:from the original on 3 January 2020
1897:
1294:Producer: Kulathoor Bhaskaran Nair
1062: • Gurudutt Shirali
13:
2451:Sanskrit Feature Film Feature Film
2396:Kashmiri Feature Film Feature Film
1397:Producer: Shyamghan Rai Chaudhari
384:
14:
3495:
2693:Anthropological/Ethnographic Film
2020:
1997:. Directorate of Film Festivals.
1933:Best Film on Social Documentation
1538:Following were the awards given:
1086:
858:for a distinctive personal style.
389:Following were the awards given:
2509:Film Based on High Literary Work
362:
327:
1669:(Non-Commercial and Commercial)
1409:Director: Biplab Rai Chaudhari
1326:genuine worth and true dignity.
2461:Tiwa Feature Film Feature Film
1622:Tobacco Habits and Oral Cancer
1541:
1494:Producer: A. Parandhama Reddy
1283:Best Feature Film in Malayalam
1:
2027:National Film Awards Archives
1964:
1865:(Indian News Review No. 1520)
1581:Producer: Arvind Kumar Sinha
1140:Best Feature Film in Assamese
283: • R. N. Pande
184:, the organisation set up by
182:Directorate of Film Festivals
41:Directorate of Film Festivals
32:Best of Indian cinema in 1977
2524:Film on National Integration
2264:Actress in a Supporting Role
1333:Best Feature Film in Marathi
1226:Best Feature Film in Kannada
83:N. D. M. C. Indoor Stadium,
7:
2529:Film on Other Social Issues
1992:"25th National Film Awards"
1923:Best Film on Family Welfare
1828:Indian News Review No. 1508
1483:Best Feature Film in Telugu
1093:regional languages of India
865:Best Female Playback Singer
490:Producer: Jaya Charavarthy
226:Thakazhi Sivasankara Pillai
213:Jury Members: Feature Films
10:
3500:
2713:Exploration/Adventure Film
2259:Actor in a Supporting Role
2254:Actress in a Leading Role
1433:Best Feature Film in Tamil
1386:Best Feature Film in Oriya
1237:Producer: B.M. Venkatesh,
1176:Best Feature Film in Hindi
298:Lifetime Achievement Award
188:to felicitate the best of
3484:April 1978 events in Asia
3425:
3254:
3083:
2912:
2837:
2830:
2803:
2782:
2775:
2668:
2596:
2570:
2563:
2556:
2484:
2351:
2168:
2127:
2120:
2113:
2097:
2074:
1885:
1856:
1846:
1821:
1811:
1763:
1758:
1753:
1742:
1709:
1704:
1699:
1688:
1665:
1654:
1625:
1620:
1615:
1604:
1575:
1572:Deshratna Rajendra Prasad
1570:
1565:
1520:
1486:
1481:
1470:
1436:
1431:
1420:
1389:
1384:
1373:
1336:
1331:
1320:
1286:
1281:
1270:
1229:
1224:
1213:
1179:
1174:
1163:
1138:
1073:
1041:
1030:
1003:
992:
958:
943:
909:
898:
863:
852:
825:Best Male Playback Singer
823:
812:
783:
772:
745:
734:
705:
694:
665:
654:
614:
603:
572:
561:
531:
524:
519:
508:
484:
477:
472:
461:
423:
416:
411:
289:
268:Jury Members: Short Films
195:
146:
135:
123:
109:
104:
94:
79:
64:
46:
36:
28:
24:25th National Film Awards
23:
2588:Debut Film of a Director
2155:Debut Film of a Director
1908:Second Best Feature Film
1800:Director: B. R. Shendge
1767:Producer: G. P. Asthana
1232:Tabbaliyu Neenade Magane
1187:Producer: Suresh Jindal
2441:Pangchenpa Feature Film
2249:Actor in a Leading Role
1823:Best Newsreel Cameraman
1643:Director: Arun Khopkar
1444:Producer: Charley John
1149:Producer and Director:
1095:. For feature films in
1036:thought-provoking film.
68:27 April 1978
2718:Film on Family Welfare
2641:Narration / Voice Over
2519:Film on Family Welfare
2209:Malayalam Feature Film
2105:Dadasaheb Phalke Award
1701:Best Experimental Film
1631:Producer: A. V. Films
323:Dadasaheb Phalke Award
238:Sundari K. Shridharani
125:Dadasaheb Phalke Award
3479:1978 in Indian cinema
2743:Film on Social Issues
2421:Maithili Feature Film
2411:Kokborok Feature Film
2386:Haryanvi Feature Film
2361:Bhojpuri Feature Film
2309:AVGC (Visual Effects)
2214:Manipuri Feature Film
2189:Gujarati Feature Film
2179:Assamese Feature Film
2160:AVGC (Animation Film)
1667:Best Promotional Film
1593:Director: M. Prabhat
1567:Best Information Film
1439:Agraharathil Kazhutai
1151:Bhabendra Nath Saikia
871:Pathinaru Vayathinile
831:Hum Kisise Kum Naheen
51:Neelam Sanjeeva Reddy
2646:Best Music Direction
2426:Mishing Feature Film
2416:Ladakhi Feature Film
2376:English Feature Film
2229:Punjabi Feature Film
2219:Marathi Feature Film
2204:Konkani Feature Film
2199:Kannada Feature Film
2184:Bengali Feature Film
2098:Lifetime Achievement
2068:National Film Awards
1730:John Sankaramangalam
1308:Adoor Gopalakrishnan
1005:Best Sound Recording
785:Best Music Direction
521:Best Children's Film
234:Ka. Naa. Subramanyam
177:National Film Awards
157:National Film Awards
2805:Intermittent awards
2790:Best Book on Cinema
2670:Discontinued awards
2494:Second Feature Film
2486:Discontinued awards
2476:Wancho Feature Film
2406:Kodava Feature Film
2391:Jasari Feature Film
2353:Intermittent awards
2239:Telugu Feature Film
1863:Unprecedented Havoc
1755:Best Animation Film
1182:Shatranj Ke Khilari
971:Shatranj Ke Khilari
960:Best Cinematography
911:Best Cinematography
876:("Senthoora Poove")
432:: Sadanand Suvarna
356:40,000 and a Shawl
252:Raghuveer Chaudhari
224:) •
2758:Newsreel Cameraman
2728:Investigative Film
2610:Arts/Cultural Film
2499:Third Feature Film
2446:Rabha Feature Film
2436:Monpa Feature Film
2401:Khasi Feature Film
2371:Dogri Feature Film
2319:Stunt Choreography
2234:Tamil Feature Film
2194:Hindi Feature Film
1057: •
640: •
635: •
630: •
449:Girish Kasaravalli
250: •
244:N. S. Ramachandran
236: •
232: •
228: •
57:President of India
3456:
3455:
3452:
3451:
2826:
2825:
2776:Writing on cinema
2771:
2770:
2698:Biographical Film
2678:Experimental Film
2664:
2663:
2557:Non-Feature Films
2552:
2551:
2471:Urdu Feature Film
2466:Tulu Feature Film
2431:Mizo Feature Film
2381:Garo Feature Film
2366:Bodo Feature Film
2347:
2346:
2304:Production Design
2224:Odia Feature Film
1895:
1894:
1760:Prakriti Ka Niyam
1534:Non-Feature films
1531:
1530:
1084:
1083:
1019:S. P. Ramanathan
747:Best Child Artist
538:Swarna Kamal and
435:Swarna Kamal and
413:Best Feature Film
360:
359:
171:
170:
111:Best Feature Film
85:Talkatora Gardens
3491:
3474:1978 film awards
3444:
3436:
3417:
3409:
3401:
3393:
3385:
3377:
3369:
3361:
3353:
3345:
3337:
3329:
3321:
3313:
3305:
3297:
3289:
3281:
3273:
3265:
3246:
3238:
3230:
3222:
3214:
3206:
3198:
3190:
3182:
3174:
3166:
3158:
3150:
3142:
3134:
3126:
3118:
3110:
3102:
3094:
3075:
3067:
3059:
3051:
3043:
3035:
3027:
3019:
3011:
3003:
2995:
2987:
2979:
2971:
2963:
2955:
2947:
2939:
2931:
2923:
2904:
2896:
2888:
2880:
2872:
2864:
2856:
2848:
2835:
2834:
2795:Best Film Critic
2780:
2779:
2733:Promotional Film
2688:Agriculture Film
2578:Non-Feature Film
2568:
2567:
2561:
2560:
2125:
2124:
2118:
2117:
2061:
2054:
2047:
2038:
2037:
2014:
2013:
2011:
2009:
2003:
1996:
1988:
1898:Awards not given
1880:
1877:Rajat Kamal and
1858:Best News Review
1841:
1838:Rajat Kamal and
1806:
1803:Rajat Kamal and
1794:
1791:Rajat Kamal and
1779:
1776:Rajat Kamal and
1770:
1737:
1734:Rajat Kamal and
1722:
1719:Rajat Kamal and
1649:
1646:Rajat Kamal and
1637:
1634:Rajat Kamal and
1599:
1596:Rajat Kamal and
1587:
1584:Rajat Kamal and
1546:
1545:
1515:
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3426:2021–present
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2763:Special Jury
2651:Sound Design
2597:Silver Lotus
2571:Golden Lotus
2534:Special Jury
2334:Sound Design
2314:Choreography
2269:Child Artist
2169:Silver Lotus
2135:Feature Film
2128:Golden Lotus
2006:. Retrieved
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1339:Jait Re Jait
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1201:Satyajit Ray
1180:
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1043:Best Editing
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980:Soumendu Roy
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591:G. Aravindan
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504:Rajat Kamal
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369:Kannada film
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348:Screenwriter
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248:K. S. Duggal
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65:Presented on
47:Presented by
18:
2753:News Review
2289:Male Singer
2008:2 September
1928:Best Lyrics
1835:C. L. Kaul
1710:Music only
1561:Cash Prize
1558:Awardee(s)
1542:Short films
1276:characters.
1131:Awardee(s)
761:Ajit Kumar
722:Smita Patil
549:Tapan Sinha
407:Cash Prize
404:Awardee(s)
314:Awarded As
311:Awardee(s)
277:Chairperson
273:Ashok Mitra
261:M. K. Raina
222:Chairperson
206:Ashok Mitra
136:Most awards
29:Awarded for
3463:Categories
2623:Short Film
2606:Documentry
2456:Sherdukpen
2244:Screenplay
1965:References
1913:Best Story
1728:Director:
1713:Producer:
1508:Mrinal Sen
1506:Director:
1456:Director:
1359:Director:
1344:Producer:
1306:Director:
1289:Kodiyettam
1252:Director:
1199:Director:
1145:Sandhyarag
951:narcissism
678:Malayalam
673:Kodiyettam
667:Best Actor
547:Director:
498:Director:
335:Nitin Bose
130:Nitin Bose
105:Highlights
99:dff.nic.in
72:1978-04-27
37:Awarded by
3255:2001–2020
3084:1981–2000
2913:1961–1980
2838:1953–1960
2748:Filmstrip
2583:Direction
2140:Direction
1887:Citation:
1848:Citation:
1813:Citation:
1744:Citation:
1690:Citation:
1656:Citation:
1606:Citation:
1555:Language
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1272:Citation:
1215:Citation:
1165:Citation:
1075:Citation:
1032:Citation:
994:Citation:
945:Citation:
900:Citation:
886:S. Janaki
854:Citation:
814:Citation:
774:Citation:
736:Citation:
696:Citation:
656:Citation:
605:Citation:
586:Malayalam
563:Citation:
510:Citation:
463:Citation:
401:Language
89:New Delhi
1999:Archived
1869:English
1832:English
1786:Animator
1109:Kashmiri
927:Kannada
904:destiny.
796:Kannada
758:Kannada
445:Director
430:Producer
377:won the
344:Director
2636:Editing
2329:Make-up
2279:Editing
1706:Samadhi
1674:Parvati
1660:impact.
1627:English
1501:10,000
1451:10,000
1404:10,000
1354:10,000
1301:10,000
1247:10,000
1194:10,000
1159:10,000
1134:Awards
1117:Punjabi
1101:English
1097:Bengali
1011:Godhuli
894:10,000
848:10,000
808:10,000
730:10,000
713:Bhumika
690:10,000
650:10,000
622:Bhumika
599:20,000
557:10,000
542:15,000
457:20,000
439:40,000
425:Kannada
317:Awards
70: (
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2627:Script
2299:Lyrics
1881:5,000
1842:5,000
1807:4,000
1795:5,000
1780:5,000
1764:Hindi
1748:texts.
1738:4,000
1723:5,000
1678:Hindi
1650:4,000
1638:5,000
1610:being.
1600:4,000
1588:5,000
1516:5,000
1466:5,000
1416:5,000
1369:5,000
1316:5,000
1266:5,000
1209:5,000
1113:Meitei
1069:5,000
1054:Hindi
1049:Inkaar
1026:5,000
1016:Hindi
988:5,000
976:Hindi
939:5,000
922:Kokila
836:Hindi
768:5,000
718:Hindi
627:Hindi
532:Hindi
308:Image
290:Awards
196:Juries
3441:2022
3433:2021
3414:2020
3406:2019
3398:2018
3390:2017
3382:2016
3374:2015
3366:2014
3358:2013
3350:2012
3342:2011
3334:2010
3326:2009
3318:2008
3310:2007
3302:2006
3294:2005
3286:2004
3278:2003
3270:2002
3262:2001
3243:2000
3235:1999
3227:1998
3219:1997
3211:1996
3203:1995
3195:1994
3187:1993
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3171:1991
3163:1990
3155:1989
3147:1988
3139:1987
3131:1986
3123:1985
3115:1984
3107:1983
3099:1982
3091:1981
3072:1980
3064:1979
3056:1978
3048:1977
3040:1976
3032:1975
3024:1974
3016:1973
3008:1972
3000:1971
2992:1970
2984:1969
2976:1968
2968:1967
2960:1966
2952:1965
2944:1964
2936:1963
2928:1962
2922:(9th)
2920:1961
2903:(8th)
2901:1960
2895:(7th)
2893:1959
2887:(6th)
2885:1958
2879:(5th)
2877:1957
2871:(4th)
2869:1956
2863:(3rd)
2861:1955
2855:(2nd)
2853:1954
2847:(1st)
2845:1953
2504:Story
2002:(PDF)
1995:(PDF)
1577:Hindi
1105:Hindi
964:Color
881:Tamil
486:Hindi
480:Swami
175:25th
2010:2020
1115:and
682:Gopi
346:and
204:and
173:The
162:26th
152:24th
80:Site
1769:for
142:(3)
3465::
1973:^
1256:,
1111:,
1107:,
1103:,
1099:,
966:)
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87:,
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2012:.
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275:(
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